Shotgun Shooting Quotes

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Guys, gals, now hear this: No one wants to take away your hunting rifles. No one wants to take away your shotguns. No one wants to take away your revolvers, and no one wants to take away your automatic pistols, as long as said pistols hold no more than ten rounds. If you can't kill a home invader (or your wife, up in the middle of the night to get a snack from the fridge) with ten shots, you need to go back to the local shooting range.
Stephen King (Guns)
Okay, can somebody quickly just summarize for the shotgun department who it's okay and not okay to shoot?
David Wong (This Book Is Full of Spiders (John Dies at the End, #2))
It wasn’t perfect, but it would do for a few seconds, long enough to hole up and wait for the shooting to die down. Only it didn’t. Pistols, shotguns, and that clatter you never forget, the kind that tells you someone has a Kalashnikov.
Max Brooks (World War Z: An Oral History of the Zombie War)
One of the worst incidents of that era caused no complaints at all: this was a sort of good-natured firepower demonstration, which occured one Sunday morning about three-thirty. For reasons that were never made clear, I blew out my back windows with five blasts of a 12 gauge shotgun, followed moments later by six rounds from a .44 Magnum. It was a prolonged outburst of heavy firing, drunken laughter, and crashing glass. Yet the neighbors reacted with total silence. For a while I assumed that some freakish wind pocket had absorbed all the noise and carried it out to sea, but after my eviction I learned otherwise. Every one of the shots had been duly recorded on the gossip log. Another tenant in the building told me the landlord was convinced, by all the tales he'd heard, that the interior of my apartment was reduced to rubble by orgies, brawls, fires, and wanton shooting. He had even heard stories about motorcycles being driven in and out the front door.
Hunter S. Thompson (Hell's Angels)
I'd done a bit of research on fun things you can fire out of a shotgun, and as it turns out, there's all kinds of interesting stuff you can shoot at people. - Harry Dresden
Jim Butcher (Small Favor (The Dresden Files, #10))
My brothers and I love A Christmas Story. It reminds us of ourselves when we were that age." "Your father didn't want to give you a BB shotgun because you might shoot your eye out?
Terry Spear (A Silver Wolf Christmas (Heart of the Wolf #17; Silver Town Wolf #5))
What made me maddest was the media treatment of the BPP, which gave the impression that the Party was racist and violent. And it worked. The pigs would burst into a Panther office, shoot first, and ask questions later. The press always reported that the police had “uncovered” a large arsenal of weapons. Later, when the “arsenal” turned out to be a few legally registered rifles and shotguns, the press never printed a word. The same thing goes on today.
Assata Shakur (Assata: An Autobiography)
Biggest case we've had here in five years was when Dan Schwartz got drunk and shot up his own trailer, then he went on the run, down Main Street, in his wheelchair, waving this darn shotgun, shouting that he would shoot anyone that got in his way, that no one would stop him from getting to the interstate. I think he was on his way to Washington to shoot the president. I still laugh whenever I think of Dan heading down the interstate in that wheelchair of his with the bumper sticker on the back. My Juvenile Delinquent Is Screwing Your Honor Student.
Neil Gaiman (American Gods (American Gods, #1))
grew up with guns and I needed them. Most people don’t. All these high-capacity guns flashed by the nutcakes? They’re a disaster. If I had my way, there’d be no guns but single-shot hunting rifles and single-shot shotguns. You could do all the target shooting you want with those. You could hunt to your heart’s content. Of course, you’d actually have to learn how to hunt or how to hit a target, and most of those dimwits don’t want to be bothered.
John Sandford (The Investigator (Letty Davenport, #1))
I remember back a number of years, talkin about fairs, they had a old boy come through would shoot live pigeons with ye. Him with a rifle and you with a shotgun. Or anything else. He must of had a truckload of pigeons. Had a boy out in the middle of a field with a crateful and he’d holler and the boy’d let one slip and he’d raise his rifle and blam, he’d dust it. Misters, he could strictly make the feathers fly. We’d never seen the like of shootin. They was a bunch of us pretty hotshot birdhunters lost our money out there fore we got it figured out. What he was doin, this boy was loadin the old pigeons up the ass with them little firecrackers. They’d take off like they was home free and get up about so high and blam, it’d blow their asses out. He’d just shoot directly he seen the feathers fly. You couldn’t tell it. Or I take that back, somebody did finally. I don’t remember who it was. Reached and grabbed the rifle out of the old boy’s hand fore he could shoot and the old pigeon just went blam anyways. They like to tarred and feathered him over it.
Cormac McCarthy (Child of God)
He had a point. The planet was being destroyed by manufacturing processes, and what was being manufactured was lousy, by and large. Then Trout made a good point, too. 'Well,' he said, 'I used to be a conservationist. I used to weep and wail about people shooting bald eagles with automatic shotguns from helicopters and all that, but I gave it up. There's a river in Cleveland which is so polluted that it catches fire about once a year. That used to make me sick, but I laugh about it now. When some tanker accidentally dumps its load in the ocean, and kills millions of birds and billions of fish, I say, 'More power to Standard Oil,' or whoever it was that dumped it.' Trout raised his arms in celebration. 'Up your ass with Mobil gas,' he said.
Kurt Vonnegut Jr.
The report of a gun is one of my favorite sounds. It’s so powerful, so dangerous, yet perversely, it’s also the sound of safety. I figured that in the unlikely event the world really did end, I’d at least have that. I could shoot all day long, make all the biggest, blasting shotgun sounds I wanted.
Ann Christy (The In-Betweener (Between Life and Death #1))
When the boys come, instead of buying Barbie dolls, all of a sudden you’re into trucks and remote controls, cars and tanks. You buy building blocks and build castles and locomotives. You get into knives and later take them shooting with pistols, shotguns, and rifles. All of which made me very happy.
Arnold Schwarzenegger (Total Recall: My Unbelievably True Life Story)
He had a point. The planet was being destroyed by manufacturing processes, and what was being manufactured was lousy, by and large. Then Trout made a good point, too. 'Well,' he said, 'I used to be a conservationist. I used to weep and wail about people shooting bald eagles with automatic shotguns from helicopters and all that, but I gave it up. There's a river in Cleveland which is so polluted that it catches fire about once a year. That used to make me sick, but I laugh about it now. When some tanker accidentally dumps its load in the ocean and kills millions of birds and billions of fish, I say, 'More power to Standard Oil' or whoever it was that dumped it.' Trout raised his arms in celebration. 'Up your ass with Mobil gas,' he said... 'I realized,' said Trout, 'that God wasn't any conservationist, so for anybody else to be one was sacrilegious and a waste of time. You ever see one of His volcanoes or tornadoes or tidal waves? Anybody ever tell you about the Ice Ages he arranges for every half-million years? How about Dutch Elm disease? There's a nice conservation measure for you. That's God, not man. Just about the time we got our rivers cleaned up, he'd probably have the whole galaxy go up like a celluloid collar...
Kurt Vonnegut Jr. (Breakfast of Champions)
C-minus in algebra; A plus in coolology. See, popularity is complicated, yo. You have to spend a lot of time thinking about liking; you have to really like being liked, and also sorta like being disliked." And reason three," Lindsey said, "is I gotta teach you how to shoot so you don't embarass yourself." "Shoot a gun"? A shotgun. I put one in your trunk this afternoon." Colin nervously glanced toward the back.
John Green
Killing the pigeons and putting them out of their misery stubbornly refused to mean the same thing. Palmer thought about misery, and it seemed to him that a shotgun was not the only way to end it. When Palmer was miserable, for example, his mother or father would hold him close and wipe his tears. When Palmer's mother or father put him out of his misery, they did not shoot him, they offered him a cookie. Why then on Pigeon Day did the people bring guns instead of cookies?
Jerry Spinelli (Wringer (Summer Reading Edition))
When Reed was old enough to go dove-hunting, I figured out that he was more into shooting shells than actually hunting. He wanted to fire his gun as much as possible. Whenever a dove flew by, I heard boom! Boom! Boom! I tried to tell him that shotguns weren’t heat-seeking missiles and that he had to aim at the bird. But when the next dove flew overhead, I heard boom! Boom! Boom! The first time we went dove-hunting, I think he went through two boxes of shells before he finally connected.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
I hunted when I was younger, but after I moved to the country, I swore of making loud noises except in the case of emergencies. When a gun goes off, it alters everything in the immediate vicinity, and this effect lasts for a good half hour. Every sparrow, every field mouse, every spider in its web freezes in place. Shooting guns and setting off Fourth of July firecrackers are far too much of an imposition on the natural world. None of our fellow creatures has evolved far enough to accept guns or loud noises as part of the order of things. These days I only use my shotgun for occasional tree trimming.
Ted Kooser (Local Wonders: Seasons in the Bohemian Alps (American Lives))
Sunday morning dawned bright and cloudless. Ernest awoke early as always. He put on the red "Emporor's robe" and padded softly down the carpeted stairway. The early sunlight lay in pools on the living room floor. He had noticed that the guns were locked up in the basement. But the keys, as he well knew, were on the window ledge above the kitchen sink. He tiptoed down the basement stairs and unlocked the storage room. It smelled as dank as a grave. He chose a double-barreled Boss shotgun with a tight choke. He had used it for years of pigeon shooting. He took some shells from one of the boxes in the storage room, closed and locked the door, and climbed the basement stairs. If he saw the bright day outside, it did not deter him. He crossed the living room to the front foyer, a shrinelike entryway five by seven feet, with oak-paneled walls and a floor of linoleum tile. He had held for years to the maxim: "il faut (d'abord) durer". Now it had been succeeded by another: "il faut (apres tout) mourir". The idea, if not the phrase, filled all his mind. He slipped in two shells, lowered the gun butt carefully to the floor, leaned forward, pressed the twin barrels against his forehead just above the eyebrows, and tripped both triggers.
Carlos Baker (Hemingway: a Life Story)
the only thing the hero knows about the girl is that she is beautiful. He shows no interest in her intellect or personality—or even her sexuality. The man is either a ruler or has the magic power to awaken her, and all she can do is hope that her physical appearance fits the specifications better than the other girls. In the original Cinderella story, the stepsisters actually cut off parts of their feet to try to fit into the glass slipper. Maybe this marks the origins of the first cosmetic surgery. Besides romanticizing Cinderella’s misery, the story also gives the message that women’s relationships with each other are full of bitter competition and animosity. The adult voice of womanly wisdom in the story, the stepmother, advises all her girls to frantically do whatever it takes to please the prince. This includes groveling, cutting off parts of themselves, and staying powerless. I was heartsick to watch Disney’s “The Little Mermaid” with my three-year-old daughter. The little mermaid agrees to give up her voice for a chance to go up on the “surface” and convince her nobleman to marry her. She is told by her local matron sea witch that she doesn’t need a voice—she needs only to look cute and get him to kiss her. And in the story, it works. These are the means to her one and only end: to buy a rich and respected guy. Women are taught to only listen to an outside patriarchal authority. No wonder there is so much self-doubt and confusion when faced with the question, “What do you want out of your life?” This question alone can be enough to trigger an episode of depression. It often triggers a game of Ping-Pong in a woman’s head. Her imagination throws up a possibility and then her pessimistic shotgun mind shoots it down. The dialog may look something like this: “Maybe I want to go back to school.... No, that would be selfish of me because the kids need me…. Maybe I’ll start a business.... No I hate all that dogeat-dog competition…. Maybe I’ll look for a love relationship…. No, I am not sure I am healed ye….” and on it goes.
Kelly Bryson (Don't Be Nice, Be Real)
When the water rose on the Ouachita River, creatures without fins and gills climbed to higher ground, and the first place they seemed to go was our houses. The culprits that caused us the most misery were ants, rats, and snakes. One particular day, when I was only a kid, I heard shotgun blasts near my grandmother’s house, and I went next door to investigate. Then another shot rang out! I looked a little more closely and saw a big fish snake in the water, and whoever was shooting at it had done so with a surgical strike. As my grandparents’ porch came into view, I saw that my grandmother was the one doing the shooting! She chuckled and asked me, “Did you see that shot?” I couldn’t help thinking that maybe the reason my dad is such a good shot had something to do with what I’d just witnessed.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
I’ve seen a Marine outfit storm a fortified hill in Korea with fewer men and less fire power than the mayor sent out to prevent this anticipated riot. Some 300 policemen blocked off roads leading to the campus and took up stations along the campus fence . . . the crowd was orderly enough as the students started toward their dormitories. But the sight of the cops, with shotguns, carbines, tear gas and searchlights at the ready, seemed to enrage them. They started yelling “hey, boy,” and other insulting things at the cops and a few rocks began to fly, and the cops, who were tense and jumpy, started shooting into the air. And this set off another barrage of bricks, rocks and bottles and the cops started shooting in earnest, at running figures on the campus, into the shadows and toward the rooftops of the buildings.
Robert Penn Warren (Who Speaks for the Negro?)
It is a queer weapon, a shotgun. Every effort to secure additional range is well paid for. A bird may be going away at tremendous speed, "burning the air" as a youngster would put it. Seemingly nothing but chain-lightning, which zig-zagged a bit, could stop him. A crack of the gun and that wild flier is dead in the air, a full forty yards away. Right then the conviction comes to us that man never made another weapon so deadly as the shotgun. However, go back another forty yards, set the bird up on the limb of a tree and you might shoot at him all day and not kill him. The shotgun is a deadly weapon but its range is strictly limited and we are ourselves pretty well convinced that nothing less than a two-inch cannon will regularly kill single game-birds at one-hundred yards, with any kind of shot that can be put in the gun.
Charles Askins (Shotgun-Ology: A Handbook Of Useful Shotgun Information)
When Michael received a pass at the top of the key in full flight and he left the ground, he defied gravity, floated through the air, let that ball roll off his fingertips and into the basket. Tongue unconsciously extended. When he did that, he had to be in the zone. He could not be thinking about what he was doing. But to make his zone exactly analogous to the art zone, you have to add this: every time he shoots, in order to make a basket Michael Jordan would have to confront, without flinching, the moment when his father’s chest was blown apart by the shotgun held by his kidnapper. You know that happened in Michael Jordan’s life. Well, Michael would have to confront that in order to make a basket every time. Without flinching. Now his zone is equal to the artist’s zone. And now you understand the challenge of being an artist. 2
Robert Olen Butler (From Where You Dream: The Process of Writing Fiction)
Did you ever bring girls back here?” I ask, broaching dangerous territory. I’m thinking dangerous thoughts. Having dangerous fantasies. Wanting dangerous things. “Never,” he says earnestly. “Yeah, I don’t believe you.” I cross over to his DVD case by the door, pretending to be curious about what he liked to watch when he was a teenager—and I am—but really, I just need to have some space from him before I let this crazy twitterpated feeling get the best of me. But Chase follows me. “I’m dead serious. Pop has a shotgun. He was always threatening to shoot my dick off if I knocked a girl up. Scared the shit out of me.” I laugh nervously, keeping my eyes on the movies. “And here you are trying to knock a girl up now. You must have gotten over your fear.” “Pop has arthritis. He’d have too much trouble loading the gun.” There’s a soft thud of a door closing, and I look up to see that he has shut us in. “And I have always regretted the lack of action this room has seen.
Laurelin Paige (Hot Cop)
Q: Which party had wildest celebration and how did it play out? 1) The 1972 Dolphins Super Bowl watching party for the David Tyree catch? 2) The Jack Nicklaus day after Thanksgiving morning in 2009? 3) The NFL referee Monday night football watching party at Ed Hochuli's house for the Seattle/Green Bay game? —Steve G., Salt Lake City SG: Here's my theory on the day after Thanksgiving in 2009: I think Jack Nicklaus heard the news, went out and bought a bottle of 20-year-old Pappy Van Winkle, found an antique shotgun with 300 rounds of ammo, then drove to a secluded spot in the woods 25 miles away from any other human being. He got out of his car, started jumping around and screaming like he won the Super Bowl, did this for 20 solid minutes, then started swigging whiskey and shooting at things while whooping it up. Eventually, he drank the entire bottle, got back into his car and just started happily ramming into trees until the car stopped moving. Then he passed out in the driver's seat, woke up the next morning and walked home. Anyway, my answer is Jack Nicklaus.
Bill Simmons Grantland Mailbag Oct. 28 2012
The first time I took Reed hunting was when he was six years old. I took him on the last day of duck season, and we pulled right up to the water. I gave him a BB gun, and I had my shotgun. Our property was a haven for wood ducks, so that’s what I wanted to shoot so he could see what made this spot so special. Wouldn’t you know it? The first two ducks that flew in our sights were a mallard drake and hen. We were on a bank instead of in a blind, which was unusual, but the ducks floated down and lit about ten feet in front of us. More than anything, I showed Reed the power of a duck call, because the water in front of us was only about two inches deep. I couldn’t believe the ducks were sitting there. “I’m going to count to three,” I whispered to Reed. “Get your BB gun. When I get to three, you fire. “One, two, three!” I said. Reed shot his BB gun, and I fired my shotgun at the same time. The drake never knew what hit him, and Reed immediately looked down at his BB gun. It was like he was thinking, What is this thing? I don’t think he even realized I killed the duck with my shotgun. Reed was so excited that I don’t believe he realized that I had shot, despite the fact of the booming sound. He looked back at me, and I told him, “Boy, you put a good shot on him, son.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
In the end, the cats were rounded up and put into a room. My father went into the room with his First World War revolver, more reliable, he said, than a shotgun. The gun sounded again, again, again, again. The cats that were still uncaught had sensed their fate and were raging and screaming all over the bush, with people after them. My father came out of the room at one point, very white, with tight angry lips and wet eyes. He was sick. Then he swore a good deal, then he went back into the room and the shooting continued. At last he came out. The servants went in and carried off the corpses to the disused well. Some of the cats had escaped – three never came back at all to the murderous household, so they must have gone wild and taken their chances. When my mother returned from her trip, and the neighbour who had brought her had gone, she walked quiet and uncommenting through the house where there was now one cat, her old favourite, asleep on her bed. My mother had not asked for this cat to be spared, because it was old, and not very well. But she was looking for it; and she sat a long time stroking and talking to it. Then she came out to the verandah. There sat my father and there I sat, murderers, and feeling it. She sat down. He was rolling a cigarette. His hands were still shaking. He looked up at her and said: ‘That must never happen again.’ And I suppose it never did.
Doris Lessing (On Cats)
Suddenly, I caught a glimpse of something moving behind me. When I turned, I saw two coyotes standing in an ambush positon. They were watching my brother Jep, who was working as our cameraman and was positioned to the right of us. The coyotes saw Jep moving, but because he was so camouflaged, they apparently didn’t realize he was a human. Our guide in Nebraska had warned us that he’d seen several coyotes jump from the top of the bluffs to the ducks below for a quick meal. The landowner was having a lot of problems with the coyotes, which were suspected of killing some of his farm animals. He even feared a few of them might have rabies. Evidently, the coyotes heard us blowing our duck calls and believed we were actual ducks. Now they were ready for their next meal. We had accidentally called in two predators using our duck calls and in essence became the hunted instead of the hunters! The two coyotes were licking their chops and were about to attack the only unarmed member of our hunting party! It was like a scene out of a bad horror film called Killer Coyotes. I looked at Jep and realized he was oblivious to what was going on behind him. I jumped out of our makeshift blind and ran toward the coyotes. One of the coyotes took off running, but the other one ran about twenty feet and stopped. It turned around and started growling at me. It looked at me like, “Hey, you want some of me?” I raised my shotgun and shot it dead. I had planned on shooting only ducks, but it’s a bad move when a coyote decides it wants to fight a human. Once it stood its ground and said, “You or me,” I wasn’t going to take a threat from a wild scavenger. It was a prime example of what happens when animals become overpopulated and lose their fear of humans. The lesson learned: don’t bring claws and teeth to a gunfight.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
I’ll never forget the time I went duck-hunting with my buddy Mike Williams; you’ll read a lot about our adventures and shenanigans in this book. Mike and I were hunting blue-winged teal ducks, which tend to move en masse, so typically you’ll either shoot your limit or not see a duck. In other words, there is a lot of idle time involved with teal hunting, so we usually bring along our fishing poles. After a hunt with Mike one morning, in which we had not seen a single teal, I hooked a four-pound bass. Almost simultaneously, one lone blue-winged teal flew over our heads. As I was reeling in the bass, I reached for my shotgun, raised it with only my left hand, and shot the duck. Now, I’m right-handed but left-eye dominant. It was the first duck I ever shot left-handed, but it would be the first of many. I eventually made the switch to shooting left-handed permanently. It was the hardest obstacle I’ve ever had to overcome in hunting, but it made me a better shot because I’m left-eye dominant. When Mike and I went back to my dad’s house and told him what happened, Phil didn’t believe us, even though we had the teal and bass as evidence. He’d told us about a similar feat many times before, when his friend Hookin’ Bull Thompson pulled in a fish with one hand and shot a duck with the other. I had heard the story many time, but only then did I realize it had now been duplicated. No matter how many times we told Phil about what I did, he didn’t believe us. He thought we made the entire story up because of the countless times he’d bragged about witnessing his buddy’s epic feat. Now, Mike is one of the most honest people you’ll meet, so he couldn’t believe Phil thought we were lying to him. “I’m going to sign an affidavit about what you did,” Mike told me. “Maybe then he’ll believe us.” “Oh, drop it,” I said. “That’s just how my family rolls.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
The thing I really like about Jase is that he’s as obsessed with ducks as I am. I rarely took my boys hunting with me when they were very young. In fact, I never took them when I was still an outlaw. “Not this time, boys, we might be running from the game warden,” I’d tell them. But after I repented and came to Jesus Christ, I started taking my sons hunting with me, beginning with Alan. Before we moved to where we live now, it was a pretty long haul from town to the Ouachita River bottoms. Alan got carsick nearly every time I took him hunting, but he didn’t think I knew. We stopped at the same gas station every time, and he’d walk around back and lose his breakfast before he climbed back into the truck. I was proud of him for never complaining. I took Jase hunting for the first time when he was five. He was shooting Pa’s heavy Belgium-made Browning twelve-gauge shotgun, which he could barely even hold up. It kicked like a mule! The first time Jase shot the gun, it kicked him to the back of the blind and flipped him over a bench. “Did I get him?” Jase asked. I knew right then that I had another hunter in the family, and Jase is still the most skilled hunter of all my boys. I trained Jase to take over the company by teaching him the nuances of duck calls and fowl hunting, and he is still the person in charge of making sure every duck call sounds like a duck. Not only did Jase design the first gadwall drake call to hit the market, he also invented the first triple-reed duck caller. Jase and I live to hunt ducks. We track ducks during the season through a nationwide network of hunters, asking how many ducks are in their areas and what movements are expected. Then we check conditions of wind and weather fronts that might influence duck movement. We talk it all over during the day and again each morning, before the day’s hunt, as we prepare to leave for the blind. When Kay and I began to ponder becoming less active in the Duck Commander business, we offered its management to Jase, who had been most deeply involved in the company. But he had no desire to get into management. Jase likes building duck calls and doesn’t really enjoy the business aspects of the company, like making sales calls or dealing with clients and sponsors. Like me, Jase is most comfortable when he’s in a duck blind and doesn’t care for the details that come with running a company. Jase only wants to build duck calls, shoot ducks, and spend time with his family (he and his wife, Missy, have three kids).
Phil Robertson (Happy, Happy, Happy: My Life and Legacy as the Duck Commander)
Reed was involved in some of our most famous duck hunts; he even has a blind named after him. It’s called the Reed Robertson Hole. One year, we were having a really bad duck season. It was hot and there always seemed to be southwest winds, which aren’t ideal conditions on Phil’s property. One Sunday, the forecast called for more southwest winds, so nobody wanted to go hunting. I wasn’t going to pass up a morning in the duck blind, so I decided to take Reed with me. My expectations were so low that I was really only taking him to see the sunrise. I was convinced we wouldn’t see a single duck. Well, it got to be daylight and nothing happened. But we were still spending quality time together, and I was talking to him about God and the outdoors. I looked up and saw two birds. I literally thought it was two crows flying overhead. But then I realized it was two mallard drakes. I called them and they made two passes over our blind before backpedaling right in front of us. They seemed to stop in motion about ten feet in front of us. “Shoot!” I said. Reed raised his gun and shot three times in less than three seconds. Apparently, he still believed his shotgun was an AK-47. He went boom! Boom! Boom! By the time Reed was gone, I raised my gun and shot both of them. He looked at me and was like, “What happened?” He looked at his gun and thought something was wrong with it. “Son, you got excited and fired too quickly,” I said. “You’ve got to get on the duck.” As soon as I looked up, I saw ten teals circling toward us. They came right into our decoys. I decided to give Reed the first shot again. “Cut ‘em,” I said. Reed raised his gun and fired again. Boom! Boom! Boom! He shot one and then I shot another one. “Hey, you’re on the board,” I said. A while later, about seventy-five teals made three passes over us. I was going to let them light so Reed could get a good shot. About half of them lit and the other half came right toward us. “Cut ’em,” I said. I raised my gun and shot two of them. I heard Reed fire three times but didn’t see anything on the water. “I think I got three of them that time,” he said. “Son, don’t be making up stories,” I told him. I was looking right where he shot and didn’t see anything. But then I looked to the right and realized he’d actually shot four. He hit three on one side and a stray pellet hit one in the back. “Son, you have arrived,” I said. We wound up killing our limit that day, when I didn’t expect us to see any ducks at all. Phil and everybody else made a big deal about it because we hadn’t seen many ducks in days. It was the most ducks we’d ever shot out of that blind, and we’ve never mauled them like that again there. Because I shared the experience with my son, it was one of my most special and memorable hunts. I learned a valuable lesson that day: you never know when the ducks are going to show up. That is why I go every day the season is open.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
The most frequent use of a gun in self-defense is when an ordinary citizen feels threatened by a human predator and produces a gun — usually a handgun. The potential robber, rapist, or murderer sees the gun, realizes his victim-selection process needs revision, and takes off faster than a shotgun slug goes through a sheet-rock wall. No one gets hurt. Usually, the incident is not reported to the police, and there is seldom a report of the incident in the local paper or on the local television news — no blood, no story. At the other end of the media-attention scale is when a disturbed individual turns up at a place where many people congregate — a school, a mall, a church, a workplace — and starts shooting, killing and wounding as many as possible. It is these incidents that get national attention across the air-waves, cable television, and newspapers. Screams for more gun control by the country’s professional whiners, who think more laws will solve everything, typically follow. They hate the idea of ordinary citizens carrying concealed handguns for protection, and they hate the people who take responsibility for their own safety.
Chris Bird (Surviving a Mass Killer Rampage: When Seconds Count, Police Are Still Minutes Away)
THIRTY-THREE MUNICH, GERMANY 1:00 PM WILKERSON HAD SLEPT WELL, SATISFIED BOTH WITH HOW HE’D handled himself at the lodge and with Dorothea afterward. Having access to money, few responsibilities, and a beautiful woman weren’t bad substitutes for not being an admiral. Provided, of course, that he could stay alive. In preparation for this assignment, he’d back-checked the Oberhauser family thoroughly. Assets in the billions, and not old money—ancient money that had lasted through centuries of political upheavals. Opportunists? Surely. Their family crest seemed to explain it all. A dog clutching a rat in its mouth, encased inside a crested cauldron. What myriad contradictions. Much like the family itself. But how else could they have survived? Time, though, had taken a toll. Dorothea and her sister were all the Oberhausers left. Both beautiful, high-strung creatures. Nearing fifty. Identical in appearance, though each tried hard to distinguish herself. Dorothea had pursued business degrees and actively worked with her mother in the family concerns. She’d married in her early twenties and birthed a son, but he was killed five years ago, a week after his twentieth birthday, in a car accident. All reports indicated that she changed after that. Hardened. Became enslaved to deep anxieties and unpredictable moods. To shoot a man with a shotgun, as she’d done last night, then make love afterward with such an unfettered intensity, proved that dichotomy. Business had never interested Christl, nor had marriage or children. He’d met her only once, at a social function Dorothea and
Steve Berry (The Charlemagne Pursuit (Cotton Malone, #4))
Calvin said, "Jesus came down from Heaven but i never knew that he was a dove. i think about all those doves we killed with shotguns and Jesus could be in the form of a dove, flying around here on Earth. if we was to shoot him while he was a dove he would probably never forgive our sins.
Doug Hiser (Texas Sugar Pussy Kat Ruckus)
I’m Captain Florida, the state history pimp Gatherin’ more data than a DEA blimp West Palm, Tampa Bay, Miami-Dade Cruisin’ the coasts till Johnny Vegas gets laid Developer ho’s, and the politician bitches Smackin’ ’em down, while I’m takin’ lots of pictures Hurricanes, sinkholes, natural disaster ’Scuse me while I kick back, with my View-Master (S:) I’m Captain Florida, obscure facts are all legit (C:) I’m Coleman, the sidekick, with a big bong hit (S:) I’m Captain Florida, staying literate (C:) Coleman sees a book and says, “Fuck that shit” Ain’t never been caught, slippin’ nooses down the Keys Got more buoyancy than Elián González Knockin’ off the parasites, and takin’ all their moola Recruiting my apostles for the Church of Don Shula I’m an old-school gangster with a psycho ex-wife Molly Packin’ Glocks, a shotgun and my 7-Eleven coffee Trippin’ the theme parks, the malls, the time-shares Bustin’ my rhymes through all the red-tide scares (S:) I’m the surge in the storms, don’t believe the hype (C:) I’m his stoned number two, where’d I put my hash pipe? (S:) Florida, no appointments and a tank of gas (C:) Tequila, no employment and a bag of grass Think you’ve seen it all? I beg to differ Mosquitoes like bats and a peg-leg stripper The scammers, the schemers, the real estate liars Birthday-party clowns in a meth-lab fire But dig us, don’t diss us, pay a visit, don’t be late And statistics always lie, so ignore the murder rate Beaches, palm trees and golfing is our curse Our residents won’t bite, but a few will shoot first Everglades, orange groves, alligators, Buffett Scarface, Hemingway, an Andrew Jackson to suck it Solarcaine, Rogaine, eight balls of cocaine See the hall of fame for the criminally insane Artifacts, folklore, roadside attractions Crackers, Haitians, Cuban-exile factions The early-bird specials, drivin’ like molasses Condo-meeting fistfights in cataract glasses (S:) I’m the native tourist, with the rants that can’t be beat (C:) Serge, I think I put my shoes on the wrong feet (S:) A stack of old postcards in another dingy room (C:) A cold Bud forty and a magic mushroom Can’t stop, turnpike, keep ridin’ like the wind Gotta make a detour for a souvenir pin But if you like to litter, you’re just liable to get hurt Do ya like the MAC-10 under my tropical shirt? I just keep meeting jerks, I’m a human land-filler But it’s totally unfair, this term “serial killer” The police never rest, always breakin’ in my pad But sunshine is my bling, and I’m hangin’ like a chad (S:) Serge has got to roll and drop the mike on this rap . . . (C:) Coleman’s climbin’ in the tub, to take a little nap . . . (S:) . . . Disappearin’ in the swamp—and goin’ tangent, tangent, tangent . . . (C:) He’s goin’ tangent, tangent . . . (Fade-out) (S:) I’m goin’ tangent, tangent . . . (C:) Fuck goin’ platinum, he’s goin’ tangent, tangent . . . (S:) . . . Wikipedia all up and down your ass . . . (C:) Wikity-Wikity-Wikity . . .
Tim Dorsey (Electric Barracuda (Serge Storms #13))
hear the tell-tale cock of a shotgun and I’ve got my Five-SeveN out and pointing at Merc’s face before he can laugh. “You dumbfuck.” He puts his hands up and starts waving the gun around like an idiot. “Don’t shoot me, bro! Don’t shoot me, bro!” I walk over and grab the gun from his hands. “It’s don’t taze me, you idiot. Not shoot me.
J.A. Huss (Coming for You (Dirty, Dark, and Deadly, #3))
Fuck,” Syn growled. He was still thinking of solutions when he heard something scrape against his doorknob. Something metal was tampering with the lock. If he were anywhere else in the apartment he wouldn’t have heard it, but he was right next to the door, so he could hear someone trying to get in. He instinctually moved to stand in front of Furi, pulling his Sig from its holster and unlocking the safety. He felt Furi tensing behind him. He could hear the tool manipulating the lock mechanism. Is this bastard really fuckin’ brave enough to break into my home in broad goddamn daylight? Syn was in awe at the size of this guy’s balls. The closet door was arm's length away. He yanked it open and grabbed the blanket off the top shelf, pulling his loaded twelve-gauge shotgun down just as the door eased open. All Syn could see was the tip of a black boot. Furi griped his shoulder. “Hey. Listen to this!” Syn yelled out. He put the stock of the gun firmly against his shoulder and pulled the pump back in two extremely swift moves. The sound was extremely loud and intimidating in the quiet room, by far the scariest sound an intruder could hear. “Don’t shoot, Dirty Harry.” The irritating chuckle that followed was unmistakable. “Son of a bitch,” Syn grumbled. “Day, have you lost your fuckin’ mind?” His Lieutenants came all the way through the door, Day laughing at the pissed look on Syn's face and Furi leaning on the wall behind him recovering from a panic attack. “Syn. What the hell is going on man? Are you really gonna put a buckshot in someone you think is breakin’ into your little-ass apartment? Because, you do know that that’s excessive force, right?” God asked, looking at him expectantly. “I was just scaring them off. No one comes in after hearing that sound, trust me.” Syn removed the shell and placed the gun back in the closet, covering it with the blanket. He turned to look at Furi. He looked a little pale but he was okay. Syn spun back around, “Day. Knock on my damn door like a normal visitor and wait for me to say come in!” Day pfftd, plopping down on the couch. “You don’t invite the wind. The wind just–” “Stop saying that stupid wind bullshit. Because if your door is shut and you weather guard that bitch then the wind stays the fuck out until ... You. Open. The. Door.” Syn’s dark eyes bored into Day’s hazel ones. God’s laugh was raspy, while Day looked bewildered. “But we’re family.” “Oh for fuck’s sake,” Syn grumbled, he had to get going; he had no time to explain to Day about how to behave in civilized society. He turned serious eyes back on Furi. “I gotta go, but I really think–” Furi pulled Syn to him before he could finish the sentence, kissed him hard on the mouth before turning, heading to the bedroom. “Just concentrate on your job and don’t take any officers away from their assignments to follow me. There could be someone out there who really needs their help.” Syn didn’t get to say anything else because Furi had closed the bedroom door. End of discussion.
A.E. Via
If I followed the sounds of the shotgun, I would find a group of drunk-by-noon ’necks sitting in folding chairs on a ditch bank in hundred-degree heat shooting at the bird of peace. The kind of thing that makes frog gigging look majestic.
Johnny Shaw (Dove Season (A Jimmy Veeder Fiasco, #1))
For all the emphasis on assault weapons, 68 percent of mass public shootings did not involve any long guns (Figure 2). Eighty-four percent of shootings involved handguns, 24 percent rifles, and 20 percent shotguns (more than one type of weapon can be used in an attack). FIGURE 2
John R. Lott Jr. (The War on Guns: Arming Yourself Against Gun Control Lies)
The menu: legendary deep-fried Turkeyzilla, gravy, stuffing, mashed potatoes, cranberry sauce, and green beans. The theme: dysfunction. “So,” Elysia said to Lex’s parents with her ever-friendly grin, “how are you?” “How do you think they are?” Ferbus whispered. She kicked him under the table. “I mean—um—what do you do? For a living?” Lex’s mother, who hadn’t said much, continued to stare down the table at the sea of black hoodies while picking at her potatoes. Lex’s father cleared his throat. “I’m a contractor,” he said. “And she’s a teacher.” “Omigod! I wanted to be a teacher!” Elysia turned to Mrs. Bartleby. “Do you love it?” “Hmm?” She snapped back to attention and smiled vacantly at Elysia. “Oh, yes. I do. The kids are a nice distraction.” “From what?” Pip asked. Bang smacked her forehead. Lex squeezed Driggs’s hand even tighter, causing him to choke on his stuffing. He coughed and hacked until the offending morsel flew out of his mouth, landing in Sofi’s glass of water. “Ewww!” she squealed. “Drink around it,” Pandora scolded. “So! I hear New York City is lovely this time of year.” Well, it looks nice, I guess,” Mr. Bartleby said. “But shoveling out the driveway is a pain in the neck. The girls used to help, but now . . .” Sensing the impending awkwardness, Corpp jumped in. “Well, Lex has been a wonderful addition to our community. She’s smart, friendly, a joy to be around—” “And don’t you worry about the boyfriend,” Ferbus said, pointing to Driggs. “I keep him in line.” Mrs. Bartleby’s eyes widened, looking at Lex and then Driggs. “You have a—” she sputtered. “He’s your—” Ferbus went white. “They didn’t know?” “Oops!” said Uncle Mort in a theatrical voice, getting up from the table. “Almost forgot the biscuits!” “Let me help you with those,” Lex said through clenched teeth, following him to the counter. A series of pained hugs and greetings had ensued when her parents arrived—but the rest of the guests showed up so soon thereafter that Lex hadn’t gotten a chance to talk to them, much to her relief. Still, she hadn’t stopped seething. “What were you thinking?” Uncle Mort gave her a reproachful look. “I was thinking that your parents were probably going to feel more lonely and depressed this Thanksgiving than they’ve ever felt in their lives, and that maybe we could help alleviate some of that by hosting a dinner featuring the one and only daughter they have left.” “A dinner of horrors? You know my track record with family gatherings!” He ignored her. “Here we are!” he said, turning back to the table with a giant platter. “Biscuits aplenty!” Lex grunted and took her seat. “I’m not sure how much longer I can do this,” she whispered to Driggs. “Me neither,” he replied. “I think my hand is broken in three places.” “Sorry.” “And your dad seems to be shooting me some sort of a death stare.” Lex glanced at her father. “That’s bad.” “Think he brought the shotgun?” “It’s entirely possible.” “All I’m saying,” Ferbus went on, trying to redeem himself and failing, “is that we all look out for one another here.” Mr. Bartleby looked at him. Ferbus began to sweat. “Because, you know. We all need somebody. Uh, to lean on.” “Stop talking,” Bang signed. Elysia gave Lex’s parents a sympathetic grin. “I think what my idiot partner is trying to say—through the magic of corny song lyrics, for some reason—is that you don’t need to worry about Lex. She’s like a sister to me.” She realized her poor choice of words as a pained look came to Mrs. Bartleby’s face. “Or an especially close cousin.” She shut her mouth and stared at her potatoes. “Frig.” Lex was now crushing Driggs’s hand into a fine paste. Other than the folding chairs creaking and Pip obliviously scraping the last bits of food off his plate, the table was silent. “Good beans!” Pip threw in.
Gina Damico (Scorch (Croak, #2))
When Ruthie pressed her face against the window of her closet-sized room, she could see Trapper Peak, the tallest in the Bitterroots, hooked like a finger beckoning her above the tree line. Circled by bald eagles and white with snow eleven months of the year, it reassured her that men were small scrabbling things, crawling across the ice unaware of the depths below. The boys in her class made each other bleed with straightened paper clips. Her father’s friends—Kent Willis, Raymond Pompey, and the Salish brothers Terry and Billy French—drank themselves into stupors of displaced rage and stumbled outside to shoot bottles off a busted washing machine. The glass shards glinted kaleidoscopically in the morning sunlight while the men snored in the living room, their arms sprawled tenderly over each other’s chests, showing affection in sleep in a way that would be impossible awake. Tiptoeing around them to the bathroom, Ruthie wanted to fly away. She climbed on top of the toilet and wedged her head through the small window. Her gray eyes had a yellow ring in the irises like the beginning of an explosion, noticed by strangers, that she hoped would allow her to see farther. She tasted a storm approaching in the air. Saw herself zooming over the spent shotgun shells, the glittering pattern of glass, the cannibalized dump truck her father used as a kind of fort—full of discarded whiskey pints and Bowhunter magazines—to perch atop Trapper Peak and look back down on her life, free from its bonds and humiliations.
Maxim Loskutoff (Ruthie Fear)
What the hell is going on in here? Ohhhh hell, let me go back and mind all the business that pays me. Law let me know if you need me though, I've been waiting to bust Grammy's shotgun. I wasn't going to use it on you or anything like that, I will never shoot you. Mmmm, mmmmmm that was never a thought. But I would blow this nigga straight to the chitlin circuit! Just yell out yerrrrrp if you need me," Tay said, and turned to walk back in the room.
K. Renee (His Love Was Law 2)
There is scarcely a book of mine that didn't have The Pigeon Tunnel at some time or another as its working title. Its origin is easily explained. I was in my mid-teens when my father decided to take me on one of his gambling sprees to Monte Carlo. Close by the old casino stood the sporting club, and at its base lay a stretch of lawn and a shooting range looking out to sea. Under the lawn ran small, parallel tunnels that led in a row to the sea's edge. Into them were inserted live pigeons that had been hatched and trapped on the casino roof. Their job was to flutter their way along the pitch-dark tunnel until they emerged in the Mediterranean sky as targets for well-lunched sporting gentlemen who were standing or lying in wait with their shotguns. Pigeons who were missed or merely winged then did what pigeons do. They returned to the place of their birth on the casino roof, where the same traps awaited them. Quite why this image has haunted me for so long is something the reader is perhaps better able to judge than I am.
John Le Carré
In the shooting range, the sound of the Remington had seemed somehow constrained, clipped, confined, and it got a little under your skin like the sound of someone biting on the blade of a knife. But here on the trout pond, the shotgun was resonant. It boomed like a ship’s cannon and the sound lingered for a full beat. It seemed to give shape to the open air, or rather to reveal the hidden architecture that was there all along—the invisible cathedral that vaulted over the surface of the pond—known to sparrows and dragonflies but invisible to the human eye.
Amor Towles (Rules of Civility)
Disarming the Populace Over the course of the twentieth century, communist governments always used “public safety” as an excuse to disarm their citizens. In some nations, the people were told gun control was needed to neutralize counterrevolutionaries. In others, it was said to be a tool for fighting crime. But while the reasons for gun control may have varied from country to country, the outcome was always the same. To better understand the consequences of allowing communists to disarm the public, we should look back at a few examples. As is so often the case, the Soviet Union provides the perfect illustration, and the standard by which future communist countries would operate. Before the Bolsheviks seized power, Russia had a strong tradition of individual gun ownership. Firearms were imported for civilian use from all over the world. Hunting was popular among all the classes, including peasants, factory workers, and Russian nobility. Firearms dealers circulated mail-order catalogs that offered shotguns and shooting supplies. While some restrictions were introduced in the early 1900s requiring Russians looking to purchase rifles or pistols to obtain a purchase permit from a local police chief, these permits were not difficult to procure so long as the applicant didn’t have a lengthy criminal record and was not a known political radical. That tradition would ultimately come to an end with the rise of the communists, but in March 1917, shortly before the Bolshevik Revolution, Vladimir Lenin could have been mistaken for one of America’s founding fathers. “What kind of militia do we need, the proletariat, all the toiling people?” Lenin asked in a 1917 letter. “A genuine people’s militia…
Jesse Kelly (The Anti-Communist Manifesto)
At this time I wired Bill Otis, in Moline, Illinois, asking him to ship me some of his sniping rifles at once, addressing them to me at the nearest express office to Indiantown Gap. I also managed to get the folks on the phone and had a last word with my mother and father — went through the old routine (new at that time) — telling them that it would be a long time before I could write, but not to worry, everything would be okay. I also told them to ship my rifle as soon as it was returned from the factory, and to hurriedly send me a Lyman Alaskan scope with a G. & H. mount for a Springfield to my new A.P.O. number. We sailed before Bill could get his guns to me. I remember well the annoyance I felt at going up the gangplank without a good scope sighted sniper rifle, and I also remember the mental kicking I gave the seat of my pants for being so careless with my model 70. Actually, the only shooting items I had in my baggage were a few rounds of .30-06 hunting ammunition which I packed at the last minute. I had left my shotgun behind also — and I was destined to later regret that action very much, for several fine opportunities to shoot birds were missed on that account. Each member of the 132nd regiment looked at the green water with a great question mark in his mind. Few in the regiment knew where we were going, and there
John B. George (Shots Fired in Anger: A Rifleman's Eye View of the Activities on the Island of Guadalcanal)
Intended Strategy is shooting with a rifle not a shotgun
Fritz Shoemaker
have to kill whoever’s chasing you. Can you do that?” Corman hesitated. “I—I never kilt nobody before,” Corman said. Slocum weighed the man’s words. Corman was obviously frightened, scared of losing his life. But was he also afraid of killing someone, even in self-defense? That was what separated the men from the boys. Corman had years on him, but perhaps not much wisdom. “Ever shoot a Winchester? Or a Henry?” Corman nodded. “Both,” he said. “I have a Yellow Boy.” He paused. “Back at my digs.” “That’s a heavy rifle,” Slocum said. “The Winchester is lighter.” “I know.” “Well, if push comes to shove, you can have my Winchester. It’s loaded. Just jack a shell into the chamber and start shooting.” “Do you think it will come to that?” “You’re the one being chased, Corman. What do you think?” Corman went silent. But he listened to the wind, and wisps of fog, or cloud, were beginning to seep into the cracks of the boulders around them and creep along the ground like thin cotton batting, ever so slowly. Slocum checked the Winchester and handed it to Corman. He went to his bedroll and took out the sawed-off Greener shotgun that he kept rolled up in it. He grabbed some shells from his saddlebag and put two in the shotgun, and snapped the barrel back into the receiver, where it locked. The shotshells were all double-ought buck and, at close range, would tear a man to pieces. Besides the Colt .45 six-gun on his
Jake Logan (Slocum and the Teton Temptress)
I’m gonna be like boom boom—” Hefty mime shoots a shotgun “—Mutha Fucka!
James Schannep (Infected (Click Your Poison, #1))
A less than friendly email this morning... [from a booksop customer] After lunch I went to my parents' house to get my shotgun and shoot a kindle (broken screen, bought on eBay for £10)
Shaun Bythell (The Diary of a Bookseller (Diary of a Bookseller, #1))
Nowadays, people often ask me what it’s like hunting with my dad. We’ve actually had offers of tens of thousands of dollars from people who want to spend a day in Phil’s blind. It always amazes us because when we were growing up, duck hunting was our everyday life. When we were kids, we were always in the blind with Dad. I don’t remember my first hunt or the first duck I killed, like other young hunters. It was a different time and Phil wasn’t exactly a traditional dad. He didn’t take pictures of our first duck. It wasn’t sentimental; it was just life. We hunted and fished because we wouldn’t eat if we didn’t. Phil’s number one concern was always safety. If you were careless with a loaded gun, you would not come back to the blind. You’d be stuck at home with Mom the next time. Also, you had to be prepared because Phil wasn’t gonna baby you out there. If you didn’t wear the proper clothes, you were gonna freeze your butt off. And I did many times! You had to get your stuff together as well: shells, guns, and whatever you needed. I will never forget a time when I was about ten and we were all going on a dove hunt. It was opening day, and we were all excited. I was shooting a .410 shotgun, but I could only find one shell. Since we were leaving early in the morning, Phil let me know we wouldn’t be able to stop at a store because none of them would be open that early in the morning. “You better make that shot count,” Phil told me. So I shadowed Phil during the entire hunt, watching him drop ‘em. I rant to fetch the birds for Phil, and if any were still alive, he would pinch their heads. With one flick of Phil’s wrist, the dove’s head separated from its body. I was fascinated and yet a little freaked out. You can’t be sensitive when you’re hunting with Phil. I kept throwing my shotgun up to shoot, but I knew I had only one shot. Finally, about eleven o’clock in the morning, I saw my opportunity. I told Phil I was gonna take my shot. He was supportive and told me to make it count. Boom! Wouldn’t you know I smoked the dove? I couldn’t believe it. I went one-for-one with only one shell. As I turned to look at my dad with the biggest smile ever, I noticed he was putting his gun down. He’d shot at the exact same time. He wanted to make sure my shot counted. “Good shot, Willie boy, put your safety back on,” Phil told me. I didn’t know why the safety mattered since I only had one shell, but he wanted to instill the practice in my brain. We’ll never know who hit that bird, but believe me, I told Jase that I got it for sure.
Willie Robertson (The Duck Commander Family)
I kept throwing my shotgun up to shoot, but I knew I had only one shot. Finally, about eleven o’clock in the morning, I saw my opportunity. I told Phil I was gonna take my shot. He was supportive and told me to make it count. Boom! Wouldn’t you know I smoked the dove? I couldn’t believe it. I went one-for-one with only one shell. As I turned to look at my dad with the biggest smile ever, I noticed he was putting his gun down. He’d shot at the exact same time. He wanted to make sure my shot counted.
Willie Robertson (The Duck Commander Family)
The dramatic interplay was more in Lester’s wheelhouse, particularly the scene where Billy Bob contemplates suicide. Wracked with guilt over disappointing his coach (and, in retrospect, possibly suffering from post-concussion syndrome), Billy Bob sits on the back of his pickup with his football trophies, a bottle of tequila, and a Mossberg 12-gauge pump shotgun when he’s confronted by Mox. “Championship trophy. Steelers. We were 9. Remember this shit? Playing Pee Wee?” “Yeah,” Mox says. “It was fun.” “No, it wasn’t. I remember being yelled at.” Billy Bob throws the trophy. “Too fat, Billy Bob!” Bang! “Too slow and dumb!” He pulls the pump handle. Bang! “It was great,” Robbins, the director, says. “I remember that night shooting that scene, and you don’t do that once, you do it over and over again from different angles. And he was just able to deliver that performance over and over again, and those were real tears and real emotion coming out of him.” Lester drew on pain from his personal life, thinking of his late father and his sister Linda, who died at 35. He also pulled from his own struggles with suicide. Inconsolable after Linda passed, he had put a loaded gun to his head and pulled the trigger. Nothing happened. “God,” he says, is the only explanation. “I actually have the bullet, still. It’s not a dud; it’s live. It just didn’t go off,” Lester says. “I was kind of dreading [that scene] because I knew where I’d go. But I’m an actor and I’m making a commitment to the character. To do that, you have to go 100 percent and just hope you pull yourself out of it.
Billy Bob's Blues
Twelve-gauge shotguns are unpleasant for shooters weighing less than 160 pounds.
John S. Farnam (The Farnam Method of Defensive Shotgun and Rifle Shooting)
Then, with the sound of the twin shotgun blasts still rolling away, Streeter screams: 'Shoot! Shoot, goddamnit! Wipe them off the map!
Richard Bachman (Desperation / The Regulators: Box Set)
Then, with the sound of the twin shotgun blasts still rolling away, Streeter screams: 'Shoot! Shoot, goddamnit! Wipe them off the map!
Stephen King (The Regulators)