Shotgun Approach Quotes

Style is the answer to everything. A fresh way to approach a dull or dangerous thing To do a dull thing with style is preferable to doing a dangerous thing without it To do a dangerous thing with style is what I call art Bullfighting can be an art Boxing can be an art Loving can be an art Opening a can of sardines can be an art Not many have style Not many can keep style I have seen dogs with more style than men, although not many dogs have style. Cats have it with abundance. When Hemingway put his brains to the wall with a shotgun, that was style. Or sometimes people give you style Joan of Arc had style John the Baptist Jesus Socrates Caesar García Lorca. I have met men in jail with style. I have met more men in jail with style than men out of jail. Style is the difference, a way of doing, a way of being done. Six herons standing quietly in a pool of water, or you, naked, walking out of the bathroom without seeing me.

as I watched their approach I wondered whether the slow pace of a wedding march was for the benefit of a bride on her most beautiful day, or for the aging father preparing to give her away.

You heard me. Let someone else send you to your blaze of glory. You're a speck, man. You're nothing. You're not worth the bullet or the mark on my soul for taking you out." You trying to piss me off again, Patrick?" He removed Campbell Rawson from his shoulder and held him aloft. I tilted my wrist so the cylinder fell into my palm, shrugged. "You're a joke, Gerry. I'm just calling it like I see it." That so?" Absolutely." I met his hard eyes with my own. "And you'll be replaced, just like everything else, in maybe a week, tops. Some other dumb, sick shit will come along and kill some people and he'll be all over the papers, and all over Hard Copy and you'll be yesterday's news. Your fifteen minutes are up, Gerry. And they've passed without impact." They'll remember this," Gerry said. "Believe me." Gerry clamped back on the trigger. When he met my finger, he looked at me and then clamped down so hard that my finger broke. I depressed the trigger on the one-shot and nothing happened. Gerry shrieked louder, and the razor came out of my flesh, then swung back immediately, and I clenched my eyes shut and depressed the trigger frantically three times. And Gerry's hand exploded. And so did mine. The razor hit the ice by my knee as I dropped the one shot and fire roared up the electrical tape and gasoline on Gerry's arm and caught the wisps of Danielle's hair. Gerry threw his head back and opened his mouth wide and bellowed in ecstasy. I grabbed the razor, could barely feel it because the nerves in my hand seemed to have stopped working. I slashed into the electric tape at the end of the shotgun barrel, and Danielle dropped away toward the ice and rolled her head into the frozen sand. My broken finger came back out of the shotgun and Gerry swung the barrels toward my head. The twin shotgun bores arced through the darkness like eyes without mercy or soul, and I raised my head to meet them, and Gerry's wail filled my ears as the fire licked at his neck. Good-bye, I thought. Everyone. It's been nice. Oscar's first two shots entered the back of Gerry's head and exited through the center of his forehead and a third punched into his back. The shotgun jerked upward in Gerry's flaming arm and then the shots came from the front, several at once, and Gerry spun like a marionette and pitched toward the ground. The shotgun boomed twice and punched holes through the ice in front of him as he fell. He landed on his knees and, for a moment, I wasn't sure if he was dead or not. His rusty hair was afire and his head lolled to the left as one eye disappeared in flames but the other shimmered at me through waves of heat, and an amused derision shone in the pupil. Patrick, the eye said through the gathering smoke, you still know nothing. Oscar rose up on the other side of Gerry's corpse, Campbell Rawson clutched tight to his massive chest as it rose and fell with great heaving breaths. The sight of it-something so soft and gentle in the arms of something so thick and mountaineous-made me laugh. Oscar came out of the darkness toward me, stepped around Gerry's burning body, and I felt the waves of heat rise toward me as the circle of gasoline around Gerry caught fire. Burn, I thought. Burn. God help me, but burn. Just after Oscar stepped over the outer edge of the circle, it erupted in yellow flame, and I found myself laughing harder as he looked at it, not remotely impressed. I felt cool lips smack against my ear, and by the time I looked her way, Danielle was already past me, rushing to take her child from Oscar. His huge shadow loomed over me as he approached, and I looked up at him and he held the look for a long moment. How you doing, Patrick?" he said and smiled broadly. And, behind him, Gerry burned on the ice. And everything was so goddamned funny for some reason, even though I knew it wasn't. I knew it wasn't. I did. But I was still laughing when they put me in the ambulance.

The guy with the revolver stayed at the door. He went into a crouch and pointed the weapon two- handed. At my head. The guy with the shotgun approached close. These were fit lean boys. Neat and tidy. Textbook moves. The revolver at the door could cover the room with a degree of accuracy. The shotgun up close could splatter me all over the window. The other way around would be a mistake. The revolver could miss in a close- quarters struggle and a long- range shotgun blast from the door would kill the arresting officer and the old guy in the rear booth as well as me. So far, they were doing it right. No doubt about that. They had the advantage. No doubt about that, either. The tight booth trapped me. I was too hemmed in to do much. I spread my hands on the table. The officer with the shotgun came near.

The first time I understood this I was talking with a man who had killed some thirty-odd wolves himself from a plane, alone, and flown hunters who had killed almost four hundred more. As he described with his hands the movement of the plane, the tack of its approach, his body began to lean into the movement and he shook his head as if to say no words could tell it. For him the thing was not the killing; it was that moment when the blast of the shotgun hit the wolf and flattened him—because the wolf’s legs never stopped driving. In that same instant the animal was fighting to go on, to stay on its feet, to shake off the impact of the buckshot. The man spoke with awed respect of the animal’s will to live, its bone and muscle shattered, blood streaking the snow, but refusing to fall. “When the legs stop, you know he’s dead. He doesn’t quit until there’s nothing left.” He spoke as though he himself would never be a quitter in life because he had seen this thing. Four hundred times.

When he received these communications, Santa drew the claws of his spectacles from behind his eyes and pressed the sore place on the bridge of his nose with thumb and finger. What was it they expected him to do with these? A shotgun, a bear, snowshoes, some pretty things and some useful: well, all right. But for the rest of it . . . He just didn't know what people were thinking anymore. But it was growing late; if they, or anyone else, were disappointed in him tomorrow, it wouldn't be the first time. He took his furred hat from its peg and drew on his gloves. He went out, already unaccountably weary though the journey had not even begun, into the multicolored arctic waste beneath a decillion stars, whose near brilliance seemed to chime, even as the harness of his reindeer chimed when they raised their shaggy heads at his approach, and as the eternal snow chimed too when he trod it with his booted feet.

The biggest problem we faced was people stealing our nets and fish. Sometimes the thieves would ruin the nets by cutting the fish out. The first time it happened, I asked my dad if we should call the police, but he said, “Son, where we live, I am 911.” He policed the river and would awaken many times during the night to check out boats he heard motoring by. I was with him during a few confrontations after we caught people in the act of stealing our nets. They were the most intense moments of my childhood. How my dad handled these situations was in a way a reflection of his growth as a Christian. He started out with a shotgun and a threat to use it if he ever caught them stealing again. But then one day when we caught two guys red-handed, Dad raised his shotgun and gave one of the best sermons from the Bible I’ve ever heard. Toward the end of our commercial-fishing career, he would have the gun but not raise it, give the sermon, and then give them the fish. He would tell them, “If you wanted some fish, all you had to do was ask.” I actually saw grown men shed tears over this approach, and a couple of them came to the Lord.

With spring came heavy rain. It was in the muck and mud of six days of downpour while milking Li’l Belle that I heard him approach. I waited and listened to the rain hitting the tin roof of the lean-to and the sound of his boots. With each step his boots made an air-sucking sound as he pulled them free of the mud. I counted the sound of his footsteps one by one ’til I knew he was a few yards away. Only then did I rise from the milking stool and turn to him. He stood there outside smiling and pulled one boot free of the mud, his arms outstretched, balancing himself like a tightrope walker. “Hey, Larraine. Look what you made me do. Made me ruin my best shirt and good pair of boots trying to sneak up on you. I just want to ask you some questions. You know what I’m talking about, girl? That little queer, Johnny Redboots?” He took off his shirt, held it up, attempted to wring the rainwater from it then laughed and threw it in the mud near the lean-to. I stood quiet with one hand on the rope strap of the shotgun and the other hand resting on Li’l Belle’s back. Li’l Belle moved from side to side, restless and wanting free of the lean-to.

Outside, Ambo slogs through snow ankle-deep, making bloody tracks down the graded yard toward the box truck. Scanning the roundabout below, where the dirt utility road spills from the wood into the clearing. No movement. Nothing on approach. Only the snow that contours the turnabout, shaping itself against the trunks of the surrounding glade. Near the split-rail fence at the end of the back yard, Ambo stops and places the cooler at his feet. He lays the shotgun in a wide drift beside the last stile, working it in with his hands, using the snow to scour off the worst of the gore. The slush reddened like a confection. When he finishes, he puts the cooler under his arm, shoulders the weapon and continues the descent. His hands numb. The truck is ahead, blanketed from nose to tail, the drifts reaching halfway into the wheel wells. When Ambo reaches the cargo bay, he glances back over his shoulder. The red house, a cornice of snow gathered on the eaves. The red tracks—his own footprints—leading away. A red imprint roughed out in the shape of a gun on the side of the path.

What brings you to house of God?” The church’s Orthodox priest approached them with his hands up, speaking calmly in Hungarian-accented English. “We seek refuge from evil men, father,” Aleks replied, flashing an Interpol identification card before hefting one of the heavy pews toward the door. Kurtz helped him wedge it against the wood. The priest disappeared through a side door into the vestibule and returned moments later with an ancient-looking double-barreled shotgun and bandolier of shells. As he moved to secure the other doors in the church, Kurtz gave the priest a quizzical look. “Someone must defend the church,” the priest said as he cracked open the weapon and dropped a pair of cartridges into the chambers. He stood protectively over Aurelia. “I spent a little time in the army when I was a younger man.

When Ruthie pressed her face against the window of her closet-sized room, she could see Trapper Peak, the tallest in the Bitterroots, hooked like a finger beckoning her above the tree line. Circled by bald eagles and white with snow eleven months of the year, it reassured her that men were small scrabbling things, crawling across the ice unaware of the depths below. The boys in her class made each other bleed with straightened paper clips. Her father’s friends—Kent Willis, Raymond Pompey, and the Salish brothers Terry and Billy French—drank themselves into stupors of displaced rage and stumbled outside to shoot bottles off a busted washing machine. The glass shards glinted kaleidoscopically in the morning sunlight while the men snored in the living room, their arms sprawled tenderly over each other’s chests, showing affection in sleep in a way that would be impossible awake. Tiptoeing around them to the bathroom, Ruthie wanted to fly away. She climbed on top of the toilet and wedged her head through the small window. Her gray eyes had a yellow ring in the irises like the beginning of an explosion, noticed by strangers, that she hoped would allow her to see farther. She tasted a storm approaching in the air. Saw herself zooming over the spent shotgun shells, the glittering pattern of glass, the cannibalized dump truck her father used as a kind of fort—full of discarded whiskey pints and Bowhunter magazines—to perch atop Trapper Peak and look back down on her life, free from its bonds and humiliations.