Short Suspense Quotes

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There’s no point in fighting me on this. Wherever you go, one, or both of us will be with you. Period. Get used to it. Short of actually sleeping on your doorstep, I’m going to follow you everywhere. I’m going to be so close that if you turn your head for a breath I’ll be there to give you mouth-to-mouth. So, you may as well just give in and take me with you. It’ll save us both a lot of time and frustration.
Lotchie Burton (Gabriel's Fire (The Men of Thorne Enterprises #2))
If you want, I can carry you—” “I’m fine,” she said shortly. “Let’s go.” He’d said that wrong. He should have said, “I want to carry you.
Suzanne Brockmann (Out of Control (Troubleshooters, #4))
Yes, I’m sure the universe connected us and may do so again when it deems the time is right. Until then, in only a few short hours combined with a set of lovely messages, I have enjoyed something rarely found, a gemstone in the sands of time.
Charles Dyson (A Decade of Desire: Erotic Memoirs from The Office Diaries)
Now lend me your ears. Here is Creative Writing 101: 1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted. 2. Give the reader at least one character he or she can root for. 3. Every character should want something, even if it is only a glass of water. 4. Every sentence must do one of two things—reveal character or advance the action. 5. Start as close to the end as possible. 6. Be a sadist. No matter sweet and innocent your leading characters, make awful things happen to them—in order that the reader may see what they are made of. 7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia. 8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages. The greatest American short story writer of my generation was Flannery O'Connor (1925-1964). She broke practically every one of my rules but the first. Great writers tend to do that.
Kurt Vonnegut Jr.
Well why don't you lean over this counter a little more and give me your best kiss, and then I'll tell you if I want you to take me out to dinner.
Zack Love (The Doorman)
Then Drago began the deliberate, precise, business-like process of killing.  A knee-buckling burst of fire and flash laid waste to men and material within seconds.  A Panhard vehicle to Silva’s left simply disappeared in an explosion that spraying metal parts willy-nilly in every direction in a spread so thorough that Drago thought they were under fire, and he yelled at his men to respond.  Another blast destroyed a six-wheeled reconnaissance vehicle, but it didn’t break it apart; it simply expanded as if swollen or bloated, like an air mattress or inflatable toy, though it still had weight and quickly collapsed over its own suspension.  Some trucks were overturned; a Jeep flipped end-over-end.  None were left unscathed.  In short order, what had been ten or twelve vehicles were reduced to a single steaming and smoking pile of metal.
John Payton Foden (Magenta)
You broke the Man Code, dude. 'No man shall knowingly and with malice aforethought kick another man in the nuts.'" "Okay, so I kicked him in the nuts. The little fucker was fleeing the scene of a crime where he'd pointed a weapon at my buddies." [from short story "Beer Run" at the end of Skin Deep]
Pamela Clare (Skin Deep (I-Team, #5.5))
Yet the upcoming year was going to be a new phase of my life. I would get to follow my big   brother to the big house. I had reached that golden age of six. Finally, I was going to experience the real deal. This was no appetizer, or tater tots, or French fries. This was the whole Ore-Ida. I would be amongst thechaos like all the neighborhood kids. Everyone that knew Jerry would get to know me, too. Since we were at Aunt Kathy’s, I had to curtail my exuberance. We had nothing like the freedom at mom’s shack. So, I did my best to remain out of sight. But those efforts were futile. School was just hours away. I really couldn’t contain myself without medication or God forbid, a good old-fashioned ass beating. Well, Aunt Kathy implored me to settle down. She kept issuing threat after threat with such statements, “Boy, do I needto beat the black off of you,” or “Gorilla will be your name when I’m finish!” Yes, I got the message but beating my butt wasn’t going to be enough. Heck, I had been waiting for three long, long years just to join Jerry. Anything short of a bullet wasn’t going to stop me.
Author Harold Phifer (My Bully, My Aunt, & Her Final Gift)
A psychiatrist would diagnose Jolene—and possibly every member of Cade Chase’s team—as having a benign form of psychosis. Benign, because she had not experienced a psychotic break. She was far short of being psychotic, but only because her brain and soul allowed her to manage her dissociative behavior well. The unconscious guides such people.
John M. Vermillion (Awful Reckoning: A Cade Chase and Simon Pack Novel)
- I don’t know what else to say. - There is nothing else to say. A few minutes of words can’t change years of absurdity.
Cameron Trost (Hoffman's Creeper and Other Disturbing Tales)
THE QUR’AN BEGINS WITH A MYSTERY. AFTER A SHORT SEVEN-VERSE preface, the Qur’an’s grand opening chapter launches not with a word, but with . . . three enigmatic Arabic letters: Alif Lam Mim
Mohamad Jebara (The Life of the Qur'an: From Eternal Roots to Enduring Legacy)
You now live in suspense, anticipating that next small remark or gesture that will reassure you. After living like this for a while, you start to do something interesting. You start to equate the anxiety, the preoccupation, the obsession, and those ever-so-short bursts of joy with love. What you’re really doing is equating an activated attachment system with passion.
Amir Levine (Attached: The New Science of Adult Attachment and How It Can Help You Find—and Keep—Love)
So, Kate, Russell and I drove to the station and there was Paul, sitting in a chair in the foyer, looking like he always did: no better, no worse. Except that he wasn’t sitting in the chair. He hovered above it. You could have easily slid a thick book under him.
Ernie Gammage (What Awaits?)
Whatever you guys call it. Man up. Get your panties out of a wad. Put on your big boy shorts. Grow a set.
Cristin Harber (Winters Heat (Titan, #1))
It had come with a cost, however, whose payment had led her into alleys of herself she scarcely knew; at the end of one she’d found Hayden.
Ernie Gammage (What Awaits?)
The suspense is killin’ me, Pigeon!” Travis called. I walked out, fidgeting with my dress while Travis stood in front of me, blank-faced. America elbowed him and he blinked. “Holy shit.” “Are you ready to be freaked out?” America asked. “I’m not freaked out, she looks amazing,” Travis said. I smiled and then slowly turned around to show him the steep dip of the fabric in the back of the dress. “Okay, now I’m freakin’ out,” he said, walking over to me “Okay, now I’m freakin’ out,” he said, walking over to me and turning me around. “You don’t like it?” I asked. “You need a jacket.” He jogged to the rack and then hastily draped my coat over my shoulders. “She can’t wear that all night, Trav,” America chuckled. “You look beautiful, Abby,” Shepley said as an apology for Travis’ behavior. Travis’ expression was pained as he spoke. “You do. You look incredible…but you can’t wear that. Your skirt is…wow, your legs are…your skirt is too short and it’s only half a dress! It doesn’t even have a back on it!” I couldn’t help but smile. “That’s the way it’s made, Travis.” “Do you two live to torture each other?” Shepley frowned. “Do you have a longer dress?” Travis asked. I looked down. “It’s actually pretty modest in the front. It’s just the back that shows off a lot of skin.” “Pigeon,” he winced with his next words, “I don’t want you to be mad, but I can’t take you to my frat house looking like that. I’ll get in a fight the first five minutes we’re there, Baby.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
As the sun rules the day and the moon governs the night, so too, we are connected by: the air that we breathe, light that we see and the darkness that follows. Life is too short to waste it on disagreements. Surely, we can all agree to disagree. So let us find a common ground, form a union and spread joy, happiness and freedom around the world for the benefit of you, me and the future generations to come.
Raymond Beresford Hamilton (Identity Assumption)
At that moment there opened a golden room holding all that had been and ever would be, every scene in the multiverse, every outcome, all fixed as in amber and ever awaiting choice. Their corporal selves but pale remnants on the recliners, Karger and Myla stood in this room of gold, eyeing each other. Possibilities lay before them, unending. Karger reached out his hand.
Ernie Gammage (What Awaits?)
Dervishes died as the bullets smacked into them, but the rest never even thought of pausing. In a society where bravery and reputation counted for much more than mere wealth, the warrior creed drove them forward. Ancient blades flashed in the sunlight and swung again, now covered in fresh blood. In short order the ground was littered with torn and mangled Egyptian corpses and the battle was over.
Nigel Seed (No Road to Khartoum (Michael McGuire Trilogy 1))
Over the years I’ve dreamt occasionally about that day and evening at Teotihuacan. It’s always the same: Moctezuma and I sit close together, huddled on stone steps at the bottom of the Pyramid of the Sun. His magnificent iridescent headdress bobs in the twilight as we talk, as he gestures. All is well.
Ernie Gammage (What Awaits?)
Ah yes, now you’re beginning to feel it. It’s so satisfying to see my best efforts coming to fruition. Undoubtedly one of the most gratifying rewards of my profession. It would warm my heart—if I had one.
Jaye Frances (The Beach)
As he drove away from his handiwork, knowing he'd left no survivors, the killer looked at the rising smoke and gave himself a pat on the back for another assignment well done...
Peprah Boasiako (THE HITMAN: A Short Story)
It all started when she walked into my office that night unannounced. She told me she was in trouble. So I asked what kind. She said it was of the killing kind. Wanted to know if I could be trusted. I said up to a point, depending on who got killed.
Oliver Dean Spencer (Tell Me That You Love Me: A Hard-Boiled Short Fiction Featuring James Cartwright, P.I)
Grandpa Sereno: "There is nothing as dangerous as fear, fear of people who are different than you. Fear is the REAL danger and we must start to put all our efforts into fighting THAT instead of each other. Fight fear not people!!! Let there be light!
Sipporah Joseph (Teacher of Counsel (Spirit Tales #3))
The best sentences orient us, like stars in the sky, like landmarks on a trail. They remain the test, whether or not to read something. The most compelling narrative, expressed in sentences with which I have no chemical reaction, or an adverse one, leaves me cold. In fiction, plenty do the job of conveying information, rousing suspense, painting characters, enabling them to speak. But only certain sentences breathe and shift about, like live matter in soil. The first sentence of a book is a handshake, perhaps an embrace. Style and personality are irrelevant. They can be formal or casual. They can be tall or short or fat or thin. They can obey the rules or break them. But they need to contain a charge. A live current, which shocks and illuminates.
Jhumpa Lahiri
The seduction of acceptance could bend the will of even the strongest of people.
Sheila English (Search for a Soul (Adam Frankenstein Short Stories #2))
Never trust a man willing to eat your dog.
Sheila English (Search for a Soul (Adam Frankenstein Short Stories #2))
[...]there was something human left in him after all. He could 'feel'. He hadn't believed it possible, and in a short time this angelic creature had turned his world upside down.
Christine Feehan (Vendetta Road (Torpedo Ink #3))
They stared at us for a full half-minute of silence. While I cleared my throat and wondered just how to begin, Mother pulled her furs around her and looked the part of Fragile Old Lady with Headstrong Daughter, and left it to me.
Mary Stewart (The Lost One)
David turned on the TV and sat on the couch. He could grade the Calc I homework but that always depressed him. It would almost put him in mourning, sitting Shiva, but it had to be done. He would get up early in the morning and do it. He chuckled. The TV had a stupid dog commercial. Cocker Spaniel mix. Same kind of mutt Miriam brought into their marriage. She was a dog person. Named it Lucky. Lucky died of poisoning while David was at home one afternoon. Somehow the dog had gotten into Clorox. Not so lucky. That had been their only fight. David did not want to get another dog. Claimed it would remind him of Lucky. When David was little, about eight or nine years old, he had learned Clorox would kill a dog. Their neighbor had a German shepherd. Sol would throw rocks at it when they walked to school. One day the dog got out and bit Sol, and if the neighbors had not stopped it, the dog may have mauled Sol to death. The dog’s name was Roxx, short for Roxanne. It was found dead a couple of days later. Poisoned. David was not a dog person.
Michael Grigsby (Segment of One)
Placing his suitcase on the seat next to him, he unbuttoned his suit jacket, loosened up his necktie and removed his fedora. He kept his custom eye wear on and made himself comfortable, looking more like a Wall Street accountant than the cold killer he'd become...
Peprah Boasiako (THE HITMAN: A Short Story)
The creeping perversion took hold of the little girl in its prickling clutches, then raised her high off the floor.
Jonathan Dunne (Dead Ends)
top-boots—not to keep the reader any longer in suspense, in short, the eyes were the wandering eyes of Mr. Grummer, and the body was the body of the same gentleman.
Charles Dickens (The Pickwick Papers)
Lending my voice to a dedicated readership is a match made in heaven.
R. Barri Flowers (Murder Aboard the Titanic (Mystery at Sea))
Who is this pompous hobgoblin? His jaw had grown square, his belly had gone soft. He was parading like a dictator in jockey shorts and argyle socks.
Genie Frisbee Higbee (Invented August: An Imperfect Escape to Capri)
She would keep playing the role of the winner as long as the audience believed her.
Mary Papas-Μαρία Παπαδοπούλου (Take Off Your Mask)
The man had a smart mouth, a hard body, and questionable motives. In short, he was exactly what made her panties melt.
Avery Flynn (His Undercover Princess (Tempt Me, #1))
my new website is now live on www.danielborough.com There are free short stories to download on it. Have fun!
Daniel Borough
Every living soul in this universe should be given a chance at love – their personal shot at having the most powerful and mysterious thing that ever existed. You could love forever, or your love could burn short and bright for just a few moments in the history of time. But however you did it, I supposed the idea was to make it count; to create a story worthy of a new fairytale, a poem, or a new constellation that would wind itself into an infinite thread of light in your name. Maybe that was the whole point of love – to create an eternal story of your own.
Sukanya Venkatraghavan (Dark Things)
Outside of the surrender of the incommunicable, the suspension amid our mute and unconsoled anxieties, life is merely a fracas on an unmapped terrain, and the universe a geometry stricken with epilepsy.
Emil M. Cioran (A Short History of Decay)
Stress and nervous tension are now serious social problems in all parts of the Galaxy, and it is in order that this situation should not be in any way exacerbated that the following facts will now be revealed in advance. The planet in question is in fact the legendary Magrathea. The deadly missile attack shortly to be launched by an ancient automatic defense system will result merely in the breakage of three coffee cups and a mouse cage, the bruising of somebody’s upper arm, and the untimely creation and sudden demise of a bowl of petunias and an innocent sperm whale. In order that some sense of mystery should still be preserved, no revelation will yet be made concerning whose upper arm sustains the bruise. This fact may safely be made the subject of suspense since it is of no significance whatsoever.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
There are a few unfortunate souls on the streets as she waddles along, but every one of them swerves out of her way. It isn't clear whether Mama's height is a result of some aftermath of the big war or if, as she maintains, she comes from a long line of short people, but either way her elbows are always level with something soft and delicate and she has no compunctions about lashing out at anyone that gets too close.
G.D. Penman
You know something. Life really is too short. We need to focus on the beautiful things in life, not their miseries. Life’s-end for one person doesn’t define them. It’s the memories that they make while they’re alive.
T.H. Cini
For all the investment in the creation of Europa-1, you'd think Earth would have been more interested in preserving us. Instead, the last thing we'd heard had been reports of a worldwide nuclear launch, then silence. Emptiness. Nothing but the occasional blast of celestial noise reached our frozen home as it orbited the looming gargantuan that was Jupiter. It was a cold sort of reality that we'd been abandoned by our home world. But it was a cold day beneath the ice, so really, that was just par for the course.
A.Z. Anthony (Short Tales from Earth's Final Chapter Book 1)
Shimmel: “NEVER TRUST THE GOYIM. They are just like these other weird dangerous people, Messianic Jews! How dare Jews become “Christian-like”, Messianic? We should cherem (ban) them from every aspect of Jewish life. And we must strip them of every Jewish privilege!
Sipporah Joseph (Teacher of Counsel (Spirit Tales #3))
He also had deep brown eyes, light brown skin and an infectious grin, even in the middle of a grueling SWAT workout. In short, exactly her type. If only he wasn't a teammate, making him off-limits. And if only she didn't have baggage from her past that weighed more than he did.
Elizabeth Heiter (SWAT Secret Admirer (The Lawmen #3))
The summer getting is good, but no amount of talk or trade will encourage Mary to let any of the family up the trail, not today, today is important. The tables arranged in a circle. A bell placed under a special chair in the centre. Those lucky four allowed to come are dressed all in black like Mary and her husband. Mary stands on a box staring through a wall. It was her idea to remove the eyes from the white wolf portrait. It was beautiful and if Mary had of paid she might have thought twice before putting a knife to it, but it was a gift, Tabbot's has a secret admirer.
Bradley Heywood (Short Tales from Earth's Final Chapter: Book 2)
The sound of running footsteps made them all start. Then the refectory door opened and the round, freckled face of Sister Belinda appeared. She was breathing heavily, and her veil was crooked, showing short tufts of red hair sprouting around her glowing face like unruly weeds in a parched garden. “Excuse me, Mother, Sisters,” she said. “But there is a police car waiting at the gate and what looks like the Black Maria behind it. Also, another car approaching from the farm and a uniformed constable coming in via the beach path. It would appear that the filth have us surrounded.
Sharon J. Bolton (Dead Woman Walking)
I’m not the one who kissed you in the bathroom. In case you’re thinking I forgot about that, or somehow missed it, or …” “Kind of hard to miss,” Ian agreed. “Your lips, mine. A distinct smacking sound. Yup, that was me kissing you. Still, it was short—quickly over and done. A kiss good-bye. The subtext was I hope we don’t die, but if we do, it was nice meeting you. Not at all like that under-the-dock kiss.” He paused. “The one where you jumped me. The first time. So far.” He narrowed his eyes at her, much the way she’d done to him. “Naturally I’m suspicious. Did you intentionally leave my clothes behind?
Suzanne Brockmann (Do or Die (Reluctant Heroes #1))
It was enough for one Hindu prince to see a cripple, an old old man, and a corpse to understand everything; we see them and understand nothing, for nothing changes in our life. We cannot renounce anything; yet the evidences of vanity are in our reach. Invalids of hope, we are still waiting; and life is only the hypostatization of waiting. We wait for everything – even Nothingness – rather than be reduced to an eternal suspension, to a condition of neutral divinity, of a corpse. Thus the heart, which has made the Irreparable into an axiom, still hopes for surprises from it. Humanity lives in love with the events which deny it…
Emil M. Cioran (A Short History of Decay)
They are all in the same category, both those who are afflicted with fickleness, boredom and a ceaseless change of purpose, and who always yearn for what they left behind, and those who just yawn from apathy. There are those too who toss around like insomniacs, and keep changing their position until they find rest through sheer weariness. They keep altering the condition of their lives, and eventually stick to that one in which they are trapped not by weariness with further change but by old age which is too sluggish for novelty. There are those too who suffer not from moral steadfastness but from inertia, and so lack the fickleness to live as they wish, and just live as they have begun. In fact there are innumerable characteristics of the malady, but one effect - dissatisfaction with oneself. This arises from mental instability and from fearful and unfulfilled desires, when men do not dare or do not achieve all they long for, and all they grasp at is hope: they are always unbalanced and fickle, an inevitable consequence of living in suspense. They struggle to gain their prayers by every path, and they teach and force themselves to do dishonourable and difficult things; and when their efforts are unrewarded the fruitless disgrace tortures them, and they regret not the wickedness but the frustration of their desires. Then they are gripped by repentance for their attempt and fear of trying again, and they are undermined by the restlessness of a mind that can discover no outlet, because they can neither control nor obey their desires, by the dithering of life that cannot see its way ahead, and by the lethargy of a soul stagnating amid its abandoned hopes.
Seneca (On the Shortness of Life: Life Is Long if You Know How to Use It (Penguin Great Ideas))
She told me she was 17 going on 22, when she left home to find a new life in the city. She wanted to get into acting and be a big star someday. I said that was swell but a tough racket to break into. She said she knew that going in. She thought maybe she'd get a lucky break and go from there. I told her lucky breaks always came with a price.
Oliver Dean Spencer (Tell Me That You Love Me: A Hard-Boiled Short Fiction Featuring James Cartwright, P.I)
He began as a minor imitator of Fitzgerald, wrote a novel in the late twenties which won a prize, became dissatisfied with his work, stopped writing for a period of years. When he came back it was to BLACK MASK and the other detective magazines with a curious and terrible fiction which had never been seen before in the genre markets; Hart Crane and certainly Hemingway were writing of people on the edge of their emotions and their possibility but the genre mystery markets were filled with characters whose pain was circumstantial, whose resolution was through action; Woolrich's gallery was of those so damaged that their lives could only be seen as vast anticlimax to central and terrible events which had occurred long before the incidents of the story. Hammett and his great disciple, Chandler, had verged toward this more than a little, there is no minimizing the depth of their contribution to the mystery and to literature but Hammett and Chandler were still working within the devices of their category: detectives confronted problems and solved (or more commonly failed to solve) them, evil was generalized but had at least specific manifestations: Woolrich went far out on the edge. His characters killed, were killed, witnessed murder, attempted to solve it but the events were peripheral to the central circumstances. What I am trying to say, perhaps, is that Hammett and Chandler wrote of death but the novels and short stories of Woolrich *were* death. In all of its delicacy and grace, its fragile beauty as well as its finality. Most of his plots made no objective sense. Woolrich was writing at the cutting edge of his time. Twenty years later his vision would attract a Truffaut whose own influences had been the philosophy of Sartre, the French nouvelle vague, the central conception that nothing really mattered. At all. But the suffering. Ah, that mattered; that mattered quite a bit.
Barry N. Malzberg (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
There’s an unexpected lull in the traffic about two-thirds of the way to Darmstadt, and I make the mistake of breathing a sigh of relief. The respite is short-lived. One moment I’m driving along a seemingly empty road, bouncing from side to side on the Smart’s town-car suspension as the hairdryersized engine howls its guts out beneath my buttocks, and the next instant the dashboard in front of me lights up like a flashbulb.
Charles Stross (The Jennifer Morgue (Laundry Files, #2))
No matter how awful it is to be sitting in this Terrible magazine office, and talking to this Circular-saw-voiced West side girl in a dirt- Stiff Marimekko and lavender glasses, and this Cake-bearded boy in short-rise Levi’s, and hearing The drip and rasp of their tones on the softening Stone of my brain, and losing The thread of their circular words, and looking Out through their faces and soot on the window to Winter in University Place, where a blue- Faced man, made of rags and old newspapers, faces A horrible grill, looking in at the food and the faces It disappears into, and feeling, Perhaps, for the first time in days, a hunger instead Of a thirst; where two young girls in peacoats and hair As long as your arm and snow-sanded sandals Proceed to their hideout, a festering cold-water flat Animated by roaches, where their lovers, loafing in wait To warm and be warmed by brainless caresses, Stake out a state Of suspension; and where a black Cadillac 75 Stands by the curb to collect a collector of rents, Its owner, the owner of numberless tenement flats; And swivelling back To the editorial pad Of Chaos, a quarter-old quarterly of the arts, And its brotherly, sisterly staff, told hardly apart In their listlessly colored sackcloth, their ash-colored skins, Their resisterly sullenness, I suddenly think That no matter how awful it is, it’s better than it Would be to be dead. But who can be sure about that?
L.E. Sissman
I couldn’t go on explaining this dread I often felt by blaming it only on him. I had my eyes wide open when I said, ‘I do.’ I oohed and aahed over the engagement ring. I was excited about the honeymoon in Capri. Like his, my heart was young and gay once, too. I was ready to see everything through four eyes and hear everything through four ears. I was willing to compromise my opinions and diminish my ego if it was necessary. In short, I would invest myself in him until death did us part.
Andrew Neiderman (Lost in His Eyes: Romantic suspense)
Thanks to Casey Ashcraft Honebrink! The book includes my winning "IN HIDING" as a short story along with 23 other winning entries from talented members of WRITERS ASSEMBLED. The anthology, THE BEST OF WRITERS ASSEMBLED 2017: BEHIND CLOSED DOORS is a mixed-genre collection. It really has a little something for everyone : action, suspense, humor, romance, fantasy, supernatural, science fiction, drama, poetry, and personal stories. You can find it on Amazon, get your copy today! Thanks for recognizing and supporting our group!
Caroline Walken
The deadly missile attack shortly to be launched by an ancient automatic defense system will result merely in the breakage of three coffee cups and a mouse cage, the bruising of somebody’s upper arm, and the untimely creation and sudden demise of a bowl of petunias and an innocent sperm whale. In order that some sense of mystery should still be preserved, no revelation will yet be made concerning whose upper arm sustains the bruise. This fact may safely be made the subject of suspense since it is of no significance whatsoever.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (The Hitchhiker's Guide to the Galaxy, #1))
He had thought himself, so long as nobody knew, the most disinterested person in the world, carrying his concentrated burden, his perpetual suspense, ever so quietly, holding his tongue about it, giving others no glimpse of it nor of its effect upon his life, asking of them no allowance and only making on his side all those that were asked. He hadn't disturbed people with the queerness of their having to know a haunted man, though he had had moments of rather special temptation on hearing them say they were forsooth "unsettled." If they were as unsettled as he was—he who had never been settled for an hour in his life—they would know what it meant. Yet it wasn't, all the same, for him to make them, and he listened to them civilly enough. This was why he had such good—though possibly such rather colourless—manners; this was why, above all, he could regard himself, in a greedy world, as decently—as in fact perhaps even a little sublimely—unselfish. Our point is accordingly that he valued this character quite sufficiently to measure his present danger of letting it lapse, against which he promised himself to be much on his guard. He was quite ready, none the less, to be selfish just a little, since surely no more charming occasion for it had come to him. "Just a little," in a word, was just as much as Miss Bartram, taking one day with another, would let him. He never would be in the least coercive, and would keep well before him the lines on which consideration for her—the very highest—ought to proceed. He would thoroughly establish the heads under which her affairs, her requirements, her peculiarities—he went so far as to give them the latitude of that name—would come into their intercourse. All this naturally was a sign of how much he took the intercourse itself for granted. There was nothing more to be done about that. It simply existed; had sprung into being with her first penetrating question to him in the autumn light there at Weatherend. The real form it should have taken on the basis that stood out large was the form of their marrying. But the devil in this was that the very basis itself put marrying out of the question. His conviction, his apprehension, his obsession, in short, wasn't a privilege he could invite a woman to share; and that consequence of it was precisely what was the matter with him. Something or other lay in wait for him, amid the twists and the turns of the months and the years, like a crouching Beast in the Jungle. It signified little whether the crouching Beast were destined to slay him or to be slain. The definite point was the inevitable spring of the creature; and the definite lesson from that was that a man of feeling didn't cause himself to be accompanied by a lady on a tiger-hunt. Such was the image under which he had ended by figuring his life.
Henry James (The Beast in the Jungle)
But I know three things, Serafina Evans,” he replies, kissing me lightly on the lips. “First, that I’ve loved you since the moment I saw you.” He kisses me more deeply. “Second, that I missed you even when I didn’t remember you, I just didn’t realize that’s what I was feeling until my memories came back.” He kisses me again in a way that causes me to moan against him. “And finally, that life is too short, too precious to live another moment without asking you to be my wife.” He slips out of my arms, crouching on one knee next to the couch, the ring mysteriously having appeared in his hand. “Marry me, Sera.
Melanie A. Smith (Never Forget: A Steamy Soulmates Romantic Suspense (The Safeguarded Heart Series Book 3))
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Travis Sanchez rubbed a hand over his head as he stepped into an elevator at the Red Stone Security building. His Mohawk was gone and he wore his hair in a buzz cut these days. It was probably his military background, but he always came back to this cut out of habit. The walk to Harrison's office was too short. He wasn't sure why his boss had called him in after his last security detail, but a small burst of panic had detonated in his gut. He loved this job, but there had been some issues with the CEO he'd recently been guarding not following Travis' orders. The asshole had almost gotten himself killed and now Travis wondered if his head was on the chopping block because of it.
Katie Reus (Miami, Mistletoe & Murder (Red Stone Security, #4))
Like all great spirits, Herr von Goethe, you have clearly recognised and felt the riddle and the hopelessness of human life, with its moments of transcendence that sink again to wretchedness, and the impossibility of rising to one fair peak of feeling except at the cost of many days' enslavement to the daily round; and, then, the ardent longing for the realm of the spirit in eternal and deadly war with the equally ardent and holy love of the lost innocence of nature, the whole frightful suspense in vacancy and uncertainty, this condemnation to the transient that can never be valid, that is ever experimental and dilettantish; in short, the utter lack of purpose to which the human state is condemned—to its consuming despair.
Hermann Hesse (Steppenwolf)
There’s an unexpected lull in the traffic about two-thirds of the way to Darmstadt, and I make the mistake of breathing a sigh of relief. The respite is short-lived. One moment I’m driving along a seemingly empty road, bouncing from side to side on the Smart’s town-car suspension as the hairdryersized engine howls its guts out beneath my buttocks, and the next instant the dashboard in front of me lights up like a flashbulb. I twitch spasmodically, jerking my head up so hard I nearly dent the thin plastic roof. Behind me the eyes of Hell are open, two blinding beacons like the landing lights on an off-course 747. Whoever they are, they’re standing on their brakes so hard they must be smoking. There’s a roar, and then a squat, red Audi sports coupe pulls out and squeezes past my flank close enough to touch, its blonde female driver gesticulating angrily at me. At least I think she’s blonde and female. It’s hard to tell because everything is gray, my heart is trying to exit through my rib cage, and I’m frantically wrestling with the steering wheel to keep the roller skate from toppling over. A fraction of a second later she’s gone, pulling back into the slow lane ahead of me to light off her afterburners. I swear I see red sparks shooting out of her two huge exhaust tubes as she vanishes into the distance, taking about ten years of my life with her.
Charles Stross (The Jennifer Morgue (Laundry Files, #2))
A shudder went through me at the thought of what I should still learn in this hour. How awry, altered and distorted everything and everyone was in these mirrors, how mockingly and unattainably did the face of truth hide itself behind all these reports, counter-reports and legends! What was still truth? What was still credible? And what would remain when I also learned about myself, about my own character and history from the knowledge stored in these archives? I must be prepared for anything. Suddenly I could bear the uncertainty and suspense no longer. I hastened to the section Chattorum res gestas, looked for my sub-division and number and stood in front of the part marked with my name. This was a niche, and when I drew the thin curtains aside I saw that it contained nothing written. It contained nothing but a figure, an old and worn-looking model made from wood or wax, in pale colours. It appeared to be a kind of deity or barbaric idol. At first glance it was entirely incomprehensible to me. It was a figure that really consisted of two; it had a common back. I stared at it for a while, disappointed and surprised. Then I noticed a candle in a metal candlestick fixed to the wall of the niche. A match-box lay there. I lit the candle and the strange double figure was now brightly illuminated. Only slowly did it dawn upon me. Only slowly and gradually did I begin to suspect and then perceive what it was intended to represent. It represented a figure which was myself, and this likeness of myself was unpleasantly weak and half-real; it had blurred features, and in its whole expression there was something unstable, weak, dying or wishing to die, and looked rather like a piece of sculpture which could be called "Transitoriness" or "Decay," or something similar. On the other hand, the other figure which was joined to mine to make one, was strong in colour and form, and just as I began to realise whom it resembled, namely, the servant and President Leo, I discovered a second candle in the wall and lit this also. I now saw the double figure representing Leo and myself, not only becoming clearer and each image more alike, but I also saw that the surface of the figures was transparent and that one could look inside as one can look through the glass of a bottle or vase. Inside the figures I saw something moving, slowly, extremely slowly, in the same way that a snake moves which has fallen asleep. Something was taking place there, something like a very slow, smooth but continuous flowing or melting; indeed, something melted or poured across from my image to that of Leo's. I perceived that my image was in the process of adding to and flowing into Leo's, nourishing and strengthening it. It seemed that, in time, all the substance from one image would flow into the other and only one would remain: Leo. He must grow, I must disappear. As I stood there and looked and tried to understand what I saw, I recalled a short conversation that I had once had with Leo during the festive days at Bremgarten. We had talked about the creations of poetry being more vivid and real than the poets themselves. The candles burned low and went out. I was overcome by an infinite weariness and desire to sleep, and I turned away to find a place where I could lie down and sleep.
Hermann Hesse (The Journey To The East)
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Tension makes the reader care, while suspense makes the reader want to read on. Tension relates mostly to relationships between characters and the situation in which the main character is right now
Rayne Hall (Writing Dark Stories: How to Write Horror and Other Disturbing Short Stories (Writer's Craft Book 6))
Borsk watched Anya scoot away from the shuttle stop, her legs moving as fast as the blades on his family's restaurant's salad chopper. She was surprisingly speedy for a short girl. And surprisingly nice for a rich one. He wished he hadn't seen how respectful she was with Old Greeley, or how anxious she was to avoid special treatment, in both the greenhouse and out on the suspension bridge. He wished he hadn't seen the way her whole face lit up when anyone praised her art. He especially wished he hadn't seen her manage to seem disappointed, not relieved, when her dating pool color didn't match up with VJ Brown's. He wished he could keep thinking of her as a stuck-up rich kid. Then maybe he wouldn't feel so bad about totally ripping her off.
R.L.S. Hoff (Leaving Hope (Golden Terrace Colony #1))
Sartre threw away the entire content of thebourgeois subject, maintaining only its pure form, and the next stepwas to throw away this form itself—is it not that,mutatis mutandis,Der-rida threw away all the positive ontological content of messianism, re-taining nothing but the pure form of the messianic promise, and thenext step is to throw away this form itself? And, again, is this not alsothe passage from Judaism to Christianity? Judaism reduces the prom-ise of Another Life to a pure Otherness, a messianic promise whichwill never become fully present and actualized (the Messiah is always “to come”); while Christianity, far from claiming full realization ofthe promise, accomplishes something far more uncanny: the Messiahis here, he has arrived, the final Event has already taken place,yet the gap(the gap which sustained the messianic promise) remains....Here I am tempted to suggest a return to the earlier Derrida ofdifférance:what if (as Ernesto Laclau, among others, has already ar-gued17) Derrida’s turn to “postsecular” messianism is not a necessaryoutcome of his initial “deconstructionist” impetus? What if the ideaof infinite messianic Justice which operates in an indefinite suspen-sion, always to come, as the undeconstructible horizon of decon-struction, already obfuscates “pure”différance,the pure gap whichseparates an entity from itself? Is it not possible to think this pure in-between priorto any notion of messianic justice? Derrida acts as ifthe choice is between positive onto-ethics, the gesture of transcend-ing the existing order toward another higher positive Order, andthe pure promise of spectral Otherness—what, however, if we dropthis reference to Otherness altogether? What then remains is eitherSpinoza—the pure positivity of Being—or Lacan—the minimal con-tortion of drive, the minimal “empty” (self-)difference which is op-erative when a thing starts to function as a substitute for itself. As Freud observed, the very acts that are forbidden by religion arepracticed in the name of religion. In such cases—as, for instance, mur-der in the name of religion—religion also can do entirely withoutminiaturization.Those adamantly militant advocates of human life, forexample, who oppose abortion, will not stop short of actually mur-dering clinic personnel. Radical right-wing opponents of male homo-sexuality in the USA act in a similar way.They organize so-called “gaybashings” in the course of which they beat up and finally rape gays. What we have here, yet again, is the Hegelian “oppositional determi-nation”: in the figure of the gay-basher raping a gay, the gay encoun-ters himself in its oppositional determination; that is to say, tautology(self-identity) appears as the highest contradiction.This threshold canalso function as the foreign gaze itself: for example, when a disen-chanted Western subject perceives Tibet as a solution to his crisis, Ti-bet loses its immediate self-identity, and turns into a sign of itself,its own “oppositional determination.
ZIZEK
The sight of her praying lit a fire in his heart. She'd suffered so many traumas in the short amount of time and yet she still believed, still looked to God for help and answers. She was an amazing woman.
Terri Reed (Alaskan Rescue (Alaska K-9 Unit, 1))
Nor will there be freedom of movement without border checks throughout the EU while Britain, Denmark, and Ireland retain their controls. Brexit might resolve the British exception, and possibly the Irish one too, although this will depend on the post-membership arrangements for free movement on the island of Ireland. However, the Danish referendum in 2015 that confirmed its opt-out status makes it very unlikely that this will change, especially given the (increasingly protracted) ‘temporary’ suspensions of Schengen provisions by various states in the wake of the refugee crisis since 2016.
Simon Usherwood (The European Union: A Very Short Introduction (Very Short Introductions))
While sitting on the stage with Qazi, waiting for her answer, she wondered if she had helped him with a pure heart, or if it was an attempt to emotionally force him to marry her, or if it was an emotional or sexual relationship with him.
Aqsa Abdul Qadir (Wealth In The Treehouse: Stories of Karachiites)
She could not longer deny . . . what? she wondered in suspense. The luminous centre of things, the confirmation underpinning everything, the harmony that existed beneath the things she didn’t understand. She rose to a new morning, sweetly alive. And her happiness was pure like the sun’s reflection in the water. Each event vibrated in her body like little crystal needles shattering. After the short, profound moments she lived serenely for a long time, understanding, receiving, resigning herself to everything.
Clarice Lispector (Near to the Wild Heart)
What a strange phenomenon… “Mango Showers”, a rain detached from monsoon… that falls all of a sudden amidst the sultry days of summer! Then all of a sudden vanishes as though it never occurred. Yet the short lived spell could make an enormous difference.
A. Victor Adharsh
Un huruit de roţi, traversând holul în viteză, l-a întrerupt pe bătrân, care şi-a îndreptat capul îndesat spre zgomot. Ultimele cuvinte i-au îngheţat pe buze. În prag şi-a făcut apariţia o fată într-un scaun cu rotile. Părul lung, nins de o albeaţă stranie, i se revărsa pe umeri tulburător, asemenea unui voal de mireasă. Nu era nici mai frumoasă, nici mai urâtă ca femeile care-i scăldaseră aşternuturile. Buzele îi semănau cu nişte valuri care nu aştern la ţărm scoici sidefate, ci pescăruşi morţi. De genele ondulate spânzura un ideal închis între zidurile singurătăţii. Purta o bluză peste silueta osoasă, iar picioarele îi erau înveşmântate cu o fustă până în pământ.
Teodora Gheorghe (Întâmplări despre niciodată - 7 povești neobișnuite despre singurătate)
You want out? You’ll have to get past me to reach the door tonight. I’m certain you won’t make it that far,” he threatened with a sneer just as bright rays of light blinded me, and firm hands grabbed my hair and pulled.
ANNE .J. FRANKLIN (Christmas At Knights Landing: A Holiday Romance Short Story (Mistletoe Magic Holiday Series Book 2))
Vincent took a menacing step forward, his stance threatening. “You speak to her like that again, and I guarantee my buddies at the state department won’t mind dragging you out of here in a body bag.
ANNE .J. FRANKLIN (Christmas At Knights Landing: A Holiday Romance Short Story (Mistletoe Magic Holiday Series Book 2))
You think you’ve found a protector that’ll keep you away from me, Grace? Then you don’t know me well. I’ve owned you since you were a child; I’m the only one you’ve got in this coldhearted world.
ANNE .J. FRANKLIN (Christmas At Knights Landing: A Holiday Romance Short Story (Mistletoe Magic Holiday Series Book 2))
The goat let out a god awful high pitched scream as it impaled itself on the shotgun barrel. Shelton pushed the safety to the off position and fired. Goat fur and blood splattered the inside of his Jeep
Mark Dossett (Exit 999)
(Life is too short to live as a captive in a miserable marriage.
Eichin Chang-Lim (The LoveLock: A Romantic Suspense Novel)
Nete Pete and the Killer Forest "Blah-blah-blah. You're the superhero. I'm the princess. Save me." Tree of Knowledge "Feed me. Preposterous. How could someone feed a book?" Adventures Wanted "'Fishing is boring.' 'Do you fish in Davy Jones' Locker? Have you everheard of the Kraken?'" Can You Swim? "Blood stained her desk seat from a coming of age secret. Her classmates taunted her from that moment on." Smoke Legend "Crackles of warmth from the blaze shifted light across the merchant's face. The young boy held fast to his father's knee. Enticing legends began to breathe." Hunting Cabin "Perle, ghosts don't exist. Unless you count the deer we're going to bag." Red Cap "'Wait,' cried Polka, 'By Wutan! Devour me and no future roe will favor your blows!'" Cat Run "She held out a pair of stockings with a run in one leg. 'What dove did you skin these off of?'" Laura DeGrave "Popcorn Krunchers Shorts with Bite
Laura Degrave (Popcorn Krunchers: Shorts with Bite)
Nete Pete and the Killer Forest "Blah-blah-blah. You're the superhero. I'm the princess. Save me." Tree of Knowledge "Feed me. Preposterous. How could someone feed a book?" Adventures Wanted "'Fishing is boring.' 'Do you fish in Davy Jones' Locker? Have you ever heard of the Kraken?'" Can You Swim? "Blood stained her desk seat from a coming of age secret. Her classmates taunted her from that moment on." Smoke Legend "Crackles of warmth from the blaze shifted light across the merchant's face. The young boy held fast to his father's knee. Enticing legends began to breathe." Hunting Cabin "Perle, ghosts don't exist. Unless you count the deer we're going to bag." Red Cap "'Wait,' cried Polka, 'By Wutan! Devour me and no future roe will favor your blows!'" Cat Run "She held out a pair of stockings with a run in one leg. 'What dove did you skin these off of?'" Laura DeGrave "Popcorn Krunchers Shorts with Bite
Laura Degrave
The driver commandeered the taxi through the streets with a complete disregard for traffic lights; their colours were there to make them pretty.
Jonathan Dunne (Dead Ends)
What if there is no pot of gold, Anna?” Her mother’s voice joined the breeze. “You need to find your own treasure in moments because life is short and passing as we speak. Don’t waste it.
Rebecca Lake (Where Secrets Lie (Deception In The Mountains #1))
Light has a voice?” Sarucha inquired, amazed.
Sipporah Joseph (Teacher of Knowledge (Spirit Tales #5))
Sarucha (age 8): "Look, down there, I recognize it, ciudad de Jerusalén (the city of Jerusalem)! Jerusalén!, Jerusalén!" she exclaimed.
Sipporah Joseph (Teacher of Knowledge (Spirit Tales #5))
From her vantage point, looking up at [Ian] through the water-spotted and slightly blurry lenses of her glasses, he was quite literally larger than life. Right at that moment, with his hands up on his head, his muscular chest bare, and his boxer shorts clinging to him in a most revealing way, water matting the hair on his chest and his legs and his eyelashes, he was ridiculously attractive. Even with his more conventionally handsome brother standing next to him. Of course the fact that Aaron was looking down at her with unconcealed dislike in his pretty hazel eyes might’ve had something to with it, as if she weren’t a person but instead a pile of excrement left on his pool deck by a wart-covered troll with an intestinal ailment.
Suzanne Brockmann (Do or Die (Reluctant Heroes #1))
It was worse than she’d expected. “None?” she asked. “No fresh boot prints anywhere around the perimeter of the house,” Sheriff Coughlin confirmed. “It was windy last night. Maybe the drifting snow filled in the prints?” Even before she finished speaking, the sheriff was shaking his head. “With the warm temperatures we’ve been having, the snow is either frozen or wet and heavy. If someone had walked through that yard last night, there would’ve been prints.” Daisy hid her wince at his words, even though they hit as hard as an elbow to the gut, and struggled to keep her voice firm. “There was someone walking around the outside of that house last night, Sheriff. I don’t know why there aren’t any boot prints, but I definitely saw someone.” He was giving her that look again, but it was worse, because she saw a thread of pity mixed in with the condescension. “Have you given more thought to starting therapy again?” The question surprised her. “Not really. What does that have to do…?” As comprehension dawned, a surge of rage shoved out her bewilderment. “I didn’t imagine that I saw someone last night. There really was a person there, looking in the side window.” All her protest did was increase the pity in his expression. “It must get lonely here by yourself.” “I’m not making things up to get attention!” Her voice had gotten shrill, so she took a deep breath. “I even said there was no need for you to get involved. I only suggested one of the on-duty deputies drive past to scare away the kid.” “Ms. Little.” His tone made it clear that impatience had drowned out any feelings of sympathy. “Physical evidence doesn’t lie. No one was in that yard last night.” “I know what I saw.” The sheriff took a step closer. Daisy hated how she had to crane her neck back to look at him. It made her feel so small and vulnerable. “Do you really?” he asked. “Eyewitness accounts are notoriously unreliable. Even people without your issues misinterpret what they see all the time. The brain is a tricky thing.” Daisy set her jaw as she stared back at the sheriff, fighting the urge to step back, to retreat from the man looming over her. There had been someone there, footprints or no footprints. She couldn’t start doubting what she’d witnessed the night before. If she did, then that meant she’d gone from mildly, can’t-leave-the-house crazy, to the kind of crazy that involved hallucinations, medications, and institutionalization. There had to be some other explanation, because she wasn’t going to accept that. Not when her life was getting so much better. She could tell by looking at his expression that she wasn’t going to convince Coughlin of anything. “Thank you for checking on it, Sheriff. I promise not to bother you again.” Although he kept his face impassive, his eyes narrowed slightly. “If you…see anything else, Ms. Little, please call me.” That wasn’t going to happen, especially when he put that meaningful pause in front of “see” that just screamed “delusional.” Trying to mask her true feelings, she plastered on a smile and turned her body toward the door in a not-so-subtle hint for him to leave. “Of course.” Apparently, she needed some lessons in deception, since the sheriff frowned, unconvinced. Daisy met his eyes with as much calmness as she could muster, dropping the fake smile because she could feel it shifting into manic territory. She’d lost enough credibility with the sheriff as it was. The silence stretched until Daisy wanted to run away and hide in a closet, but she managed to continue holding his gaze. The memory of Chris telling her about the sheriff using his “going to confession” stare-down on suspects helped her to stay quiet. Finally, Coughlin turned toward the door. Daisy barely managed to keep her sigh of relief silent. “Ms. Little,” he said with a short nod, which she returned. “Sheriff.” Only when he was through the doorway with the door locked behind him did Daisy’s knees start to shake.
Katie Ruggle (In Safe Hands (Search and Rescue, #4))
Alex whispers, “There’s a thin line between love and hate. Maybe you’re confusing your emotions.” I scoot away from him. “I wouldn’t bet on it.” “I would.” Alex’s gaze turns toward the door to the classroom. Through the window, his friend is waving to him. They’re probably going to ditch class. Alex grabs his books and stands. Mrs. Peterson turns around. “Alex, sit down.” “I got to piss.” The teacher’s eyebrows furrow and her hand goes to her hip. “Watch your language. And the last time I checked, you don’t need your books in order to go to the restroom. Put them back on the lab table.” Alex’s lips are tight, but he places the books back on the table. “I told you no gang-related items in my class,” Mrs. Peterson says, staring at the bandanna he’s holding in front of him. She holds out her hand. “Hand it over.” He glances at the door, then faces Mrs. Peterson. “What if I refuse?” “Alex, don’t test me. Zero tolerance. You want a suspension?” She wiggles her fingers, signaling to hand the bandana over immediately or else. Scowling, he slowly places the bandana in her hand. Mrs. Peterson sucks in her breath when she snatches the bandanna from his fingers. I screech, “Ohmygod!” at the sight of the big stain on his crotch. The students, one by one, start laughing. Colin laughs the loudest. “Don’t sweat it, Fuentes. My great-grandma has the same problem. Nothing a diaper won’t fix.” Now that hits home because at the mention of adult diapers, I immediately think of my sister. Making fun of adults who can’t help themselves isn’t funny because Shelley is one of those people. Alex sports a big, cocky grin and says to Colin, “Your girlfriend couldn’t keep her hands out of my pants. She was showin’ me a whole new definition of hand warmers, compa.” This time he’s gone too far. I stand up, my stool scraping the floor. “You wish,” I say. Alex is about to say something to me when Mrs. Peterson yells, “Alex!” She clears her throat. “Go to the nurse and…fix yourself. Take your books, because afterward you’ll be seeing Dr. Aguirre. I’ll meet you in his office with your friends Colin and Brittany.” Alex swipes his books off the table and exits the classroom while I ease back onto my stool. While Mrs. Peterson is trying to calm the rest of the class, I think about my short-lived success in avoiding Carmen Sanchez. If she thinks I’m a threat to her relationship with Alex, the rumors that are sure to spread today could prove deadly.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Dream It; Wish It; Do It!
Wyketha K. Parkman (Ashtons Island: A Short Story)
Life’s too short. I’ll try my best to make it work.
Paul Pilkington (The One You Love (Emma Holden Suspense Mystery, #1))
A lone Japanese man stood on the sidewalk a short distance away. Sleek, self-possessed, dressed in gray. Emma’s lover. Moon’s prime suspect. The man who had once been Dr. Toshi Okada—maimed, supposedly dead, come back alive for revenge.
Zita Steele (Edge of Suspicion)
Blake Crouch is the author of over a dozen bestselling suspense, mystery, and horror novels. His short fiction has appeared in numerous short story anthologies, Ellery Queen’s Mystery Magazine, Alfred Hitchcock’s Mystery Magazine, Cemetery Dance, and many other publications. Much of his work, including the Wayward Pines series.
Blake Crouch (Snowbound)
The endowment would make a second serendipitous investment when Robert Noyce, a Grinnell trustee and alumnus, offered Grinnell stock in his then-private start-up, NM Electronics.22 Noyce had almost been expelled from Grinnell for stealing a pig and roasting it at a campus luau.23 He would have been expelled but for the intervention of his physics professor who felt that Noyce was the best student he’d ever taught. 24 The professor managed to persuade the school to reduce the expulsion to a one-semester suspension.25 Noyce never forgot the favor, and made the stock available to the school if it wanted it.26 Rosenfield told Noyce that the endowment would take all the stock he’d let it have.27 Grinnell’s endowment took 10 percent of the $3 million private placement (Grinnell put up $100,000, and Rosenfield and another trustee put up $100,000 each).28 Shortly thereafter the company, then renamed Intel, went public in 1971. Grinnell started selling the stake in 1974, at which time it was worth $14 million, more than half the value of the $27 million endowment. Noyce was concerned that Grinnell should have so much exposure to a single name associated with him, and cajoled Rosenfield to sell. He recalls, “Bob [Noyce] was trembling about it. He’d say, ‘I don’t want the college to lose any money on account of me.’ But I’d say, “We’ll worry about that, Bob. We’ll take the risk.”29 Noyce eventually wore Rosenfield down, however, and Grinnell fully exited the stake by 1980. On its sale, the Intel investment had generated a profit of 4,583 percent. Rosenfield told Zweig, “I wish we’d kept it. That was the biggest mistake we ever made. Selling must have cost us $50 million, maybe more.”30 Zweig didn’t have the heart to tell the then 96-year-old Rosenfield that the shares he sold would have been worth several billion dollars in 2000. Perhaps this is why Rosenfield “considers selling to be indistinguishable from error.
Allen C. Benello (Concentrated Investing: Strategies of the World's Greatest Concentrated Value Investors)
What is essential here is the presence of the spirit of dialogue, which is in short, the ability to hold many points of view in suspension, along with a primary interest in the creation of common meaning." ~ David Bohm & David Peat
David Bohm David Peat
Payne sought clarification. “Vertical or horizontal?” “Horizontal, of course.” “Sorry but I can’t help you.” “Will you pipe down for a minute? Naturally she was dead since I work at a cemetery. Her face struck a chord though. So, I rummaged around in the old Rory memory bank, and Emily is what rings a bell. Didn’t we go to school with an Emily? Tenth or eleventh grade, if I recall it correctly.
Ed Lynskey (Smoking on Mount Rushmore: 16 New & Selected Short Stories)
You need to take some acting classes to learn to hide your huge crush on my husband better
Mary Papas-Μαρία Παπαδοπούλου (14 Twisted Tales To Enthrall)
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