Short Sandal Quotes

We've searched our database for all the quotes and captions related to Short Sandal. Here they are! All 39 of them:

Did you learn the rotation of the border patrols?’ said Laurent. ‘Yes, our scouts found—’ Laurent was standing in the doorway wearing a chiton of unadorned white cotton. Damen dropped the pitcher. It shattered, shards flying outward as it slipped from his fingers and hit the stone floor. Laurent’s arms were bare. His throat was bare. His collarbone was bare, and most of his thighs, his long legs, and all of his left shoulder. Damen stared at him. ‘You’re wearing Akielon clothing,’ said Damen. ‘Everyone’s wearing Akielon clothing,’ said Laurent. Damen thought that the pitcher had shattered and he could not now take a deep draught of the wine. Laurent came forward, navigating the broken ceramic in his short cotton and sandalled feet, until he reached the seat beside Damen, where the map was laid out on the wooden table. ‘Once we know the rotation of the patrols, we’ll know when to approach,’ said Laurent. Laurent sat down. ‘We need to approach at the beginning of their rotation in order to give us the most time before they report back to the fort.’ It was even shorter sitting down. ‘Damen.’ ‘Yes. Sorry,’ said Damen. And then: ‘What were you saying?
C.S. Pacat (Kings Rising (Captive Prince, #3))
The young man was tall and slim. He wore sandals and a bathing suit and a short-sleeved shirt with an alligator emblem stitched to the left breast, which caused Brody to take an instant, instinctive dislike to the man. In his adolescence Brody had thought of those shirts as badges of wealth and position. All the summer people wore them. Brody badgered his mother until she bought him one—“a two-dollar shirt with a six-dollar lizard on it,” she said.
Peter Benchley (Jaws (Jaws, #1))
NO SHORTS or SANDAL!! This for your own protection. Tomorrow's boot camp will be something SPECIAL! Meet in front of the maintenance shed at the north end of the quad at 10 A.M! Latecomers will be left behind and this is a day you will not want to miss! - Adara - I roll my eyes. Besides her overuse of exclamation points and her tendency to yell, the idea that we're doing "something special" in camp tomorrow is not exciting. It's terrifying.
Tera Lynn Childs (Goddess Boot Camp (Oh. My. Gods., #2))
Twenty years earlier, in a life [Kirsten] mostly couldn’t remember, she had had a small nonspeaking role in a short-lived Toronto production of King Lear. Now she walked in sandals whose soles had been cut from an automobile tire, three knives in her belt.
Emily St. John Mandel (Station Eleven)
On the first day of Human Sexuality, Ruth Ramsey wore a short lime green skirt, a clingy black top, and strappy high-heeled sandals, the kind of attention-getting outfit she normally wouldn't have worn on a date---not that she was going on a lot of dates these days---let alone to work.
Tom Perrotta (The Abstinence Teacher)
There's pathos in this familiar routine, in the sounds of homely objects touching surfaces. And in the little sigh she makes when she turns or slightly bends our unwieldy form. It's already clear to me how much of life is forgotten even as it happens. Most of it. The unregarded present spooling away from us, the soft tumble of unremarkable thoughts, the long-neglected miracle of existence. When she's no longer twenty-eight and pregnant and beautiful, or even free, she won't remember the way she set down the spoon and the sound it made on slate, the frock she wore today, the touch of her sandal's thong between her toes, the summer's warmth, the white noise of the city beyond the house walls, a short burst of birdsong by a closed window. All gone, already.
Ian McEwan (Nutshell)
In Duluth a man in khaki shorts and sandals walked up and down Piedmont Avenue with a large smear of ash on his forehead and a hand-lettered sandwich board hanging over his scrawny shoulders.
Stephen King (The Stand)
On either side of them the essence of honky tonk beach resort had now enclosed them: gas stations, fried clam stands, Dairy Treets, motels painted in feverish pastel colors, mini golf. Larry was drawn two painful ways by these things. Part of him clamored at their sad and blatant ugliness and at the ugliness of the minds that had turned this section of a magnificent, savage coastline into one long highway amusement park for families in station wagons. But there was a more subtle, deeper part of him that whispered of the people who had filled these places and this road during other summers. Ladies in sunhats and shorts too tight for their large behinds. College boys in red and black striped rugby shirts. Girls in beach shifts and thong sandals. Small screaming children with ice cream spread over their faces. They were American people, and there was a kind of dirty, compelling romance about them whenever they were in groups never mind if the group was in an Aspen ski lodge or performing their prosaic/ arcane rites of summer along Route 1 in Maine. And now all these Americans were gone.
Stephen King (The Stand)
Thankfully, Gabriel was five minutes late, and by the time he knocked on the door I’d just finished putting on lipstick and slipping my feet into sandals. I opened the door. “I hope I didn’t keep you wait . . .” His voice drifted off as he quite blatantly checked me out. “What?” I asked, hand on my hip. He flashed me a devilish grin. “The little pink dress. You look cute.” What I found frumpy, he found cute. Wonder what his response would have been to the tight number. My eyes gave him a discreet once-over. He wore jeans and a Yankees T-shirt. It wasn’t exactly going to win over the locals, but I had to admit, he filled the shirt out ridiculously well. His short black hair was damp, like he’d just taken a shower. I felt my face behind to flush, so I turned away. “Come on in.” He stopped and surveyed the foyer. “I was only here for a minute when we came to get Joni. I didn’t get a chance to check the place out.” He paused. “It’s not what I was expecting.” “What were you expecting? Voodoo dolls hung from the ceiling?” He smirked. “Maybe just a little one of me.” “That’s hidden under my bed.
Kim Harrington (Clarity (Clarity, #1))
It’s already clear to me how much of life is forgotten even as it happens. Most of it. The unregarded present spooling away from us, the soft tumble of unremarkable thoughts, the long-neglected miracle of existence. When she’s no longer twenty-eight and pregnant and beautiful, or even free, she won’t remember the way she set down the spoon and the sound it made on slate, the frock she wore today, the touch of her sandal’s thong between her toes, the summer’s warmth, the white noise of the city beyond the house walls, a short burst of birdsong by a closed window. All gone, already.
Ian McEwan (Nutshell)
I was wearing a colorful, short cover-up over a royal blue bikini. I had on gold strappy sandals and I looked cute-as-fuck. Did I, however, look like I was about to go yachting with New York City’s upper elite? No. I probably would have fit in better at the Jersey Shore between Snooki and JWoww.
R.S. Grey (The Allure of Julian Lefray (The Allure, #1))
He didn’t try to hide it. He had discarded his wrist gauntlets. He wore the Akielon breastplate, the short leather skirt, the high Akielon sandals strapped to his knee. His arms were bare, as were his legs from knee to mid-thigh. The short red cape was pinned to his shoulder by the golden lion. Armoured
C.S. Pacat (Kings Rising (Captive Prince, #3))
Before I opened my computer in the parking lot today, I relived one of my favorite memories. It's the one with Woody and me sitting on the steps of the Metropolitan Museum after it's closed. We're watching people parade out of the museum in summer shorts and sandals. The trees to the south are planted in parallel lines. The water in the fountain shoots up with a mist that almost reaches the steps we sit on. We look at silver-haired ladies in red-and-white-print dresses. We separate the mice from the men, the tourists from the New Yorkers, the Upper East Siders from the West Siders. The hot-pretzel vendor sells us a wad of dough in knots with clumps of salt stuck on top. We make our usual remarks about the crazies and wonder what it would be like to live in a penthouse apartment on Fifth Avenue overlooking the Met. We laugh and say the same things we always say. We hold hands and keep sitting, just sitting, as the sun beings to set. It's a perfect afternoon.
Diane Keaton (Then Again)
Her face appeared to have grown paler, and it seemed as if there were a mocking insanity flaring up almost imperceptibly on her lips and in the azure of her eyes there lurked the insanity of grief. She was silent, and she waited for what her father would say. And he spoke slowly, finding words almost with difficulty, 'Dearest, what did I hear? I did not expect this of you. Why did you do it?' The Beauty bowed her head and said softly and sadly, 'Father, sooner or later all this will come to pass anyway.' 'Sooner or later?' asked the father as if in surprise. And he continued, 'Better late than sooner.' 'I am all aflame,' said the Beauty softly. And the smile on her lips was like the reflection of some searing flame, and in her eyes there gleamed blue lightning, and her naked arms and shoulders were like some delicate vessel of alabaster, filled to the brim with a molten metal. Her firm breasts rose and fell impetuously, and two white waves strained forth from the tight confines of her dress, the delicate color of which was reminiscent of the yellowish rosiness of a peach. From beneath the folds of her short dress were visible against the dark green velvet of the rug and entwined by the pink ribbons of her gilded sandals her white and trembling legs. ("The Poison Garden")
Valery Bryusov (Silver Age of Russian Culture (An Anthology))
A tourist couple -- European by the look of them -- were taking pictures in the courtyard of the mosque. The woman had covered her head with one of the long scarves provided at the entrance. Someone -- perhaps a passer-by -- must have warned her that her dress was too short; she had tied another scarf around her waist to cover her legs above the knee. The man, by contrast, had sandals and Bermuda shorts apparently no one had seen as a problem.
Elif Shafak (Havva'nın Üç Kızı)
No matter how awful it is to be sitting in this Terrible magazine office, and talking to this Circular-saw-voiced West side girl in a dirt- Stiff Marimekko and lavender glasses, and this Cake-bearded boy in short-rise Levi’s, and hearing The drip and rasp of their tones on the softening Stone of my brain, and losing The thread of their circular words, and looking Out through their faces and soot on the window to Winter in University Place, where a blue- Faced man, made of rags and old newspapers, faces A horrible grill, looking in at the food and the faces It disappears into, and feeling, Perhaps, for the first time in days, a hunger instead Of a thirst; where two young girls in peacoats and hair As long as your arm and snow-sanded sandals Proceed to their hideout, a festering cold-water flat Animated by roaches, where their lovers, loafing in wait To warm and be warmed by brainless caresses, Stake out a state Of suspension; and where a black Cadillac 75 Stands by the curb to collect a collector of rents, Its owner, the owner of numberless tenement flats; And swivelling back To the editorial pad Of Chaos, a quarter-old quarterly of the arts, And its brotherly, sisterly staff, told hardly apart In their listlessly colored sackcloth, their ash-colored skins, Their resisterly sullenness, I suddenly think That no matter how awful it is, it’s better than it Would be to be dead. But who can be sure about that?
L.E. Sissman
Mavis packs: many separate top and bottom options, including but not limited to multiple shorts and shirts, dresses short and long, skirts, running/exercise tanks and shorts, a special moisture-wicking-type bra, athletic socks, several sandals, a pair of gym shoes, at least one romper, an extra carburetor, a full silver service, a twin-size bed, several different types of Tylenol, and a cooler full of dry snacks and drinks and coffee. It never even occurred to me that I might do anything other than survive off of whatever I could find in a vending machine or from room service. She is a real-life adult. It’s impressive.
Samantha Irby (We Are Never Meeting in Real Life.)
She was a tall and slender woman, possibly in her early thirties. Her skin had the extraordinary fineness of grain, and the translucence you see in small children and fashion models. In her fine long hands, delicacy of wrists, floating texture of dark hair, and in the mobility of the long narrow sensitive structuring of her face there was the look of something almost too well made, too highly bred, too finely drawn for all the natural crudities of human existence. Her eyes were large and very dark and tilted and set widely. She wore dark Bermuda shorts and sandals and a crisp blue and white blouse, no jewelry of any kind, a sparing touch of lipstick.
John D. MacDonald (The Deep Blue Good-By)
People called Mother a beauty, when she was young. I remember her very well in those days—until I was fourteen or fifteen she was as beautiful as ever. When I compare that memory of her with Satsuko, the contrast is really striking. Satsuko is also called a beauty. That was the main reason why Jokichi married her. But between these two beauties, between the 1890’s and now, what a change has taken place in the physical appearance of the Japanese woman! For example, Mother’s feet were beautiful too, but Satsuko’s have an altogether different kind of beauty. They hardly seem to belong to a woman of the same race. Mother had dainty feet, small enough to nestle in the palm of my hand, and as she tripped along in her straw sandals she took extremely short, mincing steps with her toes turned in. (I am reminded that in my dream Mother’s feet were bare except for her sandals, even though she was dressed to go visiting. Perhaps she was deliberately showing off her feet to me.) All Meiji women had that pigeon-like walk, not just beauties. As for Satsuko’s feet, they are elegantly long and slender; she boasts that ordinary Japanese shoes are too wide for her. On the contrary, my mother’s feet were fairly broad, rather like those of the Bodhisattva of Mercy in the Sangatstudo in Nara. Also, the women of their day were short in stature. Women under five feet were not uncommon. Having been born in the Meiji era, I am only about five feet two myself, but Satsuko is an inch and a half taller.
Jun'ichirō Tanizaki (Diary of a Mad Old Man)
The footsteps behind her stopped. A warm brush of fingertips traveled up her arms as a firm chest pressed against her back. Daniel. She could sense his glow without even turning. She closed her eyes. His arms wrapped around her waist and his soft lips swept across her neck, stopping just below her ear. "I found you," he whispered. She turned slowly in his arms. The sight of him took her breath away. He was still her Daniel, of course, but his skin was the color of rich hot chocolate,and his wavy black hair was cropped very short. He wore only a short linen loincloth,leather sandals, and a silver choker around his neck. His deep-set violet eyes swept over her, happy. He and Layla were deeply in love. She rested her cheek on his chest and counted the beats of his heart. Would this be the last time she did this,the last time he held her against his heart? She was about to do the right thing-the good thing for Daniel. But still it pained her to think about it. She loved him! If this journey had taught her anything, it was how much she truly loved Daniel Grigori. It hardly seemed fair that she was forced to make this decision. Yet here she was. In ancient Egypt. With Daniel. For the very last time. She was about to set him free.
Lauren Kate (Passion (Fallen, #3))
A half-empty bottle of vodka sat on the bedside table, and his sketchbook was open on the king-size bed. Several sketches, only three of which looked finished, were scattered across the bedspread. Clearly he hadn’t been sleeping either. Swallowing, I picked up the nearest one. A dark-skinned, pale-haired child with an angel’s wings—too old to be a cherub, more like a small boy—stood in the middle of a dark forest, looking around in terror. His hand was outstretched, reaching for a shadow disappearing off the edge of the page, the unknown figure walking away from him, leaving him behind. I drew a shuddering breath and picked up the next one. In this one, that same angel—now a willowy adolescent, his thin, maturing body draped in the ubiquitous short toga with strapped sandals wound around his ankles—stood with his shoulders hunched in the midst of a crowd of jeering figures. He held an ornate harp cradled protectively against his body, trying to shield it from further harm. Its strings were sprung and its frame cracked and bent. In the last one, an even more mature version of the angel—now a young man—knelt on one knee in another clearing in the woods. He was bruised and bleeding, his toga torn and stained. He held the bloody, tattered remnants of one of his wings, trying futilely to piece it back together.
Amelia C. Gormley (Saugatuck Summer (Saugatuck, #1))
Suddenly, he looked up at me and demanded, “Say my name.” My pride wouldn’t allow me to submit, so I mumbled, “What was it again? Vinnie? Vance? Something with a V, right?” His response was to pop the button on my shorts and tug them down to my ankles. I kicked them off along with my sandals then struggled to act unimpressed. Vaughn grinned in a way that made me a little nervous about what happened next. He likely sensed my fear because his grin widened. A kneeling Vaughn licked his lips then focused on the part of my body wanting him more than any other. “You’ll remember my name soon enough,” he promised, lifting my leg and resting it over his shoulder. Even though I wanted desperately to reply in a smartass way, his hot breath on my pussy made words a memory. The first lick sent me into a near brain-dead stupor. When he sucked at my clit, I would have toppled over if he didn’t hold me still. While unable to speak, I still made noises I would laugh about the next day. At the mercy of Vaughn’s hungry lips, I was in a state of heat like I’d never known before. I came quickly, yet Vaughn didn’t relent. Sucking steadily, he sent me over the edge again, stealing my ability to stand. By the time he stood in an easy movement and lifted me onto his hips, I was his slave. “Say it,” he whispered in my ear while kicking off his jeans. “Vaughn Fucking Majors.” A smirking Vaughn wrapped me into his arms and thrust hard inside my body. Resting my forehead against his shoulder, I tightened my legs around his hips and held on as he fucked me so hard I begged him to never leave. No man should have such power over me, yet there we were.
Bijou Hunter (Damaged and the Outlaw (Damaged, #4))
his “ma guarda che roba, but will you look at this,” when he sees the flowers and then his tinkering search for the espresso pot while I’m pulling on shorts and sandals, shouting down, “Why don’t we just run up the hill for cappuccini?
Marlena de Blasi (A Thousand Days in Tuscany: A Bittersweet Adventure)
legit, a convertible that will take me anywhere—it’s almost overwhelming. But I am jolted back to life when a tall, tanned brunette strolls through the lobby. Her top is what’s left of a string bikini and covers almost nothing. Her bottom is a sheer skirt that covers even less. I hand over a Visa card for the charges. I could also use either cash or a prepaid credit card, but since the Fibbies know where I’m staying, there’s no need to be deceptive. I’m sure the Miami office has been notified, and there’s probably a set of eyes not too far away. If I were really paranoid, I could believe that the FBI has already been in my room and perhaps hidden a bug or two. I get to my room, see no bugs or spooks, take a quick shower, and change into shorts and sandals. I go to the bar to check out the talent. I eat alone in the hotel café and catch the eye of a fortyish woman who is dining with what appears to be a female friend. Later, back in the bar, I see her again and we introduce ourselves. Eva, from Puerto Rico. We’re having a drink when the band starts. Eva wants to dance, and though it’s been years, I hit the floor with all the energy I have. Around midnight, Eva and I make it to my room, where we immediately undress and hop into bed. I almost pray the FBI has the room wired
John Grisham (The Racketeer: The edge of your seat thriller everyone needs to read)
hidden from the pedestrians who wandered across to buy discount Viagra; it was deeper into the town, the disorder, the ruinous buildings, the litter, the donkeys cropping grass by the roadside. Reynosa was not its plaza, but rather another hot, dense border town of hard-up Mexicans who spent their lives peering across the frontier, easily able to see—through the slats in the fence, beyond the river—better houses, brighter stores, newer cars, cleaner streets, and no donkeys. At the first stoplight at the intersection of a potholed road of Reynosa, a fat, middle-aged man in shorts and wearing clown makeup—whitened face, red bulb nose, lipsticked mouth—began to juggle three blue balls as the light turned red, and a small girl in a tattered dress, obviously his daughter, passed him a teapot which he balanced on his chin. The small girl hurried to the waiting cars, soliciting pesos. At the next light, a man in sandals and rags juggled three bananas and flexed his muscles while making lunatic faces. A woman hurried from car to car with a basket, offering tamales. Farther on was a fire-eater, a skinny man in pink pajamas gulping smoky flames from a torch.
Paul Theroux (On The Plain Of Snakes: A Mexican Journey)
Oh, she says gravely, when a bell chimes or a phone rings, we simply take the opportunity to switch off and abandon all our plans and emotions - all our thoughts about other people and ourselves. Abandon all our human perceptions? I ask indignantly. In that case, what’s left for us? No, she says with a shake of the head, I only mean our conception of the world. I like the way she pronounces the word ‘conception’ in her Dutch accent, as if it were hot and she might burn her lips on it. I wish I could speak a foreign language as fluently as you do, I tell her. Please say ‘conception’ again. Explain it to me. What’s the difference between my perceptions and my conceptions? Resolutely, she makes for a cafe beneath some plane trees whose leaves are casting decorative shadows on the white tablecloths. She sits down and regards me sceptically, as if gauging whether I’m bright enough to merit an answer. Most of the time, she says, we form an opinion about things without really perceiving them. She points to an elderly woman waddling across the square laden down with plastic bags. For instance, she goes on, I look at that woman and I think, How bow-legged she is, and that skirt! A ghastly colour and far too short for her. No one should wear short skirts at that age. Are my own legs still good enough for short skirts? I used to have a blue skirt myself. Where is it, I wonder? I wish I was wearing that blue skirt myself. Where is it, I wonder? I wish I was wearing that blue skirt right now. But if I looked like that woman there... She props her head on her hands and regard me with a twinkle in her eye. I laugh. I haven’t really ‘perceived’ the woman, she says, I’ve merely pondered on skirts and legs and the ageing process. I’m a prisoner of my own ideas - my conceptions, in other words. See what I mean? I say yes, but I’d say yes to a whole host of things when she looks at me that way. A waitress of Franka’s age takes our order. She’s wearing a white crocheted sweater over her enormous breasts and a white apron tightly knotted around her prominent little tummy. Her platform-soled sandals, which are reminiscent of hoofs, give her a clumsy, foal-like appearance. Now it’s your turn, says Antje. French teenager, I say. Probably bullied into passing up an apprenticeship and working in her parents’ cafe. Dreams of being a beautician. No, Antje protests, that won’t do. You must say what’s really going through your head. I hesitate. Come on, do. I sigh. Please, she says. OK, but I take no responsibility for my thoughts. Deal! Sexy little mam’selle, I say. Great boobs, probably an easy lay, wouldn’t refuse a few francs for a new sweater. She’d be bound to feel good and holler Maintenant, viens! That song of Jane Birkin’s, haven’t heard it for years. I wonder what Jane Birkin’s doing these days. She used to be the woman of my dreams. Still, I’m sure that girl doesn’t like German men, and besides, I could easily be her father, I’ve got a daughter her age. I wonder what my daughter’s doing at this moment... I dry up. Phew, I say. Sorry, that was my head, not me. Antje nods contentedly. She leans back so her plaits dangle over the back of the chair. Nothing torments us worse than our heads, she says, closing her eyes. You’ve got to hand it to the Buddhists, they’ve got the knack of switching off. It’s simply wonderful.
Doris Dörrie (Where Do We Go From Here?)
Kiernan hoists one of the bags and slips the strap over my shoulder. I grab the other one, and soon I’m loaded like a pack mule, lugging two bulky military duffels in addition to my backpack. Trey leans down to give me a goodbye kiss, but his lips are quivering with barely suppressed laughter. “What?” “You should see yourself. The toga, the sandals, and now this. You look like a short Greek Rambo.” “Athena, Goddess of Modern War,” Kiernan cracks as they get into the car. And now they’re both laughing. I pull up the stable point and blink out, now completely certain that the two of them riding in the same car was a very bad idea.
Rysa Walker (Time's Divide (The Chronos Files, #3))
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uttarakhand adventure
My, my,” she said, as he hauled her up against him, feet dangling off the floor, and held her there as he walked her into the room, using his elbow to hit the button to close the screens and turn them opaque. “The invitation didn’t say clothing optional,” she said, running her sandaled feet up the back of his bare legs. Which matched the rest of him. She let out a little laugh as he tossed her gently on the bed. “That’s because I wanted to peel your clothes off you,” he said, following her down. “Well,” she said, stretching her arms up over her head, “if you must.” She reveled in the way the two of them sank into the thick down mattress pad and even thicker down comforter that was layered on top. The word sumptuous came to mind. Even better, the bed didn’t pitch and roll with each ocean swell, though that slow roll had provided a few key moments of its own, she recalled. “Such a wicked smile you’re wearing,” he said approvingly, flipping her sandals off. “I think it should be the only thing you have on.” He unsnapped her shorts, then slid everything off the lower half of her body in one smooth slide. “You’ve been practicing,” she said, though it was hard to keep the casual banter going now, seeing as he was slowly kissing his way past her ankle and on up along the curve of her calf.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Such a wicked smile you’re wearing,” he said approvingly, flipping her sandals off. “I think it should be the only thing you have on.” He unsnapped her shorts, then slid everything off the lower half of her body in one smooth slide. “You’ve been practicing,” she said, though it was hard to keep the casual banter going now, seeing as he was slowly kissing his way past her ankle and on up along the curve of her calf.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Somewhere someone's uncle or father, a man wearing sandals and khaki shorts who says "back in my day" far too often, is on the grill. He is watching the food like he's afraid it'll change its mind about being a meal and decide to run off when no one's looking. The kids are playing a game that they made up themselves and changing the rules every five minutes. Their smiles are so big, you can fit history inside of them and still have room for right now and the future. The adults hate all the new music, but still want the teenagers to teach them the dances. The cupid Shuffle is common ground and the wobble is a peace treaty signed by both generations. There are no rallies today, no blood on this street, no hashtags here, but there is barbecue, potato salad and greens. The only tears you will see is when someone lifts the foil and all the mac and cheese is finished.
Rudy Francisco (Helium (Button Poetry))
PACKING CHECKLIST Light, khaki, or neutral-color clothes are universally worn on safari and were first used in Africa as camouflage by the South African Boers, and then by the British Army that fought them during the South African War. Light colors also help to deflect the harsh sun and are less likely than dark colors to attract mosquitoes. Don’t wear camouflage gear. Do wear layers of clothing that you can strip off as the sun gets hotter and put back on as the sun goes down. Smartphone or tablet to check emails, send texts, and store photos (also handy as an alarm clock and flashlight), plus an adapter. If electricity will be limited, you may wish to bring a portable charger. Three cotton T-shirts Two long-sleeve cotton shirts preferably with collars Two pairs of shorts or two skirts in summer Two pairs of long pants (three pairs in winter)—trousers that zip off at the knees are worth considering Optional: sweatshirt and sweatpants, which can double as sleepwear One smart-casual dinner outfit Underwear and socks Walking shoes or sneakers Sandals/flip-flops Bathing suit and sarong to use as a cover-up Warm padded jacket and sweater/fleece in winter Windbreaker or rain poncho Camera equipment, extra batteries or charger, and memory cards; a photographer’s vest and cargo pants are great for storage Eyeglasses and/or contact lenses, plus extras Binoculars Small flashlight Personal toiletries Malaria tablets and prescription medication Sunscreen and lip balm with SPF 30 or higher Basic medication like antihistamine cream, eye drops, headache tablets, indigestion remedies, etc. Insect repellent that is at least 20% DEET and is sweat-resistant Tissues and/or premoistened wipes/hand sanitizer Warm hat, scarf, and gloves in winter Sun hat and sunglasses (Polaroid and UV-protected ones) Documents and money (cash, credit cards, etc.). A notebook/journal and pens Travel and field guide books A couple of large white plastic garbage bags Ziplock bags to keep documents dry and protect electronics from dust
Fodor's Travel Guides (Fodor's The Complete Guide to African Safaris: with South Africa, Kenya, Tanzania, Botswana, Namibia, Rwanda, Uganda, and Victoria Falls (Full-color Travel Guide))
*1 - WOOL COAT in black (Cycle 2) *2 - NOVELTY SHOES (Cycle 2) *2 - STATEMENT NECKLACES (Cycles 1 & 2) *2 - EARRINGS (Cycles 1 & 2) *1 - SCARF (Cycle 2) 1 - SHAWL (Cycle 1) 1 - BELT (Cycle 1) *3 - BLACK OPAQUES, hosiery/socks/tights. (Cycle 1 & 2) 1 - BLACK FLATS (Cycle 1) 1 - BLACK HIGHER HEELED STILETTOS (Cycle 1) 1 - BLACK HIGHER HEELED STILETTOS TALL BOOTS (Cycle 1) 1 - BLACK LOW FAT BOOT IN A POINTED-TOE (Cycle 1) 6 - (3 SETS OF 2) UNDER GARMENTS (Cycle 1) *4 - (2 SETS OF 2) WORK-OUT (Cycles 1 & only 2 in Cycle 2) *1 - DAY BAG (all Cycles) 1 - EVENING BAG (Cycle 1, then as needed) *1 - ROBE, such as terry cloth then later a warmer or cooler one. (Cycles 1 & 2, then as needed) *1 - PJ (Cycle 1 & 2, then as needed) *1 - SLIPPERS/FLIP-FLOPS (Cycle 1 slippers & Cycle 2 flip flops hence forth 1 casual or sandal) 1 - SWIMSUIT (Cycle 1, then as needed) 1 - COVER-UP (Cycle 1, then as needed)
Melody Edmondson (Book 15 - Inverted Triangle Body Shape with a Short-Waistplacement (Your Body Shape by Waistplacement))
When you’re young and you imagine your future, you don’t picture a short man wearing gladiator sandals and gripping a whistle forcing you to run around a meeting room to stay employed.
Anastasia Ryan (You Should Smile More)
Marisol looked me over. “Now for your outfit.” I tugged my black tee and tan shorts. “I’m already wearing an outfit.” “No,” Marisol said with a slow head shake. “There’s a big difference between wearing clothes and wearing an outfit.” She pointed at my closet. “Get that denim shirt I made you buy and layer it on top, opened, sleeves rolled. Your tee has a little rip.” I glanced down. Grimaced. “Then the necklace with the dangling blue stone that’s hanging in your jewelry caddy, by your black jacket. And swap the flip-flops for sandals. The black ones with silver buckles.” “How in the—” “After all this time, you’re actually questioning it?” I conceded with a hand flip and moved toward the closet Marisol freakishly knew by heart.
Laura Taylor Namey (The Library of Lost Things)
Her face was focused and contained, as if she was concentrating on something more important than answering the door. She was slight, with dark eyes, a thin face, and prominent ears. She was wearing denim shorts, a light green blouse, and sandals. Her hair was damp, as if she wasn’t long from the shower. Holman thought she looked like a child. She stared at him with curious indifference. “Yes?” “I’m Max Holman. Richie’s father.” Holman
Robert Crais (The Two Minute Rule)
She’s a gold digger. I know she is,” she says through sniffles. “Well . . .” I taper off. I don’t know what to say here. Is this even appropriate? My ex-boyfriend’s mother—an ex whom, until very (very) recently, I was pining over—is now venting to me about his new fiancée. Awkward is probably the most appropriate word to describe it. “You know she doesn’t love him. You saw her! Why would that pencil-thin witch be interested in my son? I mean, don’t get me wrong, I think Adam is handsome, of course. But not handsome enough for that slut-looking-supermodel. I pictured my Adam with someone more plain, you know? Like you.” She gestures over to me. Ouch. And here I was thinking my tailored, black shorts paired with a white button-down shirt, and the most amazing Kenneth Cole platform sandals, looked more than plain. Silly me.
Becky Monson (Speak Now: or Forever Hold Your Peace)
I looked up and Rina was standing in the doorway of my room, her arms crossed over her chest. She had on a short, pink dress and strappy high-heeled sandals, and her skin — thanks to her mother’s tanning bed — was already a deep brown. Her blond hair was down, curling over her shoulders, a pair of white sunglasses parked on top of her head. She looked so healthy and alive it was like she was almost sparking, right there in front of me.
Sarah Dessen (Dreamland)
I don’t see a single girl without a glittery party dress and heels. But that would have been annoying as hell on the soft grass, so I’m glad I’m just wearing sandals and shorts.
Sophie Lark (Brutal Prince (Brutal Birthright, #1))