Short Pump Up Quotes

We've searched our database for all the quotes and captions related to Short Pump Up. Here they are! All 36 of them:

Whoo-eeee!” From the corner of her eye, she caught a glimpse of Peter. He was on the road to the side, probably waiting to ensure she’d managed to negotiate the first part of the track. She didn’t stop, her adrenaline pumping. He’d catch up. “Come get me!” she yelled, making a slight counter-direction turn in the air to help her blow into the berm on the other side of the road. The trail crossed a short flat, a marked rock garden, a beam over a bog, another rock drop and berm, a zigzag around massive trees, roots and rocks that kicked the bike’s tyres this way and that and tested her balance, more air over another drop – this one caused by a massive log – enough air for her to do a back flip from a kicker over another part of the forestry trail, steep to the left. The first wall appeared. She took it fast, skidded around to slam into the side of a berm and round off on to another gully crossing. “Whoo-eeee!
Miriam Verbeek (The Forest: Saskia van Essen and the Australian timber industry (Saskia van Essen crime thrillers))
Generally, the financial incentives offered to local law enforcement to pump up their drug arrests have not been well publicized, leading the average person to conclude reasonably (but mistakenly) that when their local police departments report that drug arrests have doubled or tripled in a short period of time, the arrests reflect a surge in illegal drug activity, rather than an infusion of money and an intensified enforcement effort.
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
An asteroid or comet traveling at cosmic velocities would enter the Earth’s atmosphere at such a speed that the air beneath it couldn’t get out of the way and would be compressed, as in a bicycle pump. As anyone who has used such a pump knows, compressed air grows swiftly hot, and the temperature below it would rise to some 60,000 Kelvin, or ten times the surface temperature of the Sun. In this instant of its arrival in our atmosphere, everything in the meteor’s path—people, houses, factories, cars—would crinkle and vanish like cellophane in a flame. One second after entering the atmosphere, the meteorite would slam into the Earth’s surface, where the people of Manson had a moment before been going about their business. The meteorite itself would vaporize instantly, but the blast would blow out a thousand cubic kilometers of rock, earth, and superheated gases. Every living thing within 150 miles that hadn’t been killed by the heat of entry would now be killed by the blast. Radiating outward at almost the speed of light would be the initial shock wave, sweeping everything before it. For those outside the zone of immediate devastation, the first inkling of catastrophe would be a flash of blinding light—the brightest ever seen by human eyes—followed an instant to a minute or two later by an apocalyptic sight of unimaginable grandeur: a roiling wall of darkness reaching high into the heavens, filling an entire field of view and traveling at thousands of miles an hour. Its approach would be eerily silent since it would be moving far beyond the speed of sound. Anyone in a tall building in Omaha or Des Moines, say, who chanced to look in the right direction would see a bewildering veil of turmoil followed by instantaneous oblivion. Within minutes, over an area stretching from Denver to Detroit and encompassing what had once been Chicago, St. Louis, Kansas City, the Twin Cities—the whole of the Midwest, in short—nearly every standing thing would be flattened or on fire, and nearly every living thing would be dead. People up to a thousand miles away would be knocked off their feet and sliced or clobbered by a blizzard of flying projectiles. Beyond a thousand miles the devastation from the blast would gradually diminish. But that’s just the initial shockwave. No one can do more than guess what the associated damage would be, other than that it would be brisk and global. The impact would almost certainly set off a chain of devastating earthquakes. Volcanoes across the globe would begin to rumble and spew. Tsunamis would rise up and head devastatingly for distant shores. Within an hour, a cloud of blackness would cover the planet, and burning rock and other debris would be pelting down everywhere, setting much of the planet ablaze. It has been estimated that at least a billion and a half people would be dead by the end of the first day. The massive disturbances to the ionosphere would knock out communications systems everywhere, so survivors would have no idea what was happening elsewhere or where to turn. It would hardly matter. As one commentator has put it, fleeing would mean “selecting a slow death over a quick one. The death toll would be very little affected by any plausible relocation effort, since Earth’s ability to support life would be universally diminished.
Bill Bryson (A Short History of Nearly Everything)
Many self-help gurus teach you new forms of denial and pump you up with exercises that feel good in the short term, while ignoring the underlying issue. Remember, nobody who is actually happy has to stand in front of a mirror and tell himself that he’s happy. Highs
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
Fifteen minutes later I was dressed in four-inch FMPs (short for "fuck-me pumps," because when you walked around in them you looked like Whorehouse Wonder Bitch). I shimmied into a low-cut black knit dress that was bought with the intent of losing five pounds, gunked up my eyes with a lot of black mascara and beefed up my cleavage by stuffing Nerf balls into my bra. Ranger was parked on Roebling, half a block from the funeral home. He didn't turn when I pulled to the curb, but I saw his eyes on me in the rearview mirror. He was smiling when I slid
Janet Evanovich (Four to Score (Stephanie Plum, #4))
Miss me?" she asks with her usual wryness, tossing her backpack on the floor and dropping down on the bed beside me like she comes over all the time. "I feel like a rebel just knowing you. Everyone keeps asking me if you really lit Brooklyn on fire." I arch a brow. "On fire?" Catherine pumps up a pillow beneath her head. "The actual event has gotten a bit exaggerated." Her lips twitch. "Maybe I had something to do with that." "Nice. Thanks." "No problem." "So I guess I'm pretty much done for at school." For the first time, it matters to me. If I'm to stay here and make a go of it, it wouldn't hurt to have a few friends. To not be a social outcast. Especially since it seems pretty important for Tamra's success at school, too. "Are you kidding? You're a hero." Her lips twist with a smile. "I think you've got a shot at homecoming queen next fall." I give a short laugh, and then her words sink. Next fall. Might I be here then? With Will? It's almost too sweet to believe. "So," Catherine beings, picking at the loose paper edging my spiral. "Rutledge was absent today." "Yeah?" I try for nonchalance. "Yeah." She stretches the word, her blue-green eyes cutting meaningfully into mine. "And his cousins were around, so he's not off somewhere with them. I wonder..." She cocks her head, her long, choppy bangs, sliding low across her forehead. "Wherever could he have been?" I shrug and pick at the flaking tip of my pencil. She continues, "I know where Xander thinks he was." My gaze swings back to her face. "Xander talked to you?" "I know, right? Can my days as a pariah be coming to an end?" "Where does he think Will was?" "With you, of course.
Sophie Jordan (Firelight (Firelight, #1))
Silence. Then, “What does. This. Sound like?” “What does what sound like?” “Io is a sulfur-rich, iron-cored moon in a circular orbit around Jupiter. What does this. Sound like? Tidal forces from Jupiter and Ganymede pull and squeeze Io sufficiently to melt Tartarus, its sub-surface sulfur ocean. Tartarus vents its excess energy with sulfur and sulfur dioxide volcanoes. What does. This sound like? Io’s metallic core generates a magnetic field that punches a hole in Jupiter’s magnetosphere, and also creates a high-energy ion flux tube connecting its own poles with the north and south poles of Jupiter. What. Does this sound like? Io sweeps up and absorbs all the electrons in the million-volt range. Its volcanoes pump out sulfur dioxide; its magnetic field breaks down a percentage of that into sulfur and oxygen ions; and these ions are pumped into the hole punched in the magnetosphere, creating a rotating field commonly called the Io torus. What does this sound like? Torus. Flux tube. Magnetosphere. Volcanoes. Sulfur ions. Molten ocean. Tidal heating. Circular orbit. What does this sound like?” Against her will, Martha had found herself first listening, then intrigued, and finally involved. It was like a riddle or a word-puzzle. There was a right answer to the question. Burton or Hols would have gotten it immediately. Martha had to think it through. There was the faint hum of the radio’s carrier beam. A patient, waiting noise. At last, she cautiously said, “It sounds like a machine.
Michael Swanwick (Tales of Old Earth)
The elevator opened up to the apartment’s lobby—the apartment had its own lobby—and Todd was there to meet him in a polo shirt and mid-thigh shorts. He was probably five-ten. Yes, Todd, Toby thought, but when was the last time you were blown in a stairwell? “How is the good doctor?” he said, putting his hand out and grabbing Toby’s and pumping it so that his body moved like a tide he was fighting against. “I’m doing okay.” This was the kind of soft, pampered bro that Rachel wished he were. This was what Rachel would have preferred.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
It is all an immensely demanding process. Your heart must pump 75 gallons of blood an hour, 1,800 gallons every day, 657,000 gallons in a year—that’s enough to fill four Olympic-sized swimming pools—to keep all those cells freshly oxygenated. (And that’s at rest. During exercise the rate can increase as much as sixfold.) The oxygen is taken up by the mitochondria. These are the cells’ power stations, and there are about a thousand of them in a typical cell, though the number varies considerably depending on what a cell does and how much energy it requires.
Bill Bryson (A Short History of Nearly Everything)
Thus: the test of a ‘run-down unit’93. If a power failure occurred, the fission reaction would still be producing heat, while the remaining water in the pipes would continue its momentum for a short time and therefore steam would still be produced. In turn, the turbines would still rotate and generate electricity, albeit at an exponentially falling capacity. This residual electricity could be used to drive the water pumps for a few vital moments, giving the diesel generators sufficient time to get up to speed and take over, and it’s the hardware behind this that was being tested.
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
He wanted nothing more than to close his eyes and relish the coolness, but all he could afford to do was cough some smoke out of his lungs and turn back to the task at hand. Which apparently included scolding a certain hardheaded woman for not heeding his instructions. Meredith glared at him from where she stood pumping water into the trough, not a hint of apology in her demeanor. Travis stormed past her and worked the knot on Jochebed’s lead line. “I thought I told you to go up to the house.” The pump arm creaked as she gave it a series of vigorous yanks, then fell silent as water gushed into the trough. “As I recall,” she said, rubbing her palms into her skirt, “you never forbade me from working the pump. You simply expressed your doubts as to my ability to do so.” Travis’s grip on the cow’s rope tightened. “Don’t play word games with me, Meredith. You knew what I meant.” “Did I?” She reached for a stew pot and dipped it into the trough. “Seems to me that a man who claims protecting his brothers and his land always comes first wouldn’t be so quick to refuse able-bodied help just because that body happens to be female.” She set the full pot on the ground and crossed her arms over her chest. Travis’s eyes followed the movement, noting the curves it accentuated. Yep. Definitely female. He wouldn’t be arguing that point.
Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))
Trying to get to 124 for the second time now, he regretted that conversation: the high tone he took; his refusal to see the effect of marrow weariness in a woman he believed was a mountain. Now, too late, he understood her. The heart that pumped out love, the mouth that spoke the Word, didn't count. They came in her yard anyway and she could not approve or condemn Sethe's rough choice. One or the other might have saved her, but beaten up by the claims of both, she went to bed. The whitefolks had tired her out at last. And him. Eighteen seventy-four and whitefolks were still on the loose. Whole towns wiped clean of Negroes; eighty-seven lynchings in one year alone in Kentucky; four colored schools burned to the ground; grown men whipped like children; children whipped like adults; black women raped by the crew; property taken, necks broken. He smelled skin, skin and hot blood. The skin was one thing, but human blood cooked in a lynch fire was a whole other thing. The stench stank. Stank up off the pages of the North Star, out of the mouths of witnesses, etched in crooked handwriting in letters delivered by hand. Detailed in documents and petitions full of whereas and presented to any legal body who'd read it, it stank. But none of that had worn out his marrow. None of that. It was the ribbon. Tying his flatbed up on the bank of the Licking River, securing it the best he could, he caught sight of something red on its bottom. Reaching for it, he thought it was a cardinal feather stuck to his boat. He tugged and what came loose in his hand was a red ribbon knotted around a curl of wet woolly hair, clinging still to its bit of scalp. He untied the ribbon and put it in his pocket, dropped the curl in the weeds. On the way home, he stopped, short of breath and dizzy. He waited until the spell passed before continuing on his way. A moment later, his breath left him again. This time he sat down by a fence. Rested, he got to his feet, but before he took a step he turned to look back down the road he was traveling and said, to its frozen mud and the river beyond, "What are these people? You tell me, Jesus. What are they?" When he got to his house he was too tired to eat the food his sister and nephews had prepared. He sat on the porch in the cold till way past dark and went to his bed only because his sister's voice calling him was getting nervous. He kept the ribbon; the skin smell nagged him, and his weakened marrow made him dwell on Baby Suggs' wish to consider what in the world was harmless. He hoped she stuck to blue, yellow, maybe green, and never fixed on red. Mistaking her, upbraiding her, owing her, now he needed to let her know he knew, and to get right with her and her kin. So, in spite of his exhausted marrow, he kept on through the voices and tried once more to knock at the door of 124. This time, although he couldn't cipher but one word, he believed he knew who spoke them. The people of the broken necks, of fire-cooked blood and black girls who had lost their ribbons. What a roaring.
Toni Morrison (Beloved (Beloved Trilogy, #1))
How do they know?” she asked miserably. “Everyone who knew her should be dead of old age by now—them and their chin too! Their grandchildren should be gray-haired. How do they even remember there’s a tower here?” She was talking, more or less, to a wagtail, a little bird that liked short grass and pumped its tail constantly as it walked. Wagtails were not so clever as rooks or jackdaws or carrion crows, but the fairy liked them. They did not make fun of her like the crows would, nor carry tales the way the rooms did. The wagtail scurried closer, pumping its tail up and down. “They must be telling stories,” said the fairy hopelessly. “About a princess in a tower and a hedge of thorns to keep princes out.” She wiped her eyes. She knew that her eyelids were turning blue-black in response to the unshed tears. There was no one to see her except the wagtail, but she pinched the bridge of her nose and tilted her head back anyway. The old habits were still with her. “I can’t fight stories,” she whispered, and a few tears, dark as ink, ran down her face and tangled in her hair.
T. Kingfisher (Thornhedge)
The specific economic form, in which unpaid surplus-labour is pumped out of direct producers, determines the relationship of rulers and ruled, as it grows directly out of production itself and, in turn, reacts upon it as a determining element. Upon this, however, is founded the entire formation of the economic community which grows up out of the production relations themselves, thereby simultaneously its specific political form. It is always the direct relationship of the owners of the conditions of production to the direct producers — a relation always naturally corresponding to a definite stage in the development of the methods of labour and thereby its social productivity — which reveals the innermost secret, the hidden basis of the entire social structure and with it the political form of the relation of sovereignty and dependence, in short, the corresponding specific form of the state. This does not prevent the same economic basis — the same from the standpoint of its main conditions — due to innumerable different empirical circumstances, natural environment, racial relations, external historical influences, etc. from showing infinite variations and gradations in appearance, which can be ascertained only by analysis of the empirically given circumstances.
Karl Marx (Capital: A Critique of Political Economy, Volume 3)
There was something of an unwritten code about working in the office of Rudy Giuliani, as I suppose there is in most organizations. In his case, the message was that Rudy was the star at the top and the successes of the office flowed in his direction. You violated this code at your peril. Giuliani had extraordinary confidence, and as a young prosecutor I found his brash style exciting, which was part of what drew me to his office. I loved it that my boss was on magazine covers standing on the courthouse steps with his hands on his hips, as if he ruled the world. It fired me up. Prosecutors almost never saw the great man in person, so I was especially pumped when he stopped by my office early in my career, shortly after I had been assigned to an investigation that touched a prominent New York figure who dressed in shiny tracksuits and sported a Nobel-sized medallion around his neck. The state of New York was investigating Al Sharpton for alleged embezzlement from his charity, and I was assigned to see if there was a federal angle to the case. I had never even seen Rudy on my floor, and now he was at my very door. He wanted me to know he was personally following the investigation and knew I would do a good job. My heart thumped with anxiety and excitement as he gave me this pep talk standing in the doorway. He was counting on me. He turned to leave, then stopped. “Oh, and I want the fucking medal,” he said, then walked away. But we never made a federal case. The state authorities charged Sharpton, and he was acquitted after a trial. The medal stayed with its owner.
James B. Comey (A Higher Loyalty: Truth, Lies, and Leadership)
Curtis Bane screamed and though I came around fast and fired in the same motion, he’d already pulled a heater and begun pumping metal at me. We both missed and I was empty, that drum clicking uselessly. I went straight at him. Happily, he too was out of bullets and I closed the gap and slammed the butt of the rifle into his chest. Should’ve knocked him down, but no. The bastard was squat and powerful as a wild animal, thanks to being a coke fiend, no doubt. He ripped the rifle from my grasp and flung it aside. He locked his fists and swung them up into my chin, and it was like getting clobbered with a hammer, and I sprawled into a row of trash cans. Stars zipped through my vision. A leather cosh dropped from his sleeve into his hand and he knew what to do with it all right. He swung it in a short chopping blow at my face and I got my left hand up and the blow snapped my two smallest fingers, and he swung again and I turned my head just enough that it only squashed my ear and you better believe that hurt, but now I’d drawn the sawback bayonet I kept strapped to my hip, a fourteen-inch grooved steel blade with notched and pitted edges—Jesus-fuck who knew how many Yankee boys the Kraut who’d owned it gashed before I did for him—and stabbed it to the guard into Bane’s groin. Took a couple of seconds for Bane to register it was curtains. His face whitened and his mouth slackened, breath steaming in the chill, his evil soul coming untethered. He had lots of gold fillings. He lurched away and I clutched his sleeve awkwardly with my broken hand and rose, twisting the handle of the blade side to side, turning it like a car crank into his guts and bladder, putting my shoulder and hip into it for leverage. He moaned in panic and dropped the cosh and pried at my wrist, but the strength was draining from him and I slammed him against the wall and worked the handle with murderous joy. The cords of his neck went taut and he looked away, as if embarrassed, eyes milky, a doomed petitioner gaping at Hell in all its fiery majesty. I freed the blade with a cork-like pop and blood spurted down his leg in a nice thick stream and he collapsed, folding into himself like a bug does when it dies.
Laird Barron (The Beautiful Thing That Awaits Us All)
Truth or dare,” I ask, my voice edgy with anticipation and yearning. I know he’ll answer dare – and it will be the last one I give him. “Dare.” “Fuck me,” I beg. He immediately rolls over, gently resting his body on top of mine. I spread my legs, positioning his trim waist and hips in between my thighs. The hard outline of his cock grazes the front of my panties, sending my eyes rolling into the back of my head. He slides his hands under the covers. His fingers sneak under the waistband of my panties. He sits up to slowly glide them down my legs, revealing body in the moonlight. He tosses them, dripping wet, by the side of the bed and the then slides off his tight briefs. His erect cock stands at attention once removed from its fabric confines, pulsing up and down in rhythm with Cole’s racing heartbeat. With the covers now cast to the side, Cole leans over me, devouring my lips. My lips open and I yield him my tongue, which he handles adroitly, flicking it with his own and sucking it with his lips. He leans over to the side of the bed and bends down, picking up his shorts. The movement of his body over mine sends the peaks of his deeply sculpted abs gliding across my soft skin, generating a shiver that trembles through my body. He pulls out his wallet from his shorts pocket and extracts a condom. He kneels on the bed and works the condom down the expansive length of his solid shaft. He imposes his body back over mine, covering me with his huge torso. The length of his cock rests against my warm pussy, throbbing against it. I wrap my legs around his waist and lock my ankles together, pulling him closer toward me. His rough, masculine scent fills my nostrils. He kisses my neck, the light stubble on the side of his check rubbing against my skin. I buck my hips toward him, pressing his cock against me. The bottom of his shaft rests on my warm opening, the tip extends up to my belly button. A delicious anxiousness overtakes me. Will I really be able to fit all of him inside me? “Fuck, Emma, you’re so sexy,” he moans while raking his lips and tongue up and down my neck. He nibbles lightly on my earlobe, his hot, staggered breath brushing against the side of my face. “I want you inside me,” I pant to him. He lifts his hips up and steadies his cock at the precipice of my slick center. He looks me in the eye, and I nod, imploring him to plunge inside me. He does. I shut my eyes as a brief wave of pain washes over me, the shock of accommodating his massive size inside. It soon subsides and my body comfortably accustomed itself to his presence. He slowly pumps in and out of me. I bite down on my bottom lip, waves of pleasure erupting from my center and traversing every inch of my body. My stomach is in knots and my breath is quick and sharp. Every time he lifts his hips to thrust out, my wet cavern craves for him to come back – and he immediately does, pushing himself back in, the length of his shaft rubbing against my insides, the friction driving me wild with ecstasy. I lose track of time as he continues to thrust in and out. I buck my hips against him, hungry for his full length. I tighten my grip with my legs around his waist, greedy for his body to press against mine. “Fuck, Emma, shit,” he moans. I can only respond with unarticulated moans of pleasure and gasps for breath. “Oh, fuck, Cole, I’m gonna come,” I announce. I shut my eyes tight and wrap my arms around his neck, pulling him into me. He thrusts one more time, strongly, and my orgasm erupts. Pulses of pleasure shoot up and down my spine and turn my insides, my chest beats and my heartrate booms against my eardrums. The outside world disappears as I feel my body melting into Cole’s. Cole collapses next to me, a sheen of sweat glistening over his body in the moonlight, highlighting the twists and turns of his musculature. Slowly the world comes back into focus and a blissful
Zoey Shores (Touch Back (Playing for Keeps #1))
If you give small, informal dinner parties, have a few long or short colorful skirts and dresses in jersey or flannel with gay party aprons to make your role of hostess festive yet comfortable. If your husband's work means continuous parties, conventions, and entertainment, pep up your collection of after-five clothes with satin pumps in different colors.
Anne Fogarty (Wife Dressing: The Fine Art of Being a Well-Dressed Wife)
Ralph swept back the yellow curtain to look out on the street. The leaves were turning red, the whole block ablaze. Across the street stood a barbershop that shared a storefront with a black bookstore. Next door, the hair salon spewed steam onto the street, the fried chicken spot, a jewelry shop with crucifixes and chains glittering on display, and the beauty supply store that blasted soca and flashed neon lights onto the sidewalk. This particular corner didn't have a view of any of the coffee shops that had opened farther east. Those had plush furniture and abstract art on the walls, stainless-steel espresso pumps. They were always crowded with young people in jeans and plaid, typing away on their laptops. There were the bars, too, with a dozen local beers on tap, and short menus that consisted mostly of nuts, pickles, cheese. Penelope could see the changes, of course, but she still recognized the neighborhood - it wasn't like Fort Greene or Williamsburg, which were no longer themselves. Strangers still said hello to her as they lounged on their stoops at sundown. She still had to ignore the whistles from the young men who stood in front of the bodega for so long each day it was clear they were dealing. Church bells rang on the hour and floors thumped with praise for Jesus in the Baptist churches, the one-room Pentecostal churches, the regal AME tabernacles, worship never ceasing in Bed-Stuy. The horizon on Bedford Avenue was just as long, the sirens of the police cars ars persistent, the wheeze of the B26 loud enough to wake her up at night.
Naima Coster (Halsey Street)
I drove to the bar Theodosha had called from and parked on the street. The bar was a gray, dismal place, ensconced like a broken matchbox under a dying oak tree, its only indication of gaiety a neon beer sign that flickered in one window. She was at a table in back, the glow of the jukebox lighting her face and the deep blackness of her hair. She tipped a collins glass to her mouth, her eyes locked on mine. “Let me take you home,” I said. “No, thanks,” she replied. “Getting swacked?” “Merchie and I had another fight. He says he can’t take my pretensions anymore. I love the word ‘pretensions.’” “That doesn’t mean you have to get drunk,” I said. “You’re right. I can get drunk for any reason I choose,” she replied, and took another hit from the glass. Then she added incongruously, “You once asked Merchie what he was doing in Afghanistan. The answer is he wasn’t in Afghanistan. He was in one of those other God-forsaken Stone Age countries to the north, helping build American airbases to protect American oil interests. Merchie says they’re going to make a fortune. All for the red, white, and blue.” “Who is they?” But her eyes were empty now, her concentration and anger temporarily spent. I glanced at the surroundings, the dour men sitting at the bar, a black woman sleeping with her head on a table, a parolee putting moves on a twenty-year-old junkie and mother of two children who was waiting for her connection. These were the people we cycled in and out of the system for decades, without beneficial influence or purpose of any kind that was detectable. “Let’s clear up one thing. Your old man came looking for trouble at the club today. I didn’t start it,” I said. “Go to a meeting, Dave. You’re a drag,” she said. “Give your guff to Merchie,” I said, and got up to leave. “I would. Except he’s probably banging his newest flop in the hay. And the saddest thing is I can’t blame him.” “I think I’m going to ease on out of this. Take care of yourself, kiddo,” I said. “Fuck that ‘kiddo’ stuff. I loved you and you were too stupid to know it.” I walked back outside into a misting rain and the clean smell of the night. I walked past a house where people were fighting behind the shades. I heard doors slamming, the sound of either a car backfiring or gunshots on another street, a siren wailing in the distance. On the corner I saw an expensive automobile pull to the curb and a black kid emerge from the darkness, wearing a skintight bandanna on his head. The driver of the car, a white man, exchanged money for something in the black kid’s hand. Welcome to the twenty-first century, I thought. I opened my truck door, then noticed the sag on the frame and glanced at the right rear tire. It was totally flat, the steel rim buried deep in the folds of collapsed rubber. I dropped the tailgate, pulled the jack and lug wrench out of the toolbox that was arc-welded to the bed of the truck, and fitted the jack under the frame. Just as I had pumped the flat tire clear of the puddle it rested in, I heard footsteps crunch on the gravel behind me. Out of the corner of my eye, I saw a short, thick billy club whip through the air. Just before it exploded across the side of my head, my eyes seemed to close like a camera lens on a haystack that smelled of damp-rot and unwashed hair and old shoes. I was sure as I slipped into unconsciousness that I was inside an ephemeral dream from which I would soon awake.
James Lee Burke (Last Car to Elysian Fields (Dave Robicheaux, #13))
Much of the self-help world is predicated on peddling highs to people rather than solving legitimate problems. Many self-help gurus teach you new forms of denial and pump you up with exercises that feel good in the short term, while ignoring the underlying issue (p.33)
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
Picture the athlete at the starting line of a race—adrenaline pumping, energy flowing, muscles tightening, skin aglow with anticipatory perspiration, heart beating faster and faster, the mind focused on only one thing: the starter’s gun and the race. Now, picture the person about to enter a social gathering. He or she approaches the door, behind which a number of people are talking, laughing, having fun—adrenaline pumping, energy flowing, pulse beginning to quicken, the mind focused on anticipation: “What will happen when I enter the room?” “Will I see anyone I know?” “What will they think of me?” What do these situations have in common? The answer is anxiety. For the athlete, anxiety is channeled into energy that just may win the race. By allowing the anxiety to play a role in gearing him or her up for the race, the athlete is making good use of the natural fight-or-flight response. For the partygoer, it is not so clear. If that person is willing to let being “keyed up” or “excited” be a positive kind of energy flow, then any initial nervousness or uncertainty will remain manageable and nonthreatening. But if the physical sensations of anxiety become distracting and the thoughts obsessive, the party guest is in for a difficult time. Similarly, a person who prepares for an important meeting may feel a kind of nervous energy in gearing up for negotiations. But if that same person, although well prepared, allows interactive inhibition to keep him from suggesting a solution, questioning a point, or voicing an opinion, he will feel a real letdown. When holding back becomes a habit, the pervasive feeling of “Oh no, I did it again” may lead to a lack of enthusiasm that interferes with productivity and job satisfaction. The truth is, we all want to be heard without—if we can reasonably avoid it—being rejected or embarrassed. How to resolve this dilemma? First, by understanding anxiety in its simplest terms. The more you understand about anxiety, the more you will be able to control it. Remember, social anxiety is not some abstract phenomenon or indelible personality trait. It is an explainable dynamic that you can choose to control. Let’s look more closely at the athlete. For that person, in that situation, anxiety is normal and appropriate. In fact, it is crucial to effective performance. Without it, the physiological workings of the body would fall short of what is required. In the second example, anxiety is also appropriate. But it can become negative if the person begins to worry about what is going on inside the room: “What are they laughing about?” “Will anyone talk to me?” “Am I dressed right?” “Will I seem nervous?” At that point it’s the degree of incapacity—the extent to which the anxious feelings and thoughts prevent interacting—that becomes the most important issue. (In the workplace, these thoughts may run to “Have I done enough research?” “What if I can’t answer my boss’s questions?” “Can they tell I’m anxious?”)
Jonathan Berent (Beyond Shyness: How to Conquer Social Anxieties)
Dr. Small points out that this atmosphere of manic disruption makes my adrenal gland pump up production of cortisol and adrenaline. In the short run, these stress hormones boost energy levels and augment memory, but over time they actually impair cognition, lead to depression, and alter the neural circuitry in the hippocampus, amygdala, and prefrontal cortex—the brain regions that control mood and thought. Chronic and prolonged techno-brain burnout can even reshape the underlying brain structure. Techno-brain
Michael Harris (The End of Absence: Reclaiming What We've Lost in a World of Constant Connection)
Stress is a survival mechanism that serves an obvious evolutionary function. When we are anxious, our autonomic nervous system releases a cascade of chemicals (stress hormones), which give our body instructions on how to prepare to face danger. Our heart beats faster to pump more blood to the muscles, and our breathing becomes heavier to provide us with more oxygen. Muscles tense up to protect us from injury and to facilitate fighting or running. Sweating helps cool the body down. Our attention increases, and our reflexes become sharper, keeping us alert. Stress acts as motivation, helping us to focus on our goals and rise to meet our challenges, whether those involve studying for an exam, flying a fighter jet or scoring that match-winning goal. In short, stress serves a purpose. The problem, however, is that beyond certain threshold stress ceases to be useful.
Dimitris Xygalatas (Ritual: How Seemingly Senseless Acts Make Life Worth Living)
Maybe, but such cycles are not just a Gallic idiosyncracy. Take an English phrase like ‘up above’, and you’ll discover a no less hyperbolic history. Old English ufan meant ‘on up’ – it was the locative case of the preposition uf ‘up’. But this little ufan was not considered nearly sturdy enough, so it was reinforced by another preposition, be ‘by’, to give a beefier be-ufan ‘by on up’. But before long, be-ufan was assaulted by the forces of erosion, and ended up as a mere bufan. Naturally, the syllabically-challenged bufan had to be pumped up again, this time by the preposition an ‘on’, to give an-bufan ‘on by on up’. Later on, anbufan was ground down by erosion, and – to cut a long story short – ended up as the modest above. But it seems that a mere above doesn’t soar nearly high enough nowadays, so we sometimes feel the need to reinforce it with ‘up’, to give up above – literally ‘up on by on up’.
Guy Deutscher (The Unfolding of Language: An Evolutionary Tour of Mankind's Greatest Invention)
As I was walking back to start my run in for the sixth ball with the crowd really stirred up and roaring me on, I wondered what Boycott was thinking. I decided that he would be planning for another short ball, reckoning that the crowd had got my adrenalin pumping. I had also spotted that Boycott was playing inside the line of the ball, not quite moving towards off stump as usual because it was really flying through to our wicketkeeper David Murray, who was taking the ball above his head at times. Perhaps he wouldn’t move into line again. A bluff it would be then, something full and in the region of off stump.
Michael Holding (No Holding Back: The Autobiography)
It’s five o’clock, and I’m reaching into the fridge for a block of cheese when there’s a knock at the door. Stealth mode engaged, I abandon making what would have been the world’s most perfect sandwich and creep up the hall, eyeing the door like whoever is on the other side is going to burst right through it. We have a staredown then, the door and I. It’s pretty intense, just short of an evil sheriff hiding in the shadows, chewing on a matchstick. Another knock. Without moving my eyes, I pump a blob of antibacterial gel into my hands and rub it away. Because I’m sure the only thing on any home invader’s mind, after being polite enough to knock first, is a sanitary victim. I roll my eyes so hard they almost fall out of my skull.
Louise Gornall (Under Rose-Tainted Skies)
say never start a story with a waking, but when you’ve been hard asleep for thirty years it’s difficult to know where else to begin. Start with a waking, end with a wake, maybe. Hard asleep is, I am informed, the technical term. Hard, because you’re shut down, dried out, frozen for the trip from star to star. They have it down to a fine art—takes eleven minutes, like clockwork. A whole ship full of miscreants who are desiccated down to something that can… well, I was about to say survive indefinitely, but that’s not how it goes, of course. You don’t survive. You die, but in a very specific flash-frozen way that allows for you to be restarted again more or less where you left off at the other end. After all the shunting about that would kill any body—the permanent, non-recoverable kind of kill—who wasn’t withered down. They pump you full of stuff that reinflates you to more or less your previous dimensions—you’ll note there’s a lot of more or less in this process. It is an exact science, just not one that cares about the exact you. Your thought processes don’t quite pick up where they left off. Short-term memory isn’t preserved; more recent mental pathways don’t make the cut. Start with a waking, therefore, because in that instant it’s all you’ve got, until you can establish some connection to older memories. You know who you are, but you don’t know where you are or how you got there. Which sounds terrifying but then let me tell you what you’re waking up into: actual hell. The roaring of colossal structural damage as the ship breaks up all around you. The jostling jolt as the little translucent bubble of plastic you’re travelling in is jarred loose and begins to tumble. A cacophony of vibration coming through the curved surface to you: the death throes of the vessel which has carried you all this way, out into the void, and is now fragmenting. There’s a world below that you know nothing about, not in your head right then. And above you are only the killing fields of space. The fact there’s a below and an above shows that the planet’s already won that particular battle over your soul and you’re falling.
Adrian Tchaikovsky (Alien Clay)
Coming up the stairway was Antonio Bujia. Eban Abbott peered at him. “What are you doing? Where are you going?” “To the bridge. I called you through the telephone and speaking tube and got no answer. Everything is running good. But we cannot stay down there much longer.” The two men looked at each other. Wisps of smoke were drifting around the staircase. “Go back and stand by. I’ll go to the bridge,” said Abbott. With those few words he changed his whole future; he would regret them all his life. Shocked and disoriented though Abbott still was by Captain Wilmott’s death, he had been moving, albeit slowly and in a roundabout way, down toward the engine room. If he had been challenged about his movements, he could defend himself by pointing out that, as chief engineer, it was also his job to ascertain the extent of the fire so that he could organize the water supplies accordingly. But Bujia had brought Abbott head on with the reality of the situation: the engine room, in his assistant’s estimation, had shortly to be abandoned. There was only one course of action open to Eban Abbott. It was to go down to check out the situation himself. Abbott was charged with the responsibility to ensure that the men in the engine room performed their duties fully in operating the fire pumps, lights, and power to steer the ship through the growing crisis. He abandoned this responsibility when he ordered Bujia back down below and rapidly climbed to the safety of the open deck.
Gordon Thomas (Shipwreck: The Strange Fate of the Morro Castle)
I do not know if my mother broke off her studies at Charles University only because her parents’ money had run out. How far was she pushed to emigrate to Palestine by the violent hatred of Jews that filled the streets of Europe in the mid-1930s and spread to the universities, or to what extent did she come here as the result of her education in a Tar-buth school and her membership in a Zionist youth movement? What did she hope to find here, what did she find, what did she not find? What did Tel Aviv and Jerusalem look like to someone who had grown up in a mansion in Rovno and arrived straight from the Gothic beauty of Prague? What did spoken Hebrew sound like to the sensitive ears of a young lady coming with the refined, booklearned Hebrew of the Tar-buth school and possessing a finely tuned linguistic sensibility? How did my young mother respond to the sand dunes, the motor pumps in the citrus groves, the rocky hillsides, the archaeology field trips, the biblical ruins and remains of the Second Temple period, the headlines in the newspapers and the cooperative dairy produce, the wadis, the hamsins, the domes of the walled convents, the ice-cold water from the jarra, the cultural evenings with accordion and harmonica music, the cooperative bus drivers in their khaki shorts, the sounds of English (the language of the rulers of the country), the dark orchards, the minarets, strings of camels carrying building sand, Hebrew watchmen, suntanned pioneers from the kibbutz, construction workers in shabby caps? How much was she repelled, or attracted, by tempestuous nights of arguments, ideological conflicts, and courtships, Saturday afternoon outings, the fire of party politics, the secret intrigues of the various underground groups and their sympathizers, the enlisting of volunteers for agricultural tasks, the dark blue nights punctuated by howls of jackals and echoes of distant gunfire?
Amos Oz (A Tale of Love and Darkness)
Not wanting to come without him inside, she gently pulled him up, sliding him into her. She clutched his ass, digging her nails into his tender flesh motioning him quicker and harder. Her pussy clung to his dick as the wave built up, growing stronger as he pumped faster into her. Instantly, the waves crashed at the same time, immense pleasure sweeping over them. Robert grit his teeth as Sharon's nails dug deeper into his ass. She squealed loudly as she climaxed. Robert groaning, his face scrunched as he came inside her.
Saffron Sands (Erotic Shorts)
Falling a few inches short, she scrambles on top of it then rises to stand in the center, waving the threadbare tank top above her head like a victory flag. “Yes! Suck it!” she bellows, fist pumping the air and jumping up and down on the cheap, shoddy mattress. Arms outstretched, I wince at the sight of her remarkable tits bouncing with the motion. “Suck it, Osborne.
Sara Ney (The Studying Hours (How to Date a Douchebag, #1))
Which leaves many towns in southern Florida no choice but to dig their sand from inland quarries and haul it to the coast one roaring, diesel-spewing truck at a time. Tourists and locals hate the noise and traffic, and county officials hate the extra cost, which can be easily double that of dredged sand. But it does have some advantages. The inland mines, with their elaborate sorting and washing machines, can deliver sand of a precise spec—the exact size, shape, and color county officials deem appropriate for the beach. Beach town residents and tourists alike are very particular about the color and consistency of their beaches. The sugary white-sand beach has become the global standard of perfection, and any resort falling short of it loses points. (That’s nothing compared to the fussiness of Olympic beach volleyball players. To make sure their bare feet come into contact only with grains of just the right size and shape, sand was brought in from Hainan Island for the 2008 Beijing Games, and from a quarry in Belgium for the 2004 Athens Games.)15 “You pump sand from the ocean floor, you don’t know what you’re getting,” said Eastman. That’s not exactly true; sea sand is examined closely to make sure it is suitable for a given beach before the regulatory agencies will allow it to be dredged for nourishment. But land-mined sand can be sorted, sifted, and cleaned to a uniform standard. The grains that Eastman was emplacing were all about the size of a salt grain, all the same silver gray, unadulterated with stones or shell fragments. Their color was approved using the Munsell color order system, a visual index of hues created in 1915. The sand is tested at the mine, at every 3,000 tons, and every 500 yards on the beach after it’s in place to make sure it’s up to spec. The waves will gradually mix in shells and other organic matter, so in a few months it won’t look as obviously artificial as it does now.
Vince Beiser (The World in a Grain: The Story of Sand and How It Transformed Civilization)
Cracking the Crying Code Sure, crying is a baby’s only form of communication—but that doesn’t mean you’ll always know exactly what he or she is trying to say. Not to worry. This cheat sheet can help you figure out what those whimpers, wails, and shrieks really mean: “I’m hungry.” A short and low-pitched cry that rises and falls rhythmically and has a pleading quality to it (as in “Please, please feed me!”) usually means that baby’s in the market for a meal. The hunger cry is often preceded by hunger cues, such as lip smacking, rooting, or finger sucking. Catch on to the clues, and you can often avoid the tears. “I’m in pain.” This cry begins suddenly (usually in response to something unexpectedly painful—for instance, the jab of a needle at shot time) and is loud (as in ear-piercing), panicked, and long (with each wail lasting as long as a few seconds), leaving the baby breathless. It’s followed by a long pause (that’s baby catching his or her breath, saving up for another chorus) and then repeated, long, high-pitched shrieks. “I’m bored.” This cry starts out as coos (as baby tries to get a good interaction going), then turns into fussing (when the attention he or she is craving isn’t forthcoming), then builds to bursts of indignant crying (“Why are you ignoring me?”) alternating with whimpers (“C’mon, what’s a baby got to do to get a cuddle around here?”). The boredom cry stops as soon as baby is picked up or played with. “I’m overtired or uncomfortable.” A whiny, nasal, continuous cry that builds in intensity is usually baby’s signal that he or she has had enough (as in “Nap, please!” or “Clean diaper, pronto!” or “Can’t you see I’ve had it with this infant seat?”). “I’m sick.” This cry is often weak and nasal sounding, with a lower pitch than the “pain” or “overtired” cry—as though baby just doesn’t have the energy to pump up the volume. It’s often accompanied by other signs of illness and changes in the baby’s behavior (for example, listlessness, refusal to eat, fever, and/or diarrhea). There’s no sadder cry in baby’s repertoire or one that tugs harder at parental heartstrings than the “sick” cry.
Heidi Murkoff (What to Expect the First Year: (Updated in 2024))
King knows what scares us. He has proven this a thousand times over. I think the secret to this is that he knows what makes us feel safe, happy, and secure; he knows our comfort zones and he turns them into completely unexpected nightmares. He takes a dog, a car, a doll, a hotel—countless things that we know and love—and then he scares the hell out of us with those very same things. Deep down, we love to be scared. We crave those moments of fear-inspired adrenaline, but then once it’s over we feel safe again. King’s work generates that adrenaline and keeps it pumping. Before King, we really didn’t have too many notables in the world of horror writers. Poe and Lovecraft led the pack, but when King came along, he broke the mold. He improved with age just like a fine wine and readers quickly became addicted, and inestimable numbers morphed into hard-core fans. People can’t wait to see what he’ll do next. What innocent, commonplace “thing” will he come up with and turn into a nightmare? I mean, think about it…do any of us look at clowns, crows, cars, or corn fields the same way after we’ve read King’s works? SS: How did your outstanding Facebook group “All Things King” come into being? AN: About five years ago, I was fairly new to Facebook and the whole social media world. I’m a very “old soul” (I’ve been told that many times throughout my life: I miss records and VHS tapes), so Facebook was very different for me. My wife and friends showed me how to do things and find fan pages and so forth. I found a Stephen King fan page and really had a fun time. I posted a lot of very cool things, and people loved my posts. So, several Stephen King fans suggested I do my own fan page. It took some convincing, but I finally did it. Since then, I have had some great co-administrators, wonderful members, and it has opened some amazing doors for me, including hosting the Stephen King Dollar Baby Film fest twice at Crypticon Horror Con in Minnesota. I have scored interviews with actors, writers, and directors who worked on Stephen King films or wrote about King; I help promote any movie, or book, and many other things that are King related, and I’ve been blessed to meet some wonderful people. I have some great friends thanks to “All Things King.” I also like to teach our members about King (his unpublished stories, lesser-known short stories, and really deep facts and trivia about his books, films, and the man himself—info the average or new fan might not know). Our page is full of fun facts, trivia, games, contests, Breaking News, and conversations about all things Stephen King. We have been doing it for five years now as of August 19th—and yes, I picked that date on purpose.
Stephen Spignesi (Stephen King, American Master: A Creepy Corpus of Facts About Stephen King His Work)
Luke seemed more the type to explode fully formed out of a pit of blistering lava, not spring from the loins of a woman with a conservative hairstyle, low-heeled, faultlessly-shined, bone-colored pumps and sporting a short-handled, matching-bone-colored purse two steps up from a granny bag.
Kristen Ashley (Rock Chick Revenge (Rock Chick, #5))