Short Public Domain Quotes

The 1950s and 1960s: philosophy, psychology, myth There was considerable critical interest in Woolf ’s life and work in this period, fuelled by the publication of selected extracts from her diaries, in A Writer’s Diary (1953), and in part by J. K. Johnstone’s The Bloomsbury Group (1954). The main critical impetus was to establish a sense of a unifying aesthetic mode in Woolf ’s writing, and in her works as a whole, whether through philosophy, psychoanalysis, formal aesthetics, or mythopoeisis. James Hafley identified a cosmic philosophy in his detailed analysis of her fiction, The Glass Roof: Virginia Woolf as Novelist (1954), and offered a complex account of her symbolism. Woolf featured in the influential The English Novel: A Short Critical History (1954) by Walter Allen who, with antique chauvinism, describes the Woolfian ‘moment’ in terms of ‘short, sharp female gasps of ecstasy, an impression intensified by Mrs Woolf ’s use of the semi-colon where the comma is ordinarily enough’. Psychological and Freudian interpretations were also emerging at this time, such as Joseph Blotner’s 1956 study of mythic patterns in To the Lighthouse, an essay that draws on Freud, Jung and the myth of Persephone.4 And there were studies of Bergsonian writing that made much of Woolf, such as Shiv Kumar’s Bergson and the Stream of Consciousness Novel (1962). The most important work of this period was by the French critic Jean Guiguet. His Virginia Woolf and Her Works (1962); translated by Jean Stewart, 1965) was the first full-length study ofWoolf ’s oeuvre, and it stood for a long time as the standard work of critical reference in Woolf studies. Guiguet draws on the existentialism of Jean-Paul Sartre to put forward a philosophical reading of Woolf; and he also introduces a psychobiographical dimension in the non-self.’ This existentialist approach did not foreground Woolf ’s feminism, either. his heavy use of extracts from A Writer’s Diary. He lays great emphasis on subjectivism in Woolf ’s writing, and draws attention to her interest in the subjective experience of ‘the moment.’ Despite his philosophical apparatus, Guiguet refuses to categorise Woolf in terms of any one school, and insists that Woolf has indeed ‘no pretensions to abstract thought: her domain is life, not ideology’. Her avoidance of conventional character makes Woolf for him a ‘purely psychological’ writer.5 Guiguet set a trend against materialist and historicist readings ofWoolf by his insistence on the primacy of the subjective and the psychological: ‘To exist, for Virginia Woolf, meant experiencing that dizziness on the ridge between two abysses of the unknown, the self and

Neoliberal economics, the logic of which is tending today to win out throughout the world thanks to international bodies like the World Bank or the International Monetary Fund and the governments to whom they, directly or indirectly, dictate their principles of ‘governance’,10 owes a certain number of its allegedly universal characteristics to the fact that it is immersed or embedded in a particular society, that is to say, rooted in a system of beliefs and values, an ethos and a moral view of the world, in short, an economic common sense, linked, as such, to the social and cognitive structures of a particular social order. It is from this particular economy that neoclassical economic theory borrows its fundamental assumptions, which it formalizes and rationalizes, thereby establishing them as the foundations of a universal model. That model rests on two postulates (which their advocates regard as proven propositions): the economy is a separate domain governed by natural and universal laws with which governments must not interfere by inappropriate intervention; the market is the optimum means for organizing production and trade efficiently and equitably in democratic societies. It is the universalization of a particular case, that of the United States of America, characterized fundamentally by the weakness of the state which, though already reduced to a bare minimum, has been further weakened by the ultra-liberal conservative revolution, giving rise as a consequence to various typical characteristics: a policy oriented towards withdrawal or abstention by the state in economic matters; the shifting into the private sector (or the contracting out) of ‘public services’ and the conversion of public goods such as health, housing, safety, education and culture – books, films, television and radio – into commercial goods and the users of those services into clients; a renunciation (linked to the reduction in the capacity to intervene in the economy) of the power to equalize opportunities and reduce inequality (which is tending to increase excessively) in the name of the old liberal ‘self-help’ tradition (a legacy of the Calvinist belief that God helps those who help themselves) and of the conservative glorification of individual responsibility (which leads, for example, to ascribing responsibility for unemployment or economic failure primarily to individuals, not to the social order, and encourages the delegation of functions of social assistance to lower levels of authority, such as the region or city); the withering away of the Hegelian–Durkheimian view of the state as a collective authority with a responsibility to act as the collective will and consciousness, and a duty to make decisions in keeping with the general interest and contribute to promoting greater solidarity. Moreover,

The words looped in my head. Download it for free. Cheerful, triumphant. Download it for free! What a freaking bargain. “I’m sorry,” I said. “She found what?” "That website. Meems, what was the name again? Bongo or something?” Mimi looked up from her iPad. “What are you talking about?” “That website where you found Sarah’s book.” "Oh,” she said. “Bingo. Haven’t you heard of it? It’s like an online library. You can download almost anything for free. It’s amazing.” My hands were shaking. I set down Jen’s phone, and then I set down the wineglass next to it. Without a coaster. "You mean a pirate site,” I said. “Oh God, no! I would never. It’s an online library.” "That’s what they call it. But they’re just stealing. They’re fencing stolen goods. Easy to do with electronic copies.” "No. That’s not true.” Mimi’s voice rose a little. Sharpened a little. “Libraries lend out e-books.” “Real libraries do. They buy them from the publisher. Sites like Bingo just upload unauthorized copies to sell advertising or put cookies on your phone or whatever else. They’re pirates.” There was a small, shrill silence. I lifted my wineglass and took a long drink, even though my fingers were trembling so badly, I knew everyone could see the vibration. "Well,” said Mimi. “It’s not like it matters. I mean, the book’s been out for years and everything, it’s like public domain.” I put down the wineglass and picked up my tote bag. “So I don’t have time to lecture you about copyright law or anything. Basically, if publishers don’t get paid, authors don’t get paid. That’s kind of how it works.” "Oh, come on,” said Mimi. “You got paid for this book.” "Not as much as you think. Definitely not as much as your husband gets paid to short derivatives or whatever he does that buys all this stuff.” I waved my hand at the walls. “And you know, fine, maybe it’s not the big sellers who suffer. It’s the midlist authors, the great names you never hear of, where every sale counts … What am I saying? You don’t care. None of you actually cares. Sitting here in your palaces in the sky. You never had to earn a penny of your own. Why the hell should you care about royalties?” I climbed out of my silver chair and hoisted my tote bag over my shoulder. “It’s about a dollar a book, by the way. Paid out every six months. So I walked all the way over here, gave up an evening of my life, and even if every single one of you had actually bought a legitimate copy, I would have earned about a dozen bucks for my trouble. Twelve dollars and a glass of cheap wine. I’ll see myself out.

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I can’t help you buy Gmail accounts. Buying, trading, or using “aged” / PVA Gmail accounts is against Google’s Terms of Service, is commonly tied to stolen or fraudulently created accounts, and risks suspension, data loss, legal exposure, and severe deliverability problems. I won’t assist with that. That said — if your goal is deliverability, reputation, or scaled sending, you can achieve those safely and reliably. Below are lawful, practical alternatives plus concrete, actionable steps you can use immediately. # Safe alternatives (pick one) * **Google Workspace (Gmail on your domain)** — legitimate Gmail UI + control over mailboxes. Best for teams/brands. * **Microsoft 365 / Outlook on custom domain** — equivalent business email stack. * **Reputable ESP (SendGrid, Amazon SES, Mailgun, Postmark, SparkPost, Brevo, Klaviyo)** — built for bulk/transactional mail and deliverability tools. * **Buy/lease an aged domain (legit) + host email on it** — if you want domain age. Use reputable domain brokers/marketplaces (e.g., Sedo, GoDaddy Auctions). Note: domain age ≠ instant email reputation — you must build reputation properly. * **Warm-up services & dedicated IPs** — for scaling sending volumes while protecting reputation. # Immediate, actionable plan (do this today) 1. **Decide platform** — pick Google Workspace or an ESP. 2. **Buy a domain you control** (if you don’t already). 3. **Create mailboxes properly** (one per user/role) inside Workspace or your ESP. 4. **Set DNS for deliverability** (add SPF, DKIM, DMARC) — example records below. 5. **Warm up each mailbox** with a controlled 30‑day schedule (example below). 6. **Monitor**: bounces, complaint rate, open/click rates, and inbox placement seeds. Adjust if complaints > 0.1% or bounce rate > 2%. # Example DNS records (generic templates) *Adjust host/name values to your provider’s instructions.* * **SPF (TXT)** Host/name: `@` Value: `v=spf1 include:_spf.google.com include:amazonses.com ~all` (Only include the services you actually use — keep SPF short.) * **DKIM** Google Workspace: create keys in Admin Console, then add TXT like: Host/name: `google._domainkey` Value: `v=DKIM1; k=rsa; p=MIIBIjANBgkq...` (long public key provided by console) * **DMARC (TXT)** Host/name: `_dmarc` Value: `v=DMARC1; p=quarantine; rua=mailto:postmaster@yourdomain.com; ruf=mailto:postmaster@yourdomain.com; pct=100; sp=quarantine; aspf=r; adkim=r` # 30‑day warm‑up schedule (per mailbox) — conservative, safe Week 1 * Day 1–3: 5 sends/day to highly engaged recipients (team + known contacts) * Day 4–7: 10–20 sends/day (engaged list only) Week 2 * Days 8–14: 30–50 sends/day (mix engaged + recent subscribers) Week 3 * Days 15–21: 75–150 sends/day (keep engagement focus, remove bounces) Week 4 * Days 22–30: 200–500/day (if low bounces/complaints) — scale gradually Rules: * Stop or reduce immediately if bounce rate spikes or complaints rise. * Always send to recent engagers first. Clean lists before sending. * Use consistent sending patterns and good content (no spammy words, clear unsubscribe). # Sample starter email (for warm‑up) Subject: Quick note — [First name] Hi [First name], Just a quick note to say hello — I wanted to ask if you received my last message about [topic]. No rush — I’d appreciate a quick reply so I know this account is reaching you. Thanks, [Your name] # If your need is scaling / automation * Use service accounts, subaccounts, or workspace user accounts — not purchased personal Gmail accounts. * For transactional emails, use an ESP + dedicated IP (once you warm it). * For marketing, use segmentation, double opt-in, and explicit unsubscribe links. 24/7 Customer support/ Contact US WhatsApp: +(147)281-1266 Telegram: @smmonlineit Email: smmonlineit@gmail.com