Short Leo Quotes

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Leo cried, "Hold on! Let's have some manners here. Can I at least find out who has the honor of destroying me?" "I am Cal!" the ox grunted. He looked very proud of himself, like he'd taken a long time to memorize that sentence. "That's short for Calais," the love god said. "Sadly, my brother cannot say words with more than two syllables--" "Pizza! Hockey! Destroy!" Cal offered. "--which includes his own name," the love god finished. "I am Cal," Cal repeated. "And this is Zethes! My brother!" "Wow," Leo said. "That was almost three sentences, man! Way to go." Cal grunted, obviously pleased with himself. "Stupid buffoon," his brother grumbled. "They make fun of you. But no matter. I am Zethes, which is short for Zethes. And the lady there--" He winked at piper, but the wink was more like a facial seizure. "She can call me anything she likes. Perhaps she would like to have dinner with a famous demigod before we must destroy you?
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
How strange it was to think that he, who such a short time ago dared not believe in the happiness of her loving him, now felt unhappy because she loved him too much!
Leo Tolstoy (Anna Karenina)
Life is too short to live with any but the greatest books.
Leo Strauss
The raft finally got here," he said. Calypso snorted. Her eyes might have been red, but it was hard to tell in the moonlight. "You just noticed?" "But if it only shows up for guys you like-" "Don't push your luck, Leo Valdez," she said. "I still hate you." "Okay." "And you are not coming back here," she insisted. "So don't give me any empty promises." "How about a full promise?" he said. "Because I'm definitely-" She grabbed his face and pulled him into a kiss, which effectively shut him up. For all his joking and flirting, Leo had never kissed a girl before. Well, sisterly pecks on the cheeck from Piper, but that didn't count. This was a real, full-contact kiss. If Leo had had gears and wires in his brain, they would've short-circuited. Calypso pushed him away. "That didn't happen." "Okay." His voice sounded an octave higher than usual.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
Meanwhile spring arrived. My old dejection passed away and gave place to the unrest which spring brings with it, full of dreams and vague hopes and desires.
Leo Tolstoy (Great Short Works of Leo Tolstoy)
It's mechanical," Leo said. "Maybe a doorway to the dwarfs' secret lair?" "Ooooo!" shrieked a nearby voice. "Secret lair?" "I want a secret lair!" yelled another voice from above. ... "If we had a secret lair," said Red Fur, "I would want a firehouse pole." "And a waterslide!" said Brown Fur, who was pulling random tools out of Leo's belt, tossing aside wrenches, hammers, and staple guns. "Stop that!" Leo tried to grab the dwarf's feet, but he couldn't reach the top of the pedestal. "Too short?" Brown Fur sympathized. "You're calling me short?" Leo looked around for something to throw, but there was nothing but pigeons, and he doubted he could catch one. "Give me my belt, you stupid-" "Now, now!" said Brown Fur. "We haven't even introduced ourselves. I'm Akmon, and my brother over there-" "-is the handsome one!" The red-furred dwarf lifted his espresso. Judging from his dilated eyes and maniacal grin, he didn't need any more caffeine. "Passolos! Singer of songs! Drinker of coffee! Stealer of shiny stuff!
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
The heroine of my writings is She, whom I love with all the forces of my being, She who always was, is and will be beautiful, is Truth
Leo Tolstoy (Great Short Works of Leo Tolstoy)
As is always the case with a thoroughly attractive woman, her defect—the shortness of her upper lip and her half-open mouth—seemed to be her own special and peculiar form of beauty.
Leo Tolstoy (War and Peace)
Monique, I realize that it's a short list of men in this town you haven't tied up, held down or sent to the free clinic, but why don't you just leave Leo alone. At least until he can update his vaccinations.
Barbra Annino (Opal Fire (A Stacy Justice Mystery, #2))
When I came to you out of all that dust and heat and toil, I positively smelt violets at once. But not the sweet violet - you know, that early dark violet that smells of melting snow and spring grass.
Leo Tolstoy (Great Short Works of Leo Tolstoy)
There's your problem," Leo announced. Jason scratched his head. "Uh.... what are we looking at?" Leo thought it was pretty obvious, but Piper looked confused too. "Okay," Leo sighed, " you want the full explanation or the short explanation?" "Short," Piper and Jason said in unison. Leo gestured to the empty core. "The syncopator goes here. It's a multi-access gyro-valve to regulate flow. The doxen glass tubes on the outside? Those are filled with powerful,dangerous stuff. That glowing red one is Lemnos fire from my dad's forges. This murky stuff here? That's water from the River Styx. The stuff in the tubes is going to power the ship, right? Like radioactive rods in a nuclear reactor. But the mix ratio has to be controlled, and the timer is already operational.... That means without the syncopator, this stuff is all going to vent into the chamber at the same time, in sixty-five minutes. At that point, we'll get a very nasty reaction." Jason and Piper stared at him. Leo wondered if he'd been speaking English. Sometimes when he was agitated he slipped into Spanish, like his mom used to do in her workshop. But he was pretty sure he'd used English. "Um..." Piper cleared her throat." Could you make the short explanation shorter?" Leo palm-smacked his forehead. "Fine. One hour. Fluids mix. Bunker goes ka-boom. One square mile of forest tuns into a smoking crater." "Oh," Piper said in a small voice. "Can't you just..... turn it off?" "Gee, I didn't think of that!" Leo said. "Let me just hit this switch and - No, Piper. I can't turn it off.
Rick Riordan (The Demigod Diaries (The Heroes of Olympus))
If you get a hard word from any one, keep silent, and his own conscience will accuse him.
Leo Tolstoy (The Greatest Short Stories of Leo Tolstoy)
He thought of nothing, wished for nothing, but not to be left behind the peasants, and to do his work as well as possible. He heard nothing but the swish of scythes, and saw before him Tit's upright figure mowing away, the crescent-shaped curve of the cut grass, the grass and flower heads slowly and rhythmically falling before the blade of his scythe, and ahead of him the end of the row, where would come the rest. Suddenly, in the midst of his toil, without understanding what it was or whence it came, he felt a pleasant sensation of chill on his hot, moist shoulders. He glanced at the sky in the interval for whetting the scythes. A heavy, lowering storm cloud had blown up, and big raindrops were falling. Some of the peasants went to their coats and put them on; others--just like Levin himself--merely shrugged their shoulders, enjoying the pleasant coolness of it. Another row, and yet another row, followed--long rows and short rows, with good grass and with poor grass. Levin lost all sense of time, and could not have told whether it was late or early now. A change began to come over his work, which gave him immense satisfaction. In the midst of his toil there were moments during which he forgot what he was doing, and it came all easy to him, and at those same moments his row was almost as smooth and well cut as Tit's. But so soon as he recollected what he was doing, and began trying to do better, he was at once conscious of all the difficulty of his task, and the row was badly mown.
Leo Tolstoy (Anna Karenina)
Aren’t you going to tell me your name? I muster up the courage to tease him. You never asked, he replies simply with a shrug of his shoulders. I give him a sarcastic smile. “Well, now, I am.” Tucking his hands in his hoodie pocket, he looks straight ahead. My name is Leo Drakos. Leo is short for Leonidas.
Alexia Mantzouranis (Identity)
Lo!" I said. "I arrived at Camp Half-Blood as Lester Papadopoulos!" "A pathetic mortal!" Calypso chorused. "Most worthless of teens!" I glared at her, but I didn't dare stop my performance again. "I overcame many challenges with my companion, Meg McCaffrey!" "He means his master!" Calypso added. "A twelve-year-old girl! Behold her pathetic slave, Lester, most worthless of teens!" The policeman huffed impatiently. "We know all this. The emperor told us." "Shh," said Nanette. "Be polite." I put my hand over my heart. "We secured the Grove of Dodona, an ancient Oracle, and thwarted the plans of Nero! But, alas, Meg McCaffrey fled from me. Her evil stepfather had poisoned her mind!" "Poison!" Calypso cried. "Like the breath of Lester Papadopoulos, most worthless of teens!" I resisted the urge to push Calypso into the flower bed. Meanwhile, Leo was making his way towards the bulldozer under the guise of an interpretive dance routine, spinning and gasping and pantomiming my words. He looked like a hallucinating ballerina in boxer shorts, but the blemmyae politely got out of his way. "Lo!" I shouted. "From the Oracle of Dodona we received a prophecy - a limerick most terrible!" "Terrible!" Calypso chorused. "Like the skills of Lester, most worthless of teens!" "Vary your adjectives," I grumbled, then continued for my audience: "We travelled west in search of another Oracle, along the way fighting many fearsome foes! The Cyclopes we brought low!
Rick Riordan (The Dark Prophecy (The Trials of Apollo, #2))
Oblonsy was fond of a pleasant joke, and sometimes liked to perplex a simple-minded man by observing that if you're going to be proud of your ancestry, why stop short at Prince Rurik and repudiate your oldest ancestor - the ape?
Leo Tolstoy (Anna Karenina)
I find it difficult now to recall and understand the dreams which then filled my imagination. Even when I can recall them, I find it hard to believe that my dreams were just like that: they were so strange and so remote from life.
Leo Tolstoy (Great Short Works of Leo Tolstoy)
The scent of flowers grew stronger and came from all sides; the grass was drenched with dew; a nightingale struck up in a lilac bush close by and then stopped on hearing our voices; the starry sky seemed to come down lower over our heads.
Leo Tolstoy (Great Short Works of Leo Tolstoy)
Loss and gain are brothers twain.
Leo Tolstoy (The Greatest Short Stories of Leo Tolstoy)
She doesn’t stand up because her legs are too short. She’s a very bad figure.
Leo Tolstoy (Anna Karenina)
But what desires can always be satisfied despite external circumstances? What are they? Love, self-sacrifice.' He
Leo Tolstoy (Great Short Works of Leo Tolstoy [with Biographical Introduction])
I have now understood that though it seems to men that they live by care for themselves, in truth it is love alone by which they live. He who has love, is in God, and God is in him, for God is love.
Leo Tolstoy (The Greatest Short Stories of Leo Tolstoy)
The raft finally got here,” he said. Calypso snorted. Her eyes might have been red, but it was hard to tell in the moonlight. “You just noticed?” “But if it only shows up for guys you like—” “Don’t push your luck, Leo Valdez,” she said. “I still hate you.” “Okay.” “And you are not coming back here,” she insisted. “So don’t give me any empty promises.” “How about a full promise?” he said. “Because I’m definitely—” She grabbed his face and pulled him into a kiss, which effectively shut him up. For all his joking and flirting, Leo had never kissed a girl before. Well, sisterly pecks on the cheek from Piper, but that didn’t count. This was a real, full-contact kiss. If Leo had had gears and wires in his brain, they would’ve short-circuited. Calypso pushed him away. “That didn’t happen.” “Okay.” His voice sounded an octave higher than usual. “Get out of here.” “Okay.” She turned, wiping her eyes furiously, and stormed up the beach, the breeze tousling her hair. Leo wanted to call to her, but the sail caught the full force of the wind, and the raft cleared the beach. He struggled to align the guidance console. By the time Leo looked back, the island of Ogygia was a dark line in the distance, their campfire pulsing like a tiny orange heart. His lips still tingled from the kiss. That didn’t happen, he told himself. I can’t be in love with an immortal girl. She definitely can’t be in love with me. Not possible. As his raft skimmed over the water, taking him back to the mortal world, he understood a line from the Prophecy better—an oath to keep with a final breath. He understood how dangerous oaths could be. But Leo didn’t care. “I’m coming back for you, Calypso,” he said to the night wind. “I swear it on the River Styx.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
He got up, wishing to go around, but the aunt handed him the snuffbox right over Helene, behind her back. Helene moved forward so as to make room and, smiling, glanced around. As always at soirees, she was wearing a gown in the fashion of the time, quite open in front and back. Her bust, which had always looked like marble to Pierre, was now such a short distance from him that he could involuntarily make out with his nearsighted eyes the living loveliness of her shoulders and neck, and so close to his lips that he had only to lean forward a little to touch her. He sensed the warmth of her body, the smell of her perfume, and the creaking of her corset as she breathed. He saw not her marble beauty, which made one with her gown, he saw and sensed all the loveliness of her body, which was merely covered by clothes. And once he had seen it, he could not see otherwise, as we cannot return to a once-exposed deception.
Leo Tolstoy (War and Peace)
For a couple hours, I was a kid, doing something simple that I had never done when I was actually a kid. For a short time, I lost myself in doing something for no other reason than that it was fun.
Mia Sheridan (Leo's Chance)
If you had a script for your life, Leo thinks, you could look ahead to what would come next. You could see what is going to happen to you. You could read all the thousands and millions of words you will say. You will never again have to wonder What should I say or do? because it will all be written there for you. You could know what dumb things you will do. You could find out if you ever will do anything that isn't dumb. But then, what if your script was dull, if you never got to do anything exciting? Or what if something awful was going to happen to you? What if your script was very, very short?
Sharon Creech (Replay)
The liberal party said, or rather allowed it to be understood, that religion is only a curb to keep in check the barbarous classes of the people; and Stepan Arkadyevitch could not get through even a short service without his legs aching from standing up, and could never make out what was the object of all the terrible and high-flown language about another world when life might be so very amusing in this world.
Leo Tolstoy (Anna Karenina)
Does not every eternal masterpiece derive from the experience of disgrace, humiliation, wounded pride? The thoughtless mob may wildly applaud a work of art - to me it reveals the devastated mind of its creator. In all the great symphonies of tones, colours and ideas I see a gleam of the marvellous colour trumpet red, a faint reflection of the vision that for a short while raised the Master above the bewildering maze of his tormenting guilt.
Leo Perutz (The Master of the Day of Judgment)
I have only to go stubbornly on towards my aim, and I shall attain my end", thought Levin; "and it's something to work and take trouble for. This is not a matter of myself individually; the question of the public welfare comes into it. The whole system of culture, the chief element in the condition of people, must be completely transformed. Instead of poverty, general prosperity and content; instead of hostility, harmony and unity of interests. In short, a bloodless revolution, but a revolution of the greatest magnitude, beginning in the little circle of our district, then the province, then Russia, then the whole world. Because a just idea cannot but be fruitful. Yes, it's an aim worth working for.
Leo Tolstoy (Anna Karenina)
Besides, Oblonsky was fond of a pleasant joke, and sometimes liked to perplex a simple-minded man by observing that if you're going to be proud of your ancestry, why stop short at prince Rurik and repudiate your oldest ancestor-- the ape?
Leo Tolstoy (Anna Karenina)
And the slaves prided themselves on their master, saying: ‘There is no better lord than ours under the sun. He feeds and clothes us well, and gives us work suited to our strength. He bears no malice, and never speaks a harsh word to any one. He is not like other masters, who treat their slaves worse than cattle: punishing them whether they deserve it or not, and never giving them a friendly word. He wishes us well, does good, and speaks kindly to us. We do not wish for a better life.
Leo Tolstoy (The Greatest Short Stories of Leo Tolstoy)
With 6 children Darya Alexandrovna could not be calm. One got sick, another might get sick, a third lacked something, a fourth showed signs of bad character, and so on, and so on. Rarely, rarely would there be short periods of calm but these troubles and anxieties were for Darya Alexandroyna the only possible happiness. Had it not been for them, she would have remained alone with her thoughts of her husband, who did not love her. But besides that, however painful the mother's fear of illnesses, the illnesses themselves, and the distress at seeing signs of bad inclinations in her children, the children themselves repaid her griefs with small joys. These joys were so small that they could not be seen, like gold in the sand, and in her bad moments she saw only griefs, only sand; but there were also good moments, when she saw only joys, only gold. Now, in her country solitude, she was more aware of these joys. Often, looking at them, she made every possible effort to convince herself that she was mistaken, that as a mother she was partial to her children; all the same, she could not but tell herself that she had lovely children, all 6 of them, each in a different way, but such as rarely happens - and she was happy in them in them and proud of them.
Leo Tolstoy (Anna Karenina)
Stepan Arkadyevitch had not chosen his political opinions or his views; these political opinions and views had come to him of themselves, just as he did not choose the shapes of his hat and coat, but simply took those that were being worn. And for him, living in a certain society--owing to the need, ordinarily developed at years of discretion, for some degree of mental activity--to have views was just as indispensable as to have a hat. If there was a reason for his preferring liberal to conservative views, which were held also by many of his circle, it arose not from his considering liberalism more rational, but from its being in closer accordance with his manner of life. The liberal party said that in Russia everything is wrong, and certainly Stepan Arkadyevitch had many debts and was decidedly short of money. The liberal party said that marriage is an institution quite out of date, and that it needs reconstruction; and family life certainly afforded Stepan Arkadyevitch little gratification, and forced him into lying and hypocrisy, which was so repulsive to his nature. The liberal party said, or rather allowed it to be understood, that religion is only a curb to keep in check the barbarous classes of the people; and Stepan Arkadyevitch could not get through even a short service without his legs aching from standing up, and could never make out what was the object of all the terrible and high-flown language about another world when life might be so very amusing in this world. And with all this, Stepan Arkadyevitch, who liked a joke, was fond of puzzling a plain man by saying that if he prided himself on his origin, he ought not to stop at Rurik and disown the first founder of his family--the monkey. And so Liberalism had become a habit...Anna Karenina, Tolstoy.
Leo Tolstoy
The most difficult subjects can be explained to the most slow-witted man if he has not formed any idea of them already; but the simplest thing cannot be made clear to the most intelligent man if he is firmly persuaded that he knows already, without a shadow of doubt, what is laid before him. —Leo Tolstoy, 1897
Michael Lewis (The Big Short: Inside the Doomsday Machine)
How short?” Now or never. And Dara was tired of staying silent. Dara wet his lips. “When I was fifteen, I started getting drunk early. I’d open my first bottle around three in the afternoon. It meant I was wasted by the time he got home.” Leo’s gaze caught his in the mirror, his hands frozen with scissors still in grasp. Dara looked back at him. “Well. Eventually, he got sick of waiting for me to sober up. So one night he grabbed me by the hair”—Dara tugged at that lock twisted round his finger, tugged until it hurt—“and he dragged me into the bathroom, and he held my head under in a sink of cold water until I couldn’t breathe. Until I was choking. He only let go after I stopped fighting, that moment right before I would’ve passed out.” Dara lifted one shoulder, dropped it down. “But I guess it worked. I wasn’t drunk anymore.” Leo was still staring at him. He didn’t say anything. Dara’s lips curled in a bitter smile. “Cut it short enough he couldn’t do that again.
Victoria Lee (The Fever King (Feverwake, #1))
In a way, I think I am writing this for Leo. I have decided to keep a record of my life because I suspect my life will be short. I do not particularly want to be remembered. After all, being unknown has been essential to my work. But I sometimes think of him and I would like him to understand what it was that made me what I am.
Anthony Horowitz (Russian Roulette (Alex Rider, #10))
I would not take a young man to a lock-hospital to knock the hankering after women out of him, but into my soul to see the devils that were rending it.
Leo Tolstoy (The Kreutzer Sonata and Other Short Stories)
But, as always happens after death, his face had grown handsomer, more dignified—more distinguished, in short, than it had ever been in life.
Leo Tolstoy (The Death of Ivan Ilych)
away again.’ ‘You are quite right,’ said the Chief. ‘We will make it over
Leo Tolstoy (The Greatest Short Stories of Leo Tolstoy)
But his voice was broken, his face pale,
Leo Tolstoy (The Greatest Short Stories of Leo Tolstoy)
the simplest thing cannot be made clear to the most intelligent man if he is firmly persuaded that he knows already, without a shadow of doubt, what is laid before him. —Leo Tolstoy, 1897
Michael Lewis (The Big Short: Inside the Doomsday Machine)
The physicist Leo Szilard once announced to his friend Hans Bethe that he was thinking of keeping a diary: ‘I don’t intend to publish. I am merely going to record the facts for the information of God.’ ‘Don’t you think God knows the facts?’ Bethe asked. ‘Yes,’ said Szilard. ‘He knows the facts, but He does not know this version of the facts.’ Hans Christian von Baeyer, Taming the Atom
Bill Bryson (A Short History of Nearly Everything)
Sorry. It took me a little longer to get ready because someone keeps borrowing my clothes and makeup." "Yeah, I can't help myself. Your turqoise eye shadow looks so good on me," Leo said, giving Katrina a crooked smile. Anya snorted and shoved into her brother. "And don't forget how her pink miniskirt highlights the dark hairs on your legs." Leo looked at Anya and gave her a short nod. "This is true.
Jaci Burton (Quarterback Draw (Play by Play, #9))
Where is he?” Leo sat up, but his head felt like it was floating. They’d landed inside the compound. Something had happened on the way in—gunfire? “Seriously, Leo,” Jason said. “You could be hurt. You shouldn’t—” Leo pushed himself to his feet. Then he saw the wreckage. Festus must have dropped the big canary cages as he came over the fence, because they’d rolled in different directions and landed on their sides, perfectly undamaged. Festus hadn’t been so lucky. The dragon had disintegrated. His limbs were scattered across the lawn. His tail hung on the fence. The main section of his body had plowed a trench twenty feet wide and fifty feet long across the mansion’s yard before breaking apart. What remained of his hide was a charred, smoking pile of scraps. Only his neck and head were somewhat intact, resting across a row of frozen rosebushes like a pillow. “No,” Leo sobbed. He ran to the dragon’s head and stroked its snout. The dragon’s eyes flickered weakly. Oil leaked out of his ear. “You can’t go,” Leo pleaded. “You’re the best thing I ever fixed.” The dragon’s head whirred its gears, as if it were purring. Jason and Piper stood next to him, but Leo kept his eyes fixed on the dragon. He remembered what Hephaestus had said: That isn’t your fault, Leo. Nothing lasts forever, not even the best machines. His dad had been trying to warn him. “It’s not fair,” he said. The dragon clicked. Long creak. Two short clicks. Creak. Creak. Almost like a pattern…triggering an old memory in Leo’s mind. Leo realized Festus was trying to say something. He was using Morse code—just like Leo’s mom had taught him years ago. Leo
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
For a long time afterwards, in prison, when moral change took place in me, I thought of that moment, recalled what I could of it, and considered it. I remembered for an instant, before the action I had a terrible consciousness I was killing a defenseless woman, my wife!
Leo Tolstoy (The Kreutzer Sonata and Other Short Stories)
Stepan Arkadyevitch had not chosen his political opinions or his views; these political opinions and views had come to him of themselves, just as he did not choose the shapes of his hat and coat, but simply took those that were being worn. And for him, living in a certain society—owing to the need, ordinarily developed at years of discretion, for some degree of mental activity—to have views was just as indispensable as to have a hat. If there was a reason for his preferring liberal to conservative views, which were held also by many of his circle, it arose not from his considering liberalism more rational, but from its being in closer accordance with his manner of life. The liberal party said that in Russia everything is wrong, and certainly Stepan Arkadyevitch had many debts and was decidedly short of money. The liberal party said that marriage is an institution quite out of date, and that it needs reconstruction; and family life certainly afforded Stepan Arkadyevitch little gratification, and forced him into lying and hypocrisy, which was so repulsive to his nature. The liberal party said, or rather allowed it to be understood, that religion is only a curb to keep in check the barbarous classes of the people; and Stepan Arkadyevitch could not get through even a short service without his legs aching from standing up, and could never make out what was the object of all the terrible and high-flown language about another world when life might be so very amusing in this world. And with all this, Stepan Arkadyevitch, who liked a joke, was fond of puzzling a plain man by saying that if he prided himself on his origin, he ought not to stop at Rurik and disown the first founder of his family—the monkey. And so Liberalism had become a habit of Stepan Arkadyevitch's, and he liked his newspaper, as he did his cigar after dinner, for the slight fog it diffused in his brain. He read the leading article, in which it was maintained that it was quite senseless in our day to raise an outcry that radicalism was threatening to swallow up all conservative elements, and that the government ought to take measures to crush the revolutionary hydra; that, on the contrary, "in our opinion the danger lies not in that fantastic revolutionary hydra, but in the obstinacy of traditionalism clogging progress," etc., etc. He read another article, too, a financial one, which alluded to Bentham and Mill, and dropped some innuendoes reflecting on the ministry. With his characteristic quickwittedness he caught the drift of each innuendo, divined whence it came, at whom and on what ground it was aimed, and that afforded him, as it always did, a certain satisfaction. But today that satisfaction was embittered by Matrona Philimonovna's advice and the unsatisfactory state of the household. He read, too, that Count Beist was rumored to have left for Wiesbaden, and that one need have no more gray hair, and of the sale of a light carriage, and of a young person seeking a situation; but these items of information did not give him, as usual, a quiet, ironical gratification. Having finished the paper, a second cup of coffee and a roll and butter, he got up, shaking the crumbs of the roll off his waistcoat; and, squaring his broad chest, he smiled joyously: not because there was anything particularly agreeable in his mind—the joyous smile was evoked by a good digestion.
Leo Tolstoy (Anna Karenina)
I sat with my father, Leo, at the kitchen table and got drunk with him for the first time. He told me to beware of crazy women, angry women, passionate women. He told me they would ruin me. “But they are also the best women,” he said, “the best lovers, with a jungle between their legs and such wildness in bed that every man should experience.
Jamel Brinkley (The Best American Short Stories 2019)
As at Tilsit Rostov had not allowed himself to doubt that what everybody considered right was right, so now, after a short but sincere struggle between his effort to arrange his life by his own sense of justice, and in obedient submission to circumstances, he chose the latter and yielded to the power he felt irresistibly carrying him he knew not where. He knew that after his promise to Sonya it would be what he deemed base to declare his feelings to Princess Mary. And he knew that he would never act basely. But he also knew (or rather felt at the bottom of his heart) that by resigning himself now to the force of circumstances and to those who were guiding him, he was not only doing nothing wrong, but was doing something very important—more important than anything he had ever done in his life.
Leo Tolstoy (War and Peace : Complete and Unabridged)
Let me go!” “Not until I find out what you’re plotting. Is Catherine Marks even your real name? Who the hell are you?” He swore as she began to struggle in earnest. “Hold still, you little she-devil. I just want to’ouch!” This last as she turned and jabbed a sharp elbow in his side. The maneuver gained Marks the freedom she sought, but her spectacles went flying to the ground. “My spectacles!” With an aggravated sigh, she dropped to her hands and knees and began feeling for them. Leo’s fury was instantly smothered by guilt. From the looks of it, she was practically blind without the spectacles. And the sight of her crawling on the ground made him feel like a brute. A jackass. Lowering to his knees, he began to hunt for them as well. “Did you see the direction they went in?” he asked. “If I did,” she said, fuming, “I wouldn’t need spectacles, would I?” A short silence. “I’ll help you find them.” “How kind of you,” she said acidly. For the next few minutes the two of them traversed the garden on their hands and knees, searching among the daffodils. They both chewed on the gristly silence as if it were a mutton chop. “So you actually need spectacles,” Leo finally said. “Of course I do,” Marks said crossly. “Why would I wear spectacles if I didn’t need them?” “I thought they might be part of your disguise.” “My disguise?” “Yes, Marks, disguise. A noun describing a means of concealing someone’s identity. Often used by clowns and spies. And now apparently governesses. Good God, can anything be ordinary for my family?
Lisa Kleypas (Married By Morning (The Hathaways, #4))
A shudder went through me at the thought of what I should still learn in this hour. How awry, altered and distorted everything and everyone was in these mirrors, how mockingly and unattainably did the face of truth hide itself behind all these reports, counter-reports and legends! What was still truth? What was still credible? And what would remain when I also learned about myself, about my own character and history from the knowledge stored in these archives? I must be prepared for anything. Suddenly I could bear the uncertainty and suspense no longer. I hastened to the section Chattorum res gestas, looked for my sub-division and number and stood in front of the part marked with my name. This was a niche, and when I drew the thin curtains aside I saw that it contained nothing written. It contained nothing but a figure, an old and worn-looking model made from wood or wax, in pale colours. It appeared to be a kind of deity or barbaric idol. At first glance it was entirely incomprehensible to me. It was a figure that really consisted of two; it had a common back. I stared at it for a while, disappointed and surprised. Then I noticed a candle in a metal candlestick fixed to the wall of the niche. A match-box lay there. I lit the candle and the strange double figure was now brightly illuminated. Only slowly did it dawn upon me. Only slowly and gradually did I begin to suspect and then perceive what it was intended to represent. It represented a figure which was myself, and this likeness of myself was unpleasantly weak and half-real; it had blurred features, and in its whole expression there was something unstable, weak, dying or wishing to die, and looked rather like a piece of sculpture which could be called "Transitoriness" or "Decay," or something similar. On the other hand, the other figure which was joined to mine to make one, was strong in colour and form, and just as I began to realise whom it resembled, namely, the servant and President Leo, I discovered a second candle in the wall and lit this also. I now saw the double figure representing Leo and myself, not only becoming clearer and each image more alike, but I also saw that the surface of the figures was transparent and that one could look inside as one can look through the glass of a bottle or vase. Inside the figures I saw something moving, slowly, extremely slowly, in the same way that a snake moves which has fallen asleep. Something was taking place there, something like a very slow, smooth but continuous flowing or melting; indeed, something melted or poured across from my image to that of Leo's. I perceived that my image was in the process of adding to and flowing into Leo's, nourishing and strengthening it. It seemed that, in time, all the substance from one image would flow into the other and only one would remain: Leo. He must grow, I must disappear. As I stood there and looked and tried to understand what I saw, I recalled a short conversation that I had once had with Leo during the festive days at Bremgarten. We had talked about the creations of poetry being more vivid and real than the poets themselves. The candles burned low and went out. I was overcome by an infinite weariness and desire to sleep, and I turned away to find a place where I could lie down and sleep.
Hermann Hesse (The Journey to the East)
Never before have I had such dreams at dawn. They're double dreams. What's more, the principal one, I'd say, is made of glass. It's transparent. And so, then -- I dream of an eerily lit lamp, and out of it blazes a multicolored ribbon of lights. Amneris is waving a green feather and singing. The orchestra, utterly unearthly, is extraordinarily sonorous. I can't convey it in words, though. In short, in a normal dream music is soundless ... (in a normal one? That's another question, which dream is more normal?! I'm joking, though...") soundless, but in my dream it's quite sublimely audible. And the main thing is that, using my will, I can amplify or soften the music. I seem to recall in War and Peace there's a description of Petya Rosrov, when half asleep, experienced the same state. Leo Tolstoy's a remarkable writer!
Mikhail Bulgakov (Morphine)
Aksënov was a handsome, fair-haired, curly-headed fellow, full of fun and very fond of singing. When quite a young man he had been given to drink and was riotous when he had too much; but after he married he gave up drinking except now and then. One summer Aksënov was going to the Nizhny Fair, and as he bade goodbye to his family his wife said to him, “Iván Dmitrich, do not start today; I have had a bad dream about you.’ Aksënov laughed, and said, ‘You are afraid that when I get to the fair I shall go on the spree.’ His wife replied: ‘I do not know what I am afraid of; all I know is that I had a bad dream. I dreamt you returned from the town, and when you took off your cap I saw that your hair was quite grey.’ Aksënov laughed. ‘That’s a lucky sign,’ said he. ‘See if I don’t sell out all my goods and bring you some presents from the fair.
Leo Tolstoy (The Greatest Short Stories of Leo Tolstoy)
I know my time with you is somewhat borrowed,” Leo said quietly. “And I know that I will never have all of you. But, Tem.” He paused, looking her right in the eye. “It is without ego that I say your presence in my life has changed me immeasurably. You are headstrong. And stubborn. And infuriatingly difficult to please.” She smiled at that one. Leo continued. “You are also courageous. And irresistible. And you invariably make me a better person, even when I struggle to return the favor. In short, you are too good for me. But I’m asking for you anyway.” Tears were coming. She didn’t bother holding them back. “I am greedy when it comes to you, Tem. I want every moment you’re willing to give me. Even if our marriage offers me nothing but the opportunity to humble myself before you, it would be worth it to spend what’s left of my life in your presence.” He opened the box. “Would you do me the honor of being my queen?
Lindsay Straube (Kiss of the Basilisk (Split or Swallow, #1))
Leonardo da Vinci, was brought to the Vatican in 1513 by the new pope, Leo X, and given a list of commissions to create for the greater glory of the pope and his family. After three years of living in the papal palace and exploring Rome, the great Leonardo had produced almost nothing. The furious Pope Leo decided to have a surprise showdown with the capricious artist and intimidate him into completing some of his commissions. In the middle of the night, surrounded by several imposing Swiss Guardsmen, the pope burst through the door to Leonardo’s private palace chambers, thinking to shake him out of a sound sleep. Instead, he was horrified to find Leonardo wide awake, with a pair of grave robbers, in the midst of dissecting a freshly stolen corpse—right under the pope’s own roof. Pope Leo let out a nonregal scream and had the Swiss soldiers immediately pack up Leonardo’s belongings and throw them and the divine Leonardo himself outside the fortress wall of the Vatican, never to return again. Shortly afterward, Leonardo decided it was probably healthier to get out of Italy and move to France, where he spent the rest of his days. This, by the way, is why the great Italian genius’s most famous oil paintings, including the Mona Lisa, are all in Paris, in the Louvre museum.
Benjamin Blech (The Sistine Secrets: Michelangelo's Forbidden Messages in the Heart of the Vatican)
First came the flower girls, pretty little lasses in summery frocks, skipping down the aisle, tossing handfuls of petals and, in one case, the basket when it was empty. Next came the bridesmaids, Luna, strutting in her gown and heels, a challenging dare in her eyes that begged someone to make a remark about the girly getup she was forced to wear. Next came Reba and Zena, giggling and prancing, loving the attention. This time, Leo wasn’t thrown by Teena’s appearance, nor was he fooled. How could he have mistaken her for his Vex? While similar outwardly, Meena’s twin lacked the same confident grin, and the way she moved, with a delicate grace, did not resemble his bold woman at all. How unlike they seemed. Until Teena tripped, flailed her arms, and took out part of a row before she could recover! Yup, they were sisters all right. With a heavy sigh, and pink cheeks, Teena managed to walk the rest of the red carpet, high heels in hand— one of which seemed short a heel. With all the wedding party more or less safely arrived, there was only one person of import left. However, she didn’t walk alone. Despite his qualms, which Leo heard over the keg they’d shared the previous night, Peter appeared ready to give his daughter away. Ready, though, didn’t mean he looked happy about it. The seams of the suit his soon-to-be father-in-law wore strained, the rented tux not the best fit, but Leo doubted that was why he looked less than pleased. Leo figured there were two reasons for Peter’s grumpy countenance. The first was the fact that he had to give his little girl away. The second probably had to do with the snickers and the repetition of a certain rumor, “I hear he lost an arm-wrestling bet and had to wear a tie.” For those curious, Leo had won that wager, and thus did his new father-in-law wear the, “gods-damned-noose” around his neck. However, who cared about that sore loser when upon his arm rested a vision of beauty. Meena’s long hair tumbled in golden waves over her shoulders, the ends curled into fat ringlets that tickled her cleavage. At her temples, ivory combs swept the sides up and away, revealing the creamy line of her neck. The strapless gown made her appear as a goddess. The bust, tight and low cut, displayed her fantastic breasts so well that Leo found himself growling. He didn’t like the appreciative eyes in the crowd. Yet, at the same time, he felt a certain pride. His bride was beautiful, and it was only right she be admired. From her impressive breasts, the gown cinched in before flaring out. The filmy white fabric of the skirt billowed as she walked. He noted she wore flats. Reba’s suggestion so she wouldn’t get a heel stuck. Her gown didn’t quite touch the ground. Zena’s idea to ensure she wouldn’t trip on the hem. They’d taken all kinds of precautions to ensure her the smoothest chance of success. She might lack the feline grace of other ladies. She might have stumbled a time or two and been kept upright only by the smooth actions of her father, but dammit, in his eyes, she was the daintiest, most beautiful sight he’d ever seen. And she is mine.
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
Marks … I’m afraid I’m not going to be able to find your spectacles in this wreckage.” “I have another pair at home,” she ventured. “Thank God.” Leo sat up with a quiet grunt of discomfort. “Now, if we stand on the highest pile of debris, it’s only a short distance to the surface. I’m going to hoist you up, get you out of here, and then you’re going to ride back to Ramsay House. Cam trained the horse, so you won’t need to guide him. He’ll find his way back home with no trouble.” “What are you going to do?” she asked, bewildered. He sounded rather sheepish. “I’m afraid I’m going to have to wait here until you send someone for me.” “Why?” “I have a—” He paused, searching for a word. “Splinter.” She felt indignant. “You’re going to make me ride back alone and unescorted and virtually blind, to send someone to rescue you? All because you have a splinter?” “A large one,” he volunteered. “Where is it? Your finger? Your hand? Maybe I can help to … Oh, God. ” This last as he took her hand and brought it to his shoulder. His shirt was wet with blood, and a thick shard of timber protruded from his shoulder. “That’s not a splinter,” she said in horror. “You’ve been impaled. What can I do? Shall I pull it out?” “No, it might be lodged against an artery. And I wouldn’t care to bleed out down here.” She crawled closer to him, bringing her face close to his to examine him anxiously... “Don’t worry,” he murmured. “It looks worse than it is.” But Catherine didn’t agree. If anything, it was worse than it looked... Stripping off her riding coat, she tried to lay it over his chest. “What are you doing?” he asked. “Trying to keep you warm.” Leo plucked the garment off his chest and made a scoffing sound. “Don’t be ridiculous. First, the injury isn’t that bad. Second, this tiny thing is not capable of keeping any part of me warm. Now, about my plan—” “It is obviously a significant injury,” she said, “and I do not agree to your plan. I have a better one.” “Of course you do,” he replied sardonically. “Marks, for once would you do as I ask?” “No, I’m not going to leave you here. I’m going to pile up enough debris for both of us to climb out.” “You can’t even see, damn it. And you can’t move these timbers and stones. You’re too small.” “There is no need to make derogatory remarks about my stature,” she said, lurching upward and squinting at her surroundings. Identifying the highest pile of debris, she made her way to it and hunted for nearby rocks. “I’m not being derogatory.” He sounded exasperated. “Your stature is absolutely perfect for my favorite activity. But you’re not built for hauling rocks. Blast it, Marks, you’re going to hurt yourself—” “Stay there,” Catherine said sharply, hearing him push some heavy object aside. “You’ll worsen your injury, and then it will be even more difficult to get you out. Let me do the work.” Finding a heap of ashlar blocks, she picked one up and lugged it up the pile, trying not to trip over her own skirts. “You’re not strong enough,” Leo said, sounding aggravated and out of breath. “What I lack in physical strength,” she replied, going for another block, “I make up for in determination.” “How inspiring. Could we set aside the heroic fortitude for one bloody moment and dredge up some common sense?” “I’m not going to argue with you, my lord. I need to save my breath for”—she paused to heft another block—“stacking rocks.” Somewhere amid the ordeal, Leo decided hazily that he would never underestimate Catherine Marks again. Ounce for ounce, she was the most insanely obstinate person he had ever known, dragging rocks and debris while half blind and hampered by long skirts, diligently crossing back and forth across his vision like an industrious mole. She had decided to build a mound upon which they could climb out, and nothing would stop her.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
The traditional defense of class stratification and the existence of a "leisure class", ever since the rise of civilization, from both Plato and Aristotle as well as from more recent social thinkers, is that a leisure class is needed in order to have the time and energy for the specialized intellectual development and technological skills that are necessary preconditions for civilization; and "leisure class" has always meant a group with a guaranteed income — i.e. those who did not have to work for a living. Implicit in this argument is the assumption (which I happen to think is correct, as I think the history and development of civilization proves) that when people are freed from the necessity to work — that is, when work is freely chosen rather than slavery or wage-slavery (i.e. "work or starve"), they do not just vegetate in a state of "passivity and dependency." Rather, they engage in much more creative work. Coercion creates an incentive for "passive aggressiveness," because when overpowered and helpless there is no other way to express the minimal degree of autonomy that people need in order to maintain any semblance of self-esteem, dignity, and pride. Furthermore, when work is a means to and end — working in order to eat — then it is, in Marx's terms, "alienated" labor. Labor can only be liberated from alienation when work is an end in itself, entered into freely as the expression of spontaneous and voluntary creativity, curiosity, playfulness, initiative, and sociability — that is, the sense of solidarity with the community, the fulfillment of one's true and "essential" human nature as "social" and "political" animals, to be fulfilled and made human by their full participation in a culture. In short, the contradiction in the old defense of class stratification is that it defends leisure for the leisure class, but not for the underclass. With reference to the underclass, leisure is said to destroy the incentive to work, leads to slothfulness and self-indulgence, and retards cognitive and moral development. When applied to the leisure class, the concept evokes an image of Plato and Aristotle, whose leisure was based on slave labor, creating the intellectual foundations of Western civilization; or patrician slave-owners like Washington and Jefferson laying the foundations of American civilization; or creative aristocrats like Count Leo Tolstoy or Bertrand Ear Russell; or, even closer to home, of our own sons and daughters (or of ourselves, when we were young adults) being freed from the stultifying tasks of earning a living until well into our adult years so that we could study in expensive universities to gain specialized knowledge and skills.
James Gilligan (Preventing Violence (Prospects for Tomorrow))
It was six o’clock by the time I was outside, but it was already dark. Typical for late fall. The days were getting shorter and shorter, the arc of the sun getting lower in the south sky and the shadows longer. In a few more weeks it would be dark by four and by the time Christmas rolled around, we’d only be getting seven hours of daylight, not a lot for the most part, but at least the sun would be shining. People new to the city always commented on that. Even though winter was cold and the days were short, the sun shone most of the time. And the sharper angle changed the wavelength of its light to the warmer reds and oranges, so even the color of the air would change.
Wayne Arthurson (Fall from Grace (Leo Desroches #1))
Set your 3 MITs (Most Important Tasks) each morning. Single-task. When you work on a task, don’t switch to other tasks. Process your in-box to empty. Check e-mail just twice a day. Exercise five to ten minutes a day. Work while disconnected, with no distractions. Follow a morning routine. Eat more fruits and veggies every day. Keep your desk decluttered. Say no to commitments and requests that aren’t on your Short List (see Chapter 13, Simple Commitments). Declutter your house for fifteen minutes a day. Stick to
Leo Babauta (The Power Of Less: The Fine Art of Limiting Yourself to the Essential)
Malta. She wanted to find, and still seeks, some secret motive in our actions. What answer did Novosiltsev get? None. The English have not understood and cannot understand the self-abnegation of our Emperor
Leo Tolstoy (The Complete Works of Leo Tolstoy: Novels, Short Stories, Plays, Memoirs, Letters & Essays on Art, Religion and Politics: Novels to Essays: Art, Faith & Society)
...religion was just a bridle for the barbarous part of the population, and indeed Stepan Arkadyich could not even stand through a short prayer service without aching feet and could not grasp the point of all these fearsome and high-flown words about the other world, when life in this one could be so merry.
Leo Tolstoy (Anna Karenina)
Continual brazen flattery from everybody round him in the teeth of obvious facts had brought him to such a state that he no longer saw his own inconsistencies or measured his actions and words by reality, logic, or even simple common sense; but was quite convinced that all his orders, however senseless, unjust, and mutually contradictory they might be, became reasonable, just, and mutually accordant simply because he gave them.
Leo Tolstoy (The Ultimate Short Stories Collection)
Nicholas frowned. He had done much evil to the Poles. To justify that evil he had to feel certain that all Poles were rascals, and he considered them to be such and hated them in proportion to the evil he had done them.
Leo Tolstoy (The Ultimate Short Stories Collection)
particularly disturbed that day, evidently by the fact that they had dared to inspect and criticize his camp in his absence. From this short interview with Pfuel, Prince Andrew, thanks to his Austerlitz experiences, was able to form a clear conception of the man. Pfuel was one of those hopelessly and immutably self-confident men, self-confident to the point of martyrdom as only Germans are, because only Germans are self-confident on the basis of an abstract notion—science, that is, the supposed knowledge of absolute truth. A Frenchman is self-assured because he regards himself personally, both in mind and body, as irresistibly attractive to men and women. An Englishman is self-assured, as being a citizen of the best-organized state in the world, and therefore as an Englishman always knows what he should do and knows that all he does as an Englishman is undoubtedly correct. An Italian is self-assured because he is excitable and easily forgets himself and other people. A Russian is self-assured just because he knows nothing and does not want to know anything, since he does not believe that anything can be known. The German's self-assurance is worst of all, stronger and more repulsive than any other, because he imagines that he knows the truth—science—which he himself has invented but which is for him the absolute truth.
Leo Tolstoy (War and Peace (Illustrated Edition))
The longer Princess Marya lived, the more she observed life and experienced it, the more she marvelled at the short-sightedness of people who seek pleasure and happiness here on earth, toiling away, suffering and struggling, and doing so much harm to each other in pursuit of an impossible will-o'-the-wisp of happiness in iniquity.
Leo Tolstoy (War and Peace)
Another bullet hit Hajji Murad in the left side. He lay down in the ditch and again pulled some cotton wool out of his beshmet and plugged the wound. This wound in the side was fatal and he felt that he was dying. Memories and pictures succeeded one another with extraordinary rapidity in his imagination. now he saw the powerful Abu Nutsal Khan, dagger in hand and holding up his severed cheek as he rushed at his foe; then he saw the weak, bloodless old Vorontsov with his cunning white face, and heard his soft voice; then he saw his son Yusuf, his wife Sofiat, and then the pale, red-bearded face of his enemy Shamil with its half-closed eyes. All these images passed through his mind without evoking any feeling within him -- neither pity nor anger nor any kind of desire: everything seemed so insignificant in comparison with what was beginning, or had already begun, within him. Yet his strong body continued the thing that he had commenced. Gathering together his last strength he rose from behind the bank, fired his pistol at a man who was just running towards him, and hit him. The man fell. Then Hajji Murad got quite out of the ditch, and limping heavily went dagger in hand straight at the foe. Some shots cracked and he reeled and fell. Several militiamen with triumphant shrieks rushed towards the fallen body. But the body that seemed to be dead suddenly moved. First the uncovered, bleeding, shaven head rose; then the body with hands holding to the trunk of a tree. He seemed so terrible, that those who were running towards him stopped short. But suddenly a shudder passed through him, he staggered away from the tree and fell on his face, stretched out at full length like a thistle that had been mown down, and he moved no more. He did not move, but still he felt. When Hajji Aga, who was the first to reach him, struck him on the head with a large dagger, it seemed to Hajji Murad that someone was striking him with a hammer and he could not understand who was doing it or why. That was his last consciousness of any connection with his body. He felt nothing more and his enemies kicked and hacked at what had no longer anything in common with him. Hajji Aga placed his foot on the back of the corpse and with two blows cut off the head, and carefully -- not to soil his shoes with blood -- rolled it away with his foot. Crimson blood spurted from the arteries of the neck, and black blood flowed from the head, soaking the grass. Karganov and Hajji Aga and Akhmet Khan and all the militiamen gathered together -- like sportsmen round a slaughtered animal -- near the bodies of Hajji Murad and his men (Khanefi, Khan Mahoma, and Gamzalo they bound), and amid the powder-smoke which hung over the bushes they triumphed in their victory. the nightingales, that had hushed their songs while the firing lasted, now started their trills once more: first one quite close, then others in the distance. It was of this death that I was reminded by the crushed thistle in the midst of the ploughed field.
Leo Tolstoy (Hadji Murád)
I think,' said Leo [Walton], 'that he [William, 'Tiger'] must have fallen in love with you, he certainly remembered you with the eye of love.' ['Skelmerton']
Rosamunde Pilcher (A Place Like Home: Short Stories)
He would have had his hand chopped off before he would have allowed himself by a word, by a hint, to humiliate her, or even to fall short of the fullest respect a woman could look for.
Leo Tolstoy (Anna Karenina)
Trouble's short, life's long
Leo Tolstoy (War and Peace)
With six children Darya Alexandrovna could not be calm. One got sick, another might get sick, a third lacked something, a fourth showed signs of bad character, and so on, and so on. Rarely, rarely would there be short periods of calm. But these troubles and anxieties were for Darya Alexandrovna the only possible happiness. Had it not been for them, she would have remained alone with her thoughts of her husband, who did not love her. But besides that, however painful the mother's fear of illnesses, the illnesses themselves, and the distress at seeing signs of bad inclinations in her children, the children repaid her griefs with small joys. These joys were so small that they could not be seen, like gold in the sand, and in her bad moments she saw only griefs, only sand; but there were also good moments, when she saw only joys, only gold. Now, in her country solitude, she was more aware of these joys. Often, looking at them, she made every possible effort to convince herself that she was mistaken, that as a mother she was partial to her children; all the same, she could not but tell herself that she had lovely children, all six of them, each in a different way, but such as rarely happens -- and she was happy in them and proud of them.
Leo Tolstoy
Accountability With Friends   In many areas of life there's a battle between doing the thing that will work very effectively to solve a specific problem in the short term versus doing that which will take longer to become effective but will solve many problems in the long term. For example, building up willpower is extremely slow, but once you have a high capacity for it, you can do a lot of difficult things outside your routine. If you have low or normal willpower, you will rely exclusively on habits to get a lot done.   Similarly, it's a good practice to build up the ability to be accountable entirely to yourself, but if you're unable to do that, or for habits that are very long term or very difficult, you can ask a friend to help you be accountable.   A good friend of mine, Leo Babauta, who is a master of habits and is excellent at being accountable to himself, asked me to help him stay accountable for his diet because he was trying to eat a perfect diet for a full six months. That's a very difficult challenge, but having someone to stay accountable to makes it slightly easier.   Earlier this year I wanted to completely eliminate all non-work web browsing for three months, so I asked a friend to hold me accountable. It worked, and I'm not sure I would have been able to do it without him.   When asking a friend to hold you accountable, make it concrete and easy for him. It must be concrete, because you don't want to impose on him to constantly evaluate your progress. Either Leo ate sugar or he didn't. Either I visited a web site or I didn't. You must also report your progress at regular intervals. Leo created a shared spreadsheet where I could see whether he ate properly each day.   Last, there must be consequences for failure. The primary purpose of having consequences is that they make the agreement official and definite. People remember bets, but forget offhand claims. My friend bet me $50 I couldn't stay off the web sites for three months. Without the bet, I doubt he would have kept track of it if he had just said, “I don't think you can do it”. Since your friend is doing you a favor, be willing to make a one-sided bet where he has no downside.   Reserve accountability for only the most difficult and important of your habits. It increases compliance, but at the cost of coordinating (albeit minimally) with someone else. It's also a missed opportunity to build the habit of self-reliance, so use it only when there's serious concern that you may not stick with the habit without it.   Habitualizing
Tynan (Superhuman by Habit: A Guide to Becoming the Best Possible Version of Yourself, One Tiny Habit at a Time)
She blinked up at him in confusion. “What happened?” “The horse reared and fell.” Christopher’s voice came out in a rasp. “Tell me your name.” “Why are you asking me that?” “Your name,” he insisted. “Beatrix Heloise Hathaway.” She looked at him with round blue eyes. “Now that we know who I am…who are you?” At Christopher’s expression, Beatrix snickered and wrinkled her nose impishly. “I’m teasing. Really. I know who you are. I’m perfectly all right.” Over Christopher’s shoulder, Beatrix caught sight of Leo shaking his head in warning, drawing a finger across his throat. She realized too late that it probably hadn’t been an appropriate moment for teasing. What to a Hathaway would have been a good chuckle was positively infuriating to Christopher. He glared at her with incredulous wrath. It was only then that she realized he was shaking in the aftermath of his terror for her. Definitely not the time for humor. “I’m sorry--” she began contritely. “I asked you not to train that horse,” Christopher snapped, “and you agreed.” Beatrix felt instantly defensive. She was accustomed to doing as she pleased. This was certainly not the first time she’d ever fallen from a horse, nor the last. “You didn’t ask that specifically,” she said reasonably, “you asked me not to do anything dangerous. And in my opinion, it wasn’t.” Instead of calming Christopher, that seemed to enrage him even further. “In light of the fact that you were nearly flattened like a pikelet just now, I’d say you were wrong.” Beatrix was intent on winning the argument. “Well, it doesn’t matter in any case, because the promise I made was for after we married. And we’re not married yet.” Leo covered his eyes with his hand, shook his head, and retreated from her vision. Christopher gave her an incinerating glare, opened his mouth to speak, and closed it again. Without another word, he lifted himself away from her and went to the stable in a long, ground-eating stride. Sitting up, Beatrix stared after him in perplexed annoyance. “He’s leaving.” “It would appear so.” Leo came to her, extended a hand down, and pulled her up. “Why did he leave right in the middle of a quarrel?” Beatrix demanded, dusting off her breeches with short, aggravated whacks. “One can’t just leave, one has to finish it.” “If he had stayed, sweetheart,” Leo said, “there’s every chance I would have had to pry his hands from around your neck.” Their conversation paused as they saw Christopher riding from the stables, his form straight as a blade as he spurred his horse into a swift graceful canter. Beatrix sighed. “I was trying to score points rather than consider how he was feeling,” she admitted. “He was probably frightened for me, seeing the horse topple over like that.” “Probably?” Leo repeated. “He looked like he had just seen Death. I believe it may have touched off one of his bad spells, or whatever it is you call them.” “I must go to him.” “Not dressed like that.” “For heaven’s sake, Leo, just this one time--” “No exceptions, darling. I know my sisters. Give any one of you an inch, and you’ll take a mile.” He reached out and pushed back her tumbling hair. “Also…don’t go without a chaperone.” “I don’t want a chaperone. That’s never any fun.” “Yes, Beatrix, that’s the purpose of a chaperone.” “Well, in our family, anyone who chaperoned me would probably need a chaperone more than I do.” Leo opened his mouth to argue, then closed it. Rare was the occasion when her brother was unable to argue a point. Repressing a grin, Beatrix strode toward the house.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
He’s leaving.” “It would appear so.” Leo came to her, extended a hand down, and pulled her up. “Why did he leave right in the middle of a quarrel?” Beatrix demanded, dusting off her breeches with short, aggravated whacks. “One can’t just leave, one has to finish it.” “If he had stayed, sweetheart,” Leo said, “there’s every chance I would have had to pry his hands from around your neck.” Their conversation paused as they saw Christopher riding from the stables, his form straight as a blade as he spurred his horse into a swift graceful canter. Beatrix sighed. “I was trying to score points rather than consider how he was feeling,” she admitted. “He was probably frightened for me, seeing the horse topple over like that.” “Probably?” Leo repeated. “He looked like he had just seen Death. I believe it may have touched off one of his bad spells, or whatever it is you call them.” “I must go to him.” “Not dressed like that.” “For heaven’s sake, Leo, just this one time--” “No exceptions, darling. I know my sisters. Give any one of you an inch, and you’ll take a mile.” He reached out and pushed back her tumbling hair. “Also…don’t go without a chaperone.” “I don’t want a chaperone. That’s never any fun.” “Yes, Beatrix, that’s the purpose of a chaperone.” “Well, in our family, anyone who chaperoned me would probably need a chaperone more than I do.” Leo opened his mouth to argue, then closed it. Rare was the occasion when her brother was unable to argue a point. Repressing a grin, Beatrix strode toward the house.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
them reminded him of all he had experienced and learned during these weeks and this recollection was pleasant to him. For some days the weather had been calm and clear with slight frosts in the mornings—what is called an “old wives’ summer.” In the sunshine the air was warm, and that warmth was particularly pleasant with the invigorating freshness of the morning frost still in the air. On everything—far and near—lay the magic crystal glitter seen only at that time of autumn. The Sparrow Hills were visible in the distance, with the village, the church, and the large white house. The bare trees, the sand, the bricks and roofs of the houses, the green church spire, and the corners of the white house in the distance, all stood out in the transparent air in most delicate outline and with unnatural clearness. Near by could be seen the familiar ruins of a half-burned mansion occupied by the French, with lilac bushes still showing dark green beside the fence. And even that ruined and befouled house—which in dull weather was repulsively ugly—seemed quietly beautiful now, in the clear, motionless brilliance. A French corporal, with coat unbuttoned in a homely way, a skullcap on his head, and a short pipe in his mouth, came from behind a corner of the shed and approached Pierre with a friendly wink. “What sunshine, Monsieur Kiril!” (Their name for Pierre.) “Eh? Just like spring!” And the corporal leaned against the door and offered Pierre his pipe, though whenever he offered it Pierre always declined it. “To be on the march in such weather . . .” he began. Pierre inquired what was being said about leaving, and the corporal told him that nearly all the troops were starting and there ought to be an order about the prisoners that day. Sokolov, one of the soldiers in the shed with Pierre, was dying, and Pierre told the corporal that something should be done about him. The corporal replied that Pierre need not worry about that as they had an ambulance and a permanent hospital and arrangements would be made for the sick, and that in general everything that could happen had been foreseen by the authorities. “Besides, Monsieur Kiril, you have only to say a word to the captain, you know. He is a man who never forgets anything. Speak to the captain when he makes his round, he will do anything for you.” (The captain of whom the corporal spoke often had long chats with Pierre and showed him all sorts of favors.) “ ‘You see, St. Thomas,’ he said to me the other day. ‘Monsieur Kiril is a man of education, who speaks French. He
Leo Tolstoy (War and Peace)
What is the book (or books) you’ve given most as a gift, and why? Or what are one to three books that have greatly influenced your life? When I give a book, I always try to find something that I loved, and most important, speaks to the person’s dreams, yearnings, or challenges they are facing. For friends who have faced or are facing cancer, I often give them The Emperor of All Maladies: A Biography of Cancer by Siddhartha Mukherjee, because this beautifully written book weaves together science and story so elegantly, and helped me understand cancer—the history, causes, and innovative treatment—when my son had cancer. For new cooks I give Mark Bittman’s How to Cook Everything because it delivers exactly what it promises! For New York City geeks—and I know a lot of them—I gave Nonstop Metropolis by Rebecca Solnit. For a great novel that I have read three times, Anna Karenina by Leo Tolstoy. For young women, I get The Second Sex by Simone de Beauvoir, which I read when I was studying in Paris. “One is not born, but rather becomes, a woman.” And for those who struggle with productivity and taking control of their lives, The 4-Hour Workweek, of course!
Timothy Ferriss (Tribe Of Mentors: Short Life Advice from the Best in the World)
range viewer mounted near our ship’s console. Jafar steered for Lucas. After a few more minutes, Lucas signed off and turned to us. “We have a carrier strike group nearby, guys. Denny says they launched two 60H Seahawk helicopters with Seal Teams aboard. We get to clear the Mother Ship’s deck for safe boarding of the Seal teams. I’ll circle the wagons and you guys go rain some death down on the Mother Ship deck until ain’t nothin’ livin’ there. Then we hold shadow position until the Seahawks get here, maintaining a safe landing zone.” Casey and I just smile at each other. Oh yeah! And it’s my turn on the XM307. We jog back into position with Casey manning our Browning fifty while I slipped behind the XM307. We started taking small arms fire from the pirate ship as Lucas passed them to the port side before giving us a clear field of fire. Casey tilted and fired short bursts with tracers. Soon, anything stupid enough to get near the railing was cut in half. I fired 25mm bursts stem to stern. Airburst shells exploded all along the pirate deck, blowing out the view windows on their bridge, and leaving no inch of the vessel untouched above deck. Lucas sped up, passed the pirate bow and angled out on the starboard side. We repeated our dual assault although there really wasn’t anyone alive anyway. Twenty minutes later, we heard the Seahawk helicopters approaching. I fired one more burst as Lucas passed once again on the port side. With the helicopters in sight, Lucas headed for the open sea. Shortly after Casey and I closed up shop, Jafar came to summon us to the bridge. Denny was on speaker. “We’re all here, Captain Blood,” Lucas told him. “The Seals found twenty-six mangled pirates above deck and took no fire from the vessel. Below decks, fourteen more pirates were taken prisoner and eleven of the original ship’s crew rescued. No one spotted you guys so steam for our next baiting area. Once things get wrapped up with the rescued ship the carrier group will get orders to take up a support position within striking distance in case we get this lucky again. Great job! Man, we fucked them up today!” We did our ‘pirate talk’ for a few minutes, including Jafar. Denny cracked up. Who says pirate warfare and cold blooded murder can’t be fun. I had to ask though. “What was the cover story for no live pirates on deck to the carrier group?” “Don’t ask, don’t tell,” Denny adlibbed for our amusement. “The Seals didn’t mind. The official news coverage will be a pirate falling out. The mysterious crater where the pirate den used to be near Mogadishu will be rumored a munitions accident. Those
Bernard Lee DeLeo (Hard Case (John Harding: Hard Case, #1))
Love or do not love, but do not break a home. How can ordinary love sanctify marriage? Pure girl only wants children.
Leo Tolstoy (The Kreutzer Sonata and Other Short Stories)
Fury too, has its laws.
Leo Tolstoy (The Kreutzer Sonata and Other Short Stories)
For the attainment of blessedness, a law has been given to humanity which it should fulfill. The law is that of the union of mankind.
Leo Tolstoy (The Kreutzer Sonata and Other Short Stories)
When a human being does not live humanly, it is worse for him or her than for the beast. Love children humanly. Our whole life was continually poisoned by fear on the children`s account - fear of their real or imaginary illness.
Leo Tolstoy (The Kreutzer Sonata and Other Short Stories)
All this mental illness of our occurred simply bc we lived immorally. We suffered from our immoral life, to smother our suffering we committed various abnormal acts. I disliked him, bc I understood that he was a dirty adulterer.
Leo Tolstoy (The Kreutzer Sonata and Other Short Stories)
Well, why are you going to the war?” asked Pierre. “What for? I don’t know. I must. Besides that I am going…” He paused. “I am going because the life I am leading here does not suit me!
Leo Tolstoy (The Complete Works of Leo Tolstoy: Novels, Short Stories, Plays, Memoirs, Letters & Essays on Art, Religion and Politics: Novels to Essays: Art, Faith & Society)
wonder at the short-sightedness of men who seek enjoyment and happiness here on earth: toiling, suffering, struggling, and harming one another, to obtain that impossible, visionary, sinful happiness.
Leo Tolstoy (War and Peace)
Let me speak at last,” she said. “For myself personally, I can’t conceive of love without family life. I am lonely, lonely as the moon in the sky, and a waning moon, too, and whatever you may say, I am convinced, I feel that this waning can only be restored by love in its ordinary sense. It seems to me that such love would define my duties, my work, make clear my conception of life. I want from love peace in soul, tranquility; I want the very opposite of musk, and spiritualism, and fin de siècle … in short”—she grew embarrassed—”a husband and children.
Leo Tolstoy (A Very Russian Christmas: The Greatest Russian Holiday Stories of All Time (Very Christmas))
Afterward I could not help admiring the discrimination of the host and hostess in the distribution of the children’s presents. The little girl, who had already a portion of three hundred thousand rubles, received the costliest doll. Then followed presents diminishing in value in accordance with the rank of the parents of these happy children; finally, the child of lowest degree, a thin, freckled, red-haired little boy of ten, got nothing but a book of stories about the marvels of nature and tears of devotion, etc., without pictures or even woodcuts. He was the son of a poor widow, the governess of the children of the house, an oppressed and scared little boy. He was dressed in a short jacket of inferior nankeen. After receiving his book he walked around the other toys for a long time; he longed to play with the other children, but did not dare; it was evident that he already felt and understood his position. I
Leo Tolstoy (A Very Russian Christmas: The Greatest Russian Holiday Stories of All Time (Very Christmas))
Of course, she wasn’t entirely certain what kind of man she should like to encourage. She knew she wanted someone respectable but not dull. Exciting but not dangerous. Strong but not overbearing. Loyal and trustworthy but not a lapdog. And this mythical paragon would love her without reservation for the rest of his days. In short, the man of her dreams would be very nearly perfect and probably did not exist. Leo said something she didn’t quite catch, but she smiled and nodded nonetheless. Perhaps he was right about lowering her standards if she did indeed wish to marry.
Victoria Alexander (The Pursuit of Marriage (Effingtons, #8))
Pick your life's short list.
Leo Babauta (Focus: A Simplicity Manifesto in the Age of Distraction)
Inspiration for my short stories grows from a psychic kernel, a vision of some sort or an eccentric, colorful dream.
Lawren Leo (Love's Shadow: Nine Crooked Paths)
for the general good, he could not stop short for the sake of one man's life.
Leo Tolstoy (War and Peace)
They get a glimpse of red lips under a short veil, and exquisite little feet.
Leo Tolstoy (Anna Karenina)
[Many ordinary people] would admit, as a matter of course, that man can lie and does lie. But they would add that lies are short-lived and cannot stand the test of repetition—let alone of constant repetition—and that therefore a statement which is constantly repeated and never contradicted must be true. Another line of argument maintains that a statement made by an ordinary fellow may be a lie, but the truth of a statement made by a responsible and respected man, and therefore particularly by a man in a highly responsible or exalted position, is morally certain. These two enthymemes lead to the conclusion that the truth of a statement which is constantly repeated by the head of government and never contradicted is absolutely certain.
Leo Strauss (Persecution and the Art of Writing)
The vibrating sounds of a big brass bell reached them from the town. Nekhludoff’s driver, who stood by his side, and the other men on the raft raised their caps and crossed themselves, all except a short, dishevelled old man, who stood close to the railway and whom Nekhludoff had not noticed before. He did not cross himself, but raised his head and looked at Nekhludoff. This old man wore a patched coat, cloth trousers and worn and patched shoes. He had a small wallet on his back, and a high fur cap with the fur much rubbed on his head. “Why don’t you pray, old chap?” asked Nekhludoff’s driver as he replaced and straightened his cap. “Are you unbaptized?” “Who’s one to pray to?” asked the old man quickly, in a determinately aggressive tone. “To whom? To God, of course,” said the driver sarcastically. “And you just show me where he is, that god.” There was something so serious and firm in the expression of the old man, that the driver felt that he had to do with a strong-minded man, and was a bit abashed. And trying not to show this, not to be silenced, and not to be put to shame before the crowd that was observing them, he answered quickly. “Where? In heaven, of course.” “And have you been up there?” “Whether I’ve been or not, every one knows that you must pray to God.” “No one has ever seen God at any time. The only begotten Son who is in the bosom of the Father he hath declared him,” said the old man in the same rapid manner, and with a severe frown on his brow. “It’s clear you are not a Christian, but a hole worshipper. You pray to a hole,” said the driver, shoving the handle of his whip into his girdle, pulling straight the harness on one of the horses. Some one laughed. “What is your faith, Dad?” asked a middle-aged man, who stood by his cart on the same side of the raft. “I have no kind of faith, because I believe no one--no one but myself,” said the old man as quickly and decidedly as before. “How can you believe yourself?” Nekhludoff asked, entering into a conversation with him. “You might make a mistake.” “Never in your life,” the old man said decidedly, with a toss of his head. “Then why are there different faiths?” Nekhludoff asked. “It’s just because men believe others and do not believe themselves that there are different faiths. I also believed others, and lost myself as in a swamp,--lost myself so that I had no hope of finding my way out. Old believers and new believers and Judaisers and Khlysty and Popovitzy, and Bespopovitzy and Avstriaks and Molokans and Skoptzy--every faith praises itself only, and so they all creep about like blind puppies. There are many faiths, but the spirit is one--in me and in you and in him. So that if every one believes himself all will be united. Every one be himself, and all will be as one.” The old man spoke loudly and often looked round, evidently wishing that as many as possible should hear him. “And have you long held this faith?” “I? A long time. This is the twenty-third year that they persecute me.” “Persecute you? How?” “As they persecuted Christ, so they persecute me. They seize me, and take me before the courts and before the priests, the Scribes and the Pharisees. Once they put me into a madhouse; but they can do nothing because I am free. They say, ‘What is your name?’ thinking I shall name myself. But I do not give myself a name. I have given up everything: I have no name, no place, no country, nor anything. I am just myself. ‘What is your name?’ ‘Man.’ ‘How old are you?’ I say, ‘I do not count my years and cannot count them, because I always was, I always shall be.’ ‘Who are your parents?’ ‘I have no parents except God and Mother Earth. God is my father.’ ‘And the Tsar? Do you recognise the Tsar?’ they say. I say, ‘Why not? He is his own Tsar, and I am my own Tsar.’ ‘Where’s the good of talking to him,’ they say, and I say, ‘I do not ask you to talk to me.’ And so they begin tormenting me.
Leo Tolstoy (Resurrection)
At this point in walked another guest, the young Prince Andrey Bolkonsky, husband of the little princess. He was quite short, but a very handsome young man, with sharp, clear-cut features. Everything about him, from his languid, bored expression to his slow and steady stride, stood in stark contrast to his vivacious little wife. He made it obvious that he knew everybody in the room, and was so fed up with the whole lot that just looking at them and listening to them drove him to distraction. And of all the wearisome faces it was the face of his own pretty wife that seemed to bore him most. With a snarl distorting his handsome face he turned away from her. He kissed Anna Pavlovna’s hand, screwed up his eyes and scanned the whole company. ‘Are you enlisting for the war, Prince?’ said Anna Pavlovna.
Leo Tolstoy (War and Peace)
Instead of poverty, general prosperity and content; instead of hostility, harmony and unity of interests. In short, a bloodless revolution, but a revolution of the greatest magnitude, beginning in the little circle of our district, then the province, then Russia, the whole world. Because a just idea cannot but be fruitful. Yes, it's an aim worth working for. And its being me, Kostya Levin, who went to a ball in a black tie, and was refused by the Shtcherbatskaya girl, and who was intrinsically such a pitiful, worthless creature—that proves nothing; I feel sure Franklin felt just as worthless, and he too had no faith in himself, thinking of himself as a whole. That means nothing. And he too, most likely, had an Agafea Mihalovna to whom he confided his secrets.
Leo Tolstoy (Anna Karenina)
Freddie's short ribs were just how I like them, tender and smoky." Nina's eyes closed, as if she were savoring the dish all over again. Leo swallowed. Had the words tender and smoky ever sounded so... explicit? When she opened her eyes, he realized he'd been staring. He cleared his throat and looked away. "Well..." He searched for a question that didn't involve asking her to repeat smoky on a loop. Seriously, why had that sounded so hot?
Erin La Rosa (For Butter or Worse (The Hollywood Series #1))
It is a commonplace fact that there is no one so low in the world that he cannot find some one viler than himself, and consequently puff with pride and self-contentment.
Leo Tolstoy (The Kreutzer Sonata and Other Short Stories)
Who brought me into this world? According to whose command do I find myself at this exact place, during this particular time? Life is the remembrance of a very short day we spent visiting this world. —BLAISE PASCAL
Leo Tolstoy (A Calendar of Wisdom: Daily Thoughts to Nourish the Soul, Written and Se)
Ever since the day Pierre had driven home from the Rostovs with Natasha's look of gratitude still fresh in his mind, stared up at the comet in the sky and felt the range of new possibilities opening up before him, he had stopped worrying about the agonizing problem of the vanity and senselessness of all earthly things. The terrible questions, 'Why?' 'What's it all about?', which had always assailed him whatever he was doing, had now been replaced, not by different questions or answers to the old ones, but by an image of her. If he heard people prattling on about nothing, or did so himself, if he read or heard about something that reminded him of human wickedness or folly, he no longer despaired; he had stopped wondering why people bothered with anything at all when life was so short and uncertain. He had only to think of her as he had last seen her, and all his doubts melted away, not because she had any answers to the questions that had been haunting him, but because her image transported him instantly into another realm of sweetness, light and active spirituality, where there was no question of being in the right or in the wrong, a region of beauty and love well worth living for. If he came across some worldly abomination he would say to himself, "So- and-so's robbing the state and the Tsar while the state and the Tsar weigh him down with honours, is he? Well, let him get on with it she smiled at me yesterday, she asked me round, and I love her, and nobody will ever know.
Leo Tolstoy (War and Peace)
A zene arra ösztönöz, hogy elfeledkezzem magamról, a valódi állapotomról, valami más állapotba visz át, nem a magaméba. A zene hatása alatt, úgy rémlik, azt érzem, amit voltaképpen nem érzek, megértem, amit nem értek, meg bírom tenni, amit nem bírok. (Kreutzer-szonáta)
Leo Tolstoy (The Kreutzer Sonata and Other Short Stories)
In one of his books Tolstoy remarks how often the cleverest boy is at the bottom of the class. And this really does occur. A boy of active, independent mind, who has his own problems to think out, will often find it terribly hard to keep his attention on the lessons the master wants him to learn.
Leo Tolstoy (The Complete Works of Leo Tolstoy: Novels, Short Stories, Plays, Memoirs, Letters & Essays on Art, Religion and Politics: Novels to Essays: Art, Faith & Society)