“
It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming; but who does actually strive to do the deeds; who knows great enthusiasms, the great devotions; who spends himself in a worthy cause; who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat.
”
”
Theodore Roosevelt
“
Let's face it: our lives are miserable, laborious, and short.
”
”
George Orwell (Animal Farm)
“
I held her close for only a short time, but after she was gone, I'd see her smile on the face of a perfect stranger and I knew she would be there with me all the rest of my days.
”
”
Brian Andreas (Strange Dreams: Collected Stories & Drawings)
“
(to Foaly) Captain Short's life is in danger, so push the button before I climb that tower and push it with your face!
”
”
Eoin Colfer (Artemis Fowl (Artemis Fowl, #1))
“
A man sets out to draw the world. As the years go by, he peoples a space with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, instruments, stars, horses, and individuals. A short time before he dies, he discovers that the patient labyrinth of lines traces the lineaments of his own face.
”
”
Jorge Luis Borges (The Aleph and Other Stories)
“
In that case" Tessa said, feeling hot blood rise to her face,"I think I would prefer it if you called me by my Christian name, as you do with Miss Lovelace.
Will look at her, slow and hard, then smiled. His blue eyes lit when he smiled. "Then you must do the same for me," he said. "Tessa."
She had never thought about her name much before, but when he said it, it was as if she were hearing if for the first time-the hard T, the caress of the double S, the way it seemed to end on a breath. Her own breath was very short when he said, softly, "Will."
"Yes?" Amusement glittered his eyes.
With a sort of horror Tessa realized that she had simply said his name for the sake of saying it; she hadn't actually had a question.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
In France, a chemist named Pilatre de Rozier tested the flammability of hydrogen by gulping a mouthful and blowing across an open flame, proving at a stroke that hydrogen is indeed explosively combustible and that eyebrows are not necessarily a permanent feature of one's face.
”
”
Bill Bryson (A Short History of Nearly Everything)
“
What in hell is that?”
She kept going toward the bathroom, refusing to apologize or look down at the pink, delicate, very
short lace nightgown. When she emerged, face washed and clean, Rowan was sitting up, arms crossed
over his bare chest. “You forgot the bottom part.”
She merely blew out the candles in the room one by one. His eyes tracked her the entire time.
“There is no bottom part,” she said, flinging back the covers on her side. “It’s starting to get so hot,
and I hate sweating when I sleep. Plus, you’re practically a furnace. So it’s either this or I sleep
naked. You can sleep in the bathtub if you have a problem with it.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
I'm not ill like that,” she groaned. He sat on her bed, peeling back the blanket. A servant entered, frowning at the mess on the floor, and shouted for help.
“Then it what way?”
“I,uh...” Her face was so hot she thought it would melt onto the floor. Oh you idiot. “My monthly cycles finally came back!”
His face suddenly matched hers and he stepped away, dragging his hand through his short hair. “I-if...Then I'll take my leave,” he stammered, and bowed. Celaena raised an eyebrow, and then, despite herself, smiled as he left the room as quick as his feet could go without running, tripping slightly in the doorway as he staggered into the rooms beyond.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
In every way that counted, I was dead. Inside somewhere maybe I was screaming and weeping and howling like an animal, but that was another person deep inside, another person who had no access to the lips and face and mouth and head, so on the surface I just shrugged and smile and kept moving. If I could have physically passed away, just let it all go, like that, without doing anything, stepped out of life as easily as walking through a door I would have done. But I was going to sleep at night and waking in the morning, disappointed to be there and resigned to existence.
”
”
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
“
MAKING THE LIE MAKE SENSE:
When denial (his or ours) can no longer hold and we finally have to admit to ourselves that we’ve been lied to, we search frantically for ways to keep it from disrupting our lives. So we rationalize. We find “good reasons” to justify his lying, just as he almost always accompanies his confessions with “good reasons” for his lies. He tells us he only lied because…. We tell ourselves he only lied because…. We make excuses for him: The lying wasn’t significant/Everybody lies/He’s only human/I have no right to judge him.
Allowing the lies to register in our consciousness means having to make room for any number of frightening possibilities:
• He’s not the man I thought he was.
• The relationship has spun out of control and I don’t know
what to do
• The relationship may be over.
Most women will do almost anything to avoid having to face these truths. Even if we yell and scream at him when we discover that he’s lied to us, once the dust settles, most of us will opt for the comforting territory of rationalization. In fact, many of us are willing to rewire our senses, short-circuit our instincts and intelligence, and accept the seductive comfort of self-delusion.
”
”
Susan Forward (When Your Lover Is a Liar: Healing the Wounds of Deception and Betrayal)
“
I reach out my hand to pull her up, and the look Lira gives me is nothing short of poisonous. “Do you want me to chop it off?” she asks. I keep my hand hovering in the space between us. “Not particularly.” “Then get it out of my face.
”
”
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
“
Satire is a sort of glass wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind reception it meets with in the world, and that so very few are offended with it.
”
”
Jonathan Swift (The Battle of the Books and Other Short Pieces)
“
God expects you to have enough faith and determination and enough trust in Him to keep moving, keep living, keep rejoicing. In fact, He expects you not simply to face the future (that sounds pretty grim and stoic); He expects you to embrace and shape the future--to love it and rejoice in it and delight in your opportunities.
God is anxiously waiting for the chance to answer your prayers and fulfill your dreams, just as He always has. But He can't if you don't pray, and He can't if you don't dream. In short, He can't if you don't believe.
”
”
Jeffrey R. Holland
“
As they went by Assail, the male was watching them. "Jesus, he really is blind"
Wrath pulled up short and unsheathed his dagger, pointed it directly into the guys face. "But my hearing is just fine
”
”
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
“
I will build myself up so high in such a short time that when he leaves me, I will become a lightning storm, a nuclear apocalypse.
I will not come out of this with nothing.
”
”
Frances Cha (If I Had Your Face)
“
Look, I asked you here for a reason. Much as I hate to admit it, vampire, we have something in common. "
"Totally awesome hair?" Simon suggested, but his heart wasn't really in it either. Something about the look on Jace's face was making him increasingly uneasy.
Simon was caught off guard. "Clary?"
"Clary, " Jace said again. "You know: short, redheaded, bad temper.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Tell your daughters how you love your body.
Tell them how they must love theirs.
Tell them to be proud of every bit of themselves—
from their tiger stripes to the soft flesh of their thighs,
whether there is a little of them or a lot,
whether freckles cover their face or not,
whether their curves are plentiful or slim,
whether their hair is thick, curly, straight, long or short.
Tell them how they inherited
their ancestors, souls in their smiles,
that their eyes carry countries
that breathed life into history,
that the swing of their hips
does not determine their destiny.
Tell them never to listen when bodies are critiqued.
Tell them every woman’s body is beautiful
because every woman’s soul is unique.
”
”
Nikita Gill (The Girl and the Goddess: Stories and Poems of Divine Wisdom)
“
Sonny pulled Lucky up short and swung around to face Fennrys. "I'm not afraid to die. I just don't want to die surprised. And I swear to all the gods, if the last thought that goes through my mind is 'What the hell was that?' I will hunt you down in the afterlife and punch you in the face throughout eternity.
”
”
Lesley Livingston (Darklight (Wondrous Strange, #2))
“
I can’t see through clothes or anything. Just glamour skin. Except I can see through all of you, since your clothes aren’t real.” I stopped, horrified. “I mean, I don’t look—It’s hard to see you, and I like looking at your real face, but I don’t try to see anything, because—Oh gosh, this sounds terrible.”
He had a funny look on his face, like he wasn’t sure what to think. “Huh. That’s never been an issue before. Maybe next time you could bring me some shorts.
”
”
Kiersten White (Paranormalcy (Paranormalcy, #1))
“
Will had kissed Nico for the first time in a moment of impulsiveness, something Nico didn’t know Will had in him. The kiss had been just like this one, short and sweet.
Then Will had pulled away, worry on his face, an apology tumbling from his lips.
Nico had stopped him. Then kissed him back.
In a moment so full of grief and rage and sadness, Will had given him …
Light.
”
”
Rick Riordan (The Sun and the Star: A Nico di Angelo Adventure (Camp Half-Blood Chronicles, #17))
“
I understand that some people find God after misfortune, although this seems to me even more ridiculous than finding Him in good times. 'God smote me. He must love me.' It's like not wanting a romantic relationship until a member of the opposite sex punches you in the face. My 'miraculous survival' will not change my opinion that Heaven is an idea constructed by man to help him cope with the fact that life on earth is both brutally short, and paradoxically, far too long.
”
”
Andrew Davidson (The Gargoyle)
“
The raft finally got here," he said.
Calypso snorted. Her eyes might have been red, but it was hard to tell in the moonlight. "You just noticed?"
"But if it only shows up for guys you like-"
"Don't push your luck, Leo Valdez," she said. "I still hate you."
"Okay."
"And you are not coming back here," she insisted. "So don't give me any empty promises."
"How about a full promise?" he said. "Because I'm definitely-"
She grabbed his face and pulled him into a kiss, which effectively shut him up.
For all his joking and flirting, Leo had never kissed a girl before. Well, sisterly pecks on the cheeck from Piper, but that didn't count. This was a real, full-contact kiss. If Leo had had gears and wires in his brain, they would've short-circuited.
Calypso pushed him away. "That didn't happen."
"Okay." His voice sounded an octave higher than usual.
”
”
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
“
If what's always distinguished bad writing--flat characters, a narrative world that's clichéd and not recognizably human, etc.--is also a description of today's world, then bad writing becomes an ingenious mimesis of a bad world. If readers simply believe the world is stupid and shallow and mean, then [Bret] Ellis can write a mean shallow stupid novel that becomes a mordant deadpan commentary on the badness of everything. Look man, we'd probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what's human and magical that still live and glow despite the times' darkness. Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it.
Postmodern irony and cynicism's become an end in itself, a measure of hip sophistication and literary savvy. Few artists dare to try to talk about ways of working toward redeeming what's wrong, because they'll look sentimental and naive to all the weary ironists. Irony's gone from liberating to enslaving. There's some great essay somewhere that has a line about irony being the song of the prisoner who's come to love his cage… The postmodern founders' patricidal work was great, but patricide produces orphans, and no amount of revelry can make up for the fact that writers my age have been literary orphans throughout our formative years.
We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naïveté. Sentiment equals naïveté on this continent.
You burn with hunger for food that does not exist.
A U. S. of modern A. where the State is not a team or a code, but a sort of sloppy intersection of desires and fears, where the only public consensus a boy must surrender to is the acknowledged primacy of straight-line pursuing this flat and short-sighted idea of personal happiness.
”
”
David Foster Wallace
“
Are tou trying to be annoying?" I demanded. My patience was not waning, but entirely gone. "Because if you are, then be assured, you have succeeded."
Jared and Wes looked at me with shocked eyes.
"I am female," I complained. "That 'it' business is really getting on my nerves."
Jared blinked in surprise, then his face settled back into harder lines. "Because of the body you wear?"
Wes glared at him.
"Because of me," I hissed.
"By whose definition?"
"How about by yours? In my species, I am the one that bears young. Is that not female enough for you?"
That stopped him short. I felt almost smug.
'As you should', Melanie approved. 'He's wrong and he's being a pig about it'.
Thank you.
'We girls have to stick together'.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
You know the old saying: 'one riot, one Ranger.'"
The saying stemmed from a legendary event in the past. A minor fief had risen up against their cruel and avaricious lord, with hundreds of people surrounding his mano house, threatening to burn it to the ground. The panicked nobleman's message for help was answered by the arrival of a single Ranger. Aghast, the nobleman confronted the solitary figure.
They sent one Ranger?" he said incredulously. "One man?"
How many riots do you have?" the Ranger replied.
On this occasion, however, Duncan was not inclined to be swayed by a legend. "I have a new saying," he replied. "One daughter, two Rangers."
Two and a half," Will corrected him. The King couldn't help smiling at the eager young face before him.
Don't sell yourself short," he said. "Two and three-quarters.
”
”
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
“
She tossed him a small mirror so that he could see the results, and what he saw horrified him. The boiling concoction left a deep trail of burnt skin that stretched from the crown of his head all the way to his chin – almost like an artificial sluice that burned his flesh to form a large rivulet that ran down the center of his face.
”
”
Harvey Havel (The Odd and The Strange: A Collection of Very Short Fiction)
“
A thump thump thump noise that was so unfamiliar, and yet I couldn't quite place it. But I knew it. It was---"Mmm-hmmm," Monica murmured, just as Wes came view into the path. He was running, his pace quick and steady. He was in shorts, his shirt off, staring ahead as he passed. His back was tan and gleaming with sweat.
God god!" she said finally, fanning her face with her hand, "I've seen it a million times but it just never gets old. Never.
”
”
Sarah Dessen (The Truth About Forever)
“
This is Sadie,” he told his father, tucking a hand around Lia’s waist as he introduced her by her alias of choice. “And by the door, we have Esmerelda, Erma, and Barf.”
For the first time, I saw a flicker of annoyance cross Townsend Senior’s face. “Barf?” He eyed Dean.
“It’s short for Bartholomew,” Lia lied smoothly. “Our Barf had a speech impediment as a child.
”
”
Jennifer Lynn Barnes (Bad Blood (The Naturals, #4))
“
He finished tying the knot and looked me in the face and I felt my gaze fall from his eyes to his lips and back again. "Why are you giving it back to me?" I asked. He pressed his thumb to my bottom lip and I heard an intake of air. That was me, I thought, before my head started to spin. Then he bent his head and kissed me. Just lightly, for a short few seconds before drawing away again.
”
”
Sarah Alderson (Hunting Lila (Lila, #1))
“
Whatsoever therefore is consequent to a time of war, where every man is enemy to every man, the same consequent to the time wherein men live without other security than what their own strength and their own invention shall furnish them withal. In such condition there is no place for industry... no knowledge of the face of the earth; no account of time; no arts; no letters; no society; and which is worst of all, continual fear, and danger of violent death; and the life of man, solitary, poor, nasty, brutish, and short.
”
”
Thomas Hobbes
“
It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again... who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly.
”
”
Theodore Roosevelt
“
The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years.
All business and politics is personal in the Philippines.
If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump.
They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on.
I'm not lazy. I'm just motivationally challenged.
I'm not fat. I just have lots of stored energy.
You don't get it do you? What people think of you matters more than the reality. Marilyn.
Despite standing firm at the final hurdle Marilyn was always ready to run the race.
After answering the question the woman bent down behind the stand out of sight of all, and crossed herself.
It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up.
He wondered at the price of honesty in a grey world whose half tones changed faster than the weather.
The banality of truth somehow always surprises the news media before they tart it up.
You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points]
Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse.
You could call the Oval Office an information rain shadow.
In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil.
There's honest and dishonest corruption in this country.
Don't enjoy it too much for it's what we love that usually kills us.
The good guys don't always win wars but the winners always make sure that they go down in history as the good guys.
The Philippines is like a woman. You love her and hate her at the same time.
I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality.
The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent.
Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins.
Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it.
Tsismis or rumours grow in this land like tropical weeds.
Surprises are so common here that nothing is surprising.
A crooked leader who can lead is better than a crooked one who can't.
Although I always followed the politics of Hitler I emulate the drinking habits of Churchill.
It [Australia] is the country that does the least with the most.
Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold.
Didn't your mother ever tell you never to trust a man who doesn't drink?
She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctor’s clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.
”
”
John Richard Spencer
“
After perhaps thirty meters, just as a soldier turned around, the girl was felled. Hands were clamped upon her from behind and the boy next door brought her down. He forced her knees to the road and suffered the penalty. He collected her punches as if they were presents. Her bony hands and elbows were accepted with nothing but a few short moans. He accumulated the loud, clumsy specks of saliva and tears as if they were lovely to his face, and more important, he was able to hold her down.
”
”
Markus Zusak (The Book Thief)
“
We had a short reprieve as Dad cupped Mom’s face and ran
his hands down her neck, over her shoulders. “Helena, are you
hurt?”
She waved that away. “I’m fine.” She smiled briefly, then
turned hard eyes on us. Each of us took a healthy step
backward and not a single one of us felt any less manly for the
wise retreat.
”
”
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
“
What does it feel like to be alive?
Living, you stand under a waterfall. You leave the sleeping shore deliberately; you shed your dusty clothes, pick your barefoot way over the high, slippery rocks, hold your breath, choose your footing, and step into the waterfall. The hard water pelts your skull, bangs in bits on your shoulders and arms. The strong water dashes down beside you and you feel it along your calves and thighs rising roughly backup, up to the roiling surface, full of bubbles that slide up your skin or break on you at full speed. Can you breathe here? Here where the force is the greatest and only the strength of your neck holds the river out of your face. Yes, you can breathe even here. You could learn to live like this. And you can, if you concentrate, even look out at the peaceful far bank where you try to raise your arms. What a racket in your ears, what a scattershot pummeling!
It is time pounding at you, time. Knowing you are alive is watching on every side your generation's short time falling away as fast as rivers drop through air, and feeling it hit.
”
”
Annie Dillard (An American Childhood)
“
Fire's tears were real now, and there was no helping them, for there was no time. Everything was moving too fast. She crossed the room to him, put her arms around him, clung to him, turning her face to the side, learning all at once that it was awkward to show a person all of one's love when one's nose was broken.
His arms came around her tightly, his breath short and hard against her hair. He held on to the silk of her hair and she pressed herself against him until her panic calmed to something desperate, but bearable.
Yes, she thought to him, understanding now what he'd been about to ask. If you die in the war, I'll keep Hanna in my heart. I promise I won't leave her.
”
”
Kristin Cashore (Fire (Graceling Realm, #2))
“
I once spoke to someone who had survived the genocide in Rwanda, and she said to me that there was now nobody left on the face of the earth, either friend or relative, who knew who she was. No one who remembered her girlhood and her early mischief and family lore; no sibling or boon companion who could tease her about that first romance; no lover or pal with whom to reminisce. All her birthdays, exam results, illnesses, friendships, kinships—gone. She went on living, but with a tabula rasa as her diary and calendar and notebook. I think of this every time I hear of the callow ambition to 'make a new start' or to be 'born again': Do those who talk this way truly wish for the slate to be wiped? Genocide means not just mass killing, to the level of extermination, but mass obliteration to the verge of extinction. You wish to have one more reflection on what it is to have been made the object of a 'clean' sweep? Try Vladimir Nabokov's microcosmic miniature story 'Signs and Symbols,' which is about angst and misery in general but also succeeds in placing it in what might be termed a starkly individual perspective. The album of the distraught family contains a faded study of Aunt Rosa, a fussy, angular, wild-eyed old lady, who had lived in a tremulous world of bad news, bankruptcies, train accidents, cancerous growths—until the Germans put her to death, together with all the people she had worried about.
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
Gilan hesitated. "I wouldn't advise anyone to face a battleax with just two knives," he said carefully.
So what should I do?" Will joined in. Gilan glared from one boy to the other. He had the feeling he was being set up.
Shoot him," he said shortly. Will shook his head, grinning.
Can't," he said. "My bowstring's broken."
Then run and hide," said Gilan, between gritted teeth.
But there's a cliff," Horace pointed out. "A sheer drop behind him and an angry axman coming at him."
What do I do?" prompted Will.
Gilan took a deep breath and lookd them both in the eye, one after the other.
Jump off the cliff. It'll be less messy that way.
”
”
John Flanagan (The Burning Bridge (Ranger's Apprentice, #2))
“
Technically, if a girl wants to sparkle she can put on glitter but I think the correct answer would be a smile because no one pays attention to your short when you have a nice smile on your face.
”
”
Demi Lovato
“
His beard was all colors, a grove of trees in autumn, deep brown and fire-orange and wine-red, an untrimmed tangle across the lower half of his face. His cheeks were apple-red. He looked like a friend; like someone you had known all your life.
”
”
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
“
How do I look?”
She was wearing a pair of tiny jean shorts and a bright pink T-shirt. Her blond hair was matted on one side and there were dirt smudges all over her arms, legs, and face.
Gabriel hesitated. “Like a Barbie doll that got run over by a garbage truck.”
“Wow. Really, Gabriel?
”
”
Chelsea Fine (Avow (The Archers of Avalon, #3))
“
Don't you understand? Listen carefully to what I'm saying. If you do, you'll get it. you can grasp this easily. In short...in short, I shut myself in because I'm lonely. Because I don't want to face any more loneliness, I shut myself away.
”
”
Tatsuhiko Takimoto (Welcome to the N.H.K.)
“
Why?" asked her companion. "Why do you love him when you ought not to?"
Edna, with a motion or two, dragged herself on her knees before Mademoiselle Reisz, who took the glowing face between her two hands.
"Why? Because his hair is brown and grows away from his temples; because he opens and shuts his eyes, and his nose is a little out of drawing; because he has two lips and a square chin, and a little finger which he can't straighten from having played baseball too energetically in his youth. Because - "
"Because you do, in short," laughed Mademoiselle.
”
”
Kate Chopin (The Awakening)
“
You were born where you were born and faced the future that you faced because you were black and for no other reason. The limits of your ambition were, thus, expected to be set forever. You were born into a society which spelled out with brutal clarity, and in as many ways as possible, that you were a worthless human being. You were not expected to aspire to excellence: you were expected to make peace with mediocrity. Wherever you have turned, James, in your short time on this earth, you have been told where you could go and what you could do (and how you could do it) and where you could live and whom you could marry. I know your countrymen do not agree with me about this, and I hear them saying "You exaggerate." They do not know Harlem, and I do. So do you. Take no one's word for anything, including mine- but trust your experience. Know whence you came.
”
”
James Baldwin (The Fire Next Time)
“
Father . . . ," Gabriel began. "Father is a worm."
Will gave a short laugh. He was in gear as if he had just come from the practice room, and his hair curled damply against his temples. He was not looking at Tessa, but she had grown used to that. Will hardly ever looked at her unless he had to. "It's good to see you've come round to our view of things, Gabriel, but this is an unusual way of announcing it."
Gideon shot Will a reproachful look before turning back to his brother. "What do you mean, Gabriel? What did Father do?"
Gabriel shook his head. "He's a worm," he said again, tonelessly.
"I know. He has brought shame on the name of Lightwood, and lied to both of us. He shamed and destroyed our mother. But we need not be like him."
Gabriel pulled away from his brother's grip, his teeth suddenly flashing in an angry scowl. "You're not listening to me," he said. "He's a worm. A worm. A bloody great serpentlike thing. Since Mortmain stopped sending the medicine, he's been getting worse. Changing. Those sores upon his arms, they started to cover him. His hands, his neck, h-his face . . ." Gabriel's green eyes sought Will. "It was the pox, wasn't it? You know all about it, don't you? Aren't you some sort of expert?"
"Well, you needn't act as if I invented it," said Will. "Just because I believed it existed. There are accounts of it—old stories in the library—
”
”
Cassandra Clare (The Infernal Devices: Clockwork Princess (The Infernal Devices: Manga, #3))
“
The roar of the traffic, the passage of undifferentiated
faces, this way and that way, drugs me into dreams; rubs the
features from faces. People might walk through me. And what is
this moment of time, this particular day in which I have found
myself caught? The growl of traffic might be any uproar - forest trees or
the roar of wild beasts. Time has whizzed back an inch or two on its reel;
our short progress has been cancelled. I think also that our bodies are in truth
naked. We are only lightly covered with buttoned cloth; and beneath these
pavements are shells, bones and silence.
”
”
Virginia Woolf (The Waves)
“
Casting back her head, Arya gazed up at the twinkling sky, her long neck gold with firelight, her face pale with the radiance of the heavenx. "Do you ask out of friendly concern or your own self-interest?" She gave an abrupt, choked laugh, the sound of water falling over cold rocks. "Never mind. The night air has addled me. It has undone my sense of courtesy and left me free to say the most spiteful things that occur to me."
"No matter."
"It does matter, because I regret it, and I shall not tolerate it. Did I love Faolin? How would you define love? For over twenty years, we traveled together, the only immortals to walk among the short-lived races. We were companions...and friends.
”
”
Christopher Paolini
“
Because I've recently learned, in a very painful way, that life is short. And I don't want to waste my time with anyone who would make me feel...happy enough." He pauses,searching my face. "I'd rather duke it out with someone who makes me feel everything.
”
”
Emery Lord (Open Road Summer)
“
Will gave a short, disbelieving laugh. "It's true," he said. "I am no hero."
"No," Tessa said. "You are a person, just like me." His eyes searched her face, mystified; she held his hand tighter, lacing her fingers with his. "Don't you see, Will? You're a person like me. You are like me. You say the things I think but never say out loud. You read the books I read. You love the poetry I love. You make me laugh with your ridiculous songs and the way you see the truth of everything. I feel like you can look inside me and see all the places I am odd or unusual and fit your heart around them. For you are odd and unusual in the same way." With the hand that was not holding his, she touched his cheek, lightly. "We are the same."
Will's eyes fluttered closed; she felt his lashes against her fingertips. When he spoke again, his voice was ragged but controlled. "Don't say those things, Tessa. Don't say them."
"Why not?"
"You said I am a good man," he said. "But I am not that good a man. And I am—I am catastrophically in love with you.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
We rarely get to prepare ourselves in meadows or on graveled walks; we do it on short notice in places without windows, hospital corridors, rooms like this lounge with its cracked plastic sofa and Cinzano ashtrays, where the cafe curtains cover blank concrete. In rooms like this, with so little time, we prepare our gestures, get them by heart so we can do them when we're frightened in the face of Doom.
”
”
Thomas Harris (The Silence of the Lambs (Hannibal Lecter, #2))
“
If nothing else in this long and short life, let me be true to my conscience, to the dignity of my own heart. Let me act in a way that says, I have honored my spirit as truly as I have honored others'. Let me stand tall and rooted as a mountain in the face of a quaking world.
”
”
Jennifer DeLucy
“
Connor; "Push me and you might just find yourself locked in the trunk of a car and on a ferry headed off to Nova Scotia. . .Again" he said Softly loving the way she practically shook with rage against him.
"I knew that was you, you bastard" She snarled, looking torn between going for his nipples again or just out right killing him.
"You deserved it", he felt obligated to remind her.
She scoffed. "I was twelve!"
"you super glued my shorts to my ass!"
the smile that teased her lips transformed her face from beautiful to breathtakingly beautiful in a matter of seconds. . .
She chuckled softly as she moved to put a little space between them. "I actually forgot about that".
”
”
R.L. Mathewson (Checkmate (Neighbor from Hell, #3))
“
Are you okay with what we ordered?” Angeline asked him. “You didn’t pipe up with any requests.”
Neil shook his head, face stoic. He kept his dark hair in a painfully short and efficient haircut. It was the kind of no-nonsense thing the Alchemists would’ve loved. “I can’t waste time quibbling over trivial things like pepperoni and mushrooms. If you’d gone to my school in Devonshire, you’d understand. For one of my sophomore classes, they left us alone on the moors to fend for ourselves and learn survival skills. Spend three days eating twigs and heather, and you’ll learn not to argue about any food coming your way.”
Angeline and Jill cooed as though that was the most rugged, manly thing they’d ever heard. Eddie wore an expression that reflected what I felt, puzzling over whether this guy was as serious as he seemed or just some genius with swoon-worthy lines.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
I changed my mind.”
“You changed—”
“My. Mind.” I stopped short and faced him, placing my hands on my hips. “It’s like underpants, Jethro.”
“Dirty and dark?” He smirked.
“No.” I scowled at his facial expression. “A mind is like underpants because people change them all the time.”
“But you don’t.”
“I do change my underpants all the time, Jethro. And, for the record, I think it’s mighty rude of you to assume I don’t.”
He almost rolled his eyes, but caught the urge. “I meant your mind, Cletus. You don’t change your mind.
”
”
Penny Reid (Beard Science (Winston Brothers, #3))
“
As for me? My given name is Jacques Ludefance, Jack for short. If I had to describe myself? I’m 44, six-foot-two, with a long face, high cheek bones, dark hair and mustache, and deep green eyes, which have always been a hit with the ladies. On the down-side there is a deep scar on my right cheek, the slash extending from my eye to my lip that not even my deep tan can hide; which is definitely not a hit with the ladies. At first glance, they either back off, or are curious as to how it happened. My standard answer is short and simple, alligator bite. Growing up in Louisiana, I did some crazy things as a kid. Tangling with alligators was one of them.
”
”
Behcet Kaya (Treacherous Estate (Jack Ludefance, #1))
“
How You Doing, Little Lucy?” His bright tone and mild expression indicates we’re playing a game we almost never play. It’s a game called How You Doing? and it basically starts off like we don’t hate each other. We act like normal colleagues who don’t want to swirl their hands in each other’s blood. It’s disturbing.
“Great, thanks, Big Josh. How You Doing?”
“Super. Gonna go get coffee. Can I get you some tea?” He has his heavy black mug in his hand. I hate his mug.
I look down; my hand is already holding my red polka-dot mug. He’d spit in anything he made me. Does he think I’m crazy? “I think I’ll join you.”
We march purposefully toward the kitchen with identical footfalls, left, right, left, right, like prosecutors walking toward the camera in the opening credits of Law & Order. It requires me to almost double my stride. Colleagues break off conversations and look at us with speculative expressions. Joshua and I look at each other and bare our teeth. Time to act civil. Like executives.
“Ah-ha-ha,” we say to each other genially at some pretend joke. “Ah-ha-ha.”
We sweep around a corner. Annabelle turns from the photocopier and almost drops her papers. “What’s happening?”
Joshua and I nod at her and continue striding, unified in our endless game of one-upmanship. My short striped dress flaps from the g-force.
“Mommy and Daddy love you very much, kids,” Joshua says quietly so only I can hear him. To the casual onlooker he is politely chatting. A few meerkat heads have popped up over cubicle walls. It seems we’re the stuff of legend. “Sometimes we get excited and argue. But don’t be scared. Even when we’re arguing, it’s not your fault.”
“It’s just grown-up stuff,” I softly explain to the apprehensive faces we pass. “Sometimes Daddy sleeps on the couch, but it’s okay. We still love you.
”
”
Sally Thorne (The Hating Game)
“
But—let me tell you my cat joke. It's very short and simple. A hostess is giving a dinner party and she's got a lovely five-pound T-bone steak sitting on the sideboard in the kitchen waiting to be cooked while she chats with the guests in the living room—has a few drinks and whatnot. But then she excuses herself to go into the kitchen to cook the steak—and it's gone. And there's the family cat, in the corner, sedately washing it's face."
"The cat got the steak," Barney said.
"Did it? The guests are called in; they argue about it. The steak is gone, all five pounds of it; there sits the cat, looking well-fed and cheerful. "Weigh the cat," someone says. They've had a few drinks; it looks like a good idea. So they go into the bathroom and weigh the cat on the scales. It reads exactly five pounds. They all perceive this reading and a guest says, "okay, that's it. There's the steak." They're satisfied that they know what happened, now; they've got empirical proof. Then a qualm comes to one of them and he says, puzzled, "But where's the cat?
”
”
Philip K. Dick (The Three Stigmata of Palmer Eldritch)
“
For you she learned to wear a short black slip
and red lipstick,
how to order a glass of red wine
and finish it. She learned to reach out
as if to touch your arm and then not
touch it, changing the subject.
Didn't you think, she'd begin, or
Weren't you sorry. . . .
To call your best friends
by their schoolboy names
and give them kisses good-bye,
to look away when they say
Your wife! So your confidence grows.
She doesn't ask what you want
because she knows.
Isn't that what you think?
When actually she was only waiting
to be told Take off your dress---
to be stunned, and then do this,
never rehearsed, but perfectly obvious:
in one motion up, over, and gone,
the X of her arms crossing and uncrossing,
her face flashing away from you in the fabric
so that you couldn't say if she was
appearing or disappearing.
”
”
Deborah Garrison (A Working Girl Can't Win)
“
What Huxley teaches is that in the age of advanced technology, spiritual devastation is more likely to come from an enemy with a smiling face than from one whose countenance exudes suspicion and hate. In the Huxleyan prophecy, Big Brother does not watch us, by his choice. We watch him, by ours. There is no need for wardens or gates or Ministries of Truth. When a population becomes distracted by trivia, when cultural life is redefined as a perpetual round of entertainments, when serious public conversation becomes a form of baby-talk, when, in short, a people become an audience and their public business a vaudeville act, then a nation finds itself at risk; a culture-death is a clear possibility.
”
”
Neil Postman (Amusing Ourselves to Death: Public Discourse in the Age of Show Business)
“
Write the following: "Private missive, from Lieutenant Master-Sergeant Field Quartermaster Pores, to Fist Kindly. Warmest salutations and congratulations on your promotion, sir. As one might observe from your advancement and, indeed, mine, cream doth rise, etc. In as much as I am ever delighted in corresponding with you, discussing all maner of subjects in all possible idioms, alas, this subject is rather more official in nature. In short, we are faced with a crisis of the highest order. Accordignly, I humbly seek your advice and would suggest we arrange a most private meeting at the earliest convenience. Yours affectionately, Pores." Got that, Himble?'
'Yes sir'
'Please read it back to me.'
'"Pores to Kindly meet in secret when?"'
'Excellent, Dispatch at once, Himble
”
”
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
“
You come to this place, mid-life. You don’t know how you got here, but suddenly you’re staring fifty in the face. When you turn and look back down the years, you glimpse the ghosts of other lives you might have led; all houses are haunted. The wraiths and phantoms creep under your carpets and between the warp and weft of fabric, they lurk in wardrobes and lie flat under drawer-liners. You think of the children you might have had but didn’t. When the midwife says, ‘It’s a boy,’ where does the girl go? When you think you’re pregnant, and you’re not, what happens to the child that has already formed in your mind? You keep it filed in a drawer of your consciousness, like a short story that never worked after the opening lines.
”
”
Hilary Mantel (Giving Up the Ghost)
“
It is easy to forget now, how effervescent and free we all felt that summer. Everything fades: the shimmer of gold over White Cove; the laughter in the night air; the lavender early morning light on the faces of skyscrapers, which had suddenly become so heroically tall. Every dawn seemed to promise fresh miracles, among other joys that are in short supply these days. And so I will try to tell you, while I still remember, how it was then, before everything changed-that final season of the era that roared.
”
”
Anna Godbersen (Bright Young Things (Bright Young Things, #1))
“
And when he presses his lips into the curve of my throat, I can feel his tears on my skin.
“You are an idiot,” I say, even as I guide his face and mouth to mine. I kiss him, not gently, but desperately. Desperately, because he’s worth it—because life is terrifying and short and I don’t know what will happen. All I know is that here and now, I am still alive, and I want to be with Wesley Ayers. Here and now I want to feel his arms wrapped around me. I want to feel his lips on mine. I want to feel his life tangling with mine. Here and now is all we have, and I want to make it worth whatever happens next.
”
”
Victoria E. Schwab (The Unbound (The Archived, #2))
“
Janey was planning a short engagement, she'd simpered, and so, of course, the inevitable collection for the wedding present would soon follow. Of all the compulsory financial contributions, that is the one that irks me most. Two people wander around John Lewis picking out lovely items for themselves, and then they make other people pay for them. It's bare-faced effrontery. They choose things like plates, bowls and cutlery—I mean, what are they doing at the moment: shoveling food from packets into their mouths with their bare hands? I simply fail to see how the act of legally formalizing a human relationship necessitates friends, family and coworkers upgrading the contents of their kitchen for them.
”
”
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
“
Life is too short to judge others. It is not our job to tell someone what they feel or who they are. Why not spend some time on yourself instead? I don't know you, but I can guarantee you have some issues you can work on. And maybe you've got a fit body and a perfect face, but I'll wager you've got insecurities too, ones that would keep you from stripping down to a purple bikini and modeling it in front of everyone.
As for the rest of you, remember this. YOU ARE WANTED. Big, small, tall, short, pretty, plain, friendly, shy. Don't let anyone tell you otherwise not even yourself.
Especially not yourself.
”
”
Jennifer Niven (Holding Up the Universe)
“
Look at me and tell me you don't want me to kiss you. Tell me you don't like it when I do this," he said, running his hand down my arm. "Tell me you don't like it when I touch your face." HE brushed his hands on both of my cheeks, moving up to my forehead and then back down. HE rubbed both thumbs over my lips. "Tell me you don't like it when I do this." He leaned hisjead closer, stopping just short of my lips. "Tell me to stop and I will. You're in charge, Missy.
”
”
Chelsea M. Cameron (My Favorite Mistake (My Favorite Mistake, #1))
“
I taste the wine on his lips. He kisses me gently at first and then, as if he's reaching for something more, he pushes me against the wall and kisses me harder. His lips are warm and so soft - his hair brushes against my face. I try to focus. (Not his first time. He's definitely kissed other girls before, and quite a few at that. He's - he seems like he's short of breath....) The details flit away. I grab at them in vain. It takes me a moment to realize I'm kissing him just as hungrily. I feel the knife at his waist against my own skin, and I tremble. It's too warm here, there's too much heat on my face.
”
”
Marie Lu (Legend (Legend, #1))
“
You should hate me," she said brokenly. "You should leave me—"
"Hush." His grip tightened, just short of bruising her. "Do you think so little of me? Damn you." He crushed his lips in her hair. "You don't understand anything about me. Did you think I wouldn't want to help you? That I would abandon you if I knew?"
"Yes," she whispered.
"Damn you," he repeated, his voice choked with anger and love. He forced her face upward. The hopelessness in her eyes caused a cold pressure to squeeze around his heart.
”
”
Lisa Kleypas (Then Came You (The Gamblers of Craven's, #1))
“
Until I die there will be those moments, moments seeming to rise up out of the ground like Macbeth's witches, when his face will come before me, that face in all its changes, when the exact timbre of his voice and tricks of his speech will nearly burst my ears, when his smell will overpower my nostrils. Sometimes, in the days which are coming--God grant me the grace to live them-- in the glare of the grey morning, sour-mouthed, eyelids raw and red, hair tangled and damp from stormy sleep, facing, over coffee and cigarette smoke, last night's impenetrable, meaningless boy who will shortly rise and vanish like the smoke, I will see Giovanni again, as he was that night, so vivid, so winning, all of the light of that gloomy tunnel trapped around his head.
”
”
James Baldwin (Giovanni’s Room)
“
Halt?" he said diffidently. He heard a deep sigh from the short, slightly built man riding beside him. Mentally he kicked himself.
I thought you must be coming down with some illness for a moment there," Halt said straight faced. "It must be two or three minutes since you've asked a question." Commited now, Horace continued.
One of those girls," he began, and immediately felt the Ranger's eyes on him. "She was wearing a very short skirt."
There was the slightest pause.
Yes?" Halt prompted, not sure where this conversation was leading. Horace shrugged uncomfortably. The memory of the girl, and her shapely legs, was causing his cheeks to burn with embarrassment again.
Well," he said uncertainly, "I just wondered if that was normal over, that's all." Halt considered the serious young face beside him. He cleared his throat several times.
I believe that sometimes Gallican girls take jobs as couriers.
he said.
Couriers. They carry messages from one person to another. Or from one buisness to another, in towns and cities." Halt checked to see if Horace seemed to believe him so far. There seemed no reason to think otherwise, so he added: "Urgent messages."
Urgent messages," Horace replied, still not seeing the connection. But he seemed inclined to believe what Halt was saying, so the older man continued.
And I suppose for a really urgent message, one would have to run."
Now he saw a glimmer of understanding in the boy's eyes. Horace nodded several times as he made the connection.
So, the short skirts...they'd be to help them run more easily?" he suggested. Halt nodded in his turn.
It would be more sensible for of dress than long skirts, if you wanted to do a lot of runnig." He shot a quick look at Horace to see if his gentle teasing was not being turned back on himself-to see if, in fact, the boy realized Halt was talking nosense and was simply leading him on. Horace's face, however, was open and believing.
I suppose so," Horace replied finally, then added in a softer voice, "They certainly look a lot better that way too.
”
”
John Flanagan (The Icebound Land (Ranger's Apprentice, #3))
“
...that left Francesca to slink into the chair opposite us. My feeling of superiority was short-lived, however, when she settled herself down and then crossed her legs.
I didn't need a mirror to know my whole face had just turned red. With a hemline up to her thighs that gesture didn't leave anything to the imagination. Bones curled his fingers around mine and squeezed. His hand was still warmed from our contact moments ago. That's how fast he had to grab me again to keep me sitting where I was instead of yanking off my jacket to make her a pair of panties.
”
”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
In such cases as this, it is, I believe, the established mode to express a sense of obligation for the sentiments avowed, however unequally they may be returned. It is natural that obligation should be felt, and if I could feel gratitude, I would now thank you. But I cannot–I have never desired your good opinion, and you have certainly bestowed it most unwillingly. I am sorry to have occasioned pain to anyone. It has been most unconsciously done, however, and I hope will be of short duration. The feelings which, you tell me, have long prevented the acknowledgment of your regard, can have little difficulty in overcoming it after this explanation.”
Mr. Darcy, who was leaning against the mantelpiece with his eyes fixed on her face, seemed to catch her words with no less resentment than surprise. His complexion became pale with anger, and the disturbance of his mind was visible in every feature. He was struggling for the appearance of composure, and would not open his lips till he believed himself to have attained it. The pause was to Elizabeth’s feelings dreadful. At length, with a voice of forced calmness, he said:
And this is all the reply which I am to have the honour of expecting! I might, perhaps, wish to be informed why, with so little endeavour at civility, I am thus rejected. But it is of small importance.”
I might as well inquire,” replied she, “why with so evident a desire of offending and insulting me, you chose to tell me that you liked me against your will, against your reason, and even against your character? Was not this some excuse for incivility, if I was uncivil?
”
”
Jane Austen
“
He's gawking at me when I open the door.
"Damn girl," he says, looking me over, "what the hell are you trying to do to me?"
I look down at myself, still trying to wake up the rest of the way and realize I'm in those tiny cotton white shorts and varsity tee with no bra on underneath. Oh my God, my nipples are like beacons shining through my shirt! I cross my arms over my chest and try not to look at him i the eyes when he helps himself the rest of the way inside.
"I was going to tell you to get dressed," he goes on, grinning as he walks into the room carrying his bags and the guitar, "but really, you can go just like that if you want."
I shake my head, hiding the smile creeping up on my face.
”
”
J.A. Redmerski (The Edge of Never (The Edge of Never, #1))
“
A single word can brighten the face
of one who knows the value of words.
Ripened in silence, a single word
acquires a great energy for work.
War is cut short by a word,
and a word heals the wounds,
and there’s a word that changes
poison into butter
and honey.
Let a word mature inside yourself.
Withhold the unripened thought.
Come and understand the kind of word
that reduces money and riches to dust.
Know when to speak a word
and when not to speak at all.
A single word turns the universe of hell
into eight paradises.
Follow the Way. Don’t be fooled
by what you already know. Be watchful.
Reflect before you speak.
A foolish mouth can brand your soul.
Yunus, say one last thing
about the power of words –
Only the word “I”
divides me from God.
”
”
Yunus Emre
“
I mean honestly, who just sits around in a house with a bunch of short guys waiting for their prince to come? So your mom is a bitch and wants to kill you because her mirror told her to? Cry me a river why don't you? Your big plan is sitting around cleaning house waiting for the other shoe to drop? And speaking of shoes, everyone has been picked on by mean girls. You do not wait for some old lady to pop in and transmogrify some innocent rodents just so you can sneak in to a dance under false pretenses. And let's say you do sneak in. For the love of all that is holy take your mask off and look the guy in the face and say. “Hi, I'm Cindy from down the street, I have this thing at midnight. Can we do coffee later?” This nonsense with a shoe and searching the entire village for one girl, it's crap.
”
”
John Goode (Maybe With a Chance of Certainty (Tales from Foster High, #1))
“
Well,” she finally said, “he’s coming back shortly, so you are absolved of your responsibilities.”
“No.” The word came from him like an oath, emerging from the very core of his being.
She looked at him in impatient confusion. “What do you mean?”
He stepped forward. He wasn’t sure what he was doing. He knew only that he couldn’t stop. “I mean no. I don’t want to be absolved.”
Her lips parted. He took another step. His heart was pounding, and something within him had gone hot, and greedy, and if there was anything in the world besides her, besides him—he did not know it.
“I want you,” he said, the words blunt, and almost harsh, but absolutely, indelibly true.
“I want you,” he said again, and he reached out and took her hand. “I want you.”
“Marcus, I—”
“I want to kiss you,” he said, and he touched one finger to her lips. “I want to hold you.”
And then, because he couldn’t have kept it inside for one second longer, he said, “I burn for you.”
He took her face in his hands and he kissed her. He kissed her with everything that had been building within him, every last aching, hungry burst of desire. Since the moment he had realized he loved her, this passion had been growing within him. It had probably been there all along, just waiting for him to realize it.
He loved her.
”
”
Julia Quinn (Just Like Heaven (Smythe-Smith Quartet, #1))
“
What is there to see if I go outside? Don't tell me. I know. I can see other people. I don't want to see other people. They look awful. The men look like slobs and the women look like men. The men have mush faces framed by long hair and the women have big noses, big jaws, big heads, and stick-like bodies. That depresses me. Its no fun to people-watch anymore because there's so little variety in types.
You say it's good to get a change of scenery. What scenery? New buildings? New cars? New freeways? New shopping malls? Go to the woods or a park? I saw a tree once. The new ones look the same, which is fine. I even remember what the old ones look like. My memory isn't that short. But it's not worth going to see a squirrel grab a nut, or fish swimming around in a big tank if I must put up with the ugly contemporary human pollution that accompanies each excursion. The squirrel may enliven me and remind me of better vistas but the price in social interaction isn't worth it. If, on my way to visit the squirrel, I encounter a single person who gains stimulation by seeing me, I feel like I have given more than I've received and I get sore.
If every time I go somewhere to see a fish swimming, I become someone else's stimulation, I feel shortchanged. I'll buy my own fish and watch it swim. Then, I can watch the fish, the fish can watch me, we can be friends, and nobody else interferes with the interaction, like trying to hear what the fish and I are talking about. I won't have to get dressed a certain way to visit the fish. I needn't dress the way my pride dictates, because who's going to see me? I needn't wear any pants. The fish doesn't care. He doesn't read the tabloids. But, if I go out to see a fish other than my own, I'm right back where I started: entertaining others, which is more depleting than visiting the new fish is entertaining.
Maybe I should go to a coffee house. I find no stimulation in watching ordinary people trying to put the make on other uninteresting people. I can fix my own cup of coffee and not have to look at or talk to other people. No matter where I go, I stimulate others, and have been doing so all my life. It used to be I'd sometimes get stimulated back.
”
”
Anton Szandor LaVey
“
Unfairness – this is hardest to deal with, but unfortunately that is how our country works. People with connections, rich dads, beautiful faces, pedigree find it easier to make it – not just in Bollywood, but everywhere. And sometimes it is just plain luck. There are so few opportunities in India, so many stars need to be aligned for you to make it happen. Merit and hard work is not always linked to achievement in the short term, but the long term correlation is high, and ultimately things do work out. But realize, there will be some people luckier than you. In fact, to have an opportunity to go to college and understand this speech in English means you are pretty damm lucky by Indian standards. Let’s be grateful for what we have and get the strength to accept what we don’t. I have so much love from my readers that other writers cannot even imagine it. However, I don’t get literary praise. It’s ok. I don’t look like Aishwarya Rai, but I have two boys who I think are more beautiful than her. It’s ok. Don’t let unfairness kill your spark
”
”
Chetan Bhagat
“
Adolf Eichmann went to the gallows with great dignity. He had asked for a bottle of red wine and had drunk half of it. He refused the help of the Protestant minister the Reverend William Hull who offered to read the Bible with him: he had only two more hours to live and therefore no “time to waste.” He walked the fifty yards from his cell to the execution chamber calm and erect with his hands bound behind him. When the guards tied his ankles and knees he asked them to loosen the bonds so that he could stand straight. “I don’t need that ” he said when the black hood was offered him. He was in complete command of himself nay he was more: he was completely himself. Nothing could have demonstrated this more convincingly than the grotesque silliness of his last words. He began by stating emphatically that he was a Gottgläubiger to express in common Nazi fashion that he was no Christian and did not believe in life after death. He then proceeded: “After a short while gentlemen we shall all meet again. Such is the fate of all men. Long live Germany long live Argentina long live Austria. I shall not forget them.” In the face of death he had found the cliché used in funeral oratory. Under the gallows his memory played him the last trick he was “elated” and he forgot that this was his own funeral.
It was as though in those last minutes he was summing up the lesson that this long course in human wickedness had taught us-the lesson of the fearsome word-and-thought-defying banality of evil.
”
”
Hannah Arendt (Eichmann in Jerusalem: A Report on the Banality of Evil)
“
The suspense is killin’ me, Pigeon!” Travis called.
I walked out, fidgeting with my dress while Travis stood in front of me, blank-faced.
America elbowed him and he blinked. “Holy shit.”
“Are you ready to be freaked out?” America asked.
“I’m not freaked out, she looks amazing,” Travis said.
I smiled and then slowly turned around to show him the steep dip of the fabric in the back of the dress.
“Okay, now I’m freakin’ out,” he said, walking over to me “Okay, now I’m freakin’ out,” he said, walking over to me and turning me around.
“You don’t like it?” I asked.
“You need a jacket.” He jogged to the rack and then hastily draped my coat over my shoulders.
“She can’t wear that all night, Trav,” America chuckled.
“You look beautiful, Abby,” Shepley said as an apology for Travis’ behavior.
Travis’ expression was pained as he spoke. “You do. You look incredible…but you can’t wear that. Your skirt is…wow, your legs are…your skirt is too short and it’s only half a dress! It doesn’t even have a back on it!”
I couldn’t help but smile. “That’s the way it’s made, Travis.”
“Do you two live to torture each other?” Shepley frowned.
“Do you have a longer dress?” Travis asked.
I looked down. “It’s actually pretty modest in the front. It’s just the back that shows off a lot of skin.”
“Pigeon,” he winced with his next words, “I don’t want you to be mad, but I can’t take you to my frat house looking like that. I’ll get in a fight the first five minutes we’re there, Baby.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
She needs to wake up," said Boots. "Hazard is crying. When does she wake up?" Gregor could not find it within him to give his standard reply. To pretend that in a short time Thalia would be back with them, laughing and happy. And somehow it seemed wrong to try. Boots was getting older. Very soon, she would begin to realize the truth on her own, anyway. "She's not going wake up," he told her. "She's dead."
"She doesn't wake up?" said Boots.
"No, not this time," said Gregor. "This time, she had to go away."
Boots looked around at all their faces, at Hazard crying. "Where did she go?" No one had an answer. "Where is Thalia when she doesn't wake up?"
The question hung in the air for an eternity. Finally, it was Howard who spoke up. "Why, she's in your heart, Boots."
"My heart?" said Boots, putting both hands on her chest.
"Yes. That's where she lives now," said Howard.
"She can fly away?" asked Boots, pressing her palms tightly against her heart as if to keep Thalia from escaping.
"Oh, no, she will stay there forever," said Howard.
”
”
Suzanne Collins (Gregor and the Marks of Secret (Underland Chronicles, #4))
“
Xhex couldn't stop herself from torturing them both. She sent him a mental scene, drilling the image right into his head : the two of them in a private bathroom, him up on the sink and leaning back, her with one foot planted on the counter, his sex deep in hers, the two of them panting. While he stared accross the crowded room, John's mouth parted, and the flush on his cheeks had nothing to do with embarrassment and everything to do with the orgasm that was no doubt pounding up his shaft. God, she wanted him. His buddy, the readhead, snapped her out of the madness. Blaylock came back to the table with three beers hanging from their necks, and as he took a look at John's hard, sexep-up face, he stopped short and glanced over at her in surprise.
Shit.
Xhex waved off the bouncers who were coming up to her and walked out of the VIP section so fast, she nearly bowling-pinned a waitress. Her office was the only place that was safe, and she headed there at a dead run.
”
”
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
“
Have you never outright sinned, then?”
“I disobeyed Patti when she told me to stay away from you.”
“Right. I remember that one. So just once, then?”
“There was this other time...” I thought about the two girls in the bathroom and stopped myself, blanching.
“Yes? Go on,” he urged.
He watched the road, but excitement underscored his tone. I rubbed my dampening palms down my shorts.
“The night we met, I sort of...well, I flat-out told a lie. On purpose.”
I thought he was trying not to smile.
“To me?” he asked.
“No. About you.”
Now he unleashed that devastating smile of his, crinkling the corners of his eyes. My face was aflame.
“Continue. Please.”
“There were these girls in the bathroom talking about you, and for some reason, I don't know why, it upset me, and I told them...thatyouhadanSTD.”
I covered my face in shame and he burst into laughter. I thought he might drive off the road.
Well, it was kind of funny in an ironic way, because he couldn't keep a disease anyhow, even if he had gotten one. I found myself beginning to giggle, too, mostly out of relief that he wasn't offended.
“I wondered if you were ever going to tell me!” he said through spurts of hilarity.
Duh! Of course he'd been listening! My giggles increased, and it felt so nice that we kept going until we were cracking up. It was the good kind of laughter: the soul-cleansing, ab-crunching, lose-control-of-yourself kind.
We started catching our breath again a few minutes later, only to break into another round of merriment.
“Do you forgive me, then?” I asked when we finally settled down and I wiped my eyes.
“Yes, yes. I've had worse said about me.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
In theory, the risk of business failure can be reduced to a number, the probability of failure multiplied by the cost of failure. Sure, this turns out to be a subjective analysis, but in the process your own attitudes toward financial risk and reward are revealed.
By contrast, personal risk usually defies quantification. It's a matter of values and priorities, an expression of who you are. "Playing it safe" may simply mean you do not weigh heavily the compromises inherent in the status quo. The financial rewards of the moment may fully compensate you for the loss of time and fulfillment. Or maybe you just don't think about it. On the other hand, if time and satisfaction are precious, truly priceless, you will find the cost of business failure, so long as it does not put in peril the well-being of you or your family, pales in comparison with the personal risks of no trying to live the life you want today.
Considering personal risk forces us to define personal success. We may well discover that the business failure we avoid and the business success we strive for do not lead us to personal success at all. Most of us have inherited notions of "success" from someone else or have arrived at these notions by facing a seemingly endless line of hurdles extending from grade school through college and into our careers. We constantly judge ourselves against criteria that others have set and rank ourselves against others in their game. Personal goals, on the other hand, leave us on our own, without this habit of useless measurement and comparison.
Only the Whole Life Plan leads to personal success. It has the greatest chance of providing satisfaction and contentment that one can take to the grave, tomorrow. In the Deferred Life Plan there will always be another prize to covet, another distraction, a new hunger to sate. You will forever come up short.
”
”
Randy Komisar (The Monk and the Riddle: The Education of a Silicon Valley Entrepreneur)
“
The weather had freshened almost to coldness, for the wind was coming more easterly, from the chilly currents between Tristan and the Cape; the sloth was amazed by the change; it shunned the deck and spent its time below. Jack was in his cabin, pricking the chart with less satisfaction than he could have wished: progress, slow, serious trouble with the mainmast-- unaccountable headwinds by night-- and sipping a glass of grog; Stephen was in the mizentop, teaching Bonden to write and scanning the sea for his first albatross. The sloth sneezed, and looking up, Jack caught its gaze fixed upon him; its inverted face had an expression of anxiety and concern. 'Try a piece of this, old cock,' he said, dipping his cake in the grog and proffering the sop. 'It might put a little heart into you.' The sloth sighed, closed its eyes, but gently absorbed the piece, and sighed again.
Some minutes later he felt a touch upon his knee: the sloth had silently climbed down and it was standing there, its beady eyes looking up into his face, bright with expectation. More cake, more grog: growing confidence and esteem. After this, as soon as the drum had beat the retreat, the sloth would meet him, hurrying toward the door on its uneven legs: it was given its own bowl, and it would grip it with its claws, lowering its round face into it and pursing its lips to drink (its tongue was too short to lap). Sometimes it went to sleep in this position, bowed over the emptiness.
'In this bucket,' said Stephen, walking into the cabin, 'in this small half-bucket, now, I have the population of Dublin, London, and Paris combined: these animalculae-- what is the matter with the sloth?' It was curled on Jack's knee, breathing heavily: its bowl and Jack's glass stood empty on the table. Stephen picked it up, peered into its affable bleary face, shook it, and hung it upon its rope. It seized hold with one fore and one hind foot, letting the others dangle limp, and went to sleep.
Stephen looked sharply round, saw the decanter, smelt to the sloth, and cried, 'Jack, you have debauched my sloth.
”
”
Patrick O'Brian (H.M.S. Surprise (Aubrey & Maturin #3))
“
And what does it amount to?" said Satan, with his evil chuckle. "Nothing at all. You gain nothing; you always come out where you went in. For a million years the race has gone on monotonously propagating itself and monotonously reperforming this dull nonsense--to what end? No wisdom can guess! Who gets a profit out of it? Nobody but a parcel of usurping little monarchs and nobilities who despise you; would feel defiled if you touched them; would shut the door in your face if you proposed to call; whom you slave for, fight for, die for, and are not ashamed of it, but proud; whose existence is a perpetual insult to you and you are afraid to resent it; who are mendicants supported by your alms, yet assume toward you the airs of benefactor toward beggar; who address you in the language of master to slave, and are answered in in the language of slave to master; who are worshiped by you with your mouth, while in your heart--if you have one--you despise yourselves for it. The first man was hypocrite and a coward, qualities which have not yet failed in his line; it is the foundation upon which all civilizations have been built. Drink to their perpetuation! Drink to their augmentation! Drink to--" Then he saw by our faces how much we were hurt, and he cut his sentence short and stopped chuckling...
”
”
Mark Twain (The Mysterious Stranger and Other Stories)
“
Mac draws up short to keep from slamming into Barrons and her blonde hair swings back over her shoulder, brushing his face as it goes and my hearing is so good I catch the rasp of it chafing the shadow stubble on his jaw, then one of his hands grazes her breast and his eyes narrow when he looks at what he touched in a hungry way I want a man to look at me like one day and, as they continue to recover from the near-collision, their bodies move in a graceful dance of impeccable awareness of precisely where the other is at all times that is unity, symbiosis, partnership I only dream of, wolves that chose to pack up and hunt together, soldiers who will always have each other’s back no matter what, no sin, no transgression too great, ‘cause don’t we all transgress sometimes and it fecking slays me, because once I got a little taste of what that was like and it was heaven and they’re so beautiful standing there, the best of the best, the strongest of the strong that they practically glow to me, on fire with all I ever wanted in my life—a place to belong and someone to belong there with.
”
”
Karen Marie Moning (Burned (Fever, #7))
“
Every fop and fool in London has been sniffing after her." Having said that, Jason returned his attention for the report. "Go ahead and read off the names, if you must."
Frowning in surprise at Jason's dismissive attitude, Charles took the seat across the desk from him and put on his spectacles. "First, there is young Lord Crowley, who has already asked my permission to court her."
"No. Too impulsive," Jason decreed flatly.
"What makes you say so?" Charles said with a bewildered look.
"Crowley doesn't know Victoria well enough to want to 'court' her, as you so quaintly phrased it."
"Don't be ridiculous. The first four men on this list have already asked my permission to do the same thing- providing, of course, that your claim on her is not unbreakable.”
“No, to all those four men- for the same reason,” Jason said curtly, leaning back in his chair, absorbed in the report in his hand. Who’s next?”
“Crowley’s friend, Lord Wiltshire.”
“Too young. Who’s next?”
“Arthur Landcaster.”
“Too short,” Jason said cryptically. “Next?”
“William Rogers,” Charles shot back in a challenging voice, “and he’s tall, conservative, mature, intelligent, and handsome. He’s also the heir to one of the finest estates in England. I think he would do very well for Victoria.”
“No.”
“No?” Charles burst out. “Why not?”
“I don’t like the way Roger sits a horse.”
“You don’t like_” Charles bit out in angry disbelief; then he glanced at Jason’s implacable face and sighed. “Very well. The last name on my list is Lord Terrance. He sits horses extremely well, in addition to being and excellent chap. He is also tall, handsome, intelligent, and wealthy. Now,” he finished triumphantly, “what fault can you find with him?”
Jason’s jaw tightened ominously.“I don’t like him.
”
”
Judith McNaught (Once and Always (Sequels, #1))
“
We stared at each other for a long moment. His hand smoldered against my skin. In my face, I knew there was nothing but wistful sadness―I didn't want to have to say goodbye now, no matter for how short a time. At first his face reflected mine, but then, as neither of us looked away, his expression changed.
He released me, lifting his other hand to brush his fingertips along my cheek, trailing them down to my jaw. I could feel his fingers tremble―not with anger this time. He pressed his palm against my cheek, so that my face was trapped between his burning hands.
"Bella," he whispered.
I was frozen.
No! I hadn't made this decision yet. I didn't know if I could do this, and now I was out of time to think. But I would have been a fool if I thought rejecting him now would have no consequences.
I stared back at him. He was not my Jacob, but he could be. His face was familiar and beloved. in so many real ways, I did love him. He was my comfort, my safe harbor. Right now, I could choose to have him belong to me.
Alice was back for the moment, but that changed nothing. True love was forever lost. The prince was never coming back to kiss me awake from my enchanted sleep. I was not a princess, after all. So what was the fairy-tale protocol for other kisses? The mundane kind that didn't break any spells?
Maybe it would be easy―like holding his hand or having his arms around me. Maybe it would feel nice. Maybe it wouldn't feel like betrayal. Besides, who was I betraying, anyway? Just myself.
Keeping his eyes on mine, Jacob began to bend his face toward me. And I was still absolutely undecided.
”
”
Stephenie Meyer (New Moon (The Twilight Saga, #2))
“
I appreciate the scientific rigor with which you’ve approached this project, Anna,” said Christopher, who had gotten jam on his sleeve. “Though I don’t think I could manage to collect that many names and also pursue science. Much too time-consuming.”
Anna laughed. “How many names would you want to collect, then?”
Christopher tilted his head, a brief frown of concentration crossing his face, and did not reply.
“I would only want one,” said Thomas.
Cordelia thought of the delicate tracery of the compass rose on Thomas’s arm, and wondered if he had any special person in mind.
“Too late for me to only have one,” declared Matthew airily. “At least I can hope for several names in a carefully but enthusiastically selected list.”
“Nobody’s ever tried to seduce me at all,” Lucie announced in a brooding fashion. “There’s no need to look at me like that, James. I wouldn’t say yes, but I could immortalize the experience in my novel.”
“It would be a very short novel, before we got hold of the blackguard and killed him,” said James.
There was a chorus of laughter and argument. The afternoon sun was sinking in the sky, its rays catching the jeweled hilts of the knives in Anna’s mantelpiece. They cast shimmering rainbow patterns on the gold-and-green walls. The light illuminated Anna’s shabby-bright flat, making something in Cordelia’s heart ache. It was such a homey place, in a way that her big cold house in Kensington was not.
“What about you, Cordelia?” said Lucie.
“One,” said Cordelia. “That’s everyone’s dream, isn’t it, really? Instead of many who give you little pieces of themselves—one who gives you everything.”
Anna laughed. “Searching for the one is what leads to all the misery in this world,” she said. “Searching for many is what leads to all the fun.
”
”
Cassandra Clare (Chain of Gold (The Last Hours, #1))
“
I left Abnegation because I wasn't selfless enough,no matter how hard I tried to be."
"That's not entirely true." He smiles at me. "That girl who let someone throw knives at her to spare a friend,who hit my dad with a belt to protect me-that selfless girl,that's not you?"
He's figured out more about me than I have. And even though it seems impossible that he could feel something for me,given all that I'm not...maybe it isn't.I frown at him. "You've been paying close attention,haven't you?"
"I like to observe people."
"Maybe you were cut out for Candor, Four, because you're a terrible liar."
He puts his hand on the rock next to him, his fingers lining up with mine. I look down at our hands. He has long, narrow fingers. Hands made for mine, deft movements.Not Dauntless hands, which should be thick and tough and ready to break things.
"Fine." He leans his face closer to mine, his eyes focusing on my chin, and my lips,and my nose. "I watched you because I like you." He says it plainly, boldly, and his eyes flick up to mine. "And don't call me 'Four," okay? It's nice to hear my name again."
Just like that,he has finally declared himself, and I don't know how to respond. My cheeks warm,and all I can think to say is, "But you're older than I am...Tobias."
He smiles at me. "Yes,that whopping two-year gap really is insurmountable, isn't it?"
"I'm not trying to be self-deprecating," I say, "I just don't get it. I'm younger. I'm not pretty.I-"
He laughs,a deep laugh that sounds like it came from deep inside him, and touches his lips to my temple.
"Don't pretend," I say breathily. "You know I'm not. I'm not ugly,but I am certainly not pretty."
"Fine.You're not pretty.So?" He kisses my cheek. "I like how you look. You're deadly smart.You're brave. And even though you found out about Marcus..." His voice softens. "You aren't giving me that look.Like I'm a kicked puppy or something."
"Well," I say. "You're not."
For a second his dark eyes are on mine, and he's quiet. Then he touches my face and leans in close, brushing my lips with his.The river roars and I feel its spray on my ankles.He grins and presses his mouth to mine.
I tense up at first,unsure of myself, so when he pulls away,I'm sure I did something wrong,or badly.But he takes my face in his hands,his figners strong against my skin,and kisses me again, firmer this time, more certain. I wrap an arm around him,sliding my hand up his nack and into his short hair.
For a few minutes we kiss,deep in the chasm,with the roar of water all around us. And when we rise,hand in hand, I realize that if we had both chosen differently,we might have ended up doing the same thing, in a safer place, in gray clothes instead of black ones.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
I grew up back and forth between the British Isles: England, Ireland, Scotland, Wales. I spent short periods of time in France, Italy, and South Africa. This is my first time in the States. I was disappointed by Atlanta at first — I'd wanted to live in New York-but it's grown on me.”
Everything about Kaidan was exciting and exotic. This was my first time traveling away from home, and he'd already seen so much. I ate my apple, glad it was crisp and not soft.
“Which was your favorite place?” I asked.
“I've never been terribly attached to any place. I guess it would have to be...here.”
I stopped midchew and examined his face. He wouldn't look at me. He was clenching his jaw, tense. Was he serious or was he teasing me? I swallowed my bite.
“The Texas panhandle?” I asked.
“No.” He seemed to choose each word with deliberate care. “I mean here in this car. With you.”
Covered in goose bumps, I looked away from him and stared straight ahead at the road, letting my hand with the apple fall to my lap.
He cleared his throat and tried to explain. “I've not talked like this with anyone, not since I started working, not even to the only four people in the world who I call friends. You have Patti, and even that boyfriend of yours. So this has been a relief of sort. Kind of...nice.” He cleared his throat again.
Oh, my gosh. Did we just have a moment? I proceeded with caution, hoping not to ruin it.
“It's been nice for me, too,” I said. “I've never told Jay anything. He has no idea. You're the only one I've talked to about it all, except Patti, but it's not the same. She learned the basics from the nun at the convent where I was born.”
“You were born in a convent,” he stated.
“Yes.”
“Naturally.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
To burn always with this hard, gem-like flame, to maintain this ecstasy, is success in life. In a sense it might even be said that our failure is to form habits: for, after all, habit is relative to a stereotyped world, and meantime it is only the roughness of the eye that makes two persons, things, situations, seem alike. While all melts under our feet, we may well grasp at any exquisite passion, or any contribution to knowledge that seems by a lifted horizon to set the spirit free for a moment, or any stirring of the sense, strange dyes, strange colours, and curious odours, or work of the artist’s hands, or the face of one’s friend. Not to discriminate every moment some passionate attitude in those about us, and in the very brilliancy of their gifts some tragic dividing on their ways, is, on this short day of frost and sun, to sleep before evening. With this sense of the splendour of our experience and of its awful brevity, gathering all we are into one desperate effort to see and touch, we shall hardly have time to make theories about the things we see and touch. What we have to do is to be for ever curiously testing new opinions and courting new impressions, never acquiescing in a facile orthodoxy, of Comte, or of Hegel, or of our own. Philosophical theories or ideas, as points of view, instruments of criticism, may help us to gather up what might otherwise pass unregarded by us. “Philosophy is the microscope of thought.” The theory or idea or system which requires of us the sacrifice of any part of this experience, in consideration of some interest into which we cannot enter, or some abstract theory we have not identified with ourselves, or of what is only conventional, has no real claim upon us.
”
”
Walter Pater
“
The raft finally got here,” he said. Calypso snorted. Her eyes might have been red, but it was hard to tell in the moonlight. “You just noticed?” “But if it only shows up for guys you like—” “Don’t push your luck, Leo Valdez,” she said. “I still hate you.” “Okay.” “And you are not coming back here,” she insisted. “So don’t give me any empty promises.” “How about a full promise?” he said. “Because I’m definitely—” She grabbed his face and pulled him into a kiss, which effectively shut him up. For all his joking and flirting, Leo had never kissed a girl before. Well, sisterly pecks on the cheek from Piper, but that didn’t count. This was a real, full-contact kiss. If Leo had had gears and wires in his brain, they would’ve short-circuited. Calypso pushed him away. “That didn’t happen.” “Okay.” His voice sounded an octave higher than usual. “Get out of here.” “Okay.” She turned, wiping her eyes furiously, and stormed up the beach, the breeze tousling her hair. Leo wanted to call to her, but the sail caught the full force of the wind, and the raft cleared the beach. He struggled to align the guidance console. By the time Leo looked back, the island of Ogygia was a dark line in the distance, their campfire pulsing like a tiny orange heart. His lips still tingled from the kiss. That didn’t happen, he told himself. I can’t be in love with an immortal girl. She definitely can’t be in love with me. Not possible. As his raft skimmed over the water, taking him back to the mortal world, he understood a line from the Prophecy better—an oath to keep with a final breath. He understood how dangerous oaths could be. But Leo didn’t care. “I’m coming back for you, Calypso,” he said to the night wind. “I swear it on the River Styx.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
I believe in Free Will, the Force Almighty by which we conduct ourselves as if we were the sons and daughters of a just and wise God, even if there is no such Supreme Being. And by free will, we can choose to do good on this earth, no matter that we all die, and do not know where we go when we die, or if a justice or explanation awaits us.
I believe that we can, through our reason, know what good is, and in the communion of men and women, in which the forgiveness of wrongs will always be more significant than the avenging of them, and that in the beautiful natural world that surrounds us, we represent the best and the finest of beings, for we alone can see that natural beauty, appreciate it, learn from it, weep for it, and seek to conserve it and protect it.
I believe finally that we are the only true moral force in the physical world, the makers of, ethics and moral ideas, and that we must be as good as the gods we created in the past to guide us.
I believe that through our finest efforts, we will succeed finally in creating heaven on earth, and we do it every time that we love, every time that we embrace, every time that we commit to create rather than destroy, every time that we place life over death, and the natural over what is unnatural, insofar as we are able to define it.
And I suppose I do believe in the final analysis that a peace of mind can be obtained in the face of the worst horrors and the worst losses. It can be obtained by faith in change and in will and in accident and by faith in ourselves, that we will do the right thing, more often than not, in the face of adversity.
For ours is the power and the glory, because we are capable of visions and ideas which are ultimately stronger and more enduring than we are.
That is my credo. That is my belief, for what it's worth, and it sustains me. And if I were to die right now, I wouldn't be afraid. Because I can't believe that horror or chaos awaits us.
If any revelation awaits us at all, it must be as good as our ideals and our philosophy. For surely nature must embrace the visible and the invisible, and it couldn't fall short of us. The thing that makes the flowers open and the snowflakes fall must contain a wisdom and a final secret as intricate and beautiful as the blooming camellia or the clouds gathering above, so white and so pure in the blackness.
If that isn't so, then we are in the grip of a staggering irony. And all the spooks of hell might as well dance. There could be a devil. People who burn other people to death are fine. There could be anything.
But the world is simply to beautiful for that.
At least it seems that way to me.
”
”
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
“
Here one comes upon an all-important English trait: the respect for constituitionalism and legality, the belief in 'the law' as something above the state and above the individual, something which is cruel and stupid, of course, but at any rate incorruptible.
It is not that anyone imagines the law to be just. Everyone knows that there is one law for the rich and another for the poor. But no one accepts the implications of this, everyone takes for granted that the law, such as it is, will be respected, and feels a sense of outrage when it is not. Remarks like 'They can't run me in; I haven't done anything wrong', or 'They can't do that; it's against the law', are part of the atmosphere of England. The professed enemies of society have this feeling as strongly as anyone else. One sees it in prison-books like Wilfred Macartney's Walls Have Mouths or Jim Phelan's Jail Journey, in the solemn idiocies that take places at the trials of conscientious objectors, in letters to the papers from eminent Marxist professors, pointing out that this or that is a 'miscarriage of British justice'. Everyone believes in his heart that the law can be, ought to be, and, on the whole, will be impartially administered. The totalitarian idea that there is no such thing as law, there is only power, has never taken root. Even the intelligentsia have only accepted it in theory.
An illusion can become a half-truth, a mask can alter the expression of a face. The familiar arguments to the effect that democracy is 'just the same as' or 'just as bad as' totalitarianism never take account of this fact. All such arguments boil down to saying that half a loaf is the same as no bread. In England such concepts as justice, liberty and objective truth are still believed in. They may be illusions, but they are powerful illusions. The belief in them influences conduct,national life is different because of them. In proof of which, look about you. Where are the rubber truncheons, where is the caster oil?
The sword is still in the scabbard, and while it stays corruption cannot go beyond a certain point. The English electoral system, for instance, is an all but open fraud. In a dozen obvious ways it is gerrymandered in the interest of the moneyed class. But until some deep change has occurred in the public mind, it cannot become completely corrupt. You do not arrive at the polling booth to find men with revolvers telling you which way to vote, nor are the votes miscounted, nor is there any direct bribery. Even hypocrisy is powerful safeguard. The hanging judge, that evil old man in scarlet robe and horse-hair wig,whom nothing short of dynamite will ever teach what century he is living in, but who will at any rate interpret the law according to the books and will in no circumstances take a money bribe,is one of the symbolic figures of England. He is a symbol of the strange mixture of reality and illusion, democracy and privilege, humbug and decency, the subtle network of compromises, by which the nation keeps itself in its familiar shape.
”
”
George Orwell (Why I Write)
“
...while epic fantasy is based on the fairy tale of the just war, that’s not one you’ll find in Grimm or Disney, and most will never recognize the shape of it. I think the fantasy genre pitches its tent in the medieval campground for the very reason that we even bother to write stories about things that never happened in the first place: because it says something subtle and true about our own world, something it is difficult to say straight out, with a straight face. Something you need tools to say, you need cheat codes for the human brain--a candy princess or a sugar-coated unicorn to wash down the sour taste of how bad things can really get.
See, I think our culture has a slash running through the middle of it, too. Past/Future, Conservative/Liberal, Online/Offline. Virgin/Whore. And yes: Classical/Medieval. I think we’re torn between the Classical Narrative of Self and the Medieval Narrative of Self, between the choice of Achilles and Keep Calm and Carry On.
The Classical internal monologue goes like this: do anything, anything, only don’t be forgotten. Yes, this one sacrificed his daughter on a slab at Aulis, that one married his mother and tore out his eyes, and oh that guy ate his kids in a pie. But you remember their names, don’t you? So it’s all good in the end. Give a Greek soul a choice between a short life full of glory and a name echoing down the halls of time and a long, gentle life full of children and a quiet sort of virtue, and he’ll always go down in flames. That’s what the Iliad is all about, and the Odyssey too. When you get to Hades, you gotta have a story to tell, because the rest of eternity is just forgetting and hoping some mortal shows up on a quest and lets you drink blood from a bowl so you can remember who you were for one hour.
And every bit of cultural narrative in America says that we are all Odysseus, we are all Agamemnon, all Atreus, all Achilles. That we as a nation made that choice and chose glory and personal valor, and woe betide any inconvenient “other people” who get in our way. We tell the tales around the campfire of men who came from nothing to run dotcom empires, of a million dollars made overnight, of an actress marrying a prince from Monaco, of athletes and stars and artists and cowboys and gangsters and bootleggers and talk show hosts who hitched up their bootstraps and bent the world to their will. Whose names you all know. And we say: that can be each and every one of us and if it isn’t, it’s your fault. You didn’t have the excellence for it. You didn’t work hard enough. The story wasn’t about you, and the only good stories are the kind that have big, unignorable, undeniable heroes.
”
”
Catherynne M. Valente
“
Ruby and Aaron are both crazy patient; they’re good parents.”
“I could be a good dad,” Ivan whispered, still feeding Jess.
I could have told him he’d be good at anything he wanted to be good at, but nah.
“Do you want to have kids?” he asked me out of the blue.
I handed Benny another block. “A long time from now, maybe.”
“A long time… like how long?”
That had me glancing at Ivan over my shoulder. He had his entire attention on Jessie, and I was pretty sure he was smiling down at her. Huh. “My early thirties, maybe? I don’t know. I might be okay with not having any either. I haven’t really thought about it much, except for knowing I don’t want to have them any time soon, you know what I mean?”
“Because of figure skating?”
“Why else? I barely have enough time now. I couldn’t imagine trying to train and have kids. My baby daddy would have to be a rich, stay-at-home dad for that to work.”
Ivan wrinkled his nose at my niece. “There are at least ten skaters I know with kids.”
I rolled my eyes and poked Benny in the side when he held out his little hand for another block. That got me a toothy grin. “I’m not saying it’s impossible. I just wouldn’t want to do it any time soon. I don’t want to half-ass or regret it. If they ever exist, I’d want them to be my priority. I wouldn’t want them to think they were second best.”
Because I knew what that felt like. And I’d already screwed up enough with making grown adults I loved think they weren’t important. If I was going to do something, I wanted to do my best and give it everything.
All he said was, “Hmm.”
A thought came into my head and made my stomach churn. “Why? Are you planning on having kids any time soon?”
“I wasn’t,” he answered immediately. “I like this baby though, and that one. Maybe I need to think about it.”
I frowned, the feeling in my stomach getting more intense.
He kept blabbing. “I could start training my kids really young…. I could coach them. Hmm.”
It was my turn to wrinkle my nose. “Three hours with two kids and now you want them?”
Ivan glanced down at me with a smirk. “With the right person. I’m not going to have them with just anybody and dilute my blood.”
I rolled my eyes at this idiot, still ignoring that weird feeling in my belly that I wasn’t going to acknowledge now or ever. “God forbid, you have kids with someone that’s not perfect. Dumbass.”
“Right?” He snorted, looking down at the baby before glancing back at me with a smile I wasn’t a fan of. “They might come out short, with mean, squinty, little eyes, a big mouth, heavy bones, and a bad attitude.”
I blinked. “I hope you get abducted by aliens.”
Ivan laughed, and the sound of it made me smile. “You would miss me.”
All I said, while shrugging was, “Meh. I know I’d get to see you again someday—”
He smiled.
“—in hell.”
That wiped the look right off his face. “I’m a good person. People like me.”
“Because they don’t know you. If they did, somebody would have kicked your ass already.”
“They’d try,” he countered, and I couldn’t help but laugh.
There was something wrong with us.
And I didn’t hate it. Not even a little bit.
”
”
Mariana Zapata (From Lukov with Love)
“
She looked now at the drawing-room step. She saw, through William’s eyes, the shape of a woman, peaceful and silent, with downcast eyes. She sat musing, pondering (she was in grey that day, Lily thought). Her eyes were bent. She would never lift them. . . . [N]o, she thought, one could say nothing to nobody. The urgency of the moment always missed its mark. Words fluttered sideways and struck the object inches too low. Then one gave it up; then the idea sunk back again; then one became like most middle-aged people, cautious, furtive, with wrinkles between the eyes and a look of perpetual apprehension. For how could one express in words these emotions of the body? Express that emptiness there? (She was looking at the drawing-room steps; they looked extraordinarily empty.) It was one’s body feeling, not one’s mind. The physical sensations that went with the bare look of the steps had become suddenly extremely unpleasant. To want and not to have, sent all up her body a hardness, a hollowness, a strain. And then to want and not to have – to want and want – how that wrung the heart, and wrung again and again! Oh, Mrs. Ramsay! she called out silently, to that essence which sat by the boat, that abstract one made of her, that woman in grey, as if to abuse her for having gone, and then having gone, come back again. It had seemed so safe, thinking of her. Ghost, air, nothingness, a thing you could play with easily and safely at any time of day or night, she had been that, and then suddenly she put her hand out and wrung the heart thus. Suddenly, the empty drawing-room steps, the frill of the chair inside, the puppy tumbling on the terrace, the whole wave and whisper of the garden became like curves and arabesques flourishing round a centre of complete emptiness. . . . A curious notion came to her that he did after all hear the things she could not say. . . . She looked at her picture. That would have been his answer, presumably – how “you” and “I” and “she” pass and vanish; nothing stays; all changes; but not words, not paint. Yet it would be hung in the attics, she thought; it would be rolled up and flung under a sofa; yet even so, even of a picture like that, it was true. One might say, even of this scrawl, not of that actual picture, perhaps, but of what it attempted, that it “remained for ever,” she was going to say, or, for the words spoken sounded even to herself, too boastful, to hint, wordlessly; when, looking at the picture, she was surprised to find that she could not see it. Her eyes were full of a hot liquid (she did not think of tears at first) which, without disturbing the firmness of her lips, made the air thick, rolled down her cheeks. She had perfect control of herself – Oh, yes! – in every other way. Was she crying then for Mrs. Ramsay, without being aware of any unhappiness? She addressed old Mr. Carmichael again. What was it then? What did it mean? Could things thrust their hands up and grip one; could the blade cut; the fist grasp? Was there no safety? No learning by heart of the ways of the world? No guide, no shelter, but all was miracle, and leaping from the pinnacle of a tower into the air? Could it be, even for elderly people, that this was life? – startling, unexpected, unknown? For one moment she felt that if they both got up, here, now on the lawn, and demanded an explanation, why was it so short, why was it so inexplicable, said it with violence, as two fully equipped human beings from whom nothing should be hid might speak, then, beauty would roll itself up; the space would fill; those empty flourishes would form into shape; if they shouted loud enough Mrs. Ramsay would return. “Mrs. Ramsay!” she said aloud, “Mrs. Ramsay!” The tears ran down her face.
”
”
Virginia Woolf