Short Fabrics Quotes

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You look ridiculous,” Wren said. “What?” “That shirt.” It was a Hello Kitty shirt from eighth or ninth grade. Hello Kitty dressed as a superhero. It said SUPER CAT on the back, and Wren had added an H with fabric paint. The shirt was cropped too short to begin with, and it didn’t really fit anymore. Cath pulled it down self-consciously. “Cath!” her dad shouted from downstairs. “Phone.” Cath picked up her cell phone and looked at it “He must mean the house phone,” Wren said. “Who calls the house phone?” “Probably 2005. I think it wants its shirt back.
Rainbow Rowell (Fangirl)
By the late twentieth century, our time, a mythic time, we are all chimeras, theorized and fabricated hybrids of machine and organism; in short, we are cyborgs.
Donna J. Haraway
...frequent streets and short blocks are valuable because of the fabric of intricate cross-use that they permit among the users of a city neighbouhood.
Jane Jacobs (The Death and Life of Great American Cities)
For you she learned to wear a short black slip and red lipstick, how to order a glass of red wine and finish it. She learned to reach out as if to touch your arm and then not touch it, changing the subject. Didn't you think, she'd begin, or Weren't you sorry. . . . To call your best friends by their schoolboy names and give them kisses good-bye, to look away when they say Your wife! So your confidence grows. She doesn't ask what you want because she knows. Isn't that what you think? When actually she was only waiting to be told Take off your dress--- to be stunned, and then do this, never rehearsed, but perfectly obvious: in one motion up, over, and gone, the X of her arms crossing and uncrossing, her face flashing away from you in the fabric so that you couldn't say if she was appearing or disappearing.
Deborah Garrison (A Working Girl Can't Win)
A hand in her hair, wrenching back her head. "What's my name?" She scratched trails down his back. He didn't even wince. "My name, kitty. Say my name." "Mr. Mud Stick, Muddie for short," she said, even as she rubbed herself against the hard thrust of his denim-covered erection, the roughness of the fabric an exquisite sensation. She would've liked naked skin even more, but he wasn't budging. "Say it, or no cock for you today." Her mouth fell open. "Fuck you." "You'll be doing that shortly.
Nalini Singh (Branded by Fire (Psy-Changeling, #6))
You come to this place, mid-life. You don’t know how you got here, but suddenly you’re staring fifty in the face. When you turn and look back down the years, you glimpse the ghosts of other lives you might have led; all houses are haunted. The wraiths and phantoms creep under your carpets and between the warp and weft of fabric, they lurk in wardrobes and lie flat under drawer-liners. You think of the children you might have had but didn’t. When the midwife says, ‘It’s a boy,’ where does the girl go? When you think you’re pregnant, and you’re not, what happens to the child that has already formed in your mind? You keep it filed in a drawer of your consciousness, like a short story that never worked after the opening lines.
Hilary Mantel (Giving Up the Ghost)
If we could believe that he [Jesus] really countenanced the follies, the falsehoods, and the charlatanism which his biographers [Gospels] father on him, and admit the misconstructions, interpolations, and theorizations of the fathers of the early, and the fanatics of the latter ages, the conclusion would be irresistible by every sound mind that he was an impostor... We find in the writings of his biographers matter of two distinct descriptions. First, a groundwork of vulgar ignorance, of things impossible, of superstitions, fanaticisms and fabrications... That sect [Jews] had presented for the object of their worship, a being of terrific character, cruel, vindictive, capricious and unjust... Jesus had to walk on the perilous confines of reason and religion: and a step to right or left might place him within the gripe of the priests of the superstition, a blood thirsty race, as cruel and remorseless as the being whom they represented as the family God of Abraham, of Isaac and of Jacob, and the local God of Israel. They were constantly laying snares, too, to entangle him in the web of the law... That Jesus did not mean to impose himself on mankind as the son of God, physically speaking, I have been convinced by the writings of men more learned than myself in that lore. [Letter to William Short, 4 August, 1820]
Thomas Jefferson (Letters of Thomas Jefferson)
A paradox: the same century invented History and PHotography. But History is a memory fabricated according to positive formulas, a pure intellectual discourse which abolishes mythic Time; and the Photograph is a certain but fugitive testimony; so that everything, today, prepares our race for this impotence: to be no longer able to conceive duration, affectively or symbolically: the age of the Photograph is also the age of revolutions, contestations, assassinations, explosions, in short, of impatiences, of everything which denies ripening.
Roland Barthes (Camera Lucida: Reflections on Photography)
We email, Facebook, tweet and text with people who are going to spend eternity in either heaven or hell. Our lives are too short to waste on mere temporal conversations when massive eternal realities hang in the balance. Just as you and I have no guarantee that we will live through the day, the people around us are not guaranteed tomorrow either. So let's be intentional about sewing the threads of the gospel into the fabric of our conversations every day, knowing that it will not always be easy, yet believing that eternity will always be worth it.
David Platt (Follow Me: A Call to Die. A Call to Live.)
The suspense is killin’ me, Pigeon!” Travis called. I walked out, fidgeting with my dress while Travis stood in front of me, blank-faced. America elbowed him and he blinked. “Holy shit.” “Are you ready to be freaked out?” America asked. “I’m not freaked out, she looks amazing,” Travis said. I smiled and then slowly turned around to show him the steep dip of the fabric in the back of the dress. “Okay, now I’m freakin’ out,” he said, walking over to me “Okay, now I’m freakin’ out,” he said, walking over to me and turning me around. “You don’t like it?” I asked. “You need a jacket.” He jogged to the rack and then hastily draped my coat over my shoulders. “She can’t wear that all night, Trav,” America chuckled. “You look beautiful, Abby,” Shepley said as an apology for Travis’ behavior. Travis’ expression was pained as he spoke. “You do. You look incredible…but you can’t wear that. Your skirt is…wow, your legs are…your skirt is too short and it’s only half a dress! It doesn’t even have a back on it!” I couldn’t help but smile. “That’s the way it’s made, Travis.” “Do you two live to torture each other?” Shepley frowned. “Do you have a longer dress?” Travis asked. I looked down. “It’s actually pretty modest in the front. It’s just the back that shows off a lot of skin.” “Pigeon,” he winced with his next words, “I don’t want you to be mad, but I can’t take you to my frat house looking like that. I’ll get in a fight the first five minutes we’re there, Baby.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
Summer sticks to her skirt sumptuously, in the shiny gray fabric hanging loosely from her curves. Her chestnut eyes, apparently hidden from strangers; her simple but graceful face, unpainted by Madison Avenue; and her straight black hair, parted down the middle without ego, all suggest a minimalist - almost pastoral - beauty that is oddly discordant with her fashionable attire, comfortable indifference to the crowds, and quasi-attentive perusal of the Time magazine unfolded over her hand.
Zack Love (City Solipsism)
I don’t think that the Negro problem in America can be even discussed coherently without bearing in mind its context; its context being the history, traditions, customs, the moral assumptions and preoccupations of the country; in short, the general social fabric. Appearances to the contrary, no one in America escapes its effects and everyone in America bears some responsibility for it.
James Baldwin (Notes of a Native Son)
Thus Milton refines the question down to a matter of faith," said Coleridge, bringing the lecture to a close, "and a kind of faith more independent, autonomous - more truly strong, as a matter of fact - than the Puritans really sought. Faith, he tells us, is not an exotic bloom to be laboriously maintained by the exclusion of most aspects of the day to day world, nor a useful delusion to be supported by sophistries and half-truths like a child's belief in Father Christmas - not, in short, a prudently unregarded adherence to a constructed creed; but rather must be, if anything, a clear-eyed recognition of the patterns and tendencies, to be found in every piece of the world's fabric, which are the lineaments of God. This is why religion can only be advice and clarification, and cannot carry any spurs of enforcement - for only belief and behavior that is independently arrived at, and then chosen, can be praised or blamed. This being the case, it can be seen as a criminal abridgement of a person's rights willfully to keep him in ignorance of any facts - no piece can be judged inadmissible, for the more stones, both bright and dark, that are added to the mosaic, the clearer is our picture of God.
Tim Powers (The Anubis Gates)
Reluctantly, he knew that he despised his fellow residents for the way in which they fit so willingly into their appointed slots in the apartment buildings, for their overdeveloped sense of responsibility and lack of flamboyance. Above all, he looked down on them for their good taste. The building was a monument to good taste, to the well-designed kitchen, to sophisticated utencils and fabrics, to elegant and never ostentatious furnishings. In short, to that whole aesthetic sensibility which these well-educated, professional people had inherited from all the schools of industrial design, all the award-winning schemes of interior decoration institutionalized by the last quarter of the century. Royal detested this orthodoxy of the intelligent. Visiting his neighbors’ apartments, he would find himself physically repelled by the contours of an award-winning coffee pot, but the well-modulated color schemes, by the good taste and intelligence that, Midas-like, had transformed everything in these apartments into an ideal marriage of function and design. In a sense, these people were the vanguard of a well-to-do and well-educated proletariat of the future, boxed up in these expensive apartments with their elegant furniture, and intelligent sensibilities, and no possibility of escape.
J.G. Ballard (High-Rise)
I believe that there is one story in the world, and only one, that has frightened and inspired us, so that we live in a Pearl White serial of continuing thought and wonder. Humans are caught—in their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity too—in a net of good and evil. I think this is the only story we have and that it occurs on all levels of feeling and intelligence. Virtue and vice were warp and woof of our first consciousness, and they will be the fabric of our last, and this despite any changes we may impose on field and river and mountain, on economy and manners. There is no other story. A man, after he has brushed off the dust and chips of his life, will have left only the hard, clean questions: Was it good or was it evil? Have I done well—or ill? [...] In uncertainty I am certain that underneath their topmost layers of frailty men want to be good and want to be loved. Indeed, most of their vices are attempted short cuts to love. When a man comes to die, no matter what his talents and influence and genius, if he dies unloved his life must be a failure to him and his dying a cold horror. It seems to me that if you or I must choose between two courses of thought or action, we should remember our dying and try so to live that our death brings no pleasure to the world. We have only one story. All novels, all poetry, are built on the never-ending contest in ourselves of good and evil. And it occurs to me that evil must constantly respawn, while good, while virtue, is immortal. Vice has always a new fresh young face, while virtue is venerable as nothing else in the world is.
John Steinbeck (East of Eden)
There was is Arthur Nicholls much to recommend him to Charlotte Bronte, not least of which was the disparity between surface and soul, and it might be argued that Mr. Nicholls was the hidden gem of the two. Behind a veneer of quiet, ladylike demeanor, Charlotte concealed an acerbic mind and ruthlessly harsh opions on the weaknesses of the human species. Arthur, on the other hand, was the blustery, bigoted sort who could barely open his mouth without offending someone. Yet when the gloves came off, he had a great and tender heart, and was capable of love that would bear all wrongs, endure all tempests - in short, the very stuff that Charlotte took great pains to fabricate in her stories and that she was convinced she would never find.
Juliet Gael (Romancing Miss Brontë)
The short story narrates the moment when a dark door, long closed, is opened, when a forgotten error is unwittingly repeated, when the fabric of a life is revealed to have been woven from frail and dubious fiber over top of something unknowable and possibly very bad.
Michael Chabon (Maps and Legends: Reading and Writing Along the Borderlands)
But the world I—no, not I, Fabienne and I—had given them: Was it real? How much of it was real? We cannot measure a world with a ruler or a scale, and conclude that it is two inches, or two ounces, short of being real. All worlds, fabricated or not, are equally real. And so they are equally unreal. If I told my parents that in Paris I was posing for the press to photograph, they would say I was making up stories no one would believe. Paris was not real to them. Neither was my fame. The world Fabienne and I made together: it was as real as our nonsense.
Yiyun Li (The Book of Goose)
The Reed Flute's Song Listen to the story told by the reed, of being separated. "Since I was cut from the reedbed, I have made this crying sound. Anyone apart from someone he loves understands what I say. Anyone pulled from a source longs to go back. At any gathering I am there, mingling in the laughing and grieving, a friend to each, but few will hear the secrets hidden within the notes. No ears for that. Body flowing out of spirit, spirit up from body: no concealing that mixing. But it's not given us to see the soul. The reed flute is fire, not wind. Be that empty." Hear the love fire tangled in the reed notes, as bewilderment melts into wine. The reed is a friend to all who want the fabric torn and drawn away. The reed is hurt and salve combining. Intimacy and longing for intimacy, one song. A disastrous surrender and a fine love, together. The one who secretly hears this is senseless. A tongue has one customer, the ear. A sugarcane flute has such effect because it was able to make sugar in the reedbed. The sound it makes is for everyone. Days full of wanting, let them go by without worrying that they do. Stay where you are inside such a pure, hollow note. Every thirst gets satisfied except that of these fish, the mystics, who swim a vast ocean of grace still somehow longing for it! No one lives in that without being nourished every day. But if someone doesn't want to hear the song of the reed flute, it's best to cut conversation short, say good-bye, and leave.
Jalal ad-Din Muhammad ar-Rumi
He was a natural born prevaricator and fabricator: in short, he had found the perfect job in the practice of law, where things are never what they’re said to be.
John Ellsworth (Thaddeus Murfee Box Set: Thaddeus Murfee / The Defendants / Beyond a Reasonable Death (Thaddeus Murfee Legal Thriller, #1-3))
By the late twentieth century, our time, a mythic time, we are all chimeras, theorized and fabricated hybrids of machine and organism; in short, we are cyborgs.The cyborg is our onthology; it gives us our politics. the cyborg is a condensed image of both imagination and material reality, the two joined centers structuring any possibility of historical transformation.
Donna J. Haraway
It’s . . . what you said, in the bar the other night. About how I can’t let things go. You’re right. And maybe—I don’t know. Maybe it’s because I’ve been so—my whole life, people do things to, they . . . they hurt the people I love. And there was never anything I could do about it. Not until I got magic.” Noam’s hand slackened against Dara’s, but Dara didn’t try to pull away again. He rubbed his thumb against the backs of Noam’s knuckles, and Noam said: “I can do something, now. And maybe I . . . maybe I’m afraid of being powerless again.” The moment that followed was heavy and silent, thick enough between them Dara could’ve twisted it in his grasp like fabric. “You aren’t powerless.” Dara’s voice wavered. “You—Noam, even if you didn’t have magic, you wouldn’t be powerless. You’re so . . . you’re the bravest person I know. The stupidest too.” That earned a broken sort of laugh from Noam. “But. You’re strong. He won’t break you like he—” His throat closed around the rest. Noam’s inhale was sharp, audible. He lifted his hand and slid chilly fingers into Dara’s shorn-short hair. “You aren’t broken, Dara.
Victoria Lee (The Fever King (Feverwake, #1))
Every witch or wizard with a wand has held in his or her hands more power than we will ever know. With the right spell or potion, they can fabricate love, travel through time, change physical form and even extinguish life. In the wrong hands, power and magic can be dark, lethal, and consuming. Lord Voldemort showed us that; he sought power so viciously that he tore apart the fabric of his soul and lost everything that made him human. He is the ultimate villain, motivated by an ice-cold desire for power and destruction. Obviously few people could match Voldemort in general evil intent (though Bellatrix Lestrange and Dolores Umbridge indeed try), but there are certainly other characters attracted to power.
J.K. Rowling (Short Stories from Hogwarts of Power, Politics and Pesky Poltergeists (Pottermore Presents, #2))
I don't think the negro problem can be discussed coherently without bearing in mind its context; its context being the history, traditions, customs, the moral assumptions and preoccupations of the country; in short, the general social fabric. Appearances to the contrary, no one in America escapes its effects and everyone in America bears some responsibility for it. I believe this the more firmly because it is the overwhelming tendency to speak of this problem as if it were a thing apart
James Baldwin (Notes of a Native Son)
Inside that self we knew, which might at times appear blurred a bit, or sidetracked, she kept her younger selves strenuous and hopeful; scenes from the past were liable to pop up any time, like lantern slides, against the cluttered fabric of the present.
Alice Munro (Lives of Girls and Women)
In short, he became so absorbed in his books that he spent his nights from sunset to sunrise, and his days from dawn to dark, poring over them; and what with little sleep and much reading his brains got so dry that he lost his wits. His fancy grew full of what he used to read about in his books, enchantments, quarrels, battles, challenges, wounds, wooings, loves, agonies, and all sorts of impossible nonsense; and it so possessed his mind that the whole fabric of invention and fancy he read of was true, that to him no history in the world had more reality in it.
Miguel de Cervantes Saavedra (Don Quijote de la Mancha I)
Gas had many drawbacks. Those who worked in gas-supplied offices or visited gaslit theaters often complained of headaches and nausea. To minimize that problem, gaslights were sometimes erected outside factory windows. Indoors, gas blackened ceilings, discolored fabrics, corroded metal, and left a greasy layer of soot on every horizontal surface. Flowers wilted swiftly in its presence, and most plants turned yellow unless isolated in a terrarium. Only the aspidistra seemed immune to its ill effects, which accounts for its presence in nearly every Victorian parlor photograph.
Bill Bryson (At Home: A Short History of Private Life)
Many people today acquiesce in the widespread myth, devised in the late 19th century, of an epic battle between ‘scientists’ and ‘religionists’. Despite the unfortunate fact that some members of both parties perpetuate the myth by their actions today, this ‘conflict’ model has been rejected by every modern historian of science; it does not portray the historical situation. During the 16th and 17th centuries and during the Middle Ages, there was not a camp of ‘scientists’ struggling to break free of the repression of ‘religionists’; such separate camps simply did not exist as such. Popular tales of repression and conflict are at best oversimplified or exaggerated, and at worst folkloristic fabrications (see Chapter 3 on Galileo). Rather, the investigators of nature were themselves religious people, and many ecclesiastics were themselves investigators of nature.
Lawrence M. Principe (The Scientific Revolution: A Very Short Introduction)
Aim up. Pay attention. Fix what you can fix. Don’t be arrogant in your knowledge. Strive for humility, because totalitarian pride manifests itself in intolerance, oppression, torture and death. Become aware of your own insufficiency—your cowardice, malevolence, resentment and hatred. Consider the murderousness of your own spirit before you dare accuse others, and before you attempt to repair the fabric of the world. Maybe it’s not the world that’s at fault. Maybe it’s you. You’ve failed to make the mark. You’ve missed the target. You’ve fallen short of the glory of God. You’ve sinned. And all of that is your contribution to the insufficiency and evil of the world. And, above all, don’t lie. Don’t lie about anything, ever. Lying leads to Hell. It was the great and the small lies of the Nazi and Communist states that produced the deaths of millions of people. Consider then that the alleviation of unnecessary pain and suffering is a good. Make that an axiom: to the best of my ability I will act in a manner that leads to the alleviation of unnecessary pain and suffering. You have now placed at the pinnacle of your moral hierarchy a set of presuppositions and actions aimed at the betterment of Being.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
It was from this that I drew my fundamental moral conclusions. Aim up. Pay attention. Fix what you can fix. Don’t be arrogant in your knowledge. Strive for humility, because totalitarian pride manifests itself in intolerance, oppression, torture and death. Become aware of your own insufficiency—your cowardice, malevolence, resentment and hatred. Consider the murderousness of your own spirit before you dare accuse others, and before you attempt to repair the fabric of the world. Maybe it’s not the world that’s at fault. Maybe it’s you. You’ve failed to make the mark. You’ve missed the target. You’ve fallen short of the glory of God. You’ve sinned. And all of that is your contribution to the insufficiency and evil of the world. And, above all, don’t lie. Don’t lie about anything, ever. Lying leads to Hell. It was the great and the small lies of the Nazi and Communist states that produced the deaths of millions of people.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
Ironing was another massive and dauntingly separate task. Irons cooled quickly, so a hot iron had to be used with speed and then exchanged with a freshly heated one. Generally, there would be one on the go and two being heated. The irons, heavy in themselves, had to be pressed down with great force to get the desired results. But because there were no controls, they had to be wielded with delicacy and care so as not to scorch fabrics. Heating irons over a fire often made them sooty, too, so they had to be constantly wiped down. If starch was involved, it stuck to the bottom of the iron, which then had to be rubbed with sandpaper or an emery board.
Bill Bryson (At Home: A Short History of Private Life)
It did not take me long during the COVID-19 pandemic in Arizona to figure out that shopping in a plastic hazmat suit was really hot and sweaty! I got wise and figured out that a paint sprayer's fabric suit was more suitable to the hot weather of Arizona. I always wore shorts and a tee-shirt to stay cool within the protective suit.
Steven Magee
Scott stared at her mouth, just stared like he was hypnotized, paralyzed, like that crimson O was the answer to all of life’s problems, or maybe just his prayers. I kicked his shin to break the spell, which worked; he blinked, then ate the bite himself as if he’d never even offered it to anyone at all. I looked frankly at Carmel; her expression was innocently amused. There are women whose whole selves are engaged in being a public commodity, and Carmel was one of these. Every gesture she made, every syllable she uttered, the tinkle of her laughter, the way her dress’s fabric draped over her breasts, all of it was self-conscious and deliberate, designed to elicit admiration in women, desire in men. This isn’t to say I held any of that against her. Not a bit. I liked her, in fact. The way I saw it, she was a kind of living work of art, and funny and thoughtful besides. Was it her fault if she, as had happened to me, sometimes provoked the basest feelings in a man? Scott and Fred made short work of that second bottle of brandy while Carmel’s and my glasses still held our initial pour. I’d found that drinking very much of any kind of alcohol still did bad things to my stomach. Carmel might have found that it did bad things to her self-preservation; I know that if I looked like her, I’d never let down my guard.
Therese Anne Fowler (Z: A Novel of Zelda Fitzgerald)
Long before being artists, we are artisans; and all fabrication, however rudimentary, lives on likeness and repetition, like the natural geometry which serves as its fulcrum. Fabrication works on models which it sets out to reproduce; and even when it invents, it proceeds, or imagines itself to proceed, by a new arrangement of elements already known. Its principle is that “we must have like to produce like.” In short, the strict application of the principle of finality, like that of the principle of mechanical causality, leads to the conclusion that “all is given.” Both principles say the same thing in their respective languages, because they respond to the same need.
Henri Bergson (Creative Evolution)
The boat bounced hard on the waves. Reflexively, Tally shot out a hand to brace herself on the closest stable object. She stared in horror at her own pale fingers gripping the front waistband of the pirate's shorts. His purple Hawaiian shorts were now riding low, very low, on his hips, as the weight of her hand dragged the fabric down. And down...
Cherry Adair (In Too Deep (T-FLAC, #4; Wright Family, #3))
There is of course an extremely good reason for wearing shorts when you’re young, even in the depths of an English winter (and they were colder then, weren’t they?). According to Wired magazine, we can’t expect to see self-repairing fabrics until about the year 2020, but ever since we emerged from whatever trees or swamps we lived in five million years ago, we have had self-repairing knees.
Douglas Adams (The Salmon of Doubt: Hitchhiking the Galaxy One Last Time (Dirk Gently, #3))
Goodness gracious, Benny, why on earth would you hide this beautiful head of hair all the time?" He looks down sheepishly, sending a couple of dark curls tumbling over his forehead. The top of his head is covered in a thick layer of them, shiny and perfectly tousled in spite of his best efforts to crush them in a structured fabric dome day in and day out. The sides are cut short, which makes it harder to tell that he's hiding anything this gorgeous under those caps of his. "Maybe I thought it'd be too much for you to handle. I didn't even own a hat before this summer," he jokes with a sideways smirk. I bring my hands up and thread them both through his curls slowly before grabbing hold and pulling his head back to mine. Brushing his lips with mine, I say, "On second thought, you might've been onto something.
Kaitlyn Hill (Love from Scratch)
Violet had carefully chosen some long-hanging, loose-fitting basketball shorts to wear over her swimsuit, in hopes of keeping her injuries at least partially hidden. But it didn’t take long before one . . . and then two . . . and then at least twenty of her friends had noticed her bandages peeking out from beneath the swishing fabric, and she was forced to recount her morning accident. Jay loved hearing her tell the story, and every time he heard her talking about it, he would come over so that he could interject, and of course embellish, his role in the events. In his version, he was her champion, practically carrying her from the woods and performing near-miraculous medical feats to save her legs from complete amputation. Violet, and annoyingly every other girl within earshot, couldn’t help but giggle while he jokingly sang his own praises. Violet happened to walk up just in time to hear Jay recounting his version once more to a group of eager admirers. “Hero? I wouldn’t say hero . . .” he quipped. Violet rolled her eyes, turning to Grady Spencer, a friend of theirs from school. “Can you believe him?” Grady gave her a concerned look. “Seriously, are you okay, Violet? It sounds like it was pretty bad.” Violet was embarrassed that Jay’s exaggerations were actually dredging up real sympathy from others. “It’s fine,” she assured him, and when Grady didn’t look convinced, she added, “Really, I just tripped.” She reached out and shoved Jay. “Will you knock it off, hero? You’re making an ass out of yourself.
Kimberly Derting (The Body Finder (The Body Finder, #1))
That night, Jas wore the only dress she owned.It was made of soft,clingy fabric.The skirt was short, showing off her now tan and muscular legs.When she came down the steps barefoot,Chase's eyes widened in surprise. "Um...what happened to your jeans?" he asked. "Never mind." Linking her arm with his,she steered him away from the kitchen door."Is Danvers here?" "In the kitchen standing very close to Miss Hahn,tasting spaghetti sauce." "Okay.Here's the plan." she lowered her voice."Call him into the living room for something. I'll run up and get the album." Chase nodded his head with utmost seriousness"And I'll drop the salad." "Right." He was bent slightly to hear her and without warning, he suddenly angled his head and kissed her. When he pulled back, he was grinning like a little kid."Sorry.I couldn't help myself. It's all this intrigue." "Right it's the intrigue," Jas repeated, too surprised to say anything else. Her heart was beating like a drum, and when he went into the kitchen, she thumped up the steps, touching her lips. Thinking to herself "Did he really just kiss me?"...........
Alison Hart (Shadow Horse (Shadow Horse Series))
Now the whole parable and purpose of these last pages, and indeed of all these pages, is this: to assert that we must instantly begin all over again, and begin at the other end. I begin with a little girl’s hair. That I know is a good thing at any rate. Whatever else is evil, the pride of a good mother in the beauty of her daughter is good. It is one of those adamantine tendernesses which are the touchstones of every age and race. If other things are against it, other things must go down. If landlords and laws and sciences are against it, landlords and laws and sciences must go down. With the red hair of one she–urchin in the gutter I will set fire to all modern civilization. Because a girl should have long hair, she should have clean hair; because she should have clean hair, she should not have an unclean home: because she should not have an unclean home, she should have a free and leisured mother; because she should have a free mother, she should not have an usurious landlord; because there should not be an usurious landlord, there should be a redistribution of property; because there should be a redistribution of property, there shall be a revolution. That little urchin with the gold–red hair, whom I have just watched toddling past my house, she shall not be lopped and lamed and altered; her hair shall not be cut short like a convict’s; no, all the kingdoms of the earth shall be hacked about and mutilated to suit her. She is the human and sacred image; all around her the social fabric shall sway and split and fall; the pillars of society shall be shaken, and the roofs of ages come rushing down, and not one hair of her head shall be harmed.
G.K. Chesterton (The G.K. Chesterton Collection [34 Books])
Ionizing radiation takes three principal forms: alpha particles, beta particles, and gamma rays. Alpha particles are relatively large, heavy, and slow moving and cannot penetrate the skin; even a sheet of paper could block their path. But if they do manage to find their way inside the body by other means—if swallowed or inhaled—alpha particles can cause massive chromosomal damage and death. Radon 222, which gathers as a gas in unventilated basements, releases alpha particles into the lungs, where it causes cancer. Polonium 210, a powerful alpha emitter, is one of the carcinogens in cigarette smoke. It was also the poison slipped into the cup of tea that killed former FSB agent Alexander Litvinenko in London in 2006. Beta particles are smaller and faster moving than alpha particles and can penetrate more deeply into living tissue, causing visible burns on the skin and lasting genetic damage. A piece of paper won’t provide protection from beta particles, but aluminum foil—or separation by sufficient distance—will. Beyond a range of ten feet, beta particles can cause little damage, but they prove dangerous if ingested in any way. Mistaken by the body for essential elements, beta-emitting radioisotopes can become fatally concentrated in specific organs: strontium 90, a member of the same chemical family as calcium, is retained in the bones; ruthenium is absorbed by the intestine; iodine 131 lodges particularly in the thyroid of children, where it can cause cancer. Gamma rays—high-frequency electromagnetic waves traveling at the speed of light—are the most energetic of all. They can traverse large distances, penetrate anything short of thick pieces of concrete or lead, and destroy electronics. Gamma rays pass straight through a human being without slowing down, smashing through cells like a fusillade of microscopic bullets. Severe exposure to all ionizing radiation results in acute radiation syndrome (ARS), in which the fabric of the human body is unpicked, rearranged, and destroyed at the most minute levels. Symptoms include nausea, vomiting, hemorrhaging, and hair loss, followed by a collapse of the immune system, exhaustion of bone marrow, disintegration of internal organs, and, finally, death.
Adam Higginbotham (Midnight in Chernobyl: The Untold Story of the World's Greatest Nuclear Disaster)
Self-image is the product of our very own spin machine. Revolutions of long-term memories and the gyrations of short-term thoughts fabricate the epicycle of our present self-image. Once a synchronized self-image is developed, the human mind exhibits a tenacious tendency to maintain that centralized self-image through selective recall of prior events and by displaying a corresponding perception bias in interpreting present day experiences. In short, once we come to a firm belief of what we are, we exercise various mental and emotional prejudices to confirm and sustain our self-image.
Kilroy J. Oldster (Dead Toad Scrolls)
Disability is inherently a negation. In our culture, people with disabilities stand more for what they are not than what they are—not normal, not whole—a negation that calls into being its opposite: the normal. The normal looms over all of our lives, an impossible goal that we are told is possible if: if we sit still, if we buy certain consumer goods, if we exercise, if we fix our teeth, if we … The short bus polices that terrain; it patrols a fabricated social boundary demarcating what is healthy and sick, acceptable and broken, enforcing normalcy in all of us. What had I lost in trying to belong to the other side?
Jonathan Mooney (The Short Bus: A Journey Beyond Normal)
From the outset wallpaper was often colored with pigments that used large doses of arsenic, lead, and antimony, but after 1775 it was frequently soaked in an especially insidious compound called copper arsenite, which was invented by the great but wonderfully hapless Swedish chemist Karl Scheele.* The color was so popular that it became known as Scheele’s green. Later, with the addition of copper acetate, it was refined into an even richer pigment known as emerald green. This was used to color all kinds of things—playing cards, candles, clothing, curtain fabrics, and even some foods. But it was especially popular in wallpaper.
Bill Bryson (At Home: A Short History of Private Life)
I must confess that I am not at all partial to the fabrication of Weltanschauungen. Such activities may be left to philosophers, who avowedly find it impossible to make their journey through life without a Baedeker of that kind to give them information on every subject. Let us humbly accept the contempt with which they look down on us from the vatnage-ground of their superior needs. But since we cannot forgot our narcissistic pride either, we will draw comfort from the reflection that such 'Handbooks to Life' soon grow out of date and that it is precisely our short-sighted, narrow, and finicky work which obliges them to appear in new editions, and that even the most up-to-date of them are nothing but attempts to find a substitute for the ancient, useful and all-sufficient Church Catechism. We know well enough how little light science has so far been able to throw on the problems that surround us. But however much ado the philosophers may make, they cannot alter the situation. Only patient, persevering research, in which everything is subordinated to the one requirement of certainty, can gradually bring about a change. The benighted traveller may sing aloud in the dark to deny his own fears; but, for all that, he will not see an inch further beyond his nose.
Sigmund Freud
something flat but pliant—a mattress, say, or a sheet of stretched rubber—on which is resting a heavy round object, such as an iron ball. The weight of the iron ball causes the material on which it is sitting to stretch and sag slightly. This is roughly analogous to the effect that a massive object such as the Sun (the iron ball) has on spacetime (the material): it stretches and curves and warps it. Now if you roll a smaller ball across the sheet, it tries to go in a straight line as required by Newton’s laws of motion, but as it nears the massive object and the slope of the sagging fabric, it rolls downward, ineluctably drawn to the more massive object. This is gravity—a product of the bending of spacetime.
Bill Bryson (A Short History of Nearly Everything)
Then eventually Westwood arrived. He looked nothing like Reacher expected, but the reality fit the bill just as well as the preconceptions had. He was an outdoors type, not a lab rat, and sturdy rather than pencil-necked. He looked like a naturalist or an explorer. He had short but unruly hair, fair going gray, and a beard of the same length and color. He was red in the face from sunburn and had squint lines around his eyes. He was forty-five, maybe. He was wearing clothing put together from high-tech fabrics and many zippers, but it was all old and creased. He had hiking boots on his feet, with speckled laces like miniature mountain-climbing ropes. He was toting a canvas bag about as big as a mail carrier’s.
Lee Child (Make Me (Jack Reacher, #20))
The color is yet another variant in another dimension of variation, that of its relations with the surroundings: this red is what it is only by connecting up from its place with other reds about it, with which it forms a constellation, or with other colors it dominates or that dominate it, that it attracts or that attracts it, that it repels or that repel it. In short, it is a certain node in the woof of the simultaneous and the successive. It is a concretion of visibility, it is not an atom. The red dress a fortiori holds with all its fibers onto the fabric of the visible, and thereby onto a fabric of invisible being. A punctuation in the field of red things, which includes the tiles of roof tops, the flags of gatekeepers and of the Revolution, certain terrains near Aix or in Madagascar, it is also a punctuation in the field of red garments, which includes, along with the dresses of women, robes of professors, bishops, and advocate generals, and also in the field of adornments and that of uniforms. And its red literally is not the same as it appears in one constellation or in the other, as the pure essence of the Revolution of 1917 precipitates in it, or that of the eternal feminine, or that of the public prosecutor, or that of the gypsies dressed like hussars who reigned twenty-five years ago over an inn on the Champs-Elysées. A certain red is also a fossil drawn up from the depths of imaginary worlds. If we took all these participations into account, we would recognize that a naked color, and in general a visible, is not a chunk of absolutely hard, indivisible being, offered all naked to a vision which could be only total or null, but is rather a sort of straits between exterior horizons and interior horizons ever gaping open, something that comes to touch lightly and makes diverse regions of the colored or visible world resound at the distances, a certain differentiation, an ephemeral modulation of this world—less a color or a thing, therefore, than a difference between things and colors, a momentary crystallization of colored being or of visibility. Between the alleged colors and visibles, we would find anew the tissue that lines them, sustains them, nourishes them, and which for its part is not a thing, but a possibility, a latency, and a flesh of things.
Maurice Merleau-Ponty (The Visible and the Invisible (Studies in Phenomenology and Existential Philosophy))
Snowbound up here with you. Without books or business to occupy my time, I wonder what I’ll do,” he added with a leer. She blushed gorgeously, but her voice was serious as she studied his face. “If things hadn’t gone so well for you-if you hadn’t accumulated so much wealth-you could have been happy up here, couldn’t you?” “With you?” “Of course.” His smile was as somber as hers. “Absolutely.” “Although,” he added, linking her hands behind her back and drawing her a little closer, “you may not want to remain up here when you learn your emeralds are back in their cases at Montmayne.” Her head snapped up, and her eyes shone with love and relief. “I’m so glad. When I realized Robert’s story had been fabrication, it hurt beyond belief to realize I’d sold them.” “It’s going to hurt more,” he teased outrageously, “when you realize your bank draft to cover their cost was a little bit short. It cost me $45,000 to buy back the pieces that had already been sold, and $5,000 to buy the rest back from the jeweler you sold them to.” “That-that unconscionable thief!” she burst out. “He only gave me $5,000 for all of them!” She shook her head in despair at Ian’s lack of bargaining prowess. “He took dreadful advantage of you.” “I wasn’t concerned, however,” Ian continued teasing, enjoying himself hugely, “because I knew I’d get it all back out of your allowance. With interest, of course. According to my figures,” he said, pausing to calculate in his mind what it would have taken Elizabeth several minutes to figure out on paper, “as of today, you now owe me roughly $151,126.” “One hundred and- what?” she cried, half laughing and half irate. “There’s the little matter of the cost of Havenhurst. I added that in to the figure.” Tears of joy clouded her magnificent eyes. “You bought it back from that horrid Mr. Demarcus?” “Yes. And he is ‘horrid.’ He and your uncle ought to be partners. They both possess the instincts of camel traders. I paid $100,000 for it.” Her mouth fell open, and admiration lit her face. “$100,000! Oh, Ian-“ “I love it when you say my name.” She smiled at that, but her mind was still on the splendid bargain he’d gotten. “I could not have done a bit better!” she generously admitted. “That’s exactly what he paid for it, and he told me after the papers were signed that he was certain he could get $150,000 if he waited a year or so.” “He probably could have.” “But not from you!” she announced proudly. “Not from me,” he agreed, grinning. “Did he try?” “He tried for $200,000 as soon as he realized how important it was to me to buy it back for you.” “You must have been very clever and skillful to make him agree to accept so much less.” Trying desperately not to laugh, Ian put his forehead against hers and nodded. “Very skillful,” he agreed in a suffocated voice. “Still, I wonder why he was so agreeable?” Swallowing a surge of laughter, Ian said, “I imagine it was because I showed him that I had something he needed more than he needed an exorbitant profit.” “Really?” she said, fascinated and impressed. “What did you have?” “His throat.
Judith McNaught (Almost Heaven (Sequels, #3))
Speaking of… I gotta go. I need to be at the field.” His voice rumbled through his chest and against my ear as he spoke. I sighed and stepped out of his arms. I was sad that our couple days together were over and I would be here tonight without him. Classes started tomorrow, and I knew we were going to see a lot less of each other now that the semester was starting. “I’ll walk you out,” I said and followed him to the door. Ivy was still digging through my clothes and called out a good-bye. “Just stay inside,” he said, palming the handle. “It’s cold and slippery out there. You’ll be safer in here.” I grimaced. “You’re probably right.” He grinned. “I’ll call you later, ‘kay?” I nodded. He released the door handle and closed the distance between us with one step. The toes of his shoes bumped against my boots and the front of his jacket brushed against me. My stomach fluttered and my heart rate doubled. The effect he had on me was nothing short of amazing. I tipped my head back so I could look up into his eyes, and the corner of his mouth lifted. He looked at me with so much affection in his gaze that emotion caught in my throat. He didn’t have to say anything because I heard everything just by looking in his eyes. My fingers curled around the hem of his shirt and tangled in the cotton fabric, and at the same time I stretched up, he bent down. The feel of his lips against me was my favorite sensation. Nothing compared to the way his mouth owned mine. His tongue stretched out, sweeping through my mouth with gentle pressure, and I sighed into him and sagged forward. A low laugh vibrated his chest and he pulled back. “Be careful walking to class tomorrow, huh? Don’t fall and hurt yourself.” I nodded, barely comprehending his words. He slipped out the door before reality came flooding back. I rushed forward, caught the closing door, and called out his name. He stopped and turned. The lopsided, knowing smile on his face was smug. “Good luck at practice,” I called, ignoring the few girls who stopped to watch us. “Thanks, baby.” I swear every girl within earshot sighed. I couldn’t even blame them. I shut the door and leaned against it. Ivy put her hands on her hips and looked at me. “I’m gonna need a mega supply of barf bags to put up with you two this semester.” I smiled.
Cambria Hebert (#Hater (Hashtag, #2))
Please go outside. I really don’t want to hurt you.” Levi pulled up short. “No. Not toward me. To the door. The door!” She squealed, and Levi bounded forward, taking the stairs in a single leap. He threw the door wide and brought up his fists, ready to take on the unseen threat. “Get it off! Get it off!” She held her skirts away from her body and twisted her head to the side as if trying to put as much distance as possible between her and the invader clinging to the dark green fabric of her dress. A cockroach. A big ugly one—three, maybe four inches long, its wings still slightly askew. “Please.” Miss Spencer whimpered, and the sound galvanized him to action. Levi opened his hand and swiped the oversized beetle from her skirt. Then, before the thing could scamper into a dark corner, he crushed it with a stomp of his boot, wincing at the audible crunch that echoed in the now-quiet hall. He scraped his sole over the carcass like a horse pawing the ground, and sent the bug sailing out the door. “Did you have to squish him?” Levi jerked his eyes to Eden Spencer’s face. What had she expected him to do? Tie a leash around its neck and take it for a walk? “Don’t get me wrong,” she said, as she raised a shaky hand to fidget with the button at her collar. “I appreciate your removing that beastly insect from my person.” She shuddered slightly, and her gaze dropped to the darkened spot on the hardwood floor that evidenced the roach’s demise. “However, I can’t abide violence against any of God’s creatures. Even horrid, wing-sprouting behemoths.
Karen Witemeyer (To Win Her Heart)
The victims of right-wing violence are typically immigrants, Muslims, and people of color, while the targets of environmental and animal rights activism are among “the most powerful corporations on the planet” — hence the state’s relative indifference to the one and obsession with the other. The broader pattern helps to explain one partial exception to the left/right gap in official scrutiny—namely, the domestic aspects of the “War on Terror.” Al Qaeda is clearly a reactionary organization. Like much of the American far right, it is theocratic, anti-Semitic, and patriarchal. Like Timothy McVeigh, the 9/11 hijackers attacked symbols of institutional power, killing a great many innocent people to further their cause. But while the state’s bias favors the right over the left, the Islamists were the wrong kind of right-wing fanatic. These right-wing terrorists were foreigners, they were Muslim, and above all they were not white. And so, in retrospect and by comparison, the state’s response to the Oklahoma City bombing seems relatively restrained—short-lived, focused, selectively targeting unlawful behavior for prosecution. The government’s reaction to the September 11th attacks has been something else entirely — an open-ended war fought at home and abroad, using all variety of legal, illegal, and extra-legal military, police, and intelligence tactics, arbitrarily jailing large numbers of people and spying on entire communities of immigrants, Muslims, and Middle Eastern ethnic groups. At the same time, law enforcement was also obsessively pursuing — and sometimes fabricating—cases against environmentalists, animal rights activists, and anarchists while ignoring or obscuring racist violence against people of color. What that shows, I think, is that the left/right imbalance persists, but sometimes other biases matter more.
Kristian Williams (Our Enemies in Blue: Police and Power in America)
Women have always desired equality and respect, but our current culture isn’t seeking it through the grace of Mary; rather, the culture seeks this equality and respect through the vices of Machiavelli: rage, intimidation, tantrums, bullying, raw emotion, and absence of logic. It is this aggressive impulse—this toxic femininity—that finds pride in calling oneself “nasty,” feels empowered by dressing as a vagina, belittles men, and sees the (tragically ironic) need to drop civility so that civility can somehow return again. The devil knows that all these marks of the anti-Mary—rage, indignation, vulgarity, and pride—short-circuit a woman’s greatest gifts: wisdom, prudence, patience, unflappable peace, intuition, her ability to weave together the fabric of society, and her capacity for a deep and fulfilling relationship with God. Instead, the father of lies promises power, fame, fortune, and sterile, fleeting pleasures.
Carrie Gress (The Anti-Mary Exposed: Rescuing the Culture from Toxic Femininity)
On the way to the cake shop I kept stopping to shake the wet leaves off the soles of my brown suede Whistles boots. I bought them at Sue Ryder, the charity shop in Camden Town. [...] I know how to find good clothes in those places. First scan the rails for an awkward colour, anything that jumps out as being a bit ugly, like dirty mustard, salmon pink or olive green with a bit too much brown in it. A print with an unusual combination of colours – dark green and pink, bright orange and ultramarine – is also worth checking out. If the quality of the fabric is good, pull the garment out and check the label. Well-cut clothes can look misshapen on a hanger because they're cut to look good on the body. I'll buy a good piece if it fits, even if it doesn't sometimes. Even if it's not my style or has short sleeves, or I don't like the shape or the buttons. I learn to love it. I never tire of clothes I've bought that I've had to adjust to. It's the compromise, the awkward gap that has to be bridged that makes something, someone, lovable.
Viv Albertine (To Throw Away Unopened)
Then eventually Westwood arrived. He looked nothing like Reacher expected, but the reality fit the bill just as well as the preconceptions had. He was an outdoors type, not a lab rat, and sturdy rather than pencil-necked. He looked like a naturalist or an explorer. He had short but unruly hair, fair going gray, and a beard of the same length and color. He was red in the face from sunburn and had squint lines around his eyes. He was forty-five, maybe. He was wearing clothing put together from high-tech fabrics and many zippers, but it was all old and creased. He had hiking boots on his feet, with speckled laces like miniature mountain-climbing ropes. He was toting a canvas bag about as big as a mail carrier’s. He paused inside the door, and identified Chang instantly, because she was the only woman in the place. He slid in opposite, across the worn vinyl, and hauled his bag after him. He put his forearm on the table and said, “I assume your other colleague is still missing. Mr. Keever, was it?” Chang nodded and said, “We hit the wall, as far as he’s concerned. We’re dead-ended. We can trace him so far, but no further.
Lee Child (Make Me (Jack Reacher, #20))
Pandora looked dully at the red wax seal on the envelope, stamped with an elaborate family crest. If Gabriel had written something nice to her, she didn’t want to read it. If he’d written something not nice, she didn’t want to read that either. “By the holy poker,” Ida exclaimed, “just open it!” Reluctantly Pandora complied. As she pulled a small folded note from the envelope, a tiny, fuzzy object fell out. Reflexively she yelped, thinking it was an insect. But at second glance, she realized it was a bit of fabric. Picking it up gingerly, she saw that it was one of the decorative felt leaves from her missing Berlin wool slipper. It had been carefully snipped off. My lady, Your slipper is being held for ransom. If you ever want to see it again, come alone to the formal drawing room. For every hour you delay, an additional embellishment will be removed. —St. Vincent Now Pandora was exasperated. Why was he doing this? Was he trying to draw her into another argument? “What does it say?” Ida asked. “I have to go downstairs for a hostage negotiation,” Pandora said shortly. “Would you help put me to rights?” “Yes, milady.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Most living things are small and easily overlooked. In practical terms, this is not always a bad thing. You might not slumber quite so contentedly if you were aware that your mattress is home to perhaps two million microscopic mites, which come out in the wee hours to sup on your sebaceous oils and feast on all those lovely, crunchy flakes of skin that you shed as you doze and toss. Your pillow alone may be home to forty thousand of them. (To them your head is just one large oily bon-bon.) And don’t think a clean pillowcase will make a difference. To something on the scale of bed mites, the weave of the tightest human fabric looks like ship’s rigging. Indeed, if your pillow is six years old—which is apparently about the average age for a pillow—it has been estimated that one-tenth of its weight will be made up of “sloughed skin, living mites, dead mites and mite dung,” to quote the man who did the measuring, Dr. John Maunder of the British Medical Entomology Center. (But at least they are your mites. Think of what you snuggle up with each time you climb into a motel bed.)‡ These mites have been with us since time immemorial, but they weren’t discovered until 1965.
Bill Bryson (A Short History of Nearly Everything)
Unfortunately, however, there is another serious catch. Theory dictates that such discoveries must occur at an increasingly accelerating pace; the time between successive innovations must systematically and inextricably get shorter and shorter. For instance, the time between the “Computer Age” and the “Information and Digital Age” was perhaps twenty years, in contrast to the thousands of years between the Stone, Bronze, and Iron ages. If we therefore insist on continuous open-ended growth, not only does the pace of life inevitably quicken, but we must innovate at a faster and faster rate. We are all too familiar with its short-term manifestation in the increasingly faster pace at which new gadgets and models appear. It’s as if we are on a succession of accelerating treadmills and have to jump from one to another at an ever-increasing rate. This is clearly not sustainable, potentially leading to the collapse of the entire urbanized socioeconomic fabric. Innovation and wealth creation that fuel social systems, if left unchecked, potentially sow the seeds of their inevitable collapse. Can this be avoided or are we locked into a fascinating experiment in natural selection that is doomed to fail?
Geoffrey West (Scale: The Universal Laws of Growth, Innovation, Sustainability, and the Pace of Life, in Organisms, Cities, Economies, and Companies)
I must confess that I am not at all partial to the fabrication of Weltanschauungen. Such activities may be left to philosophers, who avowedly find it impossible to make their journey through life without a Baedeker of that kind to give them information on every subject. Let us humbly accept the contempt with which they look down on us from the vantage-ground of their superior needs. But since we cannot forgo our narcissistic pride either, we will draw comfort from the reflection that such ‘Handbooks to Life’ soon grow out of date and that it is precisely our short-sighted, narrow and finicky work which obliges them to appear in new editions, and that even the most up-to-date of them are nothing but attempts to find a substitute for the ancient, useful and all-sufficient Church Catechism. We know well enough how little light science has so far been able to throw on the problems that surround us. But however much ado the philosophers may make, they cannot alter the situation. Only patient, persevering research, in which everything is subordinated to the one requirement of certainty, can gradually bring about a change. The benighted traveller may sing aloud in the dark to deny his own fears; but, for all that, he will not see an inch further beyond his nose.
Sigmund Freud (Inhibitions, Symptoms and Anxiety)
He stripped off his jeans and T-shirt, climbed into bed, and watched me change into my pajamas. “You don’t need those,” he said. I smiled at the sight of him leaning back against the brass headboard with his hands clasped comfortably behind his head. He was brawny and tan, incongruously masculine against all the frilly antique fabric and lace. “I don’t like to sleep naked,” I told him. “Why? It’s a great look for you.” “I like to be prepared.” “For what?” “If there’s ever an emergency— a fire or something. . . .” “Jesus, Ella.” He was laughing. “Think of it this way— going to bed naked is better for the environment.” “Oh, shut up.” “Come on, Ella. Sleep green.” Ignoring him, I got into bed wearing a T-shirt and boxer shorts printed with penguins. I reached over to the nightstand and flipped off the lamp. A moment of silence, and then I heard a lecherous murmur. “I like your penguins.” I snuggled back against him, and his knees tucked under mine. “I’m guessing your usual female company doesn’t wear boxer shorts to bed,” I said. “Nope.” Jack’s hand settled on my hip. “If they wear anything, it’s usually some kind of see-through nightgown.” “That sounds pretty pointless.” I yawned, relaxing into the warmth of his body. “But I’ll wear one someday if you want me to.” “I don’t know.” Jack sounded pensive. His hand circled my bottom. “I’m kind of partial to these penguins.” -Jack & Ella
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
In order to conform to the current Empire style in fashion, the modiste had raised the waistline so that it fell just beneath Esme's small rounded breasts. Mrs. Benson had embellished further by adding a slender grosgrain ribbon there that matched the exact shade of tiny embroidered golden flowers scattered over the gown's ivory satin. Next she had shortened the sleeves so they were now small puffed caps edged against the arms with more narrow golden ribbon. As for the long length of material that had once run from shoulder to heel, she'd removed it and used the excess fabric to create a sweeping train that ended in a spectacular half circle that trailed after Esme as she walked. The entire hem was further enlivened by small appliquéd white lace rosettes, whose effect was nothing short of ethereal. On her feet, Esme wore a soft pair of ivory satin slippers with gold and diamond buckles that had been a last-minute gift from Mallory and Adam. On her hands were long white silk gloves that ended just above her elbows; her lustrous dark hair was pinned and styled in an elaborate upsweep with a few soft curls left to brush in dainty wisps against her forehead and cheeks. Carefully draped over head was a waist-length veil of the finest Brussels lace, which had been another present, this one from Claire, and in her hands she held creamy pink hothouse roses and crisp green holly leaves banded together inside a wide white satin ribbon.
Tracy Anne Warren (Happily Bedded Bliss (The Rakes of Cavendish Square, #2))
Stopping just short of her mouth, he rasped, “Are you still engaged to Blakeborough?” Her gorgeous eyes narrowed. “My engagement didn’t stop you last night.” “It would now.” A coy smile broke over her lips, and she tightened her grip on his neck. “Then I suppose it’s a good thing I am not.” With a growl of triumph, he kissed her once more. She was here. She was his. Nothing else mattered. Still kissing her, he jerked both sets of curtains closed. Then he tugged her onto his lap and began to tear at the fastenings of her pelisse-dress. He wanted to touch her, taste her…be inside her. He could think of naught else. “I take it that you mean to seduce me,” she murmured between kisses. “Yes.” Seduce her and marry her. And then seduce her again, as often as he could. “Well then, carry on.” So he did. He unfastened her clothes just enough to bare her breasts, then seized one in his mouth. God, she was perfect. His perfect jewel. She buried her hands in his hair to pull her into him, sighing and moaning as if she would die if he didn’t make love to her. Which was exactly how he felt. Working his hand up beneath her skirts and into the slit in her drawers, he found her so wet and hot that he nearly came right there. He slipped a finger inside her silky sweetness, and she gasped, then began to tug at his trouser buttons. “You’re all I want, Jane.” As he stroked her, he used his other hand to brush hers away so he could unfasten his own trouser buttons. “The only woman I ever cared about.” “You’re the only man Iever cared about.” She undulated against his fingers, begging for him with her body. “Why do you think…I waited for you so long?” “Not long enough, apparently,” he muttered, “or you wouldn’t have gotten yourself engaged to Blakeborough.” He tugged at her nipple with his teeth, then relished her cry of pleasure. “I only…did it because I was…tired of waiting.” She arched against his mouth. “Because you clearly weren’t…coming back for me.” “I was sure you hated me.” At last he got his trousers open. “You acted like you hated me still.” “I did.” Her breath was unsteady. “But only because…you tore us apart.” He shifted her to sit astride him. “And now?” Flashing him a provocative smile he would never have dreamed she had in her repertoire, she unbuttoned his drawers. “Do I look like I hate you?” His cock, so hard he thought it might erupt right there and embarrass him, sprang free. “You look like…like…” He paused to take in her lovely face with its flushed cheeks, sparkling eyes, and lush lips. Then he swept his gaze down to her breasts with their brazen tips, displayed so enticingly above the boned corset and her undone shift. He then dropped his eyes to the smooth thighs emerging from beneath her bunched-up skirts. Shoving the fabric higher, he exposed her dewy thatch of curls, and a shudder of anticipation shook him. “You look like an angel.” She uttered a breathy laugh. “A wanton, more like.” Taking his cock in her hand, she stroked it so wonderfully that he groaned. “Would an angel do this?
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
VIN RESISTED THE URGE TO PICK at her noblewoman’s dress. Even after a half week of being forced to wear one—Sazed’s suggestion—she found the bulky garment uncomfortable. It pulled tightly at her waist and chest, then fell to the floor with several layers of ruffled fabric, making it difficult to walk. She kept feeling as if she were going to trip—and, despite the gown’s bulk, she felt as if she were somehow exposed by how tight it was through the chest, not to mention the neckline’s low curve. Though she had exposed nearly as much skin when wearing normal, buttoning shirts, this seemed different somehow. Still, she had to admit that the gown made quite a difference. The girl who stood in the mirror before her was a strange, foreign creature. The light blue dress, with its white ruffles and lace, matched the sapphire barrettes in her hair. Sazed claimed he wouldn’t be happy until her hair was at least shoulder-length, but he had still suggested that she purchase the broochlike barrettes and put them just above each ear. “Often, aristocrats don’t hide their deficiencies,” he had explained. “Instead, they highlight them. Draw attention to your short hair, and instead of thinking you’re unfashionable, they might be impressed by the statement you are making.” She also wore a sapphire necklace—modest by noble standards, but still worth more than two hundred boxings. It was complemented by a single ruby bracelet for accentuation. Apparently, the current fashion dictated a single splash of a different color to provide contrast. And it was all hers,
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
Many people today acquiesce in the widespread myth, devised in the late 19th century, of an epic battle between ‘scientists’ and ‘religionists’. Despite de unfortunate fact that some members of both parties perpetuate the myth by their actions today, this ‘conflict’ model has been rejected by every modern historian of science; it does not portray the historical situation. During the 16th and 17th centuries and during the Middle Ages, there was not a camp of ‘scientists’ struggling to break free of the repression of ‘religionists’; such separate camps simply did not exist as such. Popular tales of repression and conflict are at best oversimplified or exaggerated, and at worst folkloristic fabrications. Rather, the investigators of nature were themselves religious people, and many ecclesiastics were themselves investigators of nature. The connection between theological and scientific study rested in part upon the idea of the Two Books. Enunciated by St. Augustine and other early Christian writers, the concept states that God reveals Himself to human beings in two different ways – by inspiring the sacred writers to pen the Book of Scripture, and by creating the world, the Book of Nature. The world around us, no less than the Bible, is a divine message intended to be read; the perceptive reader can learn much about the Creator by studying the creation. This idea, deeply ingrained in orthodox Christianity, means that the study of the world can itself be a religious act. Robert Boyle, for example, considered his scientific inquiries to be a type of religious devotion (and thus particularly appropriate to do on Sundays) that heightens the natural philosopher’s knowledge and awareness of God through the contemplation of His creation. He described the natural philosopher as a ‘priest of nature’ whose duty it was to expound and interpret the messages written in the Book of Nature, and to gather together and give voice to all creation’s silent praise of its Creator.
Lawrence M. Principe (Scientific Revolution: A Very Short Introduction)
The pink?" she suggested, holding the shimmering rose-colored satin in front of Sara's half-clad figure. Sara held her breath in awe. She had never worn such a sumptuous creation. Silk roses adorned the sleeves and hem of the gown. The short-waisted bodice was finished with a stomacher of silver filigree and a row of satin bows. Lily shook her head thoughtfully. "Charming, but too innocent." Sara suppressed a disappointed sigh. She couldn't imagine anything more beautiful than the pink satin. Busily Monique discarded the gown and sorted through the others. "The peach. No man will be able to keep his eyes from her in that. Here, let us try it, chérie." Raising her arms, Sara let the dressmaker and her assistant Cora pull the gauzy peach-hued gown over her head. "I think it will have to be altered a great deal," Sara commented, her voice muffled beneath the delicate layers of fabric. The gowns had been fitted for Lily's lithe, compact lines. Sara was more amply endowed, with a generous bosom and curving hips, and a tiny, scoped-in waist... a figure style that had been fashionable thirty years ago. The current high-waisted Grecian mode was not particularly flattering to her. Monique settled the gown around Sara's feet and then began to yank the back of it together. "Oui, Lady Raiford has the form that fashion loves." Energetically, she hooked the tight bodice together. "But you, chérie, have the kind that men love. Draw in your breath, s'il vous plaît." Sara winced as her breasts were pushed upward until they nearly overflowed from the low-cut bodice. The hem of the unusually full skirt was bordered with three rows of graduated tulip-leaves. Sara could hardly believe the woman in the mirror was herself. The peach gown, with its transparent layers of silk and shockingly low neckline, had been designed to attract a man's attention. It was too loose at the waist, but her breasts rose from the shallow bodice in creamy splendor pushed together to form an enticing cleavage.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
Anyone want to help me start PAPA, Parents for Alternatives to Punishment Association? (There is already a group in England called ‘EPPOCH’ for end physical punishment of children.) In Kohn’s other great book Beyond Discipline: From Compliance to Community, he explains how all punishments, even the sneaky, repackaged, “nice” punishments called logical or natural consequences, destroy any respectful, loving relationship between adult and child and impede the process of ethical development. (Need I mention Enron, Martha Stewart, the Iraqi Abu Ghraib prisoner abuse scandal or certain car repairmen?) Any type of coercion, whether it is the seduction of rewards or the humiliation of punishment, creates a tear in the fabric of relational connection between adults and children. Then adults become simply dispensers of goodies and authoritarian dispensers of controlling punishments. The atmosphere of fear and scarcity grows as the sense of connectedness that fosters true and generous cooperation, giving from the heart, withers. Using punishments and rewards is like drinking salt water. It does create a short-term relief, but long-term it makes matters worse. This desert of emotional connectedness is fertile ground for acting-out to get attention. Punishment is a use of force, in the negative sense of that word, not an expression of true power or strength. David R. Hawkins, M.D., Ph.D. author of the book Power v. Force writes “force is the universal substitute for truth. The need to control others stems from lack of power, just as vanity stems from lack of self-esteem. Punishment is a form of violence, an ineffective substitute for power. Sadly though parents are afraid not to hit and punish their children for fear they will turn out to be bank robbers. But the truth may well be the opposite. Research shows that virtually all felony offenders were harshly punished as children. Besides children learn thru modeling. Punishment models the tactic of deliberately creating pain for another to get something you want to happen. Punishment does not teach children to care about how their actions might create pain for another, it teaches them it is ok to create pain for another if you have the power to get away with it. Basically might makes right. Punishment gets children to focus on themselves and what is happening to them instead of developing empathy for how their behavior affects another. Creating
Kelly Bryson (Don't Be Nice, Be Real)
First came the flower girls, pretty little lasses in summery frocks, skipping down the aisle, tossing handfuls of petals and, in one case, the basket when it was empty. Next came the bridesmaids, Luna, strutting in her gown and heels, a challenging dare in her eyes that begged someone to make a remark about the girly getup she was forced to wear. Next came Reba and Zena, giggling and prancing, loving the attention. This time, Leo wasn’t thrown by Teena’s appearance, nor was he fooled. How could he have mistaken her for his Vex? While similar outwardly, Meena’s twin lacked the same confident grin, and the way she moved, with a delicate grace, did not resemble his bold woman at all. How unlike they seemed. Until Teena tripped, flailed her arms, and took out part of a row before she could recover! Yup, they were sisters all right. With a heavy sigh, and pink cheeks, Teena managed to walk the rest of the red carpet, high heels in hand— one of which seemed short a heel. With all the wedding party more or less safely arrived, there was only one person of import left. However, she didn’t walk alone. Despite his qualms, which Leo heard over the keg they’d shared the previous night, Peter appeared ready to give his daughter away. Ready, though, didn’t mean he looked happy about it. The seams of the suit his soon-to-be father-in-law wore strained, the rented tux not the best fit, but Leo doubted that was why he looked less than pleased. Leo figured there were two reasons for Peter’s grumpy countenance. The first was the fact that he had to give his little girl away. The second probably had to do with the snickers and the repetition of a certain rumor, “I hear he lost an arm-wrestling bet and had to wear a tie.” For those curious, Leo had won that wager, and thus did his new father-in-law wear the, “gods-damned-noose” around his neck. However, who cared about that sore loser when upon his arm rested a vision of beauty. Meena’s long hair tumbled in golden waves over her shoulders, the ends curled into fat ringlets that tickled her cleavage. At her temples, ivory combs swept the sides up and away, revealing the creamy line of her neck. The strapless gown made her appear as a goddess. The bust, tight and low cut, displayed her fantastic breasts so well that Leo found himself growling. He didn’t like the appreciative eyes in the crowd. Yet, at the same time, he felt a certain pride. His bride was beautiful, and it was only right she be admired. From her impressive breasts, the gown cinched in before flaring out. The filmy white fabric of the skirt billowed as she walked. He noted she wore flats. Reba’s suggestion so she wouldn’t get a heel stuck. Her gown didn’t quite touch the ground. Zena’s idea to ensure she wouldn’t trip on the hem. They’d taken all kinds of precautions to ensure her the smoothest chance of success. She might lack the feline grace of other ladies. She might have stumbled a time or two and been kept upright only by the smooth actions of her father, but dammit, in his eyes, she was the daintiest, most beautiful sight he’d ever seen. And she is mine.
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
Truth or dare,” I ask, my voice edgy with anticipation and yearning. I know he’ll answer dare – and it will be the last one I give him. “Dare.” “Fuck me,” I beg. He immediately rolls over, gently resting his body on top of mine. I spread my legs, positioning his trim waist and hips in between my thighs. The hard outline of his cock grazes the front of my panties, sending my eyes rolling into the back of my head. He slides his hands under the covers. His fingers sneak under the waistband of my panties. He sits up to slowly glide them down my legs, revealing body in the moonlight. He tosses them, dripping wet, by the side of the bed and the then slides off his tight briefs. His erect cock stands at attention once removed from its fabric confines, pulsing up and down in rhythm with Cole’s racing heartbeat. With the covers now cast to the side, Cole leans over me, devouring my lips. My lips open and I yield him my tongue, which he handles adroitly, flicking it with his own and sucking it with his lips. He leans over to the side of the bed and bends down, picking up his shorts. The movement of his body over mine sends the peaks of his deeply sculpted abs gliding across my soft skin, generating a shiver that trembles through my body. He pulls out his wallet from his shorts pocket and extracts a condom. He kneels on the bed and works the condom down the expansive length of his solid shaft. He imposes his body back over mine, covering me with his huge torso. The length of his cock rests against my warm pussy, throbbing against it. I wrap my legs around his waist and lock my ankles together, pulling him closer toward me. His rough, masculine scent fills my nostrils. He kisses my neck, the light stubble on the side of his check rubbing against my skin. I buck my hips toward him, pressing his cock against me. The bottom of his shaft rests on my warm opening, the tip extends up to my belly button. A delicious anxiousness overtakes me. Will I really be able to fit all of him inside me? “Fuck, Emma, you’re so sexy,” he moans while raking his lips and tongue up and down my neck. He nibbles lightly on my earlobe, his hot, staggered breath brushing against the side of my face. “I want you inside me,” I pant to him. He lifts his hips up and steadies his cock at the precipice of my slick center. He looks me in the eye, and I nod, imploring him to plunge inside me. He does. I shut my eyes as a brief wave of pain washes over me, the shock of accommodating his massive size inside. It soon subsides and my body comfortably accustomed itself to his presence. He slowly pumps in and out of me. I bite down on my bottom lip, waves of pleasure erupting from my center and traversing every inch of my body. My stomach is in knots and my breath is quick and sharp. Every time he lifts his hips to thrust out, my wet cavern craves for him to come back – and he immediately does, pushing himself back in, the length of his shaft rubbing against my insides, the friction driving me wild with ecstasy. I lose track of time as he continues to thrust in and out. I buck my hips against him, hungry for his full length. I tighten my grip with my legs around his waist, greedy for his body to press against mine. “Fuck, Emma, shit,” he moans. I can only respond with unarticulated moans of pleasure and gasps for breath. “Oh, fuck, Cole, I’m gonna come,” I announce. I shut my eyes tight and wrap my arms around his neck, pulling him into me. He thrusts one more time, strongly, and my orgasm erupts. Pulses of pleasure shoot up and down my spine and turn my insides, my chest beats and my heartrate booms against my eardrums. The outside world disappears as I feel my body melting into Cole’s. Cole collapses next to me, a sheen of sweat glistening over his body in the moonlight, highlighting the twists and turns of his musculature. Slowly the world comes back into focus and a blissful
Zoey Shores (Touch Back (Playing for Keeps #1))
mercy and with this heat, you know—and my anemia.” She sighed. “My brain’s already turned to mush.” “Sit down.” Concerned now, he guided her to a small spindle-back chair in the landing’s corner. “I’ve got a message for an attendee. His name’s Antoine. I’ve never met him, monsieur.” She gave a big sigh. “Very sad. This comes from Rafael Santos, Professor Neliad’s assistant at the Polytechnic,” she said, ready to launch into the story she’d fabricated on the long ride. Rafael, an actual Spanish engineering student Kate had known in ’37, had become the assistant to his advisor, Professor Neliad, a short squat perfectionist Raphael had mimicked incessantly. “I hate to trouble you, monsieur, but it’s important I speak with Antoine. Please.” The man set down his folder, which was labeled école polytechnique. “But what’s so important?” She had to make this credible. Make him believe her. She sniffled and shook her head. “There’s horrible news. Antoine’s mother . . .” She paused for effect. “A terrible accident in front of her apartment. The bus
Cara Black (Three Hours in Paris)
That little urchin with the gold–red hair, whom I have just watched toddling past my house, she shall not be lopped and lamed and altered; her hair shall not be cut short like a convict’s; no, all the kingdoms of the earth shall be hacked about and mutilated to suit her. She is the human and sacred image; all around her the social fabric shall sway and split and fall; the pillars of society shall be shaken, and the roofs of ages come rushing down, and not one hair of her head shall be harmed.
G.K. Chesterton
3D Art Outsourcing & Game Art Design Companies By Game Art Outsourcing Studio A 3D game art outsourcing company can outsource the game art to extra game developers. Game art is separated into two categories which are 2D and 3D game art. In 2D art outsourcing, game developers outsource their 2D oriented design to the game artists. 2D game artist focus in produce the thought as well as the texture of the game. 3D game artist deliberate on fabricating the animation of games; which include models and 3D environment. It is also potential to get a game art company that has artists who focus in both 2D and 3D game art. Game 3D Art Outsourcing company give lots of reward to game developers. The major advantage is that game developers are able to delegate all their work to diverse companies so that the work get concluded in a very short length of time. This, therefore, make it feasible for a game developer to discharge a game in lesser phase of time. Time full in developing a game is very central since if the game take too long to be unconfined, technology worn in the game may quickly be out of manner. Hence, it is very significant for 3D Game Designer to outsource their gaming growth work to guarantee that all games are out in ideal occasion, i.e., while there is publicity in the market. 3D Game outsourcing company make it potential for a game developer to construct games of finest value. It is well-known by professional and while game developers rush with their work in arrange to try and cut the occasion really required in increasing a game, quality of the pastime is regrettably compromised. On the other pass, if they break down the labor into programming, art, level scheming and sound engineering, they can shun poverty of superiority. It is potential to outsource every work to the diverse team of game development company. By receiving in touch with encoding and Art Outsourcing Studio game designers, it is probable to get the best entity for each part of game conniving. When the labour is outsourced, every section will have adequate time to focus in their area and once everything has been mutual together, a superb game is shaped. As a game developer, it is very significant to outsource your Game Art Design Company frequently. This is because hiring diverse game art designers make your games exclusively diverse each time. This is incredibly significant if you want to market a game effectively because it must have amazing completely diverse to offer as compare to your previous games. For example, it should contain the upgrade of features that were liked by patrons who used last account. Doing that is very easy as you only require a long term game outsourcing company for your game art and design.
GameYan
The people in Democracies leave everything in the hands of Governments and do nothing about turmoil within that erodes the basic fabric of Democracy, whereas the Governments in the other forms of Governance leave nothing in the hands of their people to seek Democracy. Ironic though.
Sandeep Sahajpal (The Twelfth Preamble: To all the authors to be! (Short Stories Book 1))
She looked like a gift I wanted to unwrap. All those curves bound in a touchable fabric… her smooth skin just below that thin layer. It was enough to make my brain short-circuit at the sight of her like this. - Tristan
Demi Blaize (Apparently, I'm A Bitch: A Spicy Friends To Lovers Romantic Comedy (Apparently, We're The Problem Book 1))
Calder finally emerged twenty minutes later with a towel around his narrow hips, his long hair free and wet enough for huge fat droplets to slide down his chest and belly before disappearing into the white cotton fabric of the towel. He stopped short when he saw Robby, and for a split second, he felt like the earth stopped spinning. Would he ask Robby to go? Then Calder stumbled forward, dropping to his knees on the floor in front of Robby, burying his head in his lap. Robby's arms came around him automatically, his heart squeezing. "You're freezing, baby," he whispered, grabbing the blanket from the end of the bed and wrapping it around Calder's shoulders. Calder didn't speak, just snaked his arms around Robby's waist. Freezing water seeped through the thin material of Robby's underwear, but he didn't care. He didn't care about anything but Calder who clung to Robby like he was a life raft. He folded himself over Calder like a shield, wanting to hide him from all of this but knowing that he couldn't. All he could do was offer him a safe place to grieve. "You can fall apart, you know. I'm okay. You don't have to stay strong for me or whatever." For a second, Robby thought maybe Calder would choose to ignore him, but then his shoulders started to shake and a jagged howl escaped, almost like a wounded animal, shattering Robby's heart into a million pieces. Tears slid down his cheeks as he did his best to just hang onto Calder as huge wracking sobs shook his body. He didn't know how long they stayed like that, long enough for Calder to run out of tears.
Onley James (Exasperating (Elite Protection Services, #3))
BABY FASHION TRENDS 2021 AND BEYOND Fashion for babies is fun - dressing up the babies in the tiniest adorable attires. Relished with excitement, all mommies want to keep their little ones on top of the fashion trends. Even before they're born, their wardrobe is well stocked, with piles of new onesies, dungarees, dresses for little girls, and a range of shorts for boys. Well, before you know, these adorable munchkins grow up within a blink of an eye, as you're stunned how quickly they grew out of their wardrobe. Whether you're soon to become a new mommy or already have your little one playing around, you've come to the right place to find all sorts of options to endearingly dress up the tiny souls. With the fascinating boom in baby apparel in the last few decades, new and adorable trends are revealed each year. Passionate as ever, you would want to try out the styles on your baby. Though your little one might not know what they're wearing, but just a few years - actually months – later, the way you dress them will reflect in the fashion sense and personality they develop! While you would want the trendiest closet for your newborn and toddlers, keep in mind that children feel the most comfortable when their clothes do not pose an obstacle in their flexibility and freedom. Dressed up in stylish yet practical clothes would give your little one freedom of self-expression as they indulge in their innocence. Therefore, when dressing up your kids, keeping a tonal mixture of style and comfort is vital. At Motheringo, we understand your mommy concerns to buy chic yet affordable clothing for your little ones. Stocked with a range of collections offering greater value of money, our clothes are aligned with your budget while ensuring we provide premium quality outfits made with the finest fabrics for your young fashionista.
Motheringo
Within sentencing, couriers, far more so than many other drug offenders, are routinely blamed for the ills ideologically (and erroneously) attributed to drugs. Couriers were said to be "responsible for the gradual but inexorable degeneration of many of their fellow human beings" who were "contribut[ing] to what is nothing short of the destruction of this society" but "placing a 'lethal weapon' in the hands of drug dealers, wreaking havoc on the streets of our cities" and "tear[ing] at the fabric of our sicety".
Robyn Maynard (Policing Black Lives: State Violence in Canada from Slavery to the Present)
Surprisingly, though, what she’d already missed most was no longer there to leave. The texture rather than the fabric. The way things were done rather than the actual things. She missed the cheerful, efficient way Louis had unfolded the card table rather than the weekly bridge game with Don and Beryl. The eager way his hands riffled through the Sunday Times, not the thick newspaper they hauled to the Polish diner as part of their weekly ritual. She missed the mornings of bumping into his large body in their small kitchen, a nuisance she now understood as a tactile pleasure.
Linda Feyder (All's Fair and Other California Stories)
People idolise those who are bad, know they are bad, and say to others not to low them … And conversely, we tend to ignore those who are good, know they are good, and say to others to follow them. This creates a complex social divide. .
Sandeep Sahajpal (The Twelfth Preamble: To all the authors to be! (Short Stories Book 1))
A too-tight tank top cinching her breasts together should not be paired with jean shorts that cup her ass in a way that makes me jealous of a piece of fabric.
Cora Kent (Dark Obsession (Blackmore University, #2))
Quantum computing is not only faster than conventional computing, but its workload obeys a different scaling law—rendering Moore’s Law little more than a quaint memory. Formulated by Intel founder Gordon Moore, Moore’s Law observes that the number of transistors in a device’s integrated circuit doubles approximately every two years. Some early supercomputers ran on around 13,000 transistors; the Xbox One in your living room contains 5 billion. But Intel in recent years has reported that the pace of advancement has slowed, creating tremendous demand for alternative ways to provide faster and faster processing to fuel the growth of AI. The short-term results are innovative accelerators like graphics-processing unit (GPU) farms, tensor-processing unit (TPU) chips, and field-programmable gate arrays (FPGAs) in the cloud. But the dream is a quantum computer. Today we have an urgent need to solve problems that would tie up classical computers for centuries, but that could be solved by a quantum computer in a few minutes or hours. For example, the speed and accuracy with which quantum computing could break today’s highest levels of encryption is mind-boggling. It would take a classical computer 1 billion years to break today’s RSA-2048 encryption, but a quantum computer could crack it in about a hundred seconds, or less than two minutes. Fortunately, quantum computing will also revolutionize classical computing encryption, leading to ever more secure computing. To get there we need three scientific and engineering breakthroughs. The math breakthrough we’re working on is a topological qubit. The superconducting breakthrough we need is a fabrication process to yield thousands of topological qubits that are both highly reliable and stable. The computer science breakthrough we need is new computational methods for programming the quantum computer.
Satya Nadella (Hit Refresh)
A fabricated feeling of superiority? PHILOSOPHER: A familiar example would be “giving authority.” YOUTH: What does that mean? PHILOSOPHER: One makes a show of being on good terms with a powerful person (broadly speaking—it could be anyone from the leader of your school class to a famous celebrity). And by doing that, one lets it be known that one is special. Behaviors like misrepresenting one’s work experience or excessive allegiance to particular brands of clothing are forms of giving authority, and probably also have aspects of the superiority complex. In each case, it isn’t that the “I” is actually superior or special. It is only that one is making the “I” look superior by linking it to authority. In short, it’s a fabricated feeling of superiority.
Ichiro Kishimi (The Courage to Be Disliked: The Japanese Phenomenon That Shows You How to Change Your Life and Achieve Real Happiness)
In the tapestry of humanity, genuine kindness is the golden thread that binds us all. It’s the silent sacrifice of one’s comfort for the sake of another, weaving a fabric of empathy and understanding that spans across the divides of time and space.
Shree Shambav (Twenty + One - 21 Short Stories - Series II)
Aunt Jane was in perfect correspondence with her environment. She wore a purple calico dress, rather short and scant; a gingham apron, with a capacious pocket, in which she always carried knitting: or some other "handy work"; a white handkerchief was laid primly around the wrinkled throat and fastened with a pin containing a lock of gray hair; her cap was of black lace and lutestring ribbon, not one of the butterfly affairs that perch on the top of the puffs and frizzes of the modern old lady, but a substantial structure that covered her whole head and was tied securely under her chin. She talked in a sweet old treble with a little lisp, caused by the absence of teeth, and her laugh was as clear and joyous as a young girl's. "Yes, I'm a-piecin' quilts again," she said, snipping away at the bits of calico in her lap. "I did say I was done with that sort o' work; but this mornin' I was rummagin' around up in the garret, and I come across this bundle of pieces, and thinks I, 'I reckon it's intended for me to piece one more quilt before I die;' I must 'a' put 'em there thirty years ago and clean forgot 'em, and I've been settin' here all the evenin' cuttin' 'em and thinkin' about old times. "Jest feel o' that," she continued, tossing some scraps into my lap. "There ain't any such caliker nowadays. This ain't your five-cent stuff that fades in the first washin' and wears out in the second. A caliker dress was somethin' worth buyin' and worth makin' up in them days. That blue-flowered piece was a dress I got the spring before Abram died. When I put on mournin' it was as good as new, and I give it to sister Mary. That one with the green ground and white figger was my niece Rebecca's. She wore it for the first time to the County Fair the year I took the premium on my salt-risin' bread and sponge cake. This black-an' white piece Sally Ann Flint give me. I ricollect 'twas in blackberry time, and I'd been out in the big pasture pickin' some for supper, and I stopped in at Sally Ann's for a drink o' water on my way back. She was cuttin' out this dress.
Eliza Calvert Hall (Aunt Jane of Kentucky)
My dear daughter—I have for some time had hope of seeing you once more in this world, but now that hope is entirely gone forever,” wrote Phebe Brownrigg to her free daughter Amy Nixon, shortly before her owner took her from North Carolina to Mississippi in 1835. One of the rare letters written by a western-bound slave on her own behalf, it concluded, “May we all meet around our Father’s throne in heaven, never no more to depart.
Virginia Postrel (The Fabric of Civilization: How Textiles Made the World)
Whereas classical physics describes the present as having a unique past, the probability waves of quantum mechanics enlarge the arena of history: in Feynman’s formulation, the observed present represents an amalgam—a particular kind of average— of all possible pasts compatible with what we now see...How come there is no evidence in day-to-day life of the strange way in which the past apparently unfolds into the present? The reason, discussed briefly in Chapter 4 and to be elaborated shortly with greater precision, is that baseballs, planets, and comets are comparatively large, at least when compared with particles like electrons. And in quantum mechanics, the larger something is, the more skewed the averaging becomes: All possible trajectories do contribute to the motion of a baseball in flight, but the usual path—the one single path predicted by Newton’s laws—contributes much more than do all other paths combined. For large objects, it turns out that classical paths are, by an enormous amount, the dominant contribution to the averaging process and so they are the ones we are familiar with. But when objects are small, like electrons, quarks, and photons, many different histories contribute at roughly the same level and hence all play important parts in the averaging process.
Brian Greene (The Fabric of the Cosmos: Space, Time, and the Texture of Reality)
According to Freddie, mycelium was the network of fine hyphae (little living threads) that coursed through the soil and stitched the plants and the trees of the forest into a united and communicating whole, a fabric that featured the beavers and the mole crickets and the moose--- in short, it was the basis for the forest. Trees could share nutrients with one another through mycelium. On rare occasions, trees even poisoned plants via mycelium, if they posed some threat to them. But primarily the trees and plants received through the hyphae the minerals and water they needed from the soil, and in return, they offered the fungus the sugar that they, with their leaves, had the ability to produce through photosynthesis.
Jennifer Croft (The Extinction of Irena Rey)
I watched all my short-term friends die until I learned to stop connecting with others.
K.M. Moronova (The Fabric of Our Souls)
Like a masterful stitch embellishes fabric, the right words intricately weave beauty into the tapestry of life.
Shree Shambav (Twenty + One - 21 Short Stories - Series II)
By the late twentieth century, our time, a mythic time, we are all chimeras, theorized and fabricated hybrids of machine and organism; in short, we are cyborgs. The cyborg is our ontology; it gives us our politics. The cyborg is a condensed image of both imagination and material reality, the two joined centres structuring any possibility of historical transformation.
Donna J. Haraway (Simians, Cyborgs, and Women: The Reinvention of Nature)
I shimmy out of my shorts and toss them aside, then I slip my finger into my panties and pull them up, forcing them to go tight against my pussy. Vane’s gaze sinks between my legs as my clit throbs, fucking needy for his touch. “You’re already soaked,” he says, eyeing the damp fabric. “You’re no longer chasing me, and I’m no longer running.” He growls deep in his throat and using his free hand, moves mine from my panties so he can take its place. With his knuckle against my skin, he follows the span of fabric between my legs, his knuckle grazing my wetness.
Nikki St. Crowe (The Fae Princes (Vicious Lost Boys, #4))
Heat is spreading in the pit of my stomach, and I lower myself down for another haze-inducing kiss. My chest brushes against his as I slowly start to rock forward and backward. Considering how thin my tank top is, there might as well be nothing there. I sit up and pull the flimsy piece of fabric over my head, tossing it onto the sheets beside me and basking in the dazed look that crosses Matt’s face. His hands drift higher, pressing down on the small of my back, then returning to where they were—only this time slipping under my shorts and panties. I suck in an uneven breath as the pads of his fingers tease and tickle my bare skin.
Kate Bromley (Ciao For Now)
At the heart of The Lord of the Rings are the assertions which Gandalf makes in Book 1/2, his long conversation with Frodo. If they are not accepted, then the whole point of the story collapses. And these assertions are in essence three. First, Gandalf says that the Ring is immensely powerful, in the right or the wrong hands. If Sauron regains it, then he will be invincible at least for the foreseeable future: ‘If he recovers it, then he will command [all the other Rings of Power] again, even the Three [held by the elves], and all that has been wrought with them will be laid bare, and he will be stronger than ever.’ Second, though, Gandalf insists that the Ring is deadly dangerous to all its possessors: it will take them over, ‘devour’ them, ‘possess’ them. The process may be long or short, depending on how ‘strong or well-meaning’ the possessor may be, but ‘neither strength nor good purpose will last – sooner or later the dark power will devour him’. Furthermore this will not be just a physical take-over. The Ring turns everything to evil, including its wearers. There is no one who can be trusted to use it, even in the right hands, for good purposes: there are no right hands, and all good purposes will turn bad if reached through the Ring. Elrond repeats this assertion later on, ‘I will not take the Ring’, as does Galadriel, ‘I will diminish, and go into the West, and remain Galadriel’. But finally, and this third point is one which Gandalf has to re-emphasize strongly and against opposition in ‘The Council of Elrond’, the Ring cannot simply be left unused, put aside, thrown away: it has to be destroyed, and the only place where it can be destroyed is the place of its fabrication, Orodruin, the Cracks of Doom. These assertions determine the story. It becomes, as has often been noted, not a quest but an anti-quest, whose goal is not to find or regain something but to reject and destroy something.
Tom Shippey (J.R.R. Tolkien: Author of the Century)
When you go into the psych ward, you can’t have anything with you except colored pencils. You can’t have any electronics. If you have a drawstring on your pants, a belt, shoelaces, a hood, or extra-long fabric, your very clothes are ripped off your back. They search you with a metal detector like you’re a criminal, doing everything short of putting their hand up your butt. Before you go through those cold, automatic, barred doors, you know your life is not your own. This is especially true during the first week, while you stare at florescent lighting and wait impatiently for your meds to kick in. I wish I had remembered the psych ward prison cell a week ago. If I had, maybe I wouldn’t be wearing this hospital gown that they gave me until I can get more compliant clothes.
Jacquelyn Nicole Davis (Trace The Grace: A Memoir)
With our combined experience of over 30 years, One Small Child are excited to make it our own and still honor what his mom (quite the amazing entrepreneur) started. Purely masculine, this simple short romper of shantung is the perfect dresses to wear to a christening and understated, ideal for warm weather celebrations.Our luxuriously soft interlock rib-knit fabric has a blissful feel and an angelic appearance, making this sweet romper the perfect christening outfits for boys fall and winter events. Our customer research shows that the most christening gifts for girls are those that are thoughtful, personalized and well, just a little bit different.
One Small Child
I thought you’d be here,” calls a rough voice over my left shoulder. I turn to find Darren only inches away, holding an unlit candle. “Hey,” I say with a smile much too large. “I was wondering if I’d see you today.” “Tate and I have been busy getting everything organized for our trip.” He returns a smile. Something looks different…something with his hair. I hold my candle higher and lean toward him, both to get a better look and to whisper, “Are you wearing a headband?” His hand shoots to the black band of fabric pulled tight above his forehead, curls redirected up and over it. “I was sort of hoping you wouldn’t notice it in the dark. I usually only wear them on dig sites to keep my hair from flying in my face.” “At least it’s not pink,” I tease. “Although I’m sure I have one of those you could borrow. It may even have flowers on it.” “Oh, could I, please?” He laughs, his hand still fiddling with it. “Seriously, should I lose it?” I shrug. “It’s practical. I get it.” He yanks it off and shoves it into the pocket of his shorts. A shake of his head lands everything where it belongs. “Here,” I say, angling my candle toward him. “I already took care of the headband. Fire really isn’t necessary, is it?
Kristin Rae (Wish You Were Italian (If Only . . . #2))
Would you two just kiss and be done with it already?” Darren and I gape at her. Fire creeps up my neck, and I press my body against the window, as far from Darren as possible. “I thought you were asleep,” Darren says to her. “With the both of you whining like children? Please,” she huffs. “I’m going to the little girl’s room.” She stands and her long legs step over Tate’s without waking him. “Fix this or we’re all going to be miserable,” she whispers to Darren loud enough for me to hear. I face the window, but my eyes focus on Darren’s reflection. He scratches the top of his head through his curls, then slides his hand down, pressing his thumb and fingers over his eyelids. I’ve lost my nerve to bring up Bruno again. “Pippa.” He sighs. “I don’t want to argue with you.” I reach to grip the armrest between us but his hand is already taking up half of it. I’m caught off guard and I can’t decide if it’s more awkward to jerk my hand away or leave it there. Electricity runs up my arm when he hooks my pinkie with his. “Still crooked,” he says. “I’m lucky it’s still there, actually.” “Oh yeah?” “Yeah, some guy tried to bite it off once.” He releases my pinkie and tugs at a loose string on his shorts. “He sounds like a real winner.” I pick at a ripple in the fabric of the armrest. “He’s all right.” “I’m sorry,” he says. I’m surprised by the tightness in my throat. This week is going to kill me. “It’s just the little finger,” I deflect. “I’m sure I’d have survived.” “That’s not what I meant.” I swallow down the lump. “I know. It’s fine.” We sit in silence a moment before he points his pinkie at me and wiggles it closer and closer to my face. We erupt into laughter and Tate jolts awake, giving us the stink eye, which makes us laugh even harder. I’m clutching my stomach when Nina plops back down in her seat. She appraises us with wide eyes until a smirk plays at the corners of her mouth. “Now,” she says, “that’s more like it.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
Wordlessly, Darren sits at the edge of the next bed, which leaves the one between him and the wall for me. I’m going to have to sleep next to Darren. For THREE nights. What if I dream about him? What if I say something during those dreams? What if he says something in his sleep? What if I roll over and bump into him? I set my camera and backpack down on the desk, dig out a pink tank top, matching pajama shorts, and my toiletry pouch, and get ready for bed in the bathroom. When I come back out, Darren’s sitting at the desk, elbow propped on it, head supported in his hand. He’s already changed into a pair of red-and-white plaid pants and a black T-shirt. For some reason, the sight of him in his PJs gives me a little thrill. He motions toward the beds. “They’re passed out.” I glance at the fully clothed spooning figures and look away before my cheeks get the better of me. The clock on the desk shows that it’s only 8:25. I know traveling wears you out but I feel completely wired. “Are you ready to go to bed or…?” I let my voice trail off and swallow. I don’t know why I’m so nervous about sleeping one bed over from him. “You want to go for a walk?” I pinch the fabric of my shorts as if to say, In these? and frown. He looks down at my bare legs, then meets my eyes. “Just throw on your sneakers.” There’s a flutter in my chest, but I imagine myself squashing the little winged creatures. No butterflies allowed. I can do this.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
The Trade Scatto Short Sleeve Jersey is the perfect blend of aerodynamic and technical fabrics. This jersey takes advantage of the fabrics and features from our FR-C collection combined with the fit of our Silver Line Jersey. The materials utilized are ideal for the sublimation process, providing Giordana's Designers and design partners with a high tech canvas on which they can create a wide range of graphics with impeccable detailing. This is what makes The Trade Category of Garments so much fun. Unique sublimated graphics help you stand out from your local group ride, crit, or gran fondo while enjoying the comfort and performance you'd expect from a Giordana Garment Tech Specs: • Gi27: front and side panels • Asteria 2.0: sleeves and shoulders • Doubled Asteria 2.0 arm cuffs • Host Carbon: back panel to support the pockets and prevent sagging • Two reflective strips along the centre jersey pocket • Gripper elastic at waist • CamLock Zipper • Fourth zippered pocket
classiccycling
Personalism therefore includes among its leading ideas, the affirmation of the unity of mankind, both in space and time, which was foreshadowed by certain schools of thought in the latter days of antiquity and confirmed in the Judeo-Christian tradition. For the Christian there are neither citizens nor barbarians, neither bond nor free, neither Jew nor gentile, neither white, black or yellow, but only men created in the image of God and called to salvation in Christ. The conception of a human race with a collective history and destiny, from which no individual destiny can be separated, is one of the sovereign ideas of the Fathers of the Church. In a secularised form, this is the animating principle of eighteenth century cosmopolitanism, and later of Marxism. It is flatly opposed to the ideas of absolute discontinuity between free spirits (as in Sartre) or between civilizations (in Malraux or Frobenius). It is against every form of racialism or of caste, against the ‘elimination of the abnormal’ , the contempt of the foreigner, against the totalitarians’ denigration of political adversaries—in short, it is altogether against the fabrication of scapegoats. Any man, however different, or even degraded, remains a man, for whom we ought to make a human way of life possible.
Emmanuel Mounier (Personalism)
I think,” he said slowly, “that you should marry a man who would appreciate you.” She made a face. “Those are in short supply.” He smiled. “You don’t need a supply. You just need one.” He grasped Poppy’s shoulder, his hand curving over the illusion-trimmed sleeve of her gown until she felt its warmth through the fragile gauze. His thumb toyed with the filmy edge of fabric, brushing her skin in a way that made her stomach tighten. “Poppy,” he said gently, “what if I asked for permission to court you?” She went blank as astonishment swept through her. Finally, someone had asked to court her. And it wasn’t Michael, or any of the diffident, superior aristocrats she had met during three failed seasons. It was Harry Rutledge, an elusive and enigmatic man she had known only a matter of days. “Why me?” was all she could manage. “Because you’re interesting and beautiful. Because saying your name makes me smile. Most of all because this may be my only hope of ever having hotchpotch.” “I’m sorry, but . . . no. It wouldn’t be a good idea at all.” “I think it’s the best idea I’ve ever had. Why can’t we?” Poppy’s mind was spinning. She could hardly stammer out a reply. “I-I don’t like courtship. It’s very stressful. And disappointing.” His thumb found the soft ridge of her collarbone and traced it slowly. “It’s arguable that you’ve ever had a real courtship. But if it pleases you, we’ll dispense with it altogether. That would save time.” “I don’t want to dispense with it,” Poppy said, increasingly flustered. She trembled as she felt his fingertips glide along the side of her neck. “What I mean is . . . Mr. Rutledge, I’ve just been through a very difficult experience. This is too soon.” “You were courted by a boy, who had to do as he was told.” His hot breath feathered against her lips as he whispered, “You should try it with a man, who needs no one’s permission.” A man. Well, he certainly was that. “I don’t have the luxury of waiting,” Harry continued. “Not when you’re so hell-bent on going back to Hampshire. You’re the reason I’m here tonight, Poppy. Believe me, I wouldn’t have come otherwise.” “You don’t like balls?” “I do. But the ones I attend are given by a far different crowd.” Poppy couldn’t imagine what crowd he was referring to, or what kind of people he usually associated with. Harry Rutledge was too much of a mystery. Too experienced, too overwhelming in every way. He could never offer the quiet, ordinary, sane life she longed for. “Mr. Rutledge, please don’t take this as an affront, but you don’t have the qualities I seek in a husband.” “How do you know? I have some excellent qualities you haven’t even seen yet.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))