Short Compliment Quotes

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The orderly brandished a hunting knife from a sheath at his waist and sliced open the prisoner’s throat with it.  Warm blood cascaded out of the prisoner’s throat, some of it spraying the captain’s uniform.  The orderly waited for the prisoner to bleed to death before cutting the head clean off.  Within a few minutes, the muscle that the prisoner built on his body was carved out and thrown on the grill.  After the meat cooled, the orderly put the human steaks in front of the captain for dinner.  As the captain ate each buttery piece, he couldn’t help but compliment the orderly for a job well-done.
Harvey Havel (The Odd and the Strange: A Collection of Very Short Fiction)
Listen,” I began, “this is an established, traditional form that—” “Traditional nothing. Where are your clothes?” “Clothes?” I said weakly. “I don’t normally bother with them in this guise.” “Well, you could put on a pair of shorts, at least. You’re not decent.” “I’m not sure they’d go with the wings….” The demon frowned, blinked. “Hold on, enough of this!” “Lederhosen would. They’d compliment the leather.
Jonathan Stroud (Ptolemy's Gate (Bartimaeus, #3))
Miss Bridgerton,” he said, “the devil himself couldn’t scare you.” She forced her eyes to meet his. “That’s not a compliment, is it?” He lifted her hand to his lips, brushing a feather-light kiss across her knuckles. “You’ll have to figure that out for yourself,” he murmured. To all who observed, he was the soul of propriety, but Hyacinth caught the daring gleam in his eye, and she felt the breath leave her body as tingles of electricity rushed across her skin. Her lips parted, but she had nothing to say, not a single word. There was nothing but air, and even that seemed in short supply. And then he straightened as if nothing had happened and said, “Do let me know what you decide.” She just stared at him. “About the compliment,” he added. “I am sure you will wish to let me know how I feel about you.” Her mouth fell open. He smiled. Broadly. “Speechless, even. I’m to be commended.” “You—” “No. No,” he said, lifting one hand in the air and pointing toward her as if what he really wanted to do was place his finger on her lips and shush her. “Don’t ruin it. The moment is too rare.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
What are you doing?" "Washing your hair," he murmured and proceeded to stroke and massage the shampoo into her short, sopping cap of hair. "I'm going to enjoy smelling my soap on you." His lips curved. "You're a fascinating woman, Eve. Here we are, wet, naked, both of us half dead from a very memorable night, and still you watch me with very cool, very suspicious eyes." "You're a suspicious character, Roarke." "I think that's a compliment.
J.D. Robb (Naked in Death (In Death, #1))
Learn to brush off criticism as easily as you brush aside hollow compliments.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
The point I’m trying to make is that I am the most unpleasant, rude, ignorant, and all-around obnoxious arsehole that anyone could possibly have the misfortune to meet. I am dismissive of the virtuous, unaware of the beautiful, and uncomprehending in the face of the happy. So if I didn’t understand I was being asked to be the best man, it is because I never expected to be anybody’s best friend, and certainly not the best friend of the bravest and kindest and wisest human being I have ever had the good fortune of knowing. John, I am a ridiculous man, redeemed only by the warmth and constancy of your friendship. But as I am apparently your best friend, I cannot congratulate you on your choice of companion. Actually, now I can. Mary, when I say you deserve this man, it is the highest compliment of which I am capable. John, you have endured war, and injury, and tragic loss — so sorry again about that last one. So know this: Today, you sit between the woman you have made your wife and the man you have saved. In short, the two people who love you most in all this world. And I know I speak for Mary as well when I say we will never let you down, and we have a lifetime ahead to prove that. Now, on to some funny stories about John...
Steven Moffat
Charlotte, dressed in a very short-skirted policewoman's outfit, was leading a dancing brigade, jumping around at the front of the room, her long red hair flapping up and down like a matador's cape. She was head girl, and she would shows us how to party if she had to. I wasn't really sure why Charlotte had decided to come to the party as a stripper. I found myself at a loss for words as she complimented us on our costumes. "You're a..." I tried to find the right thing to say. "Really...hot cop?" "I'm Amy Pond," she said. "From Doctor Who. This is her kissogram outfit.
Maureen Johnson (The Name of the Star (Shades of London, #1))
That's the famous vampire Helgarson you're riding with, isn't it? Is he fond of lattes?" "I don't know." I looked over at Leif, who was grinning-he was hearing both sides of the conversation, of course-and said, "Malina wants to know if you like lattes, and I want to know if you're famous." "No to both," he said, as we screamed onto the 202 on-ramp. "Sorry, Malina," I said to the phone. "He's not famous." "Perhaps it would be better to call infamous. It is irrelevant at this point. What is relevant is that my sisters and I are not great warriors. Were the odds even and they did not cheat with modern weapons, I would say, yes, we could walk in and win a magical battle against most opponents. But we are outnumbered more than three to one." "How many are there?" "Twenty-two. Some of them have firearms, but they are not great warriors either. And while they may be expecting you, Mr. O'Sullivan, they will not be expecting Mr. Helgarson to get involved. I imagine the two of you together will be quite formidable." "She's complimenting our martial prowess, Leif," I said to him. "I feel more manly already," He said. The short distance on the 202 was already covered and we were merging onto the southbound 101. "Hey, Malina, tell me how much you want to see us play with our swords.
Kevin Hearne (Hexed (The Iron Druid Chronicles, #2))
Cavendish is a book in himself. Born into a life of sumptuous privilege- his grandfathers were dukes, respectively, of Devonshire and Kent- he was the most gifted English scientist of his age, but also the strangest. He suffered, in the words of one of his few biographers, from shyness to a "degree bordering on disease." Any human contact was for him a source of the deepest discomfort. Once he opened his door to find an Austrian admirer, freshly arrived from Vienna, on the front step. Excitedly the Austrian began to babble out praise. For a few moments Cavendish received the compliments as if they were blows from a blunt object and then, unable to take any more, fled down the path and out the gate, leaving the front door wide open. It was some hours before he could be coaxed back to the property. Even his housekeeper communicated with him by letter. Although he did sometimes venture into society- he was particularly devoted to the weekly scientific soirees of the great naturalist Sir Joseph Banks- it was always made clear to the other guests that Cavendish was on no account to be approached or even looked at. Those who sought his views were advised to wander into his vicinity as if by accident and to "talk as it were into vacancy." If their remarks were scientifically worthy they might receive a mumbled reply, but more often than not they would hear a peeved squeak (his voice appears to have been high pitched) and turn to find an actual vacancy and the sight of Cavendish fleeing for a more peaceful corner.
Bill Bryson (A Short History of Nearly Everything)
The technical term that is often used for this is “interpersonally exploitative.” In short, because of the singular focus on fulfilling their needs, especially external needs, narcissists will use other people as objects to get those needs met. Other people often do serve literally as objects—a tool to get a job done. Because you are not in on this secret in the beginning, it can feel a bit depersonalizing—as though you are only valued when you are functional. It can feel manipulative, because your partner may compliment you excessively and then hit you with a difficult request or ask you to make uncomfortable requests.
Ramani Durvasula (Should I Stay or Should I Go?: Surviving a Relationship with a Narcissist)
unsolicited advice to adolescent girls with crooked teeth and pink hair When your mother hits you, do not strike back. When the boys call asking your cup size, say A, hang up. When he says you gave him blue balls, say you’re welcome. When a girl with thick black curls who smells like bubble gum stops you in a stairwell to ask if you’re a boy, explain that you keep your hair short so she won’t have anything to grab when you head-butt her. Then head-butt her. When a guidance counselor teases you for handed-down jeans, do not turn red. When you have sex for the second time and there is no condom, do not convince yourself that screwing between layers of underwear will soak up the semen. When your geometry teacher posts a banner reading: “Learn math or go home and learn how to be a Momma,” do not take your first feminist stand by leaving the classroom. When the boy you have a crush on is sent to detention, go home. When your mother hits you, do not strike back. When the boy with the blue mohawk swallows your heart and opens his wrists, hide the knives, bleach the bathtub, pour out the vodka. Every time. When the skinhead girls jump you in a bathroom stall, swing, curse, kick, do not turn red. When a boy you think you love delivers the first black eye, use a screw driver, a beer bottle, your two good hands. When your father locks the door, break the window. When a college professor writes you poetry and whispers about your tight little ass, do not take it as a compliment, do not wait, call the Dean, call his wife. When a boy with good manners and a thirst for Budweiser proposes, say no. When your mother hits you, do not strike back. When the boys tell you how good you smell, do not doubt them, do not turn red. When your brother tells you he is gay, pretend you already know. When the girl on the subway curses you because your tee shirt reads: “I fucked your boyfriend,” assure her that it is not true. When your dog pees the rug, kiss her, apologize for being late. When he refuses to stay the night because you live in Jersey City, do not move. When he refuses to stay the night because you live in Harlem, do not move. When he refuses to stay the night because your air conditioner is broken, leave him. When he refuses to keep a toothbrush at your apartment, leave him. When you find the toothbrush you keep at his apartment hidden in the closet, leave him. Do not regret this. Do not turn red. When your mother hits you, do not strike back.
Jeanann Verlee
Her hand rubbed up and down his arm and he found he enjoyed it. Not just the touch, but the feeling that filled his being at the thought of being so accepted. At the thought of someone complimenting him.
Sheila English (Search for a Soul (Adam Frankenstein Short Stories #2))
Are you for real?” She let out a short laugh, looking away. Why did so many good-looking guys have to be such douche canoes? “Man, you are something else.” “That I am.” “That wasn’t a compliment.” “You sure about that?” “Uh, yeah. I am.” “Hmm.” He sounded utterly dismissive. She had to force her hands to unclench. “I think you’re the most uptight person I know.” “You know nothing about me.” “I know enough to know you need a hobby or a pastime. Maybe a different workout regimen to de-stress or you need to get laid. Something to loosen you up a bit.” His lips parted as he stared down at her. He looked affronted. Like if he had pearls, he’d be clutching them. “Did you seriously just tell me I needed to get laid?” Rosie rolled her eyes. “Did you seriously just prove what I said?” A moment passed. “Are you volunteering?
Jennifer L. Armentrout (Moonlight Scandals (de Vincent, #3))
In case you weren't aware, my good fellow, you are in the company of one of the most skilled and accomplished women in England. In fact, I would say Dr. Gibson has a male brain in a woman's body." Garrett grinned wryly at his last comment, which she knew had been intended as a compliment. "Thank you, Doctor." "Despite my short acquaintance with Dr. Gibson," Ethan said, "her brain seems entirely female to me." The remark caused Garrett to stiffen slightly, as she expected a mocking comment to follow. Something about how a woman's mind was changeable, or shallow, the usual clichés. But as Ethan continued, there was no hint of teasing in his tone. "Keen, subtle, and quick, with an intellect strengthened by compassion- yes, she has a woman's mind." Thrown off guard, Garrett stared at him with a touch of wonder. In that brief, private moment, Ethan looked as if he really did prefer her to everything else in the world. As if he saw all of her, the good and the bad, and wouldn't change a thing about her.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
Ildiko shuddered.  Her hope to never again see or eat the Kai’s most beloved and revolting delicacy had been in vain.  When Brishen informed her that the dish was one of Serovek’s favorites, she resigned herself to another culinary battle with her food and put the scarpatine on the menu.  She ordered roasted potatoes as well, much to the head cook’s disgust. When servants brought out the food and set it on the table, Brishen leaned close and whispered in her ear.  “Revenge, wife?” “Hardly,” she replied, keeping a wary eye on the pie closest to her.  The golden top crust, with its sprinkle of sparkling salt, pitched in a lazy undulation.  “But I’m starving, and I have no intention of filling up on that abomination.” Their guest of honor didn’t share their dislike of either food.  As deft as any Kai, Serovek made short work of the scarpatine and its whipping tail, cleaved open the shell with his knife and took a generous bite of the steaming gray meat. Ildiko’s stomach heaved.  She forgot her nausea when Serovek complimented her.  “An excellent choice to pair the scarpatine with the potato, Your Highness.  They are better together than apart.” Beside her, Brishen choked into his goblet.  He wiped his mouth with his sanap.  “What a waste of good scarpatine,” he muttered under his breath. What a waste of a nice potato, she thought.  However, the more she thought on Serovek’s remark, the more her amusement grew. “And what has you smiling so brightly?”  Brishen stared at her, his lambent eyes glowing nearly white in the hall’s torchlight. She glanced at Serovek, happily cleaning his plate and shooting the occasional glance at Anhuset nearby.  Brishen’s cousin refused to meet his gaze, but Ildiko had caught the woman watching the Beladine lord more than a few times during dinner. “That’s us, you know,” she said. “What is us?” “The scarpatine and the potato.  Better together than alone.  At least I think so.” One of Brishen’s eyebrows slid upward.  “I thought we were hag and dead eel.  I think I like those comparisons more.”  He shoved his barely-touched potato to the edge of his plate with his knife tip, upper lip curled in revulsion to reveal a gleaming white fang. Ildiko laughed and stabbed a piece of the potato off his plate.  She popped it into her mouth and chewed with gusto, eager to blunt the taste of scarpatine still lingering on her tongue.
Grace Draven (Radiance (Wraith Kings, #1))
I was never a child; I never had a childhood. I cannot count among my memories warm, golden days of childish intoxication, long joyous hours of innocence, or the thrill of discovering the universe anew each day. I learned of such things later on in life from books. Now I guess at their presence in the children I see. I was more than twenty when I first experienced something similar in my self, in chance moments of abandonment, when I was at peace with the world. Childhood is love; childhood is gaiety; childhood knows no cares. But I always remember myself, in the years that have gone by, as lonely, sad, and thoughtful. Ever since I was a little boy I have felt tremendously alone―and "peculiar". I don't know why. It may have been because my family was poor or because I was not born the way other children are born; I cannot tell. I remember only that when I was six or seven years old a young aunt of mind called me vecchio―"old man," and the nickname was adopted by all my family. Most of the time I wore a long, frowning face. I talked very little, even with other children; compliments bored me; baby-talk angered me. Instead of the noisy play of the companions of my boyhood I preferred the solitude of the most secluded corners of our dark, cramped, poverty-stricken home. I was, in short, what ladies in hats and fur coats call a "bashful" or a "stubborn" child; and what our women with bare heads and shawls, with more directness, call a rospo―a "toad." They were right. I must have been, and I was, utterly unattractive to everybody. I remember, too, that I was well aware of the antipathy I aroused. It made me more "bashful," more "stubborn," more of a "toad" than ever. I did not care to join in the games played by other boys, but preferred to stand apart, watching them with jealous eyes, judging them, hating them. It wasn't envy I felt at such times: it was contempt; it was scorn. My warfare with men had begun even then and even there. I avoided people, and they neglected me. I did not love them, and they hated me. At play in the parks some of the boys would chase me; others would laugh at me and call me names. At school they pulled my curls or told the teachers tales about me. Even on my grandfather's farm in the country peasant brats threw stones at me without provocation, as if they felt instinctively that I belonged to some other breed.
Giovanni Papini (Un uomo finito)
And if I was seen as temperamentally cool and collected, measured in how I used my words, Joe was all warmth, a man without inhibitions, happy to share whatever popped into his head. It was an endearing trait, for he genuinely enjoyed people. You could see it as he worked a room, his handsome face always cast in a dazzling smile (and just inches from whomever he was talking to), asking a person where they were from, telling them a story about how much he loved their hometown (“Best calzone I ever tasted”) or how they must know so-and-so (“An absolutely great guy, salt of the earth”), flattering their children (“Anyone ever tell you you’re gorgeous?”) or their mother (“You can’t be a day over forty!”), and then on to the next person, and the next, until he’d touched every soul in the room with a flurry of handshakes, hugs, kisses, backslaps, compliments, and one-liners. Joe’s enthusiasm had its downside. In a town filled with people who liked to hear themselves talk, he had no peer. If a speech was scheduled for fifteen minutes, Joe went for at least a half hour. If it was scheduled for a half hour, there was no telling how long he might talk. His soliloquies during committee hearings were legendary. His lack of a filter periodically got him in trouble, as when during the primaries, he had pronounced me “articulate and bright and clean and a nice-looking guy,” a phrase surely meant as a compliment, but interpreted by some as suggesting that such characteristics in a Black man were noteworthy. As I came to know Joe, though, I found his occasional gaffes to be trivial compared to his strengths. On domestic issues, he was smart, practical, and did his homework. His experience in foreign policy was broad and deep. During his relatively short-lived run in the primaries, he had impressed me with his skill and discipline as a debater and his comfort on a national stage. Most of all, Joe had heart. He’d overcome a bad stutter as a child (which probably explained his vigorous attachment to words) and two brain aneurysms in middle age.
Barack Obama (A Promised Land)
My instincts are all against a woman being too frank and at her ease with me. It is no compliment to a man. Where the real sex feeling begins, timidity and distrust are its companions, heritage from old wicked days when love and violence went often hand in hand. The bent head, the averted eye, the faltering voice, the wincing figure — these, and not the unshrinking gaze and frank reply, are the true signals of passion. Even in my short life I had learned as much as that — or had inherited it in that race memory which we call instinct.
Arthur Conan Doyle (The Lost World (Professor Challenger, #1))
Getting back to Audrey, though, I should really feel complimented that she won’t ever touch me because she likes me more than anyone else. It makes perfect sense, really, doesn’t it? If she ever gets down or depressed, i can make out the figure of her through the front window of the shack. She comes in and we drink cheap beer or wine and watch a movie or all three. Something old and long like Ben-Hur that stretches into the night. She’ll be next to me on the couch in her flannel shirt and jeans that have been cut into shorts,and eventually, when she’s asleep, I’ll bring a blanket out and cover her up. I kiss her cheek. I stroke her hair. I think of how she lives alone, just like me, and how she never had any real family, and how she only has sex with people. She never lets any love get in the way. I think she had a family once, but it was one of those beat-the-crap-out-of-each-other situations. There’s no shortage of them around here. I think she loved them and all she ever did was hurt her. That’s why she refuses to love. Anybody. I guess she feels better off that way, and who can blame her? When she sleeps on my couch, I think about all that. Everytime. I cover her up, then go to the bed and dream. With my eyes open.
Markus Zusak (I Am the Messenger)
Once, when she was apparently not in the humour for gallantry, she actually had the effrontery to cut him short, saying: ‘Oh, never mind that! Who was that odd-looking man who waved to you just now? Why does he walk in that ridiculous way, and screw up his mouth so? Is he in pain?’ He was taken aback, for really he had paid her a compliment calculated to cast her into exquisite confusion. His lips twitched, for he had as few illusions about himself as had, to all appearances the lady beside him. ‘That,’ he replied, ‘is Golden Ball, Miss Tallant, one of our dandies, as no doubt you have been told. He is not in pain. That walk denotes his consequence.’ ‘Good gracious! He looks as though he went upon stilts! Why does he think himself of such consequence?
Georgette Heyer (Arabella)
Hey,” I said, wondering why I was either short on words or babbling when I spoke to him. I touched his hat. “Didn’t help. I still lost.” The game, anyway. I’d won a date. “Mac’s pretty good at pool,” he said. “You’re no slouch, either.” “It didn’t look like you were paying attention.” In the beginning, until Mac had shown up, I’d been riveted. “When I was looking at the program last night, I noticed you and Mac play for the same university,” I said, doing our usual change-the-subject thing. “You must know each other pretty well.” “Pretty well.” “He seems really nice.” “He’s a pretty good guy.” Not exactly a resounding endorsement. But then guys probably didn’t spend a lot of time complimenting other guys. He’s the best. He’s the greatest. If I were a girl, I’d definitely go out with him.
Rachel Hawthorne (The Boyfriend League)
Be brief, but do not make it painfully obvious that you like to keep things short and sweet. Keep your messages in the four to six sentence range. If a woman does not respond to your email immediately, make her wait an equal amount of time by delaying your response to her email. Doing this will make her think that you are not needy. Also, when she notices that you have read her email but not responded to it for a day or two, she will assume that you have many emails to respond to. In general, avoid complimenting women on their looks. That being said, it is okay to give exactly one superficial compliment as long as it is given in a very non-sexual way. For example, a simple, but effective first message to a woman could begin like this - Hi, you look lovely in your photographs. I noticed that …” Keep things light and fun by throwing in a joke
Strategic Lothario (Become Unrejectable: Know what women want and how to attract them to avoid rejection)
But neither the business alleged, nor the magnificent compliment, could win Catherine from thinking that some very different object must occasion so serious a delay of proper repose. To be kept up for hours, after the family were in bed, by stupid pamphlets was not very likely. There must be some deeper cause: something was to be done which could be done only while the household slept; and the probability that Mrs. Tilney yet lived, shut up for causes unknown, and receiving from the pitiless hands of her husband a nightly supply of coarse food, was the conclusion which necessarily followed. Shocking as was the idea, it was at least better than a death unfairly hastened, as, in the natural course of things, she must ere long be released. The suddenness of her reputed illness, the absence of her daughter, and probably of her other children, at the time—all favoured the supposition of her imprisonment. Its origin—jealousy perhaps, or wanton cruelty—was yet to be unravelled.
Jane Austen (The Complete Works of Jane Austen (All Novels, Short Stories, Unfinished Works, Juvenilia, Letters, Poems, Prayers, Memoirs and Biographies - Fully Illustrated))
What are you doing?” “Coming to pick you up in a little bit,” he said. I loved it when he took charge. It made my heart skip a beat, made me feel flushed and excited and thrilled. After four years with J, I was sick and tired of the surfer mentality. Laid-back, I’d discovered, was no longer something I wanted in a man. And when it came to his affection for me, Marlboro Man was anything but that. “I’ll be there at five.” Yes, sir. Anything you say, sir. I’ll be ready. With bells on. I started getting ready at three. I showered, shaved, powdered, perfumed, brushed, curled, and primped for two whole hours--throwing on a light pink shirt and my favorite jeans--all in an effort to appear as if I’d simply thrown myself together at the last minute. It worked. “Man,” Marlboro Man said when I opened the door. “You look great.” I couldn’t focus very long on his compliment, though--I was way too distracted by the way he looked. God, he was gorgeous. At a time of year when most people are still milky white, his long days of working cattle had afforded him a beautiful, golden, late-spring tan. And his typical denim button-down shirts had been replaced by a more fitted dark gray polo, the kind of shirt that perfectly emphasizes biceps born not from working out in a gym, but from tough, gritty, hands-on labor. And his prematurely gray hair, very short, was just the icing on the cake. I could eat this man with a spoon. “You do, too,” I replied, trying to will away my spiking hormones. He opened the door to his white diesel pickup, and I climbed right in. I didn’t even ask him where we were going; I didn’t even care. But when we turned west on the highway and headed out of town, I knew exactly where he was taking me: to his ranch…to his turf…to his home on the range. Though I didn’t expect or require a ride from him, I secretly loved that he drove over an hour to fetch me. It was a throwback to a different time, a burst of chivalry and courtship in this very modern world. As we drove we talked and talked--about our friends, about our families, about movies and books and horses and cattle.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
YOU ARE THE BOSS. Hosting is not democratic, just like design isn’t. Structure helps good parties, like restrictions help good design. Introduce people to each other A LOT. But take your time with it. Be generous. Very generous with food, wine, and with compliments/introductions. If you have a reception before people sit, make sure there are some snacks so blood sugar level is kept high and people are happy. ALWAYS do placement. Always. Placement MUST be boy/girl/boy/girl, etc. And no, it does not matter if someone is gay. Seat people next to people who do different things but that those things might be complementary. Or make sure they have something else in common; a passion or something rare is best. And tell people what they have in common. Within each table, people should introduce themselves, but it must be short. Name, plus something they like or what they did on the weekend or maybe something that can relate to the gathering. For dessert, people can switch, but best to have it organized: tell every other person at the table to move to another seat.
Priya Parker (The Art of Gathering: How We Meet and Why It Matters)
His gaze was locked on the young woman approaching beside Lady Withram. Short, no more than five feet, with a pretty face, shiny, long, wavy midnight hair and more curves than his shield. He noted all that in an instant, his eyes traveling with appreciation over each asset before settling on her eyes. They were a color he’d never seen before in eyes, a combination of pale blue and green, almost teal with a darker rim circling the unusual irises. They were absolutely beautiful . . . and presently brimming with anxiety and fear. Before he’d even realized he was going to do it, Ross found himself moving around the table to approach the girl. Taking her hand in his, he placed it on his arm and peered solemnly down into her unusual eyes before announcing, “Well worth the wait.” He was pleased to see some of her fear dissipate. Just a little, but it was something. She blushed too, ducking her head as if unused to and embarrassed by such a compliment . . . and her fingers were trembling where they rested on his arm. She did not strike him as a light-skirt, nor was she sour faced or ugly, but she had the finest eyes he’d ever seen, and he wanted to see more of them, so Ross turned and escorted her to the table. He didn’t miss the audible sighs of relief from her parents at their backs. Nor did he miss Gilly’s muttered, “Bloody hell. He’s done fer now.” Judging
Lynsay Sands (An English Bride In Scotland (Highland Brides, #1))
For a brief moment she considered the unfairness of it all. How short was the time for fun, for pretty clothes, for dancing, for coquetting! Only a few, too few years! Then you married and wore dull-colored dresses and had babies that ruined your waist line and sat in corners at dances with other sober matrons and only emerged to dance with your husband or with old gentlemen who stepped on your feet. If you didn't do these things, the other matrons talked about you and then your reputation was ruined and your family disgraced. It seemed such a terrible waste to spend all your little girlhood learning how to be attractive and how to catch men and then only use the knowledge for a year or two. When she considered her training at the hands of Ellen and Mammy, se knew it had been thorough and good because it had always reaped results. There were set rules to be followed, and if you followed them success crowned your efforts. With old ladies you were sweet and guileless and appeared as simple minded as possible, for old ladies were sharp and they watched girls as jealously as cats, ready to pounce on any indiscretion of tongue or eye. With old gentlemen, a girl was pert and saucy and almost, but not quite, flirtatious, so that the old fools' vanities would be tickled. It made them feel devilish and young and they pinched your cheek and declared you were a minx. And, of course, you always blushed on such occasions, otherwise they would pinch you with more pleasure than was proper and then tell their sons that you were fast. With young girls and young married women, you slopped over with sugar and kissed them every time you met them, even if it was ten times a day. And you put your arms about their waists and suffered them to do the same to you, no matter how much you disliked it. You admired their frocks or their babies indiscriminately and teased about beaux and complimented husbands and giggled modestly and denied you had any charms at all compared with theirs. And, above all, you never said what you really thought about anything, any more than they said what they really thought. Other women's husbands you let severely alone, even if they were your own discarded beaux, and no matter how temptingly attractive they were. If you were too nice to young husbands, their wives said you were fast and you got a bad reputation and never caught any beaux of your own. But with young bachelors-ah, that was a different matter! You could laugh softly at them and when they came flying to see why you laughed, you could refuse to tell them and laugh harder and keep them around indefinitely trying to find out. You could promise, with your eyes, any number of exciting things that would make a man maneuver to get you alone. And, having gotten you alone, you could be very, very hurt or very, very angry when he tried to kiss you. You could make him apologize for being a cur and forgive him so sweetly that he would hang around trying to kiss you a second time. Sometimes, but not often, you did let them kiss you. (Ellen and Mammy had not taught her that but she learned it was effective). Then you cried and declared you didn't know what had come over you and that he couldn't ever respect you again. Then he had to dry your eyes and usually he proposed, to show just how much he did respect you. And there were-Oh, there were so many things to do to bachelors and she knew them all, the nuance of the sidelong glance, the half-smile behind the fan, the swaying of hips so that skirts swung like a bell, the tears, the laughter, the flattery, the sweet sympathy. Oh, all the tricks that never failed to work-except with Ashley.
Margaret Mitchell (Gone with the Wind)
I was never a child; I never had a childhood. I cannot count among my memories warm, golden days of childish intoxication, long joyous hours of innocence, or the thrill of discovering the universe anew each day. I learned of such things later on in life from books. Now I guess at their presence in the children I see. I was more than twenty when I first experienced something similar in my self, in chance moments of abandonment, when I was at peace with the world. Childhood is love; childhood is gaiety; childhood knows no cares. But I always remember myself, in the years that have gone by, as lonely, sad, and thoughtful. Ever since I was a little boy I have felt tremendously alone―and "peculiar". I don't know why. It may have been because my family was poor or because I was not born the way other children are born; I cannot tell. I remember only that when I was six or seven years old a young aunt of mind called me [i]vecchio[/i]―"old man," and the nickname was adopted by all my family. Most of the time I wore a long, frowning face. I talked very little, even with other children; compliments bored me; baby-talk angered me. Instead of the noisy play of the companions of my boyhood I preferred the solitude of the most secluded corners of our dark, cramped, poverty-stricken home. I was, in short, what ladies in hats and fur coats call a "bashful" or a "stubborn" child; and what our women with bare heads and shawls, with more directness, call a [i]rospo[/i]―a "toad." They were right. I must have been, and I was, utterly unattractive to everybody. I remember, too, that I was well aware of the antipathy I aroused. It made me more "bashful," more "stubborn," more of a "toad" than ever. I did not care to join in the games played by other boys, but preferred to stand apart, watching them with jealous eyes, judging them, hating them. It wasn't envy I felt at such times: it was contempt; it was scorn. My warfare with men had begun even then and even there. I avoided people, and they neglected me. I did not love them, and they hated me. At play in the parks some of the boys would chase me; others would laugh at me and call me names. At school they pulled my curls or told the teachers tales about me. Even on my grandfather's farm in the country peasant brats threw stones at me without provocation, as if they felt instinctively that I belonged to some other breed.
Giovanni Papini (Un uomo finito)
They heard Hugo ask if the plan for the hors d'oeuvres was still in operation, and they heard Colette ask about plucking the feathers off crows, and they heard Kevin complain that he didn't know whether to hold the birdpaper in his right hand or his left hand, and they heard Mr. Lesko insult Mrs. Morrow, and the bearded man sing a song to the woman with the crow-shaped hat, and they heard a man call for Bruce and a woman call for her mother and dozens of people whisper to and shout at, argue with and agree upon, angrily accuse and meekly defend, furiously compliment and kindly insult dozens of other people, both inside and outside the Hotel Denouement, whose names the Baudelaires recognized, forgot, and had never heard before. Each story had its story, and each story's story was unfathomable in the Baudelaire orphans' short journey, and many of the stories' stories are unfathomable to me, even after all these lonely years and all this lonely research. Perhaps some of these stories are clearer to you, because you have spied upon the people involved. Perhaps Mrs. Bass has changed her name and lives near you, or perhaps Mr. Remora's name is the same, and he lives far away. Perhaps Nero now works as a grocery store clerk, or Geraldine Julienne now teaches arts and crafts. Perhaps Charles and Sir are no longer partners, and you have had the occasion to study one of them as he sat across from you on a bus, or perhaps Hugo, Colette, and Kevin are still comrades, and you have followed these unfathomable people after noticing that one of them used both hands equally. Perhaps Mr. Lesko is now your neighbor, or Mrs. Morrow is now your sister, or your mother, or your aunt or wife or even your husband. Perhaps the noise you hear outside your door is a bearded man trying to climb into your window, or perhaps it is a woman in a crow-shaped hat hailing a taxi. Perhaps you have spotted the managers of the Hotel Denouement, or the judges of the High Court, or the waiters of Cafe Salmonella or the Anxious Clown, or perhaps you have met an expert on injustice or become one yourself. Perhaps the people in your unfathomable life, and their unfathomable stories, are clear to you as you make your way in the world, but when the elevator stopped for the last time, and the doors slid open to reveal the tilted roof of the Hotel Denouement, the Baudelaires felt as if they were balancing very delicately on a mysterious and perplexing heap of unfathomable mysteries.
Lemony Snicket (The Penultimate Peril (A Series of Unfortunate Events, #12))
THE CODE OF A GOOD TRAINING PARTNER I will show up on time for every workout, and if I can’t avoid missing one, I’ll let my partner know as soon as I know. I will come to the gym to train—not to chat. When we’re in the gym, we focus on our workouts, we’re always ready to spot each other, and we get our work done efficiently. I will train hard to set a good example for my partner. I will push my partner to do more than she thinks she can. It’s my job to motivate her to do more weight and more reps than she believes possible. I will be supportive of my partner and will compliment her on her gains. I won’t let my partner get out of a workout easily. I will reject any excuses that are short of an actual emergency or commitment that can’t be rescheduled, and I will insist that she comes and trains. In the case where there’s a valid excuse, I’ll offer to train at a different time so we can get our workout in (if at all possible).
Michael Matthews (Thinner Leaner Stronger: The Simple Science of Building the Ultimate Female Body)
They’re not even lovers,’ said Dolby. ‘They told the news. They’re just very best friends who have found that the person they each want to be is a combination of the two of them.’ I was lagging several beats behind them. ‘“Compatible.” Why do you think they’re compatible?’ ‘Are you kidding? Aren’t you compatible with yourself?’ I gave a short laugh. ‘Depends on who you ask.’ ‘Well, you can’t imagine. The Joy of Congruence is completely beyond you.’ ‘I hope you won’t be offended if I take that as a compliment.’ As soon as I said it, the word lit up in my head. Except it was spelled complement.
Pat Cadigan (Mindplayers)
Specific behaviors to demonstrate include appropriate daily interactions such as greetings, introductions, saying thank you and excuse me, how to give and accept a compliment, when to show respect and allow others to go first, assisting people in need, answering a phone, how to wait in line, offering to take someone’s jacket, and how to properly interrupt a conversation.
Sterling Production (Montessori at Home Guide: A Short Guide to a Practical Montessori Homeschool for Children Ages 2-6)
thought he saw a brief glance down at Ellie. Everyone else took their wine glasses in hand, and murmured a second to Randall’s toast before taking a sip. David saw that Ellie hesitated before taking a sip. “I’m not usually a fan of red wine,” she whispered to him. “Linda, this is an excellent wine,” she said a bit too loud across the table to her friend. David wondered what had happened to her in her life that made her worry so much about outward appearances. He thought that the small digs that had been taken at her expense in the library may be weighing on her, and it surprised him to feel a twitch of anger. Ellie seemed so strong at times, but so frail at others. “Thank you, but I can’t take credit. Randall picked it out,” Linda said as she raised her own glass. “Of course he did,” Melanie Wilson uttered in a low undertone. “What, dear?” Linda glanced down the table at Melanie. “Nothing, nothing, Linda. I was also complimenting Randall on his fine wine selection,” Melanie said into her wine glass. From what David could tell from his short acquaintance with Melanie Wilson, it seemed almost impossible for her to keep a rein on her tongue. He saw a look on her husband’s face that
Cege Smith (Edge of Shadows)
Uh . . . thank you for the coffee, Meg—you brew a very decent pot.” His nervous compliment seemed to dissolve all the years of ridicule she’d suffered at his hand. Tubby. Four eyes. Wallflower, and more. Hurtful names she now realized were nothing more than the barbs of an insecure little boy. And a bully who would never bully her again. “Why, thank you,” she said with a flash of a perfect smile afforded by three years of braces at great expense to her mother. She felt almost giddy as she gave him a wink. “Not too shabby for somebody long on brains, short on beauty, eh?” And with a toss of her newly hennaed hair, she turned on her heel, the taste of vindication sweet solace, indeed.
Julie Lessman (Surprised by Love (The Heart of San Francisco, #3))
All went smoothly for the first fifteen minutes--my mother was, after all, very adept at making people comfortable. She chatted, though not excessively, primarily with me. As I had predicted, Narian was silent and observant, letting me carry the conversation while he tried to get a feel for the woman across from us, not quite trusting that she was on our side. He was never rude, and never short with her; he simply hid himself behind good etiquette. During a natural pause in conversation, my mother perused Narian and me, and her mood became contemplative. “When was it that you fell in love?” she asked. “Was it right under our noses?” “More or less,” I said with a laugh, glancing at Narian. “We became friends when he first came to Hytanica. All those trips Miranna and I made to Baron Koranis’s estate were really so I could see him.” Mother smiled and Narian glanced at me as if this were news to him. Then she picked up the thread of the conversation. “I remember falling in love,” she mused, and I wondered how far she would venture into her story, knowing it was not a wholly happy one. “I was fifteen, going through the very difficult experience of losing my family in a fire. I was brought to live in the palace, for I’d been betrothed for years to Andrius, Alera’s uncle, who later died in the war before we could be married.” I realized she was not talking to me, and that, though he was still aloof, she had captured Narian’s interest, for his deep blue eyes were resting attentively upon her. “At the time, I was so lost and alone and frightened. And then Andrius and I grew close. With him, my life made sense again. I had something to hold on to, something to steady me. What was the worst time of my life became the best.” There was a pause, and she innocently met Narian’s gaze. But her story was not innocent at all. If I could recognize the parallel she was drawing to his life in the aftermath of learning of his Hytanican heritage, then he surely could, as well. He didn’t say a word, however, and she dropped the veiled attempt to connect with him before it became awkward, turning to me instead. “I’ve told you before, Alera--Andrius lives on in you. I see him in you every day.” I smiled, tipping my head in acceptance of the compliment. “And in you--” she said, once more turning to Narian, tapping a finger against her lips in thought “--I see Cannan.” She was lightly cajoling him, exactly as a parent would do. I couldn’t imagine what was going on in his mind, but he was no longer eager to leave, his eyes never once flicking toward me or the door.
Cayla Kluver (Sacrifice (Legacy, #3))
Not yet, Baird,” the one beside him cautioned. He was as tall as his friend and just as muscular but he had short, spiky blond hair that complimented his pale blue eyes. “Can’t wait much longer.” Long, strong fingers curled into a fist as though the amber-eyed male could grasp the slender figure in his hand and hold her through sheer force of will. “Been dreaming about her every night, Sylvan. I ache for her.” “What does she look like?” There was genuine curiosity in the question. Though Baird had never seen her outside his dreams, Sylvan had no doubt he could describe his chosen female to the last detail. “So fuckin’ beautiful it hurts to look at her. Yellow hair like yours but longer—more golden. And her eyes…” Baird shook his head. “Like jewels. A pale grey that’s almost silver.” “You find these human women appealing then?” “Only her—she’s the only one I can see.” The amber eyes stared hungrily across the road. “I need her soon. Need to be with her. In her.” “You’re sure she’s the one?” Sylvan stared doubtfully at the woman silhouetted in the window. She was humming softly to herself but despite the distance and the pane of glass between them he could hear her perfectly and knew Baird could too. As attuned as his half brother was to this human female, he could probably hear her heartbeat even from across the street. “I know she’s the one.” There wasn’t a shred of doubt in the deep, rumbling voice. “Didn’t I tell you we’ve been dream-sharing? And her scent…” He inhaled deeply and his dark gold eyes were suddenly half-lidded with desire. “It’s her all right and she’s ripe for bonding. I want her.” “I know you do, but Baird…” The other male shifted from foot to foot uneasily. “You haven’t been back that long—only three days and it’s a miracle you escaped alive. Don’t you think it might be a good idea to wait a while? To take some time to recover?” “Waited long enough,” was the rumbling reply. “Six months in that hell hole and the only thing keeping me alive and sane were the dreams I had of her. I won’t wait any longer—she’s mine, whether she knows it yet or not.” “You’ll scare her,” his half-brother objected. “Human women are frightened enough of us as it is.” “I won’t hurt her. Just need to take her—bond her.
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
I don’t give compliments. I tell the truth.
Milly Taiden (Stripe-Club (Furocious Lust Shorts, #6))
Above the entrance hung a banner. It read, “Welcome to the Computer Fiar.” Compliments of the people who write the code for our computers.
Andrew Ashling (Stories on the Go: 101 Very Short Stories by 101 Authors)
•Compliment at least one person every day. Maybe you begin the day by sending a short email or text telling someone why you appreciate them. “Just wanted to thank you for being a great friend.” Or “I appreciated your call yesterday. Thanks for being
Brad Aronson (HumanKind: Changing the World One Small Act At a Time)
Louise, who at twenty-three could easily look like a sixteen-year-old boy, wore trousers, a vest, and a tie. Joan wore a chic dress with a nipped-in waist and wide skirt, her red hair in a wavy, shoulder-length pageboy. The juke box in the bar was a good one, with Ray Charles singing “Hey Now” and new records by B. B. King, whose performances on Beale Street were a Memphis sensation. The most popular song of the night, hands down, was Kitty Wells strumming “It Wasn’t God Who Made Honky Tonk Angels.” Wells was from Nashville, and the burgeoning country music industry in their home state was a subject of fascination for both women. Louise, intrigued by the fashion for cowboy costumes and yodeling, could do a fair imitation of Hank Williams. Louise had a new swagger that Joan hadn’t seen in her before. She was more assertive and suffered fools even less. When a pretty young woman stopped by their table to compliment Joan’s hair and flirtatiously ask, “Why don’t you cut it short?” Louise sent her on her way with a proprietary growl, saying, “Leave her alone. She’s not gay.
Leslie Brody (Sometimes You Have to Lie: The Life and Times of Louise Fitzhugh, Renegade Author of Harriet the Spy)
I waited for her outside her house and saw her approaching in the aqua-blue dress I had gifted her on her last birthday. She obviously remembered my love for that colour on her and how I always told her that it complimented her skin beautifully. My heartbeat increased just a little as she sat in my car and the scent of her signature perfume- Chanel No 5- diffused in the air of my car. Her sleek-straight hair fell on her face. "Hi Neel. How have you been?" I thought about the first month of sleepless nights, crying, sulking and overthinking and said, "I've been okay.
Insha Juneja (Imperfect Mortals : A Collection of Short Stories)
Forward Lean Just as facing a person directly demonstrates interest, so does leaning forward slightly. Leaning forward shows that are you actively listening. It’s a kind of nonverbal compliment that tends to keep the conversation going. But pay attention to appropriate social distance (see p. 179, Proxemics, for more on this subject). You don’t want to come on too strong. Leaning back, especially with hands over your mouth or behind your head, communicates boredom or lack of interest. When others pick up on this, they will cut the conversation short and move on. When you perceive that someone you are talking to is leaning back, you may do well to change the subject, perhaps by asking what he or she thinks. If this produces no change in response, it may be time for you to move on. Don’t take it personally, especially in a party environment. Most people who attend large gatherings are accustomed to moving from conversation to conversation and may not want to spend more than several minutes with any one person.
Jonathan Berent (Beyond Shyness: How to Conquer Social Anxieties)
Three Opening Topics of Conversation Use your information-gathering skills to devise topics that would interest you both. As your conversation proceeds, listen carefully to the answers to your questions; they will provide you with material for further conversation. 1. The situation you’re both in. For example, if you meet someone in a continuing-education class, you know that you share an interest in learning, as well as in the topic of the course itself. Questions such as “Have you taken other adult education classes?” or “How did you become interested in English history?” should get the ball rolling. If you meet someone at a party, you might start off by talking about how you know the people throwing the party. “Oh, you and Bob went to sailing camp together? Do you still sail?” And so on. Take your cues from them, and let them know you are interested by following up—both verbally with questions, and nonverbally with your body language. 2. The other person. First, observe what the person is doing, wearing, saying, or reading. Look for things you share in common, or find something that you’d like to know more about. (But watch their body language to be sure they are approachable. A person who is busy changing a tire or engrossed in a book may not want to be disturbed, even by friendly, approachable you.) 3. Yourself. Talking about yourself is a step leading toward conversational intimacy. But it is only effective if you provide an easy way for you intended companion to turn the conversation around to him or her. A compliment such as “I wish I had your sense of color” starts out with you, but focuses on the other person. It makes her feel immediately appreciated, and offers her a chance to take the conversation further if she likes. When someone mentions something you know about or like, indicate it by nodding or by a short sentence (“I’ve been interested in gardening for years!”). Be careful not to talk about yourself too much—especially at first. That can be a real turnoff.
Jonathan Berent (Beyond Shyness: How to Conquer Social Anxieties)
You fishing for compliments, Burke?” “From a hot young thang in a short red dress? You betcha.” “A hot young thang who’s about to go out with your friend.” “Ah. Right. That.” Tell me not to go. Tell me I should be dating you instead. But of course he wouldn’t. Only in her fantasies.
Lauren Layne (I Wish You Were Mine (Oxford, #2))
I’d like to be with you,” she said, “but only if you’re comfortable with it. It’s not going to hurt the baby—you can call the doctor and ask her yourself. Or talk to Z—he and Bella were together while she was pregnant. She told me so. Talk to whoever you need to, but please rethink where you’re at. Being with you has to have a place in all this.” As he cracked his knuckles like he was considering things, she stared at the tattoos that ran up his inner forearms. She tried to imagine a son of hers with a set of those and reached out, turning one of his hands over so she could run her fingertips across the symbols. “Will he get these, too?” So many names, she thought. “Or because I’m his mother, is he not allowed—” “Fuck that shit. He can abso get them—and I’ll have V do it. But only if he wants them.” “I’m surprised.” “About?” “How much I want him to. I want him to be just like you.” There was a long pause and Wrath had to clear his throat. “That’s just about the best compliment anyone’s ever paid me.” “I don’t know. . . . I just feel like you’re the perfect man.” “Now you’re making me blush.” She laughed in a rush. “It’s true.” “I curse. Constantly. I have a short temper. I order people around—including you.” “You’re also a great fighter. Great lover—although my son will never, ever have sex—nope, not going there, and if we have grandchildren, they will be immaculately conceived. Wait, where was I—oh, yeah, so you’re also very loyal. You’ve never looked at another woman.” Wrath put his index finger up. “And that would be true even if I could see.” “And you’re smart. Great-looking—” He leaned in. “Are you trying to butter me up so I’ll have sex with you?” “Is it working?” “Maybe.” He kissed her lips softly. “Just give me a little time. Only yesterday you were rushed to the doc’s because you were throwing up.” She ran her hand down his cheek and his hard jaw. “I’ll wait for you. Always.” -Beth & Wrath
J.R. Ward (The King (Black Dagger Brotherhood, #12))
To apprehend myself as victim in a sexist society is to know that there are few places where I can hide, that I can be attacked almost anywhere, at any time, by virtually anyone. Innocent chatter, the currency of ordinary social life, or a compliment (“You don’t think like a woman”), the well-intentioned advice of psychologists, the news item, the joke, the cosmetics advertisement—none of these is what it is or what it was. Each reveals itself, depending on the circumstances in which it appears, as a threat, an insult, an affront, as a reminder, however, subtle, that I belong to an inferior caste. In short, these are revealed as instruments of oppression or as articulations of a sexist institution. Since many things are not what they seem to be and since many apparently harmless sorts of things can suddenly exhibit a sinister dimension, social reality is revealed as deceptive.
Sandra Bartky Lee (Femininity and Domination: Studies in the Phenomenology of Oppression)
whenever I achieve a little something and am complimented, shortly thereafter I am swiftly kicked in the ass by karma.
Ruby Wax (Sane New World: The original bestseller)
Working out with a bad partner sucks. It drains your energy and motivation and can even cause you to lose enthusiasm for working out altogether. On the other hand, working out with a good partner can go far in keeping you on track and making progress. He helps keep you accountable and wanting to show up every day, and having a spot on certain exercises helps push you for another rep and encourages you to move up in weight as you should. These things can make a big difference as time goes on. Those workouts, additional reps, and progressions in weight that wouldn’t have happened if you were solo add up to real gains. So, I recommend that you find someone to work out with before you start, and the two of you should agree to the following code. 1. I will show up on time for every workout, and if I can’t avoid missing one, I’ll let my partner know as soon as I know. 2. I won’t let my partner get out of a workout easily. I will reject any excuses that are short of an actual emergency or commitment that can’t be rescheduled, and I will insist that he comes and trains. In the case where there’s a valid excuse, if at all possible, I’ll offer to train at a different time so we can get our workout in. 3. I will come to the gym to train—not to chat. When we’re in the gym, we focus on our workouts, we’re always ready to spot each other, and we get our work done efficiently. 4. I will train hard to set a good example for my partner. 5. I will push my partner to do more than he thinks he can. It’s my job to motivate him to do more weight and more reps than he believes possible. 6. I will be supportive of my partner and will compliment him on his gains.
Michael Matthews (Bigger Leaner Stronger: The Simple Science of Building the Ultimate Male Body)
Crazy Is a Compliment: The Power of Zigging When Everyone Else Zags.
Timothy Ferriss (Tribe Of Mentors: Short Life Advice from the Best in the World)
I don’t get that. Mr. Darcy is short with Elizabeth to the point of rudeness. Why would you want someone who’s so much work?” “How is that more work?” I asked. “Darcy doesn’t lavish her with false praise or compliments that mean nothing. When he says he loves her it’s because he does.
Christina Lauren (Beautiful Secret (Beautiful Bastard, #4))
one of the best compliments I’d ever heard of a short story was “It’s beautiful because every word must be.” Make sure that your podcast is the same way. Make sure that every word must be.
Kristen Meinzer (So You Want to Start a Podcast: Finding Your Voice, Telling Your Story, and Building a Community That Will Listen)
In short, remember that compliments are worthless and people’s approval doesn’t make your business better.
Rob Fitzpatrick (The Mom Test: How to talk to customers & learn if your business is a good idea when everyone is lying to you)
those who knew Rapicault spoke of his “fearlessness.” It was meant, of course, as the highest compliment. But “fearlessness” inadvertently sells valor short. Valor isn’t the absence of fear. Valor is the acknowledgment of fear overcome by the will to go on. As Edmund Hillary said, “It is not the mountain we conquer, but ourselves.”4
Scott Pelley (Truth Worth Telling: A Reporter's Search for Meaning in the Stories of Our Times)
The whole set of stylizations that are known as 'camp' (a word that I was hearing then for the first time) was, in 1926, self-explanatory. Women moved and gesticulated in this way. Homosexuals wished for obvious reasons to copy them. The strange thing about 'camp' is that it has become fossilized. The mannerisms have never changed. If I were now to see a woman sitting with her knees clamped together, one hand on her hip and the other lightly touching her back hair, I should think, 'Either she scored her last social triumph in 1926 or it is a man in drag.' Perhaps 'camp' is set in the 'twenties because after that differences between the sexes—especially visible differences—began to fade. This, of course, has never mattered to women in the least. They know they are women. To homosexuals, who must, with every breath they draw, with every step they take, demonstrate that they are feminine, it is frustrating. They look back in sorrow to that more formal era and try to re-live it. The whole structure of society was at that time much more rigid than it has ever been since, and in two main ways. The first of these was sexual. The short skirts, bobbed hair and flat chests that were in fashion were in fact symbols of immaturity. No one ever drew attention to this, presumably out of politeness. The word 'boyish' was used to describe the girls of that era. This epithet they accepted graciously. They knew that they looked nothing like boys. They also realized that it was meant to be a compliment. Manliness was all the rage. The men of the 'twenties searched themselves for vestiges of effeminacy as though for lice. They did not worry about their characters but about their hair and their clothes. Their predicament was that they must never be caught worrying about either. I once heard a slightly dandified friend of my brother say, 'People are always accusing me of taking care over my appearance.' The sexual meaning of behaviour was only sketchily understood, but the symbolism of clothes was recognized by everyone. To wear suede shoes was to be under suspicion. Anyone who had hair rather than bristle at the back of his neck was thought to be an artist, a foreigner or worse. A friend of mine who was young in the same decade as I says that, when he was introduced to an elderly gentleman as an artist, the gentleman said, 'Oh, I know this young man is an artist. The other day I saw him in the street in a brown jacket.' The other way in which society in the 'twenties was rigid was in its class distinctions. Doubtless to a sociologist there were many different strata merging here and there but, among the people that I was now getting to know, there were only two classes. They never mingled except in bed. There was 'them', who acted refined and spoke nice and whose people had pots of money, and there was 'us', who were the salt of the earth.
Quentin Crisp (The Naked Civil Servant)
He’s awkward and young and bony and short. All suit my reptilian desires. Easy to compliment. Easy to control.
Halo Scot (Elegy of the Void (Rift Cycle, #4))
Sorry, Commander. Just finishing off this carrot. Ahm…Dublin, let’s see. Seventy-five…Eighteen seventy-five.” “I thought so! This place is completely different. The humans have even managed to change the shape of the coastline.” Foaly was silent for a moment. Root could just imagine him wrestling with the problem. The centaur did not like to be told that any part of his system was out of date. “Okay,” he said at last. “Here’s what I’m going to do. We have a Scope on a satellite TV bird with a footprint in Ireland.” “I see,” muttered Root—which was basically a lie. “I’m going to e-mail last week’s sweep direct to your visor. Luckily there’s a video card in all the new helmets.” “Luckily.” “The tricky bit will be to coordinate your flight pattern with the video feed.…” Root had had enough. “How long, Foaly?” “Ahm…Two minutes, give or take.” “Give or take what?” “About ten years if my calculations are off.” “They’d better not be off then. I’ll hover until we know.” One hundred and twenty-four seconds later, Root’s black-and-white blueprints faded out, to be replaced by full-color daylight imaging. When Root moved, it moved, and Holly’s locator beacon dot moved too. “Impressive,” said Root. “What was that, Commander?” “I said impressive,” shouted Root. “No need to get a swelled head.” The commander heard the sound of a roomful of laughter, and realized that Foaly had him on the speakers. Everyone had heard him complimenting the centaur’s work. There’d be no talking to him for at least a month. But it was worth it. The video he was receiving now was bang up to date. If Captain Short was being held in a building, the
Eoin Colfer (Artemis Fowl (Artemis Fowl, #1))
Fourth, as the previous chapters have shown, the rise of philosophical pluralism and of secularizing tendencies, especially in the media and in the academy, project an image of believers as old-fashioned, quaint, ill-informed, red-necked, “fundamentalist”—and therefore needing to be tamed. The left demonizes the right, and the right returns the compliment—but the left holds virtually all the positions of leadership in the media and in the academy. In short, the culture of our age firmly opposes all claims to transcendent authority, with the result that there is often a bias against believers. No small irony rests in the fact that the Pilgrim fathers left England because they were not free to practice the truth, and then left Holland for America because they perceived that the amorphous tolerance they found there was in danger of corroding their love of the truth.
D.A. Carson (The Gagging of God: Christianity Confronts Pluralism)
Don’t you just look perfect with a baby.” My head turned to look at Kash’s grandma who had just sat down on my left. She was a short woman that, from my limited interaction with her, looked like she lived to feed her family and give hugs. She was absolutely adorable. My eyes automatically dropped to the sleeping baby, and I gave her a small smile as I laughed awkwardly. “Um . . .” How do you respond to that? “That was a compliment, dear. You look very comfortable like that, like you were made to hold a baby.” “Oh, well thank you.” That so didn’t sound like a compliment. It felt like it should be followed up with Kash telling me I should be barefoot in the kitchen. “So beautiful,” she murmured as she touched my engagement ring and looked happily back up at me. “Do you plan to give me more great-grandchildren soon? I’ll be here for only so long . . .” she trailed off and laughed heartily. “I don’t know about that, we haven’t really talked about it. We’re still young,” I cut off quickly when I realized Ava was barely older than me and already had two kids. But for shit’s sake I had barely turned twenty-two a couple months ago. I was still getting used to taking care of Trip, I didn’t even want to think about having a baby. “Of course you are, darling girl! You have all the time in the world. This is just an old woman greedy for more babies to spoil rotten. Though I’m sure with you and Logan being the only children in your families, both of your parents will be spoiling your children senseless.” My stomach dropped and I kept the smile plastered to my face. “Yeah, probably,” I murmured. A
Molly McAdams (Deceiving Lies (Forgiving Lies, #2))
You have a distinct talent for emptying a room, my love." Not certain whether it was a compliment or complaint, she replied warily. "Someone had to get rid of them, else they would have stayed all night." "Very well, you've banished our visitors, and you have me all to yourself. I'm interested to learn the rest of your plan for this evening." Disconcerted by the teasing glint in his eyes, Lara twined her fingers in a knot. "If you would care to retire, I'll have a supper tray sent up to your room-" "You're suggesting I go to bed early and alone?" His short grin both mocked and flirted with her. "I was hoping for a better offer than that.
Lisa Kleypas (Stranger in My Arms)
Thank you for coming with me.” She knew it was no small thing. Dom was Monarch of Iona now, the leader of an enclave shattered by war and betrayal. He should have been at home with his people, helping them restore what was nearly lost forever. Instead, he looked grimly down a sand dune, his clothes poorly suited to the climate, his appearance sticking sticking out of the desert like the sorest of thumbs. While so many things had changed, Dom’s ability to look out of place never did. He even wore his usual cloak, a twin to the one he lost months ago. The gray green had become a comfort like nothing else, just like the silhouette of his familiar form. He loomed always, never far from her side. It was enough to make Sorasa’s eyes sting, and turn her face to hide in her hood for a long moment. Dom paid it no notice, letting her recover. Instead, he fished an apple from his saddlebags and took a noisy bite. “I saved the realm,” he said, shrugging. The least I can do is try to see some of it.” Sorasa was used to Elder manners by now. Their distant ways, their inability to understand subtle hints. The side of her mouth raised against her hood, and she turned back to face him, smirking. “Thank you for coming with me,” she said again. “Oh,” he answered, shifting to look at her. The green of his eyes danced, bright against the desert. “Where else would I go?” Then he passed the rest of the apple over to her. She finished the rest without a thought. His hand lingered, though, scarred knuckles on a tattooed arm. She did not push him away. Instead, Sorasa leaned, so that her shoulder brushed his own, putting some of her weight on him. “Am I still a waste of arsenic?” he said, his eyes never moving from her face. Sorasa stopped short, blinking in confusion. “What?” “When we first met.” His own smirk unfurled. “You called me a waste of arsenic.” In a tavern in Byllskos, after I dumped poison in his cup, and watched him drink it all. Sorasa laughed at the memory, her voice echoing over the empty dunes. In that moment, she thought Domacridhan was her death, another assassin sent to kill her. Now she knew he was the opposite entirely. Slowly, she raised her arm and he did not flinch. It felt strange still, terrifying and thrilling in equal measure. His cheek was cool under under her hand, his scars familiar against her palm. Elders were less affected by the desert heat, a fact that Sorasa used to her full advantage. “No,” she answered, pulling his face down to her own. “I would waste all the arsenic in the world on you.” “Is that a compliment, Amhara?” Dom muttered against her lips. No, she tried to reply. On the golden sand, their shadows met, grain by grain, until there was no space left at all.
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))