Shopping With Toddler Quotes

We've searched our database for all the quotes and captions related to Shopping With Toddler. Here they are! All 14 of them:

the exhausting task of supervising Red as she bounced from shop to shop. It was like watching a hyper toddler in a toy store.
Chris Colfer (Worlds Collide (The Land of Stories #6))
This is the great failing of today’s evangelical lobby. Instead of testifying confidently to the presence of a supreme and sovereign God—a celestial chess master rolling His eyes at our earthly checkerboard—Christian conservatives have acted like toddlers lost at the shopping mall, panicked and petrified, shouting the name of their father with such hysteria that his reputation is diminished in the eyes of every onlooker.
Tim Alberta (The Kingdom, the Power, and the Glory: American Evangelicals in an Age of Extremism)
Bree had the exhausting task of supervising Red as she bounced from shop to shop. It was like watching a hyper toddler in a toy store.
Chris Colfer (Worlds Collide (The Land of Stories #6))
There’s a heavenly bakery in one corner, and a whole local snacks section, and between the six of us, it’s like shopping with very bougie, somewhat drunk toddlers, one person wandering off every time the rest of us are ready to go.
Emily Henry (Happy Place)
I am Hannah fucking Kabbah. I go to the supermarket every week without a shopping list. I once memorised an entire psychology textbook the day before an exam after realising I'd been revising the wrong module for weeks. And guess what? I got an A. I spent the first few years of my professional life keeping multiple toddlers alive. Do you know how hard it is to keep toddlers alive, Ms. Chai Latte? It's really fucking hard. And I was good at it. I do not get things wrong. I do not make mistakes. I do not fuck up FUCKING CHAI LATTES. DO YOU UNDERSTAND ME? This is what Hannah thought. But what she said was... Oh. Wait. Shit.
Talia Hibbert (Untouchable (Ravenswood #2))
Motor-scooter riders with big beards and girl friends who bounce on the back of the scooters and wear their hair long in front of their faces as well as behind, drunks who follow the advice of the Hat Council and are always turned out in hats, but not hats the Council would approve. Mr. Lacey, the locksmith,, shups up his shop for a while and goes to exchange time of day with Mr. Slube at the cigar store. Mr. Koochagian, the tailor, waters luxuriant jungle of plants in his window, gives them a critical look from the outside, accepts compliments on them from two passers-by, fingers the leaves on the plane tree in front of our house with a thoughtful gardener's appraisal, and crosses the street for a bite at the Ideal where he can keep an eye on customers and wigwag across the message that he is coming. The baby carriages come out, and clusters of everyone from toddlers with dolls to teenagers with homework gather at the stoops. When I get home from work, the ballet is reaching its cresendo. This is the time roller skates and stilts and tricycles and games in the lee of the stoop with bottletops and plastic cowboys, this is the time of bundles and packages, zigzagging from the drug store to the fruit stand and back over to the butcher's; this is the time when teenagers, all dressed up, are pausing to ask if their slips shows or their collars look right; this is the time when beautiful girls get out of MG's; this is the time when the fire engines go through; this is the time when anybody you know on Hudson street will go by. As the darkness thickens and Mr. Halpert moors the laundry cart to the cellar door again, the ballet goes under lights, eddying back nad forth but intensifying at the bright spotlight pools of Joe's sidewalk pizza, the bars, the delicatessen, the restaurant and the drug store. The night workers stop now at the delicatessen, to pick up salami and a container of milk. Things have settled down for the evening but the street and its ballet have not come to a stop. I know the deep night ballet and its seasons best from waking long after midnight to tend a baby and, sitting in the dark, seeing the shadows and hearing sounds of the sidewalk. Mostly it is a sound like infinitely patterning snatches of party conversation, and, about three in the morning, singing, very good singing. Sometimes their is a sharpness and anger or sad, sad weeping, or a flurry of search for a string of beads broken. One night a young man came roaring along, bellowing terrible language at two girls whom he had apparently picked up and who were disappointing him. Doors opened, a wary semicircle formed around him, not too close, until police came. Out came the heads, too, along the Hudsons street, offering opinion, "Drunk...Crazy...A wild kid from the suburbs" Deep in the night, I am almost unaware of how many people are on the street unless someone calls the together. Like the bagpipe. Who the piper is and why he favored our street I have no idea.
Jane Jacobs
But shopping, cooking and housework must not be allowed to consume all of one parent’s time. Both parents need precious time together with their child.
Christopher Green (Toddler Taming)
We put on a pot of tea, a necessity between these two writing friends. We could no more imagine writing without this hot sustenance than we could without pen and paper. We sat at the table to talk shop, sort through our notes, and make plans for the book. Then we settled down in the sunroom, giggling a little at the unexpected absurdity of our activity, editing within arm’s reach of each other, like toddlers at parallel play.
Mary Potter Kenyon (Mary & Me: A Lasting Link Through Ink)
sounded like another language entirely. I felt relieved, momentarily, to be a relatively worldly Lubavitcher, even if I didn’t entirely fit in with the Crown Heights crowd. — Much to my disappointment, Miri was rarely to be seen. Most days she left the apartment around ten in a giddy rush and returned in the early evening with armloads of shopping bags, only to leave again for dinner with her friends. But one morning, when Leah was otherwise engaged, I was finally recruited for shomeres service. We were going to Ratfolvi’s, in Flatbush, to pick up the sheitel that Miri would be required to wear as a married woman. Pulling up to a residential building, we let ourselves into Mrs. Ratfolvi’s wig shop/apartment and sat down in the reception area, where four or five women were chatting away on a damask sofa and chairs. While we waited our turn, I examined the rows of wigs on display: there were various shades of brunette, blonde, and ginger; short, teased bouffants and glamorous, shoulder-length falls; wigs encased in rollers and wigs that were fully styled, needing nothing more than a final shpritz of hair spray. They were set upon Styrofoam heads complete with turned-up noses, high cheekbones, and luscious lips that looked like they could come alive at any moment. I longed to get my hands on a brush and a pair of scissors so that I could create my own visions of tonsorial loveliness. I did this from time to time to my dolls, to my mother’s great irritation, and here was a whole wall of victims. When Miri’s name was called, she plunked herself into the salon chair and pulled the silk scarf off her ponytail. I stood as close as I could without getting in the way. From conversations that I’d overheard between my mother and her sisters, I knew that Mrs. Ratfolvi was considered “the best,” and I was eager to watch her at work. The “rat” in her name had led me to expect someone old and unattractive, but she was actually a nicely put-together middle-aged woman. The receptionist brought over a plastic case about the size of a chubby toddler. In one expert motion, Mrs. Ratfolvi clicked it open, withdrew the fully styled wig on its Styrofoam head
Chaya Deitsch (Here and There: Leaving Hasidism, Keeping My Family)
But the real show was offstage. Dozens of men lounged along the tables that circled the main attraction. They ranged from eighteen to eighty, skinny to fat, stout to lanky. I saw home in them. I saw fathers, grandfathers, brothers, boyfriends, professors, bosses, and preachers. I imagined their houses, their families, their jobs, the coffee shops where they bought breakfast pastries, the hospitals their children were born in, and their neighborhood route for their dog’s morning walk. I saw the gleam in their eyes as the girls swiveled around poles, sashayed in their direction, and sat atop their laps like children visiting Santa Claus. They seemed to love their oriental dolls with a toddler’s English fluency. They had their happy endings. They would soon be boarding planes, flying far away from the poverty, the mental and emotional collateral damage, and the possible babies they conceived. Thailand was theirs. It was their escape, their medicine, and their sanctuary of sin.
Maggie Georgiana Young (Just Another Number)
tried not to think about the time before Mum died. The three of them had been so happy. Dad had settled into a good job, buildings manager for a large company headquarters after years working worldwide as a project manager on construction sites. Mum worked part time in a creche for babies and toddlers, and Matt was in his first year at senior school, making new friends, struggling a bit during French and English lessons but doing well at maths and enjoying the chance to show his skills at football. Weekends were brilliant. Picnics and trips to adventure parks, the seaside, football matches, the swimming pool – always the three of them together, having fun, laughing. Then, just a year ago, it ended. On one of her days off Mum had gone shopping in the nearest big town. A gang of older boys racing along the pavement had knocked her into the path of a bus and she had died before an ambulance could reach the scene. After that all Matt could remember was the silence. The silent house, Dad sitting huddled in front of the television screen, the volume turned to mute, Matt sitting in his bedroom not knowing what to do, feeling it was wrong to play computer games or phone his mates. His mates were silent anyway – they didn’t know what to say to someone whose Mum had been killed so suddenly and shockingly.
Joy Wodhams (The Mystery of Craven Manor)
Imagine trying to shop for crunchy snacks with a toddler and heightened near-animal sense of smell while the enormity of patriarchal society loomed behind every box of farm-themed crackers, in the crackle of every pretzel bag you picked up.
Rachel Yoder (Nightbitch)
Confetti Fun Center in New Springfield, OH, is the premier destination for family fun and kids' parties. With attractions like Toddler Town, inflatable bounce houses, climbing walls, a 3-story playground, and a full arcade, it offers endless entertainment. Stress-free party planning with customizable themes, a cafe, and various activities like mini-golf and laser tag ensures memorable experiences for all ages. Located in the historic Hummel Gift Shop, it's the go-to place for joyous celebrations and adventures.
Confetti Fun Center
Toddler Clothes Trends for 2021 - Motheringo If you're shopping for your little girl, you'll be much more inclined towards the endearing collection of pinks and purples, not to forget the complimenting accessories, from the cutest booties to that charming headband. Graphics of Rainbows, unicorns, butterflies, and princesses are the current favorites of the little girls who're now embracing their fashion sense. For boys, the trends for cars, dinosaurs, and superheroes still wins, with wardrobes largely dominated with all the shades of blues, greens, and reds. Carefully choosing our fashion line for our favorite clients, our clothes are creatively curated to offer a perfect combination of convenience, maximizing comfort, and keeping your style at the top of the line.
Abbe Kaya