Shooting Your Shot Quotes

Atticus said to Jem one day, "I’d rather you shot at tin cans in the backyard, but I know you’ll go after birds. Shoot all the blue jays you want, if you can hit ‘em, but remember it’s a sin to kill a mockingbird." That was the only time I ever heard Atticus say it was a sin to do something, and I asked Miss Maudie about it. "Your father’s right," she said. "Mockingbirds don’t do one thing except make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corn cribs, they don’t do one thing but sing their hearts out for us. That’s why it’s a sin to kill a mockingbird.

So, now you’re getting shot at, you’re gonna leave me?” “Girlie, I’m from Texas. We shoot at each other to say good morning.

What I told you about saving people isn't true. You might think it is, because you might want someone else to save you, or you might want to save someone so badly. But no one else can save you, not really. Not from yourself. [...] You fall asleep in the foothills, and the wolf comes down from the mountains. And you hope someone will wake you up. Or chase it off. Or shoot it dead. But when you realize that the wolf is inside you, that's when you know. You can't run from it. And no one who loves you can kill the wolf, because it's part of you. They see your face on it. And they won't fire the shot.

You don't have to shoot me," says the young lion. "I will be your rug and I will lie in front of your fireplace and I won't move a muscle and you can sit on me and toast all the marshmallows you want. I love marshmallows.

What would they do to me," he asked in confidential tones, "if I refused to fly them?" We'd probably shoot you," ex-P.F.C. Wintergreen replied. We?" Yossarian cried in surprise. "What do you mean, we? Since when are you on their side?" If you're going to be shot, whose side do you expect me to be on?" ex-P.F.C. Wintergreen retorted

The question is frequently asked: Why does a man become a drug addict? The answer is that he usually does not intend to become an addict. You don’t wake up one morning and decide to be a drug addict. It takes at least three months’ shooting twice a day to get any habit at all. And you don’t really know what junk sickness is until you have had several habits. It took me almost six months to get my first habit, and then the withdrawal symptoms were mild. I think it no exaggeration to say it takes about a year and several hundred injections to make an addict. The questions, of course, could be asked: Why did you ever try narcotics? Why did you continue using it long enough to become an addict? You become a narcotics addict because you do not have strong motivations in the other direction. Junk wins by default. I tried it as a matter of curiosity. I drifted along taking shots when I could score. I ended up hooked. Most addicts I have talked to report a similar experience. They did not start using drugs for any reason they can remember. They just drifted along until they got hooked. If you have never been addicted, you can have no clear idea what it means to need junk with the addict’s special need. You don’t decide to be an addict. One morning you wake up sick and you’re an addict. (Junky, Prologue, p. xxxviii)

Excuses are tools of incompetence used to build bridges to nowhere and monuments of nothingness, and those who use them seldom specialize in anything else.

My God! The English language is a form of communication! Conversation isn't just crossfire where you shoot and get shot at! Where you've got to duck for your life and aim to kill! Words aren't only bombs and bullets —no, they're little gifts, containing meanings!

You’ve one mark on your record,” Tamas said. “You once punched a na-baron in the face. Broke his jaw. Tell me about that.” Olem grimaced. “Officially, sir, I was pushing him out of the way of a runaway carriage. Saved his life. Half my company saw it.” “With your fist?” “Aye.” “And unofficially?” “The man was a git. He shot my dog because it startled his horse.” “And if I ever have cause to shoot your dog?” “I’ll punch you in the face.” “Fair enough. You have the job.

If you get shot,” Lira says, “I’m going to treat you like you’re incapable of doing the simplest tasks.” She cradles her arms around her knees to keep out the cold. “See how you like it when I hold out my arm to help you walk, even though you’re not shot in the leg.” “I’d be flattered,” I say, “that you would look for an excuse just to hold my hand.” “Perhaps I’m just looking for an excuse to shoot you.

Don’t come any closer!” Scarlet yelled. The chicken clucked and dawdled away. “I will shoot, you know.” “I know.” A flicker of kindness passed over him and he pointed at his temple. “You’ll want to aim for the head. That usually makes for a fatal shot. Or, if you’re feeling shaky, the torso. It’s a larger target.” “Your head looks pretty big from here.

As a photographer you have a deep love for light, life and yourself. You know that the eyes of love aren’t blind, they are wide open. Only when your eye, heart and soul shine brighter than the sun, you realize how ordinary it is to love the beautiful, and how beautiful it is to love the ordinary.

My dad is here," She hissed, hoping to give Gabriel enough of a head start so he could make it to the elevators before Tom took out one of his hunting rifles and shot him. "I know, I called him." She turned to Gabriel in wide-eyed disbelief. "Why would you do that? He wants to kill you." The Professor pulled himself up to his full height. "I want to marry you. That means that I need to make amends with your father. I want to be able to be in the same room without him attempting to shoot me. Or castrate me.

Wraith snorted. "Cowards. Seriously. Who brings a gun to a knife fight? That's cheating." "You don't have a gun?" Kynan asked. Wraith made a face of digust. "It's not very sporting to shoot people." "So you're saying that you didn't shoot the people who shot you?" "Hell, yeah, I shot them.

Guys, gals, now hear this: No one wants to take away your hunting rifles. No one wants to take away your shotguns. No one wants to take away your revolvers, and no one wants to take away your automatic pistols, as long as said pistols hold no more than ten rounds. If you can't kill a home invader (or your wife, up in the middle of the night to get a snack from the fridge) with ten shots, you need to go back to the local shooting range.

I'm sorry, Max." She made a dismissive sound. "Yeah, well, the next time someone tries to shoot you, you're going to have buy me something really nice to make it up to me. Like Australia." "You want me to buy you a trip to Australia?" I asked, thinking that could probably be arranged. "No." Her reply was pert. "I want you to buy me Australia. You can afford it." I snorted. "I don't think it's for sale." "Then I guess that you have no choice but to avoid getting shot at." "I'll be careful," I promised.

I brought you this." Gale holds up a sheath. When I take it, I notice it holds a single, ordinary arrow. "It's supposed to be symbolic. You firing the last shot of the war." "What if I miss?" I say. "Does Coin retrieve it and bring it back to me? Or just shoot Snow through the head herself?" "You won't miss." Gale adjusts the sheath on my shoulder. We stand there, face-to-face, not meeting each other's eyes. "You didn't come see me in the hospital." He doesn't answer, so finally I just say it. "Was it your bomb?" "I don't know. Neither does Beetee," he says. "Does it matter? You'll always be thinking about it." He waits for me to deny it; I want to deny it, but it's true. Even now I can see the flash that ignites her, feel the heat of the flames. And I will never be able to separate that moment from Gale. My silence is my answer. "That was the one thing I had going for me. Taking care of your family," he says. "Shoot straight, okay?" He touches my cheek and leaves. I want to call him back and tell him that I was wrong. That I'll figure out a way to make peace with this. To remember the circumstances under which he created the bomb. Take into account my own inexcusable crimes. Dig up the truth about who dropped the parachutes. Prove it wasn't the rebels. Forgive him. But since I can't, I'll just have to deal with the pain.

First you shoot me,” he muttered. “Now you’re handin’ me your damn club and spoutin’ love poems.” “She was sixteen, motherfucker, you woulda shot you.” “No, asshole, I woulda killed me.” At that, Preacher just kept grinning. Jesus, was he in the twilight zone?

You gotta shoot your shot when it comes...Who knows if you'll get another chance?

Venus of Eryx, from her mountain throne, Saw Hades and clasped her swift-winged son, and said: 'Cupid, my child, my warrior, my power, Take those sure shafts with which you conquer all, And shoot your speedy arrows to the heart Of the great god to whom the last lot fell When the three realms were drawn. Your mastery Subdues the gods of heaven and even Jove, Subdues the ocean's deities and him, Even him, who rules the ocean's deities. Why should Hell lag behind? Why not there too Extend your mother's empire and your own....? Then Cupid, guided by his mother, opened His quiver of all his thousand arrows Selected one, the sharpest and the surest, The arrow most obedient to the bow, And bent the pliant horn against his knee And shot the barbed shaft deep in Pluto's heart.

You’re not leaving. I told you that.” She worked to keep the calm in her tone to counter his fury. “I’m going to shoot.” “It’s time to put your gun down, Noah.” “His blood will be on you.” Rook made eye contact with her and mouthed, Shoot. Him. She had no shot and said so with the smallest head shake.

Don’t shoot at people unless you’re ready to be shot.

The shot doesn't come. He stares at me with the same ferocity but doesn't move. Why doesn't he shoot me? His heart pounds against my palms,and my own heart lifts. He is Divergent. He can fight this simulation.Any simulation. "Tobias," I say. "It's me." I step forward and wrap my arms around him. His body is stiff. His heart beats faster. I can feel it against my cheek. A thud against my cheek. A thud as the gun hits the floor.He grabs my shoulders-too hard, his fingers digging into my skin where the bullet was. I cry out as he pulls me back. Maybe he means to kill me in some crueler way. "Tris," he says,and it's him again. His mouth collides with mine. His arm wraps around me and he lifts me up, holding me against him, his hands clutching at my back. His face and the back of his neck are slick with sweat, his body is shaking,and my shoulder blazes with pain,but I don't care,I don't care,I don't care. He sets me down and stares at me, his fingers brushing over my forehead, my eyebrows,my cheeks, my lips. Something like a sob and a sigh and a moan escapes him,and he kisses me again. His eyes are bright with tears. I never thought I would see Tobias cry. It makes me hurt. I pull myself to his chest and cry into his shirt. All the throbbing in my head comes back,and the ache in my shoulder,and I feel like my body weight doubles.I lean against him, and he supports me. "How did you do it?" I say. "I don't know," he says. "I just hear your voice.

By the following morning, Anthony was drunk. By afternoon, he was hungover. His head was pounding, his ears were ringing, and his brothers, who had been surprised to discover him in such a state at their club, were talking far too loudly. Anthony put his hands over his ears and groaned.Everyone was talking far too loudly. “Kate boot you out of the house?” Colin asked, grabbing a walnut from a large pewter dish in the middle their table and splitting it open with a viciously loud crack. Anthony lifted his head just far enough to glare at him. Benedict watched his brother with raised brows and the vaguest hint of a smirk. “She definitely booted him out,” he said to Colin. “Hand me one of those walnuts, will you?” Colin tossed one across the table. “Do you want the crackers as well?” Benedict shook his head and grinned as he held up a fat, leather-bound book. “Much more satisfying to smash them.” “Don’t,” Anthony bit out, his hand shooting out to grab the book, “even think about it.” “Ears a bit sensitive this afternoon, are they?” If Anthony had had a pistol, he would have shot them both, hang the noise. “If I might offer you a piece of advice?” Colin said, munching on his walnut. “You might not,” Anthony replied. He looked up. Colin was chewing with his mouth open. As this had been strictly forbidden while growing up in their household, Anthony could only deduce that Colin was displaying such poor manners only to make more noise. “Close your damned mouth,” he muttered. Colin swallowed, smacked his lips, and took a sip of his tea to wash it all down. “Whatever you did, apologize for it. I know you, and I’m getting to know Kate, and knowing what I know—” “What the hell is he talking about?” Anthony grumbled. “I think,” Benedict said, leaning back in his chair, “that he’s telling you you’re an ass.” “Just so!” Colin exclaimed. Anthony just shook his head wearily. “It’s more complicated than you think.” “It always is,” Benedict said, with sincerity so false it almost managed to sound sincere. “When you two idiots find women gullible enough to actually marry you,” Anthony snapped, “then you may presume to offer me advice. But until then ...shut up.” Colin looked at Benedict. “Think he’s angry?” Benedict quirked a brow. “That or drunk.” Colin shook his head. “No, not drunk. Not anymore, at least. He’s clearly hungover.” “Which would explain,” Benedict said with a philosophical nod, “why he’s so angry.” Anthony spread one hand over his face and pressed hard against his temples with his thumb and middle finger. “God above,” he muttered. ‘‘What would it take to get you two to leave me alone?” “Go home, Anthony,” Benedict said, his voice surprisingly gentle.

They laid me down again while somebody fetched a stretcher. As soon as I knew that the bullet had gone clean through my neck I took it for granted that I was done for. I had never heard of a man or an animal getting a bullet through the middle of the neck and surviving it. The blood was dribbling out of the comer of my mouth. ‘The artery's gone,’ I thought. I wondered how long you last when your carotid artery is cut; not many minutes, presumably. Everything was very blurry. There must have been about two minutes during which I assumed that I was killed. And that too was interesting—I mean it is interesting to know what your thoughts would be at such a time. My first thought, conventionally enough, was for my wife. My second was a violent resentment at having to leave this world which, when all is said and done, suits me so well. I had time to feel this very vividly. The stupid mischance infuriated me. The meaninglessness of it! To be bumped off, not even in battle, but in this stale comer of the trenches, thanks to a moment's carelessness! I thought, too, of the man who had shot me—wondered what he was like, whether he was a Spaniard or a foreigner, whether he knew he had got me, and so forth. I could not feel any resentment against him. I reflected that as he was a Fascist I would have killed him if I could, but that if he had been taken prisoner and brought before me at this moment I would merely have congratulated him on his good shooting. It may be, though, that if you were really dying your thoughts would be quite different.

I will shoot, you know.” “I know.” A flicker of kindness passed over him and he pointed at his temple. “You’ll want to aim for the head. That usually makes for a fatal shot. Or, if you’re feeling shaky, the torso. It’s a larger target.” “Your head looks pretty big from here.” He laughed—the expression changing everything about him. His

Still, its width is small enough that I’m tempted to give Riden a slight push. As if sensing this, he says, “Don’t even think about it.” “I already did.” “I could have you shot.” “Your gun would have a hard time working once it’s wet.” “I didn’t say I had to be the one to shoot.” “But let’s face it, you’d like that pleasure for yourself.” He smiles.

I lie in a bathtub of cold water, still sweating and singing love songs to myself. I put the gun to my head and cock it. I think of my Grandma and remember that old feeling of being so in love that nothing matters except seeing and being seen by her. I drop the gun to my chest. I'm so sad and I can't really see a way out of what I'm feeling but I'm leaning on memory for help. Faster. Slower. I think I want to hurt myself more than I'm already hurting. I'm not the smartest boy in the world by a long shot, but even in my funk I know that easy remedies like eating your way out of sad, or fucking your way out of sad, or lying your way out of sad, or slanging your way out of sad, or robbing your way out of sad, or gambling your way out of sad, or shooting your way out of sad, are just slower, more acceptable ways for desperate folks, and especially paroled black boys in our country, to kill ourselves and others close to us in America.

He looked at the boy. You wont shoot, he said. That’s what you think. You aint got but two shells. Maybe just one. And they’ll hear the shot. Yes they will. But you wont. How do you figure that? Because the bullet travels faster than sound. It will be in your brain before you can hear it. To hear it you will need a frontal lobe and things with names like colliculus and temporal gyrus and you wont have them anymore. They’ll just be soup.

It was an interesting dilemma and pointed up a real point of difference between Nazism and Communism as forms of government: there was no room for the individual in Soviet Russia; conversely not everything was state-managed in Germany. The Nazis never shot anyone for being stupid, inefficient or just plain unlucky. Generally speaking the Nazis looked for a reason to shoot you, the commies were quite happy to shoot you without any reason at all - but when you're going to be shot, what's the difference?

I’m gathering Kylie thinks that all it takes to capture an image is to point and shoot. That’s what everyone thinks. But there’s a lot more to it. It’s taken me years to frame things correctly. People assume you can’t take good pictures on an iPhone, but they’re wrong. Some of my best shots are on the phone. They’re raw and simple, and most of the time no one knows you’re taking a picture. It’s much better than the thousand-dollar Nikon my dad got me for Christmas. I don’t think I’ve used it in months.

The less gear you use, the more you grow as a photographer. Although there are fewer options available, you'll find more creative ways to capture what you feel! In a way, all your technical options before turn into creative solutions that improve your photography even more.

Biggest case we've had here in five years was when Dan Schwartz got drunk and shot up his own trailer, then he went on the run, down Main Street, in his wheelchair, waving this darn shotgun, shouting that he would shoot anyone that got in his way, that no one would stop him from getting to the interstate. I think he was on his way to Washington to shoot the president. I still laugh whenever I think of Dan heading down the interstate in that wheelchair of his with the bumper sticker on the back. My Juvenile Delinquent Is Screwing Your Honor Student.

First you shoot me,” he muttered. “Now you’re handin’ me your damn club and spoutin’ love poems.” “She was sixteen, motherfucker, you woulda shot you.” “No, asshole, I woulda killed me.” At

take away your revolvers, and no one wants to take away your automatic pistols, as long as said pistols hold no more than ten rounds. If you can’t kill a home invader (or your wife, up in the middle of the night to get a snack from the fridge) with ten shots, you need to go back to the local shooting range.

Suicide by train is also popular in many developed countries. Without ready access to firearms, suicidal people often turn to trains. —Der Spiegel, July 27, 2011 Once it happens you can’t remember how you started out: innocent, barreling into the tunnel, shooting out at each station like a dolphin out of a dim green pool. Pneumatic doors inhale open, puff shut, lock with a solid thump. Up and down the line, fifty times a day, it’s a long slow song. You feel the rumble as much as hear it. In your dim green trance the words retain wonder: Vorsicht, Türe werden geschloßen. Caution, the doors are closing. Then the first time: someone decides darkness will answer, hides out in the tunnel, steps out in front of the train like he knows where he’s going, steps out at you, dying at you, knowing you can’t stop in time. Now each time the doors close, they seal you in. You are a human bullet shot into the tunnels, hoping no one will block the light far ahead, each station one minute’s reprieve.

grew up with guns and I needed them. Most people don’t. All these high-capacity guns flashed by the nutcakes? They’re a disaster. If I had my way, there’d be no guns but single-shot hunting rifles and single-shot shotguns. You could do all the target shooting you want with those. You could hunt to your heart’s content. Of course, you’d actually have to learn how to hunt or how to hit a target, and most of those dimwits don’t want to be bothered.

teacher is teaching a class and she sees that Johnny isn't paying attention, so she asks him, "If there are three ducks sitting on a fence, and you shoot one, how many are left?" Johnny says, "None." The teacher asks, "Why?" Johnny says, "Because the shot scared them all off." The teacher says, "No, there are two left, but I like how you're thinking." Then Johnny asks the teacher, "You see three women walking out of an ice cream parlor. One is licking her ice cream, one is sucking her ice cream, and one is biting her ice cream. Which one is married?" And the teacher responds, "The one sucking her ice cream." Johnny says, "No, the one with the wedding ring, but I like how you're

If you've never shot a gun, You can’t understand how it feels in your hands. Cool to the touch, all its venom coiled inside, deadly, like a steel-scaled serpent. Awaiting your bidding. You select it’s prey… paper, tin, or flesh. You lie in wait, learn that patience is the killer’s most trustworthy accomplice. You choose the moment. What. Where. When. Decided. But the how is everything. You lift your weapon, ease it into place, cock it, to load it, knowing the satisfying snitch means a bullet is yours to command. Now, make or break, it’s all up to you. You aim knowing a hair either way means bull’s-eye or miss. Success or failure. Life or death. You have to relax, convince your muscles not to be tense, not to betray you. Sight again. Adjust. Don’t become distracted by the heat of the hunt. Instincts take over. You shoot and adrenaline screams as your target shreds or the flesh drops. And for one indescribable moment you are God.

Because the truth was, and we both knew it, he'd gone long, long ago. I'd just made him stick around when he really wanted to be somewhere else. In his own weird way, he was another victim of the shooting, One of the ones who couldn't get away. "Are you mad?" he asked, which I thought was a really strange question. "Yes," I said. And I was. It's just that I wasn't so sure I was mad at him. But I don't think he needed to hear that part. I don't think he wanted to hear that part. I think it was important to him to hear that I cared enough to be angry. "Will you ever forgive me?" he asked. "Will you ever forgive me?" I shot back, leveling my gaze directly into his eyes. He stared into them for a few moments then got up silently and headed for the door. He didn't turn around when he reached it. Just grabbed the doorknob and held it. "No," he said without facing me. "Maybe that makes me a bad parent, but I don't know if I can. No matter what the police found, you were involved in that shooting, Valerie. You wrote those names on that list. You wrote my name on that list. You had a good life here. You might not have pulled the trigger, but you helped cause the tragedy." He opened the door."I'm sorry. I really am." He stepped out into the hallway. "I'll leave my new address and phone number with your mother," he said before walking slowly out of my sight.

is a MYTHical MANchild Of rather dubious distinction Always AGITATING COMBINATING and ELEVATING his game He dribbles fakes then takes the ROCK to the glass, fast, and on BLAST But watch out when he shoots or you’ll get SCHOOLed FOOLed UNCOOLed ’Cause when FILTHY gets hot He has a SLAMMERIFIC SHOT It’s Dunkalicious CLASSY Supersonic SASSY and D O W N right in your face mcNASTY

Richards remembered the day - that glorious and terrible day - watching the planes slam into the towers, the image repeated in endless loops. The fireballs, the bodies falling, the liquefaction of a billion tons of steel and concrete, the pillowing clouds of dust. The money shot of the new millennium, the ultimate reality show broadcast 24-7. Richards had been in Jakarta when it happened, he couldn't even remember why. He'd thought it right then; no, he'd felt it, right down to his bones. A pure, unflinching rightness. You had to give the military something to do of course, or they'd all just fucking shoot each other. But from that day forward, the old way of doing things was over. The war - the real war, the one that had been going on for a thousand years and would go on for a thousand thousand more - the war between Us and Them, between the Haves and the Have-Nots, between my gods and your gods, whoever you are - would be fought by men like Richards: men with faces you didn't notice and couldn't remember, dressed as busboys or cab drivers or mailmen, with silencers tucked up their sleeves. It would be fought by young mothers pushing ten pounds of C-4 in baby strollers and schoolgirls boarding subways with vials of sarin hidden in their Hello Kitty backpacks. It would be fought out of the beds of pickup trucks and blandly anonymous hotel rooms near airports and mountain caves near nothing at all; it would be waged on train platforms and cruise ships, in malls and movie theaters and mosques, in country and in city, in darkness and by day. It would be fought in the name of Allah or Kurdish nationalism or Jews for Jesus or the New York Yankees - the subjects hadn't changed, they never would, all coming down, after you'd boiled away the bullshit, to somebody's quarterly earnings report and who got to sit where - but now the war was everywhere, metastasizing like a million maniac cells run amok across the planet, and everyone was in it.

Do you know what two centimeters is? Yeah. It's a measurement. It's about three quarters of an inch. All right. That's the distance that round missed your liver by. Is that what the doctor told you? Yes. You know what the liver does? No. It keeps you alive. Do you know who the man is who shot you? Maybe he didnt shoot me. Maybe it was one of the Mexicans. Do you know who the man is? No. Am I supposed to? Becase he's not somebody you really want to know. The people he meets tend to have very short futures. Nonexistent, in fact. Well good for him.

She wants lilacs in her wedding bouquet." "Okay . . ." Nevada had said she wanted carnations, but we could stuff some pretty pink lilacs in there. I didn’t see the problem. "Blue," Arabella squeezed out. "She wants blue lilacs." No and also no. "Nevada . . ." "I had to hide in a bush of French lilacs yesterday and they were very pretty and smelled nice. The card on the tree said, ‘Wonder Blue: prolific in bloom and lush in perfume.’" I googled French lilac, Wonder Blue. It was blue. Like in your face blue. "Why were you hiding in a bush?" "She was being shot at," Arabella said with a sour face. "So you stopped to smell the lilacs while people were shooting at you?" I couldn’t even.

This cook, Preacher? He's unbelievable. I had some of his venison chili when I first got to town and it almost made me pass out, it was so good." Hi slips curved in a smile. "You at venison, Marcie?" "I didn't have a relationship with the deer," she explained. "You don't have a relationship with my deer either," he pointed out. "Yeah, but I have a relationship with you--you've seen me in my underwear. And you have a relationship with the deer. If you fed him to me, it would be like you shot and fed me your friend. Or something." Ian just drained his beer and smiled at her enough to show his teeth. "I wouldn't shoot that particular buck," he admitted. "But if I had a freezer, I'd shoot his brother." "There's something off about that," she said, just as Jack placed her wine in front of her. "Wouldn't it be more logical if hunters didn't get involved with their prey? Or their families? Oh, never mind--I can't think about this before eating my meat loaf. Who knows who's in it?" -Ian and Marcie

You're lucky you didn't get shot," Mal said angrily... "It was worth it," I replied. "Besides, no one's going to shoot the Sun Summoner." "You just punched a prince, Alina. I guess we can add one more act of treason to our list." I shook out my sore hand. My knuckles smarted. "First of all, are we so sure he really is a prince? And second, you're just jealous." "Of course I'm jealous. I thought I was going to get to punch him. That isn't the point.

Under the trees several pheasants lay about, their plumage dabbled with blood... some feebly twitching a wing, some staring up at the sky... all of them writhing in agony, except the fortunate ones whose tortures had ended during the night... Tess guessed at once the meaning... The birds had been driven down into this corner by some shooting-party; and while those that had dropped dead under the shot had been searched for and carried off, many badly wounded birds had escaped and hidden themselves away, or risen among the thick boughs, where they maintained their position till they grew weaker with loss of blood, when they had fallen one by one... "Poor darlings--to suppose myself the most miserable being on earth in the sight o' such misery as yours... And not a twinge of bodily pain about me! I be not mangled, and I be not bleeding, and I have two hands to feed and clothe me." She was ashamed of herself for the gloom of the night, based on nothing more tangible than a sense of condemnation under an arbitrary law of society which had no foundation in Nature.

In war, people kill each other. It’s bad to order them to do so. It’s bad to force generations to slaughter each other on battlefields. It’s an insult to God. But if you’re not a king or a general, what else can you do? Shoot or be shot. And if you shoot, there’s a chance you’ll save your own skin and get back to the people you love.

Deuce continued to stare at him, feeling flabbergasted and more than a little uneasy. “First you shoot me,” he muttered. “Now you’re handin’ me your damn club and spoutin’ love poems.” “She was sixteen, motherfucker, you woulda shot you.” “No, asshole, I woulda killed me.” At that, Preacher just kept grinning. Jesus, was he in the twilight zone?

If you see a shot, shoot.

Be patient; don't judge a book by its racist, oppressive cover. Any police shooting is bound to be investigated, so wait for all the facts to be known and dismissed. In the end, it might be that white people think you deserved to be shot. But if you're lucky, the police will start shooting even the most lovable white people and we'll finally get some reforms!

... what he could or couldn’t say to them. Everything he had to say: I love you, it’s hell, I walk on corpses and breathe death, it’s only a matter of time before I prove a coward, and I don’t want to be a coward, but I don’t understand, either I kill people, or I’m a coward, that’s the choice, someone somewhere set it up and I get no vote, I can’t say, ‘I don’t accept that’ – and I have accepted it, for a year I’ve accepted it, this is the situation but I don’t understand how I got here, how it is just going on and on, and nobody mentions it, and if you don’t like it they think you’re mad, and you get shot, for cowardice, desertion . . . and your own men, your companions, your brothers, have to shoot you . . . and I’m so fucking scared out there every day, every night— and now they’ve made me a fucking officer — What the fuck could he say to any of them? Well, there’ll be none of that swearing for a start.

Anxiety is debilitating. "What's it like to live with anxiety"? One day your waters are calm, the seagulls are all around, gently landing on your shoreline, then suddenly a mountain falls into your ocean and there are waves shooting out in all directions, the seagulls scatter and leave you all alone, and there is a big hole in the middle of your stomach, where all the water jumped out of! And you can hardly walk or stand up or eat, because, there is a hole on your stomach! Somebody shot you and you can feel it, but no one else can see it. That's exactly what anxiety is like. You're walking around thinking all is well, then you get shot in the stomach with an invisible bullet and bleed out in a way that nobody else understands.

I can’t believe you’re bleeding this much! What, do you have like an ocean of blood in you or something? That was completely cruel to make me think I could shoot you and not hurt you! I have issues with hurting living creatures. You could have warned me!” She glared at him. “I don’t like you.” “You don’t—” Blaine finally comprehended that she was wrecked over the fact she’d shot him. That

In 1999, and a mere ten days after a certain Thursday , eighteen-year-old Eric Harris and seventeen-year-old Dylan Klebold planted bombs in their Littleton, Colorado, high school and went on a shooting rampage that killed one teacher and twelve students, while wounding twenty-three, after which they shot themselves. So young Kevin—your choice—has turned out as American as a Smith and Wesson.

As always, I do not blame anyone. I've tried great debauchery and exhausted my strength in it; but I don't like debauchery and I did not want it. You've been observing me lately. Do you know that I even looked at these negators of ours with spite, envying them their hopes? But your fears were empty: I could not be their comrade, because I shared nothing. Nor could I do it out of ridicule, for spite, and not because I was afraid of the ridiculous--I cannot be afraid of the ridiculous--but because, after all, I have the habits of a decent man and felt disgusted. Still, if I had more spite and envy for them, I might even have gone over to them....Your brother told me that he who loses his ties with his earth also loses his gods, that is, all his goals. One can argue endlessly about everything, but what poured out of me was only a negation, with no magnanimity and no force. Or not even negation. Everything is always shallow and listless. Magnanimous Kirillov could not endure his idea and--shot himself; but I do see that he was magnanimous because he was not in his right mind. I can never lose my mind, nor can I ever believe an idea to the same degree as he did. I cannot even entertain an idea to the same degree. I could never, never shoot myself! I know I ought to kill myself, to sweep myself off the earth like a vile insect; but I'm afraid of suicide, because I'm afraid of showing magnanimity. I know it will only be one more deceit--the last deceit in an endless series of deceits. What's the use of deceiving oneself just so as to play at magnanimity? There never can be indignation or shame in me; and so no despair either.

You know how to shoot when all the circumstances are favourable, but if you are on dangerous ground, you cannot hit the target. The archer cannot always choose the battlefield, so start your training again and be prepared for unfavourable situations. Continue in the way of the bow, for it is a whole life’s journey, but remember that a good, accurate shot is very different from one made with peace in your soul.

Marx sat down next to Sam, and Sam handed him the keyboard so that he could play a round. Because SHOOT I could not SHOOT stop for SHOOT kindly An ink pot combusted on the screen, indicating that Marx, having shot the wrong phrase, had lost a life. “This is the most violent poetry game I’ve ever played,” Marx said. “You’ve played other poetry games?” “Well, technically, no,” Marx said. “Your friend’s talented. And odd.

George grinned. 'A pity you're perfectly dreadful at shooting.' Aubrey shrugged. 'I've had all the lessons. I'm adequate.' 'Adequate? I suppose it depends on what you mean. If you mean that you haven't actually shot yourself by accident, then by all means describe yourself as adequate.' George laced his fingers together and placed them on his chest. ''I'll come, then I might be able to spare you some embarrassment.' 'I'm honoured.

Here, you drive," Erik said. "What? Why?" "In case we do have to start shooting; I have a badge and you don't," he explained. "Fine. But for the record, I'm a better shot than you are." "For your information, I was the youngest kid awarded the rifle shooting merit badge in my troop," Erik said, holding the wheel as she climbed across him. "Is that supposed to impress me?" "Just enough to get you back into my bed." She took over the gas pedal and Erik slid out from underneath her. "It takes more than fancy shooting," she said loftily, making a sharp turn. Erik was thrown against the door. "Would you warn me before you do that?" "It's a car chase!

If you ever try to explode tranquilizer bombs on innocent people again,” Derick said, “you can fully expect someone to appear out of nowhere and shoot your evil backside.” Derick shot again and stepped backward, mysteriously disappearing.

And another nice thing about war—not that anything about war is nice, I guess—is that while it’s going on and you’re in it, you never worry about doing the right thing. See? Up there, fighting and all, you couldn’t be righter. You could of been a heller at home and made a lot of people unhappy and all, and been a dumb, mean bastard, but you’re king over there—king to everybody, and especially to yourself. This above all, be true to yourself, and you can’t be false to anybody else, and that’s it—in a hole, being shot at and shooting back.

You’re the son of a bitch who shot at us?” Brody’s anger was so close to the edge that Barney leaned back. “Well, you see,” Barney began. “That was an accident. I didn’t mean to shoot the gun.” “Well, I didn’t mean to beat the shit out of you with a baseball bat.” Brody snapped.

Rooster here has missed Ned a few times himself, horse and all,' said the captain. 'I reckon his is on his way now to missing him again.' Rooster was holding a bottle with a little whiskey in it. He said, 'You keep on thinking that.' He drained off the whiskey in about three swallows and tapped the cork back in and tossed the bottle up in the air. He pulled his revolver and fired at it twice and missed. The bottle fell and rolled and Rooster shot at it two or three more times and broke it on the ground. He got out his sack of cartridges and reloaded his pistol. He said, 'The Chinaman is running them cheap shells in on me again.' LaBoeuf said, 'I thought maybe the sun was in your eyes. That is to say, your eye.' Rooster swung the cylinder back in his revolver and said, 'Eyes, is it? I'll show you eyes!' He jerked the sack of corn dodgers free from his saddle baggage. He got one of the dodgers out and flung it in the air and fired at it and missed. Then he flung another one up and he hit it. The corn dodger exploded. He was pleased with himself and he got a fresh bottle of whiskey from his baggage and treated himself to a drink. LaBoeuf pulled one of his revolvers and got two dodgers out of the sack and tossed them both up. He fired very rapidly but he only hit one. Captain Finch tried it with two and missed both of them. Then he tried with one and made a successful shot. Rooster shot at two and hit one. They drank whiskey and used up about sixty corn dodgers like that. None of them ever hit two at one throw with a revolver but Captain Finch finally did it with his Winchester repeating rifle, with somebody else throwing. It was entertaining for a while but there was nothing educational about it. I grew more and more impatient with them. I said, 'Come on, I have had my bait of this. I am ready to go. Shooting cornbread out here on this prairie is not taking us anywhere.' By then Rooster was using his rifle and the captain was throwing for him. 'Chunk high and not so far out this time,' said he.

Do you know what your husband is doing?” she asked. “Yes,” June said, sounding annoyed. “Not babysitting.” “Are you worried?” “Only that one of them will shoot off a toe. Why? Are you?” “Well… Yes! You should have seen them—in their vests and with those big guns. I mean, big guns!” “Well, there are bear out there, you know. You don’t want a peashooter,” June said. “You don’t have to worry about Jack, honey. I think it’s been established he’s a good shot, if he needs to be.” “What about Jim?” “Jim?” She laughed. “Mel, Jim used to do this for a living. He won’t admit he misses it just a little bit. But I swear I heard him giggle.” All

You did not have mass shootings in red America anymore. You had, rarely, the beginning of a mass shooting, and then you had the would-be murderer shot to pieces by armed citizens who would then be publicly awarded “The President’s Medal for Criminal Elimination.” The award was red and white and shaped like a cross-hair, and if you wore the miniature pin on your lapel, you rarely bought your own drink.

I think of my grandma and remember that old feeling of being so in love that nothing matters except seeing and being seen by her. I drop the gun to my chest. I’m so sad and I can’t really see a way out of what I’m feeling but I’m leaning on memory for help. Faster. Slower. I think I want to hurt myself more than I’m already hurting. I’m not the smartest boy in the world by a long shot, but even in my funk I know that easy remedies like eating your way out of sad, or fucking your way out of sad, or lying your way out of sad, or slanging your way out of sad, or robbing your way out of sad, or gambling your way out of sad, or shooting your way out of sad, are just slower, more acceptable ways for desperate folks, and especially paroled black boys in our country, to kill ourselves and others close to us in America.

Let us have it plain: my society is comprised of metal-worshipers. They pray to metal, are owned by metal, and metal uses them; it shoots them, it stabs them. I witness its sycophants, grave zombies, moved about humorlessly as its agents. My minions are spiritually rapt as the ages climaxes in gunpowder. One notes that, upon first being handed a rifle -- by Burton or Speke? -- a chieftain blithely shot one of his own lackeys, expressing radiant joy as the man tumbled dead. Do not stop there, happy Klansman, but watch with me early in the morning as I come in from work: across the street here in the clean "burbs" your white policeman goes reverently to his car with a deer rifle coddled in his right arm like a precocious, beautiful child. This man lives with a pistol on his hip all week, but that is not enough, no, he is devout and it is the Christmas season. His own cowardice, affirmed by the use of guns, would not occur to him any more than the cowardice of God. The gun lobby, oh my peaceful friends, you may hate, but first you had better understand that it is a religion, only secondarily connected to the Bill of Rights. The thick-headed, sometimes even close to tearful, gaze you get when chatting with one of its partisans emanates from the view that they're holding a piece of God. There is no persuading them otherwise, even by a genus, because a life without guns implies the end of the known world to them. Any connection they make to our " pioneer past" is also a fraud, a wistful apology. Folks love a gun for what it can do. A murderer always thinks it was an accident, he says, as if a religious episode had passed over him.

If she’d known what a good shot you are,” he whispered past the unfamiliar tightness in his throat, “she’d never have dared.” His hand lifted to her wet cheek, holding it pressed against his chest. “You could always call her out, you know.” The spasmodic shaking in Elizabeth’s slender shoulders began to subside, and Ian added with forced tightness, “Better yet, Robert should stand in for you. He’s not as fine a shot as you are, but he’s a hell of a lot faster…” A teary giggle escaped the girl in his arms, and Ian continued, “On the other hand, if you’re holding the pistol, you’ll have some choices to make, and they’re not easy…” When he didn’t say more, Elizabeth drew a shaky breath. “What choices?” she finally whispered against his chest after a moment. “What to shoot, for one thing,” he joked, stroking her back. “Robert was wearing Hessians, so I had a tassel for a target. I suppose, though, you could always shoot the bow off Valerie’s gown.” Elizabeth’s shoulders gave a lurch, and a choked laugh escaped her. Overwhelmed with relief, Ian kept his left arm around her and gently took her chin between his forefinger and thumb, tipping her face up to his. Her magnificent eyes were still wet with tears, but a smile was trembling on her rosy lips. Teasingly, he continued, “A bow isn’t much of a challenge for an expert marksman like you. I suppose you could insist that she hold up an earring between her fingers so you could shoot that instead.” The image was so absurd that Elizabeth chuckled. Without being conscious of what he was doing, Ian moved his thumb from her chin to her lower lip, rubbing lightly against its inviting fullness. He finally realized what he was doing and stopped. Elizabeth saw his jaw tighten. She drew a shuddering breath, sensing he’d been on the verge of kissing her, and had just decided not to do it. After the last shattering minutes, Elizabeth no longer knew who was friend or foe, she only knew she’d felt safe and secure in his arms, and at that moment his arms were already beginning to loosen, and his expression was turning aloof. Not certain what she was going to say or even what she wanted, she whispered a single, shaky word, filled with confusion and a plea for understanding, her green eyes searching his: “Please-“ Ian realized what she was asking for, but he responded with a questioning lift of his brows. “I-“ she began, uncomfortably aware of the knowing look in his eyes. “Yes?” he prompted. “I don’t know-exactly,” she admitted. All she knew for certain was that, for just a few minutes more, she would have liked to be in his arms. “Elizabeth, if you want to be kissed, all you have to do is put your lips on mine.” “What!” “You heard me.” “Of all the arrogant-“ He shook his head in mild rebuke. “Spare me the maidenly protests. If you’re suddenly as curious as I am to find out if it was as good between us as it now seems in retrospect, then say so.” His own suggestion startled Ian, although having made it, he saw no great harm in exchanging a few kisses if that was what she wanted.

While most people view physical violence as a more serious offense than psychological violence, both battered women and prisoners of war report that threat of physical violence is more psychologically debilitating than actual physical violence. Emotional abuse, such as the threat to maim or kill, is often perceived as a threat to physical survival. For these reasons, psychological violence may promote the development of the syndrome as much or more than physical violence. This makes sense. A person who threatens to shoot you may be the one knocking on your door, calling you on the phone, turning into your driveway, or waiting around the next corner. Every moment is filled with fear until you are finally shot. Once shot, you can relax because you now know where and how the shooting occurred, how seriously you were hurt, what you need to do to take care of the wound, etc.

Consider just a few of the expressions that fall under the umbrella ARGUMENT IS WAR, collected by the linguist George Lakoff and the philosopher Mark Johnson. Your claims are indefensible. He attacked every weak point in my argument. His criticisms were right on target. I demolished his argument. I've never won an argument with her. You don't agree? Okay, shoot! If you use that strategy, he'll wipe you out. She shot down all of my arguments. Or the many variations of LOVE IS A JOURNEY: Our relationship has hit a dead-end street. It's stalled; we can't keep going the way we've been going. Look how far we've come. It's been a long, bumpy road. We can't turn back now. We're at a crossroads. We may have to go our separate ways. The relationship isn't going anywhere. We're spinning our wheels. Our relationship is off the track. Our marriage is on the rocks. I'm thinking of bailing out.

​In 2012, George Zimmerman left his home to follow and accost his neighbor, Trayvon Martin, who was walking through their gated community in Sanford, Florida. Zimmerman, who brought a gun to the encounter, shot and killed Martin because, as he said in his trial, he feared for his life. Zimmerman was found not guilty by a jury. In 2015, less than a mile from my home, four white men wearing ski masks appeared at a peaceful event protesting the recent killing of Jamar Clark by a white policeman. At least one of the four men, Allen Scarsella, carried a gun, which he allegedly described in a text message as “specially designed by Browning to kill brown people.” Protestors, most of whom were African American, noticed the four men in masks, surrounded them, and asked why they were there. They also demanded that the men remove their masks. Scarsella then drew his gun and shot five protestors. At his trial, Scarsella’s public defender explained that Scarsella fired the shots because he was “scared out of his mind.” These and other similar incidents raise some questions. First, under what circumstances is it legitimate to deliberately precipitate a conflict, shoot one or more people, and be considered guiltless because you were scared? Second, if “I feared for my life” or “I was scared out of my mind” becomes a legitimate defense, then can anyone who fears dark skin guiltlessly shoot any Black body that comes near? What about any Black body he or she seeks out, accosts, and shoots? Does your reflexive, lizard-brain fear of my dark body trump my right to exist? A Minnesota jury provided one answer to these questions in February of 2017: It found Scarsella guilty on all counts. He was given a fifteen-year prison sentence. A different Minnesota jury provided the opposite answer four months later: it found Jeronimo Yanez not guilty.

I have zero concerns about that. As violent as you are, and skilled with those daggers, I'm not even sure you could kill a fly. Don't think I didn't notice that you managed to wound three of them and never went for a kill shot.' He shoots a disapproving look my way. 'I've never killed anyone,' I whisper, like it's a secret. 'You're going to have to get over that. All we are after graduation are weapons, and it's best if we're honed before leaving the gates.

The more I know you, the more I wonder who you are.” He counted off her qualities on his fingers. “You have the accent of a lady. You dress like a peasant. You shoot like a marksman. You view the world cynically, yet you venerate Miss Victorine. Your face and body would be the envy of a young goddess, yet you sport an air of innocence. And that innocence hides a criminal mind and the cheek to pull off the most outrageous of felonies.” “So I’m Athena, the goddess of war.” “Definitely not Diana, the goddess of virginity.” As the last shot hit home, he saw Amy’s mask slip. Blood rushed to her face. She bit her lip and looked toward the stairs as if only now realizing she could have—should have—left this whole discussion behind. He laughed softly, triumphantly. “Or perhaps I’m mistaken. Perhaps you have more in common with Diana than I thought.” “Pray remember, sir, that Diana was also the goddess of the hunt.” Amy leaned across the table, intent on making her point—but the blush still played across her cheeks. “She carried a bow and arrow, and she always bagged her quarry. Have a look at the bullet hole in the rock behind you and remember my skill and my cynicism. For we do know things about each other. I know that if you escape, you’ll make sure I’m hung from a gibbet. You know that if I catch you escaping, I’ll shoot you through the heart. Remember that as you cast longing glances toward the window.” With a flourish, she picked up the breakfast tray and walked up the stairs. Jermyn had learned something else about Amy. She liked to have the last word.

So,” Will begins, “do you play ball as well as you run?” I laugh a little. I can’t help it. He’s sweet and disarming and my nerves are racing. “Not even close.” The conversation goes no further as we move up in our lines. Catherine looks over her shoulder at me, her wide sea eyes assessing. Like she can’t quite figure me out. My smile fades and I look away. She can never figure me out. I can never let her. Never let anyone here. She faces me with her arms crossed. “You make friends fast. Since freshman year, I’ve spoken to like . . .” She paused and looks upward as though mentally counting. “Three, no—four people. And you’re number four.” I shrug. “He’s just a guy.” Catherine squares up at the free-throw line, dribbles a few times, and shoots. The ball swished cleanly through the net. She catches it and tosses it back to me. I try copying her moves, but my ball flies low, glides beneath the backboard. I head to the end of the line again. Will’s already waiting it half-court, letting others go before him. My face warms at his obvious stall. “You weren’t kidding,” he teases over the thunder of basketballs. “Did you make it?” I ask, wishing I had looked while he shot. “Yeah.” “Of course,” I mock. He lets another kid go before him. I do the same. Catherine is several ahead of me now. His gaze scans me, sweeping over my face and hair with deep intensity, like he’s memorizing my features. “Yeah, well. I can’t run like you.” I move up in line, but when I sneak a look behind me, he’s looking back, too. “Wow,” Catherine murmurs in her smoky low voice as she falls into line beside me. “I never knew it happened like that.” I snap my gaze to her. “What?” “You know. Romeo and Juliet stuff. Love at first sight and all that.” “It’s not like that,” I say quickly. “You could have fooled me.” We’re up again. Catherine takes her shot. It swishes cleanly through the hoop. When I shoot, the ball bounces hard off the backboard and flies wildly through the air, knocking the coach in the head. I slap a hand over my mouth. The coach barely catches herself from falling. Several students laugh. She glares at me and readjusts her cap. With a small wave of apology, I head back to the end of the line. Will’s there, fighting laughter. “Nice,” he says. “Glad I’m downcourt of you.” I cross my arms and resist smiling, resist letting myself feel good around him. But he makes it hard. I want to smile. I want to like him, to be around him, to know him. “Happy to amuse you.” His smile slips then, and he’s looking at me with that strange intensity again. Only I understand. I know why. He must remember . . . must recognize me on some level even though he can’t understand it. “You want to go out?” he asks suddenly. I blink. “As in a date?” “Yes. That’s what a guy usually means when he asks that question.

For one… If you shoot me and your boss realizes it was without good reason, you’ll have fucked up your trial period. And trust me; I know you’re still in it.” Ian pulled open a drawer in a small brown cabinet. “Secondly, it could end very badly for me and I’d rather prevent that. Getting shot is not on my list of things to do today.” He wrapped his hand around the steel grip of his own weapon and removed it from the drawer. “And last but not least, if you plan to shoot me… Well, it’ll be a matter of which of us is quicker and has better aim.” A pleasant smile crossed his features and he casually waved the gun from side to side. “Do you want to risk it?

The last shot wasn’t bad,” he said, dropping the subject of the duel. “However, the target is the twig, not the leaves. The end of the twig,” he added. “You must have missed the twig yourself,” she pointed out, lifting the gun and aiming it carefully, “since it’s still there.” “True, but it’s shorter than it was when I started.” Elizabeth momentarily forgot what she was doing as she stared at him in disbelief and amazement. “Do you mean you’ve been clipping the end off it?” “A bit at a time,” he said, concentrating on her next shot. She hit another leaf on the twig and handed the gun back to him. “You’re not bad,” he complimented. She was an outstanding shot, and his smile said he knew it as he handed her a freshly loaded gun. Elizabeth shook her head. “I’d rather see you try it.” “You doubt my word?” “Let’s merely say I’m a little skeptical.” Taking the gun, Ian raised it in a swift arc, and without pausing to aim, he fired. Two inches of twig spun away and fell to the ground. Elizabeth was so impressed she laughed aloud. “Do you know,” she exclaimed with an admiring smile, “I didn’t entirely believe until this moment that you really meant to shoot the tassel off Robert’s boot!” He sent her an amused glance as he reloaded and handed her the gun. “At the time I was sorely tempted to aim for something more vulnerable.

The last week of shooting, we did a scene in which I drag Amanda Wyss, the sexy, blond actress who played Tina, across the ceiling of her bedroom, a sequence that ultimately became one of the most visceral from the entire Nightmare franchise. Tina’s bedroom was constructed as a revolving set, and before Tina and Freddy did their dance of death, Wes did a few POV shots of Nick Corri (aka Rod) staring at the ceiling in disbelief, then we flipped the room, and the floor became the ceiling and the ceiling became the floor and Amanda and I went to work. As was almost always the case when Freddy was chasing after a nubile young girl possessed by her nightmare, Amanda was clad only in her baby-doll nightie. Wes had a creative camera angle planned that he wanted to try, a POV shot from between Amanda’s legs. Amanda, however, wasn’t in the cameramen’s union and wouldn’t legally be allowed to operate the cemera for the shot. Fortunately, Amy Haitkin, our director of photography’s wife, was our film’s focus puller and a gifted camera operator in her own right. Being a good sport, she peeled off her jeans and volunteered to stand in for Amanda. The makeup crew dapped some fake blood onto her thighs, she lay down on the ground, Jacques handed her the camera, I grabbed her ankles, and Wes called, “Action.” After I dragged Amy across the floor/ceiling, I spontaneously blew her a kiss with my blood-covered claw; the fake blood on my blades was viscous, so that when I blew her my kiss of death, the blood webbed between my blades formed a bubble, a happy cinematic accident. The image of her pale, slender, blood-covered legs, Freddy looming over her, straddling the supine adolescent girl, knife fingers dripping, was surreal, erotic, and made for one of the most sexually charged shots of the movie. Unfortunately it got left on the cutting-room floor. If Wes had left it in, the MPAA - who always seemed to have it out for Mr. Craven - would definitely have tagged us with an X rating. You win some, you lose some.

It was December 15, 2012, the day after twenty-year-old Adam Lanza fatally shot twenty children between six and seven years old, as well as six adult staff members, at Sandy Hook Elementary School in Newtown, Connecticut. I remember thinking, Maybe if all the mothers in the world crawled on their hands and knees toward those parents in Newtown, we could take some of the pain away. We could spread their pain across all of our hearts. I would do it. Can’t we find a way to hold some of it for them? I’ll take my share. Even if it adds sadness to all my days. My friends and I didn’t rush to start a fund that day. We didn’t storm the principal’s office at our kids’ school asking for increased security measures. We didn’t call politicians or post on Facebook. We would do all that in the days to come. But the day right after the shooting, we just sat together with nothing but the sound of occasional weeping cutting through the silence. Leaning in to our shared pain and fear comforted us. Being alone in the midst of a widely reported trauma, watching endless hours of twenty-four-hour news or reading countless articles on the Internet, is the quickest way for anxiety and fear to tiptoe into your heart and plant their roots of secondary trauma. That day after the mass killing, I chose to cry with my friends, then I headed to church to cry with strangers. I couldn’t have known then that in 2017 I would speak at a fund-raiser for the Resiliency Center of Newtown and spend time sitting with a group of parents whose children were killed at Sandy Hook. What I’ve learned through my work and what I heard that night in Newtown makes one thing clear: Not enough of us know how to sit in pain with others. Worse, our discomfort shows up in ways that can hurt people and reinforce their own isolation. I have started to believe that crying with strangers in person could save the world. Today there’s a sign that welcomes you to Newtown: WE ARE SANDY HOOK. WE CHOOSE LOVE. That day when I sat in a room with other mothers from my neighborhood and cried, I wasn’t sure what we were doing or why. Today I’m pretty sure we were choosing love in our own small way.

Finally, on 14 September 1857, the British and their hastily assembled army of Sikh and Pathan levees assaulted and took the city, sacking and looting the Mughal capital, and massacring great swathes of the population. In one muhalla* alone, Kucha Chelan, some 1,400 citizens of Delhi were cut down. ‘The orders went out to shoot every soul,’ recorded Edward Vibart, a nineteen-year-old British officer. It was literally murder…I have seen many bloody and awful sights lately but such a one as I witnessed yesterday I pray I never see again. The women were all spared but their screams, on seeing their husbands and sons butchered, were most painful… Heaven knows I feel no pity, but when some old grey bearded man is brought and shot before your very eyes, hard must be that man’s heart I think who can look on with indifference …

He gave me a crooked smile. God, he could charm me even when I wanted to throttle him. "Life is short. It's your decision how you deal with this. Let's forgive, forget, and move on." That comment doused the charm. "Why is it that when a man screws up, they always pull out the forgive and forget card? And you're right, it is my decision how I deal with this. But it was your decision that got us here in the first place! Yes, life is short. Too short to deal with BS like this." "Nothing is going on." He threw his hands in the air. "I don't even remember that woman's name. I was sitting at the bar and she sat next to me. We shot the breeze for a few minutes. She had foam on her lip and I wiped it off. That's it." "Well, maybe I want to wipe some foam off of some hot tourist's lip and shoot the breeze." "You better not!" His jaw clenched. Typical double standard.

So what's going on with you and your boyfriend?" Eli asked me right before he shoved a forkful of eggs into his mouth during breakfast the next morning. I made a face in the direction of my plate before shooting a glance upward to find Gordo’s eyes on me, a smirk on his face. "Mason?" I asked, going back to my food. Eli made a gagging noise, elbowing me hard in the ribs. "I'm not gonna go into details on how disturbing it is that I say ‘your boyfriend’ and you automatically think of fucking Mase." "He's always calling me his wife, or telling people I don't know that we're getting married," I replied, elbowing him back as hard as he got me. It was partially the truth… but mostly, I didn’t want to talk about the man who had been kissing my shoulder hours ago. "I love Mase, but it'll be a sunny day in my asshole before you and him get together," he mumbled. I snorted, biting into my biscuit. "Who the heck else would you be talking about?" I asked, but I knew. Oh, I knew damn well he was referring to Sacha. Freaking Gordo snickered from across the table before putting his hands up in surrender when I glared at him. "I didn’t say anything." "Sacha, Flabby. Sacha. Your boyfriend. Your snuggle bug." Eliza finally answered. Suddenly the half-eaten biscuit on my plate needed to be eaten immediately. I shoved the entire piece into my mouth to avoid the conversation my brother was trying to edge into. I'd had talks about boys with Eli in the past, and they never ended—or started—well. "There's nothing going on between us. We're just friends." Because we were. Eli made a noise that sounded like “hmmph” deep in his throat. It was incredulous and disbelieving. Then he asked the question to prove it, his attention back on his band mate. "Gordo, do you think I'm blind?" Gordo shook his head. "Gaby, do you think I'm blind?" he asked. "Not blind, just dumb.” I smiled. He shot me a frown. A moment later, he threw his arm over my shoulders and started shoving his plate away with his free hand. "Flabby Gaby, that kid is in love with you." In love. With me? I leaned forward and tried to sniff his breath. “Are you still drunk?” But my brother kept talking before I could keep going. "Anyone with eyes and ears knows that guy thinks you shit out Lucky Charms." Gordo and I burst out laughing. "Is that a good thing?" I asked him. Eliza shoved my face away with his palm, ignoring my commentary again. "And I think that you love him, too." The noise that came out of my mouth sounded like a hybrid “moo” and squawk at the same time. "I—,” I slammed my mouth shut before opening it again with a sputter. “What?

If you talk to these extraordinary people, you find that they all understand this at one level or another. They may be unfamiliar with the concept of cognitive adaptability, but they seldom buy into the idea that they have reached the peak of their fields because they were the lucky winners of some genetic lottery. They know what is required to develop the extraordinary skills that they possess because they have experienced it firsthand. One of my favorite testimonies on this topic came from Ray Allen, a ten-time All-Star in the National Basketball Association and the greatest three-point shooter in the history of that league. Some years back, ESPN columnist Jackie MacMullan wrote an article about Allen as he was approaching his record for most three-point shots made. In talking with Allen for that story, MacMullan mentioned that another basketball commentator had said that Allen was born with a shooting touch—in other words, an innate gift for three-pointers. Allen did not agree. “I’ve argued this with a lot of people in my life,” he told MacMullan. “When people say God blessed me with a beautiful jump shot, it really pisses me off. I tell those people, ‘Don’t undermine the work I’ve put in every day.’ Not some days. Every day. Ask anyone who has been on a team with me who shoots the most. Go back to Seattle and Milwaukee, and ask them. The answer is me.” And, indeed, as MacMullan noted, if you talk to Allen’s high school basketball coach you will find that Allen’s jump shot was not noticeably better than his teammates’ jump shots back then; in fact, it was poor. But Allen took control, and over time, with hard work and dedication, he transformed his jump shot into one so graceful and natural that people assumed he was born with it. He took advantage of his gift—his real gift.   ABOUT

Then, suddenly, a shadowy flash came to me. Tiffany, taking an order, arguing with a girl. Shockingly, not me. Another flash, of Detective Toscano walking into Yummy’s minutes ago. Tiffany nervously kneading a coaster between her fingers. The coaster I held in my hands right now. Tiffany was scared. Why was she scared of the cop? “Hey! Space shot! You want your Coke or not?” I tried to ignore Tiffany’s screeching and hold on to the vision, but it blurred and disappeared. I grabbed my new glass from her outstretched hand. “I heard you got into an argument last night,” I said. Tiffany paled, which I never thought possible since her skin was so fake-and-bake tan. She nervously twirled a lock of her bleach blond hair around her finger. “Where did you hear that?” “Doesn’t matter where I heard it.” I took a chance and added, “But it was pretty juicy gossip, considering who she was.” Tiffany’s pale face turned to green and I involuntarily took a step back ,half expecting an Exorcist-style stream of vomit to shoot out of her gaping mouth. Instead, she narrowed her eyes and leaned closer. “Get away from me,” she growled. And then it became clear. My flash of her argument. Her fear of the detective. She’d argued with the girl who was murdered last night. And she did not want Detective Toscano to find out about it. I stepped away from the bar, giddy with my new knowledge. I had the upper hand on Tiffany Desposito. I could torture her with this. Drag it out. Hold it over her head for days, even weeks. “It’s too bad you’re not with Justin anymore,” she said to my back. “He’s a cutie. And such a good kisser.” And that was my limit. I spun around and dumped my brand-new Coke over her head. She shrieked and flailed her hands as the liquid streamed over her face and down between her giant boobs. She peeled her sticky hair off her eyes and snarled, “I’ll get you for this.” I merely smiled, then sauntered over to the two Toscanos, who had apparently been watching this whole display with entertained grins on their faces. “You’re the new detective?” I asked the elder Toscano. He nodded. Either his mouth was too full with French fries or he was too scared of me to speak at the moment. “Tiffany Desposito, the wet and sticky waitress over there? She had a fight with the girl who was murdered. Last night, at this restaurant. You should question her right away. I wouldn’t even give her a chance to go home and shower first. I think she’s a flight risk.” I strolled back to my booth, sat down, and tore into my pancakes, happy as a kid on Christmas. Nate and Perry stared at me in silence for a few moments. Then Perry said, “Maybe you should have let me go over.” Nate shook his head. “Nah. She did just fine.

I select the right practice gun, the one about the size of a pistol, but bulkier, and offer it to Caleb. Tris’s fingers slide between mine. Everything comes easily this morning, every smile and every laugh, every word and every motion. If we succeed in what we attempt tonight, tomorrow Chicago will be safe, the Bureau will be forever changed, and Tris and I will be able to build a new life for ourselves somewhere. Maybe it will even be a place where I trade my guns and knives for more productive tools, screwdrivers and nails and shovels. This morning I feel like I could be so fortunate. I could. “It doesn’t shoot real bullets,” I say, “but it seems like they designed it so it would be as close as possible to one of the guns you’ll be using. It feels real, anyway.” Caleb holds the gun with just his fingertips, like he’s afraid it will shatter in his hands. I laugh. “First lesson: Don’t be afraid of it. Grab it. You’ve held one before, remember? You got us out of the Amity compound with that shot.” “That was just lucky,” Caleb says, turning the gun over and over to see it from every angle. His tongue pushes into his cheek like he’s solving a problem. “Not the result of skill.” “Lucky is better than unlucky,” I say. “We can work on skill now.” I glance at Tris. She grins at me, then leans in to whisper something to Christina. “Are you here to help or what, Stiff?” I say. I hear myself speaking in the voice I cultivated as an initiation instructor, but this time I use it in jest. “You could use some practice with that right arm, if I recall correctly. You too, Christina.” Tris makes a face at me, then she and Christina cross the room to get their own weapons. “Okay, now face the target and turn the safety off,” I say. There is a target across the room, more sophisticated, than the wooden-board target in the Dauntless training rooms. It has three rings in three different colors, green, yellow, and red, so it’s easier to tell where the bullets it. “Let me see how you would naturally shoot.” He lifts up the gun with one hand, squares off his feet and shoulders to the target like he’s about to lift something heavy, and fires. The gun jerks back and up, firing the bullet near the ceiling. I cover my mouth with my hand to disguise my smile. “There’s no need to giggle,” Caleb says irritably. “Book learning doesn’t teach you everything, does it?” Christina says. “You have to hold it with both hands. It doesn’t look as cool, but neither does attacking the ceiling.” “I wasn’t trying to look cool!” Christina stands, her legs slightly uneven, and lifts both arms. She stares the target for a moment, then fires. The training bullet hits the outer circle of the target and bounces off, rolling on the floor. It leaves a circle of light on the target, marking the impact site. I wish I’d had this technology during initiation training. “Oh, good,” I say. “You hit the air around your target’s body. How useful.” “I’m a little rusty,” Christina admits, grinning.

Trina, I never expected to fall in love again. I thought I got my shot, and I was okay with that, because I had my girls. I didn’t realize anything was missing. Then came you.” Ms. Rothschild’s hands are covering her mouth. She has tears in her eyes. “I want to spend the rest of my life with you, Trina.” Ms. Rothschild starts choking on her candy, and Daddy leaps up off his knee and starts pounding her on the back. She’s coughing like crazy. From his tree Peter whispers, “Should I go do the Heimlich on her? I know how to do it.” “Peter, my dad’s a doctor!” I whisper back. “He’s got it.” As her coughing subsides, she stands up straight and wipes her eyes. “Wait. Were you asking me to marry you?” “I was trying to,” Daddy says. “Are you all right?” “Yes!” She claps her hands to her cheeks. “Yes, you’re all right, or yes, you’ll marry me?” Daddy asks her, and he’s only half kidding. “Yes, I’ll marry you!” she screams, and Daddy reaches for her, and they kiss. “This feels private,” I whisper to Kitty. “It’s all part of the show,” she whispers back. Daddy hands Ms. Rothschild the ring box. I can’t quite make out what he says next, but whatever it was, it makes her double over laughing. “What’s he saying?” Kitty asks me, just as Peter says, “What did he say?” “I can’t hear! Both of you be quiet! You’re ruining the video!” Which is when Ms. Rothschild looks over in our direction. Shoot. We all pop back behind our respective trees, and then I hear Daddy’s wry voice call out, “You can come out, guys. She said yes!” We run out from behind the trees; Kitty launches herself into Ms. Rothschild’s arms. They fall over onto the grass, and Ms. Rothschild is laughing breathlessly, her laughter echoing through the woods. I hug Daddy, and meanwhile Peter’s still playing videographer, recording the moment for posterity like the good boyfriend he is. “Are you happy?” I ask, looking up at my dad. His eyes brimming with tears, he nods and hugs me tighter. And just like that, our little family grows bigger.

You wouldn’t dare,” Ghastek told him. Curran glanced at Jim. “Would I dare?” Jim chuckled. “You would. In fact, I can’t understand why you haven’t dared yet. Mulradin is already dead. If Ghastek doesn’t make it out, the People will experience a power vacuum. Either they’ll fight it out or they’ll get a new boss from above who doesn’t know anything about Atlanta. Either way it’s a win for us.” “We don’t really have to kill you,” Thomas said. “It can be a happy accident. You could step into a dark hole and break your neck. Or you and Jim could linger behind for a moment or two, and then you’ll slip and fall.” “On my claws,” Jim added. “Very unfortunate.” “Or I could accidentally shoot you,” Andrea offered from behind. “It was dark, I saw something move. Everybody knows I’m a terrible shot.” “Ha-ha,” I told her. “We’d get back,” Robert said. “And the People would ask us ‘Where is Ghastek?’ and we’d say ‘Terribly sorry, couldn’t find him. Mishmar is a big place, you know.’” “I feel like I’ve been captured by a horde of savages,” Ghastek said dryly.

If you leave without me, I’ll just follow you. You can’t stop me, Cassie. How are you going to stop me?” I shrug helplessly, fighting back tears. “Shoot you, I guess.” “Like you shot the Crucifix Soldier?” The words hit me like a bullet between the shoulder blades. I whirl around and fling open the door. He flinches, but stands his ground. “How do you know about him?” Of course, there’s only one way he could know. “You read my diary.” “I didn’t think you were going to live.” “Sorry to disappoint you.” “I guess I wanted to know what happened—” “You’re lucky I left the gun downstairs or I would shoot you right now. Do you know how creepy that makes me feel, knowing you read that? How much did you read?” He lowers his eyes. A warm red blush spreads across his cheeks. “You read all of it, didn’t you?” I’m totally embarrassed. I feel violated and ashamed. It’s ten times worse than when I first woke up in Val’s bed and realized he had seen me naked. That was just my body. This was my soul. I punch him in the stomach. There’s no give at all; it’s like I hit a slab of concrete. “I can’t believe you,” I shout. “You sat there—just sat there—while I lied about Ben Parish. You knew the truth and you just sat there and let me lie!

The first time I took Reed hunting was when he was six years old. I took him on the last day of duck season, and we pulled right up to the water. I gave him a BB gun, and I had my shotgun. Our property was a haven for wood ducks, so that’s what I wanted to shoot so he could see what made this spot so special. Wouldn’t you know it? The first two ducks that flew in our sights were a mallard drake and hen. We were on a bank instead of in a blind, which was unusual, but the ducks floated down and lit about ten feet in front of us. More than anything, I showed Reed the power of a duck call, because the water in front of us was only about two inches deep. I couldn’t believe the ducks were sitting there. “I’m going to count to three,” I whispered to Reed. “Get your BB gun. When I get to three, you fire. “One, two, three!” I said. Reed shot his BB gun, and I fired my shotgun at the same time. The drake never knew what hit him, and Reed immediately looked down at his BB gun. It was like he was thinking, What is this thing? I don’t think he even realized I killed the duck with my shotgun. Reed was so excited that I don’t believe he realized that I had shot, despite the fact of the booming sound. He looked back at me, and I told him, “Boy, you put a good shot on him, son.

The Smiths were unable to conceive children and decided to use a surrogate father to start their family. On the day the surrogate father was to arrive, Mr. Smith kissed his wife and said, "I'm off. The man should be here soon" Half an hour later, just by chance a door-to-door baby photographer rang the doorbell, hoping to make a sale. "Good morning, madam. I've come to...." "Oh, no need to explain. I've been expecting you," Mrs. Smith cut in. "Really?" the photographer asked. "Well, good. I've made a specialty of babies" "That's what my husband and I had hoped. Please come in and have a seat" After a moment, she asked, blushing, "Well, where do we start?" "Leave everything to me. I usually try two in the bathtub, one on the couch and perhaps a couple on the bed. Sometimes the living room floor is fun too; you can really spread out!" "Bathtub, living room floor? No wonder it didn't work for Harry and me" "Well, madam, none of us can guarantee a good one every time. But, if we try several different positions and I shoot from six or seven different angles, I'm sure you'll be pleased with the results" "My, that's a lot of....." gasped Mrs. Smith. "Madam, in my line of work, a man must take his time. I'd love to be in and out in five minutes, but you'd be disappointed with that, I'm sure"  "Don't I know it," Mrs. Smith said quietly. The photographer opened his briefcase and pulled out a portfolio of his baby pictures. "This was done on the top of a bus in downtown London" "Oh my God!" Mrs. Smith exclaimed, tugging at her handkerchief. "And these twins turned out exceptionally well, when you consider their mother was so difficult to work with" "She was difficult?" asked Mrs. Smith. "Yes, I'm afraid so. I finally had to take her to Hyde Park to get the job done right. People were crowding around four and five deep, pushing to get a good look" "Four and five deep?" asked Mrs. Smith, eyes widened in amazement. "Yes," the photographer said, "And for more than three hours too. The mother was constantly squealing and yelling. I could hardly concentrate. Then darkness approached and I began to rush my shots. Finally, when the squirrels began nibbling on my equipment, I just packed it all in." Mrs. Smith leaned forward. "You mean squirrels actually chewed on your, um......equipment?" "That's right. Well, madam, if you're ready, I'll set up my tripod so we  can get to work." "Tripod?????" "Oh yes, I have to use a tripod to rest my Canon on. It's much too big for me to hold for very long. Madam? Madam? ....... Good Lord, she's fainted!!

Why did you cry off?” She stiffened in surprise; then, trying to match his light, mocking tone, she said, “Viscount Mondevale proved to be a trifle high in the instep about things like his fiancé cavorting about in cottages and greenhouses with you.” She fired and missed. “How many contenders are there this Season?” he asked conversationally as he turned to the target, pausing to wipe the gun. She knew he meant contenders for her hand, and pride absolutely would not allow her to say there were none, nor had there been for a long time. “Well…” she said, suppressing a grimace as she thought of her stout suitor with a houseful of cherubs. Counting on the fact that he didn’t move in the inner circles of the ton, she assumed he wouldn’t know much about either suitor. He raised the gun as she said, “There’s Sir Francis Belhaven, for one.” Instead of firing immediately as he had before, he seemed to require a long moment to adjust his aim. “Belhaven’s an old man,” he said. The gun exploded, and the twig snapped off. When he looked at her his eyes had chilled, almost as if he thought less of her. Elizabeth told herself she was imagining that and determined to maintain their mood of light conviviality. Since it was her turn, she picked up a gun and lifted it. “Who’s the other one?” Relieved that he couldn’t possibly find fault with the age of her reclusive sportsman, she gave him a mildly haughty smile. “Lord John Marchman,” she said, and she fired. Ian’s shout of laughter almost drowned out the report from the gun. “Marchman!” he said when she scowled at him and thrust the butt of the gun in his stomach. “You must be joking!” “You spoiled my shot,” she countered. “Take it again,” he said, looking at her with a mixture of derision, disbelief, and amusement. “No, I can’t shoot with you laughing. And I’ll thank you to wipe that smirk off your face. Lord Marchman is a very nice man.” “He is indeed,” said Ian with an irritating grin. “And it’s a damned good thing you like to shoot, because he sleeps with his guns and fishing poles. You’ll spend the rest of your life slogging through streams and trudging through the woods.” “I happen to like to fish,” she informed him, striving unsuccessfully not to lose her composure. “And Sir Francis may be a trifle older than I, but an elderly husband might be more kind and tolerant than a younger one.” “He’ll have to be tolerant,” Ian said a little shortly, turning his attention back to the guns, “or else a damned good shot.” It angered Elizabeth that he was suddenly attacking her when she had just worked it out in her mind that they were supposed to be dealing with what had happened in a light, sophisticated fashion. “I must say, you aren’t being very mature or very consistent!

How's your room?" "You could see for yourself if you popped in." "Is that a line?" "I don't know. Is it? Do you feel the compulsion to rush over to room 306 and see me right now? I promise I'll make it worth your while." "Sorry, no compulsion." "Too bad." He lowered his voice. "I'm still sore from hefting all those heavy platters in Auckland, and if you want me at the top of my beefcake game for your shoot tomorrow, you could give me that massage." She laughed, a joyous sound that shot straight to his heart. Head. Gut. Wherever. "Nice try, but I'll pass." "Your loss, sweetheart. Just think, you could be here right now, having me splayed on the bed at your mercy, all that bare skin to explore, running your hands over my pectorals, my biceps, my latissimus dorsi---" "I hope that's not a fancy anatomical term for anything below the waist." He guffawed, enjoying their sparring way too much. "You sure I haven't tempted you?" She hesitated for a moment, before replying. "Maybe a little, but I really have to prep for tomorrow. I'm meeting with the head chef in thirty minutes to run through the dishes, then I'll need a few hours to go through my planning." "Anything I can do to help?" "Just bring the beefcake at eight sharp in the morning." "Yes, ma'am." "And Manny?" "Yeah?" "If I ever lose my mind and decide to give you a massage, I'll be starting at your very impressive gluteus maximus.

With a scowl, he turned from the window, but it was too late. The sight of Lady Celia crossing the courtyard dressed in some rich fabric had already stirred his blood. She never wore such fetching clothes; generally her lithe figure was shrouded in smocks to protect her workaday gowns from powder smudges while she practiced her target shooting. But this morning, in that lemon-colored gown, with her hair finely arranged and a jeweled bracelet on her delicate wrist, she was summer on a dreary winter day, sunshine in the bleak of night, music in the still silence of a deserted concert hall. And he was a fool. "I can see how you might find her maddening," Masters said in a low voice. Jackson stiffened. "Your wife?" he said, deliberately being obtuse. "Lady Celia." Hell and blazes. He'd obviously let his feelings show. He'd spent his childhood learning to keep them hidden so the other children wouldn't see how their epithets wounded him, and he'd refined that talent as an investigator who knew the value of an unemotional demeanor. He drew on that talent as he faced the barrister. "Anyone would find her maddening. She's reckless and spoiled and liable to give her husband grief at every turn." When she wasn't tempting him to madness. Masters raised an eyebrow. "Yet you often watch her. Have you any interest there?" Jackson forced a shrug. "Certainly not. You'll have to find another way to inherit your new bride's fortune." He'd hoped to prick Masters's pride and thus change the subject, but Masters laughed. "You, marry my sister-in-law? That, I'd like to see. Aside from the fact that her grandmother would never approve, Lady Celia hates you." She did indeed. The chit had taken an instant dislike to him when he'd interfered in an impromptu shooting match she'd been participating in with her brother and his friends at a public park. That should have set him on his guard right then. A pity it hadn't. Because even if she didn't despise him and weren't miles above him in rank, she'd never make him a good wife. She was young and indulged, not the sort of female to make do on a Bow Street Runner's salary. But she'll be an heiress once she marries. He gritted his teeth. That only made matters worse. She would assume he was marrying her for her inheritance. So would everyone else. And his pride chafed at that. Dirty bastard. Son of shame. Whoreson. Love-brat. He'd been called them all as a boy. Later, as he'd moved up at Bow Street, those who resented his rapid advancement had called him a baseborn upstart. He wasn't about to add money-grubbing fortune hunter to the list. "Besides," Masters went on, "you may not realize this, since you haven't been around much these past few weeks, but Minerva claims that Celia has her eye on three very eligible potential suitors." Jackson's startled gaze shot to him. Suitors? The word who was on his lips when the door opened and Stoneville entered. The rest of the family followed, leaving Jackson to force a smile and exchange pleasantries as they settled into seats about the table, but his mind kept running over Masters's words. Lady Celia had suitors. Eligible ones. Good-that was good. He needn't worry about himself around her anymore. She was now out of his reach, thank God. Not that she was ever in his reach, but- "Have you got any news?" Stoneville asked. Jackson started. "Yes." He took a steadying breath and forced his mine to the matter at hand.

I struggle with an embarrassing affliction, one that as far as I know doesn’t have a website or support group despite its disabling effects on the lives of those of us who’ve somehow contracted it. I can’t remember exactly when I started noticing the symptoms—it’s just one of those things you learn to live with, I guess. You make adjustments. You hope people don’t notice. The irony, obviously, is having gone into a line of work in which this particular infirmity is most likely to stand out, like being a gimpy tango instructor or an acrophobic flight attendant. The affliction I’m speaking of is moral relativism, and you can imagine the catastrophic effects on a critic’s career if the thing were left to run its course unfettered or I had to rely on my own inner compass alone. To be honest, calling it moral relativism may dignify it too much; it’s more like moral wishy-washiness. Critics are supposed to have deeply felt moral outrage about things, be ready to pronounce on or condemn other people’s foibles and failures at a moment’s notice whenever an editor emails requesting twelve hundred words by the day after tomorrow. The severity of your condemnation is the measure of your intellectual seriousness (especially when it comes to other people’s literary or aesthetic failures, which, for our best critics, register as nothing short of moral turpitude in itself). That’s how critics make their reputations: having take-no-prisoners convictions and expressing them in brutal mots justes. You’d better be right there with that verdict or you’d better just shut the fuck up. But when it comes to moral turpitude and ethical lapses (which happen to be subjects I’ve written on frequently, perversely drawn to the topics likely to expose me at my most irresolute)—it’s like I’m shooting outrage blanks. There I sit, fingers poised on keyboard, one part of me (the ambitious, careerist part) itching to strike, but in my truest soul limply equivocal, particularly when it comes to the many lapses I suspect I’m capable of committing myself, from bad prose to adultery. Every once in a while I succeed in landing a feeble blow or two, but for the most part it’s the limp equivocator who rules the roost—contextualizing, identifying, dithering. And here’s another confession while I’m at it—wow, it feels good to finally come clean about it all. It’s that … once in a while, when I’m feeling especially jellylike, I’ve found myself loitering on the Internet in hopes of—this is embarrassing—cadging a bit of other people’s moral outrage (not exactly in short supply online) concerning whatever subject I’m supposed to be addressing. Sometimes you just need a little shot in the arm, you know? It’s not like I’d crib anyone’s actual sentences (though frankly I have a tough time getting as worked up about plagiarism as other people seem to get—that’s how deep this horrible affliction runs). No, it’s the tranquillity of their moral authority I’m hoping will rub off on me. I confess to having a bit of an online “thing,” for this reason, about New Republic editor-columnist Leon Wieseltier—as everyone knows, one of our leading critical voices and always in high dudgeon about something or other: never fearing to lambaste anyone no matter how far beneath him in the pecking order, never fearing for a moment, when he calls someone out for being preening or self-congratulatory, as he frequently does, that it might be true of himself as well. When I’m in the depths of soft-heartedness, a little dose of Leon is all I need to feel like clambering back on the horse of critical judgment and denouncing someone for something.

I’ll never forget the time I went duck-hunting with my buddy Mike Williams; you’ll read a lot about our adventures and shenanigans in this book. Mike and I were hunting blue-winged teal ducks, which tend to move en masse, so typically you’ll either shoot your limit or not see a duck. In other words, there is a lot of idle time involved with teal hunting, so we usually bring along our fishing poles. After a hunt with Mike one morning, in which we had not seen a single teal, I hooked a four-pound bass. Almost simultaneously, one lone blue-winged teal flew over our heads. As I was reeling in the bass, I reached for my shotgun, raised it with only my left hand, and shot the duck. Now, I’m right-handed but left-eye dominant. It was the first duck I ever shot left-handed, but it would be the first of many. I eventually made the switch to shooting left-handed permanently. It was the hardest obstacle I’ve ever had to overcome in hunting, but it made me a better shot because I’m left-eye dominant. When Mike and I went back to my dad’s house and told him what happened, Phil didn’t believe us, even though we had the teal and bass as evidence. He’d told us about a similar feat many times before, when his friend Hookin’ Bull Thompson pulled in a fish with one hand and shot a duck with the other. I had heard the story many time, but only then did I realize it had now been duplicated. No matter how many times we told Phil about what I did, he didn’t believe us. He thought we made the entire story up because of the countless times he’d bragged about witnessing his buddy’s epic feat. Now, Mike is one of the most honest people you’ll meet, so he couldn’t believe Phil thought we were lying to him. “I’m going to sign an affidavit about what you did,” Mike told me. “Maybe then he’ll believe us.” “Oh, drop it,” I said. “That’s just how my family rolls.

Michael Lewis, the author of The Blind Side, wrote about professional basketball player Shane Battier, who plays for the Houston Rockets, in an article titled “The No-Stats All-Star.” He describes Battier as follows: “Shane Battier is widely regarded inside the NBA as, at best, a replaceable cog in a machine driven by superstars. And yet every team he has ever played on has acquired some magical ability to win. [Because] Battier . . . seems to help the team in all sorts of subtle, hard-to-measure ways that appear to violate his personal interests.” Subtle, hard-to-measure ways. Lewis continues: Battier’s game is a weird combination of obvious weaknesses and nearly invisible strengths. When he is on the court, his teammates get better, often a lot better, and his opponents get worse—often a lot worse. He may not grab huge numbers of rebounds, but he has an uncanny ability to improve his teammates’ rebounding. He doesn’t shoot much, but when he does, he takes only the most efficient shots . . . On defense, although he routinely guards the NBA’s most prolific scorers, he significantly reduces shooting percentages. [We] call him Lego. When he’s on the court, all the pieces start to fit together. Husbands, children, and coworkers may not understand what it is exactly that we do. Yet because of who we are and what we do, whether in our home, community, or workplace, things magically work. Like Shane Battier, our very presence seems to just make everything and everyone work better together. It’s hard to put your finger on it, but in my experience this “magic” of bringing people together and enhancing their strengths is a talent that many women seem to have. It’s one reason we are so good at being a safe haven and playing a supporting role, but it’s a talent that we can use for great good when we dust off our dreams and put on our Batman suit.

… The frayed and gritty edges of everyone’s world were being worried away by neighbors you’d never noticed until the air spilled over with the tragedy of their loss. The war had taken them or their children; killed them, lost them, torn off body parts, shipped them back brain-fried…. … Tales fell from hearts in heavy, wet tones of grief and confusion…. … Even when rare moments of relative calm and clarity crept briefly through our days, they crawled in with head hanging through that most familiar of all tunnels, our sense of loss. Each new friend seemed only to step in and announce himself with his last breath. Why hadn’t we loved him earlier when there had been more time? That overriding sense of loss was the dismal cloud through which you viewed the world. Dreading life’s relentless advance, but knowing your locks could never keep it out…. … As the late 60’s gave in and died, and I trudged through my first year as an art student in college, even the old folks were growing up. Their World War II glories clouded over. Someone had shot the president, his brother, and a great civil rights leader, dragging us all out of our warm, snuggly innocence. People seemed infested by life, burdened by the stifling weight of it, until we could only force shallow, labored breaths. Each new day was just an old one playing through again, a dust-laden August, a storm always riding right on top of you that never quite cut loose. It settled into your joints until they grew achy, too heavy to lift; tarring all hearts with a dark, heavy plaque. Days stuck together as walking and breathing grew tedious. Until even my bubbly sister couldn’t offer up a smile without a shadow lurking inside it. We trudged through life as our mighty nation killed our sons and broke our buddies, defending itself from skinny barefoot farmers with sticks, in rice swamps somewhere on the other side of existence, where you couldn’t tell the good guys from the bad. Some lost tiny nowhere that hadn’t even existed when you’d been a kid; when the world had been innocent and untainted. Back when Father Knew Best, Beaver’s mom fed his dad all the answers, and Annie Oakley never had to shoot to kill…. - From “Entertaining Naked People

But perhaps the best and most memorable way to explain the conflict that arose between honoring traditional honor, and honoring one’s individual psyche, can be conveyed in a story from World War II. In 1943, coming off his dazzling victories in the Sicily campaign, George S. Patton stopped by a medical tent to visit with the wounded. He enjoyed these visits, and so did the soldiers and staff. He would hand out Purple Hearts, pump the men full of encouragement, and offer rousing speeches to the nurses, interns, and their patients that were so touching in nature they sometimes brought tears to many of the eyes in the room. On this particular occasion, as Patton entered the tent all the men jumped to attention except for one, Private Charles H. Kuhl, who sat slouched on a stool. Kuhl, who showed no outward injuries, was asked by Patton how he was wounded, to which the private replied, “I guess I just can’t take it.” Patton did not believe “battle fatigue” or “shell-shock” was a real condition nor an excuse to be given medical treatment, and had recently been told by one of the commanders of Kuhl’s division that, “The front lines seem to be thinning out. There seems to be a very large number of ‘malingerers’ at the hospitals, feigning illness in order to avoid combat duty.” He became livid. Patton slapped Kuhl across the face with his gloves, grabbed him by his collar, and led him outside the tent. Kicking him in the backside, Patton demanded that this “gutless bastard” not be admitted and instead be sent back to the front to fight. A week later, Patton slapped another soldier at a hospital, who, in tears, told the general he was there because of “his nerves,” and that he simply couldn’t “stand the shelling anymore.” Enraged, Patton brandished his white-handled, single-action Colt revolver and bellowed: Your nerves, Hell, you are just a goddamned coward, you yellow son of a bitch. Shut up that goddamned crying. I won’t have these brave men here who have been shot seeing a yellow bastard sitting here crying…You’re a disgrace to the Army and you’re going back to the front lines and you may get shot and killed, but you’re going to fight. If you don’t I’ll stand you up against a wall and have a firing squad kill you on purpose. In fact I ought to shoot you myself, you God-damned whimpering coward.

Reed was involved in some of our most famous duck hunts; he even has a blind named after him. It’s called the Reed Robertson Hole. One year, we were having a really bad duck season. It was hot and there always seemed to be southwest winds, which aren’t ideal conditions on Phil’s property. One Sunday, the forecast called for more southwest winds, so nobody wanted to go hunting. I wasn’t going to pass up a morning in the duck blind, so I decided to take Reed with me. My expectations were so low that I was really only taking him to see the sunrise. I was convinced we wouldn’t see a single duck. Well, it got to be daylight and nothing happened. But we were still spending quality time together, and I was talking to him about God and the outdoors. I looked up and saw two birds. I literally thought it was two crows flying overhead. But then I realized it was two mallard drakes. I called them and they made two passes over our blind before backpedaling right in front of us. They seemed to stop in motion about ten feet in front of us. “Shoot!” I said. Reed raised his gun and shot three times in less than three seconds. Apparently, he still believed his shotgun was an AK-47. He went boom! Boom! Boom! By the time Reed was gone, I raised my gun and shot both of them. He looked at me and was like, “What happened?” He looked at his gun and thought something was wrong with it. “Son, you got excited and fired too quickly,” I said. “You’ve got to get on the duck.” As soon as I looked up, I saw ten teals circling toward us. They came right into our decoys. I decided to give Reed the first shot again. “Cut ‘em,” I said. Reed raised his gun and fired again. Boom! Boom! Boom! He shot one and then I shot another one. “Hey, you’re on the board,” I said. A while later, about seventy-five teals made three passes over us. I was going to let them light so Reed could get a good shot. About half of them lit and the other half came right toward us. “Cut ’em,” I said. I raised my gun and shot two of them. I heard Reed fire three times but didn’t see anything on the water. “I think I got three of them that time,” he said. “Son, don’t be making up stories,” I told him. I was looking right where he shot and didn’t see anything. But then I looked to the right and realized he’d actually shot four. He hit three on one side and a stray pellet hit one in the back. “Son, you have arrived,” I said. We wound up killing our limit that day, when I didn’t expect us to see any ducks at all. Phil and everybody else made a big deal about it because we hadn’t seen many ducks in days. It was the most ducks we’d ever shot out of that blind, and we’ve never mauled them like that again there. Because I shared the experience with my son, it was one of my most special and memorable hunts. I learned a valuable lesson that day: you never know when the ducks are going to show up. That is why I go every day the season is open.

A stranger. Young, well-dressed, pale and visibly sweaty, as if he’d endured some great shock and needed a drink. West would have been tempted to pour him one, if not for the fact that he’d just pulled a small revolver from his pocket and was pointing it in his direction. The nose of the short barrel was shaking. Commotion erupted all around them as patrons became aware of the drawn pistol. Tables and chairs were vacated, and shouts could be heard among the growing uproar. “You self-serving bastard,” the stranger said unsteadily. “That could be either of us,” Severin remarked with a slight frown, setting down his drink. “Which one of us do you want to shoot?” The man didn’t seem to hear the question, his attention focused only on West. “You turned her against me, you lying, manipulative snake.” “It’s you, apparently,” Severin said to West. “Who is he? Did you sleep with his wife?” “I don’t know,” West said sullenly, knowing he should be frightened of an unhinged man aiming a pistol at him. But it took too much energy to care. “You forgot to cock the hammer,” he told the man, who immediately pulled it back. “Don’t encourage him, Ravenel,” Severin said. “We don’t know how good a shot he is. He might hit me by mistake.” He left his chair and began to approach the man, who stood a few feet away. “Who are you?” he asked. When there was no reply, he persisted, “Pardon? Your name, please?” “Edward Larson,” the young man snapped. “Stay back. If I’m to be hanged for shooting one of you, I’ll have nothing to lose by shooting both of you.” West stared at him intently. The devil knew how Larson had found him there, but clearly he was in a state. Probably in worse condition than anyone in the club except for West. He was clean-cut, boyishly handsome, and looked like he was probably very nice when he wasn’t half-crazed. There could be no doubt as to what had made him so wretched—he knew his wrongdoings had been exposed, and that he’d lost any hope of a future with Phoebe. Poor bastard. Picking up his glass, West muttered, “Go on and shoot.” Severin continued speaking to the distraught man. “My good fellow, no one could blame you for wanting to shoot Ravenel. Even I, his best friend, have been tempted to put an end to him on a multitude of occasions.” “You’re not my best friend,” West said, after taking a swallow of brandy. “You’re not even my third best friend.” “However,” Severin continued, his gaze trained on Larson’s gleaming face, “the momentary satisfaction of killing a Ravenel—although considerable—wouldn’t be worth prison and public hanging. It’s far better to let him live and watch him suffer. Look how miserable he is right now. Doesn’t that make you feel better about your own circumstances? I know it does me.” “Stop talking,” Larson snapped. As Severin had intended, Larson was distracted long enough for another man to come up behind him unnoticed. In a deft and well-practiced move, the man smoothly hooked an arm around Larson’s neck, grasped his wrist, and pushed the hand with the gun toward the floor. Even before West had a good look at the newcomer’s face, he recognized the smooth, dry voice with its cut-crystal tones, so elegantly commanding it could have belonged to the devil himself. “Finger off the trigger, Larson. Now.” It was Sebastian, the Duke of Kingston . . . Phoebe’s father. West lowered his forehead to the table and rested it there, while his inner demons all hastened to inform him they really would have preferred the bullet.