Shooting Blanks Quotes

Do you know how far the wall is from the mines?” He gave her blank look. She closed her eyes and sighed dramatically. “From my shaft, it was three hundred sixty-three feet. I had someone measure.” “So?” Dorian repeated. “Captain Westfall, how far do slaves make it from the mines when they try to escape?” “Three feet,” he muttered. “Endovier sentries usually shoot a man down before he's moved three feet.” The Crown Prince's silence was not her desired effect. “You knew it was suicide,” he said at last, the amusement gone. Perhaps it had been a bad idea to bring up the wall. “Yes.” ... “I never intended to escape.

Ghastek, why haven’t you married?” I asked. He gave me a thin-lipped smile. “Because if I were to get married, I would want to have a family. To me, marriage means children.” “So what’s the problem? Shooting blanks?” Desandra asked. Kill me.

Besides shooting out a big blank from your buttock, you can feel as if your root chakra leaked sweet hot mucus.

Sorry to interrupt, boys and girls,” Logan calls out, “but it’s time to put your p’s and v’s away. Gotta go, G.” I shoot Garrett a blank look. “P’s and v’s?” Half the time I can barely make sense of Logan’s made-up acronyms and abbreviations. Garrett grins at me. “Oh come on, really? Even I got one. It’s grade school shit.” I think it over, then blush. “How exactly does one put away their vagina?” He snickers. “Ask Logan. Actually, please don’t.

Generally ‘training’ went something akin to this: “So what you have to do is—“ Shoot you in the fucking head with your own gun because it would be painfully easy to disarm you with the way you’re holding that weapon. “Understand?” Sin stared at the man blankly before raising his own weapon and unloading his entire clip into the paper target. He didn’t speak and didn’t even look at where he was shooting before placing the standard issued gun in front of him as he watched his ‘trainer’ expectantly. The man, whose name he had not bothered to pay attention to, gave him a strange look and examined the target as it slid closer to them from across the range. His expression became incredulous as he took in the completely obliterated ‘head’ and he turned on Sin with a frown. “You killed it.” “Yes.” “You were only supposed to immobilize it…” “Oh.” Fucking civilians.

Where did he go, your father?' 'Africa.' 'What for?' 'To shoot lions, of course.' 'What on Earth for?' said Mrs. Willow blankly. 'Some people shoot lions,' the girl said pleasantly, 'and some people do not shoot lions. My father is one of the people who do.

Jennings saw this and held the gun up with his fingers splayed placatingly as if to show her that he wasn’t planning on using it. Not yet, anyway. “I don’t want to hurt you again, Lily,” he told her. “So just make sure you don’t do anything stupid, and I won’t.” At that moment, he reminded her of John Cusack in Grosse Pointe Blank. He acted like he was making a reasonable request. As if there was justification for shooting someone thirty times.

This shit is potent. I feel…” He nodded slowly. “Yeah.” I lifted my eyebrows, wondering if he was drunk or high. Blondie giggled again and pointed at him. “I’ve never heard you cuss before.” “I don’t,” Hamilton said blankly before Blondie charged, “But you just said shit.” He laughed and pointed back at her. “So did you.” As they giggled together, I rolled my eyes to the ceiling. Oh, dear God. Someone shoot me now.

I asked him. “ ‘I’m telling you that you aren’t shooting blanks and haven’t been for quite awhile now, ’ he said. ‘Millions of little wigglies in your sperm sample. Your days of going gaily in bareback with no questions asked have temporarily come to an

We all have what it takes to do exactly what we want to do in life, no matter what anyone else says. If someone tells you, “You can’t do this because you are [fill in the blank],” I say embrace the challenge. Wear it like a new pair of Converse or Jordans. Meet it head-on.

And then I tell the patient, ‘No communication with wife allowed for the next ninety days.’ ” Ghosh turned to face the patient, and repeated the sentence. The patient nodded. “Okay, you can communicate, say ‘Good morning, darling,’ and all that, but no sex for three months.” The patient grinned. “Okay, you can have sex, but you must wear a condom.” “I use interruptus,” the patient said, speaking for the first time in a heavy East European accent. “You use what? Interruptus? Pull and pray? Good God, man! No wonder you have five kids! It’s noble of you to try to get off the train at an earlier station, but it’s unreliable. No sir. Interrupt the interruptus, man, unless you want to reach your half dozen this year.” The patient looked embarrassed. “You know what we call young men who use coitus interruptus?” Ghosh said. The population expert shook his head. “We call them Father! Daddy. Pater. Pappa. Père. No sir, I have done the interrupting for you. Give me three months and you can tell your missus that she is not to worry because you will be shooting blanks, and there will be no more interruptions and you will be staying for dessert, coffee, and cigars.

How am I?" [...] "Sometimes it's a rush, like skydiving and other times it's just a smooth ride, like floating in the middle of a calm lake. It's like standing next to a hot fire that's shooting sparks, or walking on the sun and then rolling in the snow. It's like plate tectonics and hailstorms and lighting and earthquakes and hurricane-force winds all happening at once but then everything suddenly stops moving and your mind draws a blank and everything's really peaceful. It's like your mind explodes and all that's left inside your body is heat.

When were you in Christian's bed," Ryodan says softly. I gape. "Dude, you got a serious case of selective hearing, the kind that bleeps out all the important stuff! Who cares when I was in his stupid bed? How the feck did you kill Velvet? You been holding out on me! You need to learn to share your weapons!" "When." There's something in the way he utters that single word that makes me shiver, and I'm hard to rattle. "So, I didn't change in a convenience store! So, shoot me. I need my sword. What're are you going to do to get it back?" I've never seen Ryodan's face go so smooth. It's like it got iced blank of all expression. I've never heard him talk so soft and silky either. "Take her back to Chester's and lock her down. I'll get the sword.

Now standing in one corner of a boxing ring with a .22 caliber Colt automatic pistol, shooting a bullet weighing only 40 grains and with a striking energy of 51 foot pounds at 25 feet from the muzzle, I will guarantee to kill either Gene Tunney or Joe Louis before they get to me from the opposite corner. This is the smallest caliber pistol cartridge made; but it is also one of the most accurate and easy to hit with, since the pistol has no recoil. I have killed many horses with it, cripples and bear baits, with a single shot, and what will kill a horse will kill a man. I have hit six dueling silhouettes in the head with it at regulation distance in five seconds. It was this type of pistol that Millen boys’ colleague, Abe Faber, did all his killings with. Yet this same pistol bullet fired at point blank range will not dent a grizzly’s skull, and to shoot a grizzly with a .22 caliber pistol would simply be one way of committing suicide

Then the two animals, crouching to the earth, bowed their heads and did worship. Sudden and magnificent, the sun's broad golden disc showed itself over the horizon facing them; and the first rays, shooting across the level water-meadows, took the animals full in the eyes and dazzled them. When they were able to look once more, the Vision had vanished, and the air was full of the carol of birds that hailed the dawn. As they stared blankly, in dumb misery deepening as they slowly realized all they had seen and all they had lost, a capricious little breeze, dancing up from the surface of the water, tossed the aspens, shook the dewy roses, and blew lightly and caressingly in their faces, and with its soft touch came instant oblivion. For this is the last best gift that the kindly demigod is careful to bestow on those to whom he has revealed himself in their helping: the gift of forgetfulness. Lest the awful remembrance should remain and grow, and overshadow mirth and pleasure, and the great haunting memory should spoil all the after-lives of little animals helped out of difficulties, in order that they should be happy and light-hearted as before.

Here, you drive," Erik said. "What? Why?" "In case we do have to start shooting; I have a badge and you don't," he explained. "Fine. But for the record, I'm a better shot than you are." "For your information, I was the youngest kid awarded the rifle shooting merit badge in my troop," Erik said, holding the wheel as she climbed across him. "Is that supposed to impress me?" "Just enough to get you back into my bed." She took over the gas pedal and Erik slid out from underneath her. "It takes more than fancy shooting," she said loftily, making a sharp turn. Erik was thrown against the door. "Would you warn me before you do that?" "It's a car chase!

I don’t think people trying to make their points are always aware of the damage they are doing to other people’s hearts or their own reputations, but the fact is, they are doing damage. When it comes to the words we use, we’re never shooting blanks even though we think we are. In the Bible, Jesus said that our words are an overflow of whatever is in our hearts.1 I agree and wonder if we understand that many of the words we are using have become distractions to ourselves and the people around us.

Please hand over the criminal and their restricted equipment,” Julia said, shooting a glance at the two rifles on the demon’s back. “What equipment?” Ogras said with a blank face as he slowly put the rifles in a Cosmos Sack one by one, drawing a glare from Julia.

Fuck all these plaster saints looking at you.’ I let the poem swerve toward the erotic—gave it that permission—and I was freed.” “Freed?” “Yes! Amidst all those saints and martyrs, with all those dried-up talking vaginas downstairs. The dynamic was incredible. It just overtook me. To the point where, in the middle of the writing, I stood up, pulled down my pants, and masturbated myself to orgasm. It wasn’t a choice; it was an act of survival. Hold on a minute. The poem is rough still but I want you to hear it.” He ran up the stairs and back down again. “Okay, listen.” The solitary pallbearer shoots his seed, His liquid sex, into the night air A trajectory While icons, saints Bear their blank-eyed Catholic witness. . . . “You were doing that while I was down here with Grandma’s friends?” He smiled proudly. “It’s still very rough, I know, but the components are all there. This house is alive to me! I feel the most incredible psychic energy here. It’s radioactive—poetically.

It’s the photos that hit me the hardest, though. A woman cradling her husband’s limp body. A crowd looking on, emotionless, as police shine a flashlight on a woman’s bloodied corpse. A couple, half on the ground and half tangled in their moped, their blank faces turned toward the camera and sprays of blood on the pavement behind their heads. Sisters gathered around their baby brother’s body lying in its small casket. A body with its head covered in a dirty cloth left in a pile of garbage on the side of the street. Grayish-green corpses stacked like firewood in an improvised morgue. There’s even a short video of grainy security cam footage in which a masked motorcyclist pulls up next to a man in an alleyway, shoots him point-blank in the side of the head, then drives away. In high definition, I see the victims’ wounds, their oddly twisted limbs, their blood and brain matter sprayed across familiar-looking streets. In every dead body, I see Jun. I want to look away. But I don’t. I need to know. I need to see it. These photographers didn’t want to water it down. They wanted the audience to confront the reality, to feel the pain that’s been numbed by a headline culture.

I don't intend to shoot at him but I might succeed in frightening him away if he attempts to reach us here. Haven't you ever seen a trainer work with lions? He carries a silly little pop-gun loaded with blank cartridges. With that and a kitchen chair be subdues the most ferocious of beasts." "But you haven't a kitchen chair," she reminded him. "No," he said, "Government is always muddling things. I have always maintained that airplanes should be equipped with kitchen chairs.

Whenever I arrive in my garden, I Make The Tour. Is this a personal idiosyncrasy, or do all good gardeners do it? It would be interesting to know. By Making The Tour, I mean only that I step from the front window, turn to the right, and make an infinitely detailed examination of every foot of ground, every shrub and tree, walking always over an appointed course. There are certain very definite rules to be observed when you are Making The Tour. The chief rule is that you must never take anything out of its order. You may be longing to see if a crocus has come out in the orchard, but it is strictly forbidden to look before you have inspected all the various beds, bushes and trees that lead up to the orchard. You must not look at the bed ahead before you have finished with the bed immediately in front of you. You may see, out of the corner of your eye, a gleam of strange and unsuspected scarlet in the next bed but one, but you must steel yourself against rushing to this exciting blaze, and you must stare with cool eyes at the earth in front, which is apparently blank, until you have made certain that it is not hiding anything. Otherwise you will find that you rush wildly round the garden, discover one or two sensational events, and then decide that nothing else has happened. Which means that you miss all the thrill of tiny shoots, the first lifting of the lids of wallflowers, the first precious gold of the witch-hazel, the early spear of the snowdrop.

He looked behind me to Bernardo. "Can you think of anything else she needs to know?" "Only that he brags about the rape and what he did to her." "All right," I said, "you've both made your point. I only have one question." Edward just looked at me expectantly, Bernardo said, "Shoot." "If I kill another one of your backups, do I owe you another favor?" "Not if he deserves it." I dumped the bag on the doorsill. "Shit, Edward, if you keep putting me together with fucking crazies and I keep having to defend myself, I'll be owing you favors until we're in our graves." Bernardo said, "You're serious. You really killed his last backup." I glanced at him. "Yeah, I'm serious. And I want permission to off Olaf if he gets out of hand, without having to owe Edward another pound of flesh." "Who'd you kill?" Bernardo asked. "Harley," Edward said. "Shit, really?" I walked up to Edward, invading his space, trying to read past the blank blue of his eyes. "I want permission to kill Olaf if he gets out of hand, without owing you another favor." "And if I don't give it?" he asked, voice low. "Drive me to a hotel because I'm not staying in a house with a bragging rapist if I can't kill him." Edward looked at me for a long slow moment, then gave a small nod. "Done, as long as he's in this house. Outside the house, play nice.

in one way or another, they all go back to the M’Naghten Rule, formulated by the British courts in the wake of one Daniel M’Naghten’s attempt to assassinate British prime minister Sir Robert Peel in 1843. Shooting at point-blank range outside Peel’s London house, M’Naghten instead killed the prime minister’s private secretary Edward Drummond. M’Naghten, who suffered from delusions of persecution, was found not guilty by reason of insanity, and ever since, through multiple interpretations and permutations, the basic legal test of insanity in British and American courts has been whether the defendant could distinguish between right and wrong or was acting under a delusion or compulsion so strong that it negated that distinction.

The man in the blue coat—he has 24 seconds before he gets shot in the head on this bridge. His intention was to shoot at least one of us already, but he suspects the cold isn’t the real reason why my husband has his right hand in his jacket pocket. His plan after that was to kill each of you.” Nadia noticed two things then. The first was the slight smile on Liam’s lips as he stared down the man she knew as Chuck, her brand new camera man from New Jersey. The second was the way Chuck rocked back on his heels, preparing to run. Her mind went blank with realization for only a second before she stammered out the only thing she could think. “He’s my camera man…” she offered feebly as she watched Chuck drop 40 lbs of camera equipment on the ground and take off down the bridge without uttering a single word.

Imagine you are tied to a chair with your hands tightly bound behind you, preventing you from covering your ears. Before you is a giant chalkboard. A woman enters the room. Her fingernails are long, hard, and ready for attack. You follow her with your eyes as she saunters to the chalkboard and raises her hand to make a claw. She looks at you with a blank stare as she digs her fingernails into the chalkboard and drags downward. As the harsh sound hits your ears, you squeeze your eyes shut in an instinctive yet vain effort to shut out the noise, but the absence of sight only magnifies the vile sound. Your ears have become hypersensitive, and you feel an unpleasant chill shoot through your body down to the toes of your feet. Finally, the sound stops as she removes her nails from the board, and a wave of relief passes over you. But the reprieve is short-lived. Again, the nails dig into the board and screech all the way down. The process repeats itself several times, and each time she stops dragging, you think it has ended for good, but soon she starts all over again. You frantically call out to her and ask her why she is doing this. You wonder what you have done to earn this perpetual torture. But she only looks back at your with a blank, almost quizzical stare, and that is when you realize that she is unaware of the pain she is causing. You feel the hopelessness pass over you. You squirm to free yourself from the chair, but it's no use. This is your life now, listening to this terribly unpleasant sound with no way to stop it. Sometimes she leaves, but she always comes back to repeat the scene, oblivious to the torture she creates.

Well, she would marry a man who didn't need or want her fortune. Mr. Pinter didn't fall into that category. And given how blank his expression became as his gaze met hers, she'd been right to be skeptical. he would never be interested in her in that way. He confirmed it by saying, with his usual formality, "I doubt any man would consider your ladyship unacceptable as a wife." Oh, when he turned all hoity-toity, she could just murder him. "Then we agree that the gentlemen in question would find me satisfactory," she said, matching his cold tone. "So I don't see why you assume they'd be unfaithful." "Some men are unfaithful no matter how beautiful their wives are," Mr. Pinter growled. He thought her beautiful? There she went again, reading too much into his words. He was only making a point. "But you have no reason to believe that these gentleman would be. Unless there's some dark secret you already know about them that I do not?" Glancing away, he muttered a curse under his breath. "No." "Then here's your chance to find out the truth about their characters. Because I prefer facts to opinions. And I was under the impression that you do, too." Take that, Mr. Pinter! Hoist by your own petard. The man always insisted on sticking to the facts. And he was well aware that she'd caught him out, for he scowled, then crossed his arms over his chest. His rather impressive chest, from what she could tell beneath his black coat and plain buff waistcoat. "I can't believe I'm the only person who would object to these gentlemen," he said. "What about your grandmother? Have you consulted her?" She lifted her eyes heavenward. He was being surprisingly resistant to her plans. "I don't need to. Every time one of them asks to dance with me, she beams. She's forever urging me to smile at them or attempt flirtation. And if they so much as press my hand or take my for a stroll, she quizzes me with great glee on what was said and done." "She's been letting you go out on private strolls with these scoundrels?" Mr. Pinter said in sheer outrage. "They aren't scoundrels." "I swear to God, you're a lamb among the wolves," he muttered. That image of her, so unlike how she saw herself, made her laugh. "I've spent half my life in the company of my brothers. Every time Gabe went to shoot, I went with him. At every house party that involved his friends, I was urged to show off my abilities with a rifle. I think I know how to handle a man, Mr. Pinter." His glittering gaze bored into her. "There's a vast difference between gamboling about in your brother's company with a group of his friends and letting a rakehell like Devonmont or a devilish foreigner like Basto stroll alone with you down some dark garden path." A blush heated her cheeks. "I didn't mean strolls of that sort, sir. I meant daytime walks about our gardens and such, with servants in plain view. All perfectly innocent." He snorted. "I doubt it will stay that way." "Oh, for heaven's sake, why are you being so stubborn? You know I must marry. Why do you even care whom I choose?" "I don't care," he protested. "I'm merely thinking of how much of my time will be wasted investigating suitors I already know are unacceptable." She let out an exasperated breath. Of course. With him, it was always about money. Heaven forbid he should waste his time helping her.

In Hiding - available for pre-order on Amazon! The emotion of her words silenced him. He knew it was the damn truth. The bastard’s lawyer claimed the video of the robbery was too blurry, which made it ineffective. Grand’s attorney then pulled some bullshit about the inability to find the gun. Without it, they would never link the ballistics to the shooting. To stress the point, their hired ballistics specialist rattled off enough mumbo-jumbo to confuse any layman. When the specialist left the stand, the prosecutor hung his head, knowing that his case had died. Not enough evidence to bring it to trial, the prosecutor could take another run at it after they solidified their case. The defense attorney had successfully fooled the Grand Jury, but Kate hadn’t accepted this. Instead, she hunted Grand down and shot him point-blank, just like he'd killed her folks. After her family posted bail, Kate ran, and Wayne chased her. Now, they both sat steeped in the events that brought them to this moment. “Don’t tell me you wouldn’t have done the same!” Kate’s words struck a chord that he struggled to ignore. He couldn’t say he disagreed. He’d never expected it to end like this. Despite his skepticism, a part of him rooted for her; he wanted to believe that she was not a bad person; she was just in a bad situation. Kate should be back in college, busting her ass to pass a mid-term or, at worse, making a questionable decision with some dude. She didn’t deserve to go to prison for murder. Most of the people he chased were assholes like Grand. The world was better for it, and he moved to the next skip. Kate was different. The world would be lacking without her.

Lady Thornton,” Sutherland said in an awful, silky voice that made Elizabeth shake inside, “does the word ‘perjury’ have any meaning to you?” “I believe,” Elizabeth said, “it means to tell a lie in a place like this.” “Do you know how the Crown punishes perjurers? They are sentenced to gaol, and they live their lives in a dark, dank cell. Would you want that to happen to you?” “It certainly doesn’t sound very agreeable,” Elizabeth said. “Would I be able to take my jewels and gowns?” Shouts of laughter shook the chandeliers that hung from the vaulted ceilings. “No, you would not!” “Then I’m certainly happy I haven’t lied.” Sutherland was no longer certain whether he’d been duped, but he sensed that he’d lost his effort to make Elizabeth sound like a clever, scheming adulteress or a terrified, intimidated wife. The bizarre story of her flight with her brother had now taken on a certain absurd credibility, and he realized it with a sinking heart and a furious glower. “Madam, would you perjure yourself to protect that man?” His arm swung toward Ian, and Elizabeth’s gaze followed helplessly. Her heart froze with terror when she saw that, if anything, Ian looked more bored, more coldly remote and unmoved than he had before. “I asked you,” Sutherland boomed, “if you would perjure yourself to save that man from going to the gallows next month.” Elizabeth would have died to save him. Tearing her gaze from Ian’s terrifying face, she pinned a blank smile on her face. “Next month? What a disagreeable thing to suggest! Why, next month is-is Lady Northam’s ball, and Kensington very specifically promised that we would go”-thunderous guffaws exploded, rocking the rafters, drowning out Elizabeth’s last words-“and that I could have a new fur!!” Elizabeth waited, sensing that she had succeeded, not because her performance had been so convincing, but because many of the lords and wives who never thought beyond the next gown or ball or fur, and so she seemed entirely believable to them. “No further questions!” Sutherland rapped out, casting a contemptuous glance over her. Peterson Delham slowly arose, and though his expression was carefully blank, even bemused, Elizabeth sensed rather than saw that he was silently applauding her. “Lady Thornton,” he said in formal tones, “is there anything else you have to say to this court?” She realized that he wanted her to say something else, and in her state of relieved exhaustion Elizabeth couldn’t think what it was. She said the only thing she could think of, and she knew soon after she began speaking that he was pleased. “Yes, my lord. I wish to say how very sorry I am for the bother Bobby and I have caused everyone. I was wrong to believe him and to dash off without a word to anyone. And it was wrong of him to remain so angry with my husband all this time over what was, after all, rather an act of kindness on his part.” She sensed that she was going too far, sounding too sensible, and she hastily added, “If Kensington had had Bobby tossed into gaol for trying to shoot him, I daresay Bobby would have found it nearly as disagreeable a place as I. He is,” she confided, “a very fastidious person!” “Lady Thornton!” the Lord Chancellor said when the fresh waves of laughter had diminished to ripples. “You may step down.” At the scathing tone in his voice, Elizabeth dared a look in his direction, and then she almost missed her step when she saw the furious scorn on his face. The other lords might think her an incorrigible henwit, but the Lord Chancellor looked as if he would personally have enjoyed throttling her.

I struggle with an embarrassing affliction, one that as far as I know doesn’t have a website or support group despite its disabling effects on the lives of those of us who’ve somehow contracted it. I can’t remember exactly when I started noticing the symptoms—it’s just one of those things you learn to live with, I guess. You make adjustments. You hope people don’t notice. The irony, obviously, is having gone into a line of work in which this particular infirmity is most likely to stand out, like being a gimpy tango instructor or an acrophobic flight attendant. The affliction I’m speaking of is moral relativism, and you can imagine the catastrophic effects on a critic’s career if the thing were left to run its course unfettered or I had to rely on my own inner compass alone. To be honest, calling it moral relativism may dignify it too much; it’s more like moral wishy-washiness. Critics are supposed to have deeply felt moral outrage about things, be ready to pronounce on or condemn other people’s foibles and failures at a moment’s notice whenever an editor emails requesting twelve hundred words by the day after tomorrow. The severity of your condemnation is the measure of your intellectual seriousness (especially when it comes to other people’s literary or aesthetic failures, which, for our best critics, register as nothing short of moral turpitude in itself). That’s how critics make their reputations: having take-no-prisoners convictions and expressing them in brutal mots justes. You’d better be right there with that verdict or you’d better just shut the fuck up. But when it comes to moral turpitude and ethical lapses (which happen to be subjects I’ve written on frequently, perversely drawn to the topics likely to expose me at my most irresolute)—it’s like I’m shooting outrage blanks. There I sit, fingers poised on keyboard, one part of me (the ambitious, careerist part) itching to strike, but in my truest soul limply equivocal, particularly when it comes to the many lapses I suspect I’m capable of committing myself, from bad prose to adultery. Every once in a while I succeed in landing a feeble blow or two, but for the most part it’s the limp equivocator who rules the roost—contextualizing, identifying, dithering. And here’s another confession while I’m at it—wow, it feels good to finally come clean about it all. It’s that … once in a while, when I’m feeling especially jellylike, I’ve found myself loitering on the Internet in hopes of—this is embarrassing—cadging a bit of other people’s moral outrage (not exactly in short supply online) concerning whatever subject I’m supposed to be addressing. Sometimes you just need a little shot in the arm, you know? It’s not like I’d crib anyone’s actual sentences (though frankly I have a tough time getting as worked up about plagiarism as other people seem to get—that’s how deep this horrible affliction runs). No, it’s the tranquillity of their moral authority I’m hoping will rub off on me. I confess to having a bit of an online “thing,” for this reason, about New Republic editor-columnist Leon Wieseltier—as everyone knows, one of our leading critical voices and always in high dudgeon about something or other: never fearing to lambaste anyone no matter how far beneath him in the pecking order, never fearing for a moment, when he calls someone out for being preening or self-congratulatory, as he frequently does, that it might be true of himself as well. When I’m in the depths of soft-heartedness, a little dose of Leon is all I need to feel like clambering back on the horse of critical judgment and denouncing someone for something.

I could have been someone from the book if you’d told me in advance.” “Yes, well, today you’d make a really great Moaning Myrtle.” Peter gives me a blank look, and disbelieving, I say, “Wait a minute…have you never read Harry Potter?” “I’ve read the first two.” “Then you should know who Moaning Myrtle is!” “It was a really long time ago,” Peter says. “Was she one of those people in the paintings?” “No! And how could you stop after Chamber of Secrets? The third one’s the best out of the whole series. I mean, that’s literally crazy to me.” I peer at his face. “Do you not have a soul?” “Sorry if I haven’t read every single Harry Potter book! Sorry I have a life and I’m not in the Final Fantasy club or whatever that geek club is called--” I snatch my wand back from him and wave it in his face. “Silencio!” Peter crosses his arms. Smirking, he says, “Whatever spell you just tried to cast on me, it didn’t work, so I think you need to go back to Hogwarts.” He’s so proud of himself for the Hogwarts reference, it’s kind of endearing. Quick like a cat I pull down his mask, and then I put one hand over his mouth. With my other hand I wave my wand again. “Silencio!” Peter tries to say something, but I press my hand harder. “What? What was that? I can’t hear you, Peter Parker.” Peter reaches out and tickles me, and I laugh so hard I almost drop my wand. I dart away from him but he pounces after me, pretend shooting webs at my feet. Giggling, I run away from him, further down the hall, dodging groups of people. He gives chase all the way to chem class. A teacher screams at us to slow down, and we do, but as soon as we’re around the corner, I’m running again and so is he. I’m breathless by the time I’m in my seat. He turns around and shoots a web in my direction, and I explode into giggles again and Mr. Meyers glares at me. “Settle down,” he says, and I nod obediently. As soon as his back is turned, I giggle into my robe. I want to still be mad at Peter, but it’s just no use. Halfway through class he sends me a note. He’s drawn spiderwebs around the edges. It says, I’ll be on time tomorrow. I smile as I read it. Then I put it in my backpack, in my French textbook so the page won’t crease or crumble. I want to keep it so when this is over, I can have something to look at and remember what it was like to be Peter Kavinsky’s girlfriend. Even if it was all just pretend.

He finds a basket and lays fish inside it. Charcoal is in a wooden bucket. Enrique lifts it, basket in his other hand, and moves through shadow toward daylight. A presence makes him turn his head. He sees no one, yet someone is there. He sets down fish and charcoal. Straightening up, Enrique slips his Bowie knife clear of its sheath. He listens, tries to sense the man’s place. This intruder lies low. Is concealed. Behind those barrels? In that corner, crouched down? Enrique shuts his eyes, holds his breath a moment and exhales, his breath’s movement the only sound, trying to feel on his skin some heat from another body. Where? Enrique sends his mind among barrels and sacks, under shelves, behind posts and dangling utensils. It finds no one. He is hiding. Wants not to be found. Is afraid. If he lies under a tarpaulin, he cannot see. To shoot blind would be foolish: likely to miss, certain to alert the others. Enrique steps around barrels, his boots silent on packed sand. Tarps lie parallel in ten-foot lengths, their wheaten hue making them visible in the shadowed space. They are dry and hold dust. All but one lies flat. There. Enrique imagines how it will be. To strike through the tarp risks confusion. Its heavy canvas can deflect his blade. But his opponent will have difficulty using his weapon. He might fire point-blank into Enrique’s weight above him, bearing down. To pull the tarpaulin clear is to lose his advantage; he will see the intruder who will see him. An El Norte mercenary with automatic rifle or handheld laser can cut a man in half. Knife in his teeth, its ivory handle smooth against lips and tongue, Enrique crouches low. Pushing hard with his legs, he dives onto the hidden shape. The man spins free as Enrique grasps, boots slipping on waxed canvas. His opponent feels slight, yet wiry strength defeats Enrique’s hold. He takes his knife in hand and rips a slit long enough to plunge an arm into his adversary’s shrouded panic. Enrique thrusts the blade’s point where he believes a throat must be. Two strong hands clamp his arm and twist against each other rapidly and hard. Pain flares across his skin. Enrique wrests his arm free and his knife flies from his grasp and disappears behind him. He clenches-up and, pivoting on his other hand, turns hard into a blind punch that smashes the hidden face. The dust of their struggle rasps in Enrique’s throat. His intended killer sucks in a hard breath and Enrique hits him again, then again, each time turning his shoulder into the blow. The man coughs out, “Do not kill me.” Enrique knows this voice. It is Omar the Turk. [pp. 60-61]

When Oliver called time a few moments later, she’d beaten them all. But she’d beaten Mr. Pinter by only one bird. “It appears, Lady Celia, that you’ve won a new rifle,” the duke said graciously. “No,” she answered. They all stared at her. “It doesn’t seem sporting to win a challenge only because one of my opponents had a faulty firearm. Which we provided to him, by the way.” “Don’t worry,” Mr. Pinter drawled. “I won’t hold the fault firearm against you and your brothers.” “That’s not the point. This should be fair, and it isn’t.” “Then we’ll move forward,” Oliver said, “and let the servants flush the grouse again. Pinter can take one more shot. That’s probably all that the misfire delayed him by. If he misses, then you’ve won squarely. If he hits his target then it’s a tie, and we’ll decide a tie breaker.” “That seems fair.” She glanced over at Mr. Pinter. “What do you say, sir?” “Whatever my lady wishes.” His eyes met hers in a heated glance. She had the unsettling feeling that he referred to more than just the shooting. “Well, then,” she said lightly. “Let’s get on with it.” The beaters headed forward to flush the grouse, but either because of where the grouse had last settled or because of the beaters’ position, the birds rose farther away than was practical. “Damn it all,” Gabe uttered. “He won’t make a shot from here.” “You can ignore this one, and we’ll have them flushed again,” Celia said. But Mr. Pinter raised his gun to follow their flight. With a flash and the repugnant smell of black powder igniting, the gun fired and white smoke filled the air. She saw a bird fall. No, not one bird. He’d hit two birds with an impossible shot. Her breath lodged in her throat. She’d hit two with one shot a few times, due to how they clustered and how well the birdshot scattered, but to do it at such a distance… She glanced at him, astonished. No one had ever beaten her-and certainly not with such an amazing shot. Mr. Pinter gazed at her steadily as he handed off the gun to a servant. “It appears that I’ve won, my lady.” Her mouth went dry. “It does indeed.” Gabe hooted pleased at having escaped buying her a rifle. The duke and the viscount scowled, while Devonmont just looked amused as usual. All of that fell away as Mr. Pinter’s gaze dropped to her mouth. “Well done, Pinter,” Oliver said, clapping him on the shoulder. “You obviously more than earned a kiss.” For a moment, raw hunger flickered in his eyes. Then it was as if a veil descended over his face, for his features turned blank. He walked up to her, bent his head… And kissed her on the forehead. Hot color flooded her cheeks. How dared he kiss her last night as if she were a woman, and then treat her like a child in front of her suitors! Or worse, a woman beneath his notice! “Thank heavens that’s done,” she said loftily, trying to retain some dignity. The men all laughed-except Mr. Pinter, who watched her with a shuttered expression. As the other gentleman crowded round to congratulate him on his fine shot, she plotted. She would make him answer for every remark, every embarrassment of this day, as soon as she had the chance to get him alone. Because no man made a fool of her and got away with it.

Elliott was disarmingly bright, according to everyone who knew him, an avid reader of Dostoevsky, Kafka, Beckett, Stendhal, Freud, the Buddha, all of whom destabilized notions of identity. I think he knew how little we know about who we are. The idea comes through in lyrics. “I don’t know who I am,” he says simply; at times he wishes he were no one. He’s a stickman shooting blanks at emptiness, living with “one dimension dead.” He’s an invisible man with a see-through mind. He’s a junkyard full of false starts. He’s a ghost-writer, feeling hollow.

Look out! Here he comes!” Tom yelled, as the wounded lion broke loose from the dogs and bounded through the snow right toward us. We dared not shoot, for the dogs were right in line, and we couldn’t run. We froze in our tracks, ready to shoot at point-blank range if necessary.

That’s not why I’m here. I’ve got a mission. I made a promise.” His chest expanded with a deep, ragged breath. “Ah, hell. Quit looking at me like you either want to shoot me or eat me up. I’m trying to do the right thing here.” Max’s rejection instantly sent her back to the times in her relationship with Richard when he’d rebuffed her advances. “I wasn’t very good, was I? I’m sor—” “Do not let that man come between us.” Max swiped his hand over his mouth and jaw and spun away. Just as quickly he faced her again and grabbed her wrist. “You call me whatever crass SOB you want to.” He pulled her hand to the front of his jeans and cupped it over the unmistakable warm bulge behind his zipper. “This is what you do to me. I don’t know why you and me fit together this good. If I could take you to bed right now and finish this, I would.” He released her and backed away, raising his hands in apology. “But that’s not what I’m here for. Neither one of us needs that kind of complication in our lives. I have to keep the mission in mind. I’m a cop. I have to think like a cop, not a...” “Not a what?” she asked, her voice barely a whisper. But he didn’t fill in the blank. “It’s not your job to deal with me. I’m damaged goods, Rosie. You can do better than me.

He was shooting blanks. It was as if God knew that nothing good could ever come from him. Leena

fathered an out-of-wedlock child.” “Well, at least he isn’t shooting blanks,” Grammy remarked phlegmatically. “Be careful, Allie. Make him marry you first.

Lulu is not a big woman. This Atlanta grandmother is just over five feet tall. But she is a fighter, and she can shoot -- as several black carjackers discovered. In April 2012 Lulu took her grandson back to her daughter’s house. When she got in her car to leave she was approached by armed men. They mistakenly identified her as easy prey: “(The suspect) shouted, ‘Give me the (blanking) money and open the (blanking) door!’” Campbell told The Telegraph, describing her ordeal. “I said, ‘Oh my God, somebody is going to rob me.’ I said, ‘Baby, you’re going to kill me anyway, so I don’t have to open it!’” Campbell says the man fired at her, missing. The 57-year-old fired back, striking him in the chest. Her truck sustained eight bullet holes in the hood, one in the grill. Both front side windows were destroyed. The second man fled after she shot at him. “I carry a gun all the time,” she said.3

I’m shooting blanks, man. We all know that. I couldn’t get her pregnant if I wanted to.” “You don’t know that,” Paul says. “I do, too. I know in the very marrow of my bones that I will never have a child of my own.” I hold up a finger. “But,” I say, “Sky just happens to have three already, and they all need a dad, so I’m a pretty happy guy.” “Are you really?” Paul asks. His brow furrows. He grabs my knee and squeezes it. “You going to be satisfied with that?” I take another sip of my beer. “I’ll have to be, won’t I?” “You want a kid, man, we’ll all donate sperm for you. We could mix them all together so we have no idea who the father is.” Sam laughs. “There’s no fucking way I’d let one of you get Sky pregnant. No.” Absolutely not. “You ever need my sperm, you let me know,” Sam says. “Hell, I don’t have a girlfriend. I’d be happy to participate. Give me a magazine and a little plastic cup.” He makes a crude gesture with his hand. What’s bad is that he’s half serious. Any of them would do it for me, I’m pretty sure. “I’ll be happy with the kids we have. I already love Seth and Joey and Mellie.

turn the gun on him through the broken grate separating the chamber and pull the trigger, shooting him point blank, watching his head snap back as I bury the bullet. A mess of brain, blood, and flesh blows out the back of his skull, splattering along the wooden walls as he falls back, his limp body sagging awkwardly against the bench beneath him.

He told Jessie to shut up—that he was sick and tired of her complaining, whining bullshit. She continued to nag him. He walked calmly, to the refrigerator, took out the .38, and faced Jessie. She wasn’t frightened. She demanded to know what he was going to do with the gun. He told her he’d kill her if she didn’t put a lid on it. She didn’t believe him and she dared him to shoot her, spreading her legs defiantly, sticking her chin out. In one quick move, Mike raised the pistol and shot Jessie right in the face at point-blank range. The bullet entered just above her lip and exited the back of her head. Dead, she hit the ground hard, a finger of blood squirting from her wound as her body shook, trembled, and quaked in death’s final embrace.

I ducked behind the support just as the fire smashed against concrete. Flames shot past on both sides of me. The acrid stench of sulfur stung my nostrils. “That last fireball missed me by a mile. You shoot blanks with your other salamander, too, Jeremy?” “Eat shit and die!

You shoot blanks with your other salamander, too, Jeremy

At the Einsatzgruppen stage, the rounded-up victims were brought in front of machine guns and killed at point-blank range. Though efforts were made to keep the weapons at the longest possible distance from the ditches into which the murdered were to fall, it was exceedingly difficult for the shooters to overlook the connection between shooting and killing. This is why the administrators of genocide found the method primitive and inefficient, as well as dangerous to the morale of the perpetrators. Other murder techniques were therefore sought — such as would optically separate the killers from their victims. The search was successful, and led to the invention of first the mobile, then the stationary gas chambers; the latter —the most perfect the Nazis had time to invent— reduced the role of the killer to that of the 'sanitation officer' asked to empty a sackful of 'disinfecting chemicals' through an aperture in the roof of a building the interior of which he was not prompted to visit.

This session showed intriguing objective evidence for a mind-matter interaction effect, but an unusual subjective event also happened that is worth mentioning. For this session, knowing that the planned participant was a highly experienced meditator, I decided to have it filmed for future reference. I asked two videographers to shoot the session as it unfolded. They set up their cameras and started filming, the meditator prepared himself mentally for about ten minutes, then signaled that he was ready to begin. I started the experiment and it proceeded without incident until about halfway through the session. Then for a few seconds I felt strangely disoriented, as though all my mental activity suddenly stopped. I shook off this odd sensation, and the disorientation soon passed. The session ended, I thanked the meditator, and he left. Then I spent a few minutes discussing the session with the two videographers as they gathered up their gear. I didn’t attribute much meaning to that moment when my mind was strangely suspended, but I’ve learned that when studying effects that span the subjective-objective gap, it’s important to pay attention to internal states. So I mentioned it to the videographers, and they were both taken aback. It turns out that they had independently experienced the same phenomenon. We had all shared a moment when our minds seemed to go blank. At this point I didn’t know yet whether the objective evidence collected during that session was significant or not. When I found that it was, I contacted the meditator, who by then was back at his ashram in India. I asked if he felt that he was being successful in doing something during the session. He said yes, but that it took until about halfway through the session before he figured out how to do it. As an anecdote, this episode doesn’t count as scientific evidence. But it’s still interesting that the experiment obtained objective evidence of a mind-matter interaction effect at precisely the same time that three people unexpectedly felt something strange occur.

This session showed intriguing objective evidence for a mind-matter interaction effect, but an unusual subjective event also happened that is worth mentioning. For this session, knowing that the planned participant was a highly experienced meditator, I decided to have it filmed for future reference. I asked two videographers to shoot the session as it unfolded. They set up their cameras and started filming, the meditator prepared himself mentally for about ten minutes, then signaled that he was ready to begin. I started the experiment and it proceeded without incident until about halfway through the session. Then for a few seconds I felt strangely disoriented, as though all my mental activity suddenly stopped. I shook off this odd sensation, and the disorientation soon passed. The session ended, I thanked the meditator, and he left. Then I spent a few minutes discussing the session with the two videographers as they gathered up their gear. I didn’t attribute much meaning to that moment when my mind was strangely suspended, but I’ve learned that when studying effects that span the subjective-objective gap, it’s important to pay attention to internal states. So I mentioned it to the videographers, and they were both taken aback. It turns out that they had independently experienced the same phenomenon. We had all shared a moment when our minds seemed to go blank. At this point I didn’t know yet whether the objective evidence collected during that session was significant or not. When I found that it was, I contacted the meditator, who by then was back at his ashram in India. I asked if he felt that he was being successful in doing something during the session. He said yes, but that it took until about halfway through the session before he figured out how to do it. As an anecdote, this episode doesn’t count as scientific evidence. But it’s still interesting that the experiment obtained objective evidence of a mind-matter interaction effect at precisely the same time that three people unexpectedly felt something strange occur. The Michelson interferometer experiment suggested that an observed optical system does behave differently than an unobserved system, and in a way that’s suggestive of the quantum observer effect. In other words, we—like others before us—had once again found evidence for a direct mind-matter interaction. This was interesting, but it wasn’t enough. What we wanted to know was whether mind-matter interaction effects were consistent with the notion that consciousness “collapses” the quantum wave function. If it turned out that this was the case, then the most successful physical theory in history might contain the seeds of psychokinesis within it.

Seconds ticked off in her head, seeming more like minutes as Kayla ran back down the stairs so quickly she nearly tripped and fell on her face. She slowed as she approached the kitchen. Flicking the safety off with her thumb, she raised the weapon and aimed it at the entrance to the laundry room, supporting her right hand with her left the way her dad had taught her to at the shooting range. Fear returned with a vengeance. She’d been so focused on Nick’s wounds that she had totally blanked on his attackers. They could still be out there. They could be creeping in her back door right now. They could be armed and ready to shoot him again. Well, f*** that. She kept her weapon trained on the laundry room doorway as she headed back to Nick’s side.

She was okay,” I say. Ryot roars. “You’re such a goddamn liar.” I shrug. “I mean, yeah, she had a nice eyeball.” Ryot throws a towel at me from his locker, still laughing. “Fuck you. A nice eyeball. Just one of her eyeballs is nice?” “If I hit the ball tonight, it’s because of her right eyeball. Really got my juices flowing,” I deadpan. “You’re such a shithead.” “Nah, if I hit the ball tonight, it’s for one reason and one reason alone—because I worked my ass off in the cages today.” Ryot rolls his eyes. “Always so fucking serious. Why don’t you romanticize your story a bit? Think about the media coverage you could get.” Ryot steals my bat, holds it up to his mouth like a microphone, and then clears his throat. “Walker Rockwell, you went three for four today with a homerun and three RBIs. What can you attribute to your success today?” He turns his hat around and scratches his jaw. Is that supposed to be me? “Her name is Kate, and her right eyeball enticed me so much, I found myself inspired to find my bat again. Shout-out to Kate Chapman and her spherical sense receptor for vision.” He winks and then shoots a gun at the “camera.” “Now that’s a story.” I stare at him blankly. Blink. Shake my head. “You need fucking help.” I turn toward my locker, where I start mentally preparing for the game.

Why appeal to a shooting star that is not immortal The Determination is not the shooting star that fades after a while.

Maftyé sat in silence, the soles of his shoes resting on the dying logs. Through tiny reddened eyelids he gazed blankly at the fire. He seemed completely engrossed in the dancing and fluttering of the flames, in the gold at its centre, and in the little blue flamelets that raced to the ends of logs as if hoping to escape upwards into the smoke, then sinking back into the wood. Sometimes a little blue flame would shoot out sideways from a crack in the bark, as if deliberately blown out by someone inside, shrieking as it went and ending in a loud crackling and a scattering of sparks in every direction; then the log would split open and the gap grow into a pair of smiling lips around a mouth that opened to reveal a fiery hell. Or

TWO YEARS AGO I FOUND AN IMAGE OF A KID WITH HER HANDS COVERING HER FACE. A SEATBELT REACHED ACROSS HER TORSO, RIDING UP HER NECK AND A MOP OF BLONDE HAIR STAYED SWEPT, FOR THE MOMENT, BEHIND HER EARS. HER EYES SEEMED CLEAR AND CALM BUT NOT BLANK, THE ROAD BEHIND HER SEEMED THE SAME, I PUT MYSELF IN HER SEAT THEN I PLAYED IT ALL OUT IN MY HEAD. THE CLAUSTROPHOBIA HITS AS THE SEATBELT TIGHTENS, PREVENTING ME FROM EVEN LEANING FORWARD IN MY SEAT, THE PRESSING ON INTERNAL ORGANS. I LEAN BACK AND FORWARD TO RELEASE IT, THEN BACKWARDS AND FORWARD AGAIN. THERE IT IS I GOT FREE. HOW MUCH OF MY LIFE HAS HAPPENED INSIDE OF A CAR? I WONDER IF THE ODDS ARE THAT I'LL DIE IN ONE, KNOCK ON WOOD-GRAIN. SHOULDN'T SPEAK LIKE THAT. WE LIVE IN CARS IN SOME CITIES, COMMUTING ACROSS SPACE EITHER FOR OUR LIVELIHOOD, OR DEVOURING FOSSIL FUELS FOR JOY. IT'S CLOSE TO AS MUCH TIME AS WE SPEND IN OUR BEDS, MORE FOR SOME. THE FIRST TIME I DID SHROOMS, MY MANAGER HAD TO COME RESCUE ME FROM CALTECH'S 'TRIP DAY. AS I GOT INTO HER CAR, I SWEAR TO GOD THE ALUMINUM CENTER CONSOLE IN HER PORSCHE TRUCK LOOKED LIKE IT WAS BREATHING, LIKE THE THROAT OF SOMETHING. ON THE FREEWAY, LEAVING PASADENA, WE SPOKE AND I LOOKED AWAY, OUTSIDE, AT THE WHEELS AND TIRES OF CARS DOING THAT OPTICAL ILLUSION THING THEY DO WHERE IT LOOKS LIKE THEY'RE SPINNING BACKWARDS, WHICH, ACCORDING TO GOOGLE, HAPPENS BECAUSE OUR BRAINS ARE ASSUMING SOMETHING COMPLETELY WRONG AND SHOWING IT TO US. STARING, I WAS TRANSFIXED BY ALL THE INDICATOR LIGHTS OSCILLATING AND THROBBING AGAINST THE WIND. WE DROVE THRU DOWNTOWN LA HEADED WEST, FLYING ON THE SAME FREEWAYS I USED TO RUN OUTTA GAS ON. WELCOMED IN BY THE PERENNIAL CREATURES, IMPERIAL PALM TREES AND CLIMBING VINES LIVING THEIR LIVES OUT JUST OFF THE SHOULDER. THE FEELING OF FAMILIAR ENHANCED, ON THE 10. I USED TO RIDE AROUND IN MY SINEWY CROSSOVER SUV, SMOKE AND LISTEN TO ROUGH MIXES OF MY OLD SHIT BEFORE IT CAME OUT, OR WHATEVER SOMEONE WANTED TO PLAY WHEN THEY HOOKED UP THEIR IPHONE TO THE AUX CORD A FEW YEARS AND A FEW DAILY-DRIVERS LATER I'M NOT DRIVING MUCH ANYMORE, IT'S BEEN A YEAR SINCE I MOVED TO LONDON, AT THE TIME OF WRITING THIS, AND THERE'S NO PRACTICAL REASON TO DRIVE IN THIS CITY. I ORDERED A GT3 RS AND IT'LL KEEP LOW MILES OUT HERE BUT I GUESS IT'S GOOD TO HAVE IN CASE OF EMERGENCY :) RAF SIMONS ONCE TOLD ME IT WAS CLICHE, MY WHOLE CAR OBSESSION MAYBE IT LINKS TO A DEEP SUBCONSCIOUS STRAIGHT BOY FANTASY. CONSCIOUSLY THOUGH, I DON'T WANT STRAIGHT A LITTLE BENT IS GOOD. I FOUND IT ROMANTIC, SOMETIMES, EDITING THIS PROJECT. THE WHOLE TIME I FELT AS THOUGH I WAS IN THE PRESENCE OF A $16M MCLAREN F1 ARMED WITH A DISPOSABLE CAMERA. MY MEMORIES ARE IN THESE PAGES, PLACES CLOSEBY AND LONG ASS-NUMBING FLIGHTS AWAY. CRUISING THE SUBURBS OF TOKYO IN RWB PORSCHES. THROWING PARTIES AROUND ENGLAND AND MOBBING FREEWAYS IN FOUR PROJECT M3S THAT I BUILT WITH SOME FRIENDS. GOING TO MISSISSIPPI AND PLAYING IN THE MUD WITH AMPHIBIOUS QUADS. STREET-CASTING MODELS AT A RANDOM KUNG FU DOJO OUT IN SENEGAL. COMMISSIONING LIFE-SIZE TOY BOXES FOR THE FUCK OF IT SHOOTING A MUSIC VIDEO FOR FUN WITH TYRONE LEBON, THE GENIUS GIANT. TAKING A BREAK-SLASH-RECONNAISSANCE MISSION TO TULUM, MEXICO, ENJOYING SOME STAR VISIBILITY FOR A CHANGE. RECORDING IN TOKYO, NYC, MIAMI, LA, LONDON, PARIS. STOPPING IN BERLIN TO WITNESS BERGHAIN FOR MYSELF, TRADING JEWELS AND SOAKING IN PARABLES WITH THE MANY-HEADED BRANDON AKA BASEDGOD IN CONVERSATION, I WROTE A STORY IN THE MIDDLE-IT'S CALLED 'GODSPEED', IT'S BASICALLY A REIMAGINED PART OF MY BOYHOOD. BOYS DO CRY, BUT I DON'T THINK I SHED A TEAR FOR A GOOD CHUNK OF MY TEENAGE YEARS. IT'S SURPRISINGLY MY FAVORITE PART OF LIFE SO FAR. SURPRISING, TO ME, BECAUSE THE CURRENT PHASE IS WHAT I WAS ASKING THE COSMOS FOR WHEN I WAS A KID. MAYBE THAT PART HAD IT'S ROUGH STRETCHES TOO, BUT IN MY REARVIEW MIRROR IT'S GETTING SMALL ENOUGH TO CONVINCE MYSELF IT WAS ALL GOOD. AND REALLY THOUGH... IT'S STILL ALL GOOD.

The Master plucked a few larger chunks of flesh off its torso. It found that it could not move quickly and freely without shedding some of its wretched exterior. This host vehicle would not last. Bolivar, standing ready near the low burrow that was the room’s exit, was an available option and an acceptable short-term physical candidate for this great honor. For Bolivar had no Dear Ones to cling to, which was one prerequisite for hosting. But Bolivar had only just begun the second stage of evolution. He was not fully mature yet. It could wait. It would wait. The Master had much to do at present. The Master led the way, stooping and claw-wriggling out of the chamber, swiftly clambering along the low, winding tunnels, Bolivar following right behind. It emerged into a larger chamber, nearer to the surface, the wide floor a soft bed of damp soil like that of a perfect, empty garden. Here, the ceiling was high enough even for the Master to stand erect. As the unseen sun set above, darkness beginning its nightly rule, the soil around the Master began to stir. Limbs appeared, a small hand here, a thin leg there, like shoots of vegetation growing out of the ground. Young heads, still topped with hair, rising slowly. Some of them blank-faced, others twisted with the pain of their night rebirth.