Shocked And Disappointed Quotes

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Marilyn, for her part, focused on what was driving Arthur away. She spoke of the monster inside her. By that she seems to have meant the rage that was in sharp contrast to the shyness and sweetness she tended to project. In the beginning, Marilyn said, Arthur had perceived her as a victim, beautiful and innocent. She tried to be those things for him. When inevitably the monster disclosed itself, Miller was shocked and disappointed. He started to pull back.
Barbara Leaming (Marilyn Monroe: A Biography)
In the ill-judged execution of the well-judged plan of things the call seldom produces the comer, the man to love rarely coincides with the hour for loving. Nature does not often say 'See!' to her poor creature at a time when seeing can lead to happy doing; or reply 'Here!' to a body's cry of 'Where?' till the hide-and-seek has become an irksome, outworn game. We may wonder whether at the acme and summit of the human progress these anachronisms will be corrected by a finer intuition, a close interaction of the social machinery than that which now jolts us round and along; but such completeness is not to be prophesied, or even conceived as possible. Enough that in the present case, as in millions, it was not the two halves of a perfect whole that confronted each other at the perfect moment; part and counterpart wandered independently about the earth in the stupidest manner for a while, till the late time came. Out of which maladroit delay sprang anxieties, disappointments, shocks, catastrophes -- what was called a strange destiny.
Thomas Hardy (Tess of the D’Urbervilles)
If you ever expect life to be fair, you are in for a shocking disappointment. Life is what it is. Fair is something we made up.
Michael Treanor
I never trusted any man not to find someone else; to stay with me if he had another option. to not find something in me that would have him heading for the hills. that was the other reason for not thinking long-term- when someone walked out, as they invairiably did, it wasn't too big a shock. a disappointment but nothing, I hadn't been expecting.
Dorothy Koomson (The Chocolate Run)
It is not other people who inflict the worst disappointments, but the shock between reality and the extravagance of our imagination.
Hélène Grémillon
Perhaps you, too, have children, in which case you'll know that you're frightened the whole time, frightened of not knowing everything and of not having the energy to do everything and of not coping with everything. In the end we actually get so used to the feeling of failure that every time we *don't* disappoint our children it leaves us feeling secretly shocked. It's possible that some children realize this. So every so often they do tiny, tiny things at the most peculiar times, to buoy us up a little. Just enough to stop us from drowning.
Fredrik Backman (Anxious People)
Out of the welter of life, a few people are selected for us by the accident of temporary confinement in the same circle. We never would have chosen these neighbors; life chose them for us. But thrown together on this island of living, we stretch to understand each other and are invigorated by the stretching. The difficulty with big city environment is that if we select—and we must in order to live and breathe and work in such crowded conditions—we tend to select people like ourselves, a very monotonous diet. All hors d’oeuvres and no meat; or all sweets and no vegetables, depending on the kind of people we are. But however much the diet may differ between us, one thing is fairly certain: we usually select the known, seldom the strange. We tend not to choose the unknown which might be a shock or a disappointment or simply a little difficult to cope with. And yet it is the unknown with all its disappointments and surprises that is the most enriching.
Anne Morrow Lindbergh (Gift from the Sea)
And then, in shocked disappointment, and stunned horror, I’m sure, Connor Lavender realized he was dead.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
Sometimes without conscious realization, our thoughts, our faith, out interests are entered into the past. We talk about other times, other places, other persons, and lose our living hold on the present. Sometimes we think if we could just go back in time we would be happy. But anyone who attempts to reenter the past is sure to be disappointed. Anyone who has ever revisited the place of his birth after years of absence is shocked by the differences between the way the place actually is, and the way he has remembered it. He may walk along old familiar streets and roads, but he is a stranger in a strange land. He has thought of this place as home, but he finds he is no longer here even in spirit. He has gone onto a new and different life, and in thinking longingly of the past, he has been giving thought and interest to something that no longer really exists.
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
Often after years of deep investment into others we are shocked and disappointed that they simply didn’t get who we really are.
T.D. Jakes (Let It Go: Forgive So You Can Be Forgiven)
Such is my desire only to see the best parts of my partner and vice-versa that I must confess to being able to remember each time I have seen someone I was in love with fall over. I cannot help but be disappointed by such a shocking inability to perform such a simple task as staying upright.
Jon Richardson (It's Not Me, It's You)
Having grown up here, I always wonder what it would be like to see this city as a tourist. Is it ever a disappointment? I have to believe that New York always lives up to its reputation. The buildings really are that tall. The lights really are that bright. There's truly a story on every corner. But it still might be a shock. To realize you are just one story walking among millions. To not feel the bright lights even as they fill the air. To see the tall buildings and only feel a deep longing for the stars.
David Levithan (Dash & Lily's Book of Dares (Dash & Lily, #1))
We tend not to choose the unknown which might be a shock or a disappointment or simply a little difficult to cope with. And yet it is the unknown with all its disappointments and surprises that is the most enriching. In so many ways this
Anne Morrow Lindbergh (Gift from the Sea)
Find out how Claude and Kelly end up from being Friends 2 Lovers as you follow them through their disappointing, confusing, loving, shocking,encouraging, and romantic moments. But can their bond last and withstand all the challenges that cross their way?
Jonathan Anthony Burkett (Friends 2 Lovers: The Unthinkable (Volume 1))
I’ve been . . . I just finished reading that book you told me about, Accidentally Married to the Billionaire Sheikh.” My mouth fell open in shock. “You have? So, um, did you like it?” “It’s a little predictable, and very explicit, in an oddly lyrical way. I can only imagine how disappointed female readers must be when facing the reality of—” He cleared his throat. “Well, in any case, I’m not certain Hedwardh is a good match for Swanella. And by the way, the refractory period doesn’t work like that.
Camilla Monk (Beating Ruby (Spotless, #2))
There is no "tropical island paradise" I know of which remotely matches up to the fantasy ideal that such a phrase is meant to conjure up, or even to what we find described in holiday brochures. It's natural to put this down to the discrepancy we are all used to finding between what advertisers promise and what the real world delivers. It doesn't surprise us much any more. So it can come as a shock to realise that the world we hear described by travellers of previous centuries (or even previous decades) and biologists of today really did exist. The state it's in now is only the result of what we've done to it, and the mildness of the disappointment we feel when we arrive somewhere and find that it's a bit tatty is only a measure of how far our own expectations have been degraded and how little we understand what we've lost. The people who do understand what we've lost are the ones who are rushing around in a frenzy trying to save the bits that are left.
Douglas Adams (Last Chance to See)
Facing and embracing grief allows us to experience the shock, anger, disappointment, and other feelings that need to be processed before we can move through this transition.
Michael Thomas Sunnarborg (The White Box Club Handbook: Simple Tools For Career Transition)
My childhood was not especially useful to my adulthood, which I found bitterly disappointing.
Daniel Mallory Ortberg (Something That May Shock and Discredit You)
Do you know what Aunt Marmoset told me once? She compared you to a spice drop. Overpowering and hard at first, but all sweetness at the center. I’ll admit, I’ve been desperate to try an experiment.” She gave him a teasing look. “How many times do you suppose I could lick you before you crack?” His every muscle tightened. Smiling, she tucked her face into the curve of his neck and ran her tongue seductively over his skin. “There’s one.” “Katie.” The word was a low, throaty warning. It made her toes curl. She nuzzled at the notch of his open shirt, pushing the fabric aside. The familiar musk of his skin stirred her in deep places. With a teasing swirl of her tongue, she tasted the notch at the base of his throat. “Two . . .” “Finn,” he called in a booming voice, lifting his head. “Send for the vicar.” She pulled back, shocked. “Two? That’s all, truly? Two? I’m not sure whether to feel proud or disappointed.
Tessa Dare (A Lady by Midnight (Spindle Cove, #3))
I think the reason why people's relationships fail, really, is due to the fact that people are always putting their best feet forward all the time and not letting others actually "meet" them. The "meeting" part tends to happen later on and it shocks and disappoints people who have already bought into the best that was put forward. Why not meet people first as who you really are, then help one another, build up one another, encourage and sculpt each other... grow and become, together! Why can't people do that? Your best foot needs to be kept right beside you, right beside the other one.
C. JoyBell C.
I found the final plot twist unsatisfying, as plot twists often are: nothing like life, which - it seems to me - turns less on shocks or theatrics than on the small quiet moments, misunderstandings, or disappointments, the things that it's easy to overlook.
Harriet Lane (Her)
So the next time you doubt the strangeness of the future, remember how you were born in a hunter-gatherer tribe ten thousand years ago, when no one knew of Science at all. Remember how you were shocked, to the depths of your being, when Science explained the great and terrible sacred mysteries that you once revered so highly. Remember how you once believed that you could fly by eating the right mushrooms, and then you accepted with disappointment that you would never fly, and then you flew. Remember how you had always thought that slavery was right and proper, and then you changed your mind. Don't imagine how you could have predicted the change, for that is amnesia. Remember that, in fact, you did not guess. Remember how, century after century, the world changed in ways you did not guess. Maybe then you will be less shocked by what happens next.
Eliezer Yudkowsky (Rationality: From AI to Zombies)
Rachel left," he says, sighing. "Says she's never coming back." Galen nods. "She always says that. It's probably for the better tonight, though." They both wince as Rayna plants the ball of her foot in Emma's back, splaying her across the sea of shards. "I taught her that," Toraf says. "It's a good move." Neither of the combatants seem to care about the rain, lightning, or the whereabouts of their hostess. The storm billows in, drenching the furniture, the TV, the strange art on the wall. No wonder Rachel didn't want to see this. She fussed over this stuff for days. "So, it kind of threw me when she said she didn't like fish," Toraf says. "I noticed. Surprised me, too, but everything else is there." "Bad temper." "The eyes." "That white hair is shocking though, isn't it?" "Yeah, I like it. Shut up." Galen throws a sideways glare at his friend, whose grin makes him ball his fists. "Hard bones and thick skin, obviously. There's no sign of blood. And she took some pretty hard hits from Rayna," Toraf continues neutrally. Galen nods, relaxes his fists. "Plus, you feel the pull-" Toraf is greeted with a forceful shove that sends him skidding on one foot across the slippery marble floor. Laughing, he comes back to stand beside Galen again. "Jackass," Galen mutters. "Jackass? What's a jackass?" "Not sure. Emma called me that today when she was irritated with me." "You're insulting me in human-talk now? I'm disappointed in you, minnow." Toraf nods toward the girls. "Shouldn't we break this up soon?" "I don't think so. I think they need to work this out on their own." "What about Emma's head?" Galen shrugs. "Seems fine right now. Or she wouldn't have bashed the window into pieces with her forehead.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
In the Trees ON LOU’S SWEET, ROUND, BRISTLY FACE WAS THE LOOK OF A CHILD who has just seen a car back over his favorite toy. Tears sprang to his eyes, the brightest thing in the dark. It distressed her to see him nearly crying, to see his shock and disappointment, but the sound of the handcuff snapping shut—that sharp, clear click, echoing on the frozen
Joe Hill (NOS4A2)
d rather have people think people I'm stupid and shock them than have people think I'm smart and disappoint them.
Mike B.
A firework of emotions—anger, disappointment, grief, humiliation, and relief all bombarded me until there was nothing left but shock.
Shannon Maynard (Wicked Luck (Wicked Luck, #1))
In the end we actually get so used to the feeling of failure that every time we don’t disappoint our children it leaves us feeling secretly shocked.
Fredrik Backman (Anxious People)
found a level of cooperation and consent that shocked Holden at first and then left him with a permanent sense of mild disappointment in humans as a species.
James S.A. Corey (Tiamat's Wrath (The Expanse, #8))
Perhaps you, too, have children, in which case you’ll know that you’re frightened the whole time, frightened of not knowing everything and of not having the energy to do everything and of not coping with everything. In the end we actually get so used to the feeling of failure that every time we don’t disappoint our children it leaves us feeling secretly shocked.
Fredrik Backman (Anxious People)
One of the first things that strikes us about the men and women in Scripture is that they were disappointingly non- heroic. We do not find splendid moral examples. We do not find impeccably virtuous models. That always comes as a shock to newcomers to Scripture: Abraham lied; Jacob cheated; Moses murdered and complained; David committed adultery; Peter blasphemed.
Eugene H. Peterson (Run with the Horses: The Quest for Life at Its Best)
If one has been absent for decades from a place that one once held dear, the wise would generally counsel that one should never return there again. History abounds with sobering examples: After decades of wandering the seas and overcoming all manner of deadly hazards, Odysseus finally returned to Ithaca, only to leave it again a few years later. Robinson Crusoe, having made it back to England after years of isolation, shortly thereafter set sail for that very same island from which he had so fervently prayed for deliverance. Why after so many years of longing for home did these sojourners abandon it so shortly upon their return? It is hard to say. But perhaps for those returning after a long absence, the combination of heartfelt sentiments and the ruthless influence of time can only spawn disappointments. The landscape is not as beautiful as one remembered it. The local cider is not as sweet. Quaint buildings have been restored beyond recognition, while fine old traditions have lapsed to make way for mystifying new entertainments. And having imagined at one time that one resided at the very center of this little universe, one is barely recognized, if recognized at all. Thus do the wise counsel that one should steer far and wide of the old homestead. But no counsel, however well grounded in history, is suitable for all. Like bottles of wine, two men will differ radically from each other for being born a year apart or on neighboring hills. By way of example, as this traveler stood before the ruins of his old home, he was not overcome by shock, indignation, or despair. Rather, he exhibited the same smile, at once wistful and serene, that he had exhibited upon seeing the overgrown road. For as it turns out, one can revisit the past quite pleasantly, as long as one does so expecting nearly every aspect of it to have changed.
Amor Towles (A Gentleman in Moscow)
Laënnec stressed the importance of emotional shocks and “sad passions” (passions tristes)—grief, disappointed hope, religious zealotry, and unrequited love—that depress the body’s “animal energy.
Frank M. Snowden III (Epidemics and Society: From the Black Death to the Present)
The more hurt I felt, the more I blamed the Lord for my pain. As my anger reached an irrational level, I hit one of the lowest points in my life. All of the waiting, disappointment, frustration, faith, hope, prayer, begging, pleading, doctors' visits, and medication seemed futile. God seemed so very far away. Finally I had it out with God in a yelling, stomping, fist-shaking, tearful fit unlike any I had ever dared before. As a "good Christian" I had never fully admitted to Him, or to myself, just how angry I really was. But He had known the true nature of my heart all along. I couldn't shock or surprise Him with my temper tantrum. He was big enough to handle all my rage. By confronting Him, I admitted to both of us exactly how I perceived our relationship. But this didn't drive Him further away; He drew me close. Honesty
Jennifer Saake (Hannah's Hope: Seeking God's Heart in the Midst of Infertility, Miscarriage, and Adoption Loss)
He stood looking down at me with a white towel wrapped around his waist. I always imagined what he might look like after seven years, but even my wildest dreams couldn’t have conjured up what I was actually met with. His messy black hair had now been replaced by longish sexy waves that curled around his ears. He was wearing glasses. He looked even sexier in glasses. Even from here, I could see the piercing gray of his eyes through them. His inked body was bigger, even more built than before. He lifted a cigarette to his mouth and even amidst the shock of seeing him, disappointment set in that he was smoking again. Elec blew out the smoke as his eyes stayed fixed on mine. He wasn’t smiling. He just looked at me intently. His powerful stare alone had put all of my senses on high alert, throwing my body out of whack. My head was pounding, my eyes were teary, my ears were beating, my mouth was watering, my nipples were hard, my hands were trembling, my knees were shaking and my heart…I couldn’t describe what was going on inside my chest. Before I could process any of this, a woman with blonde hair came up from behind him and wrapped her arms around his waist.
Penelope Ward (Stepbrother Dearest)
Izzy immediately pulled out the sword Zachariah had given her and turned, barely blocking the weapon aimed right for her. Izzy shoved the weapon—another sword—away and spun to give herself momentum, slashing at the attacker. But her opponent blocked the move, their weapons locking. Izzy, fed up, stepped close to see who the hell would attack her here, so near her home. Shocked, Izzy roared, “Éibhear! What the bloody hells are you doing?” “I’ve come to Claim you as my own, Iseabail, Daughter of Talaith and Briec.” “Oh.” Izzy lowered her weapon at his dramatic announcement. “Why didn’t you say so?” She stepped back. “I’ll go home and get naked.” She turned to head to her house. “That’s it?” Éibhear asked, sounding disappointed.
G.A. Aiken (How to Drive a Dragon Crazy (Dragon Kin, #6))
Images surround us; cavorting broadcast in the minds of others, we wear the motley tailored by their bad digestions, the shame and failure, plague pandemics and private indecencies, unpaid bills, and animal ecstasies remembered in hospital beds, our worst deeds and best intentions will not stay still, scolding, mocking, or merely chattering they assail each other, shocked at recognition. Sometimes simplicity serves, though even the static image of Saint John Baptist received prenatal attentions (six months along, leaping for joy in his mother's womb when she met Mary who had conceived the day before): once delivered he stands steady in a camel's hair loincloth at a ford in the river, morose, ascetic on locusts and honey, molesting passers-by, upbraiding the flesh on those who wear it with pleasure. And the Nazarene whom he baptized? Three years pass, in a humility past understanding: and then death, disappointed? unsuspecting? and the body left on earth, the one which was to rule the twelve tribes of Israel, and on earth, left crying out - My God, why dost thou shame me? Hopelessly ascendent in resurrection, the image is pegged on the wind by an epileptic tentmaker, his strong hands stretch the canvas of faith into a gaudy caravanserai, shelter for travelers wearied of the burning sand, lured by forgetfulness striped crimson and gold, triple-tiered, visible from afar, redolent of the east, and level and wide the sun crashes the fist of reality into that desert where the truth still walks barefoot.
William Gaddis (The Recognitions)
Say it." His teasing tone took on a rougher undercurrent. "Say the words. Say you're mine." Alarms clanged in her heart. She knew he needed to feel strong and powerful right now, but truly. There was possessive, and then there was...medieval. "It's so belittling, Bram. I wish you wouldn't say that." "You just wish you didn't like it so much." He added a second finger to the first. "Mine. Mine. Mine." He thrust his fingers deeper with each repetition. Her intimate muscles clenched around them, and she gasped with pleasant shock. "See?" he gloated. Drat it. For a man, he was right entirely too often. It did feel so good. But ever since her illness and those horrid treatments, she'd set a great deal of comfort in the idea that her body was hers. No one else's. "Say it," he whispered, nuzzling her ear. His thumb circled her pearl. "Susanna fair. I want to hear you say you're mine." She framed his face in her hands and looked him in the eye. "I'll say this. I claim sole possession of my body, my heart, and my soul. And tonight, I choose to share them all with you." His fingers slid from her body, leaving her feeling hollow inside. "God. That's..." "Disappointing? Intimidating? Too much, too soon?" He shook his head, moving in for a kiss. "I was going to say, it's even better." His tongue traced her bottom lip. "So much better." -Bram & Susanna
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
I’ve never quite mastered the art of holding my liquor,” she replied. He watched her root around in her purse a moment, before pulling out a tube of lip balm. As Jonas watched her apply it, he nearly got distracted from her answer. Leaning forward, Jonas murmured, “Can’t hold your liquor, huh?” She replaced the cap and dropped it back into her purse. “Not so much. I tend to get a bit too happy.” His eyebrows shot up and his cock came to full-alert status. Happy--he liked the sound of that. “And that’s a bad thing?” To his utter shock, Deanna blushed. “In my case it is.” Curiosity got the better of him. “Care to explain?” The waiter returned with the check, forcing Jonas to drop the conversation while he fished out his credit card. Once they were alone again, Jonas waited, hoping Deanna would go into more detail. She didn’t disappoint him. “All my inhibitions disappear. It’s not a comfortable feeling for me.” She was killing him. An immediate picture of a carefree Deanna sprang to mind. He liked it a hell of a lot. “Most people enjoy letting it all hang out every once in a while. Taking life too seriously leads to an early grave.” “Maybe, but if I suddenly develop the urge, I’d rather be coherent.” “You don’t like to give up control,” he surmised. She cocked her head to the side, as if unsure how to respond at first. “It’s not that,” she said. “I guess if I’m in the mood to go romping naked through a forest, for example, then I don’t want alcohol to blur the memorable event for me.” She laughed. “I mean, I’d want to remember a crazy moment like that. Wouldn’t you?” No doubt about it, Jonas liked the way the lady’s mind worked. “You had me at ‘running naked’.” Deanna snorted. “You need serious help.
Anne Rainey (Pleasure Bound (Hard to Get, #2))
I allow you all the vices you choose to claim -- indeed, I know you for a gamester, and a shocking rake, and a man of sadly unsteady character! -- but I'm not so green that I don't recognize in you one virtue and least, and one quality.' 'What, is that all? How disappointing! What are they?' 'A well-informed mind, and a great deal of kindness.
Georgette Heyer (Venetia)
But I’m not just shocked. I’m also disappointed in May for allowing Z.G. to talk her into this. I’m angry at him for preying on her vulnerability. And I’m heartsick that May and I have to take it. This is how women end up on the street selling their bodies. But then this is how it is for women everywhere. You experience one lapse in conscience, in how low you think you’ll go, in what you’ll accept, and pretty soon you’re at the bottom. You’ve become a girl with three holes, the lowest form of prostitute, living on one of the floating brothels in Soochow Creek, catering to Chinese so poor they don’t mind catching a loathsome disease in exchange for a few humping moments of the husband-wife thing.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
everything and of not coping with everything. In the end we actually get so used to the feeling of failure that every time we don’t disappoint our children it leaves us feeling secretly shocked. It’s possible that some children realize this. So every so often they do tiny, tiny things at the most peculiar times, to buoy us up a little. Just enough to stop us from drowning.
Fredrik Backman (Anxious People)
Briggs was living in Toronto at the time and had started a studio called Thunder Sound. He recorded the Massey Hall show. He thought this live show should have come out right away and was disappointed and disagreed with my decision to instead put out Harvest-he thought it was not as good as the Massey Hall recording. "It's great, Neil," Briggs said. "Put it out there." But that was not to be. When I heard the show thirty-four years later while reviewing tapes for my archive performance series, I was a little shocked-I agreed with David. After listening, I felt his frustration. This was better than Harvest. It meant more. He was right. I had missed it. He understood it. David was usually right, and when I disagreed with him, I was usually wrong. Every time I go into the studio or onstage, he is missed.
Neil Young (Waging Heavy Peace: A Hippie Dream)
It may be that I am no longer able to joke--that it is no longer a satisfactory defense mechanism. Some people are funny, and some are not. I used to be funny, and perhaps I’m not any more. There may have been so many shocks and disappointments that the defense of humor no longer works. It may be that I have become rather grumpy because I’ve seen so many things that have offended me that I cannot deal with in terms of laughter.
Kurt Vonnegut Jr. (A Man Without a Country)
When Elizabeth finally descended the stairs on her way to the dining room she was two hours late. Deliberately. “Good heavens, you’re tardy, my dear!” Sir Francis said, shoving back his chair and rushing to the doorway where Elizabeth had been standing, trying to gather her courage to do what needed to be done. “Come and meet my guests,” he said, drawing her forward after a swift, disappointed look at her drab attire and severe coiffure. “We did as you suggested in your note and went ahead with supper. What kept you abovestairs so long?” “I was at prayer,” Elizabeth said, managing to look him straight in the eye. Sir Francis recovered from his surprise in time to introduce her to the three other people at the table-two men who resembled him in age and features and two women of perhaps five and thirty who were both attired in the most shockingly revealing gowns Elizabeth had ever seen. Elizabeth accepted a helping of cold meat to silence her protesting stomach while both women studied her with unhidden scorn. “That is a most unusual ensemble you’re wearing, I must say,” remarked the woman named Eloise. “Is it the custom where you come from to dress so…simply?” Elizabeth took a dainty bite of meat. “Not really. I disapprove of too much personal adornment.” She turned to Sir Francis with an innocent stare. “Gowns are expensive. I consider them a great waste of money.” Sir Francis was suddenly inclined to agree, particularly since he intended to keep her naked as much as possible. “Quite right!” he beamed, eyeing the other ladies with pointed disapproval. “No sense in spending all that money on gowns. No point in spending money at all.” “My sentiments exactly,” Elizabeth said, nodding. “I prefer to give every shilling I can find to charity instead.” “Give it away?” he said in a muted roar, half rising out of his chair. Then he forced himself to sit back down and reconsider the wisdom of wedding her. She was lovely-her face more mature then he remembered it, but not even the black veil and scraped-back hair could detract from the beauty of her emerald-green eyes with their long, sooty lashes. Her eyes had dark circles beneath them-shadows he didn’t recall seeing there earlier in the day. He put the shadows down to her far-too-serious nature. Her dowry was creditable, and her body beneath that shapeless black gown…he wished he could see her shape. Perhaps it, too, had changed, and not for the better, in the past few years. “I had hoped, my dear,” Sir Francis said, covering her hand with his and squeezing it affectionately, “that you might wear something else down to supper, as I suggested you should.” Elizabeth gave him an innocent stare. “This is all I brought.” “All you brought?” he uttered. “B-But I definitely saw my footmen carrying several trunks upstairs.” “They belong to my aunt-only one of them is mine,” she fabricated hastily, already anticipating his next question and thinking madly for some satisfactory answer. “Really?” He continued to eye her gown with great dissatisfaction, and then he asked exactly the question she’d expected: “What, may I ask, does your one truck contain if not gowns?” Inspiration struck, and Elizabeth smiled radiantly. “Something of great value. Priceless value,” she confided. All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. “Well, don’t keep us in suspense, love. What’s in it?” “The mortal remains of Saint Jacob.
Judith McNaught (Almost Heaven (Sequels, #3))
Metaphor is the only possible language available to religion because it alone is honest about Mystery. The underlying messages that different religions and denominations use are often in strong agreement, but they use different images to communicate their own experience of union with God. That should not shock or disappoint anyone, unless they are still kids shouting, "This is my toy, and the rest of you can't touch it!" Jesus who is always using metaphors, says, for example, " There are other sheep I have that are not of this fold, and these I have to lead as well. They too listen to my voice" (John 10:16a). He is quite obviously talking metaphorically by calling people sheep. He is also saying that sometimes the outsider to the "flock" hears as well as the insider. Furthermore, he says that he cares about and he respects the "other sheep," which means that we should too. These are crucial points, and who refuse to mine the metaphor will miss them.
Richard Rohr
MICHAEL (standing up and stretching) Gosh, Steve. I don't know how to thank you. STEVE (also standing) Hey, don't thank me. It means you haven't got any excuse now not to get back to work. They are facing each other. STEVE is looking into MICHAEL's eyes. MICHAEL (embarrassed) So... STEVE (also slightly awkward) Right. Well, I guess I'd better be... MICHAEL, surprising himself, silently pulls STEVE towards him. He puts a hand on his cheek. STEVE stares at MICHAEL, unable to move. The feeling of MICHAEL's hand on his cheek is like an electric shock. MICHAEL (whispering, hardly audible) I mean it, really... thanks. He leans forward and kisses STEVE on the lips. STEVE puts his arms round MICHAEL's neck and holds him tightly. MICHAEL suddenly ends the kiss and pulls away. He goes to the door, opens it and says, in a clear voice. MICHAEL Goodnight, then, Steve. STEVE (disappointed, hurt) Right... sure. G'night. MICHAEL immediately closes the door loudly, before STEVE has had a chance to leave. MICHAEL puts a finger to his lips. STEVE suddenly understands. He smiles in radiant relief, pure love and joy in his eyes. They embrace.
Stephen Fry (Making History)
Except fear, possibly. Because maybe you’ve been really frightened at some time, and so was the bank robber. Possibly because the bank robber had small children and had therefore had a lot of practice being afraid. Perhaps you, too, have children, in which case you’ll know that you’re frightened the whole time, frightened of not knowing everything and of not having the energy to do everything and of not coping with everything. In the end we actually get so used to the feeling of failure that every time we don’t disappoint our children it leaves us feeling secretly shocked.
Fredrik Backman (Anxious People)
The depressive attitude would be the cause given for the expectation of an imaginary phenomenon. It follows a disappointment that Deutsch paraphrases as 'it is not that' (an expression Stendhal put in the mouths of some of his characters). This is the result of a confrontation between the imaginary and the perceived. The imaginary domain is vague whereas the 'perceived' is always strictly limited. The shock in the presence of the perceived is thus inevitable, and the depression that follows is more intense than the intense imaginary life with numerous fantasies that preceded it.
Maurice Merleau-Ponty (Child Psychology and Pedagogy: The Sorbonne Lectures 1949-1952 (Studies in Phenomenology and Existential Philosophy))
So it can come as a shock to realise that the world we hear described by travellers of previous centuries (or even previous decades) and biologists of today really did exist. The state it's in now is only the result of what we've done to it, and the mildness of the disappointment we feel when we arrive somewhere and find that it's a bit tatty is only a measure of how far our own expectations have been degraded and how little we understand what we've lost. The people who do understand what we've lost are the ones who are rushing around in a frenzy trying to save the bits that are left.
Douglas Adams (Last Chance to See)
It is really a sorry tale. I almost feel pity for them. When I quite recently realized this, I was shocked. No, I was disappointed. Until then I had lived my life respecting the world of men. I had always thought that they lived in this domain of lofty, agonizing ideals. Unable to compare to them, all I hoped to be able to do was stay in the background and assist them in the duties in their life, and help them in what little way I could. But how foolish I was. It is almost humorous to think that the woman who is helping out in the background is in fact the only purpose for which these men live their lives.
Osamu Dazai (A New Hamlet)
The initial disappointment for the misogynist usually occurs early in the relationship. However, because there is so much excitement and romance going on, the moment of flare-up is easily swept under the rug. If there is a sense of shock for the woman, it is only a small sour note in a symphony of good feelings. The early indications of the misogynist's quick temper are sporadic. The explosions don't become a way of life until some kind of commitment has been made. This can be a verbal commitment, moving in together, an engagement, or a marriage. Then, once he's sure he "has" her, the situation changes rapidly.
Susan Forward (Men Who Hate Women and the Women Who Love Them: When Loving Hurts and You Don't Know Why)
Some people think that in order to make an impression on a pretty girl, one has to be mean to her. People think girls who have certain magnetism have never known Real Struggle, so they take it upon themselves to give a little bruising and a hard time. They think we should always be learning Life Lessons. You know, he could lacquer me up with whatever ideas he pleased, only to disappoint. And wouldn't that be easier on him? I said outright, If I took myself as seriously as you take me, I may consider being hurt." I am highly educated in true sorrow, so I don't succumb to silly criticism. In no way am I shocked by someone's ideas about me. (83)
Marlowe Granados (Happy Hour)
We may wonder whether at the acme and summit of the human progress these anachronisms will be corrected by a finer intuition, a closer interaction of the social machinery than that which now jolts us round and along; but such completeness is not to be prophesied or even conceived as possible. Enough that in the present case, as in millions, it was not the two halves of a perfect whole that confronted each other at the perfect moment; a missing counterpart wandered independently about the earth waiting in crass obtuseness till the late time came. Out of which maladroit delay sprang anxieties, disappointments, shocks, catastrophes, and passing-strange destinies.
Thomas Hardy (Tess of the D’Urbervilles)
I peered cautiously through a loophole, trying to find the Fascist trench. ‘Where are the enemy?’ Benjamin waved his hand expansively. ‘Over zere.’ (Benjamin spoke English—terrible English.) ‘But where?’ According to my ideas of trench warfare the Fascists would be fifty or a hundred yards away. I could see nothing—seemingly their trenches were very well concealed. Then with a shock of dismay I saw where Benjamin was pointing; on the opposite hill-top, beyond the ravine, seven hundred metres away at the very least, the tiny outline of a parapet and a red-and-yellow flag—the Fascist position. I was indescribably disappointed. We were nowhere near them! At that range our rifles were completely useless.
George Orwell (Homage to Catalonia)
Everything has been taken from me—my free will, my choice, my future—and I still have to suffer through the Duke’s lessons,” I spat out, shuddering. “I still have to stand there and let him hit me. Let him look at me and touch me! Do whatever he or the Lord wants—” Sucking in a fiery, painful breath, I lifted my hands, grabbing fistfuls of my hair, pulling them back as Vikter closed his eyes. “I have to stand there and take it. I can’t even scream or cry. I can do nothing. So I’m sorry that choosing something that I want for myself is such a disappointment to you, the kingdom, everyone else, and the gods. Where is the honor in being the Maiden? What exactly should I be proud of? Who would want this? Point me in their direction, and I’ll gladly switch places with them. It should be no shock that I want to be found unworthy.
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
My heart, which I thought had been dead, stopped. Of course. I had been betrayed. My ex boyfriend had reneged on his promise to love me, and this odious event had a name: betrayal. Somehow, knowing this calmed me down. And I began to contemplate betrayal. My conclusion? It is the most difficult of all woundings. Betrayal comes in many forms. It's not just about being cheated on or left for another. It's about any promise, overt or implied, that has been broken without your participation in the decision, or even knowing that a decision was on the table. It's about believing something that you later find out is untrue. It's no wonder that the first response to betrayal is likely to be denial. It's an enormous shock to find out that a solid reality is not so solid after all. It can feel like the most deviant form of attack. When betrayal is at the root of your pain, something horrible is unleashed. Different and perhaps more horrible than the pain of disappointment, grief, or anger. With other causes of suffering, you can at least pretend you have some measure of control. You can blame the other person for disappointing you, you can read books that outline and predict the course of grief, and when you're angry you can always fall back on self-righteousness. But when you're betrayed, you have been blindsided and your vulnerability is confirmed. You lose a misplaced innocence that you really can never regain. Your ability to trust is basically obliterated. And not just your trust in your own perceptions and your trust in the person you loved. Once you lose trust in one person, your trust in all beings is undermined, making the future seem like a giant landmine.
Susan Piver (The Wisdom of a Broken Heart: An Uncommon Guide to Healing, Insight, and Love)
Our host drifted away, and Vidia and I continued chatting about this and that. Swift judgments came down. The simplicity in Hemingway was “bogus” and nothing, Vidia said, like his own. Things Fall Apart was a fine book, but Achebe’s refusal to write about his decades in America was disappointing. Heart of Darkness was good, but structurally a failure. I asked him about the biography by Patrick French, The World Is What It Is, which he had authorized. He stiffened. That book, which was extraordinarily well written, was also shocking in the extent to which it revealed a nasty, petty, and insecure man. “One gives away so much in trust,” Vidia said. “One expects a certain discretion. It’s painful, it’s painful. But that’s quite all right. Others will be written. The record will be corrected.” He sounded like a boy being brave after gashing his thumb. The
Teju Cole (Known and Strange Things: Essays)
Metaphor is the only possible language available to religion because it alone is honest about Mystery. The underlying messages that different religions and denominations use are often in strong agreement, but they use different images to communicate their own experience of union with God. That should not shock or disappoint anyone, unless they are still kids shouting, “This is my toy, and the rest of you can't touch it!” Jesus, who is always using metaphors, says, for example, “There are other sheep I have that are not of this fold, and these I have to lead as well. They too listen to my voice” (John 10:16a). He is quite obviously talking metaphorically by calling people sheep. He is also saying that sometimes the outsider to the “flock” hears as well as the insider. Furthermore, he says that he cares about and respects the “other sheep,” which means that we should too.
Richard Rohr (Immortal Diamond: The Search for Our True Self)
Sometimes without conscious realization, our thoughts, our faith, our interests are entered into the past. We talk about other times, other places, other persons, and lose our living hold on the present. Sometimes we think if we could just go back in time we would be happy. But anyone who attempts to reenter the past is sure to be disappointed. Anyone who has ever revisited the place of his birth after years of absence is shocked by the difference between the way the place actually is, and the way he has remembered it. He may walk along the old familiar streets and roads, but he is a stranger in a strange land. He has thought of this place as home, but he finds he is no longer here even in spirit. He has gone on to a new and different life, and in thinking longingly of the past, he has been giving thought and interest to something that no longer really exists. This being true of the physical self, how much more true it is of the spiritual self.
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
Did those “new gays” spinning about like giddy tops in discos care to know that dancing with someone of the same sex was punishable as “lewd conduct” then? Still, a club in Topanga Canyon boasted a system of warning lights. When they flashed, lesbians and gay men shifted—what a grand adventure!—and danced with each other, laughing at the officers’ disappointed faces! How much pleasure—and camaraderie, yes, real kinship—had managed to exist in exile. Did those arrogant young people know that, only years ago, you could be sentenced to life in prison for consensual sex with another man? A friend of his destroyed by shock therapy decreed by the courts. Another friend sobbing on the telephone before he slashed his wrists— Thomas's hands on his steering wheel had clenched in anger, anger he had felt then, anger he felt now. And all those pressures attempted to deplete you, and disallow— “—the yearnings of the heart,” he said aloud. Yet he and others of his generation had lived through those barbaric times—and survived—those who had survived—with style. Faced with those same outrages, what would these “new gays” have done? “Exactly as we did,” he answered himself. The wind had resurged, sweeping sheaths of dust across the City, pitching tumbleweeds from the desert into the streets, where they shattered, splintering into fragments that joined others and swept away. Now, they said, everything was fine, no more battles to fight. Oh, really? What about arrests that continued, muggings, bashings, murder, and hatred still spewing from pulpits, political platforms, and nightly from the mouths of so-called comedians? Didn't the “new gays” know—care!—that entrenched “sodomy” laws still existed, dormant, ready to spring on them, send them to prison? How could they think they had escaped the tensions when those pressures were part of the legacy of being gay? Didn't they see that they remained—as his generation and generations before his had been—the most openly despised? And where, today, was the kinship of exile?
John Rechy (The Coming of the Night)
Since Jonathan, I had not slept with anyone. I know. Aren’t you disappointed? There was kissing; there were bodies pressed up against the various walls of Cork city night clubs; there were hands in my knickers. There were boys—cute ones, nice ones—who had walked me home after the club kicked out, their jackets draped around my shoulders, their hands laced through mine. But whenever they would imply that they had walked me home for sex, had understood that I wanted to have sex also, I acted all disgraced. “You think I’m that easy, huh?” I said to them, feigning shock that a twenty-one-year-old boy standing without a jacket in February at two in the morning might have an ulterior motive. I would send them packing, triumphant, then I would go inside and feel depressed, stupid and horny. I don’t know who I was trying to impress. I did not want a boyfriend; I did want romance. I wanted passion; I did not want to be someone who was known as easy. I was desperate to be touched; I was terrified of being ruined.
Caroline O'Donoghue (The Rachel Incident)
My dear, dear ladies,” Sir Francis effused as he hastened forward, “what a long-awaited delight this is!” Courtesy demanded that he acknowledge the older lady first, and so he turned to her. Picking up Berta’s limp hand from her side, he presed his lips to it and said, “Permit me to introduce myself. I am Sir Francis Belhaven.” Lady Berta curtsied, her fear-widened eyes fastened on his face, and continued to press her handkerchief to her lips. To his astonishment, she did not acknowledge him at all; she did not say she was charmed to meet him or inquire after his health. Instead, the woman curtsied again. And once again. “There’s hardly a need for all that,” he said, covering his puzzlement with forced jovially. “I’m only a knight, you know. Not a duke or even an earl.” Lady Berta curtsied again, and Elizabeth nudged her sharply with her elbow. “How do!” burst out the plump lady. “My aunt is a trifle-er-shy with strangers,” Elizabeth managed weakly. The sound of Elizabeth Cameron’s soft, musical voice made Sir Francis’s blood sing. He turned with unhidden eagerness to his future bride and realized that it was a bust of himself that Elizabeth was clutching so protectively, so very affectionately to her bosom. He could scarcely contain his delight. “I knew it would be this way between us-no pretense, no maidenly shyness,” he burst out, beaming at her blank, wary expression as he gently took the bust of himself from Elizabeth’s arms. “But, my lovely, there’s no need for you to caress a hunk of clay when I am here in the flesh.” Momentarily struck dumb, Elizabeth gaped at the bust she’d been holding as he first set it gently upon its stand, then turned expectantly to her, leaving her with the horrifying-and accurate-thought that he now expected her to reach out and draw his balding head to her bosom. She stared at him, her mind in paralyzed chaos. “I-I would ask a favor of you, Sir Francis,” she burst out finally. “Anything, my dear,” he said huskily. “I would like to-to rest before supper.” He stepped back, looking disappointed, but then he recalled his manners and reluctantly nodded. “We don’t keep country hours. Supper is at eight-thirty.” For the first time he took a moment to really look at her. His memories of her exquisite face and delicious body had been so strong, so clear, that until then he’d been seeing the Lady Elizabeth Cameron he’d met long ago. Now he belatedly registered the stark, unattractive gown she wore and the severe way her hair was dressed. His gaze dropped to the ugly iron cross that hung about her neck, and he recoiled in shock. “Oh, and my dear, I’ve invited a few guests,” he added pointedly, his eyes on her unattractive gown. “I thought you would want to know, in order to attire yourself more appropriately.” Elizabeth suffered that insult with the same numb paralysis she’d felt since she set eyes on him. Not until the door closed behind him did she feel able to move. “Berta,” she burst out, flopping disconsolately onto the chair beside her, “how could you curtsy like that-he’ll know you for a lady’s maid before the night is out! We’ll never pull this off.” “Well!” Berta exclaimed, hurt and indignant. “Twasn’t I who was clutching his head to my bosom when he came in.” “We’ll do better after this,” Elizabeth vowed with an apologetic glance over her shoulder, and the trepidation was gone from her voice, replaced by steely determination and urgency. “We have to do better. I want us both out of here tomorrow. The day after at the very latest.” “The butler stared at my bosom,” Berta complained. “I saw him!” Elizabeth sent her a wry, mirthless smile. “The footman stared at mine. No woman is safe in this place. We only had a bit of-of stage fright just now. We’re new to playacting, but tonight I’ll carry it off. You’ll see. No matter what if takes, I’ll do it.
Judith McNaught (Almost Heaven (Sequels, #3))
Lord,it's hot in here!" she exclaimed, waving a bedraggled towel in front of her face. "Wouldn't mind a swim myself." Paying him no mind, she unfastened a couple of buttons on her shirt, parted it, and blotted the swells of her breasts with the towel. As she bent down and reached into a cupboard, the shirt gaped. Paralysis afflicted Rider from his eyeballs down. Unaware of his stymied condition, Willow rummaged though the cupboard and asked, "Did Juan and Taylo get back yet?" No answer. "Sinclair?" She found a chunk of soap and a towel and rose from her stooped position to find Rider's eyes glued to her breasts. The soap thunked Rider on his chest and broke his trance. He glanced up just in time to get a towel in his face but managed to catch it before it joined the soap on the floor. "I'm sorry. What did you say?" "Never mind," She spun away to face the stove and to conceal her flaming face. Busily stirring with one hand, she nonchalantly rebuttoned her blouse with the other. "Don't tarry," she warned over her shoulder, "supper is almost ready." Tarry? Tarry? If he remained a minute longer, he was going to have dessert here and now and to hell with supper! He lowered his hat a few discreet inches to hide the evidence of his stirring desire. Then,with an ease he didn't feel, he picked up the soap. "I'll hurry, and thanks for the soap." He turned to leave, then stopped, a devilish glint in his eye. After the emotional turmoil she'd just put him through, she more than deserved a little teasing. "You're welcome to join me for a swim, if you like." His smile was wide and audacious. "I'm not shy." Willow turned to face him, fork in hand. "Let's you and me get something straight, Sinclair. I ain't shy and I don't shock easy neither. You see, I reckon you ain't got nothin' my brothers don't." Her bald remark shocked him as intended but Rider was not to be outdone. "Maybe I don't." He grinned rakishly. "But I've been told I have a rather...exceptional physique." Willow rolled her eyes. "Well, as you can see, I ain't got time to do any comparing. Now,go take your bath and get outta my hair!" Rider swung the towel over his shoulder and turned to leave again. Disappointed by his inability to rile her, he added, "Shucks, Freckles. I was kind of hoping you'd scrub my back. I've been told my back is a mighty fi-" She jabbed the air with the big fork, motioning to the door. "I'm going! I'm going! This place is hazardous to a man's health." He ducked out the door,laughing. "And stop calling me Freckles!" she yelled after him. Grinning and shaking her head, Willow directed her attention back to the stove. Rider Sinclair was an odd egg if ever she saw one. One minute the man was purely obnoxious, the next, teasing and charming.
Charlotte McPherren (Song of the Willow)
Images surround us; cavorting broadcast in the minds of others, we wear the motley tailored by their bad digestions, the shame and failure, plague pandemics and private indecencies, unpaid bills, and animal ecstasies remembered in hospital beds, our worst deeds and best intentions will not stay still, scolding, mocking, or merely chattering they assail each other, shocked at recognition. Sometimes simplicity serves, though even the static image of Saint John Baptist received prenatal attentions (six months along, leaping for joy in his mother's womb when she met Mary who had conceived the day before): once delivered he stands steady in a camel's hair loincloth at a ford in the river, morose, ascetic on locusts and honey, molesting passers-by, upbraiding the flesh on those who wear it with pleasure. And the Nazarene whom he baptized? Three years pass, in a humility past understanding: and then death, disappointed? unsuspecting? and the body left on earth, the one which was to rule the twelve tribes of Israel, and on earth, left crying out—My God, why dost thou shame me? Hopelessly ascendant in resurrection, the image is pegged on the wind by an epileptic tentmaker, his strong hands stretch the canvas of faith into a gaudy caravanserai, shelter for travelers wearied of the burning sand, lured by forgetfulness striped crimson and gold, triple-tiered, visible from afar, redolent of the east, and level and wide the sun crashes the fist of reality into that desert where the truth still walks barefoot.
William Gaddis (The Recognitions)
Did you like the younger Alice best? Or did you relate more to the older Alice? What would your younger self of ten years ago think of the person you are today? What would surprise your younger self most about the life you’re currently leading? What would disappoint you? What would you think of your children? Are they how you imagined they would be? Are you the parent you envisioned? Why or why not? Alice is shocked by many transformations—her gym-toned body, her clothes, her house. Are you more or less polished than you were a decade ago? And do you think there’s any deeper significance to such change? Do you think it was realistic that Alice ended up back with Nick? Were you happy with that ending? Do you think they would have ended up together if she hadn’t lost her memory? In order for Nick to be successful at his job, was it inevitable that he would spend less time with his family and thereby grow apart from Alice? How did you feel about the sections written from the perspectives of Elisabeth and Frannie? Did they add to your enjoyment of the book, or would you have preferred to have it written entirely from Alice’s point of view? Do you think it was unavoidable that Elisabeth and Alice had grown apart, because of the tension caused by Elisabeth’s infertility versus Alice’s growing family? Or do you think their rift had more to do with the kind of people both of them had become? It’s not only Alice who changed over the last decade. Elisabeth changed, too. Do you think she would have been so accepting of the new Alice at the end if she herself didn’t get pregnant? Out of all the characters in the book, who do you think had changed the most over the past decade and why? The film rights to the book have been sold to Fox 2000—who do you think would be good in the lead roles? If you were to write a letter to your future self to be opened in ten years, what would you say?
Liane Moriarty (What Alice Forgot)
Yes." "It is impossible that they should. You will find as you grow older that the first thing needful to make the world a tolerable place to live in is to recognise the inevitable selfishness of humanity. You demand unselfishness from others, which is a preposterous claim that they should sacrifice their desires to yours. Why should they? When you are reconciled to the fact that each is for himself in the world you will ask less from your fellows. They will not disappoint you, and you will look upon them more charitably. Men seek but one thing in life--their pleasure." "No, no, no!" cried Philip. Cronshaw chuckled. "You rear like a frightened colt, because I use a word to which your Christianity ascribes a deprecatory meaning. You have a hierarchy of values; pleasure is at the bottom of the ladder, and you speak with a little thrill of self-satisfaction, of duty, charity, and truthfulness. You think pleasure is only of the senses; the wretched slaves who manufactured your morality despised a satisfaction which they had small means of enjoying. You would not be so frightened if I had spoken of happiness instead of pleasure: it sounds less shocking, and your mind wanders from the sty of Epicurus to his garden. But I will speak of pleasure, for I see that men aim at that, and I do not know that they aim at happiness. It is pleasure that lurks in the practice of every one of your virtues. Man performs actions because they are good for him, and when they are good for other people as well they are thought virtuous: if he finds pleasure in giving alms he is charitable; if he finds pleasure in helping others he is benevolent; if he finds pleasure in working for society he is public-spirited; but it is for your private pleasure that you give twopence to a beggar as much as it is for my private pleasure that I drink another whiskey and soda. I, less of a humbug than you, neither applaud myself for my pleasure nor demand your admiration.
W. Somerset Maugham
The pink?" she suggested, holding the shimmering rose-colored satin in front of Sara's half-clad figure. Sara held her breath in awe. She had never worn such a sumptuous creation. Silk roses adorned the sleeves and hem of the gown. The short-waisted bodice was finished with a stomacher of silver filigree and a row of satin bows. Lily shook her head thoughtfully. "Charming, but too innocent." Sara suppressed a disappointed sigh. She couldn't imagine anything more beautiful than the pink satin. Busily Monique discarded the gown and sorted through the others. "The peach. No man will be able to keep his eyes from her in that. Here, let us try it, chérie." Raising her arms, Sara let the dressmaker and her assistant Cora pull the gauzy peach-hued gown over her head. "I think it will have to be altered a great deal," Sara commented, her voice muffled beneath the delicate layers of fabric. The gowns had been fitted for Lily's lithe, compact lines. Sara was more amply endowed, with a generous bosom and curving hips, and a tiny, scoped-in waist... a figure style that had been fashionable thirty years ago. The current high-waisted Grecian mode was not particularly flattering to her. Monique settled the gown around Sara's feet and then began to yank the back of it together. "Oui, Lady Raiford has the form that fashion loves." Energetically, she hooked the tight bodice together. "But you, chérie, have the kind that men love. Draw in your breath, s'il vous plaît." Sara winced as her breasts were pushed upward until they nearly overflowed from the low-cut bodice. The hem of the unusually full skirt was bordered with three rows of graduated tulip-leaves. Sara could hardly believe the woman in the mirror was herself. The peach gown, with its transparent layers of silk and shockingly low neckline, had been designed to attract a man's attention. It was too loose at the waist, but her breasts rose from the shallow bodice in creamy splendor pushed together to form an enticing cleavage.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
The flight to Reykjavik was proceeding uneventfully and the patient was stable and doing well, so I thought this was a good opportunity to have a little fun with the flight crew. I called the pilot on intercom. “Go ahead PJ.” the pilot responded. “I’ve been talking to this doctor back here and he seems to think it’s not looking good for this arm.” I explained. “What do you mean?” asked the pilot. “Well,” I said, “he says the arm was unattached for a long time, probably too long to sew it back on.” “That’s too bad.” The pilot sounded understandably disappointed. I waited a few minutes before giving the pilot further fictitious updates. “The doctor says he’s a hundred percent certain they won’t be able to sew on the arm now. It’s been detached too long. The patient also realizes they can’t sew his arm back on and has accepted the bad news. He’s a pretty tough character. Anyway, I talked to the doctor and patient about this whole situation. Since they can’t sew the arm back on, they said I could have it.” There was shocked silence on the intercom. “What?” asked the pilot. “They won’t be able to sew the arm back on because it’s been separated from his body for too long. The muscles and nerves have been without blood and oxygen for so long that cell death is irreversible. The hospital will just throw the arm away, so I asked them if I could have it, and they said yes.” Once again, there was an uncomfortable silence on the intercom. I could almost hear the gears whirring inside the pilots head. “Wha … what will you do with it?” stammered the pilot. I answered, “I’m not really sure. At first I’ll just keep it in my freezer. I just think it would be a waste to just throw a good arm away.” “Are you serious?” asked the pilot. “No.” I said, “I’m just messing with you.” But, the doctor told me that, ironically, right before the accident the man was heard to say, “I’d give my right arm to be ambidextrous.” Another crewmember chimed in, “That guys pretty tough. I think we should give him a hand!” I heard laughter over the intercom.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
It wasn't only my friends who suffered from female rivalry. I remember when I was just sixteen years old, during spring vacation, being whisked off to an early lunch by my best friend's brother, only to discover, to my astonishment and hurt, that she was expecting some college boys to drop by and didn't want me there to compete with her. When I started college at Sarah Lawrence, I soon noticed that while some of my classmates were indeed true friends, others seemed to resent that I had a boyfriend. It didn't help that Sarah Lawrence, a former girls' school, included very few straight men among its student body--an early lesson in how competing for items in short supply often brings out the worst in women. In graduate school, the stakes got higher, and the competition got stiffer, a trend that continued when I went on to vie for a limited number of academic jobs. I always had friends and colleagues with whom I could have trusted my life--but I also found women who seemed to view not only me but all other female academics as their rivals. This sense of rivalry became more painful when I divorced my first husband. Many of my friends I depended on for comfort and support suddenly began to view me as a threat. Some took me out to lunch to get the dirt, then dropped me soon after. I think they found it disturbing that I left my unhappy marriage while they were still committed to theirs. For other women, the threat seemed more immediate--twice I was told in no uncertain terms that I had better stay away from someone's husband, despite my protests that I would no more go after a friend's husband than I would stay friends with a woman who went after mine. Thankfully, I also had some true friends who remained loyal and supportive during one of the most difficult times of my life. To this day I trust them implicitly, with the kind of faith you reserve for people who have proved themselves under fire. But I've also never forgotten the shock and disappointment of discovering how quickly those other friendships turned to rivalries.
Susan Shapiro Barash (Tripping the Prom Queen: The Truth About Women and Rivalry)
A pirate! A black patch covered her rescuer's left eye. The elastic holding it in place drew a thin line between his dark brows and across his forehead. His dark hair was wet, and slicked back off his lean face. His strong jaw was hazed with dark bristle. His face bore the austere lines of a man hounded by demons and comfortable with danger. He looked scruffy, unkempt, and strangely appealing. Tally attributed her reaction to being delirious with shock. "Seen enough?" he asked dryly as she continued to stare. "Or do you want me to turn around?" By all means, do. "Sorry. I wasn't really looking looking-I zoned out there for a second." Very smooth, Tallulah. "I wasn't looking looking"? Oh, brother. She blew out a sigh. He wasn't quite a giant, but he was solidly built, and towered over her own not insubstantial five foot nine by a good five or six inches. Six foot four of sheer power, hard muscle, and sex appeal. His broad, darkly tanned shoulders gleamed with moisture. Salt water glittered like tiny diamonds in the hair on his chest and on the silky dark hair on his thickly muscled legs. His hands and feet were enormous. "Understandable." His mocking and enigmatic gaze took in her clinging clothes, bare feet, and grim hold on the railing as his boat rode the swells. There wasn't a thing she could do about her appearance, so she didn't bother fiddling. Besides, she didn't want to draw attention to the wet transparency of her blouse. Not that he looked the type to be crazed by lust. Especially for a woman like her. Perversely disappointed, she realized that far from being crazed with lust at the sight of her size A boobs, the pirate hadn't even noticed he could see right through her shirt. That one, piercing, whiskey-colored eye locked onto her, and Tally's stomach did a weird little somersault. Adrenaline still raced through her body at a furious clip. She took a deep, shuddering breath. "Tally Cruise." Pleased she sounded coherent under the circumstances, she thrust out her hand and smiled. "Michael Wright." He took her hand, not with his right, but his left. His thumb brushed the back of her knuckles. Little zings of electricity shot up her arm.
Cherry Adair (In Too Deep (T-FLAC, #4; Wright Family, #3))
Without thinking, she delivered a stinging slap, all her hurt and disappointment behind the impact. The imprint of her hand on his cheek shocked her. And though she immediately regretted her childish action, pride forbade her to own up to it. "Mind your manners, next time, Sinclair!" Across the yard, Luter Hicks halted and burst into guffaws. "Guess she told you, lapdog! Hey, honey," he called to Willow, "if he ain't satisfying you, how 'bout lettin' me warm your bed tonight?" An angry growl rolled out of Rider's throat. He pulled Willow up on her tiptoes, mashing her breasts against his hard chest. His fingers plowed through her thick tresses, knocking her bonnet off and scattering her hair pins. Then clasping her chin between his thumb and fingers, he tipped her head back and took fierce possession of her mouth. When he finally released her lips, he set her down a little harder than necessary. "I'll kill the first man who even blinks at you," he ground out loud enough for Hicks to hear. Then in a low, no-nonsense voice,meant for her ears alone, he ordered, "Kiss me and make it look good!" Willow glanced over at Hick's eager face and cringed. Her pride be damned! Sinclair was by far the lesser evil. She swept her arms around his neck. "Whatever you say...lover," she hissed in his ear. Standing on tiptoe again, she slowly brought his head down and pasted her lips to his. But he would have none of her stiff-lipped kiss and increased the pressure on her mouth until she opened to his brazen tongue. As the kiss deepened, he spread one big hand at the base of her spine and molded her stomach against his hard, hot need. Willow's blood sang, her anger instantly gone in the heat of the moment. "Mr. Sinclair!" Miriam interrupted in a berating tone. "You degrade this young lady with your public display. Unhand her at once!" Without his supporting arms, Willow's weak knees barely held her upright. She stumbled backwards, thoroughly stunned by her backfiring emotions. A loud crash snapped her to her senses when Luther threw his plate against the house and stomped off to the bunkouse. Rider collected himself and stooped to pick up Willow's discarded bonnet. Carefully brushing the dust off, he handed it to her without a word. Willow took her hat, gave him a perfunctory nod, and ground her heel into his toe as she pivoted to enter the house. Unaware of the young man's pained expression, Miriam followed on the girl's heels. "Talk about circuses!" she exclaimed, closing the door behind them. "It was just an act for Hick's benefit," Willow defended. Feeling the need to escape Miriam's all-too-knowing glance,she headed down the hall to her room. A heavy boot kicked at the door. Miriam opened it and Rider limped in. "Where do you want these?" he growled testily from behind a tower of packages. "Put them on the settee for now, thank you," Miriam said. "I'd have you carry them back to Willow's room but it isn't a healthy place for you right now." Rider only grunted,dumped the bundles, and returned to the wagon for another armload.
Charlotte McPherren (Song of the Willow)
Burbank's power of love, reported Hall, "greater than any other, was a subtle kind of nourishment that made everything grow better and bear fruit more abundantly. Burbank explained to me that in all his experimentation he took plants into his confidence, asked them to help, and assured them that he held their small lives in deepest regard and affection." Helen Keller, deaf and blind, after a visit to Burbank, wrote in Out­ look for the Blind: "He has the rarest of gifts, the receptive spirit of a child. When plants talk to him, he listens. Only a wise child can understand the language of flowers and trees." Her observation was particularly apt since all his life Burbank loved children. In his essay "Training of the Human Plant," later published as a book, he an­ticipated the more humane attitudes of a later day and shocked authori­tarian parents by saying, "It is more important for a child to have a good nervous system than to try to 'force' it along the line of book knowledge at the expense of its spontaneity, its play. A child should learn through a medium of pleasure, not of pain. Most of the things that are really useful in later life come to the children through play and through association with nature." Burbank, like other geniuses, realized that his successes came from having conserved the exuberance of a small boy and his wonder for everything around him. He told one of his biographers: 'Tm almost seventy-seven, and I can still go over a gate or run a foot race or kick the chandelier. That's because my body is no older than my mind-and my mind is adolescent. It has never grown up and I hope it never will." It was this quality which so puzzled the dour scientists who looked askance at his power of creation and bedeviled audiences who expected him to be explicit as to how he produced so many horticultural wonders. Most of them were as disappointed as the members of the American Pomological Society, gathered to hear Burbank tell "all" during a lecture entitled "How to Produce New Fruits and Flowers," who sat agape as they heard him say: In pursuing the study of any of the universal and everlasting laws of nature, whether relating to the life, growth, structure and movements of a giant planet, the tiniest plant or of the psychological movements of the human brain, some conditions are necessary before we can become one of nature's interpreters or the creator of any valuable work for the world. Preconceived notions, dogmas and all personal prejudice and bias must be laid aside. Listen patiently, quietly and reverently to the lessons, one by one, which Mother Nature has to teach, shedding light on that which was before a mystery, so that all who will, may see and know. She conveys her truths only to those who are passive and receptive. Accepting these truths as suggested, wherever they may lead, then we have the whole universe in harmony with us. At last man has found a solid foundation for science, having discovered that he is part of a universe which is eternally unstable in form, eternally immutable in substance.
Peter Tompkins (The Secret Life of Plants: A Fascinating Account of the Physical, Emotional and Spiritual Relations Between Plants and Man)
Sophia counted six clangs of the bell before Mr. Grayson jolted fully awake. He looked up at her, startled and flushed. As though he’d been caught doing something he shouldn’t. She smiled. Rubbing his eyes, he rose to his feet. “Will I shock you, Miss Turner, if I remove my coat?” Sophia felt a twinge of disappointment. When would he stop treating her with this forced politesse, maintaining this distance between them? How many tales of passionate encounters must she spin before he finally understood that she was no less wicked than he, only less experienced? Perhaps it was time to take more aggressive measures. “By all means, remove your coat.” She tilted her eyes to cast him a saucy look. “Mr. Grayson, I’m not an innocent schoolgirl. You will have to try harder than that to shock me.” His lips curved in a subtle smile. “I’ll take that under advisement.” She watched as he shook the heavy topcoat from his shoulders and peeled it down his arms. He draped the coat over the back of a chair before sitting back down. The damp lawn of his shirt clung to his shoulders and arms. A pleasant shiver rippled down to Sophia’s toes. “It doesn’t suit you anyway,” she said, loading her brush with paint. He gave her a bemused look as he unknotted his cravat and pulled it loose. She inwardly rejoiced. Now, if only she could convince him to do away with his waistcoat…” “The coat,” she explained, when his eyebrows remained raised. “It doesn’t suit you.” “Why not? Is the color wrong?” The sudden seriousness in his tone surprised her. “No, the color is perfectly fine. It’s the cut that’s unflattering. That style is tailored to gentlemen of leisure, lean and slender. But as you are so fond of telling me, Mr. Grayson, you are no gentleman. Your shoulders are too broad for fashion.” “Is that so?” He chuckled as he undid his cuffs. Sophia stared as he turned up his sleeves, baring one tanned muscled forearm, then the other. “What style of garments would best suit me, then?” “Other than a toga?” He rewarded her jest with an easy smile. Sophia dabbed at her canvas, pleased to be making progress at last. “I think you need something less restrictive. Something like a sailor’s garb. Or perhaps a captain’s.” “Truly?” His gaze became thoughtful, then searching. “And even dressed in plain seaman’s clothes, would you still find me handsome enough? In my own way?” “No.” She allowed his brow to crease a moment before continuing. “I should find you surpassingly handsome. In every way.” She mixed paint slowly on her palette and gave him a coy look. “And what of my attire? If you had your way, how would you dress me?” “If I had my way…I wouldn’t.” A thrill raced through Sophia’s body. Her cheeks burned, and her eyes dropped to her lap. She forced her gave back up to meet his. Now was not the moment to lose courage. Nothing held sway over a man’s intentions like jealousy. “Gervais once kept me naked for an entire day so he could paint me.” He blinked. “He painted a nude study of you?” “No. He painted me. I took off my clothes and stretched out on the bed while he dressed me in pigment. Gervais called me his perfect, blank canvas. He painted lavender orchids here”-she traced a small circle just above her breast-“and little vines twining down…” She slid her hand down and noted with delight how his eyes followed its path. “I feigned the grippe and refused to bathe for a week.” Desire and jealous rage warred in his countenance, yet he remained as immobile as one of Lord Elgin’s marble sculptures. What would it take to spur the man into action?
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
What shocks and spasms we have seen in this past year or so: a United States that is about to take action in Syria, then one that could not without congressional approval and then later said maybe it didn’t need that approval after all; an administration arguing for the elimination of the standing authorization to use military force in Iraq and then just months later using it to justify an action it vowed it would never take; the United States hemming and hawing and disappointing allies from Eastern Europe to the Persian Gulf and then one acting boldly and celebrating the coalition with which it went to war. Who knew that the pivot the Obama administration would be remembered for was swiveling back to policies it opposed, rejected, and had turned away from just months or years before?
Anonymous
Throughout the world, the non-aggression pact between Berlin and Moscow produced a gasp of horror. Since fascism was considered the deadly enemy of communism - here both united as expansionists, as occupiers of foreign lands and people - they signed a nonaggression agreement. France and England realized that what they had hoped for, wouldn't happen. They hoped that Germany would fight the U.S.S.R. All over the world, liberal people, socialists, communists and all those, who sympathized with these ideologies, were stunned, shocked, hit over the head, disappointed with the Soviet Union to the n-th degree.
Pearl Fichman (Before Memories Fade)
I love you, lass,” he said quietly. She looked up to see him watching her from under his arm. “More than I thought a man could love.” Her stone tumbled off its precipice. Tears heated her eyes and moistened her cheeks as she pulled off the other boot and let it fall to the floor. Happiness infused her, making her body warm and heavy with longing. “I love you too.” “Enough to forsake your home?” He sat up and swung his legs over the edge of the mattress, waiting for her response. His face wore a much more jaded version of the vulnerability she had grown used to. She went to him and undid his belt, shaking her head. “I’ll never forsake my home.” When he closed his eyes to shield her from his disappointment, she let the undone belt fall to the blankets and framed his face with her hands. “My home is where you are. I will stay with you. Forever.” He opened his eyes and searched her gaze with shocked wonder. “I would have told you as much if you’d bothered to ask before leaving for Inverness.” She softened the rebuke with a smile. “But I understand why you went, I think. You were trying to keep your word to me.
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
The single most disappointing and saddening aspect of human life is its shocking brevity.
Sean DeLauder
When a man has been accustomed since his earliest years to command what he desires, a disappointment in matters nearest to his heart must come as more than a severe shock.
Janet Aylmer (New Illustrated Darcy's Story)
together and a dock strike in Marseille kept Walt behind for another 23 days. Eventually, Walt returned home to Chicago on October 10, 1919. Ready for yet more adventure on the Mississippi, Walt was disappointed to find that Russell had met a girl and was no longer willing to be his accomplice. It was time for Walt Disney to start making his own plans – even though what he was about to do shocked his father and was far from being conventional.
Edwin Woodgate (Disney (Disney, Disney Biography, Disney Books, Disney Series Book 1))
I would love to kiss you right now.” His fingers tipped my chin, so that he had my full attention. I felt that rush and my heart stalled in my chest. He moved closer and I closed my eyes. “But I think I will wait just a bit longer.” His voice washed over me with its warm tones. That deep sound reverberated in my chest. I opened my eyes with delayed surprise and I found him just looking at me. That look! I should have kept my eyes closed because my disappointment deepened. He was holding back, and that made me want his kiss even more. “W-why?” I hated how unsteady my voice sounded. He shrugged with that devilish look still in his eyes. “I know the old Hadley loved my kiss. I’m just getting to know this new Hadley.” I frowned. He chuckled. “What?” He grinned, making the look in his eyes even more devastating. Did he want to make me a simpering fool? Well, I was no longer the young girl he remembered. “Nothing.” I shook my head and shrugged. “But I do hope you have improved from the last time.” His jaw dropped. I couldn’t hold up my own act with that look of shock on his face. It was adorable. I started to laugh. He lifted his brow. And shook his head. “Careful, little girl.” I smiled. “I’m not scared of you.” I started when he jumped to his feet. He grasped my wrists and pulled me quickly to my feet, before putting me right up and over his shoulder. “Just remember, I’m bigger and stronger,” the timbre in his voice had deepened. He started back to the car. I tried not to struggle too much. I should feel offense at his caveman display, but something in the action was way beyond attractive. It was kinda hot! But I would never tell him that. The strength he displayed with his sure-footed jaunted down the steep hill he had just helped me up was impressive. “Where are we going?” I yelped. He adjusted his stance, and altered my position on his shoulder, so he could open the car door. “Away from here, or I’ll end up doing more than kissing your smart mouth.” I smiled, knowing he couldn’t see it. “Yeah, like I’d let that happen.” His dark laugh sent warmth through me. “Your story.” He dropped me gently back into the passenger seat. I felt dizzy for a moment, but when that cleared I glared back at the handsome devil grinning at me. “My story?” He winked. “We both know how you get after a few kisses, Hadley.” It was my turn to let my jaw drop.                                                         Chapter
Sarah Brocious (What Remains (Love Abounds, #1))
The name of the zoo was the Queensland Reptile and Fauna Park. As I crossed the parking area, I prepared myself for disappointment. I am going to see a collection of snakes, lizards, and miserable creatures in jars, feel terribly sorry for them, and leave. It was October 1991. I was Terri Raines, a twenty-seven-year-old Oregon girl in Australia on an unlikely quest to find homes for rescued American cougars. A reptile park wasn’t going to be interested in a big cat. I headed through the pleasant spring heat toward the park thinking pessimistic thoughts. This is going to be a big waste of time. But the prospect of seeing new species of wildlife drew me in. I walked through the modest entrance with some friends, only to be shocked at what I found on the other side: the most beautiful, immaculately kept gardens I had ever encountered. Peacocks strutted around, kangaroos and wallabies roamed freely, and palm trees lined all the walkways. It was like a little piece of Eden.
Terri Irwin (Steve & Me)
Abigail looked up. Though night was falling, they were close enough to one of the street lamps that Abigail could see the question in Ethan’s eyes. He was still waiting for her to confirm that she liked his suggestion. “It’s the perfect answer. I love the idea, and I’m sure Charlotte will too. How can I possibly thank you?” Ethan tilted his head to one side as a mischievous smile curved his lips. “How about another kiss?” 15 A kiss?” Abigail’s eyes widened with something that might have been shock. How stupid could a man be? Ethan could have kicked himself for the words that had come from his mouth, seemingly of their own volition. Abigail was obviously appalled by the idea of another kiss. Justifiably so. Now that he thought about it, he was appalled. Of course she wouldn’t want to kiss him, especially since the kiss he’d envisioned had been far different from the gentle buss on the cheek she’d given him when he agreed to rescue Puddles. The only excuse Ethan could find for suggesting such a ridiculous thing was that his brain must have taken a leave of absence. That was no excuse at all, especially since his foolishness had upset Abigail. What he needed to do was find a way to ease her discomfort. “It was a joke, Abigail,” he said, hoping she’d accept the implied apology. “I was teasing.” “Oh.” Her expression changed. Surely it wasn’t disappointment that he saw reflected from her eyes. It couldn’t be, for he knew she hadn’t wanted to kiss him. As if to prove that, the furrows between her eyes vanished as she said, “A joke. Of course. I understand.” The awkward moment was past. There was no reason to dwell on it, no reason to even remember how silly he’d been to propose a kiss. And yet that night when Ethan dreamed, it was of a woman kissing him, a woman with Abigail’s hazel eyes and a smile that could light the evening sky.
Amanda Cabot (Summer of Promise (Westward Winds, #1))
Your Mr. Skukman is a man of few words, isn’t he?” Bram said as he walked up to join her. “It’s one of the reasons I hired him.” Bram frowned. “You prefer men who don’t speak much?” “Would you be insulted if I admitted I do?” To Lucetta’s surprise, instead of looking insulted, Bram sent her a look of understanding as he stepped closer to her. “You’re obviously overcome by the shock you’ve recently experienced because of my goat. And while I would love to be able to say that Geoffrey was just out of sorts today, I’m afraid he’s been out of sorts ever since someone abandoned him at Ravenwood a few months back, in the middle of the night.” “Your goat’s name is Geoffrey?” “My sister, Ruby, named it after a gentleman she’d once set her sights on, but a gentleman who turned out to be a bit of a disappointment.” Bram shook his head. “The man had the audacity to go off and marry some well-connected society miss, breaking Ruby’s heart in the process.” Lucetta smiled. “I do believe I’m going to like this sister of yours, Mr. Haverstein, especially since it appears she has no qualms about naming a cranky beast after a gentleman she no longer holds in high esteem.” “Please, since you’ve been set upon by my dogs, and practically mauled by my goat, feel free to call me Bram.” “Very well, since I have experienced all of that madness at the paws and hooves of your animals, I will call you Bram and you may call me Lucetta.” Her smile began to fade. “But pleasantries aside, why do you think your goat tried to attack me, and what was it doing in the tower room in the first place?” Bram blew out a breath. “Geoffrey attacked you because he has a problem with dresses—something we learned when he chased poor Mrs. Macmillan, who’d been trying to help get Geoffrey to the barn the morning we discovered him.” Bram shook his head. “Mrs. Macmillan has not been back to the barn since. As for what Geoffrey was doing in the tower room, I must admit that I can’t even fathom how he got up there without someone noticing.” “It’s
Jen Turano (Playing the Part (A Class of Their Own, #3))
But this time, if and when discontented Americans like Amy and Sarah do reengage with democracy, it’s by no means clear that they will vote to stick with the capitalism part of the American model. The 1970s represented the first protracted stumble after the recovery from the Great Depression, with two oil-price shocks and a nasty recession mid-decade. Had recovery from those challenges been as strong as that in the late 1930s and 1940s, no doubt faith in the system would once again have been vindicated. Instead, as the data shows, the post-1970s decades have been, for Americans like Amy and Sarah, a slow drip feed of disappointment and frustration. In this environment, a more sinister narrative about capitalism has been taking root. Capitalism is no longer unambiguously about everybody working hard and getting ahead—it is about the benefit of overall economic growth flowing so disproportionately to rich people that there just isn’t enough left for average Americans to consistently advance. If the little that does trickle down isn’t enough to keep Amy and Sarah afloat, then sooner or later they will wonder why they trust the management of the economy to Wall Street CEOs and Beltway politicians and policy wonks. And then they will surely reengage with the democratic part of the US system—probably with dramatic and potentially harmful results. To be sure, it is always tempting to look for a clear, easily identified whipping boy—a bad president, an atrocious piece of legislation, callous Wall Street, venal hedge funds, the unfettered internet, runaway globalization, or self-absorbed millennials. While no one of these can be held responsible for the yawning inequality of the US economy and the alienation that it engenders, many actors have played a role. It has taken almost half a century of both Democratic and Republican presidents and houses of Congress to get us to the current point. And if numerous actors are in part responsible, then we have to ask—given all that the data shows—whether there may be a fundamental structural problem with democratic capitalism. If so, can we fix it?
Roger L. Martin (When More Is Not Better: Overcoming America's Obsession with Economic Efficiency)
To some, the sudden onset of magic might be shocking, but to Kane it was owed. Ever since he was little, and ever since he knew he was different, he had woven the hope for magic into every one of the world’s disappointments. Every sneer, every snuck glance, every birthday spent alone with Sophia as his only guest. Each felt like a debt. Prove to me that it’s all been worth it, he used to tell the universe. Let me have power that they can’t take from me.
Ryan La Sala (Reverie)
The best and strongest men in the world are all assembled together; who that loved men would not ride into that hall and beg one of them to cut off your head? And who has ever been injured by men and not been disappointed at the insufficiency of the wound afterward?
Daniel Mallory Ortberg (Something That May Shock and Discredit You)
How we are likely to feel when our needs are being met absorbed adventurous affectionate alert alive amazed amused animated appreciative ardent aroused astonished blissful breathless buoyant calm carefree cheerful comfortable complacent composed concerned confident contented cool curious dazzled delighted eager ebullient ecstatic effervescent elated enchanted encouraged energetic engrossed enlivened enthusiastic excited exhilarated expansive expectant exultant fascinated free friendly fulfilled glad gleeful glorious glowing good-humored grateful gratified happy helpful hopeful inquisitive inspired intense interested intrigued invigorated involved joyous, joyful jubilant keyed-up loving mellow merry mirthful moved optimistic overjoyed overwhelmed peaceful perky pleasant pleased proud quiet radiant rapturous refreshed relaxed relieved satisfied secure sensitive serene spellbound splendid stimulated surprised tender thankful thrilled touched tranquil trusting upbeat warm wide-awake wonderful zestful How we are likely to feel when our needs are not being met afraid aggravated agitated alarmed aloof angry anguished annoyed anxious apathetic apprehensive aroused ashamed beat bewildered bitter blah blue bored brokenhearted chagrined cold concerned confused cool cross dejected depressed despairing despondent detached disaffected disappointed discouraged disenchanted disgruntled disgusted disheartened dismayed displeased disquieted distressed disturbed downcast downhearted dull edgy embarrassed embittered exasperated exhausted fatigued fearful fidgety forlorn frightened frustrated furious gloomy guilty harried heavy helpless hesitant horrible horrified hostile hot humdrum hurt impatient indifferent intense irate irked irritated jealous jittery keyed-up lazy leery lethargic listless lonely mad mean miserable mopey morose mournful nervous nettled numb overwhelmed panicky passive perplexed pessimistic puzzled rancorous reluctant repelled resentful restless sad scared sensitive shaky shocked skeptical sleepy sorrowful sorry spiritless startled surprised suspicious tepid terrified tired troubled uncomfortable unconcerned uneasy unglued unhappy unnerved unsteady upset uptight vexed weary wistful withdrawn woeful worried wretched Summary
Marshall B. Rosenberg (Nonviolent Communication: A Language of Life: Life-Changing Tools for Healthy Relationships (Nonviolent Communication Guides))
never underestimate the power of the American public to utterly shock and disappoint you.
Tami Hoag (The Bitter Season (Kovac and Liska, #5))
Sometimes without conscious realization, our thoughts, our faith, our interests are entered into the past, he wrote. We talk about other times, other places, other persons, and lose our living hold on the present. Sometimes we think if we could just go back in time we would be happy. But anyone who attempts to reenter the past is sure to be disappointed. Anyone who has ever revisited the place of his birth after years of absence is shocked by the differences between the way the place actually is, and the way he has remembered it. He may walk along old familiar streets and roads, but he is a stranger in a strange land. He has thought of this place as home, but he finds he is no longer here even in spirit. He has gone on to a new and different life, and in thinking longingly of the past, he has been giving thought and interest to something that no longer really exists. This being true of the physical self, how much more true it is of the spiritual self.…
James McBride (The Color of Water)
She was faulty, broken, defective. Yes, she'd been here before. The dull, numbing stillness that followed another shock, another disappointment, another sadness. She could feel herself settling into autopilot, letting her mind take over the logistics while her heart scrambled to repair itself. Except this time, she didn't think she would come back from it.
Dawn Goodwin (The Pact)
hand on the heavy brass handle to the classroom. Etched with a Greek key design worn down from the grip of generations of students, the knob dwarfed my small, almost childlike hand. I paused. Turn the knob and push the door open, I told myself. You can do this. Crossing this threshold is nothing new. You have passed over the supposedly insurmountable divide between male and female in countless classrooms before. And always succeeded. Still, I hesitated. I knew all too well that, while the first step is the hardest, the second isn’t much easier. In that moment, little more than a breath, I could almost hear Papa urging me on. “Be bold,” Papa would whisper in our native, little-used Serbian tongue. “You are a mudra glava. A wise one. In your heart beats the blood of bandits, our brigand Slavic ancestors who used any means to get their due. Go get your due, Mitza. Go get your due.” I could never disappoint him. I twisted the knob and swung the door wide open. Six faces stared back at me: five dark-suited students and one black-robed professor. Shock and some disdain registered on their pale faces. Nothing—not even
Marie Benedict (The Other Einstein)
Ned Sherrin Ned Sherrin is a satirist, novelist, anthologist, film producer, and celebrated theater director who has been at the heart of British broadcasting and the arts for more than fifty years. I had met Diana, Princess of Wales--perhaps “I had been presented to” is more accurate--in lineups after charity shows that I had been compering and at which she was the royal guest of honor. There were the usual polite exchanges. On royal visits backstage, Princess Alexandra was the most relaxed, on occasion wickedly suggesting that she caught a glimpse of romantic chemistry between two performers and setting off giggles. Princess Margaret was the most artistically acute, the Queen the most conscientious; although she did once sweep past me to get to Bill Haley, of whom she was a fan. Prince Edward could, at one time, be persuaded to do an irreverent impression of his older brother, Prince Charles. Princess Diana seemed to enjoy herself, but she was still new to the job and did not linger down the line. Around this time, a friend of mine opened a restaurant in London. From one conversation, I gathered that although it was packed in the evenings, business was slow at lunchtime. Soon afterward, I got a very “cloak-and-dagger” phone call from him. He spoke in hushed tones, muttering something like “Lunch next Wednesday, small party, royal person, hush-hush.” From this, I inferred that he wanted me and, I had no doubt, other friends to bring a small party to dress the restaurant, to which he was bringing the “royal person” in a bid to up its fashionable appeal during the day. When Wednesday dawned, the luncheon clashed with a couple of meetings, and although feeling disloyal, I did not see how I was going to be able to round up three or four people--even for a free lunch. Guiltily, I rang his office and apologized profusely to his secretary for not being able to make it. The next morning, he telephoned, puzzled and aggrieved. “There were only going to be the four of us,” he said. “Princess Diana had been looking forward to meeting you properly. She was very disappointed that you couldn’t make it.” I felt suitably stupid--but, as luck had it, a few weeks later I found myself sitting next to her at a charity dinner at the Garrick Club. I explained the whole disastrous misunderstanding, and we had a very jolly time laughing at the coincidence that she was dining at this exclusive club before her husband, who had just been elected a member with some publicity. Prince Charles was in the hospital at the time recuperating from a polo injury. Although hindsight tells us that the marriage was already in difficulties, that was not generally known, so in answer to my inquiries, she replied sympathetically that he was recovering well. We talked a lot about the theater and her faux pas some years before when she had been to Noel Coward’s Hay Fever and confessed to the star, Penelope Keith, that it was the first Coward play that she had seen. “The first,” said Penelope, shocked. “Well,” Diana said to me, “I was only eighteen!” Our meeting was at the height of the AIDS crisis, and as we were both working a lot for AIDS charities, we had many notes to compare and friends to mourn. The evening ended with a dance--but being no Travolta myself, I doubt that my partnering was the high point for her.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Wiley’s blade of a nose was busted, and one of his arms, Reacher thought, from the way he was holding it. His other hand was pressed hard against his stomach. Bright red blood was pulsing out between his fingers. He was staring blankly at the far horizon, with wide-open tragedy in his eyes. More shock and misery than Reacher had ever seen before. More abject crushing disappointment, more pain, more betrayal, more open-mouthed incredulity at the unlikely ways the world can crush a person. Reacher
Lee Child (Night School (Jack Reacher, #21))
I was shocked to discover that hope is not an emotion; it’s a way of thinking or a cognitive process. Emotions play a supporting role, but hope is really a thought process made up of what Snyder calls a trilogy of goals, pathways, and agency.4 In very simple terms, hope happens when We have the ability to set realistic goals (I know where I want to go). We are able to figure out how to achieve those goals, including the ability to stay flexible and develop alternative routes (I know how to get there, I’m persistent, and I can tolerate disappointment and try again). We believe in ourselves (I can do this!). So,
Brené Brown (The Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are)
You’ll see in time, Eliza,” he said, taking her hand in his. “This is the right way. I love you and I’ll take care of you. You are simply in shock. You’ve gone through a horrifying ordeal. You need to rest. I promise, you’ll feel much better in a few days.” He pushed off his knees, then walked around the room as Donaldson went back outside, the fire now blazing. “I came here many times after I’d found you were gone. I arranged the furniture again, as you can see, and replaced the broken glass.” He ran his fingers over the back of Father’s favorite settee. “Coming here made me feel closer to you.” Eliza moved her eyes to where he paced in front of the now roaring flames. Samuel’s brow grew pensive. “I know I said we would marry at the end of this week, but I’ve decided on tomorrow instead. I have already asked a friend of mine, Reverend Edmonton, to officiate.” “What?” Eliza found her voice in an instant, and it resonated much stronger than she expected. “But you said seven days!” Samuel spun on his heel, a determined stare possessing his features. “I’m sorry to disappoint you, Eliza, but we must not postpone. We can wed tonight if you’d rather.” He winked as if she would find his eagerness amusing. “I’ve arranged for our wedding to be here. I’m sure you won’t mind. We can have a special celebration sometime afterward, with our friends and family in attendance of course.” What friends and family? “Why are you doing this?” She choked on her words, her eyes burning. He tilted his head toward the ceiling and sighed. “Because we love each other, my darling. Your mind has been temporarily clouded. After we are man and wife you will be grateful for what I’ve done for you—for us.” Her
Amber Lynn Perry (So Fair a Lady (Daughters of His Kingdom, #1))
You’re taking this very well, my boy. Very well indeed. You’re taking it like a man. I confess I expected arguments, even tantrums.” “Well, it is a disappointment,” said Clovis, wondering whether to break down and cry, a thing all actors learn to do at the drop of a hat. But in the end he just gave a brave gulp instead. “I had, of course, been looking forward…” He looked out of the window to where the Basher, mounted on a bruising chestnut, was galloping across a field. “But I do understand. One must always think of Westwood.” Sir Aubrey nodded. “You’re a good lad. Of course no one will ever take Dudley’s place, but…” He took out his handkerchief and blew into it fiercely. “There’s another thing. About your schooling. Bernard was very weedy about his school, but then Bernard was weedy about everything. All the same, I think you’re a bit old to be sent away now. Boys usually leave home at about seven or eight, you know, and you’d feel out of it. So I’m going to engage a tutor for you. He’ll come next month when you’re settled in.” “Thank you, sir,” said Clovis. And then: “I’m afraid I’m not very clever.” Sir Aubrey looked shocked. “Good heavens, boy, I should hope not! The Taverners have never been bookish. Except your poor father, and look what happened to him.
Eva Ibbotson (Journey to the River Sea)
It's funny to think that the wind has a shape but it does. It becomes visible every once in a while - in rain being driven to the ground in sheets, or in the snow on the fields behind our house. I remember looking out the window of my room in the winter, watching the wind blow on the surface of the white fields, lifting and whipping the snow into spirals, and in a flash you could see the force that was always there come to life and reveal itself. I think it is this way with children and parents. They are always there and then suddenly through some shock or disappointment or great gesture or obscene the child sees this person who was there all the while - invisible to them beyond their function to provide.
Bill Clegg (Did You Ever Have a Family)
What did you say?” Jentry said in low, terrifying tone from somewhere behind me. The edge in his voice was enough to make Linda and me stiffen for a few seconds before Linda’s head snapped up and she turned on her mom charm. “Oh, you know how ladies are, always standing around gossipin’. Go on now, son, just put the food anywhere.” He set the large dishes down on the counter closest to the door, then took slow steps toward us. “What the fuck did you just say,” he demanded again; this time it was no longer a question. “Jentry, don’t,” I pleaded as he neared us. “Young man!” Linda said in a horrified tone. “I am so very disappointed in what has come out of your mouth this weekend. I raised yo—” “Raised me better? Is that what you were going to say?” Jentry huffed as he took the last few steps to place himself between us. “Really, don’t,” I said through clenched teeth, and rocked forward so I could reach for his arm to pull him away, but he held a hand out behind him to stop me. When he continued speaking, his dangerous tone was laced with disappointment. “In a few days I’ve seen more than enough from you to know that you aren’t the woman who raised me. The woman who raised me wasn’t so threatened by her son’s girlfriend that she’d pretend she wasn’t there. The woman who raised me wasn’t so heartless that she’d tear down the same girl every chance she got just because she was hurting. We’re all hurting. Rorie’s fucking hurting, too.” “She has ruined this family!” Linda seethed; her entire frame shook from her anger. Jentry took a step back toward me. His hand was still outstretched, but now looked like it was reaching for me. “You know, I’ve been going crazy trying to figure some things out since I got home, but I’m starting to put a lot together just from this conversation. The woman who raised me also taught me to respect women. And I do. I respect women who deserve it, and Rorie does. Because she loves Declan, too. She’s grieving, too. And throughout everything you’ve done, she’s never said a word. She wouldn’t tell me what you were doing even when I figured out that it was you, and when I did, she said it was deserved. What kind of woman makes a girl think she deserves the bullshit you’ve put her through?” Jentry grabbed on to my forearm and pulled me close to him as he took another step back, away from Linda, toward the door leading out of the kitchen area. Linda watched our movements with a mixture of emotions. There was shock and hurt at Jentry’s words, but whenever her eyes flickered back in my direction, anger unlike anything I’d yet to see from her burned there. Jentry turned us around and came to a halt when we found Kurt standing just inside the doorway holding two dishes, staring at us in shock and confusion. “Do you want to tell me why you’re talking to your mother that way?” he asked. Jentry’s head tilted to the side. “No.” “No?” Kurt’s tone was rougher and rang with authority as Jentry began leading us out of the room. “No,” Jentry confirmed. “Because if I tell you now, I’m gonna say a lot that I’ll regret.” Jentry
Molly McAdams (I See You)
You’re ready to drive back to school now?” Curtis asked, trying to conceal some of the disappointment in his voice. Genesis tilted Curtis’ head up to look at him. “Yes. I wish I could stay longer but the coach raised enough hell about me missing practice today.” “He bitched because you told him your brother is a cop and was shot at? That’s not considered a family emergency?” “No. He bitched because I told him my boyfriend needed me.” Curtis was so shocked he ended up leaning into Genesis’ broad chest to keep from falling over. Boyfriend. “You came back for me?” “If I came home every time God or Day were shot at, I’d flunk out of school for sure.” Genesis drawled. Curtis looked back down at his feet and Genesis gently lifted his head up again. “I know I said boyfriend. I want you to know, I’m not seeing anyone and I haven’t in a long time. I’m not a player or a tramp or whatever else guys try to be these days. I just want someone to spend time with that actually likes me. I just want to spend some time with you. It’s soon, I know. You don’t have to say boyfriend if you —” “No. B-boyfriend is fine,” Curtis said hurriedly. Genesis smiled and shook his head. “Good, then.” He bent and kissed Curtis lightly on his forehead. “I have to head back. I’ll call you later. And I’ll see you on Friday.” “Eight o’clock sharp,” Curtis whispered. Genesis kissed Curtis’ injured wrist and laid it back at his side. “Be good until I get back, bad boy.” Genesis leaned low until he was at Curtis’ ear. His voice threatening and growly. “I’d hate to have to spank you when I get back.” Curtis shivered hard as Genesis gave him a lingering kiss behind his ear, before backing up with a devious grin. Dear lord. How will I stop myself from behaving like a tramp? “Drive carefully, Gen.” Curtis said before Genesis got to the door. “Six days, beautiful,” Genesis said softly, right before he let the door close.
A.E. Via (Here Comes Trouble (Nothing Special #3))
She had no idea where Fergus had suddenly gotten to and was surprised he hadn’t tried to orchestrate something, anything, between Kerry and Cooper. Hopefully with her little demonstration just now, he’d never have the chance. No sooner had the thought passed through her mind than Fergus was there at her elbow. “I’ve got this,” he said, uncharacteristically low key as he edged her out of the way. “Gus--” He nudged her again with a bit more force than was necessary, then wedged his cane in between them to emphasize the point. “I’ll pour and pass. You go talk to your young man.” “He’s not my--” Fergus turned his bright blue eyes on her. “I know who he is.” His voice might brook no argument, but there was a world more feeling in his gaze than in his quietly spoken words. “So get on out while the getting’s good. We’re not too far from closing. I’ll get Sandy to help shut the place down. You’re officially off duty until tomorrow.” “But--” Now his gaze did turn steely, reminding her where she got the look from. “I believe I still own and run this place. So when I say you’re off until tomorrow, you’re off until tomorrow.” Kerry swallowed hard and was as shocked as anyone to feel the tiniest prickles behind her eyes. No matter what her latest exploit, he’d never, not once, looked at her with even a hint of disappointment. Until now. “Yes, sir.” His gaze softened, even if the set of his face did not. He leaned in and bussed her on the cheek, then whispered in her ear, “And I’m taking this round out of your pay, Sprite. Giving away my ale,” he added in a grumble. The grumble made her smile, and she gave him a quick, one-armed squeeze around his shoulders and a kiss on the side of his forehead, taking care not to put him off balance on his bad side. “I had to do something to throw them off the scent.” “I believe the something that is still on your scent is waiting for you by the door,” he said, then turned back to help Sandy, who manned the griddle in the kitchen on busy nights, fill and slide mugs down the bar. Kerry glanced up and over the heads of the folks crowding the bar to the tall man who, indeed, was standing by the door, his old Akubra in hand. Her gaze shifted from the ever-present drover’s hat he always wore for work to the penetrating and unwavering look in his beautiful eyes.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))