Shiva Protects You Quotes

She is also the power behind spiritual awakening, the inner force that unleashes spiritual power within the human body in the form of kundalini. And she is a guardian: beautiful, queenly, and fierce. Paintings of Durga show her with flowing hair, a red sari, bangles, necklaces, a crown—and eight arms bristling with weapons. Durga carries a spear, a mace, a discus, a bow, and a sword—as well as a conch (representing creative sound), a lotus (symbolizing fertility), and a rosary (symbolizing prayer). In one version of her origin, she appears as a divine female warrior, brought into manifestation by the male gods to save them from the buffalo demon, Mahisha. The assembled gods, furious and powerless over a demon who couldn’t be conquered, sent forth their anger as a mass of light and power. Their combined strength coalesced into the form of a radiantly beautiful woman who filled every direction with her light. Her face was formed by Shiva; her hair came from Yama, the god of death; her arms were given by Vishnu. Shiva gave her his trident, Vishnu his discus, Vayu—the wind god—offered his bow and arrow. The mountain god, Himalaya, gave her the lion for her mount. Durga set forth to battle the demon for the sake of the world, armed and protected by all the powers of the divine masculine.1 As a world protector, Durga’s fierceness arises out of her uniquely potent compassion. She is the deity to call on when you’re

There is a wonderful story in the yogic lore. One day, one gnana yogi, one bhakthi yogi, one karma yogi, and one kriya yogi were walking together. Usually these four people can never be together, because gnana yogi has total disdain for every other yoga; it is the yoga of intelligence. Normally, an intellectual person, a thinking person has complete disdain for everybody else. A bhakthi yogi, full of emotion and love, thinks all this gnana, karma and kriya yoga is just a waste of time. Just love God and it will happen. The karma yogi thinks that everybody is lazy and that they have all kinds of fancy philosophies; what needs to be done is work. One must work and work and work. The kriya yogi just laughs at everything. The whole existence is energy. If you don’t transform your energy, whether you long for God or you long for anything, nothing is going to happen. So they can’t be together, but today they were walking together. Then it started to rain. They were in the forest and it started raining. They started running, looking for shelter, and there they found an ancient temple which just had a roof, no walls on the sides. In the center, there was a Linga. So these people went inside the temple for shelter. The storm became more and more furious and it started blowing in torrents. The fury of the storm was getting into the temple so they went closer and closer and closer to the Linga. There was no other way to be because it was just blasting them from all sides. Then it became very furious. There was no other place; the only way they could get some protection was for all four to hug the Linga. Suddenly they felt something enormous happening. A huge presence, a fifth presence was there. Then all of them said, “Why now? For so many years we have pursued You and nothing happened; why now?” Then Shiva said, “At last the four of you got together. I have been waiting for this to happen for a long time.

Your boon may protect you from gods and mortals, but it cannot protect you from time itself," Kala Bhairava said, "for I am Kala Bhairava, the lord of time and death.

So I am an Indian who's mother tongue is Tamil and Ancestral language is Telugu, Intellectual legacy from Palm leaves is in Vatteluzhuthu (Tamil + Malayalam Mixture), So wherever I go for research studies on Environment/ Ecology/ Biology, I represent myself as INDIAN (Who is comfortable in English) unless I marry a Non - Indian girl, and I represent Tamil Philosophy for defense mechanisms, science, business and all other possible spiritual, social and all other dimensions that are focused. The thing is learning Hindi, Sanskrit, Kannada or any foreign language is not a big deal, if i put effort for 3 to 6 months I can easily grab a language from grammatical foundations to advanced speaking but even after learning another language, at some point of my time in future, either I have become a biological researcher and/or astronaut as I dream of , but at that moment If I do not have the attributes of my current birth place, then there will be a guy or a girl or a leader or even a child who would easily question me that you have forgotten your mother tongue either for money or for women or for passion, so how can we trust you that you will protect/ guide us? So previous life carnation was Rajput and before that was time frame Europe, those things are in my mind and I will never forget, but in this very life I have to represent Tamil Philosophy and Ideology, As English is a common communicative and International language in science and technology, there is no one can deny English, Even lord Krishna was embarrassed just because he was Yadav. So although I have knowledge of all Indian gods and Goddesses and respecting all religions, castes and customs within India, within earth, within universe and beyond, I represent in English with Tamil Philosophy. So wherever I go for research studies on Environment/ Ecology/ Biology, I represent myself as Indian unless I marry a Non - Indian girl, and I represent Tamil Philosophy for defense mechanisms, science, business and all other possible spiritual, social and all other dimensions that are focused. Now choosing Guru is important before starting your passionate journey (Mine is science), so while choosing Guru, three things to remember, 1) Guru must be Knowing context specific problems, 2) Guru must not have lived immoral life 3) Guru must have withstand enormous pressure and opposition to show his/her potential on specific subject in his/her time 4) You can also choose more Guru as you move on in your life but starting point or First Guru must be from your Place My Gurus That I really Consider as my gurus 1) Mahakavi Subramanya Bharathiyar 2) Tholkappiar 3) Carl Sagan 4) Stephen Hawking 5) Bear Grylls 6) Siddhartha 7) Lord Ramachandra 8) Lord Shiva 9) Lord Dasarat (Indra) 10) All goddesses 11) Lilith (She was portrayed as bad but she was not bad) 12) Lord prometheus 13) Lord Surya 14) Lord Krishna (Sometimes because I hate him) 15) Sita

Part 2 - Now the problem is India is with multiple cultures, context specific reasons and languages - so protecting value of India means protecting each and every cultural values in India, but when these people turn arrogant their values getting down, that is the problem, you have to withstand the pain to show you are capable, if you are capable then the culture you belong is also capable - this is applicable for anyone, and once your character and your cultural identities are analyzed you will be easily estimated to be fit for something. But in my case, it is totally complicated, First I am Ganapathy K (Son of Krishnamoorthy not Shiv), that born on 14- April 1992 (Approximate Birth day of Lord Rama and Tamil New year and Dr Ambedkar birthday), My family name is Somavarapu (Which means clans of Chandra - Or Monday - Or cold place) My family origin is from Tenali - Guntur, but permanently settled in TN, born in agricultural family (Kamma Naidu (General caste in AP and Telangana) but Identified as Vadugan Naidu (OBC) for reservation benefits as OBC Non Creamy - as made by my ancestors - I did not make this. And Manu smiriti varna system did not take place in south India much like UP or Rajasthan even in ancient times. Even in ancient times, north rulers did not rule south india at all, rather they made friendship sometimes or they made leaders for south people by selecting best fit model. So whomever are said to be kshatriyas in South are Pseudo Kshatriyas or deemed Kshatriyas which means there are no real Kshatriyas in South India - and it was not required much in south. tribal people and indigenous people in south were very strong in ancient time, that they prayed and worshiped only forest based idolizers. they do not even know these Hindustani or Sanskrit things, and Tamil was started from Sangam literature (As per records - And when sangam literature was happening - Lord shiva and Lord Karthikeya was present on the hall - As mentioned on Tholkappiam ) - So ethically Tamil also becomes somehow language of God, Krishnadevraya once said Telugu was given by Lord shiva. And Kannada is kind of poetic language which is mixture of Dravidian style languages with some sanskrit touch and has remarkable historical significance from Ramayana period. My caste (Kamma) as doing agriculture work was regarded as upper sudra by British people but since they knew sanskrit, they were taking warrior roles ( Rudramadevi, munsuri naidu clan, pemmasani clan, kandi nayaka (Srilanka clan ) As Kamma also has interactions with Kapu, Balija, Velama, Telaga and Reddy clans - they were considered as land lords/Zamindari system - later in some places given chowdary and Rao title too. And my intellactual property in Bio sciences and my great granpa wrtings, my family knowledge which includes (Vattelzhuthu - Tamil + Malayalam mixture) sanskrit notes about medicinal plants in western ghats which my great grandpa wrote, my previous incarnation in Rajput family and European family.

WHY IS TODAY SPECIAL IN HINDUISM? Today is the day (as per Hindu calendar) that Abhirami Bhattar prayed to Parashakti and manifest Amavasya (new moon day) as full moon day (Poornima) Subramaniya Iyer, who was then known as Abhirami Bhattar, was an ardent devotee of Devi Parashakti from the village that was famous for its Shiva temple, called Amritaghateswarar-Abirami Temple, Thirukkadaiyur. Once when the Maratha rule, king Serfoji I visited the Thirukkadavur temple on the day of the new moon (Amavasya). On noticing the peculiar behaviour of Subramaniya Iyer who was a temple priest, he inquired the other priests about the individual. One of them remarked that he was a madman while another rejected this categorization explaining to the king that Subramaniya Iyer was only an ardent devotee of Goddess Abhirami. Seeking to know the truth himself, Serfoji approached the priest and asked him what day of the month it was. Whether it was a full-moon day(Poornima) or a new-moon day(Amavasy). At that moment, Subramaniya Iyer was doing the Tithi Nithya Aaradhana in the SriChakra Navaavarana krama and was worshipping the Devi as Poornima Tithi. Subramaniya Iyer who could see nothing else but the shining luminant form of the Goddess before him answered that it was a full-moon day (Poornima) while it was in fact a new-moon day(Amavasya). The king rode off informing the former that he would have his head cut off if the moon did not appear on the sky in the night. A huge fire was lit and Subramaniya Iyer was erected on a platform supported by a hundred ropes. He sat upon the platform and prayed to the Goddess Abhirami to save him. The ropes were cut off, one after another in succession on completion of each verse of his prayer. These hymns form the Abhirami Anthadhi. On completion of the 79th hymn, the Goddess Abhirami manifested herself before him and threw her earring over the sky such that it shone with bright light upon the horizon. The area around the temple sparkled with bright light. Overcome with ecstasy, Subramaniya Iyer composed 21 more verses in praise of the Goddess. The king repented his mistake and immediately cancelled the punishment he had given to Subramaniya Iyer. He also bestowed upon the latter the title of Abirami Pattar or "priest of Goddess Abhirami". There are a hundred stanzas plus a காப்பு (Kāppu, protection) verse for lord Ganesha and a final பயன் (Payaṉ, outcome), thus a total of 102 stanzas that are included in Abhirami Anthadhi. The author praises Abhirami as his own mother, regrets his mistakes, speaks of the divine play of mother and father Paramashiva, and her simplicity & mercy. It is believed that recitation of each stanza will result in the specific achievement of the devotees. Here is one of the famous stanzas of Abhirami Anthadhi: " மணியே, மணியின் ஒளியே, ஒளிரும் அணி புனைந்த அணியே, அணியும் அணிக்கு அழகே, அணுகாதவர்க்குப் பிணியே, பிணிக்கு மருந்தே, அமரர் பெரு விருந்தே. பணியேன், ஒருவரை நின் பத்ம பாதம் பணிந்தபின்னே." - செய்யுள் 24 " Maṇiyē, maṇiyiṉ oḷiyē, oḷirum aṇi puṉainta aṇiyē, aṇiyum aṇikku aḻakē, aṇukātavarkkup piṇiyē, piṇikku maruntē, amarar peru viruntē.- Paṇiyēṉ, oruvarai niṉ patma pātam paṇintapiṉṉē." - stanza 24 Pearl like you are, You who are the reddish aura of the pearl! You are like the pearl studded chain who adds beauty to the chain, You are pain to those who do not fall at your feet while the panacea for pains of those who fall at your feet, the nectar of Gods, After worshipping at thine lotus feet, Will I bow before any other, Now and now after. The beauty of Abhirami Anthathi: காப்பு starts as ″தார் அமர் கொன்றையும்...″ and பயன் ends as ″... தீங்கு இல்லையே″ (தாயே)

Granny, I want to consult you about something." "What is it?" "In the Ramayana there are Rama and Sita, in the Bhagavatha there are Krishna and Satyabhama and in the legends Shiva and Parvathi. These deities are supposed to take birth on the earth as incarnations in order to protect the weak and punish the wicked." "Yes, the Ramayana and the Bhagavatha tell us so. These things could also be the proverbial 'brinjals'. Do you know why I think so? God is supposed to be omnipresent; would it be necessary for Him to be born in order to sweep away the accumulated dust and dirt? Not exactly dust and dirt but say - wicked demons like a Ravana or a Hiranyakasipu. Why should God take the trouble of being born as an earthly being, when He could kill instantly anyone He chooses by hurling a thunderbolt? We can consider our lives also to be 'avatars' or incarnations, for that matter. Insects, birds, animals-all these are incarnations!

is adored even by the Lord of Gods himself (5.81), illuminates the spatial directions (5.92), owns all the treasures of the deities, gandharvas, and nāgas (5.111),6 and abides as higher understanding (buddhi) in the hearts of all beings (11.8). But, as is clear from the core story of this hymn, the goddess also has her destructive side. She not only conquers all demonic forces but also annihilates the universe at the appropriate time. To her devotees, however, she shows her most benign maternal aspect, protecting and ultimately liberating them. After having been propitiated with praise, the goddess responds: Whosoever with concentration worships Me constantly with these [hymns], his every difficulty I will remove without a doubt. (12.2) Kālī, Shiva, and the Cosmic Dance Even a short précis of the Tantric view of time, as attempted here, would be incomplete without introducing the Divine Female, or Shakti, in her most startling manifestation as the goddess Kālī. The name is the feminine form of kāla, meaning “time,” “death,” and “black.” These three connotations are all fused in the symbolism of the goddess Kālī. Black results from the absorption of all colors, whereas white is their copresence. The saintly Ramakrishna, guru of Swami Vivekananda, offered a devotee’s complementary explanation of the name Kālī when he remarked, “You see her as black because you are far away from her. Go near and you will find her devoid of all color.”7 In The Gospel of Sri Ramakrishna, which chronicles the life and teachings of this great nineteenth-century master, we find the following hymn: In dense darkness, O Mother, Thy formless beauty sparkles; Therefore the yogis meditate in a dark mountain cave. In the lap of boundless dark, on Mahanirvana’s waves upborne, Peace flows serene and inexhaustible.8 Taking the form of the Void, in the robe of darkness wrapped, Who art Thou, Mother, seated alone in the shrine of samadhi?9 From the Lotus of Thy fear-scattering Feet flash Thy love’s lightnings; Thy Spirit-Face shines forth with laughter terrible and loud!10 To absorb, devour, or destroy the universe is one of the terrifying functions of the black goddess. She brings death not just to the individual but to the cosmic egg itself in which individuals, high and low, live out their respective separative lives over and over again. In the Mahānirvāna-Tantra (4.29–31) the goddess is addressed as the supreme yogini because at the end of time she devours the devourer of time himself, Shiva in his form as Mahākāla. In many temples in Bengal and Nepal, Kālī is depicted as a black or dark blue block of stone. In her humanoid form, Hindu iconography pictures Kālī as a fierce-looking female whose naked, full-breasted body stands astride or straddles the prostrate nude body of her divine partner Shiva, with ashen skin and erect penis.

Kālī’s devotees, however, experience her as a loving, nurturing, and protecting mother. With tear-filled eyes and a longing heart, they invoke her as Kālī Mā, asking her for health, wealth, and happiness, as well as liberation. Like a doting mother, she bestows all boons upon her human children. Sri Ramakrishna, who was a great devotee of the goddess, prayed to Kālī for the fruit of all Yogas and, as he confirmed, “She has shown me everything that is in the Vedas, the Vedanta, the Puranas, and the Tantra.”11 Toward her devotees, Kālī always presents her most benign aspect. Even her destructive side is modulated in a benevolent way, as a force that removes all inner and outer obstacles, especially spiritual blindness, and grants the highest realization beyond space and time. “Because You devour Time (kāla), You are called Kālī.” declares the Mahānirvāna-Tantra (IV. 32). At the end of time, the great Goddess also swallows up all the myriad forms filling space. Then she alone remains, in intimate union with her divine Beloved, Shiva—until the next Big Bang, when the cosmic egg newly arises from its own ashes. The Feminine Divine and the Masculine Divine are never really separate. Consequently Kālī’s destructive function is also often attributed to the supreme god Shiva. He is also called Mahākāla, meaning “Great Time.” Thus the Mahānirvāna-Tantra (5.141) has this pertinent verse, spoken by a devotee of the goddess: I worship the primal Kālikā [i.e., Kālī] whose limbs are like a [dark] rain cloud, who has the moon in her crown, is triple-eyed, clothed in red, whose raised hands are [in the gestures of] blessing and dispelling fear, who is seated on an open red lotus with her beautiful smiling face turned toward Mahākāla [i.e., Shiva], who, drunk on sweet wine, is dancing before her. Like Kālī’s grisly image, Shiva’s dance is one of the grand archetypes of Hinduism. The dancing Shiva is known as Natarāja, or “King of Dancers.” His performance extends throughout the universe. His repertoire, or dance steps, include the creation, preservation, and destruction of the world, as well as concealment of the truth and grace by which the ultimate Reality is revealed in its true form. What is not often appreciated outside India is that Shiva’s dance has several forms, each conveying a distinct but related message. Its best known form is that of the tāndava, which Shiva dances in wild abandon in the cemetery and cremation ground.