Shirts With Inspirational Quotes

We've searched our database for all the quotes and captions related to Shirts With Inspirational. Here they are! All 100 of them:

I don't trust people who don't love themselves and tell me, 'I love you.' ... There is an African saying which is: Be careful when a naked person offers you a shirt.
Maya Angelou
You are one thing only. You are a Divine Being. An all-powerful Creator. You are a Deity in jeans and a t-shirt, and within you dwells the infinite wisdom of the ages and the sacred creative force of All that is, will be and ever was.
Anthon St. Maarten (Divine Living: The Essential Guide To Your True Destiny)
Turn on the faucet. Wash yourself with the emotion. It won’t hurt you. It will only help. If you let the fear inside, if you pull it on like a familiar shirt, then you can say to yourself, “All right, it’s just fear, I don’t have to let it control me. I see it for what it is".
Mitch Albom (Tuesdays with Morrie)
Before you came, things were as they should be: the sky was the dead-end of sight, the road was just a road, wine merely wine. Now everything is like my heart, a color at the edge of blood: the grey of your absence, the color of poison, of thorns, the gold when we meet, the season ablaze, the yellow of autumn, the red of flowers, of flames, and the black when you cover the earth with the coal of dead fires. And the sky, the road, the glass of wine? The sky is a shirt wet with tears, the road a vein about to break, and the glass of wine a mirror in which the sky, the road, the world keep changing. Don’t leave now that you’re here— Stay. So the world may become like itself again: so the sky may be the sky, the road a road, and the glass of wine not a mirror, just a glass of wine.
Faiz Ahmad Faiz (100 Poems by Faiz Ahmed Fiza)
Today I wore a pair of faded old jeans and a plain grey baggy shirt. I hadn't even taken a shower, and I did not put on an ounce of makeup. I grabbed a worn out black oversized jacket to cover myself with even though it is warm outside. I have made conscious decisions lately to look like less of what I felt a male would want to see. I want to disappear.
Sierra D. Waters (Debbie.)
Sympathy is why when a man is getting mugged, you let him keep his shirt after you take his life. Funerals are respectable affairs, after all.
Bauvard (Some Inspiration for the Overenthusiastic)
He seems like a good guy, but we need to focus on finding Nia’s killer, and then finish the theater. We don’t have time for distractions. No men.” “Yeah, yeah, I know.” Mel rolled her eyes. “Inspiration before intercourse.” Callie chuckled. “I should put that on a T-shirt.
Lisa Kessler (Lure of Obsession (Muse Chronicles, #1))
Elodin pointed down the street. "What color is that boy's shirt?" "Blue." "What do you mean by blue? Describe it." I struggled for a moment, failed. "So blue is a name?" "It is a word. Words are pale shadows of forgotten names. As names have power, words have power. Words can light fires in the minds of men. Words can wring tears from the hardest hearts. There are seven words that will make a person love you. There are ten words that will break a strong man's will. But a word is nothing but a painting of a fire. A name is the fire itself." My head was swimming by this point. "I still don't understand." He laid a hand on my shoulder. "Using words to talk of words is like using a pencil to draw a picture of itself, on itself. Impossible. Confusing. Frustrating." He lifted his hands high above his head as if stretching for the sky. "But there are other ways to understanding!" he shouted, laughing like a child. He threw both arms to the cloudless arch of sky above us, still laughing. "Look!" he shouted tilting his head back. "Blue! Blue! Blue!
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
Taking off Levi's shirt had been such an inspired idea, Cath was thinking about losing her own.
Rainbow Rowell (Fangirl)
The better you get, the less you run around showing off as a muscle guy. You know, you wear regular shirts-not always trying to show off what you have. You talk less about it. It's like you have a little BMW - you want to race the hell out of this car, because you know it's just going 110. But if you see guys driving a ferrari or a lamborghini, they slide around at 60 on the freeway because they know if they press on that accelerator they are going to go 170. These things are the same in every field.
Arnold Schwarzenegger
Sometimes the best way to find your road is to get lost. Sometimes the only way to find a way is to get lost.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
It's not whether your love is temporary or has infinity. It's about the feeling of infinity when you're in love.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
That we leave our homes, that we step through our doors to the world, that we travel our whole lives not because we want to collect exotic T-shirts, not because we want to consume foreign adventure the same Western way we consume plastic and Styrofoam and LCD TVs and iPads, but because it has the power to renew us—not the guarantee, not the promise, just the possibility. Because there are places our imaginations can never construct for us, and there are people who we will never meet but we could and we might. It reminds us that there is always reason to begin again.
Stephen Markley (Tales of Iceland or "Running with the Huldufólk in the Permanent Daylight")
No one had ever wanted me. And for some reason I didn't even want me anymore. I wished I could have stepped out of my body and given it back, like you do with a shirt that doesn't fit properly.
Stefanie Sybens (Letters from the What-Went-Before)
There are moments in every relationship that define when two people start to fall in love. A first glance A first smile A first kiss A first fall… (I remove the Darth Vader house shoes from my satchel and look down at them.) You were wearing these during one of those moments. One of the moments I first started to fall in love with you. The way you gave me butterflies that morning Had absolutely nothing to do with anyone else, and everything to do with you. I was falling in love with you that morning because of you. (I take the next item out of the satchel. When I pull it out and look up, she brings her hands to her mouth in shock.) This ugly little gnome With his smug little grin… He's the reason I had an excuse to invite you into my house. Into my life. You took a lot of aggression out on him over those next few months. I would watch from my window as you would kick him over every time you walked by him. Poor little guy. You were so tenacious. That feisty, aggressive, strong-willed side of you…. The side of you that refused to take crap from this concrete gnome? The side of you that refused to take crap from me? I fell in love with that side of you because of you. (I set the gnome down on the stage and grab the CD) This is your favorite CD ‘Layken’s shit.’ Although now I know you intended for shit to be possessive, rather than descriptive. The banjo started playing through the speakers of your car and I immediately recognized my favorite band. Then when I realized it was your favorite band, too? The fact that these same lyrics inspired both of us? I fell in love with that about you. That had absolutely nothing to do with anyone else. I fell in love with that about you because of you. (I take a slip of paper out of the satchel and hold it up. When I look at her, I see Eddie slide her a napkin. I can’t tell from up here, but that can only mean she’s crying.) This is a receipt I kept. Only because the item I purchased that night was on the verge of ridiculous. Chocolate milk on the rocks? Who orders that? You were different, and you didn’t care. You were being you. A piece of me fell in love with you at that moment, because of you. This? (I hold up another sheet of paper.) This I didn’t really like so much. It’s the poem you wrote about me. The one you titled 'mean?' I don’t think I ever told you… but you made a zero. And then I kept it to remind myself of all the things I never want to be to you. (I pull her shirt from my bag. When I hold it into the light, I sigh into the microphone.) This is that ugly shirt you wear. It doesn’t really have anything to do with why I fell in love with you. I just saw it at your house and thought I’d steal it.
Colleen Hoover (Point of Retreat (Slammed, #2))
Life is a beach. Don’t make spelling errors.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Life is an abstract art, and it’s up to you to make sense of it.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Forever is a hypnotic version of infinity.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Daring never goes out of style.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Going back to the basis, the phrase ‘Fight Like A Girl’, and we’ve all heard that growing up. And by that they mean that you’re some kind of weakling and have no skills as a male. It’s said to little boys when they can’t fight yet, and it ridicules us. By the time we were born, the most of us hear things which program you to accept and know that you are less than your male counter part. It comes apparent in the way you’re paid for your job, it comes apparent when yóu are not allowed to go outside after a certain hour because you stand a good chance of getting raped while no one says that to your boyfriend. While women, anywhere, live in some kind of fear, there is no equality and that is mathematically impossible. We cannot see that change or solved in our lifetimes, but we have to do everything that we can. We should remind ourselves that we are fifty-one percent. Everyone should know that fighting like a girl is a positive thing and that there is not inherently anything wrong with us by the fact that we are born like ladies. That is a beautiful thing that we should never be put down because of. Being compared to a woman should only make a man feel stronger. It should be a compliment. In this world we’re creating it actually is. I remember this one guy who came to our show in Texas or something and he had painted his shirt “real men fight like a girl”, and I cried, because he was going away in the army next day. He bought my book because he wanted something he could read over there. I just hoped that this men, fully straight and fully male can maintain and retain all of those things that make him understand us, and what makes him so beautiful. A lot of military training is step one: you take all those guys and put them in front of bunch of hardcore videogames where you kill a bunch of people and become desensitised. But that is NOT power! I will not do that. I will not become less of a human being and I refuse to give up my femininity because that’s bullshit. I’m not going to have to shave my head and become all buff and all that to be able to say “now I’m powerful” because that’s bullshit. All of this, all of us, we are power. You don’t have to change anything to be strong.
Emilie Autumn
No throne in the world can substitute a beach chair.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Welcome to Planet Earth, find your existential avant-garde.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Infinity is my spiritual horizon.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Stretch your mind to expand your soul.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
And so many things get lost. Not just a set of keys or a photograph of your father with his first truck, but the door those keys once opened, the childhood house you long ago walked into, the father who used to carry you on his shoulders high above the crowds at the summer fair, his body now ashes and shards of bone. You hold these things in place on a page, you walk through that door, touch his face and smell the cigarette smoke on his breath and in his shirt, you make things breathe again in words. You feel the lightness of a ghostly touch across your skin. In that small house on the corner, the porch light suddenly comes on.
Lorna Crozier (Before the First Word: The Poetry of Lorna Crozier (Laurier Poetry))
Turn your life moments into a unique art of existence.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Desire is an art.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
BLESSINGS ARE IMMEASURABLE You can Lose a child Or a parent, The love of your life, A good job, A game, A deal, A bet, An idea, Your favorite thing, Money, Your best friend, A moment, An opportunity, A chance, Your keys, Your mind, Your health, Your identity, Your virginity, Your religion, Your shirt, Your license, ID or Passport, Phone or phone number, Hope, Faith, Luck, Your pride, Or your house, And feel like You've lost everything, And keep on losing. Stop Counting losses And start counting your blessings. Only then, Will you discover that losses Are easier to point out And count Than blessings, And that blessings Outnumber your losses For they are truly Immeasurable. It is only normal that People count losses with Their minds, And ignore To count blessings With the graciousness Of their hearts.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Courage loves the idea of infinity.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
If there is an original sin, then music must be my primordial salvation.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Art is a mythical beast. It takes out all your primal instincts to awaken your dormant myth.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Some ideas are existential luxury.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
I reached my very edge. I was about to break down. I was about to break through.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
I need an exotic star but not the universe.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Freedom is an existential art.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Sometimes the best solution to make a revolution is your personal evolution. And sometimes your personal evolution is not possible without a revolution.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Think free to smell your wild beach within.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
On the road to liberation, learn to press Next. Even if there is no such an option.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Great artists have wild and untamed reality.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Some concepts take courage.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Breaking your inner boundaries is an existential art.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
By expanding your views, you expand your reality.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Get high on love, not drugs.
Matshona Dhliwayo
I believe in you my soul, the other I am must not abase itself to you, And you must not be abased to the other. Loaf with me on the grass, loose the stop from your throat, Not words, not music or rhyme I want, not custom or lecture, not even the best, Only the lull I like, the hum of your valved voice. I mind how once we lay such a transparent summer morning, How you settled your head athwart my hips, and gently turned over upon me, And parted the shirt from my bosom bone, and plunged your tongue to my bare-stripped heart, And reached till you felt my beard, and reached till you held my feet. Swiftly arose and spread around me the peace and knowledge that pass all the argument of the earth, And I know that the hand of God is the promise of my own, And I know that the spirit of God is the brother of my own, And that all the men ever born are also my brothers, and the women my sisters and lovers, And that a kelson of the creation is love, And limitless are leaves stiff or drooping in the fields, And brown ants in the little wells beneath them, And mossy scabs of the worm fence, heaped stones, elder, mullein and pokeweed.
Walt Whitman
Every day, I commit to purging one item from my house. It can be anything—like a worn-out pair of socks, a book I’ll never read again, a gift I could live without, a shirt that doesn’t fit, or an old magazine article. It doesn’t take much effort, and at the end of the year, my home is at least 365 items lighter.
Francine Jay (Miss Minimalist: Inspiration to Downsize, Declutter, and Simplify)
I suddenly remembered that Murray Gell-Mann and I were supposed to give talks at that conference on the present situation of high-energy physics. My talk was set for the plenary session, so I asked the guide, "Sir, where would the talks for the plenary session of the conference be?" "Back in that room that we just came through." "Oh!" I said in delight. "Then I'm gonna give a speech in that room!" The guide looked down at my dirty pants and my sloppy shirt. I realized how dumb that remark must have sounded to him, but it was genuine surprise and delight on my part. We went along a little bit farther, and the guide said, "This is a lounge for the various delegates, where they often hold informal discussions." They were some small, square windows in the doors to the lounge that you could look through, so people looked in. There were a few men sitting there talking. I looked through the windows and saw Igor Tamm, a physicist from Russia that I know. "Oh!" I said. "I know that guy!" and I started through the door. The guide screamed, "No, no! Don't go in there!" By this time he was sure he had a maniac on his hands, but he couldn't chase me because he wasn't allowed to go through the door himself!
Richard P. Feynman
What happened to the holes?’ ‘The holes?’ ‘Yeah. You said you made the buttons but were stuck because there were no holes. How is it now?’ Minjun shook his head, trying to chase away the sleepiness. He stared up at his friend, a thoughtful look on his face. ‘Easy. I changed my shirt. This time I cut the holes first before I make the buttons that fit. Now, the shirt is buttoned up nicely.
Hwang Bo-Reum (Welcome to the Hyunam-Dong Bookshop)
To a casual passerby, his appearance would not have inspired much confidence. His overcoat was patched in spots and frayed at the cuffs, he wore an old tweed suit that was missing a button, his white shirt was stained with ink and tobacco, and his tie--this was perhaps the strangest of all--was knotted not once, but twice, as if he'd forgotten whether he'd tied it and, rather than glancing down to check, had simply tied it again for good measure. His white hair poked out from beneath his hat, and his eyebrows rose from his forehead like great snowy horns, curling over a pair of bent and patched tortoiseshell glasses. All in all, he looked like someone who'd gotten dressed in the midst of a whirlwind and, thinking he still looked too presentable, had thrown himself down a flight of stairs. It was when you looked in his eyes that everything changed. Reflecting no light save their own, they shone brightly in the snow-muffled night, and there was in them a look of such uncommon energy and kindness and understanding that you forgot entirely about the tobacco and ink stains on his shirt and the patches on his glasses and that his tie was knotted twice over. You looked in them and knew that you were in the presence of true wisdom.
John Stephens (The Emerald Atlas (The Books of Beginning, #1))
Don't take life seriously, you never make it out alive anyways
A. Vaidyanathan
They love my moustache. This time I'm really gonna do it.
Man in green shirt
I am an artist, and I am a piece of art.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
By reaching for infinity, you reach the core of yourself.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Breakthrough artists always expand the very concept of freedom.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
You are evolution. You are revolution.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Tomorrow is an exotic demo version.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Do not let your dogma to become your spiritual eclipse.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Believe in those who seek liberation, but not in those who promise liberty.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
To have a story of liberation can only those who are aware of their captivity.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Great creators meet at the edge of our “reality”.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Daring plays the game to its edge.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
To expand the definition of freedom you have to keep on setting something free…
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Liberation is an existential art. Liberation is a spiritual art.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Sometimes travelling to your very edge is travelling down to your very core.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Life is an art of mystical combination.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Welcome to planet Earth, find an exotic version of yourself.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Existence is a medium of art.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Dare to create. Dare to re-create. Daring never goes out of style.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
Make existential liberation your spiritual orientation.
Talismanist Giebra (Talismanist: Fragments of the Ancient Fire. Philosophy of Fragmentism Series.)
He opened his shirt and lowered his trousers. 'Bring the light over!' he ordered. I held the lamp close to the thin, tanned body. What with deep scars, bullet and sword marks, his body was like a collander. 'Now look at the other side!' He turned round and showed me his back. 'Not a scratch on the back, you see. Do you understand? Now take the lamp back.
Nikos Kazantzakis (Zorba the Greek)
...The spiritual Oriental teachers say a person has three forms of mind,'' Beatrice was explaining to him once, while they were on break between one lesson and another at university, ''which are the dense mind, the subtle level and the ultra-subtle mind. Primary Consciousness, or the dense mind, is that existential, Sartrean mind which is related to our senses and so it is guided directly by human primitive instincts; in Sanskrit, this is referred to as ālaya-vijñāna which is directly tied to the brain. The subtle mind comes into effect when we begin to be aware of our true nature or that which in Sanskrit is called Ātman or self-existent essence that eventually leads us to the spiritual dimension. Ultimately there is the Consciousness-Only or the Vijñapti-Mātra, an ultra-subtle mind which goes beyond what the other two levels of mind can fabricate, precisely because this particular mind is not a by-product of the human brain but a part of the Cosmic Consciousness of the Absolute, known in Sanskrit as Tathāgatagarbha, and it is at this profound level of Consciousness that we are able to achieve access to the Divine Wisdom and become one with it in an Enlightened State.'' ''This spiritual subject really fascinates me,'' the Professor would declare, amazed at the extraordinary knowledge that Beatrice possessed.'' ''In other words, a human being recognises itself from its eternal essence and not from its existence,'' Beatrice replied, smiling, as she gently touched the tip of his nose with the tip of her finger, as if she was making a symbolic gesture like when children are corrected by their teachers. ''See, here,'' she had said once, pulling at the sleeve of his t-shirt to make him look at her book. ''For example, in the Preface to the 1960 Notes on Dhamma, the Buddhist philosopher from the University of Cambridge, Ñāṇavīra Thera, maintains those that have understood Buddhist teachings have gone way beyond Existential Thought. And on this same theme, the German scholar of Buddhist texts, Edward Conze, said that the possible similarity that exists between Buddhist and Existential Thought lies only on the preliminary level. He said that in terms of the Four Noble Truths, or in Sanskrit Catvāri Āryasatyāni, the Existentialists have only the first, which teaches everything is ill. Of the second - which assigns the origin of ill to craving - they have a very imperfect grasp. As for the third and fourth, which consist of letting go of craving, and the Noble Eightfold Path that leads to liberation from the cycle of rebirth in the form of Nirvāṇa - these are unheard of. Knowing no way out, the Existentialists are manufacturers of their own woes...
Anton Sammut (Paceville and Metanoia)
Lord Randall barreled inside, brandishing his cane in Drew's face. "You beggarly knave, I was told this marriage was in name only! Who gave you permission to consummate the vows?" "Theodore Hopkin, governor of this colony, representative of the kind, and it's going to cost you plenty, for that daughter of yours is nothing but trouble. What in the blazes were you thinking to allow her an education?" Drew bit back his smile at the man's shocked expression. Nothing like landing the first punch. Lord Randall furrowed his bushy gray brows. "I knew not about her education until it was too late." Drew straightened the cuffs of his shirt. "Well, be prepared to pay dearly for it. No man should have to suffer through what I do with the constant spouting of the most addlepated word puzzles you could imagine." ----------------------------------------- "I require fifteen thousand pounds." Lord Randall spewed ale across the floor. "What! Surely drink has tickled your poor brain. You're a FARMER, you impudent rascal. I'll give you five thousand." Drew plopped his drink onto the table at his side, its contents sloshing over the rim. A satisfied smile broke across his face. "Excellent." He stood. "When will you take her back to England with you? Today? Tomorrow?" The old man's red-rimmed eyes widened. "I cannot take her back. Why, she's already birthed a child!" Drew shrugged. "Fifteen thousand or I send her AND the babe back, with or without you.
Deeanne Gist (A Bride Most Begrudging)
Ripped Jeans & Twenty Dollar Shirt (The Sonnet) Ripped jeans and twenty dollar shirt, That's how we'll change the world. It is okay if your outside is dirty, Make sure your heart is without dirt. Too many people wear suits and boots, In order to cover up the filth within. Those who have their character intact, Care not whether their clothes are shinin'. The world needs purpose, integrity, honor, None of which is predicated on clothes. Those who think clothes make the person, Will never discover any of the civilized roads. Heart makes the person, heart makes the world. A world without dirt comes from a heart without dirt.
Abhijit Naskar (Making Britain Civilized: How to Gain Readmission to The Human Race)
Thy can take everything you own --your property, your best years, all your joys, all your good works, everything down to your last shirt --but you'll always have your dreams, so you can reinvent your stolen world.
Yasmina Khadra (The Attack)
They can take everything you own --your property, your best years, all your joys, all your good works, everything down to your last shirt-- but you'll always have your dreams, so you can reinvent your stolen world.
Yasmina Khadra (The Attack)
Vane, you okay in there?” my mom calls through my door. I jump so hard I crash into my desk and knock off some books and video game cases. If my mom comes in and finds a gorgeous girl in a skimpy dress passed out on my worn gray rug, I’ll be grounded for the rest of eternity. Especially since all I have on at the moment are my Batman boxers. Pretty sure she won’t buy my ghost-guardian angel/freak-of-nature theories either. I stumble toward the door, prepared to barricade it with my dresser if I have to. “I’m fine, Mom,” I say as I grab the first T-shirt I see off my floor and throw it on, along with my gym shorts. “Then what’s all that banging?” Come on, Vane. Think! Inspiration strikes. “I found a date roach in my bed.” “Did you kill it?” My mom sounds farther away, like she jumped back. “I tried to, but now I can’t find it.” I don’t need to worry about my mom offering to help. She’s a big believer in the whole boys should kill all the bugs philosophy. “Well, I won’t distract you, then,” she says, and I can’t help smiling.
Shannon Messenger (Let the Sky Fall (Sky Fall, #1))
Let the sun set on me. Let its crimson sweat of ferocity spill all over me. My heart is ready for the chill of the darkness. I put my best shirt on and wait for a bridge of the light. Let the darkness rise from me, the darkness that conceals the bruises of the light.
Bhuwan Thapaliya (Safa Tempo: Poems New & Selected)
Yes. Neil Diamond had literally given her the shirt off his back. Why do these people mean so much to me? Because people inspire people. And over the years, they've all become a part of my DNA. In some way I've been shaped by each and every note I've heard them play. Memories have been painted in my mind with their voices as the frame.
Dave Grohl (The Storyteller: Tales of Life and Music)
They'd made love with such force she'd scratched his sides with her fingernails. With her, he discovered new depths of erotic imagination; he wanted things that had never entered his mind before...She was his inspiration, so unremitting that he started to wear his shirts pulled out over his trousers in order to hide his frequent erections.
Grażyna Plebanek (Nielegalne związki)
She [Tate] wanted to swim but hadn't brought her suit. She considered jumping in her shorts and T-shirt – but she was determined, from this point forward, to act like a grown woman. Not a woman like Anita Fullin or like Chess or like her mother or like Aunt India – but like the woman that was inside herself. Then she thought, the grown woman inside me is hot and sticky. And she jumped in.
Elin Hilderbrand (The Island)
The male sphere of Norse shamanism consisted of the elite warrior groups known as the berserkir ("bear-shirts") and the úlfheðnar ("wolf-skins"). The berserkers (as we'll refer to the members of both of those groups for the sake of convenience), were shamans of a very different sort. After undergoing a period of rigorous training and initiation, they developed the ability to fight in an ecstatic trance that rendered them fearless - and, according to some sources, impervious to danger - while nevertheless inspiring a tremendous amount of fear in their opponents by their behavior, which was at once animalistic and otherworldly. Perhaps needless to say, there was no ergi associated with being a berserker. Quite the opposite, in fact - the berserker was seen as something of a model of manliness.
Daniel McCoy (The Viking Spirit: An Introduction to Norse Mythology and Religion)
Wow,” Wesley said. We were lying in his bed only a few minutes after we’d finished, with a foot or more space between our bodies. “I definitely wasn’t expecting that.” God, he ruined everything when he talked. Annoyed, and still wading through the emotional repercussions, I sneered. “What? Ashamed that you screwed the Duff?” “No.” I was surprised by how serious he sounded. “I’m never ashamed of anyone I sleep with. Sex is a natural chemical reaction. It always happens for a reason. Who am I to dictate who experiences the joy of sharing my bed?” He didn’t see me roll my eyes as he continued. “No, I just meant that I’m shocked. I was honestly starting to believe that you hated me.” “I do hate you,” I assured him, kicking off the covers and moving to pick up my clothes. “You must not hate me too much,” Wesley said, rolling onto his elbow and watching me dress. “You did pretty much throw yourself at me. Generally, hatred doesn’t inspire that kind of passion.” I pulled on my T-shirt. “Believe me, Wesley, I definitely hate you. I was just using you. You use people all the time, so I’m sure you understand.” I buttoned my jeans and grabbed my alligator clip from the nightstand. “This was fun, but if you ever tell anyone, I swear I’ll castrate you.
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
Monsoon Love is a love story with a few comic twists. The idea for this story came to me when I went into the local town of Pokhara with a friend to buy his son a birthday present. We had just arrived at the shops when a heavy down pour began, and as we had arrived on his motorbike and didn’t have raincoats or umbrellas so we had to wait for the rain to stop. We were standing under a awning watching the street while we waited, and I noticed this very beautiful young woman walk past me dressed in a t-shirt and jeans with the cuffs rolled half up her legs, but the way she held her umbrella made it impossible to see her face, though with the nice body she had her face must have been just as lovely. Then I though, imagine some guy stuck working in an office, and seeing a view like that every day of the same woman, and falling in love with her despite not seeing her face.
Andrew James Pritchard
A prisoner named Denis Martinez, for example, explained what getting an education and learning to read deeply into subjects gave him in terms of perspective: “It’s given me a new set of glasses. Before I wasn’t able to see the things I see now. I was a nineteen-year old knucklehead going around and thinking I knew it all. The more I learned the more I could sense how wrong I was and how many things I didn’t know.” Inspired by his reading of René Descartes, Martinez reflected, “There are two ways to be in prison—physically and/or mentally. Being in prison mentally is to live in ignorance, closed-mindedness, and pessimism. You can confine me for as long as you want, but my mind will always be free.” The title of a painting this prisoner made is revealing: Cogito Ergo Sum Liber—I Think Therefore I Am Free. (Now, there’s a bumper sticker/T-shirt slogan for the modern Enlightenment thinker.)
Michael Shermer (The Moral Arc: How Science Makes Us Better People)
Your Barney?” Cole’s eyebrows shot up. “Yours?” “He’s mine all right!” Claire replied. “Everyone in this family belongs to everyone else – belongs with everyone else, rather. I’ve looked after him for a year now – ironed his shirts, made his school lunches, told him stories. I made that dressing gown he’s wearing, whereas no one knew you were alive this time last week. But what matters most is that he wants to be ours and he doesn’t want to be yours. That’s what counts.
Margaret Mahy (The Haunting)
Sitti knows that modern-day wars are fought over simple things, like the length and fit of a shirt—the shorter the sleeve, the greater the misfortune. Many times she wants to ask the one-hundred-year-old fig tree in the village center what it is like to be born from nothing and grow into something. She wants to know what it is like to bear fruit every year and not expect anything in return. She wants to know what it is like to be respected for what she could give—no more and no less.
Sadiqua Hamdan (Happy Am I. Holy Am I. Healthy Am I.)
Walker-thinkers have found various ways to accommodate the gifts that their walking brings. Caught paperless on his walks in the Czech enclaves of Iowa, maestro Dvořák scribbles the string quartets that visited his brain on his starched white shirt cuffs (so the legend goes). More proactively, Thomas Hobbes fashioned a walking stick for himself with an inkwell attached, and modern poet Mary Oliver leaves pencils in the trees along her usual pathways, in case a poem descends during her rambles.
Lyanda Lynn Haupt (Crow Planet: Essential Wisdom from the Urban Wilderness)
He advanced on her to steal a quick kiss, then took her by the shoulders and just stood there for a minute, rocking back and forth from his heels to the balls of his feet, smiling down at her, looking her over. “Like your shirt,” he said. She’d forgotten what she had on. She glanced down and watched his finger trace the words that scrolled across her chest. Just that light touch of his, even through her shirt, made her shiver with longing. The message was SAY I WON’T. Above that, in smaller letters, “Tell me that I won’t do it . . and I will.” “That inspires me,” he said, with his most wicked grin. “You know how I love a challenge.
Genell Dellin (Montana Gold)
Good reader, I was exactly the Church Youth Group Girl you think I was. Christian T-shirts and youth choir with a side of sanctimony. It pains me to admit this, but my class voted me “Most Inspirational” my senior year. I was a lot of fun, bless my heart. I grew up immersed in typical Christian culture: heavy emphasis on morality, fairly dogmatic, linear, and authoritative. Because my experience was so homogenous and my skill set included Flying Right, I found wild success within the paradigm. My interpretations were rarely challenged by diversity, suffering, or disparity. Since the bull’s-eye was good behavior (we called it “holiness”), I earned an A.
Jen Hatmaker (For the Love: Fighting for Grace in a World of Impossible Standards)
What if our national parks and monuments became places of conscience instead of places of consumption? How many more T-shirts can we buy, let alone wear, that advertise where we've been? How many different forms of recreation must we create to assuage our adrenaline to return home with a fresh idea gleaned while walking in new territory? As I have been visiting our national parks, I keep asking myself: Who are we becoming? In the end, it may be solitude that the future will thank us most for conserving- the kind of solitude born out of stillness....It is the kind of stillness that can still be found in each of our national parks where a quieting of the soul inspires creative acts.
Terry Tempest Williams (The Hour of Land: A Personal Topography of America's National Parks)
Another bottle was brought out and poured into the reservoir. Once more I climbed inside the car and pressed the spurter button. Once more nothing happened--and once more, when we looked inside the reservoir, we found it empty. "Two litres!" I said. "Where has it all gone?" They'd vaporized, evaporated. And do you know what? It felt wonderful. Don't ask me why: it just did. It was as though I'd just witnessed a miracle: matter--these two litres of liquid--becoming un-matter--not surplus matter, mess or clutter, but pure, bodiless blueness. Transubstantiated. I looked up at the sky: it was blue and endless. I looked back at the boy. His overalls and face were covered in smears. He'd taken on these smears so that the miracle could happen, like a Christian martyr being flagellated, crucified, scrawled over with stigmata. I felt elated--elated and inspired. "If only..." I started, but paused. "What?" he asked. "If only everything could..." I trailed off. I knew what I meant. I stood there looking at his grubby face and told him: "Thank you." Then I got into the car and turned the ignition key in its slot. The engine caught--and as it did, a torrent of blue liquid burst out of the dashboard and cascaded down. It gushed from the radio, the heating panel, the hazard-lights switch and the speedometer and mileage counter. It gushed all over me: my shirt, my legs, my groin.
Tom McCarthy (Remainder)
I’m an overthinker. Many of us are. My mind gets racing a thousand miles a minute and I get anxious about my work, my career, or where I need to be in thirty minutes. Every day I need to shut down this machine and simply be still. Be aware of your breathing, really feel your breath going in, going out. Be aware of the feeling of the cloth on your shirt. Be aware of the grip on the steering wheel. Tell yourself--out oud--that the only thing that truly exists right now is this exact moment, and enjoy it, swim in it. Someone once said that your mind is like a raging river that’s full of debris, and when you’re floating in this river, you reach out and try to grab the branches and rocks. But what if you could climb onto the bank and watch the river? Suddenly you’re in a calm place. Maybe it sounds like a cliché to say, “Stop and smell the roses,” so I’ll tell you this instead: “Stop and watch the sunset.” Just the other night, driving home in L.A., I was struck by how beautiful the sky was--a dark blue canvas painted with strokes of bright orange and red. It was truly one of the most glorious sunsets I’d ever seen. I was stuck in traffic, worrying about one thing or another, and I just gazed out the window and drank it in. I let it fill my soul and inspire me. The world stopped revolving for just that split second, and my mind was still and calm. And to think, I could have missed it.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
The wonderful science behind taking the chastity pill is to preserve honor, respect, purity and worth. Again, the value of a woman’s future is dependent on how well she blocks any advances, foul balls, interceptions or explorations. It’s no surprise I question everything. What does going to the movies have to do with my vagina? What does going to the grocery store at ten pm at night to pick up a package of brownie mix have to do with my vagina? Why is ok for me not to go to a high school football game? Does wearing a tank top instead of a short sleeve shirt compromise my vagina shield? Do I have an Anti-Vagina Defense security chip installed on me that I’m not aware of, one that only works with loose clothing?
Sadiqua Hamdan (Happy Am I. Holy Am I. Healthy Am I.)
I was stunned. The steppe seemed to burst into bloom, heaving a sigh and drawing aside the veil of darkness, and I saw two lovers in its vast expanse. They did not seem to notice me, it was as if I was not there. I was walking along and watching as they, oblivious to the world, swayed together in tune with the song. And I did not recognize them. It was the same old Daniyar in his shabby army shirt unbuttoned at the throat, but his eyes seemed to gleam in the gloom. it was my Jamilia clinging to him, yet so quiet and timid, with teardrops sparkling upon her eyelashes. They were newly born, uniquely happy people. Was this not true happiness? Was not Daniyar giving this inspired music utterly to her, was he not singing for her, singing about her?
Chingiz Aitmatov (Jamilia)
It was always right in front of me. The fear was there in the extravagant boys of my neighborhood, in their large rings and medallions, their big puffy coats and full-length fur-collared leathers, which was their armor against the world. They would stand on the corner of Gwynn Oak and Liberty, or Cold Spring and Park Heights, or outside Mondawmin Mall, with their hands dipped in Russell sweats, I think back on those boys now and all I see is fear, and all I see is them girding themselves against the ghosts of the bad old days when the Mississippi mob gathered 'round their grandfathers so that the branches of the black body might be torched, then cut away. The fear lived on in their practiced bop, their slouching denim, their big T-shirts, the calculated angle of their baseball caps, a catalog of behaviors and garments enlisted to inspire the belief that these boys were in firm possession of everything they desired.
Ta-Nehisi Coates (Between the World and Me)
With a sudden strike of inspiration, she blurted, “Why don’t you write a novel? I know you have enough life experiences to fill a whole room with books, and with you as the main character.” She placed the coffee cup back into Havok’s hands before reaching down to grab the bottom of her shirt, pulling it over her head, and balling it up in her hands. Standing naked, she brought the shirt to her nose and closed her eyes. “I can be one of your characters,” she purred, her eyes still closed. “A sexually frustrated homemaker whom you rescue from a boring marriage and ravage anytime you wish.” “I couldn’t tell you the difference between a split infinitive and a sentence fragment. Besides, the protagonists in most novels are supposed to be some sort of good-looking and chivalrous knights in shining armor who, at no time, sleeps with another man’s wife, always knows how to work a toilet seat, cooks the perfect eggs, and never burns the toast.” Havok shrugged his shoulders. “I have a habit of burning toast.” With the shirt still against her nose, June opened her eyes. “Somehow, I think that you make it a habit of burning your toast.
Wayne Abrahamson (Black Silver)
If I were to list all the positive attributes about Ryan Lilly, I’d run out of superior adjectives to use. I mean seriously, how big do you think my vocabulary is? I only know about a hundred million words, and with that small of a sample size, how could I accurately describe someone as great as Ryan? Ryan is the most amazing guy I’ve ever met. Seriously, I’m insanely jealous and I just want to stab him. But I won’t, because everybody loves Ryan, including me. Ryan is a big inspiration in my life. Not only is Ryan fiercely intelligent—on the level of Newton, da Vinci, and Nietzsche’s mustache—but he is the most open, honest, and understanding guy I’ve ever met. He’s the kind of guy who’d give you the shirt off his back if you asked. I know, because I’m wearing his shirt now. If you don’t know who Ryan Lilly is, you soon will. He’ll probably be one of the most talked about people in history, and just the other day I came across this quote from Pliny (I don’t know how old Pliny is, so I don’t know if it was Pliny the Older or Pliny the Younger) which said, “Everything good I have written about can be summed up in two words: Ryan Lilly.” That’s a real quote I read in a real book. Trust me, I’m a writer.
Jarod Kintz (My love can only occupy one person at a time)
Delbert was the only Bumpus kid in my grade, but they infested Warren G. Harding like termites in an outhouse. There was Ima Jean, short and muscular, who was in the sixth grade, when she showed up, but spent most of her time hanging around the poolroom. There was a lanky, blue-jowled customer they called Jamie, who ran the still and was the only one who ever wore shoes. He and his brother Ace, who wore a brown fedora and blue work shirts, sat on the front steps at home on the Fourth of July, sucking at a jug and pretending to light sticks of dynamite with their cigars when little old ladies walked by. There were also several red-faced girls who spent most of their time dumping dishwater out of windows. Babies of various sizes and sexes crawled about the back yard, fraternizing indiscriminately with the livestock. They all wore limp, battleship-gray T-shirts and nothing else. They cried day and night. We thought that was all of them—until one day a truck stopped in front of the house and out stepped a girl who made Daisy Mae look like Little Orphan Annie. My father was sprinkling the lawn at the time; he wound up watering the windows. Ace and Emil came running out onto the porch, whooping and hollering. The girl carried a cardboard suitcase—in which she must have kept all her underwear, if she owned any—and wore her blonde hair piled high on her head; it gleamed in the midday sun. Her short muslin dress strained and bulged. The truck roared off. Ace rushed out to greet her, bellowing over his shoulder as he ran: “MAH GAWD! HEY, MAW, IT’S CASSIE! SHE’S HOME FROM THE REFORMATORY!” Emil
Jean Shepherd (A Christmas Story: The Book That Inspired the Hilarious Classic Film)
The key to preventing this is balance. I see the give and take between different constituencies in a business as central to its success. So when I talk about taming the Beast, what I really mean is that keeping its needs balanced with the needs of other, more creative facets of your company will make you stronger. Let me give you an example of what I mean, drawn from the business I know best. In animation, we have many constituencies: story, art, budget, technology, finance, production, marketing, and consumer products. The people within each constituency have priorities that are important—and often opposing. The writer and director want to tell the most affecting story possible; the production designer wants the film to look beautiful; the technical directors want flawless effects; finance wants to keep the budgets within limits; marketing wants a hook that is easily sold to potential viewers; the consumer products people want appealing characters to turn into plush toys and to plaster on lunchboxes and T-shirts; the production managers try to keep everyone happy—and to keep the whole enterprise from spiraling out of control. And so on. Each group is focused on its own needs, which means that no one has a clear view of how their decisions impact other groups; each group is under pressure to perform well, which means achieving stated goals. Particularly in the early months of a project, these goals—which are subgoals, really, in the making of a film—are often easier to articulate and explain than the film itself. But if the director is able to get everything he or she wants, we will likely end up with a film that’s too long. If the marketing people get their way, we will only make a film that mimics those that have already been “proven” to succeed—in other words, familiar to viewers but in all likelihood a creative failure. Each group, then, is trying to do the right thing, but they’re pulling in different directions. If any one of those groups “wins,” we lose. In an unhealthy culture, each group believes that if their objectives trump the goals of the other groups, the company will be better off. In a healthy culture, all constituencies recognize the importance of balancing competing desires—they want to be heard, but they don’t have to win. Their interaction with one another—the push and pull that occurs naturally when talented people are given clear goals—yields the balance we seek. But that only happens if they understand that achieving balance is a central goal of the company.
Ed Catmull (Creativity, Inc.: an inspiring look at how creativity can - and should - be harnessed for business success by the founder of Pixar)
Prugo gazes at his image onscreen, cocking his head this was and that, making "sexy" faces, checking himself out. Inspired, he gets up and lifts up his shirt, showing off his bare midriff. Then he turns around and does a booty dance for the camera.
Nancy Jo Sales
Our planning consisted of starting up our project by generating some income through t-shirts and small products. Then we worked our way up with art shows and art projects that I’m creating under our collective. Only then did we announce the comic book, because if we don’t do these things before, no one is going to care what you’re doing for the bigger project that you’ve got coming next. We worked it up in steps, and once we announced the comic project it all came together.
K. Guillory