Shirt Sleeves Quotes

Patch was dressed in the usual: black shirt, black jeans and a thin silver necklace that flashed against his dark complexion. His sleeves were pushed up his forearms, and I could see his muscles working as he punched buttons. He was tall and lean and hard, and I wouldn't have been surprised if under his clothes he bore several scars, souvenirs from street fights and other reckless behavior. Not that I wanted a look under his clothes.

A banker is a man who will lend you the short sleeve shirt off his back and demand a long sleeve one in return.

It had bewildered her, back at Canaan House, how the whole of her always seemed to come back to Gideon. For one brief and beautiful space of time, she had welcomed it: that microcosm of eternity between forgiveness and the slow, uncomprehending agony of the fall. Gideon rolling up her shirt sleeves. Gideon dappled in shadow, breaking promises. One idiot with a sword and an asymmetrical smile had proved to be Harrow’s end: her apocalypse swifter than the death of the Emperor and the sun with him.

He trapped my hand against his chest and yanked my sleeve down past my wrist, covering my hand with it. Just as quickly, he did the same thing with the other sleeve. He held my shirt by the cuffs, my hands captured. My mouth opened in protest. Reeling me closer, he didn’t stop until I was directly in front of him. Suddenly he lifted me onto the counter. My face was level with his. He fixed me with a dark, inviting smile. And that’s when I realized this moment had been dancing around the edge of my fantasies for several days now. "Take off your hat," I said, the words tumbling out before I could stop them. He slid it around, the brim facing backward. I scooted to the edge of the counter, my legs dangling one on either side of him. Something inside of me was telling me to stop—but I swept that voice to the far back of my mind. He spread his hands on the counter, just outside my hips. Tilting his head to one side, he moved closer. His scent, which was all damp dark earth, overwhelmed me. I inhaled two sharp breaths. No. This wasn’t right. Not this, not with Patch. He was frightening. In a good way, yes. But also in a bad way. A very bad way. "You should go," I breathed. "You should definitely go." "Go here?" His mouth was on my shoulder. "Or here?" It moved up my neck. My brain couldn’t process one logical thought. Patch’s mouth was roaming north, up over my jaw, gently sucking at my skin... "My legs are falling asleep," I blurted. It wasn’t a total lie. I was experiencing tingling sensations all through my body, legs included. "I could solve that." Patch’s hands closed on my hips.

Wrath walked over to the closet and looked throught the clothes. He took out a black long-sleeved shirt, a pair of leather pants, and --jeez, what was this? Oh, not fucking likely. He was not going to fight in BVDs. He'd go commando before he got cought dead inthose things.

The shirt seemed heavy until he saw there was another shirt inside it, the sleeves carefully worked down inside Jack’s sleeves. It was his own plaid shirt, lost, he’d thought, long ago in some damn laundry, his dirty shirt, the pocket ripped, buttons missing, stolen by Jack and hidden here inside Jack’s own shirt, the pair like two skins, one inside the other, two in one.

His hair was still wet, and he was in a black long-sleeved T-shirt and tattered blue jeans. His feet were bare. Casual. Comfortable. Gorgeous.

I swear on the Angel.” He ducked his head down, kissed her cheek. “The hell with that. I swear on us.” Clary wound her fingers into the sleeve of his T-shirt. “Why us?” “Because there isn’t anything I believe in more.

Is not the most erotic portion of a body where the garment gapes? In perversion (which is the realm of textual pleasure) there are no "erogenous zones" (a foolish expression, besides); it is intermittence, as psychoanalysis has so rightly stated, which is erotic: the intermittence of skin flashing between two articles of clothing (trousers and sweater), between two edges (the open-necked shirt, the glove and the sleeve); it is this flash itself which seduces, or rather: the staging of an appearance-as-disappearance.

The newcomer stood well over six feet, as tall as any Warden. His hair was dark, the color of obsidian, and it reflected blue in the dim light. Lazy locks slipped over his forehead and curled just below his ears. Brows arched over golden eyes and his cheekbones were broad and high. He was attractive. Very attractive. Mind-bendingly beautiful, actually, but the sardonic twist to his full lips chilled his beauty. The black T-shirt stretched across his chest and flat stomach. A huge tattoo of a snake curled around his forearm, the tail disappearing under his sleeve and the diamond-shaped head rested on the top of his hand. He looked my age. Total crush material—if it wasn’t for the fact that he had no soul.

Well, it was probably the fever. You were burning up.” My eyes snapped back to his. “You touched me?” “Yes, I touched you…and you weren’t wearing a lot of clothes.” The smug stretch of his lips spread. “And you were soaked …in a white T-shirt. Nice look. Very nice.” Heat crept over my cheeks. “The lake…it wasn’t a dream?” Daemon shook his head. “Oh my God, so I did go swimming in the lake?” He pushed off the desk and took one step forward, which put him in the same breathing space as me… if he actually needed to breathe. “You did. Not something I expected to see on Monday night, but I'm not complaining. I saw a lot.” “Shut up,” I hissed. “Don’t be embarrassed.” He reached out, tugging on the sleeve of my cardigan. I smacked his hand away. “It’s not like I haven’t seen the upper part before, and I didn’t get a real good look down—“ I came off the desk swinging. My knuckles only brushed his face before he caught my hand. Wowzer, he was fast. Daemon pulled me up against his chest and lowered his head, eyes snapping with restrained anger. “Don’t hit, kitten. It’s not nice.

Jesper and Kaz swung around, crashed into the mechanism of the clock, righted themselves. It wasn’t a fight, it was a brawl—graceless, a tangle of elbows and fists. “Ghezen and his works, someone stop them!” Wylan said desperately. “Jesper hasn’t shot him,” Nina said. “Kaz isn’t using his cane,” said Inej. “You think they can’t kill each other with their bare hands?” They were both bleeding—Jesper from a cut on his lip and Kaz from somewhere near his brow. Jesper’s shirt was halfway over his head and Kaz’s sleeve was tearing at the seam.

Increasingly at Southern airports, instead of a “good-bye” or “thank-you,” cashiers are apt to say, “Have a blessed day.” This can make you feel like you’ve been sprayed against your will with God cologne. “Get it off me!” I always want to scream. “Quick, before I start wearing ties with short-sleeved shirts!

By a man's finger-nails, by his coat-sleeve, by his boots, by his trouser-knees, by the callosities of his forefinger and thumb, by his expression, by his shirt-cuff — By each of these things a man's calling is plainly revealed. That all united should fail to enlighten the competent inquirer in any case is almost inconceivable. You know that a conjurer gets no credit when once he has explained his trick; and if I show you too much of my method of working, you will come to the conclusion that I am a very ordinary individual after all.

Dani, Dani, Dani." I flinch. I've never heard anyone say my name so gently. It creeps me all kinds of out. He's towering over me, arms crossed over his chest, scarred forearms dark against the rolled-up sleeves of a crisp white shirt. Heavy silver cuffs glint at both wrists. The light is smack behind his head, as usual. "You didn't really think I'd let you get away with it," Ryodan says.

She turned toward Roarke's office, then stopped in the doorway. He was at his console; captain of his ship. He'd drawn his hair back so it lay on his neck in a short, gleaming black tail. His eyes were cool, cool blue. The colour they were when his mind was fully occupied. He'd taken off his dinner jacket, his shirt was loose at the collar, the sleeves rolled up. There was something... just something about that look that always and forever grabbed her in the gut. She could look at him for hours, and at the end of it, still marvel that he belonged to her. "Someone wants to hurt you," she thought. "I'm not going to let them.

That night, before bed, he goes first to Willem's side of the closet, which he has still not emptied. Here are Willem's shirts on their hangers, and his sweaters on their shelves, and his shoes lined up beneath. He takes down the shirt he needs, a burgundy plaid woven through with threads of yellow, which Willem used to wear around the house in the springtime, and shrugs it on over his head. But instead of putting his arms through its sleeves, he ties the sleeves in front of him, which makes the shirt look like a straitjacket, but which he can pretend—if he concentrates—are Willem's arms in an embrace around him. He climbs into bed. This ritual embarrasses and shames him, but he only does it when he really needs it, and tonight he really needs it.

A moment later, Helen had returned; she was walking slowly now, and carefully, her hand on the back of a thin boy with a mop of wavy brown hair. He couldn’t have been older than twelve, and Clary recognized him immediately. Helen, her hand firmly clamped around the wrist of a younger boy whose hands were covered with blue wax. He must have been playing with the tapers in the huge candelabras that decorated the sides of the nave. He looked about twelve, with an impish grin and the same wavy, bitter-chocolate hair as his sister. Jules, Helen had called him. Her little brother. The impish grin was gone now. He looked tired and dirty and frightened. Skinny wrists stuck out of the cuffs of a white mourning jacket whose sleeves were too long for him. In his arms he was carrying a little boy, probably not more than two years old, with the same wavy brown hair that he had; it seemed to be a family trait. The rest of his family wore the same borrowed mourning clothes: following Julian was a brunette girl about ten, her hand firmly clasped in the hold of a boy the same age: the boy had a sheet of tangled black hair that nearly obscured his face. Fraternal twins, Clary guessed. After them came a girl who might have been eight or nine, her face round and very pale between brown braids. The misery on their faces cut at Clary’s heart. She thought of her power with runes, wishing that she could create one that would soften the blow of loss. Mourning runes existed, but only to honor the dead, in the same way that love runes existed, like wedding rings, to symbolize the bond of love. You couldn’t make someone love you with a rune, and you couldn’t assuage grief with it, either. So much magic, Clary thought, and nothing to mend a broken heart. “Julian Blackthorn,” said Jia Penhallow, and her voice was gentle. “Step forward, please.” Julian swallowed and handed the little boy he was holding over to his sister. He stepped forward, his eyes darting around the room. He was clearly scouring the crowd for someone. His shoulders had just begun to slump when another figure darted out onto the stage. A girl, also about twelve, with a tangle of blond hair that hung down around her shoulders: she wore jeans and a t-shirt that didn’t quite fit, and her head was down, as if she couldn’t bear so many people looking at her. It was clear that she didn’t want to be there — on the stage or perhaps even in Idris — but the moment he saw her, Julian seemed to relax. The terrified look vanished from his expression as she moved to stand next to him, her face ducked down and away from the crowd. “Julian,” said Jia, in the same gentle voice, “would you do something for us? Would you take up the Mortal Sword?

Choir is the one time of day when he lets down his guard; there is peace in the strict concentration that Faughnan demands of all of them, in the sweet dissonance of voices in chorus. He has sung in here since he was a freshman. Faughnan is a serious student of music; also, a perfectionist of the sternest sort, who cares about nobody, about nothing other than the music. His shirt sleeves rolled to the elbows, his tie undone, he drives them. Every minute of every hour that is spent there, they work, and there is only one way to prove yourself. You sing, and sing, and sing. All else is unimportant.

The first time she carved something into her skin, she used the sharp tip of an X-Acto knife. She lifted up her shirt to show me after the cuts had scabbed over. She had scrawled F*** YOU on her stomach. I stood quiet for a moment, feeling the breath get knocked out of me. I should have grabbed her arm and taken her straight to the nurse's office, into that small room with two cots covered in paper sheets and the sweet, stale medicinal smell. I should have lifted Ingrid's shirt to show the cuts. Look, I would've said to the nurse at her little desk, eyeglasses perched on her pointed nose. Help her. Instead, I reached my hand out and traced the words. The cuts were shallow, so the scabs only stood out a little bit. They were rough and brown. I knew that a lot of girls at our school cut themselves. They wore their long sleeves pulled down past their wrists and made slits for their thumbs so that the scars on their arms wouldn't show. I wanted to ask Ingrid if it hurt to do that to herself, but I felt stupid, like I must have been missing something, so what I said was, F*** you too, b****. Ingrid giggled, and I tried to ignore the feeling that something good between us was changing.

Today at school I will learn to read at once; then tomorrow I will begin to write, and the day after tomorrow to cipher. Then with my acquirements I will earn a great deal of money, and with the first money I have in my pocket I will immediately buy for my papa a beautiful new cloth coat. But what am I saying? Cloth, indeed! It shall be all made of gold and silver, and it shall have diamond buttons. That poor man really deserves it; for to buy me books and to have me taught he has remained in his shirt sleeves... And in this cold! It is only fathers who are capable of such sacrifices!...

Growing up feels like your skin no longer fits. Like you just want to crawl out of that thinly stretched space and lay down in the grass and sob for hours. Instead, I am in a cafe eating lunch and trying not to scream. Looking around wondering if anyone else in this building is doing the same thing, wondering if they ever have and, if so, how they got through it. Maybe I would calm down if I just had the assurance that other people have looked in the mirror and no longer recognized themselves. Maybe if I could sit across the table from an elderly woman and have her tell me that she lived through days where the covers over her head felt even better than an embrace and weeks where she drank her tears to keep from wetting her shirt sleeves, but that those years shaped her into an iron skeleton with a tender heart. That “worth it” was an understatement. Maybe then I would feel okay.

We had just commenced the third course—the bread and jam—when a gentleman in shirt-sleeves and a short pipe came along, and wanted to know if we knew that we were trespassing. We said we hadn’t given the matter sufficient consideration as yet to enable us to arrive at a definite conclusion on that point, but that, if he assured us on his word as a gentleman that we were trespassing, we would, without further hesitation, believe it.

The hardest lesson in life is learning to accept that there are some things we can't change." Falcone paused, his eyes hard and glittering. [...] Then he unbuttoned the cuffs on his shirt and rolled back his sleeves to expose the melted surface of his forearms. He held them up for Kira to see. "Why do you think I keep these scars?" "Because you feel guilty over ..." "No," Falcone said harshly. Then, in a gentler tone, "No. I keep them to remind me of what I can survive. Of what I have survived. If I'm having a rough time, I look at my arms and then I know I'll get through whatever problem I'm dealing with. Life's not gonna break me. It can't break me. It might kill me, but nothing it throws at me is gonna make me give up.

Tori swiveled in her seat as we came in. "There are more," she said. "He sent one every couple of weeks. The last one was only a few days ago." "Good," I said. "Would you mind keeping and eye on Andrew?" "Sure." She took off. "Wait." I grabbed Derek's sleeve as he headed for the chair Tori had vacated. I wanted to say something. I didn't know what. But there was no way to tell him that wouldn't be much of a shock, so I ended up stupidly murmuring, "Never mind." When he read what was on the screen, he went absolutely still, like he wasn't even breathing. After a few seconds, he yanked the laptop closer, leaning in to read it again. And again. Finally, he pushed back the chair and exhaled. "He's alive," I said. "You're dad's alive." He looked up at me and, I couldn't help it- I threw my arms around his neck and hugged him. Then I realized what I was doing. I let go, backing away, tripping over my feet, stammering, "I-I'm sorry. I'm just- I'm happy for you." "I know." Still sitting, he reached out and pulled me toward him. We stayed there, looking at each other, his hand still wrapped in my shirt hem, my heart hammering so hard I was sure he could hear it. "There's more," I said after a few seconds. "More emails, Tori said." He nodded and swiveled back to the computer, making room for me. When I inched closer, not wanting to intrude, he tugged me in front of him and I stumbled, half falling onto his lap. I tried to scramble up, cheeks burning, but he pulled me down onto his knee, one arm going around my waist, tentative, as if to say Is this okay? It was, even if my blood pounded in my ears so hard I couldn't think. Thankfully, I had my back to him because I was sure my cheeks were scarlet.

He was wearing brown leather trousers, a darker brown leather vest, and a silk shirt that matched my dress. The sleeves were almost piratical in style, and the collar was unlaced. His boots were the same shade as his vest, a few shades lighter than his hair. "Uh," I said again, before managing. "Weren't you wearing that the last time you came to Court?" "She always dresses me in some variation of this attire," said Tybalt. "I can't tell whether she likes the look of it, or whether she's trying to make a point. This would have been a stagehand's garb, once upon a time, and nothing suited for a King." "Uh," I said for a third time. Seeing my distress, Tybalt smirked, leaned in, and murmured in my ear, "I have a disturbing assortment of leather trousers, thanks to her. I'd be happy to show you, if you like.

She twisted her hair as if the question made her uncomfortable. “Seeing the past is simple magic. Seeing the present or the future—that is not.” “Yeah, well,” Leo said. “Watch and learn, Sunshine. I just connect these last two wires, and—” The bronze plate sparked. Smoke billowed from the sphere. A flash of fire raced up Leo’s sleeve. He pulled off his shirt, threw it down, and stomped on it. He could tell Calypso was trying not to laugh, but she was shaking with the effort. “Not a word,” Leo warned. She glanced at his bare chest, which was sweaty, bony, and streaked with old scars from weapon-making accidents. “Nothing worth commenting on,” she assured him. “If you want that device to work, perhaps you should try a musical invocation.” “Right,” he said. “Whenever an engine malfunctions, I like to tap-dance around it. Works every time.

Jenna had tried to cheer me up that morning, saying, "At least you have it with a hot guy." "Archer isn't hot anymore," I'd fired back. "He tried to kill me, and his girlfriend is Satan." But I have to admit that as we stood beside each other on the cellar steps and listened to the Vandy ramble on about what we were supposed to do down there, I couldn't help but sneak sideways glances at him and notice that, homicidal tendencies and evil girlfriends aside, he was still hot. As usual,his tie was loose and his shirt-sleeves were rolled up. He was watching the Vandy with this bored, vaguely amused look, arms crossed over his chest. That pose did most excellent things for his chest and arms.How unfair was it that Elodie of all people got that as a boyfriend? I mean, where is the justice when-" "Miss Mercer!" the Vandy barked, and I jumped high enough to nearly lose my balance. I clutched the banister next to me, and Archer caught my other elbow. Then he winked, and I immediately turned my attention back to the Vandy like she was the most fascinating person I'd ever seen. "Do you need me to repeat anything, Miss Mercer?" she sneered. "N-no. I got it," I stammered. She stared at me for a minute. I think she was trying to come up with a witty put-down.But the Vandy,like most mean people, was dumb, so in the end, she just sort of growled and pushed between me and Archer to stalk up the stairs. "One hour!" she called over her shoulder. The ancient door didn't so much as creak as scream in pain as she pushed it closed.

Fairy tales are about trouble, about getting into and out of it, and trouble seems to be a necessary stage on the route to becoming. All the magic and glass mountains and pearls the size of houses and princesses beautiful as the day and talking birds and part-time serpents are distractions from the core of most of the stories, the struggle to survive against adversaries, to find your place in the world, and to come into your own. Fairy tales are almost always the stories of the powerless, of youngest sons, abandoned children, orphans, of humans transformed into birds and beasts or otherwise enchanted away from their own lives and selves. Even princesses are chattels to be disowned by fathers, punished by step-mothers, or claimed by princes, though they often assert themselves in between and are rarely as passive as the cartoon versions. Fairy tales are children's stories not in wh they were made for but in their focus on the early stages of life, when others have power over you and you have power over no one. In them, power is rarely the right tool for survival anyway. Rather the powerless thrive on alliances, often in the form of reciprocated acts of kindness -- from beehives that were not raided, birds that were not killed but set free or fed, old women who were saluted with respect. Kindness sewn among the meek is harvested in crisis... In Hans Christian Andersen's retelling of the old Nordic tale that begins with a stepmother, "The Wild Swans," the banished sister can only disenchant her eleven brothers -- who are swans all day look but turn human at night -- by gathering stinging nettles barehanded from churchyard graves, making them into flax, spinning them and knitting eleven long-sleeved shirts while remaining silent the whole time. If she speaks, they'll remain birds forever. In her silence, she cannot protest the crimes she accused of and nearly burned as a witch. Hauled off to a pyre as she knits the last of the shirts, she is rescued by the swans, who fly in at the last moment. As they swoop down, she throws the nettle shirts over them so that they turn into men again, all but the youngest brother, whose shirt is missing a sleeve so that he's left with one arm and one wing, eternally a swan-man. Why shirts made of graveyard nettles by bleeding fingers and silence should disenchant men turned into birds by their step-mother is a question the story doesn't need to answer. It just needs to give us compelling images of exile, loneliness, affection, and metamorphosis -- and of a heroine who nearly dies of being unable to tell her own story.

He felt something on his neck. Warmth. He hesitated, then turned weary eyes toward the sky. Sunlight bathed his face. He gaped; it seemed so long since he’d seen pure sunlight. It shone down through a large break in the clouds, comforting, like the warmth of an oven baking a loaf of Adrinne’s thick sourdough bread. Almen stood, raising a hand to shade his eyes. He took a deep, long breath, and smelled… apple blossoms? He spun with a start. The apple trees were flowering. That was plain ridiculous. He rubbed his eyes, but that didn’t dispel the image. They were blooming, all of them, white flowers breaking out between the leaves. [...] What was happening? Apple trees didn’t blossom twice. Was he going mad? Footsteps sounded softly on the path that ran past the orchard. Almen spun to find a tall young man walking down out of the foothills. He had deep red hair and he wore ragged clothing: a brown cloak with loose sleeves and a simple white linen shirt beneath. The trousers were finer, black with a delicate embroidery of gold at the cuff. “Ho, stranger,” Almen said, raising a hand, not knowing what else to say, not even sure if he’d seen what he thought he’d seen. “Did you… did you get lost up in the foothills?” The man stopped, turning sharply. He seemed surprised to find Almen there. With a start, Almen realized the man’s left arm ended in a stump. The stranger looked about, then breathed in deeply. “No. I’m not lost. Finally. It feels like a great long time since I’ve understood the path before me.