β
No live organism can continue for long to exist sanely under conditions of absolute reality.
β
β
Shirley Jackson (The Haunting of Hill House)
β
A pretty sight, a lady with a book.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream.
β
β
Shirley Jackson (The Haunting of Hill House)
β
Am I walking toward something I should be running away from?
β
β
Shirley Jackson (The Haunting of Hill House)
β
No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.
β
β
Shirley Jackson (The Haunting of Hill House)
β
Fear," the doctor said, "is the relinquishment of logic, the willing relinquishing of reasonable patterns. We yield to it or we fight it, but we cannot meet it halfway.
β
β
Shirley Jackson (The Haunting of Hill House)
β
On the moon we wore feathers in our hair, and rubies on our hands. On the moon we had gold spoons.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
I can't help it when people are frightened," says Merricat. "I always want to frighten them more.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
To learn what we fear is to learn who we are. Horror defies our boundaries and illuminates our souls.
β
β
Shirley Jackson (The Haunting of Hill House)
β
I am like a small creature swallowed whole by a monster, she thought, and the monster feels my tiny little movements inside.
β
β
Shirley Jackson (The Haunting of Hill House)
β
We eat the year away. We eat the spring and the summer and the fall. We wait for something to grow and then we eat it.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
I was pretending that I did not speak their language; on the moon we spoke a soft, liquid tongue, and sang in the starlight, looking down on the dead dried world.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
I delight in what I fear.
β
β
Shirley Jackson
β
I'm going to put death in all their food and watch them die.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
All cat stories start with this statement: "My mother, who was the first cat, told me this...
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
Journeys end in lovers meeting; I have spent an all but sleepless night, I have told lies and made a fool of myself, and the very air tastes like wine. I have been frightened half out of my foolish wits, but I have somehow earned this joy; I have been waiting for it for so long.
β
β
Shirley Jackson (The Haunting of Hill House)
β
My name is Mary Katherine Blackwood. I am eighteen years old, and I live with my sister Constance. I have often thought that with any luck at all, I could have been born a werewolf, because the two middle fingers on both my hands are the same length, but I have had to be content with what I had. I dislike washing myself, and dogs, and noise. I like my sister Constance, and Richard Plantagenet, and Amanita phalloides, the death-cup mushroom. Everyone else in our family is dead.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
Poor strangers, they have so much to be afraid of.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
I remember that I stood on the library steps holding my books and looking for a minute at the soft hinted green in the branches against the sky and wishing, as I always did, that I could walk home across the sky instead of through the village.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
Merricat, said Connie, would you like a cup of tea?
Oh no, said Merricat, youβll poison me.
Merricat, said Connie, would you like to go to sleep?
Down in the boneyard ten feet deep!
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
So long as you write it away regularly nothing can really hurt you.
β
β
Shirley Jackson
β
Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.
β
β
Shirley Jackson (The Haunting of Hill House)
β
Fate intervened. Some of us, that day, she led inexorably through the gates of death. Some of us, innocent and unsuspecting, took, unwillingly, that one last step to oblivion. Some of us took very little sugar.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
Fear and guilt are sisters;
β
β
Shirley Jackson (The Haunting of Hill House)
β
Why do people want to talk to each other? I mean, what are the things people always want to find out about other people?
β
β
Shirley Jackson (The Haunting of Hill House)
β
All I could think of when I got a look at the place from the outside was what fun it would be to stand out there and watch it burn down.
β
β
Shirley Jackson (The Haunting of Hill House)
β
There had not been this many words sounded in our house for a long time, and it was going to take a while to clean them out.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
I wonder if I could eat a child if I had the chance.'
'I doubt if I could cook one,' said Constance.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
Fear is the relinquishment of logic, the willing relinquishing of reasonable patterns. We yield to it or we fight it, but we cannot meet it halfway,
β
β
Shirley Jackson (The Haunting of Hill House)
β
Don't do it, Eleanor told the little girl; insist on your cup of stars; once they have trapped you into being like everyone else you will never see your cup of stars again; don't do it; and the little girl glanced at her, and smiled a little subtle, dimpling, wholly comprehending smile, and shook her head stubbornly at the glass. Brave girl, Eleanor thought; wise, brave girl.
β
β
Shirley Jackson (The Haunting of Hill House)
β
I have often thought that with any luck at all I could have been born a werewolf, because the two middle fingers on both my hands are the same length, but I have had to be content with what I had.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
I shall weave a suit of leaves. At once. With acorns for buttons.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
Gossip says she hanged herself from the turret on the tower, but when you have a house like Hill House with a tower and a turret, gossip would hardly allow you to hang yourself anywhere else.
β
β
Shirley Jackson (The Haunting of Hill House)
β
I think we are only afraid of ourselves," the doctor said slowly.
"No," Luke said. "Of seeing ourselves clearly and without disguise.
β
β
Shirley Jackson (The Haunting of Hill House)
β
It was a house without kindness, never meant to be lived in, not a fit place for people or for love or for hope. Exorcism cannot alter the countenance of a house ; Hill House would stay as it was until it was destroyed.
β
β
Shirley Jackson (The Haunting of Hill House)
β
You will be wondering about that sugar bowl, I imagine, is it still in use? You are wondering, has it been cleaned? You may very well ask, was it thoroughly washed?
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
Although the villagers had forgotten the ritual and lost the original black box, they still remembered to use stones.
β
β
Shirley Jackson (The Lottery)
β
Don't do it, Eleanor told the little girl; insist on your cup
of stars; once they have trapped you into being like everyone
else you will never see your cup of stars again
β
β
Shirley Jackson (The Haunting of Hill House)
β
God! Whose hand was I holding?
β
β
Shirley Jackson (The Haunting of Hill House)
β
All our land was enriched with my treasures buried in it, thickly inhabited just below the surface with my marbles and my teeth and my colored stones, all perhaps turned to jewels by now, held together under the ground in a powerful taut web which never loosened, but held fast to guard us.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
No, the menace of the supernatural is that it attacks where modern minds are weakest, where we have abandoned our protective armor of superstition and have no substitute defense.
β
β
Shirley Jackson (The Haunting of Hill House)
β
Eleanor looked up, surprised; the little girl was sliding back in her chair, sullenly refusing her milk, while her father frowned and her brother giggled and her mother said calmly, 'She wants her cup of stars.'
Indeed yes, Eleanor thought; indeed, so do I; a cup of stars, of course.
'Her little cup,' the mother was explaining, smiling apologetically at the waitress, who was thunderstruck at the thought that the mill's good country milk was not rich enough for the little girl. 'It has stars in the bottom, and she always drinks her milk from it at home. She calls it her cup of stars because she can see the stars while she drinks her milk.' The waitress nodded, unconvinced, and the mother told the little girl, 'You'll have your milk from your cup of stars tonight when we get home. But just for now, just to be a very good little girl, will you take a little milk from this glass?'
Don't do it, Eleanor told the little girl; insist on your cup of stars; once they have trapped you into being like everyone else you will never see your cup of stars again; don't do it; and the little girl glanced at her, and smiled a little subtle, dimpling, wholly comprehending smile, and shook her head stubbornly at the glass. Brave girl, Eleanor thought; wise, brave girl.
β
β
Shirley Jackson (The Haunting of Hill House)
β
On the moon we have everything. Lettuce, and pumpkin pie and Amanita phalloides. We have cat-furred plants and horses dancing with their wings. All the locks are solid and tight, and there are no ghosts.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
When Jim Donell thought of something to say he said it as often and in as many ways as possible, perhaps because he had very few ideas and had to wring each one dry.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
You never know what you are going to want until you see it clearly.
β
β
Shirley Jackson (The Haunting of Hill House)
β
When shall we live if not now?
β
β
Shirley Jackson (The Sundial)
β
Oh Constance, we are so happy.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
The great art of life is sensation, to feel that we exist, even in pain,β said Lord Byron,
β
β
Shirley Jackson (The Haunting of Hill House)
β
Let him be wise, or let me be blind; don't let me, she hoped concretely, don't let me know too surely what he thinks of me.
β
β
Shirley Jackson (The Haunting of Hill House)
β
I would have to find something else to bury here and I wished it could be Charles.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
It watches," he added suddenly. "The house. It watches every move you make.
β
β
Shirley Jackson (The Haunting of Hill House)
β
What are you reading, my dear? A pretty sight, a lady with a book.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
Hill House, she thought, You're as hard to get into as heaven.
β
β
Shirley Jackson (The Haunting of Hill House)
β
I could live there all alone, she thought, slowing the car to look down the winding garden path to the small blue front door with, perfectly, a white cat on the step. No one would ever find me there, either, behind all those roses, and just to make sure I would plant oleanders by the road. I will light a fire in the cool evenings and toast apples at my own hearth. I will raise white cats and sew white curtains for the windows and sometimes come out of my door to go to the store to buy cinnamon and tea and thread. People will come to me to have their fortunes told, and I will brew love potions for sad maidens; I will have a robin...
β
β
Shirley Jackson (The Haunting of Hill House)
β
She had taken to wondering lately, during these swift-counted years, what had been done with all those wasted summer days; how could she have spent them so wantonly? I am foolish, she told herself early every summer, I am very foolish; I am grown up now and know the values of things. Nothing is ever really wasted, she believed sensibly, even one's childhood, and then each year, one summer morning, the warm wind would come down the city street where she walked and she would be touched with the little cold thought: I have let more time go by.
β
β
Shirley Jackson (The Haunting of Hill House)
β
Journeys end in lovers meeting
β
β
Shirley Jackson (The Haunting of Hill House)
β
β¦Silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.
β
β
Shirley Jackson (The Haunting of Hill House)
β
We moved together very slowly toward the house, trying to understand its ugliness and ruin and shame.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
We were going to the long field which today looked like an ocean, although I had never seen an ocean; the grass was moving in the breeze and the cloud shadows passed back and forth and the trees in the distance moved.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
Our house was a castle, turreted and open to the sky.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
All the Blackwood women had taken the food that came from the ground and preserved it, and the deeply colored rows of jellies and pickles and bottled vegetables and fruit, maroon and amber and dark rich green, stood side by side in our cellar and would stand there forever, a poem by the Blackwood women.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
I really think I shall commence chapter forty-four," he said, patting his hands together. "I shall commence, I think, with a slight exaggeration and go on from there into an outright lie. Constance, my dear?"
"Yes, Uncle Julian?"
"I am going to say that my wife was a beautiful woman.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
Materializations are often best produced in rooms where there are books. I cannot think of any time when materialization was in any way hampered by the presence of books.
β
β
Shirley Jackson (The Haunting of Hill House)
β
It isn't fair, it isn't right," Mrs. Hutchinson screamed, and then they were upon her.
β
β
Shirley Jackson (The Lottery)
β
He is altogether selfish, she thought in some surprise, the only man I have ever sat and talked to alone, and I am impatient; he is simply not very interesting.
β
β
Shirley Jackson (The Haunting of Hill House)
β
I was wondering about my eyes; one of my eyesβ-the leftβ-saw everything golden and yellow and orange, and the other eye saw shades of blue and grey and green; perhaps one eye was for daylight and the other was for night. If everyone in the world saw different colors from different eyes there might be a great many new colors still to be invented.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
In the country of the story the writer is king.
β
β
Shirley Jackson (Come Along With Me)
β
I wondered about going down to the creek, but I had no reason to suppose that the creek would even be there, since I never visited it on Tuesday mornings.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
I am home, she thought, and stopped in wonder at the thought. I am home, I am home, she thought; now to climb.
β
β
Shirley Jackson (The Haunting of Hill House)
β
No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, but some, to dream.
β
β
Shirley Jackson (The Haunting of Hill House)
β
I am a kind of stray cat, arenβt I?
β
β
Shirley Jackson (The Haunting of Hill House)
β
She could not remember ever being truly happy in her adult life; her years with her mother had been built up devotedly around small guilts and small reproaches, constant weariness, and unending despair. Without ever wanting to become reserved and shy, she had spent so long alone, with no one to love, that it was difficult for her to talk, even casually, to another person without self-consciousness and an awkward inability to find words.
β
β
Shirley Jackson (The Haunting of Hill House)
β
Upstairs Margaret said abruptly, 'I suppose it starts to happen first in the suburbs,' and when Brad said, 'What starts to happen?' she said hysterically, 'People starting to come apart.
β
β
Shirley Jackson (The Lottery and Other Stories)
β
I decided that I would choose three powerful words, words of strong protection, and so long as these great words were never spoken aloud no change would come.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
To learn what we fear is to learn who we are.
β
β
Shirley Jackson (The Haunting of Hill House)
β
The least Charles could have done,' Constance said, considering seriously, 'was shoot himself through the head in the driveway.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
The gap between the poetry she wrote and the poetry she contained was, for Natalie, something unsolvable
β
β
Shirley Jackson (Hangsaman)
β
Tell me something that only I will ever know, was perhaps what she wanted to ask him, or, What will you remember me by? - or even, Nothing of the least importance has ever belonged to me; can you help?
β
β
Shirley Jackson (The Haunting of Hill House)
β
Merricat, said Connie, would you like to go to sleep? Down in the boneyard ten feet deep!
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
Around her the trees and wild flowers, with that oddly courteous air of natural things suddenly interrupted in their pressing occupations of growing and dying, turned toward her with attention, as though, dull and imperceptive as she was, it was still necessary for them to be gentle to a creation so unfortunate as not to be rooted in the ground, forced to go from one place to another, heart-breakingly mobile.
β
β
Shirley Jackson (The Haunting of Hill House)
β
Wear your boots if you wander today
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
The sight of one's own heart is degrading; people are not meant to look inward--that's why they've been give bodies, to hide their souls.
β
β
Shirley Jackson (The Sundial)
β
I am living on the moon, I told myself, I have a little house all by myself on the moon.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
She brought herself away from the disagreeably clinging thought by her usual method - imagining the sweet sharp sensation of being burned alive.
β
β
Shirley Jackson (Hangsaman)
β
...very lonely and, often, very unhappy, with the poignant misery that comes to lonely people who long to be social and cannot, somehow, step naturally and unselfconsciously into some friendly group
β
β
Shirley Jackson (Just an Ordinary Day: The Uncollected Stories)
β
We couldn't even hear you, in the night....
No one could. No one lives any nearer than town. No one else will come any nearer than that."
"I know," Eleanor said tiredly.
"In the night," Mrs. Dudley said, and smiled outright. "In the dark," she said..
β
β
Shirley Jackson (The Haunting of Hill House)
β
We have grown to trust blindly in our senses of balance and reason, and I can see where the mind might fight wildly to preserve its own familiar stable patterns against all evidence that it was leaning sideways.
β
β
Shirley Jackson (The Haunting of Hill House)
β
I shall commence, I think, with a slight exaggeration and go on from there into an outright lie.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
No Human eye can isolate the unhappy coincidence of line and place which suggests evil in the face of a house, and yet somehow a maniac juxtaposition, a badly turned angle, some chance meeting of roof and sky, turned Hill House into a place of despair, more frightening because the face of Hill House seemed awake, with a watchfulness from the blank windows and a touch of glee in the eyebrow of a cornice.
β
β
Shirley Jackson (The Haunting of Hill House)
β
Can't you make them stop?' I asked her that day, wondering if there was anything in this woman I could speak to, if she had ever run joyfully over grass, or had watched flowers, or known delight or love.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
Hill House,not sane, stood by itself against its hills, holding darkness within; it has stood for eighty years and might stand eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.
β
β
Shirley Jackson (The Haunting of Hill House)
β
And we held each other in the dark hall and laughed, with the tears running down our cheeks and echoes of our laughter going up the ruined stairway to the sky.
'I am so happy,' Constance said at last, gasping. 'Merricat, I am so happy.'
'I told you that you would like it on the moon.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
Almost any house, caught unexpectedly or at an odd angle, can turn a deeply humorous look on a watching person; even a mischievous little chimney, or a dormer like a dimple, can catch up a beholder with a sense of fellowship; but a house arrogant and hating, never off guard, can only be evil.
β
β
Shirley Jackson (The Haunting of Hill House)
β
I took my coffee into the dining room and settled down with the morning paper. A woman in New York had had twins in a taxi. A woman in Ohio had just had her seventeenth child. A twelve-year-old girl in Mexico had given birth to a thirteen-pound boy. The lead article on the woman's page was about how to adjust the older child to the new baby. I finally found an account of an axe murder on page seventeen, and held my coffee cup up to my face to see if the steam might revive me.
β
β
Shirley Jackson (Life Among the Savages)
β
This house, which seemed somehow to have formed itself, flying together into its own powerful pattern under the hands of its builders, fitting itself into its own construction of lines and angles, reared its great head back against the sky without concession to humanity. It was a house without kindness, never meant to be lived in, not a fit place for people or for love or for hope.
β
β
Shirley Jackson (The Haunting of Hill House)
β
Beyond the table, there is an altar, with candles lit for Billie Holiday and Willa Carter and Hypatia and Patsy Cline. Next to it, an old podium that once held a Bible, on which we have repurposed an old chemistry handbook as the Book of Lilith. In its pages is our own liturgical calendar: Saint Clementine and All Wayfarers; Saints Lorena Hickok and Eleanor Roosevelt, observed in the summer with blueberries to symbolize the sapphire ring; the Vigil of Saint Juliette, complete with mints and dark chocolate; Feast of the Poets, during which Mary Oliver is recited over beds of lettuce, Kay Ryan over a dish of vinegar and oil, Audre Lorde over cucumbers, Elizabeth Bishop over some carrots; The Exaltation of Patricia Highsmith, celebrated with escargots boiling in butter and garlic and cliffhangers recited by an autumn fire; the Ascension of Frida Khalo with self-portraits and costumes; the Presentation of Shirley Jackson, a winter holiday started at dawn and ended at dusk with a gambling game played with lost milk teeth and stones. Some of them with their own books; the major and minor arcana of our little religion.
β
β
Carmen Maria Machado (Her Body and Other Parties: Stories)
β
I had always buried things, even when I was small; I remember that once I quartered the long field and buried something in each quarter to make the grass grow higher as I grew taller, so I would always be able to hide there. I once buried six blue marbles in the creek bed to make the river beyond run dry. 'Here is a treasure for you to bury,' Constance used to say to me when I was small, giving me a penny, or a bright ribbon; I had buried all my baby teeth as they came out one by one and perhaps someday they would grow as dragons. All our land was enriched with my treasures buried in it, thickly inhabited just below the surface with my marbles and my teeth and my colored stones, all perhaps turned to jewels by now, held together under the ground in a powerful taut web which never loosened, but held fast to guard us.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
...my father had been born from the minds of writers. I believed the Great Creator had flown these writers on the backs of thunderbirds to the moon and told them to write me a father. Writers like Mary Shelley, who wrote my father to have a gothic understanding of the tenderness of all monsters. It was Agatha Christie who created the mystery within my father and Edgar Allan Poe who gave darkness to him in ways that lifted him to the flight of the raven. William Shakespeare wrote my father a Romeo heart at the same time Susan Fenimore Cooper composed him to have sympathy toward nature and a longing for paradise to be regained. Emily Dickinson shared her poet self so my father would know the most sacred text of mankind is in the way we do and do not rhyme, leaving John Steinbeck to gift my father a compass in his mind so he would always appreciate he was east of Eden and a little south of heaven. Not to be left out, Sophia Alice Callahan made sure there was a part of my father that would always remain a child of the forest, while Louisa May Alcott penned the loyalty and hope within his soul. It was Theodore Dreiser who was left the task of writing my father the destiny of being an American tragedy only after Shirley Jackson prepared my father for the horrors of that very thing.
β
β
Tiffany McDaniel (Betty)
β
The trees around and overhead were so thick that it was always dry inside and on Sunday morning I lay there with Jonas, listening to his stories. All cat stories start with the statement: "My mother, who was the first cat, told me this," and I lay with my head close to Jonas and listened. There was no change coming, I thought here, only spring; I was wrong to be so frightened. The days would get warmer, and Uncle Julian would sit in the sun, and Constance would laugh when she worked in the garden, and it would always be the same. Jonas went on and on ("And then we sang! And then we sang!") and the leaves moved overhead and it would always be the same.
β
β
Shirley Jackson (We Have Always Lived in the Castle)
β
I have always been interested in witchcraft and superstition, but have never had much traffic with ghosts, so I began asking people everywhere what they thought about such things, and I began to find out that there was one common factor - most people have never seen a ghost, and never want or expect to, but almost everyone will admit that sometimes they have a sneaking feeling that they just possibly could meet a ghost if they weren't careful - if they were to turn a corner too suddenly, perhaps, or open their eyes too soon when they wake up at night, or go into a dark room without hesitating first.
β
β
Shirley Jackson (Come Along With Me)