Ship In A Bottle Quotes

Some might tell you there's no hope in hand Just because they feel hopeless But you don't have to be a thing like that You be a ship in a bottle set sail

Inside my empty bottle I was constructing a lighthouse while all others were making ships.

To all the ships at sea, and all the ports of call. To my family and to all friends and strangers. This is a message, and a prayer. The message is that my travels taught me a great truth. I already had what everyone is searching for and few ever find. The one person in the world who I was born to love forever. A person, like me, of the outer banks and the blue Atlantic mystery. A person rich in simple treasures. Self-made. Self-taught. A harbor where I am forever home. And no wind, or trouble or even a little death can knock down this house. The prayer is that everyone in the world can know this kind of love and be healed by it. If my prayer is heard, there will be an erasing of all guilt and all regret and an end to all anger. Please, God. Amen.

Our model ships look perfect in their bottles, but we do not know if they are seaworthy. Sometimes the one that reaches your harbor has already been through the storm.

The locust continues to devour the world Hunger persists Love lurches on listing to starboard like a ship in a bottle Human longing goes on Loneliness a curse Innocence persists Ignorance persists

Keep your elbows in!" Sturmhond berated Mal. "Stop flapping them like some kind of chicken." Mal let out a disturbingly convincing cluck. Tamar raised a brow. "Your friend seems to be enjoying himself." I shrugged. "Mal's always been like that. You could drop him in a camp full of Fjerdan assassins, and he'd come out carried on their shoulders. He just blooms wherever he's planted." "And you?" "I'm more of a weed," I said drily. Tamar grinned. In combat, she was cold and silent fire, but when she wasn't fighting, her smiles came easily. "I like weeds," said said, pushing herself off from the railing and gathering her scattered lengths of rope. "They're survivors." I caught myself returning her smile and quickly went back to working on the knot that I was trying to tie. The problem was that I liked being aboard Sturmhond's ship. I liked Tolya and Tamar and the rest of the crew. I like sitting at meals with them, and the sound of Privyet's lilting tenor. I liked the afternoon when we took target practice, lining up empty wine bottles to shoot off the fantail and making harmless wagers.

You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room. Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure. If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it.... It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me. I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun. We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took. And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things. They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums. Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me. If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe. Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort. So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.

Gabriel settled over her, pinning her in place. His mouth lowered to her shoulder for a brief, soft bite. “You obsess me, with your sweet mouth and clever little hands . . . your beautiful back . . . and legs . . .” “You need a hobby,” Pandora said severely as she felt his erection against her bottom. “Have you ever tried writing poetry? Building a ship in a bottle?” “You’re my hobby.” He pressed his lips to the back of her neck, having discovered it was a particularly sensitive place.

Trust the road. Because nobody stays, in the long run you’re on your own with your ghosts. You’re the ship, they’re the bottle.

Hold still," my father would say, while I held the ship in the bottle and he burned away the strings he'd raised the mast with and set the clipper ship free on its blue putty sea. And I would wait for him, recognizing the tension of that moment when the world in the bottle depended, solely, on me.

We build model ships in bottles, whispering life into the toothpicks and wire; we make plans and blueprints for the one we hope is coming. And come they do. Fleets of vessels. Battleships and barges. They arrive on the horizon, flags to the sky.

Home after midnight from a debate on the wording of a minor municipal bylaw on bottle recycling, he felt like he was a pin in the hinge of power.

We ran like young wild furies, where angels feared to tread. The woods were dark and deep. Before us demons fled. We checked Coke bottle bottoms to see how far was far. Our worlds of magic wonder were never reached by car. We loved our dogs like brothers, our bikes like rocket ships. We were going to the stars, to Mars we'd make round trips. We swung on vines like Tarzan, and flashed Zorro's keen blade. We were James Bond in his Aston, we were Hercules unchained. We looked upon the future and we saw a distant land, where our folks were always ageless, and time was shifting sand. We filled up life with living, with grins, scabbed knees, and noise. In glass I see an older man, but this book's for the boys.

Poetic simile was strictly limited to statements like 'his mighty steed was as fleet as the wind on a fairly calm day, say about Force Three,' and any loose talk about a beloved having a face that launched a thousand ships would have to be backed by evidence that the object of desire did indeed look like a bottle of champagne.

And this is how it stiffens, my vision of that seaside childhood. My father died, we moved inland. Whereon those nine first years of my life sealed themselves off like a ship in a bottle—beautiful, inaccessible, obsolete, a fine, white flying myth.

It's one thing if your hobby is to put ships inside a bottle, but a deer in the headlights!... That's a real talent

He had outlived the luxurious agonies of youthful blood, and in this very freedom from illusion he recognised the loss of something. From now on, every hour of light-heartedness would be, not a prerogative but an achievement - one more axe or case-bottle or fowling-piece, rescued, Crusoe-fashion, from a sinking ship.

Its size, along with the perfection of its paintwork, gave it a curiously toylike quality, and as I stepped onto the narrow steel gangway I had a sudden disorienting image of the Aurora as a ship imprisoned in a bottle – tiny, perfect, isolated, and unreal – and of myself, shrinking down to match it with every step I took towards the boat.

Despina can be reached in two ways: by ship or by camel. The city displays one face to the traveler arriving overland and a different one to him who arrives by sea. When the camel driver sees, at the horizon of the tableland, the pinnacles of the skyscrapers come into view, the radar antennae, the white and red wind-socks flapping, the chimneys belching smoke, he thinks of a ship; he knows it is a city, but he thinks of it as a vessel that will take him away from the desert, a windjammer about to cast off, with the breeze already swelling the sails, not yet unfurled, or a steamboat with its boiler vibrating in the iron keel; and he thinks of all the ports, the foreign merchandise the cranes unload on the docks, the taverns where crews of different flags break bottles over one another’s heads, the lighted, ground-floor windows, each with a woman combing her hair. In the coastline’s haze, the sailor discerns the form of a camel’s withers, an embroidered saddle with glittering fringe between two spotted humps, advancing and swaying; he knows it is a city, but he thinks of it as a camel from whose pack hang wine-skins and bags of candied fruit, date wine, tobacco leaves, and already he sees himself at the head of a long caravan taking him away from the desert of the sea, toward oases of fresh water in the palm trees’ jagged shade, toward palaces of thick, whitewashed walls, tiled courts where girls are dancing barefoot, moving their arms, half-hidden by their veils, and half-revealed. Each city receives its form from the desert it opposes; and so the camel driver and the sailor see Despina, a border city between two deserts.

Unmatch'd at the bottle, unconquer'd in war, He drank his poor god-ship as deep as the sea; No tide of the Baltic e'er drunker than he.

There comes a time in a man's life, if he is unlucky and leads a full life, when he has a secret so dirty that he knows he never will get rid of it. (Shakespeare knew this and tried to say it, but he said it just as badly as anyone ever said it. 'All the perfumes of Arabia' makes you think of all the perfumes of Arabia and nothing more. It is the trouble with all metaphors where human behavior is concerned. People are not ships, chess men, flowers, race horses, oil paintings, bottles of champagne, excrement, musical instruments or anything else but people. Metaphors are all right to give you an idea.)

Billy looked at the clock on the gas stove. He had an hour to kill before the saucer came. He went into the living room, swinging the bottle like a dinner bell, turned on the television. He came slightly unstuck in time, saw the late movie backwards, then forwards again. It was a movie about American bombers in the Second World War and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans, though, and some of the bombers were in bad repair. Over France, though, German fighters came up again, made everything and everybody as good as new. When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground., to hide them cleverly, so they would never hurt anybody ever again. The American fliers turned in their uniforms, became high school kids. And Hitler turned into a baby, Billy Pilgrim supposed. That wasn't in the movie. Billy was extrapolating. Everybody turned into a baby, and all humanity, without exception, conspired biologically to produce two perfect people named Adam and Eve, he supposed.

It was a still night, tinted with the promise of dawn. A crescent moon was just setting. Ankh-Morpork, largest city in the lands around the Circle Sea, slept. That statement is not really true On the one hand, those parts of the city which normally concerned themselves with, for example, selling vegetables, shoeing horses, carving exquisite small jade ornaments, changing money and making tables, on the whole, slept. Unless they had insomnia. Or had got up in the night, as it might be, to go to the lavatory. On the other hand, many of the less law-abiding citizens were wide awake and, for instance, climbing through windows that didn’t belong to them, slitting throats, mugging one another, listening to loud music in smoky cellars and generally having a lot more fun. But most of the animals were asleep, except for the rats. And the bats, too, of course. As far as the insects were concerned… The point is that descriptive writing is very rarely entirely accurate and during the reign of Olaf Quimby II as Patrician of Ankh some legislation was passed in a determined attempt to put a stop to this sort of thing and introduce some honesty into reporting. Thus, if a legend said of a notable hero that “all men spoke of his prowess” any bard who valued his life would add hastily “except for a couple of people in his home village who thought he was a liar, and quite a lot of other people who had never really heard of him.” Poetic simile was strictly limited to statements like “his mighty steed was as fleet as the wind on a fairly calm day, say about Force Three,” and any loose talk about a beloved having a face that launched a thousand ships would have to be backed by evidence that the object of desire did indeed look like a bottle of champagne.

My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me.

For me, making a record is like building a ship in a bottle. Playing live music is like being in a rowboat in the ocean.

I had no mind then for anything except Sebastian, and I saw him already as being threatened, though I did not yet know how black was the threat. His constant, despairing prayer was to be let alone. By the blue waters and rustling palm of his own mind he was happy and harmless as a Polynesian; only when the big ship dropped anchor beyond the coral reef, and the cutter beached in the lagoon, and, up the golden slope that had never known the print of a boot there trod the grim invasion of trader, administrator, missionary and tourist – only then was it time to disinter the archaic weapons of the tribe and sound the drums in the hills; or, more easily, to turn from the sunlit door and lie alone in the darkness, where the impotent, painted deities paraded the walls in vain, and cough his heart out among the rum bottles.

A British ship’s surgeon who used the privileges of his profession to visit some of the rebel camps, described roads crowded with carts and wagons hauling mostly provisions, but also, he noted, inordinate quantities of rum — “for without New England rum, a New England army could not be kept together.” The rebels, he calculated, were consuming a bottle a day per man.

All in the immediate vicinity of the ship, is the blackness of eternal night, and a chaos of foamless water; but, about a league on either side of us, may be seen, indistinctly and at intervals, stupendous ramparts of ice, towering away into the desolate sky, and looking like the walls of the universe.

I watched him as he lined up the ships in bottles on his deck, bringing them over from the shelves where they usually sat. He used an old shirt of my mother's that had been ripped into rags and began dusting the shelves. Under his desk there were empty bottles- rows and rows of them we had collected for our future shipbuilding. In the closet were more ships- the ships he had built with his own father, ships he had built alone, and then those we had made together. Some were perfect, but their sails browned; some had sagged or toppled over the years. Then there was the one that had burst into flames in the week before my death. He smashed that one first. My heart seized up. He turned and saw all the others, all the years they marked and the hands that had held them. His dead father's, his dead child's. I watched his as he smashed the rest. He christened the walls and wooden chair with the news of my death, and afterward he stood in the guest room/den surrounded by green glass. The bottle, all of them, lay broken on the floor, the sails and boat bodies strewn among them. He stood in the wreckage. It was then that, without knowing how, I revealed myself. In every piece of glass, in every shard and sliver, I cast my face. My father glanced down and around him, his eyes roving across the room. Wild. It was just for a second, and then I was gone. He was quiet for a moment, and then he laughed- a howl coming up from the bottom of his stomach. He laughed so loud and deep, I shook with it in my heaven. He left the room and went down two doors to my beadroom. The hallway was tiny, my door like all the others, hollow enough to easily punch a fist through. He was about to smash the mirror over my dresser, rip the wallpaper down with his nails, but instead he fell against my bed, sobbing, and balled the lavender sheets up in his hands. 'Daddy?' Buckley said. My brother held the doorknob with his hand. My father turned but was unable to stop his tears. He slid to the floor with his fists, and then he opened up his arms. He had to ask my brother twice, which he had never to do do before, but Buckley came to him. My father wrapped my brother inside the sheets that smelled of me. He remembered the day I'd begged him to paint and paper my room purple. Remembered moving in the old National Geographics to the bottom shelves of my bookcases. (I had wanted to steep myself in wildlife photography.) Remembered when there was just one child in the house for the briefest of time until Lindsey arrived. 'You are so special to me, little man,' my father said, clinging to him. Buckley drew back and stared at my father's creased face, the fine bright spots of tears at the corners of his eyes. He nodded seriously and kissed my father's cheek. Something so divine that no one up in heaven could have made it up; the care a child took with an adult. 'Hold still,' my father would say, while I held the ship in the bottle and he burned away the strings he'd raised the mast with and set the clipper ship free on its blue putty sea. And I would wait for him, recognizing the tension of that moment when the world in the bottle depended, solely, on me.

To ruin me would take just one word: witch. A whisper from one man to another. A curse upon my name, to be passed about the ship like a bottle of rum. A rumor that would surely end with my dead body being tossed into the sea.

He never cried, not even in his dreams, for hard-heartedness was a point of pride. A large iron anchor withstanding the corrosion of the sea and scornful of the barnacles and oysters that harass the hulls of ships, sinking polished and indifferent through heaps of broken glass, toothless combs, bottle caps, and prophylactics into the mud at harbour bottom – that was how he liked to imagine his heart. Someday he would have an anchor tattooed on his chest.

Oh,bleep no. "Jack! What are you-" He lit both wicks and grabbed one of the bottles. Grinning maniacally at me, he turned and hurled his bottle. It spun lazily,a trail of light until it disappeared behind the deck of the ship.Maybe it wouldn't work.Maybe- A massive fireball billowed up, scorching the air and flowering along the boat. "Evie?You might want to throw that thing." I looked down in horror at my own burning Molotov cocktail,then flung it as far from myself as I could. It smashed against the side of the boat, most of the falmes falling down into the silver water. Which proceeded to catch fire. "Wow.Didn't expect that!" Jack nodded appreciatively as the flames spread, eating their way outward along the top of the lake.The boat,now engulfed, creaked and groanded its death cries. "Adding a touch of faerie liguor to the petrol gave it the extra kick,I think." An unearthly shriek ripped through the air, jarring me to the bones.I did not want to meet the owner of that voice. Jack laughed,taking my trembling hand. "This is the part where we run.

Humans cannot be born with fully formed brains simply because the resulting head would not fit through the birth canal. Rather, our brains are built and formed after we are born, like a ship in a bottle, a process that takes fifteen, maybe twenty years.

Vasco bought a bottle of vodka to celebrate and they drank it in the old sailors' graveyard in Mangrove South. This was where the funeral business had first put down its roots. Over the wall, between two warehouses, Jed could just make out the Witch's Fingers, four long talons of sand that lay in the mouth of the river. Rumour had it that, on stormy nights a century ago, they used to reach out, gouge holes in passing ships, and drag them down. Hundreds of wrecks lay buried in that glistening silt. The city's black heart had beaten strongly even then. There was one funeral director, supposedly, who used to put lamps out on the Fingers and lure ships to their doom.

No, there wouldn't be," Holden said. "It'd be entirely different." Sally looked at him; he had contradicted her so quietly. "It wouldn't be the same at all. We'd have to go downstairs in elevators with suitcases and stuff. We'd have to call up everyone and tell 'em goodbye and send 'em postcards. And I'd have to work at my father's and ride in Madison Avenue buses and read newspapers. We'd have to go to the Seventy-second Street all the time and see newsreels. Newsreels! There's always a dumb horse race and some dame breaking a bottle over a ship. You don't see what I mean at all." "Maybe I don't. Maybe you don't, either," Sally said. Holden stood up, with his skates swung over one shoulder. "You give me a royal pain," he announced quite dispassionately.

For half an hour they poked about in a happy dusty dream, through the junk and broken furniture and ornaments. It was like reading the story of somebody’s life, Jane thought, as she gazed at the tiny matchstick masts of the ship sailing motionless forever in the green glass bottle. All these things had been used once, had been part of every day in the house below. Someone has slept on the bed, anxiously watched the minutes on the clock, pounced joyfully on each magazine as it arrived. But those people were long dead, or gone away, and now the oddments of their lives were piled up here, forgotten. She found herself feeling rather sad.

Is this seat taken?” she asked him again, tapping on a chair at the table. “That’s where my Rum is sitting. He is my guest!” “But the bottle is in your hand, and not in this chair,” she spoke, pointing out the bottle. “So, it is!” he answered, looking at his Rum. Then, looking back at her: “But he was invited to this party.

Trust the road. Because nobody stays, in the long run you’re on your own with your ghosts. You’re the ship and they’re the bottle.

Come aboard, come aboard!" cried the gay Bachelor's commander, lifting a glass and a bottle in the air. "Hast seen the White Whale?" gritted Ahab in reply. "No; only heard of him; but don't believe in him at all," said the other good-humoredly. "Come aboard!" "Thou art too damned jolly. Sail on. Hast lost any men?" "Not enough to speak of—two islanders, that's all;—but come aboard, old hearty, come along. I'll soon take that black from your brow. Come along, will ye (merry's the play); a full ship and homeward-bound." "How wondrous familiar is a fool!" muttered Ahab; then aloud, "Thou art a full ship and homeward bound, thou sayest; well, then, call me an empty ship, and outward-bound. So go thy ways, and I will mine. Forward there! Set all sail, and keep her to the wind!

The creative life! Ascension. Passing beyond oneself. Rocketing out into the blue, grasping at flying ladders, mounting, soaring, lifting the world up by the scalp, rousing the angels from their ethereal lairs, drowning in stellar depths, clinging to the tails of comets. Nietzsche had written of it ecstatically —and then swooned forward into the mirror to die in root and flower. «Stairs and contradictory stairs,» he wrote, and then suddenly there was no longer any bottom; the mind, like a splintered diamond, was pulverized by the hammer−blows of truth. There was a time when I acted as my father's keeper. I was left alone for long hours, cooped up in the little booth which we used as an office. While he was drinking with his cronies I was feeding from the bottle of creative life. My companions were the free spirits, the overlords of the soul. The young man sitting there in the mingy yellow light became completely unhinged; he lived in the crevices of great thoughts, crouched like a hermit in the barren folds of a lofty mountain range. From truth he passed to imagination and from imagination to invention. At this last portal, through which there is no return, fear beset him. To venture farther was to wander alone, to rely wholly upon oneself. The purpose of discipline is to promote freedom. But freedom leads to infinity and infinity is terrifying. Then arose the comforting thought of stopping at the brink, of setting down in words the mysteries of impulsion, compulsion, propulsion, of bathing the senses in human odors. To become utterly human, the compassionate fiend incarnate, the locksmith of the great door leading beyond and away and forever isolate. Men founder like ships. Children also. There are children who settle to the bottom at the age of nine, carrying with them the secret of their betrayal. There are perfidious monsters who look at you with the bland, innocent eyes of youth; their crimes are unregistered, because we have no names for them.

She paused and saw him tense in expectation. He wouldn’t like to hear this, but better from her than one of the others. “You aren’t the only pilot I have in my service. And you aren’t the only person with a dark past, though the illegal things that you did, you were forced to do by the Core. But I will tell you what I’ve told the others. This is your last chance. You screw up with me and you get shipped up river. I don’t offer second chances—I offer last chances.” Nope, he didn’t like it. She saw the hand not holding the bottle of beer curl into a fist. Sin and Del, from Sunscapes Trilogy, Book 1: Last Chance

Wodensfang, even though he was normally so keen on teaching the little dragon some manners. Heart lifting, Hiccup recognised the voice of Toothless singing to himself, down in the depths of the ship somewhere. Toothless, thought Hiccup. Thank goodness you’re all right. ‘One hundred and thirty-three thousand four hundred and eighty-nine b-b-bottles hanging on a wall ...’ sang the little dragon sadly, for Toothless was feeling very sorry for himself. ‘One hundred and thirty-three thousand four hundred and eighty-nine bottles hanging on a wall ... and if ONE green bottle should accidentally f-f-fall ... there’ll be one hundred and

Some captains made no attempt to save the lives of merchant seamen; others went so far as to tow lifeboats towards land. One u-boat commander sent the captain of a torpedoed ship three bottles of wine to ease the long row ashore.

The ship and all in it are imbued with the spirit of Eld. The crew glide to and fro like the ghosts of buried centuries; their eyes have an eager and uneasy meaning; and when their fingers fall athwart my path in the wild glare of the battle-lanterns, I feel as I have never felt before, although I have been all my life a dealer in antiquities, and have imbibed the shadows of fallen columns at Balbec, and Tadmor, and Persepolis, until my very soul has become a ruin.

We ran like young wild furies, where angels feared to tread. The woods were dark and deep. Before us demons fled. We checked Coke bottle bottoms to see how far was far. Our worlds of magic wonder were never reached by car. We loved our dogs like brothers, our bikes like rocket ships. We were going to the stars, to Mars we’d make round trips. We swung on vines like Tarzan, and flashed Zorro’s keen blade. We were James Bond in his Aston, we were Hercules unchained. We looked upon the future and we saw a distant land, where our folks were always ageless, and time was shifting sand. We filled up life with living, with grins, scabbed knees, and noise. In glass I see an older man, but this book’s for the boys.

But what if I do live? What if we win? What then?" He parted the bottle's mouth from his. "What then? Ah." He smiled beatifically. "Then the world goes on, my friend. Children run down muddy streets. Dogs bark at passing carts. Friends sit and drink brandy together." "Doesn't sound much different from what we have," I observed sourly. "To go through all this and make no difference at all." "Yes." He agreed beatifically. His eyes filled with tears. "Not much different from the wondrous and amazing world we have now. Boys falling in love with girls that aren't right for them. Wolves hunting on the snowy plains. And time. Endless time unwinding for all of us. And the dragons, of course. Dragons sliding across the sky like beautiful jewelled ships.

The girl with purple hair and I are holding hands now I only wanted an apology. An acknowledgement of what occurred. Grappling as artists, as girls, as ships in bottles, how do we change any of it? I tell her I am going to write a poem. She says no one wants to hear a rape poem, mary

When you sell a man a book you don’t sell him just twelve ounces of paper and ink and glue—you sell him a whole new life. Love and friendship and humor and ships at sea by night—there’s all heaven and earth in a book.’” It was as if someone had taken Viv’s life and bottled it into a simple quote.

Bottle cork, bottle cork There’s naught within but lees. The glowing eyes of Jack O’Lantern Dance on evening’s breeze; Goblin fires light the wood And flicker through the trees. The clouds, they say, are whipping cream, The oceans seas of teas, The rain a fall of diamonds, The moon a ball of cheese.

Now it’s time to make the masts and booms out of toothpicks, then tie very fine wire around the ends of the toothpicks to act as hinges. This is also very easy, unless you have human hands, then it will be unbelievably fucking exasperating because everything you’re working with is fucking miniscule and dumb.

The words “be filled” in Ephesians have no connection to a bottle or a vessel being filled.The Greek present tense is used to tell you that the filling of the Spirit is not a once-and-for-all experience. It’s a continuing experience. Have you ever spent a day on a sailboat? It’s a great thrill.What happens to the boat when the sails are filled? The ship begins to move.That’s what Paul is telling you. He wants you to be filled, not like a container that has no action but like a sail that continues to be filled with wind. Over and over again. He wants you to move forward with the never-ending breeze of the Spirit filling your spiritual sails.

His constant, despairing prayer was to be let alone. By the blue waters and rustling palms of his own mind he was happy and harmless as a Polynesian; only when the big ship dropped anchor beyond the coral reef, and the cutter beached in the lagoon, and, up the slope that had never known the print of a boot, there trod the grim invasion of trader, administrator, missionary, and tourist—only then was it time to disinter the archaic weapons of the tribe and sound the drums in the hills; or, more easily, to turn from the sunlit door and lie alone in the darkness, where the impotent, painted deities paraded the walls in vain, and cough his heart out among the rum bottles. And

Ocean people are different from land people. The ocean never stops saying and asking into ears, which don’t sleep like eyes. Those who live by the sea examine the driftwood and glass balls that float from foreign ships. They let scores of invisible imps loose out of found bottles. In a scoop of salt water, they revive the dead blobs that have been beached in storms and tides: fins, whiskers, and gills unfold; mouths, eyes, and colors bloom and spread. Sometimes ocean people are given to understand the newness and oldness of the world; then all morning they try to keep that boundless joy like a little sun inside their chests. The ocean also makes its people know immensity.

The Little Ship Have your forgotten the ship love I made as a childish toy, When you were a little girl love, And I was a little boy?   Ah! never in all the fleet love Such a beautiful ship was seen, For the sides were painted blue love And the deck was yellow and green.   I carved a wonderful mast love From my Father’s Sunday stick, You cut up your one good dress love That the sail should be of silk.   And I launched it on the pond love And I called it after you, And for the want of the bottle of wine love We christened it with the dew.   And we put your doll on board love With a cargo of chocolate cream, But the little ship struck on a cork love And the doll went down with a scream!   It is forty years since then love And your hair is silver grey, And we sit in our old armchairs love And we watch our children play.   And I have a wooden leg love And the title of K. C. B. For bringing Her Majesty’s Fleet love Over the stormy sea.   But I’ve never forgotten the ship love I made as a childish toy When you were a little girl love And I was a sailor boy.

The pad had random characters scrawled on several lines, all but the last one crossed out. “Seriously?” Siobhan asked. “Who does that?” “Someone who hates facing a ninety-day password cycle,” Dedra grinned. “Got a few of them back on the ship. When I’m feeling mean, I cross out a line and add a new one without saying anything. Then they put the wrong one in three times and lock themselves out.

I flash to the picture on my dresser, the red glass heart encased safely in its bottle, and then to all of Colton's ships in theirs, and that's when I realise the truth in the words scrawled over the wall above them: "A ship is safe in harbour, but that is not what ships are meant for". This is what they're meant for, this feeling right here. And maybe... maybe it's what hearts are meant for too.

Who’s teasing? I’m telling him the truth. He ain’t going to have it. Neither one of ‘em going to have it. And I’ll tell you something else you not going to have. You not going to have no private coach with four red velvet chairs that swivel around in one place whenever you want ‘em to. No. and you not going to have your own special toilet and your own special-made eight-foot bed either. And a valet and a cook and a secretary to travel with you and do everything you say. Everything: get the right temperature in your hot-water bottle and make sure the smoking tobacco in the silver humidor is fresh each and every day. There’s something else you not going to have. You ever have five thousand dollars of cold cash money in your pocket and walk into a bank and tell the bank man you want such and such a house on such and such a street and he sell it to you right then? Well, you won’t ever have it. And you not going to have a governor’s mansion, or eight thousand acres of timber to sell. And you not going to have no ship under your command to sail on, no train to run, and you can join the 332nd if you want to and shoot down a thousand German planes all by yourself and land in Hitler’s backyard and whip him with your own hands, but you never going to have four stars on your shirt front, or even three. And you not going to have no breakfast tray brought in to you early in the morning with a red rose on it and two warm croissants and a cup of hot chocolate. Nope. Never. And no pheasant buried in coconut leaves for twenty days and stuffed with wild rice and cooked over a wood fire so tender and delicate it make you cry. And no Rothschild ’29 or even Beaujolais to go with it.” A few men passing by stopped to listen to Tommy’s lecture. “What’s going on?” they asked Hospital Tommy. “Feather refused them a beer,” said. The men laughed. “And no baked Alaska!” Railroad Tommy went on. “None! You never going to have that.” “No baked Alaska?” Guitar opened his eyes wide with horror and grabbed his throat.” You breaking my heart!” “Well, now. That’s something you will have—a broken heart.” Railroad Tommy’s eyes softened, but the merriment in them died suddenly. “And folly. A whole lot of folly. You can count on it.” “Mr. Tommy, suh,” Guitar sang in mock humility, “we just wanted a bottle of beer is all.” “Yeah,” said Tommy. “Yeah, well, welcome aboard.

A Man Adrift On A Slim Spar" A man adrift on a slim spar A horizon smaller than the rim of a bottle Tented waves rearing lashy dark points The near whine of froth in circles. God is cold. The incessant raise and swing of the sea And growl after growl of crest The sinkings, green, seething, endless The upheaval half-completed. God is cold. The seas are in the hollow of The Hand; Oceans may be turned to a spray Raining down through the stars Because of a gesture of pity toward a babe. Oceans may become gray ashes, Die with a long moan and a roar Amid the tumult of the fishes And the cries of the ships, Because The Hand beckons the mice. A horizon smaller than a doomed assassin's cap, Inky, surging tumults A reeling, drunken sky and no sky A pale hand sliding from a polished spar. God is cold. The puff of a coat imprisoning air: A face kissing the water-death A weary slow sway of a lost hand And the sea, the moving sea, the sea. God is cold.

There is no doubt that Earth Central, the planetary and sector AIs, and even some ship and drone AIs are capable, without acquiring additional processing space, of setting up synergetic systems within themselves that result in an exponential climb in intelligence (mathematically defined as climbing beyond all known scales within minutes). So why not? Ask then why a human, capable of learning verbatim the complete works of Shakespeare, instead drinks a bottle of brandy, then giggles a lot and falls over.

It rained on the day of my dad’s funeral. Folk here are born with waterproof skin and a double set of eyelids like a trout. But I’ve seen nowt like it before. Wherever the ground dipped it turned to a puddle, and wherever there was a puddle it turned to a lake and the lakes turned to seas and every road became a river and the fields became swimming baths and the sheep became swimmers and the village of Bewrith became Venice and every window was now a door and every car was now a stepping stone and after three hundred years of standing, Bewrith Bridge was torn out its banks and villagers came to wave it off down the River Pishon like the launch of some royal ship only they drank from bottles of whisky instead of smashing them.

Down every aisle a single thought follows me like a shadow: Brand Italy is strong. When it comes to cultural currency, there is no brand more valuable than this one. From lipstick-red sports cars to svelte runway figures to enigmatic opera singers, Italian culture means something to everyone in the world. But nowhere does the name Italy mean more than in and around the kitchen. Peruse a pantry in London, Osaka, or Kalamazoo, and you're likely to find it spilling over with the fruits of this country: dried pasta, San Marzano tomatoes, olive oil, balsamic vinegar, jars of pesto, Nutella. Tucked into the northwest corner of Italy, sharing a border with France and Switzerland, Piedmont may be as far from the country's political and geographical center as possible, but it is ground zero for Brand Italy. This is the land of Slow Food. Of white truffles. Barolo. Vermouth. Campari. Breadsticks. Nutella. Fittingly, it's also the home of Eataly, the supermarket juggernaut delivering a taste of the entire country to domestic and international shoppers alike. This is the Eataly mother ship, the first and most symbolically important store for a company with plans for covering the globe in peppery Umbrian oil, and shavings of Parmigiano-Reggiano Vacche Rosse. We start with the essentials: bottle opener, mini wooden cutting board, hard-plastic wineglasses. From there, we move on to more exciting terrain: a wild-boar sausage from Tuscany. A semiaged goat's-milk cheese from Molise. A tray of lacy, pistachio-pocked mortadella. Some soft, spicy spreadable 'nduja from Calabria. A jar of gianduja, the hazelnut-chocolate spread that inspired Nutella- just in case we have any sudden blood sugar crashes on the trail.

I Won’t Write Your Obituary You asked if you could call to say goodbye if you were ever really gonna kill yourself. Sure, but I won’t write your obituary. I’ll commission it from some dead-end journalist who will say things like: “At peace… Better place… Fought the good fight…” Maybe reference the loving embrace of Capital-G-God at least 4 times. Maybe quote Charles fucking Bukowski. And I won’t stop them because I won’t write your obituary. But if you call me, I will write you a new sky, one you can taste. I will write you a D-I-Y cloud maker so on days when you can’t do anything you can still make clouds in whatever shape you want them. I will write you letters, messages in bottles, in cages, in orange peels, in the distance between here and the moon, in forests and rivers and bird songs. I will write you songs. I can’t write music, but I’ll find Rihanna, and I’ll get her to write you music if it will make you want to dance a little longer. I will write you a body whose veins are electricity because outlets are easier to find than good shrinks, but we will find you a good shrink. I will write you 1-800-273-8255, that’s the suicide hotline; we can call it together. And yeah, you can call me, but I won’t tell you it’s okay, that I forgive you. I won’t say “goodbye” or “I love you” one last time. You won’t leave on good terms with me, Because I will not forgive you. I won’t read you your last rights, absolve you of sin, watch you sail away on a flaming viking ship, my hand glued to my forehead. I will not hold your hand steady around a gun. And after, I won’t come by to pick up the package of body parts you will have left specifically for me. I’ll get a call like “Ma’am, what would you have us do with them?” And I’ll say, “Burn them. Feed them to stray cats. Throw them at school children. Hurl them at the sea. I don’t care. I don’t want them.” I don’t want your heart. It’s not yours anymore, it’s just a heart now and I already have one. I don’t want your lungs, just deflated birthday party balloons that can’t breathe anymore. I don’t want a jar of your teeth as a memento. I don’t want your ripped off skin, a blanket to wrap myself in when I need to feel like your still here. You won’t be there. There’s no blood there, there’s no life there, there’s no you there. I want you. And I will write you so many fucking dead friend poems, that people will confuse my tongue with your tombstone and try to plant daisies in my throat before I ever write you an obituary while you’re still fucking here. So the answer to your question is “yes”. If you’re ever really gonna kill yourself, yes, please, call me.

During the wars of the Empire while husbands and brothers were in Germany, anxious mothers gave birth to an ardent, pale, and neurotic generation,” wrote Alfred de Musset in 1836. “Behind them a past destroyed, still writhing on its ruins with the remnants of centuries of absolutism, before them the dawn of an immense horizon, the first gleams of the future, and between these two worlds—like the ocean separating the Old World from the New—something vague and floating, a troubled sea filled with wreckage, traversed from time to time by some distant sail or ship trailing thick clouds of smoke: the present … only the present remained, the spirit of the time, angel of the dawn that’s neither night nor day.” All that was left for the Lost Generations of Musset and other Romantics, the forebears of modernist revival rebels, was the bottle, the hookah, and the whorehouse, followed by the sanatorium, the madhouse, and the morgue.

To this day when I inhale a light scent of Wrangler—its sweet sharpness—or the stronger, darker scent of Musk, I return to those hours and it ceases to be just cologne that I take in but the very scent of age, of youth at its most beautiful peak. It bears the memory of possibility, of unknown forests, unchartered territories, and a heart light and skipping, hell-bent as the captain of any of the three ships, determined at all costs to prevail to the new world. Turning back was no option. Whatever the gales, whatever the emaciation, whatever the casualty to self, onward I kept my course. My heart felt the magnetism of its own compass guiding me on—its direction constant and sure. There was no other way through. I feel it again as once it had been, before it was broken-in; its strength and resolute ardency. The years of solitude were nothing compared to what lay ahead. In sailing for the horizon that part of my life had been sealed up, a gentle eddy, a trough of gentle waves diminishing further, receding away. Whatever loneliness and pain went with the years between the ages of 14 and 20, was closed, irretrievable—I was already cast in form and direction in a certain course. When I open the little bottle of eau de toilette five hundred different days unfold within me, conversations so strained, breaking slowly, so painstakingly, to a comfortable place. A place so warm and inviting after the years of silence and introspect, of hiding. A place in the sun that would burn me alive before I let it cast a shadow on me. Until that time I had not known, I had not been conscious of my loneliness. Yes, I had been taciturn in school, alone, I had set myself apart when others tried to engage. But though I was alone, I had not felt the pangs of loneliness. It had not burdened or tormented as such when I first felt the clear tang of its opposite in the form of another’s company. Of Regn’s company. We came, each in our own way, in our own need—listening, wanting, tentatively, as though we came upon each other from the side in spite of having seen each other head on for two years. It was a gradual advance, much again like a vessel waiting for its sails to catch wind, grasping hold of the ropes and learning much too quickly, all at once, how to move in a certain direction. There was no practicing. It was everything and all—for the first and last time. Everything had to be right, whether it was or not. The waters were beautiful, the work harder than anything in my life, but the very glimpse of any tempest of defeat was never in my line of vision. I’d never failed at anything. And though this may sound quite an exaggeration, I tell you earnestly, it is true. Everything to this point I’d ever set my mind to, I’d achieved. But this wasn’t about conquering some land, nor had any of my other desires ever been about proving something. It just had to be—I could not break, could not turn or retract once I’d committed myself to my course. You cannot force a clock to run backwards when it is made to persevere always, and ever, forward. Had I not been so young I’d never have had the courage to love her.

was dog-tired when, a little before dawn, the boatswain sounded his pipe and the crew began to man the capstan-bars. I might have been twice as weary, yet I would not have left the deck, all was so new and interesting to me—the brief commands, the shrill note of the whistle, the men bustling to their places in the glimmer of the ship's lanterns. "Now, Barbecue, tip us a stave," cried one voice. "The old one," cried another. "Aye, aye, mates," said Long John, who was standing by, with his crutch under his arm, and at once broke out in the air and words I knew so well: "Fifteen men on the dead man's chest—" And then the whole crew bore chorus:— "Yo-ho-ho, and a bottle of rum!" And at the third "Ho!" drove the bars before them with a will. Even at that exciting moment it carried me back to the old Admiral Benbow in a second, and I seemed to hear the voice of the captain piping in the chorus. But soon the anchor was short up; soon it was hanging dripping at the bows; soon the sails began to draw, and the land and shipping to flit by on either side; and before I could lie down to snatch an hour of slumber the HISPANIOLA had begun her voyage to the Isle of Treasure. I am not going to relate that voyage in detail. It was fairly prosperous. The ship proved to be a good ship, the crew were capable seamen, and the captain thoroughly understood his business. But before we came the length of Treasure Island, two or three things had happened which require to be known. Mr. Arrow, first of all, turned out even worse than the captain had feared. He had no command among the men, and people did what they pleased with him. But that was by no means the worst of it, for after a day or two at sea he began to appear on deck with hazy eye, red cheeks, stuttering tongue, and other marks of drunkenness. Time after time he was ordered below in disgrace. Sometimes he fell and cut himself; sometimes he lay all day long in his little bunk at one side of the companion; sometimes for a day or two he would be almost sober and attend to his work at least passably. In the meantime, we could never make out where he got the drink. That was the ship's mystery. Watch him as we pleased, we could do nothing to solve it; and when we asked him to his face, he would only laugh if he were drunk, and if he were sober deny solemnly that he ever tasted anything but water. He was not only useless as an officer and a bad influence amongst the men, but it was plain that at this rate he must soon kill himself outright, so nobody was much surprised, nor very sorry, when one dark night, with a head sea, he disappeared entirely and was seen no more. "Overboard!" said the captain. "Well, gentlemen, that saves the trouble of putting him in irons." But there we were, without a mate; and it was necessary, of course, to advance one of the men. The boatswain, Job Anderson, was the likeliest man aboard, and though he kept his old title,

THE FOLLOWING MONDAY I sat down next to Connie at the front desk. I almost never sat down next to Connie when she wasn’t just starting to rub lotion into her hands. I watched her rub her hands together. Her hands were like lubed animals doing a mating dance. And she was hardly alone: people everywhere kept bottles of lotion in and around their desks, people everywhere that morning were just starting to rub lotion into their hands. I missed the point. I hated missing the point, but I did, I missed it completely. If I could just become a lotioner, I thought, how many other small, pleasurable gestures made throughout the day might click into place for me, and all that exile, all that alienation and scorn, simply vanish? But I couldn’t do it. I despised the wet sensation that refused to subside even after all the lotion had been rubbed in and could be rubbed in no farther. I hit that terminal point and wanted nothing more to do with something either salutary or vain but never pleasant. I thought it was heinous. That little hardened dollop of lotion right at the lip of the squirter, that was really so heinous. But it was part of the point, the whole point. Why was I always on the outside looking in, always alien to the in? As I say, Connie was not alone. In medical offices, law firms, and advertising agencies, in industrial parks, shipping facilities, and state capitols, in ranger stations and even in military barracks, people were moisturizing. They

What do you know about the Sudbury Neutrino Observatory?” “Never heard of it.” “It’s a big, two-million-pound bottle of heavy water over a mile below ground in a nickel mine in Sudbury, Ontario. The whole thing is surrounded by a sixty-foot-thick array of photomultiplier tubes and is suspended in a huge tank of light water.

Yes, sir; no orders were given to me about them, and I knew that I might be relieved any day. I think I have had three bottles of brandy. I used to take a tot every night, thinking that there could be no harm in that." "No harm at all," Wilkinson said. "I suppose properly, under ordinary circumstances, the stores should have been handed over at once to the Tigre; but as no orders were given about it, I think you were perfectly right in taking toll, though I don't know that it would have been justified by the regulations. However, certainly I shall risk it myself." "Of course, sir, as commander of the ship, it is a different thing altogether. I was only put here to look after the men working the guns." For some hours the crew were hard at work lowering down the stores into the hold, packing the ammunition in the magazine, hoisting up the two eighteen-pounders and their carriages, and getting them into position. At half-past three a boat was sent ashore, and returned with the two Turks and a quantity of provisions. The carcases of three sheep were handed over to the crew, with the greater portion of the vegetables, one sheep being kept for the use of the cabin and

Brennan credited his time in the army with shaping his deep suspicion of government. While he was fighting at the front, his draft board sent a letter to his home stating he would be fined and imprisoned if he did not turn up for his physical. “Just goes to show how much the government knows about what’s going on,” he said. On April 4, 1919, Walter Brennan was one of six thousand returning troops that Governor Calvin Coolidge saluted as their ship docked. Six days later, while the demobbed Brennan was marching in a Swampscott parade, he spotted Ruth Wells, the daughter Lynn’s local sheriff, crossing the street. Walter’s and Ruth’s families knew one another, but Walter, three years older than Ruth, had not paid that much attention to her until he went away to war and began writing letters to her. When Ruth was six, she broke a bottle belonging to Walter’s mother, and nine-year-old Walter teased her to tears by telling her, “she’d get it when they got home.” During the war, she attended Simmons College, graduating in 1919 from a three-year program in secretarial studies, having taken courses not only in shorthand, typing, business practices, commercial law, and economics, but also in English, History, French, and German. Her yearbook entry in The Microcosm gives the impression of a lively and sociable personality with interests in the theater, parties, and dances. She was not one to sulk or spend much time worrying. “He kind of discovered you,” Ralph Edwards said to Ruth. “Oh, I did that,” she explained. “We were invited by Walter’s mother to dinner, my mother and my two sisters . . . Walter

any loose talk about a beloved having a face that launched a thousand ships would have to be backed by evidence that the object of desire did indeed look like a bottle of champagne.

Poetic simile was strictly limited to statements like “his mighty steed was as fleet as the wind on a fairly calm day, say about Force Three,” and any loose talk about a beloved having a face that launched a thousand ships would have to be backed by evidence that the object of desire did indeed look like a bottle of champagne.

The meal was an epicurean extravaganza, the Michelin chef outdoing himself with his nine courses, each richer than the last. Maya nibbled at the fare as first-growth Bordeaux flowed like water, ten cases of Chateau Petrus from a stellar year purchased at auction in New York and shipped to Nahir’s temperature-controlled, eight-thousand-bottle wine cellar for the party. After salad, lobster bisque, and curried shrimp, a small piece of seared pork belly was followed by ostrich in a truffle reduction, which in turn was trumped by poached Chilean sea bass, bluefin tuna, fugu prepared by a master Japanese chef skilled in the art of preparation of the poisonous pufferfish, and the final entrée course of Kobe beef filet.

the ide­o­log­i­cal defense of “pri­vate prop­erty” is both vague and mis­lead­ing. The seizure, or even abo­li­tion of pri­vate prop­erty doesn’t refer to the water bot­tles or homes that many of us have pur­chased; pri­vate prop­erty in the con­text of anti-capitalist pol­i­tics refers to the own­er­ship by bosses and land­lords of the resources peo­ple need to sur­vive. Most peo­ple have no access to the tools and sup­plies required to build their own fur­ni­ture, pro­vide all their own food, or main­tain a home entirely on their own. In a cap­i­tal­ist soci­ety, we depend on the mar­ket to pro­vide these for us in exchange for money. We work waged jobs, where we receive only a por­tion of the value we add to the com­modi­ties we pro­duce, and go into debt in order to afford them. When anti-capitalists talk about pri­vate prop­erty, they’re not refer­ring to the pos­ses­sions con­sumers have pur­chased in order to live; they’re refer­ring to those pos­ses­sions that the wealthy have accu­mu­lated in order to rent or sell to those who must work a waged job to survive.

Sit Down You're Rockin' the Boat I dreamed last night I got on the boat to heaven And by some chance I had brought my dice along And there I stood And I hollered "Someone fade me" But the passengers, they knew right from wrong. For the peopel all said sit down, sit down, you're rockin' the boat People all said sit down Sit down you're rockin' the boat. And the devil will drag you under By the sharp lapel of your checkered coat, Sit down, sit down, sit down, sit down, Sit down you're rockin' the boat. I sailed away on that little boat to heaven And by some chance found a bottle in my fist And there I stood, Nicely passin' out the whisky But the passengers were bound to resisist For the people all said beware You're on a heavenly trip People all said beware Beware, you'll scuttle the ship. And the devil will drag you under By the fancy tie 'round your wicked throat Sit down, sit down, sit down, sit down Sit down, you're rockin' the boat And as I laughed at those passengers to heaven (laughs) (Gasps!) A great big wave came and washed me over board! And as I sank And I hollered "someone save me!" That's the moment I woke up Thank the lord And I said to myself, sit down, sit down, You're rockin' the boat! Said to myself sit down, sit down, you're rockin' the boat And the devil will drag you under With a soul so heavy you'd never float, Sit down, sit down, sit down Sit down, sit down, sit down, you're rockin' the boat

Leave the train!” More soldiers meet Fez and his loyal companion, “This way,” one shouts, “step into the circle!” Fez glances down, at a large circle scribed into the ground, and walks into the centre with Gnash skittering in behind him, at which point he addresses the soldiers. “Did you know the philosopher Gurdjieff wrote about his encounters with the Yezidis—how he once saw a Yezidi boy distraught, struggling to break out of a circle drawn in the ground by other boys. Try as he might the boy just couldn’t step outside of the circle. The other boys teased and taunted him until Gurdjieff erased part of the circle, whereby the boy was able to escape. Perhaps the philosopher wants us to think carefully about the Yezidis—perhaps you should think carefully about me.” Out of the floor a circular glass wall made of toughened glass shoots up, stopping at a circular lip in the ceiling, trapping them like a ship in a bottle. “A prison—how quaint, never been in a prison before. When do I get my medication?” No one answers, but Fez spies a security camera in the ceiling and stares into its lens. “You think that I think you can’t hear me, but I know that you don’t know I can.” “What’s he on about?” one of the operators asks in the control room. “Something about us hearing him.

and any loose talk about a beloved having a face that launched a thousand ships would have to be backed by evidence that the object of desire did indeed look like a bottle of champagne.

In 1921 a passenger debarking from a cruise ship in New York was found to have five Bird of Paradise feathers and eight bunches of Egret plumes hidden in the false walls of his suitcase, along with sixty-eight bottles of morphine, cocaine, and a pouch of heroin hidden within a bag of nuts.

Todd Burleson’s amazement stemmed in part from my appearance, and in part from the news he’d received that everyone above High Camp, including me, was dead. He quickly recovered his composure, reached out and took me by the arm to the first tent—the dead Scott Fischer’s tent—where they put me into two sleeping bags, shoved hot water bottles under my arms, and gave me a shot of steroids. “You are not going to believe what just walked into camp,” they radioed down to Base Camp. The response back was “That is fascinating. But it changes nothing. He is going to die. Do not bring him down.” Fortunately, they didn’t tell me that. Conventional wisdom holds that in hypothermia cases, even so remarkable a resurrection as mine merely delays the inevitable. When they called Peach and told her that I was not as dead as they thought I was—but I was critically injured—they were trying not to give her false hope. What she heard, of course, was an entirely different thing. I also demurred from the glum consensus. Having reconnected with the mother ship, I now believed I had a chance to actually survive this thing. For whatever reason, I seemed to have tolerated the hypothermia, and genuinely believed myself fully revived. What I did not at first think about was the Khumbu Icefall, which simply cannot be navigated without hands. I was going to require another means of exit, something nobody had ever tried before.

After you told me about the shirt cuff, I told you about the time I spilled ink on a map in my father's study." He shook his head, baffled. "It was a rare two-hundred-year-old map of the British Isles," Merritt explained. "I'd gone into my father's study to play with a set of inkwell bottles, which I'd been told not to do. But they were such tempting little etched glass bottles, and one of them was filled with the most resplendent shade of emerald green you've ever seen. I dipped a pen in it, and accidentally dribbled some onto the map, which had been spread out on his desk. It made a horrid splotch right in the middle of the Oceanus Germanicus. I was standing there, weeping with shame, when Papa walked in and saw what had happened." "What did he do?" Keir asked, now looking interested. "He was quiet at first. Waging a desperate battle with his temper, I'm sure. But then his shoulders relaxed, and he said in a thoughtful tone, 'Merritt, I suspect if you drew some legs on that blotch, it would make an excellent sea monster.' So I added little tentacles and fangs, and I drew a three-masted ship nearby." She paused at the flash of Keir's grin, the one that never failed to make her a bit light-headed. "He had it framed and hung it on the wall over his desk. To this day, he claims it's his favorite work of art." Amusement tugged at one corner of his mouth. "A good father," he commented.

George White Rogers’ interview with Captain Wilmott exceeded Rogers’ wildest hopes. He had planned it with care in order to achieve just the right balance of distaste and distress in relating the story. It was a simple one: for weeks, he told Wilmott, he had suspected that George Alagna was quite capable of stirring up trouble. But he would never have suspected the trouble would reach the proportions it had. Now he even had proof: the discovery of the two bottles of dangerous acids. Captain Wilmott was so shaken by the revelation that he accepted without question the chief radio officer’s statement that he had thrown the bottles over the side immediately on discovering them. The story of the bottles reinforced Robert Wilmott’s fears tenfold. “I think the man is crazy!” he ranted to Rogers. “We have always had trouble with that man! In New York he went down the gangway and started a riot when the passengers were getting off because he wanted to get off the ship without having his crew pass stamped by the immigration authorities

Red wine and Hennessy She fell out of her bottle when she fell into love, cup running over, overflowing emotions in glass- red stained palet, on a pallet on the grass, to a quilt on the floor -affixed between lips and red lipstick on a shirt that he wore. A familiar place, she know she's been here before Reminiscent of the evening On his shirt that she tore ............ Drop by drop, puddle in glass getting lower- impressions in her gut, rim of her glass, hour glass figure moves counter clockwise - while absorbing the contents of merlot. Hard liquor and fine wine ............. Red Wine and Hennessy A wicked twist on some champagne tips French nails, manicures over grapes Whoever said wine and liquor don't mix? Last night I had six Bottle caps, corks, bedazzled juice Merlot was her name - slim waist - good taste slinger neck, red lace. Long stem, pedestal - hands embraced her face ............. room temperature, her body temperature ... personality of two, she's mellow and chill... aged to perfection- pop the seal- watch the erection ... splatters on the floor- covers the rug, Residue of red lipstick- Merlot stained lips match the kiss on his neck ............ Chasing fantasy through the Red Sea While chasing that with a white BC How much will she pour- how much will she drink How much more before her ship sinks ........... A full body lush, blackberry crush Medium sized Bordeaux Intense velvety plum I asked her where she's from She said she's international She's longer thinking rational .......... Sips in sync with blinking eyes She sips too much to realize Every time you pour into me, my bottle gets more empty- Glass falling to the floor She staggers to the door Glass shatters her feet She stumbles to her seat She's still asking for more But she falls to the floor Red lipstick in the mud She covers up the blood ............ She lays in her wine She forgot about the time Clock on the wall Footsteps in the hall Pounding in her head She rushes to the bed ......... She lays motionless ... but her head is racing Her heart is pacing Her lungs are gasping - air, she needs air Rolls to her side, brings her self to sit up She gags and gags until She throws it all up- ........... Wakes up the next morning Dazed and confused She's laying in a bed That she's not used to She moves slowly, where did everyone go? She checks the time- it's a quarter pass 4 sounds on the other side of the door Are Muffled by the sound of a knock at the door ........... Looks around for her little red dress Notices a blotch - a red stain on her breast Lipstick smeared an accessory to her mess She reached for her clothes and saw a note on the desk. .......... Dearly beloved, I want to see you again I'd love to have to back I think we make a great blend I tried to wake you Because I had to go And Oh by the way, my name is merlot "Little Black Bird

To this day, I’m in my head a lot of the time. I create entire monologues and have full, detailed conversations with friends—entirely in my head. And then I get frustrated because that whole carefully constructed dialogue will never see the light of day. It just exists fully built in my brain like a ship in a bottle, and then it floats away before anyone can see it.

It's just, I don't know, painful and embarrassing all at the same time. This is my son we're talk ing about, and I can't help but feel I've let him down. If I'd been a better father, he wouldn't have drifted into something so dangerous." No one knew what to say for a second. Uncharacteristically, it was Eric Stone who broke the silence. So versed in technical mat ters, it was easy to overlook his human side. "Max, I grew up in an abusive home. My father was a drunk who beat my mother and me every night he had enough money for a bottle of vodka. It was about the worst situation you could imagine and yet I turned out okay. Your home life is only a part of who you be come. You being a larger part of your son's life might have changed things or it might not have. There's no way of knowing, and if you can't know for certain there's no need for useless spec ulation. Kyle is who he is because he chose to be that way. You weren't around for your daughter either, and she's a successful accountant." "Lawyer," Max said absently. "And she did it all on her own." "If you don't feel you can take responsibility for her success, then you have no right to take responsibility for Kyle's failings." Max let the statement hang, before finally asking, "How old are you?" Stone seemed embarrassed by the question. "Twenty-seven." "Son, you are wise beyond your years. Thank you.

Trays crashed off our laps, bottles spilled; the ship proceeded with the motion of a dolphin, lovely in a dolphin and vile in a ship.

overloaded horses bent backwards by the chisel of the mason who once sculpted an eternal now on the brow of the wingless archangel, time-deformed cherubim and the false protests, overweight bowels fallen from the barracks of the pink house carved with grey rain unfallen, never creaking, never opening door, with the mouth wide, darkened and extinguished like a burning boat floating in a voiceless sea, bottle of rum down threadbare socks, singing from pavement to pavement, bright iridescent flame, "Oh, my Annie, my heart is sore!", slept chin on the curb of the last star, the lintel illuminated the forgotten light cast to a different plane, ah the wick of a celestial candle. The piling up of pigeons, tram lines, the pickpocket boys, the melancholy silver, an ode to Plotinus, the rattle of cattle, the goat in the woods, and the retreat night in the railroad houses, the ghosts of terraces, the wine shakes, the broken pencils, the drunk and wet rags, the eucalyptus and the sky. Impossible eyes, wide avenues, shirt sleeves, time receded, 'now close your eyes, this will not hurt a bit', the rose within the rose, dreaming pale under sheets such brilliance, highlighting unreality of a night that never comes. Toothless Cantineros stomp sad lullabies with sad old boots, turning from star to star, following the trail of the line, from dust, to dust, back to dust, out late, wrapped in a white blanket, top of the world, laughs upturned, belly rumbling by the butchers door, kissing the idol, tracing the balconies, long strings of flowers in the shape of a heart, love rolls and folds, from the Window to Window, afflicting seriousness from one too big and ever-charged soul, consolidating everything to nothing, of a song unsung, the sun soundlessly rising, reducing the majesty of heroic hearts and observing the sad night with watery eyes, everything present, abounding, horses frolic on the high hazy hills, a ships sails into the mist, a baby weeps for mother, windows open, lights behind curtains, the supple avenue swoons in the blissful banality, bells ringing for all yet to come forgotten, of bursting beauty bathing in every bright eternal now, counteract the charge, a last turn, what will it be, flowers by the gate, shoe less in the park, burn a hole in the missionary door, by the moonlit table, reading the decree of the Rose to the Resistance, holding the parchment, once a green tree, sticking out of the recital and the solitaire, unbuttoning her coat sitting for a portrait, uncorking a bottle, her eyes like lead, her loose blouse and petticoat, drying out briefs by the stone belfry and her hair in a photo long ago when, black as a night, a muddy river past the weeds, carrying the leaves, her coffee stained photo blowing down the street. Train by train, all goes slow, mist its the morning of lights, it is the day of the Bull, the fiesta of magic, the castanets never stop, the sound between the ringing of the bells, the long and muted silence of the distant sea, gypsy hands full of rosemary, every sweet, deep blue buckets for eyes, dawn comes, the Brahmanic splendour, sunlit gilt crown capped by clouds, brazen, illuminated, bright be dawn, golden avenues, its top to bottom, green to gold, but the sky and the plaza, blood red like the great bleeding out Bull, and if your quiet enough, you can hear the heart weeping.

You can’t fill an empty bottle with it, you can’t wrap it up or put a bow on it, and you certainly can’t measure it. It has no weight, yet it can be as heavy as a mountain. It’s invisible, yet it can be as plain as the nose on your face. You won’t see it coming, yet it can hit you like a ton of bricks. It can knock you out. It can tickle you and make you laugh. It can move you to madness, and it can launch a thousand ships. It provokes you to do the craziest things. It can calm you, agitate you, motivate you, hurt you, and inspire you. No one knows where it comes from, why it is, or where it is going. You can’t force it, and you can’t ignore it. You can fight it tooth and nail, but odds are that it will be victorious. Sometimes it’s logical, and sometimes it makes no sense at all. I think we all experience it at one time or another. Some of us are much more susceptible to it than others. It makes us yearn, envy, hope, scheme, pity, and hate. Wise men and women will cherish it, and fools will take it for granted. Me? I don’t know if I’m a wise man or a fool—sometimes I’m one, and sometimes I’m the other. Sometimes I wish I’d never heard of it, and sometimes I believe I can’t live without it. Love,

The world and its history were to Nora like a ship in a bottle; she herself was outside and unidentified, endlessly embroiled in a preoccupation without a problem.

A real man, the sorceress knew from experience, is an enthusiastic angler, but only using a fly. He collects military figures, erotic prints and models of sailing ships he builds himself, including the kind in bottles, and there is never a shortage of empty bottles of expensive alcoholic drinks in his home. He is an excellent cook, able to conjure up veritable culinary masterpieces. And well—when all’s said and done—the very sight of him is enough to make one desirous.

Think of the drunk who blames the bottle. Think of the debtor who blames his purse. We cannot raise a man up by lowering ourselves, no more than we can save a sunken ship by draining away the sea.

I knew what she’d say about that. Trust the road. Because nobody stays, in the long run you’re on your own with your ghosts. You’re the ship, they’re the bottle.

in Parma and handles them very well. This is the choice of the Consorzio itself when it needs to ship the cheese within the United States for events. For high-quality balsamic, look for the full name Aceto Balsamico Tradizionale di Modena or Aceto Balsamico Tradizionale di Reggio Emilia. Italian law precludes the years of aging on the labels, but better retailers list it, and eight years is the minimum for the good stuff, though truly exceptional balsamic, the kind to be applied with an eyedropper to cheese and ice cream, should be at least twenty-five to fifty years and will always cost you more than a hundred dollars, sometimes much more, for a small bottle. The best are labeled by color, with silver and gold denoting the oldest. Again, Zingerman’s is an excellent resource for authentic standout balsamic vinegars. *“Paolo Rainieri” is an amalgam of Parma cheese makers I met, almost all male and almost all second, third, or fifth generation in their jobs. One had worked every day, save his two-day honeymoon, for thirty-five years.

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Esther Ross’s moment was at hand. Despite the time-honored tradition of christening ships with champagne, Esther swung two bottles suspended from the vessel by a long cord and wrapped in red, white, and blue ribbons. One was indeed the traditional bottle of champagne—described by the New York Times as “American champagne from Ohio”—but the other was “a quart of the first water that flowed over Roosevelt Dam in Arizona.” As the bottles broke against the starboard bow, Esther cried out, “I name thee Arizona!

Bolitho shook his head. "The enemy's weakness does not lie in his ships, or in his courage either. It is leadership. Two-thirds of their trained and experienced officers were butchered in the Terror. And they'll not regain their confidence while they are bottled up in harbour by our blockade." He knew Draffen was deliberately drawing him out but continued, "Each time they break out and engage our squadrons they learn a little more, grow steadily more confident, even if a sea victory is denied them. Blockade is no longer the answer, in my opinion. It hurts the innocent as much as those for whom it is intended. Clearcut, decisive action is the solution. Hit the enemy whenever and wherever you can, the size of the actions is almost immaterial.

Five thousand tons of concrete were poured in horizontal layers on to wooden formwork, but at the top of the dome lightweight aggregates such as pumice and, more inventive still, empty amphorae (clay bottles used for shipping olive oil) were added to the concrete in place of stone in order to reduce the load. The inside of the dome was also coffered, which not only lightened the load still further but also added a decorative feature that has since been extensively imitated.

No, her father was ashes in the wind, his existence marked only by a headstone on a hill outside the city. Or so her sisters had told her. I loved you from the first moment I held you in my arms, her father had said to her in those last moments together. Don't lay your filthy hands on my daughter. Those had been his final words, spat at the King of Hybern. Her father had squandered those final words on that worm of a king. Her father. The man who had never fought for his children, not until the end. When he had come to save them- to save the humans and the Fae, yes, but most of all, his daughters. Her. A grand, stupid waste. Unholy dark power flowed through her, and it had not been enough to stop the King of Hybern from snapping his neck. She had hated her father, hated him deeply, and yet he had loved her, for some inexplicable reason. Not enough to try to spare them from poverty or keep them from starving. But somehow it had been enough for him to raise an army on the continent. To sail a ship named for her into battle. She had still hated her father in those last moments. And then his neck had cracked, his eyes not full of fear as he died, but of that foolish love for her. That was what had lingered- the look in his eyes. The resentment in her heart as he died for her. It had festered, gnawing at her like the power she buried deep, running rampant through her head until no icy baths could numb it away. She could have saved him. It was the King of Hybern's fault. She knew that. But it was hers, too. Just as it was her fault that Elain had been captured by the Cauldron after Nesta spied on it with that scrying, her fault that Hybern had done such terrible things to hunt her and her sisters down like a deer. Some days, the sheer dread and panic locked Nesta's body up so thoroughly that nothing could get her to breathe. Nothing could stop the awful power from beginning to rise, rise, rise in her. Nothing beyond the music at those taverns, the card games with strangers, the endless bottles of wine, and the sex that made her feel nothing- but offered a moment of release amid the roaring inside her.

It rained on the day of my dad’s funeral. Folk here are born with waterproof skin and a double set of eyelids like a trout. But I’ve seen nowt like it before. Wherever the ground dipped it turned to a puddle, and wherever there was a puddle it turned to a lake and the lakes turned to seas and every road became a river and the fields became swimming baths and the sheep became swimmers and the village of Bewrith became Venice and every window was now a door 75 Scott Preston and every car was now a stepping stone and after three hundred years of standing, Bewrith Bridge was torn out its banks and vil- lagers came to wave it off down the River Pishon like the launch of some royal ship only they drank from bottles of whisky instead of smashing them.

It rained on the day of my dad’s funeral. Folk here are born with waterproof skin and a double set of eyelids like a trout. But I’ve seen nowt like it before. Wherever the ground dipped it turned to a puddle, and wherever there was a puddle it turned to a lake and the lakes turned to seas and every road became a river and the fields became swimming baths and the sheep became swimmers and the village of Bewrith became Venice and every window was now and every car was now a stepping stone and after three hundred years of standing, Bewrith Bridge was torn out its banks and vil- lagers came to wave it off down the River Pishon like the launch of some royal ship only they drank from bottles of whisky instead of smashing them.

It rained on the day of my dad’s funeral. Folk here are born with waterproof skin and a double set of eyelids like a trout. But I’ve seen nowt like it before. Wherever the ground dipped it turned to a puddle, and wherever there was a puddle it turned to a lake and the lakes turned to seas and every road became a river and the fields became swimming baths and the sheep became swimmers and the village of Bewrith became Venice and every window was now a door and every car was now a stepping stone and after three hundred years of standing, Bewrith Bridge was torn out its banks and vil- lagers came to wave it off down the River Pishon like the launch of some royal ship only they drank from bottles of whisky instead of smashing them.

While he disappeared into the kitchen, Petro’s gaze rose as he took in the moonlit ceiling that stretched up to the second and third floors. Crossed oars and old life buoys decorated the walls. Nets and spears and shelves with the occasional ship in a bottle. High above, an old helm hung from tasteful chains, repurposed into a chandelier.