“
The good news is that the moment you decide that what you know is more important than what you have been taught to believe, you will have shifted gears in your quest for abundance. Success comes from within, not from without.
”
”
Ralph Waldo Emerson
“
I thought I'd pay you a visit, my dear. Since you're so interesting."
My mouth shifted into high gear, leaving my brain behind. "You know, you're the second guy in a few days to call me that. You should be more creative.
”
”
Lilith Saintcrow (Strange Angels (Strange Angels, #1))
“
In a lightning-fast move, he placed both of his hands on the brick wall, caging me with his body. He leaned toward me and my heart shifted into a gear I didn't know existed. His warm breath caressed my neck, melting my frozen skin. I tilted my head, waiting for the solid warmth of his body on mine. I could see his eyes again and those dark orbs screamed hunger .
"I heard a rumor."
"What's that?" I struggled to get out.
"It's your birthday."
Terrified speaking would break the spell, I licked my suddenly dry lips and nodded.
"Happy birthday." Noah drew his lips closer to mine; that sweet musky smell overwhelmed my senses. I could almost taste his lips when he unexpectedly took a step back, inhaling deeply. The cold air slapped me into the land of sober.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
So," he said as we turned onto the main road, the muffler rattling, "I've been thinking."
"Yeah?"
He nodded. "You really need to go out with me."
I blinked. "I'm sorry?"
"You know. You, me. A restaurant or movie. Together." He glanced over, shifting gears. "Maybe it's a new concept for you? If so, I'll be happy to walk you through it."
"You want to take me to a movie?" I asked.
"Well, not really," he said. "What I really want is for you to be my girlfriend. But I though saying that might scare you off.
”
”
Sarah Dessen (What Happened to Goodbye)
“
Men can shift gears from romantic to practical - and so can the bitch.
”
”
Sherry Argov (Why Men Love Bitches: From Doormat to Dreamgirl―A Woman's Guide to Holding Her Own in a Relationship)
“
Life is All About How you Handle Plan B
Plan A is always my first choice.
You know, the one where
Everything works out to be
Happily ever-after.
But more often than not,
I find myself dealing with
The upside-down, inside-out version --
Where nothing goes as it should.
It's at this point that the real
Test of my character comes in..
Do I sink, or do I swim?
Do I wallow in self pity and play the victim,
Or simply shift gears
And make the best of the situation?
The choice is all mine...
Life is all about how you handle Plan B.
”
”
Suzy Toronto (The Sacred Sisterhood Of Wonderful Wacky Women)
“
I walked and I walked, my mind shifting into a primal gear that was void of anything but forward motion, and I walked until walking became unbearable, until I believed I couldn't walk even one more step.
And then I ran.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
I finally tracked down Derek. He was alone in the library, thumbing through a book.
"Found you." I said on a sigh of relief.
He turned. His lips curved in a quarter smile, gaze softening in a way that did something to my insides, made me pull up short, momentarily forgetting why I was there.
"I-Is Simon around?"
He blinked, then turned back to the shelf.
"He's upstairs. He's really pissed about Andrew so that's probably that safest place for him until we're ready to go, or he'll say something to him we don't want said. You need him?"
"Actually, m-maybe I should show you first."
He glanced over his shoulder, frowning.
"We found something."
" Oh." He paused, like he was mentally shifting gears, then nodded and followed me out.
”
”
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
“
From now on, little by little, you must prepare yourself to face death. If you devote all of your future energy to living, you will not be able to die well. You must begin to shift gears, a little at a time. Living and dying are, in a sense, of equal value.
”
”
Haruki Murakami (After the Quake)
“
Since there is no one else to praise me, I will praise myself -- will say that I have never tampered with a single tooth in my thought machine, such as it is. There are teeth missing, God knows -- some I was born without, teeth that will never grow. And other teeth have been stripped by the clutchless shifts of history -- But never have I willfully destroyed a tooth on a gear of my thinking machine. Never have I said to myself, 'This fact I can do without.
”
”
Kurt Vonnegut Jr. (Mother Night)
“
Good. Now the first thing you do is press in the clutch and slide the gear into reverse."
She placed his hand on the gear shift in the center of her car, and showed him how to move it up and down.
"You know, you really shouldn't fondle that in front of me, Grace. It's cruel."
"Julian! Do you mind? I'm only trying to show you how to shift my gears."
He snorted. "I wish you'd shift my gears like that.
”
”
Sherrilyn Kenyon (Fantasy Lover (Hunter Legends, #1))
“
You are a beautiful person, Doctor. Clearheaded. Strong. But you seem always to be dragging your heart along the ground. From now on, little by little, you must prepare yourself to face death. If you devote all of your future energy to living, you will not be able to die well. You must begin to shift gears, a little at a time. Living and dying are, in a sense, of equal value."--Nimit in "Thailand
”
”
Haruki Murakami (After the Quake)
“
You should always know when you're shifting gears in life. You should leave your era; it should never leave you.
”
”
Leontyne Price
“
something inside me clicked, like an engine shifting into higher gear. My thinking suddenly became faster and clearer. The anger and fear didn't go away, but I realized they weren't important. They weren't going to help me...
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
There’s no English equivalent for silovik. It doesn’t translate succinctly because to create something as Machiavellian as a silovik requires both the KGB and the GRU, and then a shift from communism to capitalism followed by a gear-grinding reverse into despotism.
”
”
Tanya Thompson (Red Russia)
“
The-what? You went over my head?"
"It wasn't easy, I assure you," said Uncle Mort, shifting the car into gear. "That thing gets bigger every day.
”
”
Gina Damico (Scorch (Croak, #2))
“
A Song
I wish you were here, dear,
I wish you were here.
I wish you sat on the sofa
and I sat near.
The handkerchief could be yours,
the tear could be mine, chin-bound.
Though it could be, of course,
the other way around.
I wish you were here, dear,
I wish you were here.
I wish we were in my car
and you'd shift the gear.
We'd find ourselves elsewhere,
on an unknown shore.
Or else we'd repair
to where we've been before.
I wish you were here, dear,
I wish you were here.
I wish I knew no astronomy
when stars appear,
when the moon skims the water
that sighs and shifts in its slumber.
I wish it were still a quarter
to dial your number.
I wish you were here, dear,
in this hemisphere,
as I sit on the porch
sipping a beer.
It's evening, the sun is setting;
boys shout and gulls are crying.
What's the point of forgetting
if it's followed by dying?
”
”
Joseph Brodsky
“
Children woke up at six-thirty in the morning and shifted directly into fourth gear. Fourteen hours later they rushed straight into sleep at more than a hundred miles an hour without decelerating.
”
”
Peter Høeg (The Quiet Girl)
“
You come to work every day but you hardly get to know anyone. I don't even know the names of half the people I see in the elevators. They say the company is a big family, but I don't know them. And even the people I do, like you two, and Elizabeth, and Roger - do I really? I mean, I like you guys, but we only ever talk about work. When I'm out with friends, or at home, I never talk about work. The other day, I tried to explain to my sister why it's such a huge deal that Elizabeth ate Roger's donut, and she thought I was insane. And you know what, I agreed with her. At home I couldn't even think why it mattered. Because I'm a different person at home. When I leave this place at night, I can feel myself changing. Like shifting gears in my head. And you guys don't know that; you just know what I'm like here, which is terrible, because I think I'm better away from work. I don't even like who I am here. Is that just me? Or is everyone different when they come to work? If they are, then what are they really like? How can we ever know? All we know are the Work People.
”
”
Max Barry (Company)
“
Hands are my kink—they show everything about a man’s competence. The way they move, the way they touch….a well-shaped hand resting on a steering wheel or shifting gears…I could come just thinking about it.
”
”
Sophie Lark (Grimstone (Grimstone, #1))
“
Believe it or not, I didn’t plan to hit a witch with my car today.” He shifted the gear stick into first and accelerated down the street. “It was on the agenda for tomorrow.
”
”
Juliette Cross (Don't Hex and Drive (Stay a Spell, #2))
“
Very often, when tides start turning, great gears start shifting, and gusting winds start blowing at the onset of a really wonderful dream's alignment with your present life, there is commotion, unpredictability, even turmoil.
So, hey, let's always assume that's the case whenever you experience commotion, unpredictability, even turmoil. K?
Let not your senses deceive, for even as the tempest may howl, just beyond it lies a serenity that could not otherwise find you. The storm before the calm, if you will.
”
”
Mike Dooley
“
WASHINGTON LOVES the ones who grease its gears. But history only remembers the ones who shift them,” the late Washington Post writer Marjorie Williams wrote of Baker.
”
”
Peter Baker (The Man Who Ran Washington: The Life and Times of James A. Baker III)
“
The gears of narcissism propel the dictator and how tempting it is to shift them into overdrive while drunk on power. The genocidal hangover comes later.
”
”
Stewart Stafford
“
He said he talked to Jesus all the time. Even when he was driving his car. That killed me. I just see the big phony bastard shifting into first gear and asking Jesus to send him a few more stiffs.
”
”
J.D. Salinger (The Catcher in the Rye)
“
I’m not sure it matters how old you are. If something affects you, it affects you. No one has the right to say how long or in what way other people are allowed to feel things. Our emotions are our own.
”
”
Riley Hart (Shifting Gears (Crossroads, #2))
“
Like a bee in a flower bed, the human brain naturally flits from one thought to the next. In the high-speed workplace, where data and headlines come thick and fast, we are all under pressure to think quickly. Reaction, rather than reflection, is the order of the day. To make the most of our time, and to avoid boredom, we fill up every spare moment with mental stimulation…Keeping the mind active makes poor use of our most precious resource. True, the brain can work wonders in high gear. But it will do so much more if given the chance to slow down from time to time. Shifting the mind into lower gear can bring better health, inner calm, enhanced concentration and the ability to think more creatively.
”
”
Carl Honoré (In Praise of Slowness: Challenging the Cult of Speed)
“
Sometimes you just had to force yourself to get over shit in your life, or it would rot away inside you until you couldn't be saved.
”
”
Riley Hart (Shifting Gears (Crossroads, #2))
“
Politics of Friendship is, in other words, only a book between covers. For the real text, you must enter the classroom, put yourself to school, as a preview of the formation of collectivities. A single “teacher's” “students,” flung out into the world and time, is, incidentally, a real-world example of the precarious continuity of a Marxism “to come,” aligned with grassroots counterglobalizing activism in the global South today, with little resemblance to those varieties of “Little Britain” leftism that can take on board the binary opposition of identity politics and humanism, shifting gears as the occasion requires.
”
”
Gayatri Chakravorty Spivak (Death of a Discipline)
“
In a lifetime of hearing people celebrate weekends, she finally saw what all the fuss was about. By no means did her workload cease on Saturday, but it did shift gears. If her kids wanted to pull everything out of the laundry basket to make a bird's nest and sit in it, fine. Dellarobia could even sit in there with them and incubate, if she so desired. Household chores no longer called her name exclusively. She had an income. She'd never before understood how much her life in this little house had felt to her like confinement in a sinking vehicle after driving off a bridge. ..... To open a hatch and swim away felt miraculous. Working outside the home took her about fifty yards from her kitchen, which was far enough. She couldn't see the dishes in the sink.
”
”
Barbara Kingsolver (Flight Behavior)
“
WINTER FEAR
Is it just winter
or is this worse.
Is this the year
when outer damp
obscures a deeper curse
that spring can’t fix,
when gears that
turn the earth
won’t shift the view,
when clouds won’t lift
though all the skies
go blue.
”
”
Kay Ryan (The Best of It: New and Selected Poems)
“
I like having plans. I like keeping them. Even if said plan is to spend an uninterrupted hour watching Friday Night Lights. If I pass the day excited about solo time on the couch with a glass of wine, pad thai, and Tim Riggins, it's hard to shift gears and muster up enthusiasm for an invitation when it comes my way.
”
”
Rachel Bertsche (MWF Seeking BFF: My Yearlong Search For A New Best Friend)
“
The greatest thinkers in history certainly knew the value of shifting the mind into low gear. Charles Darwin described himself as a slow thinker. Einstein was famous for spending ages staring into space in his office at Princeton University.
”
”
Carl Honoré
“
Do you know what it's like," he asked at length, "to feel that nothing is quite real -- including yourself?"
Susila nodded. "It sometimes happens when one's just on the point of discovering that everything, including oneself, is much more real than one ever imagined. It's like shifting gears: you have to go into neutral before you change into high.
”
”
Aldous Huxley (Island)
“
One of the reasons clutter eats away at us is because we have to search for something just to find out whether it’s even there, and many times, no matter how much we search, we cannot seem to find what we are looking for. When we have reduced the amount we own and store our documents all in the same place, we can tell at a glance whether we have it or not. If it’s gone, we can shift gears immediately and start thinking about what to do.
”
”
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
“
It’s almost like you’re not tethered to the earth anymore. You’re just flying, nothing but space around you.” Landon
”
”
Riley Hart (Shifting Gears (Crossroads, #2))
“
I scowled at him as I shifted the gear into drive. "Do you love being difficult?" I asked.
"My mom says it's my specialty," he said with a grin.
”
”
Shana Norris (The Secrets Between You and Me (Stolen Kiss, #2))
“
(About parenthood and BDSM)
Note that a difficulty in shifting gears, or a struggle to find the time, is not the same thing as an ontological either/or.
”
”
Maggie Nelson (The Argonauts)
“
Do you always talk this much?” he asks, his hard stare shifts gears to slightly amused. I swallow hard. “Yep. I have anxiety. The need to fill the silence with word vomit is one of the sexier side-effects. You don’t like it? I’ll be happy to be on my merry, babbling way.
”
”
T.M. Frazier (N9ne: The Tale of Kevin Clearwater (King, #9))
“
It’s funny because I’ve never really been into that before. Eyeliner looks good on you though. Not as though that matters.” He shrugged, but it mattered to Rod. He was so incredibly fucked.
”
”
Riley Hart (Shifting Gears (Crossroads, #2))
“
So,” he throttled shift knob into fifth gear half a block from a stop sign, “you’re from Great Britain.”
“Yes. England. The North. Sheffield.”
“Why you guys drive on the left?”
“Obviously, because it’s right.”
“I’m being serious.”
“Are you?”
“I’m askin, aren’t I?”
“I don’t know. Tradition, I suppose.”
“That’s a dumb-ass reason.”
“Then perhaps you should start driving on the left.
”
”
Kevin Cole
“
The conference is geared to people who enjoy meaningful discussions and sometimes "move a conversation to a deeper level, only to find out we are the only ones there." . . . When it's my turn, I talk about how I've never been in a group environment in which I didn't feel obliged to present an unnaturally rah-rah version of myself. . . .
Scientists can easily report on the behavior of extroverts, who can often be found laughing, talking, or gesticulating. But "if a person is standing in the corner of a room, you can attribute about fifteen motivations to that person. But you don't really know what's going on inside." . . .
So what is the inner behavior of people whose most visible feature is that when you take them to a party they aren't very pleased about it? . . .
The highly sensitive tend to be philosophical or spiritual in their orientation, rather than materialistic or hedonistic. They dislike small talk. They often describe themselves as creative or intuitive . . . . They dream vividly, and can often recall their dreams the next day. They love music, nature, art, physical beauty. They feel exceptionally strong emotions--sometimes acute bouts of joy, but also sorrow, melancholy, and fear.
Highly sensitive people also process information about their environments--both physical and emotional--unusually deeply. They tend to notice subtleties that others miss--another person's shift in mood, say, or a lightbulb burning a touch too brightly. . . .
[Inside fMRI machines], the sensitive people were processing the photos at a more elaborate level than their peers . . . . It may also help explain why they're so bored by small talk. "If you're thinking in more complicated ways," she told me, "then talking about the weather or where you went for the holidays is not quite as interesting as talking about values or morality."
The other thing Aron found about sensitive people is that sometimes they're highly empathic. It's as if they have thinner boundaries separating them from other people's emotions and from the tragedies and cruelties of the world. They tend to have unusually strong consciences. They avoid violent movies and TV shows; they're acutely aware of the consequences of a lapse in their own behavior. In social settings they often focus on subjects like personal problems, which others consider "too heavy.
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
I’ve seen too many writers derail their creative process by stopping the action to tweak a word or a sentence. If you write a few paragraphs, then go back and polish them, you destroy all the forward momentum you had. It’s like shifting gears—forward, reverse, forward, reverse. You could burn out your mental transmission. If you can train yourself to save the criticism for the second draft, you’ll actually finish writing and have something to polish.
”
”
Kevin J. Anderson (Million Dollar Productivity (The Million Dollar Writing Series))
“
There are moments in time when the axis of the universe shifts, when life as you knew it is irrevocably altered. When the hiss and grind of the gears fell silent, some deeply rooted instinctive part of me knew this was one of those moments.
”
”
Jennifer Silverwood (Qeya (Heaven's Edge #1))
“
For the first stretch of road Olivia’s eyes were sealed shut, her breath held hostage in her lungs.
“You might want to open your eyes,” Wesley called back knowingly, his muffled voice breaking through both of their helmets. “And don’t forget to breathe.
”
”
Shawn Maravel (Shifting Gears)
“
Bruce had me up to three miles a day, really at a good pace. We’d run the three miles in twenty-one or twenty-two minutes. Just under eight minutes a mile [Note: when running on his own in 1968, Lee would get his time down to six-and-a-half minutes per mile]. So this morning he said to me “We’re going to go five.” I said, “Bruce, I can’t go five. I’m a helluva lot older than you are, and I can’t do five.” He said, “When we get to three, we’ll shift gears and it’s only two more and you’ll do it. ” I said “Okay, hell, I’ll go for it.” So we get to three, we go into the fourth mile and I’m okay for three or four minutes, and then I really begin to give out. I’m tired, my heart’s pounding, I can’t go any more and so I say to him, “Bruce if I run any more,”—and we’re still running—“if I run any more I’m liable to have a heart attack and die.” He said, “Then die.” It made me so mad that I went the full five miles. Afterward I went to the shower and then I wanted to talk to him about it. I said, you know, ‘“Why did you say that?” He said, “Because you might as well be dead. Seriously, if you always put limits on what you can do, physical or anything else, it’ll spread over into the rest of your life. It’ll spread into your work, into your morality, into your entire being. There are no limits. There are plateaus, but you must not stay there, you must go beyond them. If it kills you, it kills you. A man must constantly exceed his level.
”
”
Bruce Lee (Bruce Lee: The Art of Expressing the Human Body)
“
My timing is perfect, and I wind up in a traffic jam. The cars around me are driven by fat cows and bellowing bulls. We roll along, six mph. I can run faster than this. We brake. They chew their cud and moo into their phones until the herd shifts gears and rolls forward again.
”
”
Laurie Halse Anderson (Wintergirls)
“
One afternoon while driving back from the beach, Hugh pointed out a McDonald's bag vomiting its contents onto the pavement. "I say that any company whose products are found on the ground automatically has to go out of business," he said. This is how we talk nowadays, as if our pronouncements hold actual weight and can be implemented at our discretion, like we're kings or warlocks. "That means no more McDonald's, no more Coke - none of it."
"That wouldn't affect you any,"I told him. Hugh doesn't drink soda or eat Big Macs. "But what if it was something you needed, like paint? I find buckets of it in the woods all the time."
"Fine," he said. "Get rid of it. I'll make my own."
If anyone could make his own paint, it would be Hugh.
"What about brushes?"
"Please," he said, and he shifted into a higher gear. "I could make those in my sleep.
”
”
David Sedaris (Let's Explore Diabetes with Owls: Essays, Etc.)
“
Anyway, back to the crush. Sorry to shift gears so fast, but we both know why we're here. I mean, if I wanted to discuss the existential angst of motherhood I'd be writing in a journal. Diaries are for the down and dirty, the stuff you don't want people to ever find out about you. Journals are the things you leave open around the house, hoping a literary agent will wander in, read it and declare you the next genius of your age.
”
”
Lani Diane Rich
“
To build up your speed and create momentum, do you need to be pushed or pulled? Successfully shifting gears requires synchronization, coordination, and a sense of speed, whether fast or slow. Sometimes it is simply a matter of shaking up your routine to get things rolling in the right direction.
”
”
Susan C. Young
“
In times of colonial expansion, when support for the slave trade was required, the historian fed readers tales of explorers and conquerors. When soldiers were needed, ready to die for king and country, the historian gave them heroes and warriors. When society favored male dominance and female subservience, the historian provided male oriented history
What about writing history now, at a time when so many are striving for greater equality? Can looking backward impact how we look forward? Finding empowered women with agency from the medieval period is my way of shifting gear, providing new narratives for readers today.
”
”
Janina Ramírez (Femina: A New History of the Middle Ages, Through the Women Written Out of it)
“
In her remorse, she was also willing to admit that she was sad for another reason. She no longer had a reason to see or spend time with Wesley. She would lose her dream house to him and him to the house. It seemed almost tragic how everything had panned out and it made her consider more strongly than she had before that maybe it was a sign that she should take Jerry back. She’d lost her dream and was realizing quickly that in the end that’s all it had ever been and maybe it was time that she finally woke up.
”
”
Shawn Maravel (Shifting Gears)
“
7:50 a.m. Core Power Yoga Lot, Berkeley. I’m in my Prius finishing up a phone call before class. Suddenly a large black SUV whisks into the space next to me, so achingly close I can no longer open my door. I roll down my window, giggling. “You’re kidding, right?” I say to the girl, pointing at the almost empty lot. “I mean, really? Why here? Why me? Did ya just want to get to know me better?” She looks at me blankly, shrugs her shoulders, gets out of the car, and strolls upstairs. 7:52 a.m. Wow. Wedged behind wheel, momentarily fuming. 7:53 a.m. Wondering: Do I want to be mad and waste the morning with this? Does my body need the assault of even momentary resentment while on the way to yoga of all places? Or . . . do I want to feel compassion, plus a dose of good-humored astonishment, by just rolling with it all? 7:54 a.m. I spend a full minute contemplating how to twist myself like a true yogini over the gear shift to slither out the other door. But then, I have the Life-Changing Realization: I can MOVE THE CAR. 7:55 a.m. I move.
”
”
Tosha Silver (Change Me Prayers: The Hidden Power of Spiritual Surrender)
“
Okay, well now he felt like an ass. “I know. I just…you mentioned the sex and—” “Hey! Don’t blame this on me. I mentioned sex on Friday night. It’s Monday. I’m over you.” Rod crossed his arms, giving him a cocky grin. Landon bit back a smile. “Over me already, huh? That was quick.” “The heart is fleeting.” “Apparently so is the ass.” “Apparently.” Rod
”
”
Riley Hart (Shifting Gears (Crossroads, #2))
“
I can just see the big phony bastard shifting into first gear and asking Jesus to send him a few more stiffs.
”
”
J.D. Salinger (The Catcher in the Rye)
“
You didn’t tell me how to be a hero. You showed me. And now it’s my job… to show him.
”
”
Dennis Hopeless (Spider-Woman: Shifting Gears, Vol. 1: Baby Talk)
“
It was time to pick up the pace, and as Scott passed the orange 8K marker, he shifted from first gear to second.
”
”
Stephen King (Elevation)
“
Dad and Roxanna were talking lightly in the way adults do who've just shifted gears to accommodate children—an infuriating tone for kids attempting to sound the future.
”
”
Leif Enger (Peace Like a River)
“
Is that your gear shift or are you just excited to see me?
”
”
R.S. Grey (Scoring Wilder)
“
The kiss wasn’t just any kiss. No, it was a tricky little bastard, because it started out soft and gentle, but shifted gears in a matter of seconds. The moment her response went from surprise to surrender, the kiss turned hard and hungry, launching us into a frenzy of movement. Her arms were around my neck, my hands were moving all over her body, and somehow, in a span of about five seconds, she climbed up me like a tree, her legs wrapped tightly around my waist.
We spun and bumped into the counter. I reached behind my back with one hand to tighten the cross of her ankles. And then I had her sitting on the edge of the stovetop, my hands exploring the tops of her thighs. I pushed the ruffled skirt hem up and clasped on to her bare, silky skin. Her tongue dove to the back of my throat, sliding over mine like wet, slick velvet.
Holy mother fuck, I couldn’t breathe. I was drowning in this girl.
”
”
Rachael Wade (Declaration (Preservation, #3))
“
Hey, Mama?” This is Willa, gentle. “This is a lot. It’s so, so much. But I wonder if you want to shift gears? Grandpa is telling you something about—about himself, really. More than he’s telling you something about you, I think.” “Thanks, honey,” I say, and Jamie smiles, says, “Did you just low-key roast Mama for being a narcissist?” I love these kids more every day.
”
”
Catherine Newman (Sandwich)
“
Don’t you teach your children to wash after they use the toilet?” Grandma said. Dad shifted the truck into gear. As it rolled forward he waved and said, “I teach them not to piss on their hands.
”
”
Tara Westover (Educated)
“
He said he talked to Jesus all the time. Even when he was driving his car. That killed me. I just see the big phony bastard shifting into first gear and asking Jesus to send him a few more stiffs.
”
”
Anonymous
“
Weylyn’s expression shifted gears. I could tell, even before he spoke, that he had drained his mind of his own sadness and replaced it with empathy for mine. “I’m really sorry,” he said, and meant it.
”
”
Ruth Emmie Lang (Beasts of Extraordinary Circumstance)
“
My hope is that as you are reading this book, you feel encouraged and emboldened to get into the driver's seat of your career and to make the adjustments necessary to live your career life to its fullest.
”
”
Lois Moran (Career VOLTA: Shift Your Career into High Gear)
“
The Sweet Spot is about shifting the small gears, the ones that rotate relatively easily. And because all the gears are interlocking, when we tweak a small gear, large gears start to move—effortlessly—as well.
”
”
Christine Carter (The Sweet Spot: How to Find Your Groove at Home and Work)
“
Gear-shifting is thus a phenomenon of a higher logical type than giving gas, and it would be patently nonsensical to talk about the mechanics of complex gears in the language of the thermodynamics of fuel supply.
”
”
Paul Watzlawick (Change: Principles of Problem Formation and Problem Resolution)
“
You are shifting from a society that has an all-for-one mentality into a society that is geared towards one-for-all. The activated heart chakra of humanity will be instrumental in facilitating this new way of thinking.
”
”
James Carwin (Pleiadian Prophecy 2020: The New Golden Age)
“
Since there is no one else to praise me, I will praise myself—will say that I have never tampered with a single tooth in my thought machine, such as it is. There are teeth missing, God knows—some I was born without, teeth that will never grow. And other teeth have been stripped by the clutchless shifts of history—But never have I willfully destroyed a tooth on a gear of my thinking machine. Never have I said to myself, “This fact I can do without.
”
”
Kurt Vonnegut Jr. (Mother Night)
“
She had to be careful, even now, as she shifted up to fourth gear on the open highway again, to not reinfect herself with that sticky, toxic terror that life—this life, which gave you the beautiful sparkling world—squashed you like a gnat.
”
”
Michelle Huneven (Bug Hollow)
“
I felt the warm tug of the past and the melancholy of absence - all of it a little jarring, accustomed as I was to the hermetic and youthful world of college. It was something deeper than what I normally felt at school, the slow shift of generational gears.
”
”
Michelle Obama (Becoming)
“
So, where are we going?"
Eriku then turns onto the highway, one hand on the wheel, the other shifting gears. "I actually put a lot of thought into it. It was hard to decide on a place where we'd have maximum exposure but also enjoy ourselves. Somewhere the public can take us in, yet there's a lot of crowd control."
We pass a billboard with a castle and a princess dressed in an ice-blue gown. I shift in my seat. No. Way. "Are we going to Tokyo Disney?"
He smiles. "Life is a song, princess. Let's go make some fake-dating music.
”
”
Emiko Jean (Tokyo Dreaming (Tokyo Ever After, #2))
“
--Suddenly the bus driver
stops with a jolt,
turns off his lights.
A moose has come out of
the impenetrable wood
and stands there, looms, rather,
in the middle of the road.
It approaches; it sniffs at
the bus's hot hood.
Towering, antlerless,
high as a church,
homely as a house
(or, safe as houses).
A man's voice assures us
'Perfectly harmless. . . .'
Some of the passengers
exclaim in whispers,
childishly, softly,
'Sure are big creatures.'
'It's awful plain.'
'Look! It's a she!'
Taking her time,
she looks the bus over,
grand, otherworldly.
Why, why do we feel
(we all feel) this sweet
sensation of joy?
'Curious creatures,'
says our quiet driver,
rolling his r's.
'Look at that, would you.'
Then he shifts gears.
For a moment longer,
by craning backward,
the moose can be seen
on the moonlit macadam;
then there's a dim
smell of moose, an acrid
smell of gasoline.
”
”
Elizabeth Bishop (Geography III)
“
His hand grazed her inner thigh as he shifted the manual transmission into reverse, and this lightest of touches sent a shiver through Devin. “Cold?” he asked, backing the pickup away from the trees to turn around. “You can turn on the heat if you’d like.”
Devin shook her head. “I’m fine,” she said in a quiet, breathy voice that she couldn’t quite control.
The tone caught Ronin’s attention, and he gave her a long look before shifting back into first gear. Again, his fingertips grazed her soft skin, and her breath caught again.
Ronin’s eyes fell shut for a moment. “Damn, honey,” he whispered.
”
”
Sibylla Matilde (Little Conversations (Conversations, #1))
“
There is a basic truth to shifting your life out of reverse and into a forward gear, and it is this: no matter what your circumstances are or what you have done in the past, God loves you with an everlasting love, and He will make your life count for something wonderful, if you will place your trust in Him.
”
”
Charles F. Stanley (Stuck in Reverse: How to Let God Change Your Direction)
“
And this is what I mean by “aging from the inside out.” If we merely move around our internal furniture, redesigning our roles and maintaining high gear, we do not see through the ego’s charade. Instead, we permit it to continue its endless efforts at control. And this does not carry us deeper into our spiritual center, beyond ego.
”
”
Connie Zweig (The Inner Work of Age: Shifting from Role to Soul)
“
Where I lived at Pencey, I lived in the Ossenburger Memorial Wing of the new dorms. It was only for juniors and seniors. I was a junior. My roommate was a senior. It was named after this guy Ossenburger that went to Pencey. He made a pot of dough in the undertaking business after he got out of Pencey. What he did, he started these undertaking parlors all over the country that you could get members of your family buried for about five bucks apiece. You should see old Ossenburger. He probably just shoves them in a sack and dumps them in the river. Anyway, he gave Pencey a pile of dough, and they named our wing alter him. The first football game of the year, he came up to school in this big goddam Cadillac, and we all had to stand up in the grandstand and give him a locomotive—that's a cheer. Then, the next morning, in chapel, he made a speech that lasted about ten hours. He started off with about fifty corny jokes, just to show us what a regular guy he was. Very big deal. Then he started telling us how he was never ashamed, when he was in some kind of trouble or something, to get right down his knees and pray to God. He told us we should always pray to God—talk to Him and all—wherever we were. He told us we ought to think of Jesus as our buddy and all. He said he talked to Jesus all the time. Even when he was driving his car. That killed me. I can just see the big phony bastard shifting into first gear and asking Jesus to send him a few more stiffs. The only good part of his speech was right in the middle of it. He was telling us all about what a swell guy he was, what a hotshot and all, then all of a sudden this guy sitting in the row in front of me, Edgar Marsalla, laid this terrific fart. It was a very crude thing to do, in chapel and all, but it was also quite amusing. Old Marsalla. He damn near blew the roof off. Hardly anybody laughed out loud, and old Ossenburger made out like he didn't even hear it, but old Thurmer, the headmaster, was sitting right next to him on the rostrum and all, and you could tell he heard it. Boy, was he sore. He didn't say anything then, but the next night he made us have compulsory study hall in the academic building and he came up and made a speech. He said that the boy that had created the disturbance in chapel wasn't fit to go to Pencey. We tried to get old Marsalla to rip off another one, right while old Thurmer was making his speech, but be wasn't in the right mood.
”
”
J.D. Salinger (The Catcher in the Rye)
“
Hey, Mama?” This is Willa, gentle. “This is a lot. It’s so, so much. But I wonder if you want to shift gears? Grandpa is telling you something about—about himself, really. More than he’s telling you something about you, I think.” “Thanks, honey,” I say, and Jamie smiles, says, “Did you just low-key roast Mama for being a narcissist?” I love these kids more every day. “I’m sorry, Dad,” I say. “I’m so sorry. What a trauma—to grow up with so much pain in the house.” In his house. In everybody’s house. My god. All the motherless children. All the childless mothers. A canyon the size of a continent, and full of bones. “I can’t even imagine,” I say. “Forgive me.” I reach a hand across the table to him.
”
”
Catherine Newman (Sandwich)
“
when you count backwards, you mentally shift the gears in your mind. You interrupt your default thinking and do what psychologists call “assert control.” The counting distracts you from your excuses and focuses your mind on moving in a new direction. When you physically move instead of stopping to think, your physiology changes and your mind falls in line.
”
”
Mel Robbins (The 5 Second Rule: Transform Your Life, Work, and Confidence with Everyday Courage)
“
He reached the Devil’s River Bridge at sundown and half way across he pulled the cruiser to a halt and turned on the rooflights and got out and shut the door and walked around in front of the vehicle and stood leaning on the aluminum pipe that served for the top guardrail. Watching the sun set into the blue reservoir beyond the railroad bridge to the west. A westbound semi coming around the long curve of the span downshifted when the lights came into view. The driver leaned from the window as he passed. Dont jump, Sheriff. She aint worth it. Then he was gone in a long suck of wind, the diesel engine winding up and the driver double clutching and shifting gears. Bell smiled. Truth of the matter is, he said, she is.
”
”
Cormac McCarthy (No Country for Old Men)
“
To master the virtual equation and make all the elements work together, you have to become the connector. In fact, your greatest role as a virtual manager is to link the various parts of his/her team to accomplish the goals that lead to its formation in the first place. You may need to shift gears, perform ream tune-ups, realign, and refuel your team's energy along the way.
”
”
Yael Zofi (A Manager's Guide to Virtual Teams)
“
You are a beautiful person, Doctor. Clearheaded. Strong. But you seem always to be dragging your heart along the ground. From now on, little by little, you must prepare yourself to face death. If you devote all of your future energy to living, you will not be able to die well. You must begin to shift gears, a little at a time. Living and dying are, in a sense, of equal value.
”
”
Haruki Murakami
“
It is Boden’s third form of creativity that is the more mysterious and elusive, and that is transformational creativity. This describes those rare moments that are complete game changers. Every art form has these gear shifts. Think of Picasso and Cubism, Schoenberg and atonality, Joyce and modernism. They are like phase changes, when water suddenly goes from a liquid to a gas.
”
”
Marcus du Sautoy (The Creativity Code: How AI is learning to write, paint and think)
“
Charlie nodded, like not getting it was valid. "I don't know how to explain it. But one thing's for sure. I'm not making you birthday doughnuts because your dad guilt-tripped me. I'm making you doughnuts because I'm grateful that you're here—for whatever you being here is doing to my life. And I genuinely want you to have a happy birthday."
Ugh. One of those unwelcome tears of mine spilled over.
And Charlie, like a reflex, reached up and wiped it away. Like you might do for someone you cared about.
"Also," Charlie said, "I burned a hundred canned biscuits before I got the hang of this, so these little guys really are miracles."
I gave Charlie the wobbly smile that happens when you try to shift emotional gears.
Something was making me feel shaky. Maybe that I wasn't just a writer to him. Or that he was glad to have me in his life. Or that I was doing things to him—just like he was doing things to me.
"You have to eat one," Charlie said then, putting his arm around my shoulders and turning us both toward the waiting donuts. "So many canned biscuits gave their lives for this moment."
And now I really smiled. Despite myself.
”
”
Katherine Center (The Rom-Commers)
“
With green envy, she watched Henry’s effortless mastery of the automobile. Cars are his servants, she thought. “Power steering? Automatic transmission?” she said. “You bet,” he said. “Well, what if everything shuts off and you don’t have any gears to shift. You’d be in trouble then, wouldn’t you?” “But everything won’t shut off.” “How do you know?” “That’s what faith is. Come here.
”
”
Harper Lee (Go Set a Watchman)
“
But as society accelerates, something shifts. In more and more contexts, patience becomes a form of power. In a world geared for hurry, the capacity to resist the urge to hurry - to allow things to take the time they take - is a way to gain purchase on the world, to do the work that counts, and to derive satisfaction from the doing itself, instead of deferring all your fulfillment to the future.
”
”
Oliver Burkeman (Four Thousand Weeks: Time Management for Mortals)
“
I stood for a while the way I had the first time they left, letting all the knots of fear unclench. Nothing had happened, I told myself. I am perfectly okay. He was just a creepy, horny, not-nice man, and now he’s gone. But then I shoved my tent back into my pack, turned off my stove, dumped the almost-boiling water out into the grass, and swished the pot in the pond so it cooled. I took a swig of my iodine water and crammed my water bottle and my damp T-shirt, bra, and shorts back into my pack. I lifted Monster, buckled it on, stepped onto the trail, and started walking northward in the fading light. I walked and I walked, my mind shifting into a primal gear that was void of anything but forward motion, and I walked until walking became unbearable, until I believed I couldn’t walk even one more step. And then I ran.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
We can’t go from zero to sixty in a day or even a week when it comes to shifting our food-habit gears. We have to take baby steps, starting with an increasing awareness of our habits and a willingness to chip away at the ones that aren’t doing us any good. Slowly, with time and commitment, we move away from the rat-race, multitasking mentality to a place where we want to give our meals and ourselves the time and attention we deserve.
”
”
Mary DeTurris Poust (Cravings: A Catholic Wrestles with Food, Self-Image, and God)
“
SInce there is no one else to praise me, I will praise myself - will say that I have never tampered with a single tooth in my thought machine such as it is. There are teeth missing, God knows - some I was born without, teeth that will never grow. Ange other teeth have been stripped by the clutchless shifts of history- But never have I willfully destroyed a tooth on a gear of my thinking machine. Never have I said to myself, "This fact I can do without.
”
”
Kurt Vonnegut Jr. (Mother Night)
“
Sometimes the worst things that happen to you come from the smallest decisions. You lean on the accelerator instead of the break. Or you shift your weight on the ladder. Or you leap into the pool headfirst without checking how deep the water is. Tiny, tiny mistakes that would have been inconsequential any other day. But for some reason, the universe’s gears get jammed at that exact second, and your tiny mistake permanently changes the remainder of your life.
”
”
Darcy Coates (Where He Can't Find You)
“
Well done,’ whispered one. ‘Let’s go.’ Robin nodded and opened the door to let them out. The moment they stepped foot over the barrier, an awful cacophony split the air – a screaming, a howling, the grinding of metal gears in some invisible mechanism. It was a threat and a warning, the hybrid of ancient horror and the modern capacity for spilling blood. Behind them, the panels in the door shifted, revealing a dark cavity within. Without another word, the Hermes
”
”
R.F. Kuang (Babel)
“
Can you drive it?"
"No. I can't drive a stick at all. It's why I took Andy's car and not one of yours."
"Oh people, for goodness' sake...move over." Choo Co La Tah pushed past Jess to take the driver's seat.
Curious about that, she slid over to make room for the ancient.
Jess hesitated. "Do you know what you're doing?"
Choo Co La Tah gave him a withering glare. "Not at all. But I figured smoeone needed to learn and no on else was volunteering. Step in and get situated. Time is of the essence."
Abigail's heart pounded. "I hope he's joking about that." If not, it would be a very short trip. Ren changed into his crow form before he took flight. Jess and Sasha climbed in, then moved to the compartment behind the seat. A pall hung over all of them while Choo Co La Tah adjusted the seat and mirrors.
By all means, please take your time. Not like they were all about to die or anything...
She couldn't speak as she watched their enemies rapidly closing the distance between them. This was by far the scariest thing she'd seen. Unlike the wasps and scorpions, this horde could think and adapt.
They even had opposable thumbs.
Whole different ball game.
Choo Co La Tah shifted into gear. Or at least he tried. The truck made a fierce grinding sound that caused jess to screw his face up as it lurched violently and shook like a dog coming in from the rain.
"You sure you odn't want me to try?" Jess offered.
Choo Co La Tah waved him away. "I'm a little rusty. Just give me a second to get used to it again."
Abigail swallowed hard. "How long has it been?"
Choo Co La Tah eashed off the clutch and they shuddred forward at the most impressive speed of two whole miles an hour. About the same speed as a limping turtle. "Hmm, probably sometime around nineteen hundred and..."
They all waited with bated breath while he ground his way through more gears. With every shift, the engine audibly protested his skills.
Silently, so did she.
The truck was really moving along now. They reached a staggering fifteen miles an hour. At this rate, they might be able to overtake a loaded school bus...
by tomorrow.
Or at the very least, the day after that.
"...must have been the summer of...hmm...let me think a moment. Fifty-three. Yes, that was it. 1953. The year they came out with color teles. It was a good year as I recall. Same year Bill Gates was born."
The look on Jess's and Sasha's faces would have made her laugh if she wasn't every bit as horrified.
Oh my God, who put him behind the wheel?
Sasha visibly cringed as he saw how close their pursuers were to their bumper. "Should I get out and push?"
Jess cursed under his breath as he saw them, too. "I'd get out and run at this point. I think you'd go faster."
Choo Co La Tah took their comments in stride. "Now, now, gentlemen. All is well. See, I'm getting better." He finally made a gear without the truck spazzing or the gears grinding.
”
”
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
“
He shook his head. "Have you ever wondered who's in the gaps in the crowd?"
She glanced at him in surprise. Maybe she'd been wrong, and he was more than just a little odd.
"Gaps in the crowd?" she repeated.
"If there are a lot of people all in one place, a hundred or a thousand or more, there'll still be some empty spaces. Gaps right at the front. Or in the middle. Or on the outside. You just have to look carefully to see them." He shifted gears as two heavy trucks appeared side by side ahead of them. "Those are the gaps in the crowd. And if you look very closely, you notice that they're moving about. Just like the people around them."
Rosa pressed her lips together and said, "Hmm," as if she understood what he was talking about.
"They're weird," he said.
"The gaps?"
"Because they're really not empty."
"No?"
"No, they aren't. They're always there, and in other places, too. Around us, but invisible. It's only in a crowd you can see them. No one can move into the places where the gaps are.
”
”
Kai Meyer (Arcadia Awakens (Arcadia, #1))
“
Wesley took a swig of his beer, hoping that maybe the pause might give him time enough to sort out his thoughts. “Well, I never really changed my mind,” he said smoothly. “I never said no.”
“I guess I just figured it was implied.”
“And why is that?”
“I’m pretty sure you’re way out of my league.”
Wesley laughed. “I highly doubt that. I don’t even know what league I’m in.”
“Well that’s just it. You’re kind of in a league of your own. Your friends; they’re both pretty flirtatious. They openly flirt with all of the waitresses but you’re this serious, focused, badass that doesn’t say more than he has to.”
“Wow.” Wesley laughed. “I sound like an asshole.
”
”
Shawn Maravel (Shifting Gears)
“
The most vital weapons at the disposal of a special forces soldier are his intellect and his mental toughness. Sometimes it all comes down to 'who wants it most', i.e. whoever is more willing to keep fighting and trying to survive. Being able to keep your head and look for advantages or escape routes is a big plus too.
Getting into 'survival mode' requires shifting mental gears when you need to. Good training helps with this as well as giving you the skills you need, but ultimately the will that drives your bid to survive is yours.
If you give in to fear or go into denial, pretending that it is not happening, then you will fail. Instead you must accept that it IS really happening and deal with it. So if you find yourself thinking, "What's he going to do to me?', you have to force yourself to answer, 'Nothing. I'm not going to let him.'
If you have done all you can to avoid trouble and it finds you anyway, then it is down to you to make a way out of the situation with as little harm to yourself as possible. Yes, you will be scared. Yes, you might indeed get hurt. Yes, it is possible that you could fail to defend yourself... but not for lack of trying. If the bad guy will not let you withdraw or de-escalate the situation, if he insists on fighting then he has decided that someone is going to get hurt. But it is you, not him, that gets to decide who.
”
”
Martin J. Dougherty (Special Forces Unarmed Combat Guide: Hand-to-Hand Fighting Skills From The World's Most Elite Military Units)
“
There is yet another reason why peer-oriented kids are insatiable. In order to reach the turning point, a child must not only be fulfilled, but this fulfillment must sink in. It has to register somehow in the child's brain that the longing for closeness and connectedness is being met. This registration is not cognitive or even conscious, but deeply emotional. It is emotion that moves the child and shifts the energy from one developmental agenda to another, from attachment to individuation.
The problem is that, for fulfillment to sink in, the child must be able to feel deeply and vulnerably — an experience most peer-oriented kids will be defended against. Peer-oriented children cannot permit themselves to feel their vulnerability. It may seem strange that feelings of fulfillment would require openness to feelings of vulnerability. There is no hurt or pain in fulfillment — quite the opposite. Yet there is an underlying emotional logic to this phenomenon. For the child to feel full he must first feel empty, to feel helped the child must first feel in need of help, to feel complete he must have felt incomplete. To experience the joy of reunion one must first experience the ache of loss, to be comforted one must first have felt hurt.
Satiation may be a very pleasant experience, but the prerequisite is to be able to feel vulnerability. When a child loses the ability to feel her attachment voids, the child also loses the ability to feel nurtured and fulfilled. One of the first things I check for in my assessment of children is the existence of feelings of missing and loss. It is indicative of emotional health for children to be able to sense what is missing and to know what the emptiness is about. As soon as they are able to articulate, they should be able to say things like “I miss daddy,” “It hurt me that grandma didn't notice me,” “It didn't seem like you were interested in my story,” “I don't think so and so likes me.”
Many children today are too defended, too emotionally closed, to experience such vulnerable emotions. Children are affected by what is missing whether they feel it or not, but only when they can feel and know what is missing can they be released from their pursuit of attachment. Parents of such children are not able to take them to the turning point or bring them to a place of rest. If a child becomes defended against vulnerability as a result of peer orientation, he is made insatiable in relation to the parents as well. That is the tragedy of peer orientation — it renders our love and affection so useless and unfulfilling.
For children who are insatiable, nothing is ever enough. No matter what one does, how much one tries to make things work, how much attention and approval is given, the turning point is never reached. For parents this is extremely discouraging and exhausting. Nothing is as satisfying to a parent as the sense of being the source of fulfillment for a child. Millions of parents are cheated of such an experience because their children are either looking elsewhere for nurturance or are too defended against vulnerability to be capable of satiation.
Insatiability keeps our children stuck in first gear developmentally, stuck in immaturity, unable to transcend basic instincts. They are thwarted from ever finding rest and remain ever dependent on someone or something outside themselves for satisfaction. Neither the discipline imposed by parents nor the love felt by them can cure this condition. The only hope is to bring children back into the attachment fold where they belong and then soften them up to where our love can actually penetrate and nurture.
”
”
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
“
Do you have the hots for this boy?” her father asked in all seriousness. “Do we need to have him over for dinner so that I can show him my own gun collection?”
“Dad.”
“Threatening the police isn’t one of your best ideas, Frank,” her mother offered in Olivia’s defense.
“He’s not the police, Katy. He’s some hormone driven boy who wants to sweet-talk our daughter into bed so that he can fire off a few rounds of his own.”
“Dad!” Olivia’s face grew hot with humiliation.
“I’m just speaking the truth, honey. He’s a man. Don’t think he’s never considered it. You’re a beautiful young woman. All I’m saying is that I’d like to send him a little message before he gets any ideas.”
Olivia melted into her seat, covering her face with her hands.
“Frank, we’re eating.”
“Yeah, and?
”
”
Shawn Maravel (Shifting Gears)
“
PANOTII LOOKS PUT OUT ABOUT BEING LEFT BEHIND AND dogs my steps as I stow his tack under the deep overhang on the south side of the wizard’s hovel. There’s plenty of grass here, water at the lake, and it’s not that cold yet, despite the shift in seasons. If the rains start before we get back, the horses can take shelter under the overhang. I’m not worried about them wandering off. Not one of them has stepped outside of the large makeshift corral of God Bolt pits since we got here.
“You can’t come with us,” I tell him. “It’ll be cold and slippery. And big monsters will want to eat you.” He tosses his head, snorting. “Really big monsters. There might be Dragons. And the Hydra. And I can’t vouch for the friendliness of the Ipotane toward regular horses.” I blow gently into his nose. Panotii chuffs back. “You’ll be safe here, and if anyone tries to steal you, Grandpa Zeus will throw down a thunderbolt. Boom! No more horse thief.”
“Zeus may have better things to do than babysit our horses,” Flynn says, stowing his own equine gear next to mine.
I glance northward toward the Gods’ mountain home and speak loudly. “In that case, I’m announcing right now that I’ll make an Olympian stink if anything happens to my horse.” Flynn looks nervous and moves away from me like he’s expecting a God Bolt to come thundering down.
“She’s not kidding.” Sunlight glints off Griffin’s windblown hair. Thick black stubble darkens his jaw. He flashes me a smile that brings out the slight hook in his nose, and something tightens in my belly.
I turn back to Panotii and scratch under his jaw. “You’re in charge here.” His enormous ears flick my way. “You keep the others in line.” Panotii nods. I swear to the Gods, my horse nods.
Brown Horse raises his head and pins me with a gimlet stare. I roll my eyes. “Fine. You can help. You’re both in charge.” Apparently satisfied, Griffin’s horse goes back to grazing, shearing the grass around him with neat, organized efficiency. Griffin and Brown Horse were made for each other.
Panotii shoves his nose into my shoulder, knocking me back a step. Taking a handful of his chestnut mane, I stretch up on my toes to whisper into one of his donkey ears. “Seriously, you’re in charge. I’ll bet you can even rhyme.”
Carver and Kato chuckle as they walk past. Griffin bands his arms around my waist from behind, surprising me. “I heard that.
”
”
Amanda Bouchet (Breath of Fire (Kingmaker Chronicles, #2))
“
The learner’s beginning point, the basic level where everyone starts, is unconscious incompetence—that is, you’re ignorant and you don’t know it. The next level is conscious incompetence—now you know you don’t know. How do you find out? Usually somebody tells you, but occasionally you discover it for yourself. The third level is conscious competence—you have learned something, as when you first got the hang of driving a car, and you’re consciously aware of it as you do it. The final level is unconscious competence—you’re so competent you don’t even think about it anymore: You get in your car, turn the ignition key, release the brake, operate the gear shift, and go through a whole series of coordinated activities without ever thinking about them. In fact, most of your time driving is spent thinking about something other than driving.
”
”
Howard G. Hendricks (Teaching to Change Lives: Seven Proven Ways to Make Your Teaching Come Alive)
“
LEADING LESSONS
Stretch your legs.
By this I mean you need to let go of the structure and rigidity of your life and do something different. There’s a saying: You don’t have to be great to start, but you have to start to be great. When I signed on to do Footloose, I learned about commitment on a whole new level. The tools I had called upon in the past to help me win dance competitions were not the ones I needed now. I had to find new ways to win at this as well. I had to let go of what had worked before and figure out new solutions. Flexibility is something all leaders need in their tool belt--the ability to roll with things, to shift gears, to approach something in a new and different way. The only thing certain in life is that life isn’t certain. Leaders know this, expect it, and change their hearts and heads to adapt to the situation.
”
”
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
“
Like a gust of wind, Scott swept past all of this. The scenery stretched and distorted in his vision, blurring like the wild strokes of Postimpressionists. He had to keep himself from howling, and all sound was tossed behind with the streaming air, fading rapidly. He shifted and sensed the higher torque from a lower gear, as though the mechanical beast between his legs had melded with his body so that no matter what the road conditions, the machine would sensitively and appropriately translate his intent into motion. Fusing Man with machine. The idea surfaced in Scott’s mind, unbidden. Just like the shocking tale he had heard a few hours ago. The mysterious prosthesis with the serial number SBT-VBPII32503439 was intended to replace the back of the skull between the coronal suture and the lambdoid suture, including parts of the parietal and occipital bones.
”
”
Chen Qiufan (Waste Tide)
“
You create your reality.
Corky reinforced this idea for me. He believes that even when you’re not feeling on top of your game, you need to tell yourself that you are and put that image out there. It’s like shifting a gear from off to on. If you are not feeling happy or driven, then make an effort to radiate a sense of confidence. If you’re mortified that you screwed up a dance, pretend you’re proud and unfazed. It’s not self-deception; it’s creating your own reality. Put it out there in the universe and watch what happens. You begin to realize who you are is what you believe you are. Your personal perception of reality is determined by how you think and feel. Your thoughts and feelings create your attitude, and your attitude dictates how you act. We all have an incredible power at our disposal: the power to become what we think about. Visualize what you want. See it, own it, be it.
”
”
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
“
Finish the sentence “I’m the kind of person who” with the identity—or identities—you’d like to embrace. Go to events that gather people, products, and services related to your emerging identity. When I decided I wanted to get into fermented foods, I went to the local Fermentation Festival. I met enthusiasts who were more experienced than I was. I learned about new products. I attended a workshop where an expert showed us how to make sauerkraut. I bought gear to ferment foods. I came home with a much stronger identity about being the kind of person who eats—and even makes—fermented foods. Learn the lingo. Know who the experts are. Watch movies related to the area of change you’re interested in. As I learned to surf, I looked up the lingo that described waves and started using it. I paid attention to big surfing events and watched videos of the most proficient people in the sport. I learned to understand the tide shifts and
”
”
B.J. Fogg (Tiny Habits: The Small Changes That Change Everything)
“
His mouth, his tongue, his voice box, seem to be working separately at first. His Adam's apple shivers, the skulls vibrate, his voice quakes. What's going on? It is as if a different Romeo is speaking, an interior Romeo. This unknown alternate Romeo has staged a coup. This Romeo Two has infiltrated his communication infrastructure. Are the drugs betraying him? What did he take again? What shape of pill? Romeo thinks it was a big white oval but there also were some smaller yellow articles. Perhaps crisscrossing side affects. Romeo is startled to silence even as Romeo Two becomes voluble, moved to unload certain acts undertaken for certain reasons. Romeo Two's mouth claptraps, his voice shifts gear, high and higher, until Romeo One understands in despair that Romeo Two has frog-leaped all the way to that holy step somewhere beyond three, maybe four, five, where you tell God and another human the exact nature of your wrongs. Talk about combined side effects. Where among the vertigo, gastric pain, incontinence, shortness of breath, and possible kidney failure was telling the truth?
”
”
Louise Erdrich (LaRose)
“
Angling to look out of the window over the sink, Olivia tried to train her face into looking as unfazed by the conversation as possible. “And besides,” she said turning back around. “I—”
With a gasp, she found herself pinned between the counter and Wesley’s firm chest. He placed his arms on the counter to either side of her and let a moment of silence pass between them, highlighting her vulnerability as she waited to hear what this was all about.
His proximity was threatening. His body a force of nature that boxed her in so tightly that she felt instantly helpless.
“It’s just you and me here,” he said in a voice that was deep and menacing. “No one would ever know if I was to take you back into the bedroom, the living room, right here in fact. How could you possibly know how safe you were with a man you only just met?”
With his body still pressed to hers, Wesley exuded an animalistic hunger that Olivia was beginning to fear on a very real level.
“Please, I—” panic was coursing through her as if it were alive inside of her and she realized that if he meant her harm, she was helpless to stop him.
”
”
Shawn Maravel (Shifting Gears)
“
In the EPJ results, there were two statistically distinguishable groups of experts. The first failed to do better than random guessing, and in their longer-range forecasts even managed to lose to the chimp. The second group beat the chimp, though not by a wide margin, and they still had plenty of reason to be humble. Indeed, they only barely beat simple algorithms like “always predict no change” or “predict the recent rate of change.” Still, however modest their foresight was, they had some. So why did one group do better than the other? It wasn’t whether they had PhDs or access to classified information. Nor was it what they thought—whether they were liberals or conservatives, optimists or pessimists. The critical factor was how they thought. One group tended to organize their thinking around Big Ideas, although they didn’t agree on which Big Ideas were true or false. Some were environmental doomsters (“We’re running out of everything”); others were cornucopian boomsters (“We can find cost-effective substitutes for everything”). Some were socialists (who favored state control of the commanding heights of the economy); others were free-market fundamentalists (who wanted to minimize regulation). As ideologically diverse as they were, they were united by the fact that their thinking was so ideological. They sought to squeeze complex problems into the preferred cause-effect templates and treated what did not fit as irrelevant distractions. Allergic to wishy-washy answers, they kept pushing their analyses to the limit (and then some), using terms like “furthermore” and “moreover” while piling up reasons why they were right and others wrong. As a result, they were unusually confident and likelier to declare things “impossible” or “certain.” Committed to their conclusions, they were reluctant to change their minds even when their predictions clearly failed. They would tell us, “Just wait.” The other group consisted of more pragmatic experts who drew on many analytical tools, with the choice of tool hinging on the particular problem they faced. These experts gathered as much information from as many sources as they could. When thinking, they often shifted mental gears, sprinkling their speech with transition markers such as “however,” “but,” “although,” and “on the other hand.” They talked about possibilities and probabilities, not certainties. And while no one likes to say “I was wrong,” these experts more readily admitted it and changed their minds. Decades ago, the philosopher Isaiah Berlin wrote a much-acclaimed but rarely read essay that compared the styles of thinking of great authors through the ages. To organize his observations, he drew on a scrap of 2,500-year-old Greek poetry attributed to the warrior-poet Archilochus: “The fox knows many things but the hedgehog knows one big thing.” No one will ever know whether Archilochus was on the side of the fox or the hedgehog but Berlin favored foxes. I felt no need to take sides. I just liked the metaphor because it captured something deep in my data. I dubbed the Big Idea experts “hedgehogs” and the more eclectic experts “foxes.” Foxes beat hedgehogs. And the foxes didn’t just win by acting like chickens, playing it safe with 60% and 70% forecasts where hedgehogs boldly went with 90% and 100%. Foxes beat hedgehogs on both calibration and resolution. Foxes had real foresight. Hedgehogs didn’t.
”
”
Philip E. Tetlock (Superforecasting: The Art and Science of Prediction)
“
We spend most of our conscious waking day with our attention on the external environment and functioning in Beta [brain wave state]. [...]
[Fast Beta-wave states are the realm of the conscious mind].
Slow brain-wave states are the realm of the subconscious. [...]
[For example, slower] Alpha waves are created in the creative, imaginative state. [...]
[When your brain is in high Beta it] isn’t in creative mode [nor meditative, nor inspiration mode, nor receptive more]; it’s fixated on survival. [...]
The brain in high Beta can’t easily shift gears into the imaginary realm of Alpha [or deeper into the subconscious]. [...]
If you’re constantly analyzing (I call this “being in analytical mind”), you are in Beta and you’re not able to enter into the subconscious mind. [...]
[Meditation slows down the brain waves and takes you out of Beta state].
Meditation Takes Us from Beta into Alpha and Theta Brain-Wave States. [...]
Meditation Takes Us Beyond Analytical Mind and into the Subconscious. [...]. [It] opens the door between the conscious and subconscious minds. We meditate to enter the operating system of the subconscious, where all of those unwanted habits and behaviors reside, and change them to more productive modes to support us in our lives.
”
”
Joe Dispenza (Breaking the Habit of Being Yourself: How to Lose Your Mind and Create a New One)
“
I have cancer,” Agnes announced. She hadn’t been able to contain her rage after all. She didn’t expect it to come out that way—it just had. Her hands rose to the sides of her rib cage, a gesture left over from when there had been drains there. “You got the flowers we sent?” He’d been coming straight toward her but stopped, as if she’d announced a contagion. “Probably. Did I write a note?” He laughed. “Probably! How did this happen, though?” He shifted gears, stepped closer to her, looked her in the eye, and asked—intimately, wittily—“Have you been smoking, Cousin Nessie?” “Wouldn’t that be nice!” “Yes. I’d love to myself. I always say I’ll pick it up again at eighty. But you are eighty!” “And now I’m saying I’ll start at ninety.” “Oh, is that how it goes? I don’t know if I’ll last that long.” “That makes two of us.” His face crumpled. A little boy again. “Oh come on, Archie, if you can’t laugh at death, what can you laugh at?” She gave him a light punch on the arm. “I’ll be lucky to live to the age you are now,” he said awkwardly. “Yes. It is fortunate. Everything becomes very clear.” “But you still feel young, don’t you?” “Are you kidding? I feel old as the hills and twice as dusty, as my mother would say.” “You better come see the view immediately, in that case.” He hovered his hand under her elbow and moved her forward.
”
”
Alice Elliott Dark (Fellowship Point)
“
You said to step on the brake to put us into drive, then to step on the right one to-"
"Not at the same time!"
"Well, you should have told me that. How was I supposed to know?"
I snort. "You acted like the freaking Dalai Lama when I tried to tell you how to shift gears. I told you, one was for go and one was for stop. You can't stop and go at the same time! You have to make up your mind."
From the expression on her face, she's either about to punch me or call me something really bad. She opens her mouth, but the really bad something doesn't come out; she shuts it again. Then she giggles. Now I've seen everything.
"Galen tells me that all the time," she chortles. "That I can never make up my mind." Then she bursts out laughing so hard she spits all over the steering wheel. She keeps laughing until I'm convinced an unknown force is tickling her senseless.
What? As far as I can tell, her indecisiveness almost got us killed. Killed isn't funny.
"You should have seen your face," she says, between gulps of breaths. "You were all, like-" And she makes the face of a drunk clown. "I bet you wet yourself, didn't you?" She cracks herself up so much she clutches her side as if she's holding in her own guts.
I feel my lips fracture into a smile before I can stop them. "You were more scared than me. You swallowed like ten flies while you were screaming."
She spits all over the steering wheel again. And I spew laughter onto the dash. It takes a good five minutes for us to sober up enough for another driving lesson. My throat is dry, and my eyes are wet when I say, "Okay, now. Let's concentrate. The sun is going down. These woods probably get pretty creepy at night."
She clears her throat, still giggling a little. "Okay. Concentrate. Right."
"So, this time, when you take your foot off the brake, the car will go on its own. There, see?" We slink along the road at an idle two miles per hour.
She huffs up at her bangs. "This is boring. I want to go faster."
I start to say, "Not too fast," but she squashes the gas under her foot, and my words are snatched away by the wind. She gives a startled shout, which I find hypocritical because after all, I'm the one helpless in the passenger seat, and she's the one screaming like a teapot, turning the wheel back and forth like the road isn't straight as a pencil.
"Brake, brake, brake!" I shout, hoping repetition will somehow penetrate the small part of her brain that actually thinks.
Everything happens fast. We stop. There's a crunching sound. My face slams into the dash. No wait, the dash becomes an airbag. Rayna's scream is cut off by her airbag. I open my eyes. A tree. A freaking tree. The metal frame groans, and something under the hood lets out a mechanical hiss. Smoke billows up from the front, the universal symbol for "you're screwed."
I turn to the rustling sound beside me. Rayna is wrestling with the airbag like it has attacked her instead of saved her life.
"What is this thing?" she wails, pushing it out of her way and opening the door.
One Mississippi...two Mississippi...
"Well, are you just going to sit there? We have a long walk home. You're not hurt are you? Because I can't carry you."
Three Mississippi...four Mississippi...
"What are those flashing blue lights down there?
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
I've asked a number of analytic metaphysicians whether they can distinguish their enterprise from naïve naïve naive auto-anthropology of their clan, and have not received any compelling answers.
The alternative is sophisticated naïve anthropology (both auto- and hetero-)-- the anthropology that reserves judgment about whether any of the theorems produced by the exercise deserve to be trusted--and this is a feasible and frequently valuable project. I propose that this is the enterprise to which analytic metaphysicians should turn, since it requires rather minimal adjustments to their methods and only one major revision of their raison d'être : they must rollback their pretensions and acknowledge that their research is best seen as a preparatory reconnaissance of the terrain of the manifest image, suspending both belief and disbelief the way anthropologists do when studying an exotic culture: let's pretend for the nonce that the natives are right, and see what falls out. Since at least a large part of philosophy’s task, in my vision of the discipline, consists in negotiating the traffic back and forth between the manifest and scientific images, it is a good idea for philosophers to analyze what they are up against in the way of focus options before launching into their theory-building and theory-criticizing.
One of the hallmarks of sophisticated naïve anthropology is its openness to counterintuitive discoveries. As long as you're doing naïve anthropology, counterintuitiveness (to the natives) counts against your reconstruction; when you shift gears and begin asking which aspects of the naïve “theory” are true, counterintuitiveness loses its force as an objection and even becomes, on occasion, a sign of significant progress. In science in general, counterintuitive results are prized, after all.
”
”
Daniel C. Dennett (Intuition Pumps and Other Tools for Thinking)
“
Which is actually good because we’re doing an AP Euro study group this week at the library—I mean good that it got canceled, not good that someone died—so I was wondering too if maybe I can use the car, so you won’t have to come pick me up super late every night?” Alma had been a wildly clingy kid, but now she is a mostly autonomous and wholly inscrutable seventeen-year-old; she is mean and gorgeous and breathtakingly good at math; she has inside jokes with her friends about inexplicable things like Gary Shandling and avocado toast, paints microscopic cherries on her fingernails and endeavors highly involved baking ventures, filling their fridge with oblong bagels and six-layer cakes. “I’m asking now because last time you told me I didn’t give you enough notice,” she says. She has recently begun speaking conversationally to Julia and Mark again after nearly two years of brooding silence, and now it’s near impossible to get her to stop. She regales them with breathless incomprehensible stories at the dinner table; she delivers lengthy recaps of midseason episodes of television shows they have never seen; she mounts elaborate and convincing defenses of things she wants them to give her, or give her permission to do. Conversing with her is a mechanical act requiring the constant ability to shift gears, to backpedal or follow inane segues or catapult from the real world to a fictional one without stopping to refuel. There’s not a snowball’s chance in hell that she won’t be accepted next month to several of the seventeen exalted and appallingly expensive colleges to which she has applied, and because Julia would like the remainder of her tenure at home to elapse free of trauma, she responds to her daughter as she did when she was a napping baby, tiptoeing around her to avoid awakening unrest. The power dynamic in their household is not unlike that of a years-long hostage crisis.
”
”
Claire Lombardo (Same As It Ever Was)
“
She shifted gears as they left Worth Avenue, hurtling them along the beach at just sublight speed. “Jesus, Addison, you are so blind,” she finally exploded. “She comes in playing the damsel in distress, and you buy all of it.”
“She did n—”
“‘Oh, Richard, I need your help,’” she mimicked, doing a startlingly good impression of Patricia’s soft, cultured Brit—especially since the two women had barely spoken a total of five words to one another. “’I’ve left Peter, and I so badly want to make a new start, but I just don’t know how to do it on my own. You’re so big and strong and successful, can’t you see it in your heart to help me?’” Samantha canted her eyes at him. “Did it go a little like that?”
Christ. “Maybe,” he hedged. “But—”
“See? She wants you back.”
“Well, she can’t have me. I’m taken. But she asked for my help, and I’m partially the reason she’s in this position.”
“No, she put herself on her back and then you put her in the next position.”
“Even so—”
“You can’t resist putting on your shining armor, can you?” she said more calmly, blowing out her breath. “And if I know it, then she knows it, too.”
“Honestly, Samantha, I think it’s more a matter of Patricia actually being helpless than her acting that way to gain my assistance. I doubt she could find a grocery store on her own, much less the toothpaste aisle.”
“But she’s not after toothpaste.”
As they stopped at a light, Richard leaned over and grabbed Samantha’s face, kissing her hard on her surprised mouth. “Don’t worry about this. You won’t have to deal with her.”
“Maybe not, but you will. And keep in mind that she’s got a subscriber website where she gives advice about how not to get screwed in a divorce.”
“She does?”
“Yes. Interesting stuff. You really need to spend more time surfing the ’net.”
“Shit.” Before Samantha could follow up her smug look with more commentary, he took a breath. “I’ll make dumping the website a condition of my helping her.”
“Great. She won’t need the site, anyway, because she’ll be busy screwing you over in person, instead.”
“No one screws me over, Samantha. Ever.”
“Yet, smart guy. Yet.
”
”
Suzanne Enoch (Don't Look Down (Samantha Jellicoe, #2))
“
Cade quickly checked his cell phone.
Of course Vaughn, with his FBI superpowers of perception, had to comment.
“Got another offer on the table that expires soon?” he asked.
“Go away.”
Vaughn grinned. “You’re quite circumspect about this situation with Brooke. I find that very intriguing, don’t you, Hux?”
No reply.
“Hux?” Vaughn looked to his right, where Huxley was reading something on his phone. With an unmistakable smile, he tucked his phone into the pocket of his impeccably tailored Ralph Lauren suit, and then noticed Cade and Vaughn looking at him. “Sorry. What were we talking about?”
“Just giving Cade crap about a certain sexy general counsel. But never mind that.” Vaughn pointed suspiciously. “What’s going on here, with the phone and the sneaky smile?” He studied his partner. “Don’t tell me you actually have a hot date tonight.”
“Okay, I won’t tell you.” Huxley took a sip of his beer, deliberately leaving them hanging.
“Look at you,” Cade said. “With who?”
“Addison.”
“Addison? Who’s—” It took Vaughn a second, then his mouth fell open. “Agent Simms? When did this happen?”
Huxley swirled his glass, looking quite coy. “Things have been percolating for a while. But they shifted into high gear after our fake date at Sogna.”
Vaughn threw out his hands in exasperation. “First Morgan, now you. Plus McCall’s getting married next month, and Pallas is having a kid. Purposely. Am I the only one not getting laid as part of an FBI sting operation?”
Huxley pretended to muse over this. “Maybe you should take some time. Figure out what’s gone wrong with your mojo these days.”
“My mojo is perfectly fine,” Vaughn assured him.
Cade was curious. “Is it serious?”
Huxley smiled. “Yeah. I think so.”
Vaughn scoffed at this. “Come on. You’ve only been seeing her for, what, a month?”
Huxley shrugged. “I like her. She likes me. It’s not that complicated.”
Cade and Vaughn threw each other looks. Right.
“Amateur,” Vaughn said, with a conspiratorial grin.
“Amateur, huh? I’ll be sure to ask Addison tonight if she agrees with that assessment.”
And if his confident smile was any indication, Agent Seth Huxley wasn’t worried about the answer to that one bit.
”
”
Julie James (Love Irresistibly (FBI/US Attorney, #4))
“
The game had only two rules. The first was that every statement had to have at least two words in which the first letters were switched. “You’re not my little sister,” Shawn said. “You’re my sittle lister.” He pronounced the words lazily, blunting the t’s to d’s so that it sounded like “siddle lister.” The second rule was that every word that sounded like a number, or like it had a number in it, had to be changed so that the number was one higher. The word “to” for example, because it sounds like the number “two,” would become “three.” “Siddle Lister,” Shawn might say, “we should pay a-eleven-tion. There’s a checkpoint ahead and I can’t a-five-d a ticket. Time three put on your seatbelt.” When we tired of this, we’d turn on the CB and listen to the lonely banter of truckers stretched out across the interstate. “Look out for a green four-wheeler,” a gruff voice said, when we were somewhere between Sacramento and Portland. “Been picnicking in my blind spot for a half hour.” A four-wheeler, Shawn explained, is what big rigs call cars and pickups. Another voice came over the CB to complain about a red Ferrari that was weaving through traffic at 120 miles per hour. “Bastard damned near hit a little blue Chevy,” the deep voice bellowed through the static. “Shit, there’s kids in that Chevy. Anybody up ahead wanna cool this hothead down?” The voice gave its location. Shawn checked the mile marker. We were ahead. “I’m a white Pete pulling a fridge,” he said. There was silence while everybody checked their mirrors for a Peterbilt with a reefer. Then a third voice, gruffer than the first, answered: “I’m the blue KW hauling a dry box.” “I see you,” Shawn said, and for my benefit pointed to a navy-colored Kenworth a few cars ahead. When the Ferrari appeared, multiplied in our many mirrors, Shawn shifted into high gear, revving the engine and pulling beside the Kenworth so that the two fifty-foot trailers were running side by side, blocking both lanes. The Ferrari honked, weaved back and forth, braked, honked again. “How long should we keep him back there?” the husky voice said, with a deep laugh. “Until he calms down,” Shawn answered. Five miles later, they let him pass. The trip lasted about a week, then we told Tony to find us a load to Idaho. “Well, Siddle Lister,” Shawn said when we pulled into the junkyard, “back three work.” — THE WORM CREEK OPERA HOUSE announced a new play: Carousel. Shawn drove me to the audition, then surprised me by auditioning himself. Charles was also there, talking to a girl named
”
”
Tara Westover (Educated)
“
The Man-Moth
Man-Moth: Newspaper misprint for “mammoth.”
Here, above,
cracks in the buildings are filled with battered moonlight.
The whole shadow of Man is only as big as his hat.
It lies at his feet like a circle for a doll to stand on,
and he makes an inverted pin, the point magnetized to the moon.
He does not see the moon; he observes only her vast properties,
feeling the queer light on his hands, neither warm nor cold,
of a temperature impossible to record in thermometers.
But when the Man-Moth
pays his rare, although occasional, visits to the surface,
the moon looks rather different to him. He emerges
from an opening under the edge of one of the sidewalks
and nervously begins to scale the faces of the buildings.
He thinks the moon is a small hole at the top of the sky,
proving the sky quite useless for protection.
He trembles, but must investigate as high as he can climb.
Up the façades,
his shadow dragging like a photographer’s cloth behind him
he climbs fearfully, thinking that this time he will manage
to push his small head through that round clean opening
and be forced through, as from a tube, in black scrolls on the light.
(Man, standing below him, has no such illusions.)
But what the Man-Moth fears most he must do, although
he fails, of course, and falls back scared but quite unhurt.
Then he returns
to the pale subways of cement he calls his home. He flits,
he flutters, and cannot get aboard the silent trains
fast enough to suit him. The doors close swiftly.
The Man-Moth always seats himself facing the wrong way
and the train starts at once at its full, terrible speed,
without a shift in gears or a gradation of any sort.
He cannot tell the rate at which he travels backwards.
Each night he must
be carried through artificial tunnels and dream recurrent dreams.
Just as the ties recur beneath his train, these underlie
his rushing brain. He does not dare look out the window,
for the third rail, the unbroken draught of poison,
runs there beside him. He regards it as a disease
he has inherited the susceptibility to. He has to keep
his hands in his pockets, as others must wear mufflers.
If you catch him,
hold up a flashlight to his eye. It’s all dark pupil,
an entire night itself, whose haired horizon tightens
as he stares back, and closes up the eye. Then from the lids
one tear, his only possession, like the bee’s sting, slips.
Slyly he palms it, and if you’re not paying attention
he’ll swallow it. However, if you watch, he’ll hand it over,
cool as from underground springs and pure enough to drink.
”
”
Elizabeth Bishop (The Complete Poems 1927-1979)
“
Miraculously, thirty minutes later I found Marlboro Man’s brother’s house. As I pulled up, I saw Marlboro Man’s familiar white pickup parked next to a very large, imposing semi. He and his brother were sitting inside the cab.
Looking up and smiling, Marlboro Man motioned for me to join them. I waved, getting out of my car and obnoxiously taking my purse with me. To add insult to injury, I pressed the button on my keyless entry to lock my doors and turn on my car alarm, not realizing how out of place the dreadful chirp! chirp! must have sounded amidst all the bucolic silence. As I made my way toward the monster truck to meet my new love’s only brother, I reflected that not only had I never in my life been inside the cab of a semi, but also I wasn’t sure I’d ever been within a hundred feet of one. My armpits were suddenly clammy and moist, my body trembling nervously at the prospect of not only meeting Tim but also climbing into a vehicle nine times the size of my Toyota Camry, which, at the time, was the largest car I’d ever owned. I was nervous. What would I do in there?
Marlboro Man opened the passenger door, and I grabbed the large handlebar on the side of the cab, hoisting myself up onto the spiked metal steps of the semi. “Come on in,” he said as he ushered me into the cab. Tim was in the driver’s seat. “Ree, this is my brother, Tim.”
Tim was handsome. Rugged. Slightly dusty, as if he’d just finished working. I could see a slight resemblance to Marlboro Man, a familiar twinkle in his eye. Tim extended his hand, leaving the other on the steering wheel of what I would learn was a brand-spanking-new cattle truck, just hours old. “So, how do you like this vehicle?” Tim asked, smiling widely. He looked like a kid in a candy shop.
“It’s nice,” I replied, looking around the cab. There were lots of gauges. Lots of controls. I wanted to crawl into the back and see what the sleeping quarters were like, and whether there was a TV. Or a Jacuzzi.
“Want to take it for a spin?” Tim asked.
I wanted to appear capable, strong, prepared for anything. “Sure!” I responded, shrugging my shoulders. I got ready to take the wheel.
Marlboro Man chuckled, and Tim remained in his seat, saying, “Oh, maybe you’d better not. You might break a fingernail.” I looked down at my fresh manicure. It was nice of him to notice. “Plus,” he continued, “I don’t think you’d be able to shift gears.” Was he making fun of me? My armpits were drenched. Thank God I’d work black that night.
After ten more minutes of slightly uncomfortable small talk, Marlboro Man saved my by announcing, “Well, I think we’ll head out, Slim.”
“Okay, Slim,” Tim replied. “Nice meeting you, Ree.” He flashed his nice, familiar smile. He was definitely cute. He was definitely Marlboro Man’s brother.
But he was nothing like the real thing.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
This once-proud country of ours is falling into the hands of the wrong people,” said Jones. He nodded, and so did Father Keeley and the Black Fuehrer. “And, before it gets back on the right track,” said Jones, “some heads are going to roll.” I have never seen a more sublime demonstration of the totalitarian mind, a mind which might be likened unto a system of gears whose teeth have been filed off at random. Such a snaggle-toothed thought machine, driven by a standard or even a substandard libido, whirls with the jerky, noisy, gaudy pointlessness of a cuckoo clock in Hell. The boss G-man concluded wrongly that there were no teeth on the gears in the mind of Jones. “You’re completely crazy,” he said. Jones wasn’t completely crazy. The dismaying thing about the classic totalitarian mind is that any given gear, though mutilated, will have at its circumference unbroken sequences of teeth that are immaculately maintained, that are exquisitely machined. Hence the cuckoo clock in Hell—keeping perfect time for eight minutes and thirty-three seconds, jumping ahead fourteen minutes, keeping perfect time for six seconds, jumping ahead two seconds, keeping perfect time for two hours and one second, then jumping ahead a year. The missing teeth, of course, are simple, obvious truths, truths available and comprehensible even to ten-year-olds, in most cases. The willful filing off of gear teeth, the willful doing without certain obvious pieces of information— That was how a household as contradictory as one composed of Jones, Father Keeley, Vice-Bundesfuehrer Krapptauer, and the Black Fuehrer could exist in relative harmony— That was how my father-in-law could contain in one mind an indifference toward slave women and love for a blue vase— That was how Rudolf Hoess, Commandant of Auschwitz, could alternate over the loudspeakers of Auschwitz great music and calls for corpse-carriers— That was how Nazi Germany could sense no important differences between civilization and hydrophobia— That is the closest I can come to explaining the legions, the nations of lunatics I’ve seen in my time. And for me to attempt such a mechanical explanation is perhaps a reflection of the father whose son I was. Am. When I pause to think about it, which is rarely, I am, after all, the son of an engineer. Since there is no one else to praise me, I will praise myself—will say that I have never tampered with a single tooth in my thought machine, such as it is. There are teeth missing, God knows—some I was born without, teeth that will never grow. And other teeth have been stripped by the clutchless shifts of history— But never have I willfully destroyed a tooth on a gear of my thinking machine. Never have I said to myself, “This fact I can do without.” Howard W. Campbell, Jr., praises himself. There’s life in the old boy yet! And, where there’s life— There is life.
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Kurt Vonnegut Jr. (Mother Night)
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A9, the road that Bea was traveling this early morning after leaving the Isle of Skye, was part of Scotland’s answer to Route 66. It was also a driver’s sort of road as it wound its way along the north coast of the highlands above Inverness, and this time of year was the perfect jot in time to be on it. It was early enough in the day for the sun’s rays to still break across the landscape, highlighting every tree, shrub, mountain, loch, or beach in the crisp and clear Kodachrome of late autumn, and it was also just late enough in the season for the road to be safely navigated at speeds just a bit above normal. Her car was running great, and her tunes were vibrating the sideboard speakers with rhythm and base and melody. Using her gears, she took the corners and adjusted to the rise and fall of the road in a syncopated rhythm that made she and her car one. With her left hand on the gearshift, her right grasping the steering wheel, and her eyes shifting from road to scenery and back again, she felt the exhilaration of being on her first road trip alone and free.
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Bob Stegner (Black Grotto: Book II of the Alban Saga)
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There’s a way of triumphant accomplishment that comes from lowering dead or unwanted trees. (Not to say the joys of yelling, But that feeling fades pretty quickly once you look down and see unsightly—and very stubborn—Stump milling.
If you hire a landscaper or arborist to chop down the trees, they typically leave the stumps behind, unless you pay a further fee. Stump-removal prices vary widely across the country and are supported by the diameter of the stump, but it typically costs between $100 and $200 to get rid of a stump that’s 24 inches in diameter or smaller. And that’s a good price if you’ve only got one stump to get rid of . But, if you've got two or more stumps, you'll save a substantial amount of cash by renting a stump grinder.
A gas-powered stump grinder rents for about $100 per day, counting on the dimensions of the machine. And if you share the rental expense with one or two stump-plagued neighbors, renting is certainly the more economical thanks to going. you will need a vehicle with a trailer hitch to tow the machine, which weighs about 1,000 pounds. Or, for a nominal fee, most rental dealers will drop off and devour the grinder.
To remove the 30-in.-dia. scarlet maple stump, I rented a Vermeer Model SC252 stump grinder. it's a strong 25-hp engine and 16-in.-dia. cutting wheel that's studded with 16 forged-steel teeth. this is often a loud, powerful machine with a classy mechanism , but it's surprisingly simple to work . But, before you crank up the motor and begin grinding away, it’s important to prep the world for the stumpectomy.
Start by ensuring all kids and pets are indoors, or if they’re outdoors, keep them well faraway from the world and under constant adult supervision. Then, use a round-point shovel or garden mattock to get rid of any rocks from round the base of the stump [1]. this is often important because if the spinning cutting wheel hits a rock, it can shoot out sort of a missile and cause serious injury. Plus, rocks can dull or damage the teeth on the cutting wheel, which are expensive to exchange.
Next, check the peak of the stump. If it’s protruding out of the bottom quite 6 inches approximately, use a sequence saw to trim it as on the brink of the bottom as possible [2]. While this step isn’t absolutely necessary, it'll prevent quite little bit of time because removing 6 inches of the Stump grinding with a chainsaw is far quicker than using the grinder.
After donning the acceptable safety gear, start the grinder and drive it to within 3 feet of the stump. Use the hydraulic lever to boost the cutting wheel until it’s a couple of inches above the stump. Slowly drive the machine forward to position the wheel directly over the stump's front edge [3]. Engage the facility lever to start out the wheel spinning, then slowly lower it about 3 in. in to the stump grinding.
Next, use the hydraulic lever to slowly swing the wheel from side to side to filter out all the wood within the cutting range. Then, raise the wheel, advance the machine forward a couple of inches, and repeat the method. While operating the machine, always stand at the instrument panel, which is found near the rear of the machine and well faraway from the cutting wheel.
Little by little, continue grinding and advancing your way through to the opposite side of the stump. Raise the cutting wheel, shift into reverse, and return to the starting spot. Repeat the grinding process until the surface of the Stump removal is a minimum of 4 in. below the extent of the encompassing ground. At now, you'll drive the grinder off to at least one side, far away from the excavated hole.
Now, discover all the wood chips and fill the crater with screened topsoil [4]. (The wood chips are often used as mulch in flowerbeds and around trees and shrubs.) Lightly rake the soil, opened up a good layer of grass seed, then rake the seeds into the soil [5]. Water the world and canopy the seeds with mulch hay.
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Stump Grinding
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Beauregard hit the clutch and shifted into third. There were no numbers on the gearshift knob. It was an old 8-ball his Daddy had fixed to fit on top of the shifter. He didn’t need numbers. He knew what gear he was in by feel. By sound. The car shivered like a wolf shaking its pelt.
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S.A. Cosby (Blacktop Wasteland)
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Jamie’s Jeep suddenly felt uncomfortable. I sat with my hands in my lap, trying not to be obvious about the way my eyes stuck on the evidence of another woman being in my spot. There was a hair-tie wrapped around the gear shift, a pair of women’s running shorts in the back seat, a small picture of the two of them tucked into the corner of Jamie’s dashboard.
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Kandi Steiner (A Love Letter to Whiskey (A Love Letter to Whiskey #1-1.5))
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Awesome. Then it’s my turn to ask you a question. He paused, like he was gearing up for something incredibly important. How’d Dizznee react to your new rings? Sophie shook her head, refusing to dignify the question with a response. You can ignore it all you want, Foster, but sooner or later you’re going to have to solve the triangle. Or should we get real and call it a square? I have no idea what you mean. I’m pretty sure you do. I bet if I were there I could feel your mood shifting. Right, because I’m trying to figure out if it’s possible to strangle you with my thoughts! There you go, rocking the whole adorable-when-you’re-angry thing. I think that’s what I’ve missed about you the most. She
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Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
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He shifted the gear lever, the car moved off, and I felt my heart lose its rhythm. He drove off very fast; he disappeared. For ever. He will never come back. It will not be he who comes back.
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Сімона де Бовуар
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The mountain I’ve climbed—the creating of video games—is undergoing a seismic shift, and its form is changing. But I suppose I will keep climbing. Not “because it’s there.” But rather, because it’s not there.
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Hideo Kojima (The Creative Gene: How books, movies, and music inspired the creator of Death Stranding and Metal Gear Solid)
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of menopause—not to mention a potentially increased risk of Alzheimer’s disease, as we’ll see in chapter 9. Medicine 2.0 would rather throw out this therapy entirely, on the basis of one clinical trial, than try to understand and address the nuances involved. Medicine 3.0 would take this study into account, while recognizing its inevitable limitations and built-in biases. The key question that Medicine 3.0 asks is whether this intervention, hormone replacement therapy, with its relatively small increase in average risk in a large group of women older than sixty-five, might still be net beneficial for our individual patient, with her own unique mix of symptoms and risk factors. How is she similar to or different from the population in the study? One huge difference: none of the women selected for the study were actually symptomatic, and most were many years out of menopause. So how applicable are the findings of this study to women who are in or just entering menopause (and are presumably younger)? Finally, is there some other possible explanation for the slight observed increase in risk with this specific HRT protocol?[*3] My broader point is that at the level of the individual patient, we should be willing to ask deeper questions of risk versus reward versus cost for this therapy—and for almost anything else we might do. The fourth and perhaps largest shift is that where Medicine 2.0 focuses largely on lifespan, and is almost entirely geared toward staving off death, Medicine 3.0 pays far more attention to maintaining healthspan, the quality of life. Healthspan was a concept that barely even existed when I went to medical school. My professors said little to nothing about how to help our patients maintain their physical and cognitive capacity as they aged. The word exercise was almost never uttered. Sleep was totally ignored, both in class and in residency, as we routinely worked twenty-four hours at a stretch. Our instruction in nutrition was also minimal to nonexistent. Today, Medicine 2.0 at least acknowledges the importance of healthspan, but the standard definition—the period of life free of disease or disability—is totally insufficient, in my view. We want more out of life than simply the absence of sickness or disability. We want to be thriving, in every way, throughout the latter half of our lives. Another, related issue is that longevity itself, and healthspan in particular, doesn’t really fit into the business model of our current
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Peter Attia (Outlive: The Science and Art of Longevity)
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The Zionist movement, while ideologically regarding the country as the ancient patrimony of the Jewish people and as wholly, legitimately, belonging to the Jews, has over the decades politically shifted gears, bowing to political and demographic diktats and realities, moving from an initial demand for Jewish sovereignty over the whole Land of Israel to agreeing to establish a Jewish state in only part of a partitioned Palestine, with the Arabs enjoying sovereignty over the rest.
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Benny Morris (One State, Two States: Resolving the Israel/Palestine Conflict)
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It’s like a salesperson who is promoted to sales manager. They might have excelled at making sales, but they are no longer responsible for selling; they are now responsible for taking care of the people who do the selling. If they fail to shift gears, adjust their mindset and learn a new set of skills for their new responsibility, problems will ensue.
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Simon Sinek (The Infinite Game)
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The cowboy in the middle has nothing to do. No responsibility, except to avoid the odd scrotal meeting with the gear shift.
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Craig Johnson (The Dark Horse (Walt Longmire, #5))
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most of my first two years in office, Trump was apparently complimentary of my presidency, telling Bloomberg that “overall I believe he’s done a very good job”; but maybe because I didn’t watch much television, I found it hard to take him too seriously. The New York developers and business leaders I knew uniformly described him as all hype, someone who’d left a trail of bankruptcy filings, breached contracts, stiffed employees, and sketchy financing arrangements in his wake, and whose business now in large part consisted of licensing his name to properties he neither owned nor managed. In fact, my closest contact with Trump had come midway through 2010, during the Deepwater Horizon crisis, when he’d called Axe out of the blue to suggest that I put him in charge of plugging the well. When informed that the well was almost sealed, Trump had shifted gears, noting that we’d recently held a state dinner under a tent on the South Lawn and telling Axe that he’d be willing to build “a beautiful ballroom” on White House grounds—an offer that was politely declined.
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Barack Obama (A Promised Land)
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There’s no on-board starter on the car. If you spin and don’t manage to keep the engine running, you have two problems: first, the engine’s stopped, so you’ll need mechanics armed with a pit starter motor to get back in business; second, it’s stuck in whatever gear you were in at the time, and because the gear shift is hydraulically powered, it’s not until the engine is running that you can then go back down through the gears. But, of course, the mechanics can’t start the car in gear, because it would race off away from them. They need to come to the car with a little ratchet spanner and manually rock the car backwards and forwards while working the spanner on the end of the gear-shift barrel until it gets back down to neutral. Only then can they put the starter in and restart the car and off you go again.
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Adrian Newey (How to Build a Car: The Autobiography of the World’s Greatest Formula 1 Designer)
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Woman,” I trail my eyes down her frame and feel her soften next to me due to the sentiment. When she moves to grip the hand resting on my gear shift, I pull it out of reach. “I save that for when I can do something about it.
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Kate Stewart (One Last Rainy Day: The Legacy of a Prince (Ravenhood Legacy, #1))
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The Duster sat in the shadows of the old barn like a dire wolf in the recesses of a cave. Beauregard tossed the shotgun in the passenger seat. He climbed in and fired up the engine. It roared to life, stirring up the decades of dust in the barn. The duals played a concerto as he shifted it into gear and burst out of the barn. He skirted around the remains of the van, rolled over the body in the grass and hit the blacktop doing 40 mph.
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S.A. Cosby (Blacktop Wasteland)
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They involve knowing where you want to go and how you’re going to get there, as well as having the willingness to do the work and the ability to communicate to the people you care about that the journey you want to bring them on is worth the effort. They include the capacity to shift gears when the journey hits a roadblock, and the ability to keep an open mind and learn from your surroundings to find new ways through. And most important of all, once you get where you’re trying to go, they demand that you acknowledge all the help you had along the way and that you give back accordingly.
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Arnold Schwarzenegger (Be Useful: Seven Tools for Life)
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The older I get,” Rafe said, shifting gears to negotiate the curving road that led down from the institute, “the more I’m convinced that the only good, working definition of ‘normal’ is the fact that you’re still walking around outside and not locked up in a padded cell.
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Jayne Ann Krentz (Eclipse Bay (Eclipse Bay Trilogy, # 1))
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So I moved under the wheel, and with Boon beside me, over me, across me, one hand on mine to shift the gears, one hand on mine to regulate the throttle, we moved back and forth across that vacant sun-glared waste, forward a while, backward a while, intent, timeless, Boon as much as I, immersed, rapt, steadying me (he was playing for such stakes, you see), out of time, beyond it, invulnerable to time until the courthouse clock striking noon a half-mile away restored us, hurled us back into the impending hard world of finagle and deception.
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William Faulkner (The Reivers (Vintage International))
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Perhaps the questions really should be these: Where is the balance between my shoulder-to-the-wheel hard work and my inner reflective process that nourishes and rekindles the flame of inspiration and expansive expression? Are my inner-focused and outer-focused activities in proper proportion and relation to each other? What type of action is optimal for me right now? Is it best to take time to breathe, refocus in a subtler place, and shift to a higher and healthier perspective? Or do I need to put my physical butt in gear and get moving, to keep my agreements with myself and expand my expression in the world with more gusto and conscious involvement? If
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David Allen (Ready for Anything: 52 Productivity Principles for Getting Things Done)
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as he spoke. “You look great. How do you feel about looking like a completely different person, if you don’t mind my asking?” “I don’t really know. At first I thought it was great, and I suppose I still do. It’s all just so unreal to me still, you know?” I shrugged. “It’s hard to believe. I feel like I’m still in a coma and I’ll wake up any day now.” “I sure hope not,” Carl said. “I don’t want to have to come all this way to collect you again.” I laughed, as lame as his joke was. He always knew how to cheer me up. “Thanks again, Carl.” “You’re welcome,” he replied, shifting gears. I felt my breathing speed up and struggled to keep myself calm. “Narel,” Carl said, startling me, “I know you told me on the phone several times, but mostly I was watching The Real Housewives of Melbourne at the time so I wasn’t really listening. How are you for money? With your accident, I mean. Did work give you time off?” “I did tell you!” I exclaimed, excited to discuss the news in person. “I’ve quit my job.” Carl’s eyebrows shot up when I said that. “I know you said you had that big settlement, but has it come through yet? How are you for money?” It was obvious he was earnestly worried. “Better than ever. As you know, I settled out of court with the other driver from the accident. I told you he was a driver for a big national company. They’ve already paid up. Carl, I don’t think I’m going to have many money troubles from here on.” I beamed at him. “Narel, trust you to downplay something like that. ‘Don’t think you’ll have many money troubles’? Most people would settle for saying ‘I’m filthy stinking rich.’” Carl laughed. “Well, I suppose I am,” I agreed, laughing too. “I could’ve made more money if the case had gone ahead, I guess, but I
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Morgana Best (Sweet Revenge (Cocoa Narel Chocolate Shop, #1))
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CALL TO LOVING ARMS “Can’t you hear it?” I didn’t need a car in London. But when we moved to America, my husband taught me to drive on the manual-shift car he’d bought second-hand at age 16. I struggled to learn when to change gears. I’d start in first and accelerate until the car was pleading for second. Focused on the road ahead, I’d miss the tell-tale sound. “Can’t you hear it?” Bryan would ask. I’d rush to switch from accelerator to clutch, grab the gear stick, pull it back, and slide it across so I could push it forward again into second. And so we’d go on, until the car was crying out for third. Perhaps, like me, you’re a follower of Jesus, and you want to keep your foot on the gas. There is so much that we Christians need to do, and so far we need to go to see people from every tribe and nation won for Christ. But after 12 years living in America, I’m convinced that in order to make progress we must change gears. Rather than just ramming our foot down, we must pull the gear stick back and do the hard work of repentance before shifting into second or third.
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Rebecca McLaughlin (The Secular Creed: Engaging Five Contemporary Claims)
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When you stand accused, your character is being tested. The strength of character that you reveal will ultimately determine the Tanks’ perception of you and future behavior toward you. Action Plan Step 1. Hold Your Ground. The first step is to stay put and hold your ground, neither running away nor gearing for battle. Do not change your position, whether you happen to be standing, sitting, leaning, or making up your mind. You don’t have to go on the offensive or the defensive. Instead, silently look the Tank in the eyes, and shift your attention to your breathing. Breathe slowly and deeply. Intentional breathing is a terrific way to regain your self-control. And while you compose yourself, the Tank has the opportunity to fire off a round unimpeded. When Martin found himself under attack, he restrained his impulse to counterattack. Instead, he held his ground. He looked into his boss’s eyes, kept breathing, and waited for the blasting to stop. When it did, Martin asked, “Is that everything?” Apparently, that wasn’t all. The Tank loaded up another round a of abuse and fired it off. Martin held his temper in check, took a slow breath, and asked evenly, “Anything else?” “Why, you ...” Sherman loaded up his last round and fired it off. He was now completely out of ammunition, having said every rotten thing he knew how to say. At that point, he just stood there silently glaring at Martin, as if waiting for an answer will ultimately determine the Tanks’ perception of you and future behavior toward you.
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Rick Brinkman (Dealing with People You Can't Stand: How to Bring Out the Best in People at Their Worst)
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She had only the faintest ugly memory of what had brought BZ and Helene together, and to erase it from her mind she fixed her imagination on a needle dripping sodium pentathol into her arm and began counting backward from one hundred. When that failed she imagined herself driving, conceived audacious lane changes, strategic shifts of gear, the Hollywood to the San Bernardino and straight on out, past Barstow, past Baker, driving straight on into the hard white empty core of the world. She slept and did not dream.
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Joan Didion (Play It As It Lays)
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New CEO shifts gears, moving world-class to good performance
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Mary Lacity (Nine Keys to World-Class Business Process Outsourcing)
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Let’s all do a little experiment. I ask adult readers of this book to watch the most high-speed and intense two-hour action film they can think of—something that really gets the old adrenaline going, maybe one of Liam Neeson’s Taken movies, let’s say. Or to simply take about two hours to surf the Net—rapidly skimming along as many hyperlinks as they can. At the end of those two hours, pick up any one of your favorite books and start reading. Now notice how far you get before your attention begins to wander. If you’re like most of us, you won’t get too far. It takes time to calm down a hyperaroused nervous system; you can’t just downshift from fifth to first gear. Now keep in mind that, as an adult, you have a fully developed brain and nervous system; your frontal cortex—which controls your executive functioning, including impulsivity—is fully formed. Your adrenal and nervous systems—fully developed. And your attentional abilities have been hardwired since your childhood. Yet you still have a hard time staying focused after just a couple of hours of intense, rapid scene changes in the movie or the rapid content shifting that occurs while you are surfing. Now imagine if hyperarousing screen stimulation was a condition under which you spent the bulk of your time—like the seven-plus hours a day that kids do.
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Nicholas Kardaras (Glow Kids: How Screen Addiction Is Hijacking Our Kids - and How to Break the Trance)
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Weylyn's expression shifted gears. I could tell, even before he spoke, that he had drained his mind of his own sadness, and replaced it with empathy for mine.
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Ruth Emmie Lang (Beasts of Extraordinary Circumstance)
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The body is a very different place during the day compared with the night: the kidneys are less active at night, which means that we produce less urine and need to pee less; core body temperature is lower, as are our reaction speeds; and our immune systems respond differently to invaders. Then, as the sun comes up, and day begins, blood pressure and body temperature rise; hunger hormones kick in; and our brains and muscles shift into a higher gear.
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Linda Geddes (Chasing the Sun: the New Science of Sunlight and How It Shapes Our Bodies and Minds (Chinese Edition))
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People with ADHD have impairment in this selective, sustained attention process. Our focus involuntarily shifts based on whatever most recently grabbed our interest. Like a pinball in an arcade machine, our concentration bounces quickly from blinking light to flashing sound without consciously meaning to switch gears. This makes tasks like studying, paperwork, or listening to others extraordinarily difficult. We end up taking in fragments rather than an integrated whole. From the outside, it appears like we are ignoring the person, subject, or task at hand. In reality, our attention gets derailed unintentionally. Common attention regulation challenges include: ● inability to pay close attention to details ● difficulty staying focused on one task ● appearing not to listen in conversations ● losing track of instructions easily ● failure to follow through on responsibilities ● impulse control difficulties
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Maria Holden (Unlocking ADHD Love: A Guide for Women to Strengthen Trust, Intimacy and Emotional Connection in Relationships, and Thrive (Thriving in Life))
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And when exactly has complaining ever gotten someone closer to achieving their goals? You work to make a dream come true, you don't whine it into existence. Plus, problems and adversity are a normal part of every person's journey. Whatever your vision is, there is going to be struggle. Tough times. Things that bug the shit out of you. You have to learn how to manage those moments. Lou have to get good at shifting gears and finding the positive in things. You have to know how to reframe the failure you experience and understand the risks you're under-taking. Confronting problems instead of complaining about them gives you the chance to practice all these skills.
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Arnold Schwarzenegger (Be Useful: Seven Tools for Life)
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And when exactly has complaining ever gotten someone closer to achieving their goals? You work to make a dream come true, you don't whine it into existence. Plus, problems and adversity are a normal part of every person's journey. Whatever your vision is, there is going to be struggle. Tough times. Things that bug the shit out of you. You have to learn how to manage those moments. You have to get good at shifting gears and finding the positive in things. You have to know how to reframe the failure you experience and understand the risks you're under-taking. Confronting problems instead of complaining about them gives you the chance to practice all these skills.
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Arnold Schwarzenegger (Be Useful: Seven Tools for Life)
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The leaders of the plantation economy (e.g., Jefferson, Madison) feared a standing army, and would have none of it. One reason for resistance to a standing army was that any slave who served in the army would have a claim to emancipation. Such leaders did not want such an army, but wanted instead to assure that the reach of the federal government would not and could not do away with “state militia.” Thus the amendment guarantees the continuing right of such “organized militia” to work their unrestrained will in the slave economy, unhindered by federal check or restraint. The purpose of the amendment was to continue the means to control the slave population. The only ones who could rightly have a gun had to be a “citizen,” which of course meant a white property owner. Thus guns were safely withheld from any slave (or any Black) person, none of whom could qualify as a citizen. Thus Hartman can conclude: It didn’t take any time at all for white southerners to realize that if the race-based hierarchy of the Old South was to be preserved, white people needed to be the only armed people. . . . Today the genocide of Native Americans has settled into a slow simmer of malnutrition, poverty, and voter suppression; the enslavement of people of African descent has shifted from plantations to slums and prisons; and the modern police state constructed during the conquest era, the slavery era, and Reconstruction after the Civil War, and thrown into high gear in the 1970s with Nixon’s war on drugs, is still alive and well. All it requires to keep it in place is lots of guns. (65, 89)
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Walter Brueggemann (Real World Faith)
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Her pretty little foot, encased in that outrageously expensive high heel, moved expertly between the clutch and the gas and ghosted over the brake while her hand worked the gear shift without hesitation. He wasn't sure whether he should be terrified his life was in her hands or aroused by how damned sexy she was behind the wheel.
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Vivian Arend (Alphas After Dark)
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A disciplined team may apply the wrong methodology but can shift gears quickly once it discovers its error. Most important, a disciplined team can experiment with its own working style and draw meaningful conclusions.
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Anonymous
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GRACE’S HANDS SHOOK AS SHE TRIED to put the key in the ignition. She looked back at the house, threw the gear in reverse, and backed out of the drive, the tires spitting up gravel. Shifting into drive, she slammed her foot on the accelerator and flew down the road. The neighborhood was quiet, the sun still hidden, just an orange and pink glow rising through the barren trees. The car bounced over the railroad
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E.C. Diskin (Broken Grace)
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Refining the relationship between exaggeration and realism in humor can be related to stretching a rubber band. Imagine the unstretched band is the realism, and exaggeration stretches the band. When the rubber band is stretched to capacity, several things happen at once. Stretching alters the shape of the band; exaggeration changes the perception of reality. The rubber band can be stretched a little (understatement) or a lot (overstatement). Just as tension increases in a rubber band that it is stretched, exaggeration increases tension in the audience—up to the breaking point. When you pluck a rubber band, it makes a sound. The pitch of this sound gets higher as you stretch the rubber band further. This sound can be compared to emotion in an audience. The more you stretch the rubber band, the greater the emotion in the audience. Finding the proper balance between realism and exaggeration is the ultimate test of a comedy writer’s skill. Humor only comes when the exaggeration is logical. Simply being ludicrous or audacious is not a skill. It’s amateur. Many novice stand-up comedians struggle with exaggeration. They’ll start with some realistic premise—the way women dress, picking up men in a singles bar, outsmarting the police, or advertising slogans—but then they’ll shift into fifth gear in a wild display of ludicrous fantasy that’s not well connected to the initial premise. Their material has limited success because they make the same mistake repeatedly: They disrupt the equal balance of realism and exaggeration. Outrageous doesn’t mean creative.
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Mark Shatz (Comedy Writing Secrets: The Best-Selling Guide to Writing Funny and Getting Paid for It)
“
Most recently, I worked for this advertising agency that specializes in perceptual marketing. They ensure that whatever ads you see in your everyday life are geared to your specific taste, style, demographic, purchasing history, and countless other interwoven criteria. If you walk by a billboard, it shows you something you actually want or an upgrade to something you already have. They use real-time rolling data feeds, so you might see a different ad depending on your mood before versus after lunch, if you were running late or had time to linger, whether you had sex that night or argued with your spouse that morning. Following a negative experience with some company’s wares, they’d give a competitor a shot at shifting your brand loyalty. My big idea was that clients could pay a monthly fee to see no ads at all. Instead of individualized niche marketing, you could experience a world blissfully emptied of promotional clutter. It was a total failure. Because it turns out people like ads. Especially when they’re targeted to warp the visual environment around you to emphasize your needs above all others, as if you’re the indispensable center of the global economy. Nobody wanted to pay for the privilege of being irrelevant to commercial interests. Except me. I essentially got my employer to launch an expensive new product solely for my use. An industry of one.
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Elan Mastai (All Our Wrong Todays)
“
The three main takeaways you should learn – 1. You should be able to identify Classical and Romantic Play in other people, and their natural motivations. It has immense predictive power. 2. You should be able to identify what situations you are playing Romantically, and what situations you are playing Classically. You should always know which is which. 3. If you’re playing Romantically, you absolutely must learn when to stop and shift gears to Classical. Contrast George Washington, Otto von Bismarck, Mustafa Kemal, Deng Xiaoping, and Tokugawa Ieyasu with Hideyoshi Toyotomi, Napoleon Bonaparte, Adolf Hitler, Alexander of Macedon, etc. Choosing “Romantic Play indefinitely” has, historically, a very predictable outcome. Please study this thoroughly. This concept is incredibly useful, and potentially life-changing.
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Sebastian Marshall (MACHINA)
“
None of this crap was in my birth plan.
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Dennis Hopeless (Spider-Woman: Shifting Gears, Vol. 1: Baby Talk)
“
Dorothy,” said my mother, shifting gears with an angry little spurt, and we cleared the top of the hill,
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Alice Munro (The Moons of Jupiter)
“
GRACE’S HANDS SHOOK AS SHE TRIED to put the key in the ignition. She looked back at the house, threw the gear in reverse, and backed out of the drive, the tires spitting up gravel. Shifting into drive, she slammed her foot on the accelerator and flew down the road. The
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E.C. Diskin (Broken Grace)
“
I think I took him to the beach that winter's day to show him that it offered a truer image of the human condition. One's foundations continually shift here; the sea regularly breaks through in new places, constantly forming new inlets, closing off old ones, running in new currents. The beach teaches us the need to adapt continually to change, always to be watching for undertows and rogue waves, to dance nimbly along its edges. If I have learned anything from living here, it is that this world is not geared for large answers, and certainly not for final ones.
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Robert Finch - The Outer Beach
“
When you’re in need of a rescue the approaching thump-thump-thump of rapidly rotating blades is a joyous sound. To give the helicopter rescue the greatest chance of success, a suitable landing zone will have to be found. The ideal landing zone should not require a completely vertical landing or takeoff, both of which reduce the pilot’s control. The ground should slope away on all sides, allowing the helicopter to immediately drop into forward flight when it’s time to take off. Landings and liftoffs work best when the aircraft is pointed into the wind because that gives the machine the greatest lift. The area should be as large as possible, at least 60 feet across for most small rescue helicopters, and as clear as possible for obstructions such as trees and boulders. Clear away debris (pine needles, dust, leaves) that can be blown up by the wash of air, with the possibility of producing mechanical failure. Light snow can be especially dangerous if it fluffs up dramatically to blind the pilot. Wet snow sticks to the ground and adds dangerous weight. If you have the opportunity, pack snow flat well before the helicopter arrives—the night before would be ideal—to harden the surface of the landing zone. Tall grass can be a hazard because it disturbs the helicopter’s cushion of supporting air and hides obstacles such as rocks and tree stumps.
To prepare a landing zone, clear out the area as much as possible, including removing your equipment and all the people except the one who is going to be signaling the pilot. Mark the landing zone with weighted bright clothing or gear during the day or with bright lights at night. In case of a night rescue, turn off the bright lights before the helicopter starts to land—they can blind the pilot. Use instead a low-intensity light to mark the perimeter of the landing area, such as chemical light sticks, or at least turn the light away from the helicopter’s direction. Indicate the wind’s direction by building a very small smoky fire, hanging brightly colored streamers, throwing up handfuls of light debris, or signaling with your arms pointed in the direction of the wind.
The greatest danger to you occurs while you’re moving toward or away from the helicopter on the ground. Never approach the rear and never walk around the rear of a helicopter. The pilot can’t see you, and the rapidly spinning tail rotor is virtually invisible and soundless. In a sudden shift of the aircraft, you can be sliced to death. Don’t approach by walking downhill toward the helicopter, where the large overhead blade is closest to the ground.
It is safest to come toward the helicopter from directly in front, where the pilot has a clear field of view, and only after the pilot or another of the aircraft’s personnel has signaled you to approach. Remove your hat or anything that can be sucked up into the rotors. Stay low because blades can sink closer to the ground as their speed diminishes. Make sure nothing is sticking up above your pack, such as an ice ax or ski pole. In most cases someone from the helicopter will come out to remind you of the important safety measures.
One-skid landings or hovering while a rescue is attempted are solely at the discretion of the pilot. They are a high risk at best, and finding a landing zone and preparing it should always be given priority.
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Buck Tilton (Wilderness First Responder: How to Recognize, Treat, and Prevent Emergencies in the Backcountry)
“
Here’s something you may not know: every time you go to Facebook or ESPN.com or wherever, you’re unleashing a mad scramble of money, data, and pixels that involves undersea fiber-optic cables, the world’s best database technologies, and everything that is known about you by greedy strangers. Every. Single. Time. The magic of how this happens is called “real-time bidding” (RTB) exchanges, and we’ll get into the technical details before long. For now, imagine that every time you go to CNN.com, it’s as though a new sell order for one share in your brain is transmitted to a stock exchange. Picture it: individual quanta of human attention sold, bit by bit, like so many million shares of General Motors stock, billions of times a day. Remember Spear, Leeds & Kellogg, Goldman Sachs’s old-school brokerage acquisition, and its disappearing (or disappeared) traders? The company went from hundreds of traders and two programmers to twenty programmers and two traders in a few years. That same process was just starting in the media world circa 2009, and is right now, in 2016, kicking into high gear. As part of that shift, one of the final paroxysms of wasted effort at Adchemy was taking place precisely in the RTB space. An engineer named Matthew McEachen, one of Adchemy’s best, and I built an RTB bidding engine that talked to Google’s huge ad exchange, the figurative New York Stock Exchange of media, and submitted bids and ads at speeds of upwards of one hundred thousand requests per second. We had been ordered to do so only to feed some bullshit line Murthy was laying on potential partners that we were a real-time ads-buying company. Like so much at Adchemy, that technology would be a throwaway, but the knowledge I gained there, from poring over Google’s RTB technical documentation and passing Google’s merciless integration tests with our code, would set me light-years ahead of the clueless product team at Facebook years later.
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Antonio García Martínez (Chaos Monkeys: Obscene Fortune and Random Failure in Silicon Valley)
“
If you’ve got enough money to solve the problem, you don’t have the problem.” In the beginning of your career, you spend time to earn money. Once you hit your stride in any capacity, you should spend money to earn time, as the latter is nonrenewable. It can be hard to make and maintain this gear shift, so the above question is in my regular journaling rotation.
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Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
“
When I read and watch Donald Trump shrug off or Twitter away that global warming is a hoax, his brushoffs don’t have the fire and passion of other things he off-handedly rejects. It’s a good sign recognizable to anyone loving Geminis in his or her life. I have a dear elder brother who’s an intellectually vibrant Gemini. I’ve also delved deep into the romantic and psychological depths with a lover born under the sign of “The Twins.” Thus from long and first-hand experience I contend that I can correctly sense the moment a Gemini’s stance on something is going void of course. There’s a little less feistiness. A tone of indifference grows. I can detect the subtle disengagement growing in Trump’s voice. If I’m not being fooled that there isn’t a new descent into deeper disinterest, the change in tone foreshadows a Gemini minded man or woman is about to shift gears
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John Hogue (Trump for President: Astrological Predictions)
“
By the age of two, hearing children perceived their parents’ deafness well enough to know automatically that they must use gestures with their parents and other deaf people. If the children talked at all, their voices had an unusual quality and they exaggerated their mouth movements. These same children immediately shifted gears, speaking in “normal” voices, with hearing people.
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Lou Ann Walker (A Loss for Words: The Story of Deafness in a Family)
“
Doing mode is not an enemy to be defeated, but is often an ally. Doing mode only becomes a “problem” when it volunteers for a task that it cannot do, such as “solving” a troubling emotion. When this happens, it pays to “shift gear” into “Being” mode. This is what mindfulness gives us: the ability to shift gears as we need to, rather than being permanently stuck in the same one.
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J. Mark G. Williams (Mindfulness: An Eight-Week Plan for Finding Peace in a Frantic World)
“
The realization of what was happening meant that I had to shift mental gears. There is, after all, fighting. And then there is fighting. It’s a point I continually try to bring home to people in Yamashita’s dojo. They don’t really get it—it’s something you have to experience for yourself. But it’s not something I wish on anyone.
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John Donohue (Deshi (Connor Burke Martial Arts Book 2))
“
Sang had got down on all fours and crawled into Farouk’s coat closet, weeping uncontrollably, at one point hitting herself with a shoe. She’d refused to emerge from the closet until the policeman lifted her by the armpits and dragged her forcefully from the apartment, telling Paul to see her home. Tiny pieces of flower petals and leaves were still stuck in her hair. She had taken Paul’s hand in the elevator, and all the way back to the house. In the car, she had cried continuously with her head between her knees, not letting go of Paul’s hand, gripping it even as he shifted gears. He had put the seatbelt on her; her body had been stiff, unyielding. She seemed to know, without looking up, when they turned in to their road. By then, she had stopped crying. Her nose was running. She wiped it with the back of her hand. A light rain had begun to fall, and within seconds the windows and the windshield seemed covered with scratches, similar to the ones she’d inflicted on herself, the drops beading up in small diagonal lines.
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Jhumpa Lahiri (Unaccustomed Earth)
“
I just didn’t get it—
even with the teacher holding an orange (the earth) in one hand
and a lemon (the moon) in the other,
her favorite student (the sun) standing behind her with a flashlight.
I just couldn’t grasp it—
this whole citrus universe, these bumpy planets revolving so slowly
no one could even see themselves moving.
I used to think if I could only concentrate hard enough
I could be the one person to feel what no one else could,
sense a small tug from the ground, a sky shift, the earth changing gears.
Even though I was only one mini-speck on a speck,
even though I was merely a pinprick in one goosebump on the orange,
I was sure then I was the most specially perceptive, perceptively sensitive.
I was sure then my mother was the only mother to snap,
“The world doesn’t revolve around you!”
The earth was fragile and mostly water,
just the way the orange was mostly water if you peeled it,
just the way I was mostly water if you peeled me.
Looking back on that third grade science demonstration,
I can understand why some people gave up on fame or religion or cures—
especially people who have an understanding
of the excruciating crawl of the world,
who have a well-developed sense of spatial reasoning
and the tininess that it is to be one of us.
But not me—even now I wouldn’t mind being god, the force
who spins the planets the way I spin a globe, a basketball, a yoyo.
I wouldn’t mind being that teacher who chooses the fruit,
or that favorite kid who gives the moon its glow.
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Denise Duhamel
“
Pakistan has to recognize that it simply cannot match India through whatever stratagem it chooses—it is bound to fail. The sensible thing, then, is for Pakistan to reach the best possible accommodation with India now, while it still can, and shift gears toward a grand strategy centered on economic integration in South Asia—one that would help Pakistan climb out of its morass and allow the army to maintain some modicum of privileges, at least for a while. The alternative is to preside over an increasingly hollow state. (Cohen et al. 2009, emphasis
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C. Christine Fair (Fighting to the End: The Pakistan Army's Way of War)
“
For example, the ability to shift gears from Kubernetes to Swarm without having to modify your deployment system could be a huge win, and while virtual machines are likely to be a big part of the landscape for many years to come, containers are here to stay
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John Belamaric (OpenStack Cloud Application Development)
“
In order to select a gear, the clutch pedal must be depressed - I don’t mean ‘not happy’, I mean pushed fully to the floor!
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Martin Woodward (Clutch Control & Gears Explained - Learn the Easy Way to Drive a Manual (Stick Shift) Car and Pass the Driving Test With Confidence!)
“
Seven hours, fifteen minutes and counting… Shifting into high gear, Zoe started with the obvious—her clothes, her laptop, most of her toiletries. Most because, after eight years in the house, there was a lot that had accumulated simply because she couldn’t throw things out. Zoe wasn’t a hoarder by any stretch, but this was a sad fact: when one partner splurged at every opportunity, the other developed a mindset of scarcity. Even
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Tanya Anne Crosby (The Things We Leave Behind)
“
Dimonte turned the ignition key. The sound was loud. He hit the gas a bit, let the engine do the rev thing for a while. The car had been jacked up like a race car. The sound was, like, totally rad, man. No women were in the nearby vicinity to hear this human mating call or they would surely be disrobing by now. Dimonte finally shifted into gear.
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Harlan Coben (Fade Away (Myron Bolitar, #3))
“
Seven hours, fifteen minutes and counting… Shifting into high gear, Zoe started with the obvious—her clothes, her laptop, most of her toiletries. Most because, after eight years in the house, there was a lot that had accumulated simply because she couldn’t throw things out. Zoe wasn’t a hoarder by any stretch, but this was a sad fact: when one partner splurged at every opportunity, the other developed a mindset of scarcity. Even five-year-old mascara seemed impossible to throw out. In Zoe’s final minutes, it revealed itself as junk. Starting over didn’t have to be
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Tanya Anne Crosby (The Things We Leave Behind)
“
the living room where he stood admiring his new briefcase that would probably hold serious documents for a total of two months before giving way to fantasy football notes and women’s phone numbers, Zoe said nothing. He didn’t look at her again—probably to avoid the permanent look of resentment now etched upon her face, a look Zoe tried impossibly to hide. That morning, however, as he tossed the briefcase into the backseat of his car, what it might contain, or how much he’d spent for the damned thing, was the furthest thing from Zoe’s mind. The instant he was out of the driveway, Zoe cast a glance at the clock: 8:45 a.m. Seven hours, fifteen minutes and counting… Shifting into high gear, Zoe started with the
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Tanya Anne Crosby (The Things We Leave Behind)
“
My Car Was Broken Into An elderly woman calls 911 to report that her car had been broken into. She was crying and didn’t know what to do. She explained to the 911 dispatcher, “Someone broke into my car and stole everything. The stereo is gone, the steering wheel, the gear shift, even the floor pedals are missing! What will I do?” “Stay calm, we will have an officer over there soon,” the dispatcher assured. He reported the incident and sent an officer to the elderly woman’s location. A few minutes later, the dispatcher radioed the officer again and said, “Disregard that, she was sitting in the back seat by mistake!
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Peter Jenkins (Funny Jokes for Adults: All Clean Jokes, Funny Jokes that are Perfect to Share with Family and Friends, Great for Any Occasion)
“
Progress in living the Christian life may have been steady and incremental throughout a believer's life to this point, but with entry into a triad there is a gear shift to warp speed.
Why is this? What are the climatic conditions in a discipleship group of three or four that create the hothouse effect? Three ingredients converge to release the Holy Spirit to bring about a rapid
growth toward Christlikeness. These can be summarized in the following biblical principle: When we (1) open our hearts in transparent trust to each other (2) around the truth of God's Word (3) in the spirit of mutual accountability, we are in the Holy Spirit's hothouse of transformation.
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Greg Ogden (Transforming Discipleship: Making Disciples a Few at a Time)
“
The 5 Elements of Effective Thinking (Edward B. Burger;Michael Starbird) - Your Highlight on page 17 | location 251-270 | Added on Monday, 6 April 2015 03:03:56 Understand simple things deeply The most fundamental ideas in any subject can be understood with ever-increasing depth. Professional tennis players watch the ball; mathematicians understand a nuanced notion of number; successful students continue to improve their mastery of the concepts from previous chapters and courses as they move toward the more advanced material on the horizon; successful people regularly focus on the core purpose of their profession or life. True experts continually deepen their mastery of the basics. Trumpeting understanding through a note-worthy lesson. Tony Plog is an internationally acclaimed trumpet virtuoso, composer, and teacher. A few years ago we had the opportunity to observe him conducting a master class for accomplished soloists. During the class, each student played a portion of his or her selected virtuosic piece. They played wonderfully. Tony listened politely and always started his comments, “Very good, very good. That is a challenging piece, isn’t it?” As expected, he proceeded to give the students advice about how the piece could be played more beautifully, offering suggestions about physical technique and musicality. No surprise. But then he shifted gears. He asked the students to play a very easy warm-up exercise that any beginning trumpet player might be given. They played the handful of simple notes, which sounded childish compared to the dramatically fast, high notes from the earlier, more sophisticated pieces. After they played the simple phrase, Tony, for the first time during the lesson, picked up the trumpet. He played that same phrase, but when he played it, it was not childish. It was exquisite. Each note was a rich, delightful sound. He gave the small phrase a delicate shape, revealing a flowing sense of dynamics that enabled us to hear meaning in those simple notes. The students’ attempts did not come close—the contrast was astounding. The fundamental difference between the true master and the talented students clearly occurred at a far more basic level than in the intricacies of complex pieces. Tony explained that mastering an efficient, nuanced performance of simple pieces allows one to play spectacularly difficult pieces with greater control and artistry. The lesson was simple. The master teacher suggested that the advanced students focus more of their time on practicing simple pieces intensely—learning to perform them with technical efficiency and beautiful elegance. Deep work on simple, basic ideas helps to build true virtuosity—not just in music but in everything. ==========
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Anonymous
“
Ferrets and falls were the theme of the holiday. The falls part did not disappoint. In fact, it more than made up for the disastrous ferret segment. Griff finally understood why Luna insisted they visit Niagara on the return trip. When you stood out on the walkway, gazing at Horseshoe Falls, at the overwhelming power of it, your own thoughts didn’t matter. It was cleansing, in its way. They walked up and down the promenade for hours in the bitter cold. It was too incredible to step away. Eventually they needed to warm up. Griff had booked the hotel. When they entered the room, Luna saw that it had a full view of the falls. Griff ordered room service while Luna stood in front of the window, feeling so happy it started to turn on her. Happiness could easily shift gears into guilt or shame. She was on the precipice of the shift. Griff could see it happening. He stood next to Luna, put his arm around her. “You think it’s just going to be bullshit, a cliché, a tourist trap from hell,” he said. “And yet it’s—” “It’s all that and still the most beautiful thing you’ll ever see,” said Luna. “You want to stay another night?” Griff asked. “Do you?” “I could stay here forever,” he said.
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Lisa Lutz (The Accomplice)
“
It was something deeper than what I normally felt at school, the slow shift of generational gears. My kid cousins were full grown; my aunts had grown old. There were new babies and new spouses.
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Michelle Obama (Becoming)
“
Eiji restarted the car, stepped on the clutch, shifted the car into gear, and pulled out onto the road… at two miles per hour. Then he increased his speed to eight miles per hour and held onto the wheel with both hands, peering over the dashboard. A butterfly flittered past the window at a faster speed than them. Alec shot Cronin a disbelieving look. We just got overtaken by a bug, Alec whispered into Cronin’s mind.
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N.R. Walker (Kennard's Story (Cronin's Key, #4))
“
Beth shifted Mr. King’s truck into gear,
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Kelly McWilliams (Agnes at the End of the World)
“
Life is unpredictable and it often requires us ti shift gears, to focus on new priorities.
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Ryder Carroll (The Bullet Journal Method: Track Your Past, Order Your Present, Plan Your Future)
“
Live like a comet. An unstoppable rock through space. Travel with so great a speed that there is no time or desire for explanation. Live. Live without brakes," she said.
His heart raced. Andrei shifted his gear to second. This was his key.
The spine of an upstanding life was character. If all else was rid of, that was all a human had. The decisions in one’s own identity was like the wardrobe of the spirit, as discussed by Mars and Andrei. If a human being was fearless, she told him, they would act on all the things they desired. They would speak all the thoughts they were afraid to say. This pulled them closer to the sublime and away from obvious lands. Their life would gain access to moments of intimacy that were never far— only camouflaged. There was no one Andrei knew who lived like that. Not one. The comet was the most optimal way of life. Nothing could stop the person who decided to nail their foot on the gas. No interaction, rejection, weather, or obstacle of any kind would arrest them for too long. Everyone else had delays and was set back by their excuses.
“Tea?” she asked.
“Please.
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Kristian Ventura (A Happy Ghost)
“
The alternative blues-kicker is to shift gears. Ask for Grace. Call a good friend and talk. Put the kettle on for a fresh pot of tea.
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Sarah Ban Breathnach (Simple Abundance: 365 Days to a Balanced and Joyful Life)
“
Compared to a lot of startups, the Grockit team had a huge advantage: they were tremendously disciplined. A disciplined team may apply the wrong methodology but can shift gears quickly once it discovers its error. Most important, a disciplined team can experiment with its own working style and draw meaningful conclusions.
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Eric Ries (The Lean Startup: How Today's Entrepreneurs Use Continuous Innovation to Create Radically Successful Businesses)
“
I heard it again and my rage was replaced by calm. That was what adrenaline does to my body. It shifts my gears down to almost neutral. It makes me sleepy, and this is not good in an emergency. Humans are given two options when faced with mortal danger: fight or flight. I’ll give you the third: narcolepsy.
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Hannah Gadsby (Ten Steps to Nanette)
“
So they must be able to define and clearly communicate the mission and goals (what), the core capabilities (who), the strategy (how), and the vision (why) for their businesses. Additionally, they must be able to switch gears with ease, seamlessly shifting between tactical focus (the trees) and strategic focus (the forest). Critically, they must learn to think strategically, by which I mean honing their ability to (1) perceive important patterns in complex, noisy environments, (2) crystallize and communicate those patterns to others in the organization in powerful, simple ways, and (3) use these insights to anticipate and shape the reactions of other key “players,” including customers and competitors.
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Michael D. Watkins (Master Your Next Move, with a New Introduction: The Essential Companion to "The First 90 Days")
“
me banned from the dating apps, which led to me picking up Pearl Liu in a bar. Which in turn led to having to leave my home country and settle eleven thousand miles away, entrenched in a marriage I never really wanted. And the craziest thing about it is that, looking at her now, I’m not even in the slightest bit attracted to the woman. All this, and for what? I go back to the car and sit at the wheel with my face in my hands. My bag of tools is pretty useless to me now. Yes, I could break into the house when they’ve all gone to bed and figure out which is Holly’s room. But with two other adults in the house, the chance of me being caught is pretty high. Holly will fight back; I know that from my previous encounter with her. Plus, there’s an alarm on the exterior wall of the property. Not to mention the dog. And if the cops are called, I’m quite certain Holly will tell them who I really am. It’s no use – this side trip to Queensland has been a waste of time. And there’s no way I can stay over here until Holly decides to return to Sydney. That will have Alice straight on the phone, possibly checking up on the hospital where Simon is supposed to be staying, or even flying to South Africa to join me. A gear shifts in my head as I head back to the airport at Maroochydore.
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Alison James (The Man She Married)
“
Easy. A shortage of decent men, unless I want to share some lady’s husband or fiancé,” she said, leaning forward. “I’m not hard up enough to be a pen pal with a felon for affection and refuse to consider the companionship of a woman.
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Olivia Gaines (Shifting Gears (Lady Guardians))
“
Trust me, princess, it’ll get boring fast.” My nose scrunches. “I’m not a princess.” He hits me with a wink, shifting the car back into gear. “You’re my princess.
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Becka Mack (Consider Me (Playing For Keeps, #1))
“
it’s the guys with the most jumps that seem to die for some very stupid reasons that are usually the result of being so familiar with a skill set that they go into automatic pilot mode . . . Every time I jump . . . I religiously check my [gear]. By the same token, every time I do a ket-tlebell windmill, I always follow a mental checklist, area is clear, snatch the bell, shift feet, look at the bell, inhale and pressurize for stability, the rear leg straight, the hip cocked back, descend under control, pause, return, lock out.
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Pavel Tsatsouline (Enter the Kettlebell!: Strength Secret of the Soviet Supermen)
“
I believe that this ability to shift gears is a switch we all have, something we can all access when our basic survival instincts kick in. In the same way animals in the wild can, when our lives are under threat we can very quickly apprehend the source of danger in a situation and identify what actions we need to take to have the best chances of escaping intact.
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Rachel Gotto (Flying on the Inside: A Memoir of Trauma and Recovery)
“
that he’d have to be able to operate the clutch, the gear shift, and the gas pedal all at the same time.
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J.A. Jance (Duel to the Death (Ali Reynolds, #13))
“
Professional chefs aren't the only ones who get to wear an apron to work. There are welders and farriers and fishmongers and printers and grocery clerks and artists and florists and bakers and housekeepers and lab technicians and carpenters, to name a few who call an apron their uniform, and lucky them. How nice to be able to shift gears from leisure to work and back again with the tug of an apron string.
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EllynAnne Geisel (The Apron Book: Making, Wearing, and Sharing a Bit of Cloth and Comfort)
“
Is it really safe to invest in stocks? To answer that question, we would really first need to ask ourselves: what is safe after all? More so, what is safe in business? The answer would be “NOTHING”. Here it is – the stark reality: all businesses have their risks and as far as risks are concerned, the stock market is just another kind of business; that is it! All deep-rooted and unbeaten stock market will advise you on the affirmative. Yet the faint possibility remains that you, at the same time, will without doubt happen upon other stock market players who have done pathetically in the stock market. These traders, when their opinion is sought, will not leave a stone unturned in advising you to steer clear of the stock market. Mystified whose advice you should take? Fine, both are correct in their own points of view.
To cross the threshold into well-paid stock market share trading in the marketplace of any place in the human race, it is to a great extent compulsory that you are geared up with the inclusive fluency of the sod above and beyond in receipt of rationalized with the up to date market shifts so that you prefer no less than probable stocks. In essence then can day businesses bear out valuable? If you are in a job in a different place and are unable to have a look at the trade area under conversation well again, it is advisable that you should not make your mind up on daylight trading. You will in point of fact happen upon other forms of trade which do not necessitate your day and night inspection. You in all probability will chew over those as well.
Affecting the traders
It would also be a reasonable word of warning to say publicly that the stock market affects different types of traders differently. There are cases in point of a lot of investors who have become cleaned out. Putting on next to nothing information and gambling into the share market perceiving others producing immense wealth possibly will provide evidence of being hazardous for you. You could wind up bringing up the rear to your richly deserved wealth and habitual failures will very soon plead your case before you to make your way out from the stock market panorama. Stage-managing and putting on unconditional awareness previous to putting money in will certainly twirl the bazaar in your prop up.
Outline your objectives
You will of course call for to outline your objectives and endeavor to come across the varied working expenditure alternatives in the stock market. At the beginning decide on fragile investments with the intention that even though you put on or incur fatalities, you will in next to no time gain knowledge of the ins and outs of the deal. Just the once you are contented, you can settle on volume funds. You in all probability will decide on each and every one of the three dealing preferences, specifically day business, short-term trading and enduring investment. At one fell swoop given your institution of resource of profits is exclusively the stock market; you will be able to broaden the horizons of your venture ambitions to a larger extent, for instance conjecture in mutual funds, money futures, product futures, and supplementary endeavor goods. You can accordingly keep up equilibrium of your ventures and disappointments if a few will by a hair's breadth inconvenience you. Seeking singular venture alternatives will additionally comply to you eloquent which one goes well with you the most excellent and you can in that case put in funds in capacity in the unwritten prospect.
Make the best use of stock market
It often comes to our notice that the stock market if used fine provides us with an exceptionally excellent occasion to put together loads of wealth and in addition utilize the stock market as our principal foundation of revenue. There are also the risks yet the faint possibility remains that risks are everywhere, in every trade.
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sharetipsinfo
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So when the two come into conflict in a child’s life, the outcome is well-nigh predetermined. If the choice is between “hiding my feelings, even from myself, and getting the basic care I need” and “being myself and going without,” I’m going to pick that first option every single time. Thus our real selves are leveraged bit by bit in a tragic transaction where we secure our physical or emotional survival by relinquishing who we are and how we feel. The fact that we don’t consciously choose such coping mechanisms makes them all the more tenacious. We cannot will them away when they no longer serve us precisely because we have no memory of them not being there, no notion of ourselves without them. Like wallpaper, they blend into the background; they are our “new normal,” our literal second nature, as distinct from our original or authentic nature. As these patterns get wired into our nervous system, the perceived need to be what the world demands becomes entangled with our sense of who we are and how to seek love. Inauthenticity is thereafter misidentified with survival because the two were synonymous during the formative years—or, at least, seemed so to our young selves. Here we see the perilous downside of our much-vaunted and wondrous capacity to adapt to diverse and challenging circumstances. After all, most adaptations are meant for specific situations, not as eternally applicable responses in every possible case. Here’s an analogy plucked from the headlines: At the time of this writing, freezing weather has enveloped Texas.[*] People are adapting by wearing extra clothing, heating their homes when power is available, wrapping themselves in warm blankets—all necessary strategies for surviving inclement winter conditions. Those same adaptations, meant to be temporary, would jeopardize health and life if not discarded by the time of summer’s blazing heat. The internal adaptations we make to our own personalities in order to survive adversity early in life carry the same risks as conditions shift, but we are far less wise to the danger. No matter how the weather changes, the protective gear, welded as it is onto the personality, never comes off. It is sobering to realize that many of the personality traits we have come to believe are us, and perhaps even take pride in, actually bear the scars of where we lost connection to ourselves, way back when.
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Gabor Maté (The Myth of Normal: Trauma, Illness, and Healing in a Toxic Culture)
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The cerebellum sends information to the prefrontal and motor cortices—the centers for thinking and movement—but along the route is an important cluster of nerve cells called the basal ganglia, which acts as a sort of automatic transmission, subconsciously shifting attentional resources as the cortex demands. It’s modulated by dopamine signals stemming from the substantia nigra. Dopamine works like transmission fluid: if there’s not enough, as is the case in people with ADHD, attention can’t easily be shifted or can only be shifted all the way into high gear.
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John J. Ratey (Spark: The Revolutionary New Science of Exercise and the Brain)
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All the past adventures became flakes of memories in black and white; they all became ships in the night, on flat Calm Ocean, with so many songs that activated emotions that are associated with those individual memories, like watching an old film of me, of my life long ago, when every day was a mystery and time used to move so slow that we had time to do so much more, and we never got tired of lust for life, everything was new and fresh, there was an invisible invincible strength in us, we thought life will always remain like that, but life had other plans, and that plan was experience, as we shifted gears through the ages, we soon realized life was no walk in the park, life was uncertain as the mystery of the dark, it has not been calm sailing on the oceans of life, many good friends has passed away, they have not reached today, this is the law of the universe the law on nature, the law of the planet we live on, make everyday count with a kind uplifting words to others, make your religion called kindness, it’s the highest form of spirituality, rainfall drop by drop fills a bucket, your kindness little by little can change the world even though it is not visible to our own eyes, those that have been touched by your kindness, carry that change in their hearts and souls, and that’s how we change the world, be kind
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Kenan Hudaverdi
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My subconscious seems to like the darkness. I can sense it shifting a gear as the visual distractions are extinguished. It works better; preferring the low volume hum of the sprawling city at night in its subservience to the sounds of nature.
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Steven Hayward (Mickey Take: When a debt goes bad... (The Debt Goes Bad Series Book 1))
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One day in 1885, the twenty-three-year old Henry Ford got his first look at the gas-powered engine, and it was instant love. Ford had apprenticed as a machinist and had worked on every conceivable device, but nothing could compare to his fascination with this new type of engine, one that created its own power. He envisioned a whole new kind of horseless carriage that would revolutionize transportation. He made it his Life’s Task to be the pioneer in developing such an automobile. Working the night shift at the Edison Illuminating Company as an engineer, during the day he would tinker with the new internal-combustion engine he was developing. He built a workshop in a shed behind his home and started constructing the engine from pieces of scrap metal he salvaged from anywhere he could find them. By 1896, working with friends who helped him build a carriage, he completed his first prototype, which he called the Quadricycle, and debuted it on the streets of Detroit. At the time there were many others working on automobiles with gas-powered engines. It was a ruthlessly competitive environment in which new companies died by the day. Ford’s Quadricycle looked nice and ran well, but it was too small and incomplete for large-scale production. And so he began work on a second automobile, thinking ahead to the production end of the process. A year later he completed it, and it was a marvel of design. Everything was geared toward simplicity and compactness. It was easy to drive and maintain. All that he needed was financial backing and sufficient capital to mass-produce it. To manufacture automobiles in the late 1890s was a daunting venture. It required a tremendous amount of capital and a complex business structure, considering all of the parts that went into production. Ford quickly found the perfect backer: William H. Murphy, one of the most prominent businessmen in Detroit. The new company was dubbed the Detroit Automobile Company, and all who were involved had high hopes. But problems soon arose. The car Ford had designed as a prototype needed to be reworked—the parts came from different places; some of them were deficient and far too heavy for his liking. He kept trying to refine the design to come closer to his ideal. But it was taking far too long, and Murphy and the stockholders were getting restless. In 1901, a year and a half after it had started operation, the board of directors dissolved the company. They had lost faith in Henry Ford.
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Robert Greene (Mastery (The Modern Machiavellian Robert Greene Book 1))