Shift 2 Displays Quotes

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My lord?” Nick turned at the tentative, feminine voice, to find two young women standing nearby, watching him eagerly. Nick spoke, wary. “Yes? ” “We—” one of them began to speak, then stopped, uncertain. The other nudged her toward him. “Yes?” “We are fans.” Nick blinked. “Of?” “Of yours.” “Of mine.” “Indeed!” The second girl smiled broadly and stepped closer, holding out what looked suspiciously like— Nick swore under his breath. “Would you be willing to autograph our magazine? ” Nick held up a hand. “I would, girls, but you’ve got the wrong brother.” He pointed to Gabriel. “That is Lord Nicholas.” Rock snorted as the two shifted their attention to the Marquess of Ralston, a dazzlingly handsome copy of their prey, and tittered their excitement. Gabriel instantly eased into his role, turning a brilliant smile on the girls. “I would be happy to autograph your magazine.” He took the journal and the pen they proffered and said, “You know, I must confess, this is the first time I’ve ever drawn the attention of ladies when in the company of my brother. Ralston has always been considered the more handsome of us.” “No!” the girls protested. Nick rolled his eyes. “Indeed. Ask anyone. They’ll tell you it’s the marquess who is the best specimen. Surely you’ve heard that.” He looked up at them with a winning smile. "You can admit it, girls. My feelings shan’t be hurt." Gabriel held up the magazine, displaying the cover, which boasted: Inside! London’s Lords to Land! “Yes … there’s no question that this is going to do wonders for my reputation. I’m so happy to see that it’s getting around that I’m on the hunt for a wife!” The girls nearly expired from delight.
Sarah MacLean (Ten Ways to Be Adored When Landing a Lord (Love By Numbers, #2))
I grow tired of your mouth.” Bones shifted under Curran’s skin. The nose widened, the jaws grew, the top lip split, displaying enormous teeth. I was staring into the face of a nightmare, a horrible meld of human and lion. If a thing that weighed over six hundred pounds in beast-form could be called a lion. His eyes never changed. The rest of him—the body, the arms, the legs, even his hair and skin remained human. The shapeshifters had three forms: beast, human, and half. They could shift into any of the three, but they always changed shape completely. Most had to strain to maintain the half-form and to be able to speak in it was a great achievement. Only Curran could do this: turn part of his body into one shape while keeping the rest in another. Normally, I had no trouble with Curran’s face in half-form. It was well-proportioned, even—many shapeshifters suffered the “my jaws are way too big and don’t fit together” syndrome—but I was used to that half-form face being sheathed in gray fur. Having human skin stretched over it was nausea inducing. He noticed my heroic efforts not to barf. “What is it now?” I waved my hand around my face. “Fur.” “What do you mean?” “Your face has no fur.” Curran touched his chin. And just like that all traces of the beast vanished. He sat before me fully human. He massaged his jaw. The beast grew stronger during the flare. Curran’s irritation caused his control to slip just a hair. “Having technical difficulties?” I asked and immediately regretted it. Pointing out loss of control to a control freak wasn’t the brightest idea. “You shouldn’t provoke me.” His voice dropped low. He suddenly looked slightly hungry. “You never know what I might do if I’m not fully in control of myself.” Mayday, Mayday. “I shudder at the thought.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
I don’t have any powers.” It came out so fast that there was no chance of it sounding like anything but denial. Rhys crossed his legs. “Don’t you? The strength, the speed … If I didn’t know better, I’d say you and Tamlin were doing a very good job of pretending you’re normal. That the powers you’re displaying aren’t usually the first indications among our kind that a High Lord’s son might become his Heir.” “I’m not a High Lord.” “No, but you were given life by all seven of us. Your very essence is tied to us, born of us. What if we gave you more than we expected?” Again, that gaze raked over me. “What if you could stand against us—hold your own, a High Lady?” “There are no High Ladies.” His brows furrowed, but he shook his head. “We’ll talk about that later, too. But yes, Feyre—there can be High Ladies. And perhaps you aren’t one of them, but … what if you were something similar? What if you were able to wield the power of seven High Lords at once? What if you could blend into darkness, or shape-shift, or freeze over an entire room—an entire army?” The winter wind on the nearby peaks seemed to howl in answer. That thing I’d felt under my skin … “Do you understand what that might mean in an oncoming war? Do you understand how it might destroy you if you don’t learn to control it?” “One, stop asking so many rhetorical questions. Two, we don’t know if I do have these powers—” “You do. But you need to start mastering them. To learn what you inherited from us.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Although thrilled that the era of the personal computer had arrived, he was afraid that he was going to miss the party. Slapping down seventy-five cents, he grabbed the issue and trotted through the slushy snow to the Harvard dorm room of Bill Gates, his high school buddy and fellow computer fanatic from Seattle, who had convinced him to drop out of college and move to Cambridge. “Hey, this thing is happening without us,” Allen declared. Gates began to rock back and forth, as he often did during moments of intensity. When he finished the article, he realized that Allen was right. For the next eight weeks, the two of them embarked on a frenzy of code writing that would change the nature of the computer business.1 Unlike the computer pioneers before him, Gates, who was born in 1955, had not grown up caring much about the hardware. He had never gotten his thrills by building Heathkit radios or soldering circuit boards. A high school physics teacher, annoyed by the arrogance Gates sometimes displayed while jockeying at the school’s timesharing terminal, had once assigned him the project of assembling a Radio Shack electronics kit. When Gates finally turned it in, the teacher recalled, “solder was dripping all over the back” and it didn’t work.2 For Gates, the magic of computers was not in their hardware circuits but in their software code. “We’re not hardware gurus, Paul,” he repeatedly pronounced whenever Allen proposed building a machine. “What we know is software.” Even his slightly older friend Allen, who had built shortwave radios, knew that the future belonged to the coders. “Hardware,” he admitted, “was not our area of expertise.”3 What Gates and Allen set out to do on that December day in 1974 when they first saw the Popular Electronics cover was to create the software for personal computers. More than that, they wanted to shift the balance in the emerging industry so that the hardware would become an interchangeable commodity, while those who created the operating system and application software would capture most of the profits.
Walter Isaacson (The Innovators: How a Group of Hackers, Geniuses, and Geeks Created the Digital Revolution)
Gray harbored a slight preference for the stripes. Not only did the darker color suit her complexion, but the neckline plunged in an enticing manner, displaying a wedge of sheer chemise. The sprigged gown had a higher, square neckline, and only one flounce to this frock’s two. But then…The sprigged gown had tiny buttons down the side-fourteen buttons, to be exact, and though just mentally undoing them was enough to drive Gray mad with frustration, that mile-long stretch of miniscule pearl dots was some comfort. The fastenings of this striped gown, by contrast, were completely invisible. Were there little hooks, he wondered, under the sleeves? Hidden in the seams somewhere? Miss Turner coughed and shifted in her seat. Dear God. Gray shook himself, realizing he’d just spent the better part of a minute openly staring in the direction of her breasts. At a distance of no more than two feet. Worse-he’d wasted that blasted minute obsessing about hooks and buttons, when he could have been scanning for the shadow of an areola, or the crest of a nipple. Damn. And now he had no choice but to drop his gaze and study the china. It did look well, the porcelain. The acanthus pattern complemented the scrollwork on the silver quite nicely. Odd, to be drinking Madeira from teacups, but at least they were better than tin. The white drape beneath it all was nothing of quality, but the lighting was dim, and it would do. Gray put out a hand to straighten his fork. “The table looks lovely,” she said, to no one in particular. Dear God. Once again, she jolted him back into reality, and Gray realized he’d spent the better part of two minutes now fussing over china and table linens. First dressmaking, now table-setting…If it wasn’t for the fact that her voice called straight to his swelling groin, Gray might have begun to question his masculinity. What the hell was happening to him? He wanted her. He wanted her body, quite obviously. More disturbing by far, he could no longer deny that he wanted her approval. And he wanted both with a near-paralyzing intensity, though he knew he could never have one without sacrificing the other. Then she extended her slender wrist to reach for the teacup, and Gray remembered the reason for this entire display. He wanted to see her eat.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
I GOT A PHONE CALL ONE DAY FROM A FRIEND WHO HAD RECENTLY opened an Indian jewelry store in Arizona. She was giddy with a curious piece of news. Something fascinating had just happened, and she thought that, as a psychologist, I might be able to explain it to her. The story involved a certain allotment of turquoise jewelry she had been having trouble selling. It was the peak of the tourist season, the store was unusually full of customers, the turquoise pieces were of good quality for the prices she was asking; yet they had not sold. My friend had attempted a couple of standard sales tricks to get them moving. She tried calling attention to them by shifting their location to a more central display area; no luck. She even told her sales staff to "push" the items hard, again without success. Finally, the night before leaving on an out-of-town buying trip, she scribbled an exasperated note to her head saleswoman, "Everything in this display case, price x %," hoping just to be rid of the offending pieces, even if at a loss. When she returned a few days later, she was not surprised to find that every article had been sold. She was shocked, though, to discover that, because the employee had read the "%" in her scrawled message as a "2," the entire allotment had sold out at twice the original price! That's
Anonymous
Yeah, well, I--” He stops and his eyes shift behind me, wide in amusement. I turn my head to find a couple straight out of the 1980s at the end of the gelato line. They’re both sporting mullets and faded jeans. White sneakers. When I notice the matching red fanny packs, I have to look away. “You should take a picture of that,” he says, resting his forearms on the table. “What?” I lean in closer and speak just above a whisper. “No way.” “Do it!” he insists. “Five euros.” He digs into his pocket and clanks down five coins. I sneak a peek at the unsuspecting couple. The man is wiping sweat off his face with a hanky. They’re too close. I’d never get away with it. “I can’t,” I say. “Pansy.” With a grunt, I switch my camera on and set it to automatic. I raise it to my face and start to twist my upper body. “No, wait!” he says. “You’re doing it wrong.” I drop the camera to my lap and face him. “What?” “You’re too obvious. You need stealth. Watch and learn.” He retrieves a small point-and-shoot camera from his pocket and aims it toward me. “Say cheese!” he says so loudly that I’m sure everyone around us is looking. “Uh…cheese?” “Done.” He hits a few buttons and shows me the display screen. There they are. Looked right at him too. Clever. But I can’t let him win. “Wow. That’s pretty pixelated. What kind of setting do you have that on?” He frowns. “It’s just zoomed in.” “Oh.” I reach to zoom out, but he pulls it away too fast. “What? Why can’t I see? Did you actually take a picture of me or something?” “Stealth.” He shrugs and my cheeks turn pink. “Guess these are my winnings.” The coins scrape across the table as he scoops them up to put in his pocket. “You didn’t even give me a chance to redeem myself,” I defend. “Excuses, excuses. Just admit I’m the better photographer.” He laughs, standing to shoot his empty cup in the trash. “Finished?” I nod and he tosses mine too. “Braver maybe, but better? Your camera doesn’t have enough buttons.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
He had done all he could to avoid her over the last couple of weeks, though the effort was more challenging than he had expected, especially when thoughts of her never left his consciousness. Then came the night they collided outside the Mawbry's town house. For a brief and painful moment, he had held her warm body against him, and the elemental shift she had caused in his core had spread like a shock wave through his system. Now, here she was, dressed again in modest white, her brunette hair falling in loose waves, the red glow of the fire behind her casting her figure into a decadent display of shadow and light. As his hungry gaze soaked up every detail of the woman who had been haunting his thoughts, he noticed something odd in her manner. Her lovely gray eyes were lowered, and with her hair shielding much of her face, she presented a perfect example of shy modesty. The posture struck Avenell as wrong. Despite Miss Chadwick's innocence and quiet manner, she was not one to avert her gaze. He had observed her enough in the preceding weeks to know she had an unnerving tendency to view her surroundings with direct, consuming attention.
Amy Sandas (The Untouchable Earl (Fallen Ladies, #2))
Experiments with the COBE (Cosmic Background Explorer) satellite, which was launched in 1989, showed in 1990 with overwhelming precision what was already known from previous experiments-that the cosmic background radiation filling the universe has all the properties of blackbody radiation at absolute temperature 2.735 degrees, save some tiny deviations. It would be very surprising if Earth were at rest with respect to this radiation. The velocity of Earth relative to it was first measured in 1977 from an airplane by investigating the influence of the Doppler effect (fig. 57). The blackbody radiation as received by an observer who moves relative to it displays what is called a "dipolar asymmetry": The radiation coming from the direction in which the observer moves is shifted to higher frequencies, the radiation from the opposite direction to lower frequencies. This shift has the remarkable property that the radiation arriving from any direction has all the properties of a blackbody radiation; only the temperature is shifted-to higher values in front, to lower in the rear. By measuring this temperature difference of about .0035 Celsius, scientists have established that the solar system is moving toward the constellation Leo with a velocity of of approximately 250 miles per second relative to the background radiation. By properly adding velocities, it follows that the Milky Way itself moves at a speed of about 500 miles per second relative to the background radiation.
Henning Genz (Nothingness: The Science Of Empty Space)
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How Tap Position Indicators Help Ensure Transformer Safety and Efficiency? Transformers play a pivotal role in electrical power distribution by stepping up or stepping down voltage levels to facilitate efficient power transmission. To ensure they operate safely and efficiently, transformers are equipped with various mechanisms, one of the most crucial being the tap changer. A tap changer allows the transformer to adjust its voltage ratio in response to changing load conditions. Tap Position Indicators (TPIs) are integral to this process, ensuring that the transformer operates within the desired parameters while maintaining safety and efficiency. What are Tap Position Indicators? A Tap Position Indicator is a device used in transformers to display the current position of the tap changer. The tap changer typically has multiple positions, each corresponding to a specific voltage level. As electrical load conditions change, the tap changer adjusts the voltage to maintain the system's stability. TPIs provide a real-time visual or digital readout of which tap position is currently in use, allowing operators to monitor and manage voltage adjustments effectively. At Precimeasure, we manufacture Tap Position Indicators of models 2246, 2257, 2245T, 2264. This instrument indicates the tap position of ON LOAD tap changes employed in transformers with options of resistance input, 4-20 mA input or BCD input. The Role of TPIs in Transformer Safety Transformers, especially those operating in critical infrastructure, must be maintained within precise voltage tolerances. Overvoltage or undervoltage can damage sensitive equipment and lead to system failures. Tap Position Indicators play a crucial role in preventing such issues by helping operators identify if a transformer is operating at the correct tap setting for the load conditions. 1. Preventing Overloading: By continuously monitoring the tap changer's position, TPIs help prevent overloading of the transformer. If the transformer operates at the wrong tap setting, it can cause excessive current flow, leading to overheating or even catastrophic failure. The TPI ensures the transformer is always running at the optimal setting, based on load conditions, thus avoiding overloading. 2. Minimizing Damage from Incorrect Settings: Transformers are designed to handle specific ranges of voltage and current. If the voltage is too high or too low, it can damage the transformer’s insulation or other internal components. With TPIs, operators can visually confirm if the tap changer has shifted to an incorrect position, ensuring that the transformer stays within safe operational parameters. 3. Early Detection of Mechanical Failures: Sometimes, mechanical issues such as faulty tap changer operation can lead to incorrect tap positions. A TPI helps identify such problems early, allowing for preventive maintenance before more severe damage occurs. The Role of TPIs in Transformer Efficiency In addition to safety, TPIs also contribute to the efficiency of transformers. Efficient voltage regulation is essential for reducing energy losses and optimizing performance. 1. Optimizing Voltage Regulation: Transformers must maintain a consistent voltage level despite variations in load. TPIs allow operators to monitor the tap changer and adjust the settings as needed to keep the voltage stable. Proper voltage regulation ensures minimal energy loss, which translates to reduced operational costs and improved energy efficiency. 2. Enhancing Load Management: By providing real-time information about the tap changer’s position, TPIs help operators make informed decisions about load management. This can result in smoother operations and less frequent manual interventions, which increases the transformer’s overall lifespan. 3. Preventing Energy Losses: Operating a transformer at an incorrect tap setting can result in significant energy losses.
Tap Position Indicators