Sherman's March Quotes

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As a child, I read because books–violent and not, blasphemous and not, terrifying and not–were the most loving and trustworthy things in my life. I read widely, and loved plenty of the classics so, yes, I recognized the domestic terrors faced by Louisa May Alcott’s March sisters. But I became the kid chased by werewolves, vampires, and evil clowns in Stephen King’s books. I read books about monsters and monstrous things, often written with monstrous language, because they taught me how to battle the real monsters in my life. And now I write books for teenagers because I vividly remember what it felt like to be a teen facing everyday and epic dangers. I don’t write to protect them. It’s far too late for that. I write to give them weapons–in the form of words and ideas-that will help them fight their monsters. I write in blood because I remember what it felt like to bleed.
Sherman Alexie
Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles; Sherman's March, gridlock, motorcycle gangs, and bungee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture.
Neal Stephenson (Snow Crash)
No surprises" is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles, Sherman's March, gridlock, motorcycle gangs, and bun-gee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture. The only ones left in the city are street people, feeding off debris; immigrants, thrown out like shrapnel from the destruction of the Asian powers; young bohos; and the technomedia priesthood of Mr. Lee's Greater Hong Kong. Young smart people like Da5id and Hiro, who take the risk of living in the city because they like stimulation and they know they can handle it.
Neal Stephenson (Snow Crash)
America is a leap of the imagination. From its beginning, people had only a persistent idea of what a good country should be. The idea involved freedom, equality, justice, and the pursuit of happiness; nowadays most of us probably could not describe it a lot more clearly than that. The truth is, it always has been a bit of a guess. No one has ever known for sure whether a country based on such an idea is really possible, but again and again, we have leaped toward the idea and hoped. What SuAnne Big Crow demonstrated in the Lead high school gym is that making the leap is the whole point. The idea does not truly live unless it is expressed by an act; the country does not live unless we make the leap from our tribe or focus group or gated community or demographic, and land on the shaky platform of that idea of a good country which all kinds of different people share. This leap is made in public, and it's made for free. It's not a product or a service that anyone will pay you for. You do it for reasons unexplainable by economics--for ambition, out of conviction, for the heck of it, in playfulness, for love. It's done in public spaces, face-to-face, where anyone is free to go. It's not done on television, on the Internet, or over the telephone; our electronic systems can only tell us if the leap made elsewhere has succeeded or failed. The places you'll see it are high school gyms, city sidewalks, the subway, bus stations, public parks, parking lots, and wherever people gather during natural disasters. In those places and others like them, the leaps that continue to invent and knit the country continue to be made. When the leap fails, it looks like the L.A. riots, or Sherman's March through Georgia. When it succeeds, it looks like the New York City Bicentennial Celebration in July 1976 or the Civil Rights March on Washington in 1963. On that scale, whether it succeeds or fails, it's always something to see. The leap requires physical presence and physical risk. But the payoff--in terms of dreams realized, of understanding, of people getting along--can be so glorious as to make the risk seem minuscule.
Ian Frazier (On the Rez)
It is not too much to say that the blacks in Georgia and the Carolinas made Sherman’s march possible. Their help meant that Sherman’s forces would not be traveling through hostile territory without supply lines. Rather, the soldiers were more like a huge guerilla force in friendly territory.
James W. Loewen (Lies Across America: What Our Historic Sites Get Wrong)
And there are millions of teens who read because they are sad and lonely and enraged. They read becuase they live in an often-terrible world. They read becuause they believe, despire the callow protestations of certain adults, that books-especially the dark and dangerous ones-will save them. As a child, I read because books-violent and not, blasphemous and not, terrifying and not-were the most loving and trustworthy things in my life. I read widely, and loved plenty of the classics so, yes, I recognized the domestic terrors faced by Lousia May Alcott's March sisters. But I became the kids chased by werewolves, vampires and evil clowns in Stephen King's books. I read books about monsters and monsterous things, often written with monstrous language, becuase they taught me how to battle the real monsters in my life. And now i write books for teenagers because I vividly remember what it felt like to be a teen facing everyday and epic dangers. I don't write to protect them. It's far to late for that. I write to give them weapons-in the form of wors and ideas-that will help them fight their monsters. I write in blood because I remember what it felt like to bleed.
Sherman Alexie
They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles; Sherman's March, gridlock, motorcycle gangs, and bungee jumping.
Neal Stephenson (Snow Crash)
Anybody who can get through March without breaking a glass, a friendship, a secret, a promise, or somebody's nose is either a saint or on vacation in Florida.
Delia Sherman (The Evil Wizard Smallbone)
the question of who devised the plan of march from Atlanta to Savannah is easily answered: it was clearly Sherman, and to him also belongs the credit of its brilliant execution.
Ulysses S. Grant (Personal Memoirs of U.S. Grant: All Volumes)
if he had attended burial services for one of his bitter enemies, said, “No, I didn’t patronize the funeral, but I approve of it.
Burke Davis (Sherman's March)
Among the eulogies raised to the departed general, the terse words of his friend Whitelaw Reid seemed to summarize most perceptively the mercurial Sherman: “He never acknowledged an error and never repeated it.
Burke Davis (Sherman's March)
In olden times, you'd wander down to Mom's Cafe for a bite to eat and a cup of joe, and you would feel right at home. It worked just fine if you never left your home-own. But if you went to the next town over, everyone would look up and stare at you when you came in the door, and the Blue Plate Special would be something you didn't recognize. If you did enough traveling, you'd never feel at home anywhere. But when a businessman from New Jersey goes to Dubuque, he knows he can walk into a McDonald's and no one will stare at him. He can order without having to look at the menu, and the food will always taste the same. McDonald's is Home, condensed into a three-ring binder and xeroxed. “No surprises” is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles; Sherman's March, gridlock, motorcycle gangs, and bungee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture.
Neal Stephenson (Snow Crash)
the last of the lordly planters who ruled this Southern world. His manners are unequalled still, but underneath this smooth exterior lies the grip of a tyrant whose will has never been crossed.… He came of a race that would brook no interference with their own sweet will by man, woman or devil …
Burke Davis (Sherman's March)
We do not want to go to the right or left,” he said, “but straight back to our own country!” A few days later, on June 1, a treaty was drawn up. The Navajos agreed to live on a new reservation whose borders were considerably smaller than their traditional lands, with all four of the sacred mountains outside the reservation line. Still, it was a vast domain, nearly twenty-five thousand square miles, an area nearly the size of the state of Ohio. After Barboncito, Manuelito, and the other headmen left their X marks on the treaty, Sherman told the Navajos they were free to go home. June 18 was set as the departure date. The Navajos would have an army escort to feed and protect them. But some of them were so restless to get started that the night before they were to leave, they hiked ten miles in the direction of home, and then circled back to camp—they were so giddy with excitement they couldn’t help themselves. The next morning the trek began. In yet another mass exodus, this one voluntary and joyful, the entire Navajo Nation began marching the nearly four hundred miles toward home. The straggle of exiles spread out over ten miles. Somewhere in the midst of it walked Barboncito, wearing his new moccasins. When they reached the Rio Grande and saw Blue Bead Mountain for the first time, the Navajos fell to their knees and wept. As Manuelito put it, “We wondered if it was our mountain, and we felt like talking to the ground, we loved it so.” They continued marching in the direction the coyote had run, toward the country they had told their young children so much about. And as they marched, they chanted—
Hampton Sides (Blood and Thunder: The Epic Story of Kit Carson and the Conquest of the American West)
Sherman was a warrior, not a scholar, but he thought deeply about the issues posed by war. The Marches were to Sherman fundamentally a moral expression of Union military power, even a moral equivalent of battle. That is to say, they were designed to humiliate the South and especially secessionist leaders, to humble its swaggering warriors, and to leave them in a state of despair contemplating unavoidable defeat. As the South had been humiliated, Northern arms should henceforth be treated with respect. The Marches thus sought a propaganda or moral victory aimed at the Confederate military and civil will. They would reveal to the world, not only to the South, that a tremendous change had occurred in the Civil War's military balance. Despite its redoubtable resistance throughout 1864, any Confederate success would prove transient⁠—another road pointing to defeat.
Brian Holden-Reid (The Scourge of War: The Life of William Tecumseh Sherman)
Criticism of Davis was neither new nor unusual, for his Confederacy was by no means a monolithic state. Secession had been imposed upon many loyal Unionists in the South, devoted patriots who, though subdued, remained hostile to the Rebel government; Union conventions had been held in the Confederacy during the war, and thousands of Southerners served in Union armies out of conviction that slavery and secession were twin evils. Many more thousands deserted the Confederate army to spend most of the war at home or in hiding. The more numerous poor whites and small farmers, who owned no slaves and worked their own lands, usually despised the few wealthy planters who controlled the slave system and the political apparatus as well. North Carolina’s Governor Zebulon Vance, in his forthright fashion, had put this issue to Jefferson Davis himself in terms that had become a rallying cry: “It’s a rich man’s war and a poor man’s fight.
Burke Davis (Burke Davis on the Civil War: The Long Surrender, Sherman's March, To Appomattox, and They Called Him Stonewall)
Still, there was hope of progress. In March 1865, Congress created an organization, the Bureau of Refugees, Freedmen, and Abandoned Lands, commonly known as the Freedmen’s Bureau, which had a range of responsibilities including the reallocation of abandoned Southern land to the newly emancipated. The bureau’s charge was to lease forty-acre parcels that would provide economic self-sufficiency to a people who had endured hundreds of years of unpaid toil. Already, in January 1865, Union general William Tecumseh Sherman had issued Special Field Order No. 15, which, to take some of the pressure off his army as thousands of slaves eagerly fled their plantations and trailed behind his troops, “reserved coastal land in Georgia and South Carolina for black settlement.” Less than a year after he issued the order, forty thousand former slaves had begun to work four hundred thousand acres of this land.36 Then, in July of the same year, the head of the Freedmen’s Bureau, General Oliver O. Howard, issued Circular 13, fully authorizing the lease of forty-acre plots from abandoned plantations to the newly freed families. “Howard was neither a great administrator nor a great man,” noted W.E.B. Du Bois, “but he was a good man. He was sympathetic and humane, and tried with endless application and desperate sacrifice to do a hard, thankless duty.”37 Howard made clear that whatever amnesty President Johnson may have bestowed on Southern rebels did not “extend to … abandoned or confiscated property.”38 Johnson, however, immediately rescinded Howard’s order,
Carol Anderson (White Rage: The Unspoken Truth of Our Racial Divide)
Still, there was hope of progress. In March 1865, Congress created an organization, the Bureau of Refugees, Freedmen, and Abandoned Lands, commonly known as the Freedmen’s Bureau, which had a range of responsibilities including the reallocation of abandoned Southern land to the newly emancipated. The bureau’s charge was to lease forty-acre parcels that would provide economic self-sufficiency to a people who had endured hundreds of years of unpaid toil. Already, in January 1865, Union general William Tecumseh Sherman had issued Special Field Order No. 15, which, to take some of the pressure off his army as thousands of slaves eagerly fled their plantations and trailed behind his troops, “reserved coastal land in Georgia and South Carolina for black settlement.” Less than a year after he issued the order, forty thousand former slaves had begun to work four hundred thousand acres of this land.36 Then, in July of the same year, the head of the Freedmen’s Bureau, General Oliver O. Howard, issued Circular 13, fully authorizing the lease of forty-acre plots from abandoned plantations to the newly freed families. “Howard was neither a great administrator nor a great man,” noted W.E.B. Du Bois, “but he was a good man. He was sympathetic and humane, and tried with endless application and desperate sacrifice to do a hard, thankless duty.”37 Howard made clear that whatever amnesty President Johnson may have bestowed on Southern rebels did not “extend to … abandoned or confiscated property.”38 Johnson, however, immediately rescinded Howard’s order, commanding the army to throw tens of thousands of freedpeople off the land and reinstall the plantation owners.39 While this could have come from a simple ideological aversion to land redistribution, that was not the case and, for Johnson, not the issue; who received it was. Beginning in 1843, when he was first elected to the U.S. Congress, and over the next nineteen years, Johnson had championed the Homestead Act,
Carol Anderson (White Rage: The Unspoken Truth of Our Racial Divide)
The franchise and the virus work on the same principle: what thrives in one place will thrive in another. You just have to find a sufficiently virulent business plan, condense it into a three-ring binder -- its DNA -- Xerox(tm) it, and embed it in the fertile lining of a well-traveled highway, preferably one with a left-turn lane. Then the growth will expand until it runs up against its property lines. In olden times, you'd wander down to Mom's Cafe for a bite to eat and a cup of joe, and you would feel right at home. It worked just fine if you never left your hometown. But if you went to the next town over, everyone would look up and stare at you when you came in the door, and the Blue Plate Special would be something you didn't recognize. If you did enough traveling, you'd never feel at home anywhere. But when a businessman from New Jersey goes to Dubuque, he knows he can walk into a McDonald's and no one will stare at him. He can order without having to look at the menu, and the food will always taste the same. McDonald's is Home, condensed into a three-ring binder and xeroxed. "No surprises" is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles, Sherman's March, gridlock, motorcycle gangs, and bun-gee jumping. They have parallelparked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture. The only ones left in the city are street people, feeding off debris; immigrants, thrown out like shrapnel from the destruction of the Asian powers; young bohos; and the technomedia priesthood of Mr. Lee's Greater Hong Kong. Young smart people like Da5id and Hiro, who take the risk of living in the city because they like stimulation and they know they can handle it.
Neal Stephenson (Snow Crash)
We're all being left out one way or the other. The survivors miss being heroes. The heroes miss being alive. The only ones not left out are the ones who never went in.
Cynthia Bass (Sherman's March)
The only element still surprising was how rapidly Sherman was moving: for whichever direction I looked, he'd been here already, burning and emptying out. The smoldering wood made the air smell cruelly like Christmas.
Cynthia Bass (Sherman's March)
The life of a soldier seemed like a climb up a stairway without any stairs, only the wooden supporting spine of preagreed ritual. Step away from that spine and anything might happen -- to you, by you.
Cynthia Bass (Sherman's March)
I've heard of more ways to die in this war than I knew there were corpses. I've heard there isn't a battle where both sides don't shoot their own men -- sometimes on purpose and sometimes for mercy, but most of the time by mistake. I've heard boys on both sides are killing themselves, so they don't burn or smother or drown or starve, or pass whatever they're dying of to others. I've heard about guerrillas and murders and firing squads. I've reached the point where I don't know if anyone ever just dies from the other side's bullets.
Cynthia Bass (Sherman's March)
My horse is plodding down a path unspooling under her hooves like a ball of wool, only wider, while I think of ways to wake kings or small children or writers, all of whom seem to be constantly sleeping and dreaming of me in the seventh square on a horse with a mind of her own.
Delia Sherman (Mad Hatters and March Hares)
Why do Southerners eat Black Eyed Peas on New Year’s Day? The story of the Southern tradition of eating black-eyed peas as the first meal on New Year's Day is generally believed to date back to the winter of 1864 - 1865. When Union General William T. Sherman led his invading troops on their destructive march through Georgia, the fields of black-eyed peas were largely left untouched because they were deemed fit only for animals. The Union foragers took everything, plundered the land, and left what they could not take, burning or in shambles. But two things did remain, the lowly peas and good Ol’ Southern salted pork. As a result, the humble yet nourishing black-eyed peas saved surviving Southerners - mainly women, children, elderly and the disabled veterans of the Confederate army - from mass starvation and were thereafter regarded as a symbol of good luck. The peas are said to represent good fortune. Certainly the starving Southern families and soldiers were fortunate to have those meager supplies. According to the tradition and folklore, the peas are served with several other dishes that symbolically represent good fortune, health, wealth, and prosperity in the coming year. Some folks still traditionally cook the black-eyed peas with a silver dime in the pot as a symbol of good fortune. Greens represent wealth and paper money. Any greens will do, but in the South the most popular are collards, mustard greens, turnip greens, and cabbage. Cornbread - a regular staple among Southerners in the absence of wheat - symbolizes gold and is very good for soaking up the juice from the greens on the plate. You should always have some cornbread on hand in your kitchen anyway. Good for dinner and in the morning with syrup. Pork symbolizes bountiful prosperity, and then progressing into the year ahead. Ham and hog jowls are typical with the New Year meal, though sometimes bacon will be used, too. Pigs root forward, so it’s the symbolic moving forward for the New Year. Tomatoes are often eaten with this meal as well. They represent health and wealth. So reflect on those stories when you sit down at your family table and enjoy this humble, uniquely Southern meal every New Year’s Day. Be thankful for what this year did give you in spite of the bad, and hope and pray for better days that are coming ahead for you.
James Hilton-Cowboy
Behind us lay Atlanta,” Sherman recalled in his memoirs as the army began to march, “smouldering and in ruins, the black smoke rising high in air, and hanging like a pall over the ruined city.
Anonymous
I felt entangled now: this March, this South, this war, history. History could not possibly let the South get away with slavery; history would not possibly let us get away with what we were doing to the South. Somehow or other, we'd both have to pay.
Cynthia Bass (Sherman's March)
Racism is a virus which can only be spread by us!
Simon Rumney (Another Tribe (Our Eternal Curse II))
I say since the women of America are no longer recognized by our government, that we should go all militia on their asses. We'll make Sherman's march through Georgia look like a walk in the park. Since they refuse to protect us, I say we start lopping off dicks.
Jordan Silver (Lyon's Crew (The Lyon, #1))
Isaac, the black body servant of Colonel John Nisbet of the Sixty-sixth Georgia, joined his master in the breastworks from time to time to try his hand at shooting Yankees. Amos Rucker was technically a body servant in another Georgia regiment, but it was "well known that he was in the fights around Atlanta on several occasions". When Rucker died many years later, his former comrades-in-arms saw to it that he was laid to rest in the uniform of the Confederate States Army.
Lee B. Kennett (Marching Through Georgia: The Story of Soldiers and Civilians During Sherman's Campaign)
The Battle of Atlanta was an unusually confusing engagement for those who fought in it , with assaults coming from unexpected directions and the fortunes of battle changing directions from one moment to the next. Arkansas troops, pinned down in front of the Sixteenth Iowa's works, came in and surrendered, but before they could be moved to the rear other Confederate troops appeared from that very direction; the Iowans tried to put their prisoners between this new threat and themselves, but the Arkansans became belligerent and began to take up arms again. There was a period of total confusion; in the press an Iowa soldier asked an Arkansas which side was surrendering, and the Rebel answered with a laugh: "I'll be damned if I know". In the end it was the Sixteenth Iowa that went off in captivity.
Lee B. Kennett (Marching Through Georgia: The Story of Soldiers and Civilians During Sherman's Campaign)
Beaumont is an antebellum relic, the former home of the Beaumont clan, who still exist in the county. Beaumont House escaped Sherman’s March to the Sea, being not in the direct path of the march, but it had been looted and vandalized by Yankee stragglers. The locals will tell you that all the women in the house had been raped, but, in fact, the local guidebook says the Beaumonts fled a few steps ahead of the Yankees.
Nelson DeMille (The General's Daughter)
Another was a return to the suggestion advanced informally by Pat Cleburne the previous winter, soon after Missionary Ridge, that the South free its slaves and enlist them in its armies. Hastily suppressed at the time as “revolting to Southern sentiment, Southern pride, and Southern honor,” the proposition seemed far less “monstrous” now than it had a year ago, when Grant was not at the gates of Richmond and Sherman had not made his march through Georgia. Seddon, for one, had been for it ever since the fall of Atlanta, except that he believed emancipation should follow, not precede, a term of military service.
Shelby Foote (The Civil War, Vol. 3: Red River to Appomattox)
Most of the propaganda the Allies and Japanese engaged in concerning the enemy's atrocious behavior was rooted in actual occurrences, and the horror, rage, and hatred this provoked on all sides was natural. Of greater interest now, however, is the way such behavior was offered as confirmation of the innately inferior and immoral nature of the enemy-- a reflection of national character-- when, in fact, the pages of history everywhere are stained with cruelty and unbridled savagery. The "civilization" which both the Allies and the Japanese claimed to be defending had failed to stem these impulses, and World War Two simply witnessed new as well as old ways of carrying out mass destruction and individual violence. Allied propagandists were not distorting the history of Japan when they pointed to much that was cruel in the Japan's past. They had to romanticize or simply forget their own history, however, to turn such behavior into something uniquely Japanese-- to ignore, for example, the long history of torture and casual capital punishment in the West, the genocide of the Indian population in the Western Hemisphere by the sixteenth-century conquistadores, the "hell ships" of the Western slave trade, the death march of American Indians forcibly removed from the eastern United States in the 1930s, the ten thousand or more Union prisoners of war who died at Andersonville during the U.S Civil War, the introduction of "modern" strategies of annihilation and terrorization of civilians by Napoleon and Lee and Grant and Sherman, and the death marches and massacres of native peoples by the European colonialists in Africa and Asia, right up to 1941. In their genuine shock at the death rituals which the Japanese military engaged in, moreover, the Westerners tended to forget not only their own "epics of defeat" (immortalized in names such as Roland, Thermopylae, the Alamo, and Custer), but also the self-sacrifice against hopeless odds of thousands of Allied fighting men. To give but one example, the number of United Kingdom airmen who gave their lives in World War Two was ten times greater than the number of Japanese who died as kamikaze pilots. The acceptance of certain death by the latter did indeed set them apart, but the difference can be exaggerated
John W Dower
Most of the dead were buried in the cemetery at 43rd and Broadway. Young Sidney Sherman, whose father had helped Texas win its war of independence with Mexico, was put to rest not far from the graves of two Yankees—Lieutenant Commander Edward Lea, who had died in his father’s arms, and Captain Jonathan Wainwright, whose grandson and namesake became a famous American general in World War II and hero of the Bataan Death March.
Gary Cartwright (Galveston: A History of the Island (Chisholm Trail Series Book 18))