Shepherd King Quotes

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To the quiet girls with stories in their heads. To their dreams—and their nightmares.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
There once was a girl,” he murmured, “clever and good, who tarried in shadow in the depths of the wood. There also was a King—a shepherd by his crook, who reigned over magic and wrote the old book. The two were together, so the two were the same: “The girl, the King… and the monster they became.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
Be wary. Be clever. Be good.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
The Lord is my shepherd. I shall not want for nothing. He makes me lie down in the green pastures. He greases up my head with oil. He gives me kung-fu in the face of my enemies. Amen
Stephen King (The Stand)
He came for the girl... And got the monster instead.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
I'm just the wind in the trees, the shadow, and the fright. The echo in the leaves...the nightmare in the night.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
I know only one thing. when i sleep, i know no fear, no, trouble no bliss. blessing on him who invented sleep. the common coin that purchases all things, the balance that levels shepherd and king, fool and wise man. there is only one bad thing about sound sleep. they say it closely resembles death.
Andrei Tarkovsky (Solaris)
To anyone who’s ever felt lost in a wood. There is a strange sort of finding in losing.
Rachel Gillig (Two Twisted Crowns (The Shepherd King #2))
Nothing is free. Nothing is safe. Magic is love, but also, it’s hate. It comes at a cost. You’re found, and you’re lost. Magic is love, but also, it’s hate.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
Here we are, my darling girl, he whispered to me. The end of all things. The last page of our story.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
All I know is that while I’m asleep, I’m never afraid, and I have no hopes, no struggles, no glories — and bless the man who invented sleep, a cloak over all human thought, food that drives away hunger, water that banishes thirst, fire that heats up cold, chill that moderates passion, and, finally, universal currency with which all things can be bought, weight and balance that brings the shepherd and the king, the fool and the wise, to the same level. There’s only one bad thing about sleep, as far as I’ve ever heard, and that is that it resembles death, since there’s very little difference between a sleeping man and a corpse.
Miguel de Cervantes Saavedra
As gentle a man as he was, as tender as was his heart, there was nothing weak about Michael Hosea. He was the strongest-minded man Joseph had ever met. A Man like Noah. A Man like the Shepherd-king David. A man after God's own heart.
Francine Rivers (Redeeming Love)
Be wary, Be clever, Be good
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Are you still pretending?” I said, reveling in his gaze. Ravyn gave a surprised laugh and, in front of everyone, leaned in and kissed me. “I never was,” he whispered into my lips.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
You did not come all this way to yield to despair.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
I love when they argue,” Emory said into his soup. “Keeps my weak little heart beating.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
There were not enough pages in all the books Elm had read, in all the libraries he’d wandered, in all the notebooks he’d scrawled, that could measure—denote or describe—just how beautiful she was.
Rachel Gillig (Two Twisted Crowns (The Shepherd King #2))
I am stronger than my doubts
Rachel Gillig (One Dark Window (The Shepherd King, #1))
I am the shepherd of shadow. The phantom of the fright. The demon in the daydream.” Her yellow eyes flickered to Ravyn. “The nightmare in the night.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
I’d be your King, but always your servant. Never your keeper.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
The berry of rowans is red, always red. The earth at its trunk is dark with blood shed. But a Prince is a man, and a man may be bled. He came for the girl… And got the monster instead.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
Except, in this fairy tale, the maiden has blood on her hands.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
It's like chess, you know. The Queen saves the King.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
He has looked pain in the eye - and refused to let it make a monster of him
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
The LORD is my shepherd; I shall not want. He maketh me to lie down in green pastures: he leadeth me beside the still waters. He restoreth my soul: he leadeth me in the paths of righteousness for his name's sake. Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me; thy rod and thy staff they comfort me. Thou preparest a table before me in the presence of mine enemies: thou anointest my head with oil; my cup runneth over. Surely goodness and mercy shall follow me all the days of my life: and I will dwell in the house of the LORD forever. [Psalms 23]
Anonymous (The Holy Bible: King James Version)
There once was a girl,” he said, his voice slick, “clever and good, who tarried in shadow in the depths of the wood. There also was a King—a shepherd by his crook, who reigned over magic and wrote the old book. The two were together, so the two were the same: “The girl, the King, and the monster they became.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Why do you suppose they made you king in the first place?' I ask him. 'Not for your benefit, but for theirs. They meant you to devote your energies to making their lives more comfortable, and protecting them from injustice. So your job is to see that they're all right, not that you are - just as a shepherd's job, strictly speaking, is to feed his sheep, not himself.
Thomas More (Utopia)
My magic moves, he said. My magic bites. My magic soothes. My magic frights. You are young and not so bold. I am unflinching—five hundred years old.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
You’re smiling.” Elm looked over the table. “Does no one else find that incredibly unnerving?
Rachel Gillig (One Dark Window (The Shepherd King, #1))
The two were together, so the two were the same: “The girl, the King, and the monster they became.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Above rowan and yew, the elm tree stands tall. It waits along borders, a sentry at call.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
For nothing is safe, and nothing is free. Debt follows all men, no matter their plea. When the Shepherd returns, a new day shall ring. Death to the Rowans.” His gray eyes focused, homing in on Elm. “Long live the King.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
It is not they who bring the reckoning, Ravyn. It is you. It is us.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
There once was a girl clever and good, who tarried in shadow in the depths of the wood. There also was a king - a shepard by his crook, who reigned over magic and wrote the old book. The two were together, so the two were the same...The girl, the King...and the monster they became.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
Had I known they’d be the last words I’d say to him aloud, I might have chosen them differently.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
Human life is short. You are not as a tree, stoic and unyielding, but a butterfly. Delicate, fleeting. Inconsequential.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
I’ve wanted to know you since I saw you all those years ago, riding in the wood, mud on your ankles.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Can I kiss you?” My voice shook. “A bit late to ask, isn’t it?” “Not on your mouth, Elspeth.” His eyes turned wicked as he lowered himself to his knees,
Rachel Gillig (One Dark Window (The Shepherd King, #1))
I know as well as you that magic is the oldest paradox. The more power it gives you, the weaker you become.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
A hundred years,” he said to her, as if she were the only one in the room. “I’ll love you for a hundred years—and an eternity after.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Practice restraint, and know it by touch. Use Cards when they’re needed, and never too much. For too much of fire, our swords would all break. Too much of wine a poison doth make. Excess is grievous, be knave, maid, or crown. Too much of water, how easy we drown.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
When the song of the angels is stilled, when the star in the sky is gone, when the kings and princes are home, when the shepherds are back with their flocks, the work of Christmas begins: to find the lost, to heal the broken, to feed the hungry, to release the prisoner, to rebuild the nations, to bring peace among the people, to make music in the heart.
Howard Thurman
The Nightmare’s smile was a thinly veiled threat. “I know what I know. My secrets are deep. But long have I kept them. And long will they keep.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
But the tide always turns, and the truth always outs.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
My darling, you’ve always had a choice.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
It was shepherds who were the first to recognize a king that the rest of the world refused to acknowledge.
Paulo Coelho
For even dead, I will not die. I am the shepherd of shadow. The phantom of the fright. The demon in the daydream. The nightmare in the night.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
When the shadows grow long, when our names turn to dust, what we loved, what we hated, will spoil to rust. All will be forgotten, save one truth, unshaken… What did we do when the children were taken?
Rachel Gillig (One Dark Window (The Shepherd King, #1))
But his soul carried on, buried deep in Elspeth Spindle, the only woman Ravyn had ever loved.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
You’re a Rowan. Don’t you take whatever you fancy?” “Clearly not, when all I fancy is a proper night’s sleep.
Rachel Gillig (Two Twisted Crowns (The Shepherd King #2))
Tell them. Tell them the truth. When your children ask, do not lie- do not hide the risk of magic. Children are strongest when their eyes are clear. Only then can they make their own choices. Only then are they truly free. Tell them. Tell them the truth.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
Your fear of death is but the trembling of the shepherd when he stands before the king whose hand is to be laid upon him in honour.
Kahlil Gibran
I’m tied to a post with a grating headache and the dimmest Yews in five centuries,” the Nightmare muttered. “Never been better.
Rachel Gillig (Two Twisted Crowns (The Shepherd King #2))
You mean one human is good, but a hundred humans is bad?" "Exactly. One human is just a person. A hundred humans make a society. And societies have kings, and religions and priests, and all these other things serrin completely fail to understand
Joel Shepherd (Petrodor (A Trial of Blood & Steel, #2))
I'll tell you a story, I whispered. It always helped me sleep as a child. He nodded, folding his hands over his lap, and closed his eyes. There once was a girl, clever and good, who tarried in shadow in the depths of the wood. There also was a King, a shepherd by his crook, who reigned over magic and wrote the old book. The two were together, so the two- I couldn't go on. Elspeth. No. I'm not ready. Not yet. Finish the story, dear one. My voice shook. The two were together- Together. So the two were the same. The girl, he whispered, honey and oil and silk. The King... We said the final words together, our voices echoing, listless, through the dark. A final note. An eternal farewell. And the monster they became.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Feed my lambs, shepherd my sheep.
Anonymous (The Holy Bible: King James Version)
Be safe,” I whispered to the wind as Ravyn Yew disappeared beyond the gate. Had I known they’d be the last words I’d say to him aloud, I might have chosen them differently.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
Having hope does not make me delusional, Elspeth,
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
And with every kiss, every flick of his tongue, Ravyn was... pushing me toward an inevitable, ruinous fall. He did not let me fall right away. By his sighs, the muffled, contented growls, he was taking his time with me. Laying waste to me
Rachel Gillig (One Dark Window (The Shepherd King, #1))
I was the darkness and the darkness was me, and together we rolled with the tide, lulled toward a shore I could neither see nor hear. All was water—all was salt.
Rachel Gillig (Two Twisted Crowns (The Shepherd King #2))
There you are.” He wrapped me in his arms, holding me against his armored chest like a father would a child. “One day, you will be nothing more than memory, Elspeth Spindle. But not yet.” His yellow eyes rose to the blackened sky. “Don’t leave me alone with these fools.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
He was a soldier. He was a shepherd. He was a beggar, and a king. He was a farmer, gleeman, sailor, carpenter. He was born, lived, and died Aiel. He died mad, he died rotting, he died of sickness, accident, age. He was executed, and multitudes cheered his death. He proclaimed himself the Dragon Reborn and flung his banner across the sky; he ran from the Power and hid; he lived and died never knowing. He held off the madness and the sickness for years; he succumbed between two winters. Sometimes Moiraine came and took him away from the Two Rivers, alone or with those of his friends who had survived Winternight; sometimes she did not. Sometimes other Aes Sedai came for him. Sometimes Red Ajah. Egwene married him; Egwene, stern-faced in stole of Amyrlin Seat, led Aes Sedai who gentled him; Egwene, with tears in her eyes, plunged a dagger into his heart, and he thanked her as he died. He loved other women, married other women. Elayne, and Min, and a fair-haired farmer's daughter met on the road to Caemlyn, and women he had never seen before he lived those lives. A hundred lives. More. So many he could not count them. And at the end of every life, as he lay dying, as he drew his final breath, a voice whispered in his ear. I have won again, Lews Therin. Flicker.
Robert Jordan (The Great Hunt (The Wheel of Time, #2))
There you are.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
The Lord is my Shepherd, I shall not be in want.
Anonymous (The Holy Bible: King James Version)
Weariness was king, and I his servant.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
A king leads his people like a shepherd leads his flock.
Rick Riordan (The Kane Chronicles (The Kane Chronicles #1-3))
Get up, the Nightmare called. Get up, Elspeth.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
There was a way to lie and tell the truth at the same time. That’s how the best lies are told—with just a sliver of truth.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
I know what I know. My secrets are deep. But long have I kept them. And long will they keep.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Love is influenced by no consideration, recognizes no restraints of reason, and is of the same nature as death, that assails alike the lofty palaces of kings and the humble cabins of shepherds; and when it takes entire possession of a heart, the first thing it does is to banish fear and shame from it.
Miguel de Cervantes Saavedra
The Black Horse made its beholder a master of combat. The Golden Egg granted great wealth. The Prophet offered glimpses of the future. The White Eagle bestowed courage. The Maiden bequeathed great beauty. The Chalice turned liquid into truth serum. The Well gave clear sight to recognize one’s enemies. The Iron Gate offered blissful serenity, no matter the struggle. The Scythe gave its beholder the power to control others. The Mirror granted invisibility. The Nightmare allowed its user to speak into the minds of others. The Twin Alders had the power to commune with Blunder’s ancient entity, the Spirit of the Wood.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
They came in the night,” we said, “the black and red horde. They burned down my castle, put my kin to the sword. The usurper was crowned, though my blood had not dried. But he did not account for the turn of the tide. For nothing is safe, and nothing is free. Debt follows all men, no matter their plea. When the Shepherd returns, a new day shall ring. Death to the Rowans… “Long live the King.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
Be wary the pink, the Nightmare said as he sniffed the air. Be wary the rose. Be wary of beauty divine, unopposed.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
My laughter was hollow. “Better distrustful than delusional.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
Shepherds and farmers throughout history showed affection for their animals and have taken great care of them, just as many slaveholders felt affection and concern for their slaves. It was no accident that kings and prophets styled themselves as shepherds and likened the way they and the gods cared for their people to a shepherd’s care for his flock.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
But he wrapped his arms around me, pulling me against his chest in a hug so deep it blotted out Market Day entirely. He held me, resting his cheek against the crown of my head, his heart drumming against my ear. I inhaled him, leather and smoke and cedar, settling into his arms like a rabbit in its warm, safe den. I had not fit into anyone’s arms like that since childhood. And even then, no one had ever held me so tightly—as if they needed me in their arms as much as I needed to be held. As if nothing else mattered but to hold one another. As if we had all the time in the world.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
Reading is a faith requiring suspension of belief in a shrine of knowledge and imagination.
Rachel Gillig (Two Twisted Crowns (The Shepherd King #2))
I know no one’s going to ask me what I want, the Nightmare said, snide to his bones, but just in case you were wondering, the answer is no. No, I am decidedly NOT agreeable.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
There were not enough pages in all the books Elm had read, in all the libraries he’d wandered, in all the notebooks he’d scrawled, that could measure—denote or describe—just how beautiful she was. “There you are.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Helen leaned down over her husband and ran her lips lightly across his bare shoulder in good-bye. Maybe, someday, she would find him by the River Styx. There, they could wash all their hateful memories away, and walk into a new life together, a life that didn’t have the dirty paw prints of a dozen gods and a dozen kings marring it. Such a beautiful thought. Helen vowed that she would live a hundred lives of hardship for one life—one real life—with Paris. They could be shepherds, just as they had dreamed once when they had met at the great lighthouse long ago. She’d be anything, really, a shopkeeper, or a farmer, whatever, as long as they were allowed to live their lives and each other freely. She dressed quickly, imagining herself tending a shop somewhere by the sea, hoping that someday this dream would come true.
Josephine Angelini (Goddess (Starcrossed, #3))
But poetry is as judicious as violence
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Then be angry, Ione.” Elm pressed his mouth to her forehead. “It looks well on you.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
There is no weakness in pain.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Call me Elspeth," I said. "We're about to commit treason together, after all.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
I don't want rest, Elspeth," he murmured into my lips. "I want you.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
Beg me to.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
It was difficult to look at her. Beneath the ache that existed between them was a thin, fragile thread. One Ione had slipped through the eye of a needle and plunged into Elm's chest, past all his bricks and barbs, though she didn't yet realize it. It was uncomfortable, pretending she was not sewn into him.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Nightmare,” he said through his teeth. The monster laughed as he slipped out of the fort. “She’ll live. All I did was pay her back for breaking your nose.” “I didn’t ask you to do that.” “No. But Elspeth did.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
My thoughts festered until my mind turned septic.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
You know how this goes, asshole. Be wary. Be clever. Be good.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Highwayman, Destrier, and another. One of age, of birthright. Tell me, Ravyn Yew, after your long walk in my wood—do you finally know your name?
Rachel Gillig (Two Twisted Crowns (The Shepherd King #2))
Be wary. Be clever. Be good
Rachel Gillig (One Dark Window (The Shepherd King, #1))
But first, I want a hundred years with you.
Rachel Gillig (Two Twisted Crowns (The Shepherd King #2))
I think about how easy it would be to do horrible things if I felt I had a good reason.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
The berry of rowans is red, always red. The earth at its trunk is dark with bloodshed. But a Prince is a man, and a man may be bled. He came for the girl.. And got the monster instead.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
Elspeth returned. She made a noise in her throat. Ravyn? Even now, taut with strain, her voice eased him, like a warm cloth pressed over his eyes. Yes, Elspeth? Don’t die. I won’t. Because if you do, and we never get the time we’re owed, I’ll hate you, Ravyn Yew. I’ll love you and hate you forever.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
It’s the nice ones you should look out for,” Ravyn said. I glanced up at him. “What about you, Captain? Are you too nice for your own good?” He watched me, something I could not read flashing in his gray eyes. “No, Miss Spindle,” he said. “I’m not nice at all.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
Everyone was watching him, brows high. When I looked up, Ravyn’s gaze was on me, his mouth upturned, his teeth tugging at his bottom lip. “Morning.” He looked stupidly handsome, smug to his boots. I hid behind my teacup. “Morning.” Next to him, Elm’s face twisted in a grimace. “What the hell’s wrong with you?” Ravyn took a bite of bread and leaned back in his chair. “What do you mean?” “You’re smiling.” Elm looked over the table. “Does no one else find that incredibly unnerving?
Rachel Gillig (One Dark Window (The Shepherd King, #1))
I was the darkness and the darkness was me, and together we rolled with the tide, lulled toward a shore I could neither see nor hear.
Rachel Gillig (Two Twisted Crowns (The Shepherd King #2))
I've never been frightened of shepherds. It's the sheep who trouble me.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
The disgust,” Ione said, her tone idle, “is mutual.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
I’ll love you for a hundred years—and an eternity after.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
I’m always right behind you.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Saying there must be another way does not make it so
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
The Nightmare kept going, pulling in rasping breaths. “Elspeth says if you do not get up, she’ll never kiss you again.” “That’s—not—what she—said.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Fuck.” He pinched the bridge of his nose. “That’s twice you’ve handed me my ass and run off.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
When the Shepherd returns, a new day shall ring. Death to the Rowans… “Long live the King.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
I have something of love in me.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Nae king! Nae quin! We will nae be fooled agin!
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
help us to live with more confidence that Jesus is the Good Shepherd, not a consulting partner; a very present Lord, not an absentee landlord; the reigning King, not an impotent bystander.
Scotty Smith (Everyday Prayers: 365 Days to a Gospel-Centered Faith)
We smiled, and when we stood, the world around us faded, time and space, Prince and King, child and spirit. All that remained was magic - black as ink. Powerful, vengeful, and full of fury. Our voice dripped oil, Hauth fixed in our gaze. We stalked him, pinning him in the corner of the room. "They came in the night," we said, "the black and red horde. They burned down my castle, put my kin to the sword. The usurper was crowned, though my blood had not dried. But he did not account for the turn of the tide. For nothing is safe, and nothing is free. Debt follows all men, no matter their plea. When the Shepherd returns, a new day shall ring. Death to the Rowans... "Long live the King.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
We must tell stories the way God does, stories in which a sister must float her little brother on a river with nothing but a basket between him and the crocodiles. Stories in which a king is a coward, and a shepherd boy steps forward to face the giant. Stories with fiery serpents and leviathans and sermons in whirlwinds. Stories in which murderers are blinded on donkeys and become heroes. Stories with dens of lions and fiery furnaces and lone prophets laughing at kings and priests and demons. Stories with heads on platters. Stories with courage and crosses and redemption. Stories with resurrections.
N.D. Wilson
I was its author.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
What did you do?" "We did it together. Just as we always do.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
You have God, Ellie. You are simply too deep in your pain to hear Him. To feel Him. But He is there, Eloise, and He is trying to lift you out of the water.
Faith Mathewson (All the King’s Horses (Shepherd of the Sheep, #1))
Says the girl who talks to the monster in her head. Not exactly Princess material, are we, my dear?
Rachel Gillig (One Dark Window (The Shepherd King, #1))
It happened because, five hundred years ago, a boy wore a crown—had every abundance in the world—but always asked for MORE.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
You are not as a tree, stoic and unyielding, but a butterfly. Delicate, feeling. Inconsequential.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
But it felt incomplete, my collection yet whole. And so, for the Nightmare, I bartered my soul.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
Balance,” she answered, head tilting like a bird of prey. “To right terrible wrongs. To free Blunder from the Rowans.” Her yellow eyes narrowed, wicked and absolute. “To collect his due.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
To bleed is the first step—drop your blood on the stone. The next is to barter—match her price with your own. The last is to bend—for magic does twist. You’ll lose your old self, like getting lost in a mist. The Spirit will guide you, but she keeps a long score. She’ll grant what you ask… But you’ll always want more.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
The Lord is my shepherd,” he recited softly. “I shall not want for nothing. He makes me lie down in the green pastures. He greases up my head with oil. He gives me kung-fu in the face of my enemies. Amen.
Stephen King (The Stand)
You never said how you got away from him." I stiffened, the NIghtmare's wicked laugh resonating in the din. When I spoke, the low notes of my voice were slick, as if dipped in oil. "Perhaps it was he who got away from me.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
When the Nightmare turned, his smile was gone. “I, too, have waited.” “To kill the Rowans?” “My aim is vast. There are many truths to unveil in the wood. Circles that began centuries ago will finally loop.” He let out a sigh. “Though I fear, with so many idiots around me, that I must do everything myself.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Finish the story, dear one. My voice shook. The two were together— Together. So the two were the same. The girl, he whispered, honey and oil and silk. The King… We said the final words together, our voices echoing, listless, through the dark. A final note. An eternal farewell. And the monster they became.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Who are you?” “Blunder’s reckoning.” The Shepherd King’s grin was worse than any snarl. “I am the root and the tree. I am balance.” Ione reached out in a flash, her fingers wrapping around his wrist. “I want to speak to Elspeth.” “You cannot have her. She is with me. And I am letting her rest.” “I don’t care. Give her back to me.” The Shepherd King’s teeth scraped over his lip. For a moment, Elm thought he might tear into Ione’s soft, unblemished cheek. But his grip on her face loosened, his brow easing. “She will be free. But not until my work is finished.” His eyes flashed to Elm. “And old debts settled.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
On the seventh day God rested in the darkness of the tomb; Having finished on the sixth day all his work of joy and doom. Now the Word had fallen silent, and the water had run dry, The bread had all been scattered, and the light had left the sky. The flock had lost its shepherd, and the seed was sadly sown, The courtiers had betrayed their king, and nailed him to his throne. O Sabbath rest by Calvary, O calm of tomb below, Where the grave-clothes and the spices cradle him we do not know! Rest you well, beloved Jesus, Caesar’s Lord and Israel’s King, In the brooding of the Spirit, in the darkness of the spring.
N.T. Wright (The Challenge of Jesus: Rediscovering Who Jesus Was & Is)
Elm twirled her away, then pulled her back into his chest. “I want you to know me very well, Ione Hawthorn. Which is”—he dipped her again, bowing over her and speaking against her throat—“a rather horrifying feeling, if I’m perfectly honest.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
If the characters are not wicked, the book is." We must tell stories the way God does, stories in which a sister must float her little brother on a river with nothing but a basket between him and the crocodiles. Stories in which a king is a coward, and a shepherd boy steps forward to face the giant. Stories with fiery serpents and leviathans and sermons in whirlwinds. Stories in which murderers are blinded on donkeys and become heroes. Stories with dens of lions and fiery furnaces and lone prophets laughing at kings and priests and demons. Stories with heads on platters. Stories with courage and crosses and redemption. Stories with resurrections.
G.K. Chesterton
No ruler can ever get far with only militaristic power. The easiest way to conquer is to crush people’s faith and convert them to your own ideology, often portraying it as heroic. I am an ambitious man – I am not just a casual pirate to steal only people’s riches. I am an emperor – I shall steal people’s hearts, hopes, and faith so that they will eventually have no one but me to turn to. If you put yourself in the role of a saviour, people are sure to follow you, just like a pack of lambs always follows a mighty shepherd.
Tamuna Tsertsvadze (Galaxy Pirates)
I love when they argue, Emory said into his soup. Keeps my weak little heart beating.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
You cannot erase the salt from the din. But if you won’t let me out… you must let him in.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
Children are strongest when their eyes are clear. Only then can they make their own choices. Only then are they truly free. Tell them. Tell them the truth.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
Because you’ve never been turned by a beautiful woman, have you, Captain?
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
What’s your name?” “Derek! Derek Shepherd!
Stephen King (Fairy Tale)
Shepherds, did they but know it, walk through greater halls than kings.
Charles Boardman Hawes
It was shepherds who were the first to recognize a king that the rest of the world refused to acknowledge. So it’s not surprising that kings would talk to shepherds.
Paulo Coelho (The Alchemist)
What creature is he, he asked, with mask made of stone? Captain? Highwayman? Or beast yet unknown?
Rachel Gillig (One Dark Window (The Shepherd King, #1))
And Ravyn, like in so many other things he did, carried the iron ring so that Elm didn’t have to.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
I didn’t know why, after so many years of wishing him gone, his words struck sadness in me.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Death demands to be felt.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
To the quiet girls with stories in their heads. To their dreams—and their nightmares.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
We all have secrets we’re forced to keep
Rachel Gillig (One Dark Window (The Shepherd King, #1))
His teeth clicked together in a familiar lullaby rhythm. I find it strangely comforting, even with our minds threaded together, that I must endlessly explain things to you, Elspeth.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Elm. The Nightmare slowed his pace. When he looked back at Elm, his voice drifted in the air, oil and honey and poison. “Neither Rowan nor Yew, but somewhere between. A pale tree in winter, neither red, gold, nor green. Black hides the bloodstain, forever his mark. Alone in the castle, Prince of the dark.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
When Ravyn cast his eyes back into the courtyard, Otho was hurrying toward her sister. Hesis lay in the dirt, unmoving. Her mask was broken, shards of bone scattered around her. Blood trickled down her face. "Nightmare," he said through his teeth. The monster laughed as he slipped out of the fort. "She'll live. All I did was pay her back for breaking your nose." "I didn't ask you to do that." "No. But Elspeth did.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
The King said, "The third question is, how many seconds of time are there in eternity." Then said the shepherd boy, "In Lower Pomerania is the Diamond Mountain, which is two miles and a half high, two miles and a half wide, and two miles and a half in depth; every hundred years a little bird comes and sharpens its beak on it, and when the whole mountain is worn away by this, then the first second of eternity will be over." The
Jacob Grimm (Grimm's Fairy Tales)
The Yew girl wears a tunic and pants. Why not you? Jespyr’s entirely more fearsome than I am. I glanced down at my legs. I look like a bloody stable boy. How you look is—and perhaps always has been—utterly irrelevant.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
Elm loved games. The playing, the cheating, the winning. Mostly, he loved the measuring of his opponent, the unearthing of their limitations. Only now, he wasn’t sure who his opponent was. Ione Hawthorn—or the Maiden Card.
Rachel Gillig (Two Twisted Crowns (The Shepherd King #2))
The big mistake of modern media has been this notion of balance for balance's sake. That the left is just as violent and cruel as the right, that unions are just powerful as corporations, that reverse racism is just as damaging as racism.... Governments led by liberal democrats passed laws which changed the air I breathe for the better. Okay I'm for them and not for the party that is as we speak plotting to abolish the E.P.A. And I don't need to pretend that both sides have a point here, and I don't care what left or right commentators say about it. I only care what climate scientists say about it. Two opposing sides don't necessarily have two compelling arguments. Martin Luther King speaks on that wall in the capital and he didn't say "Remember folks, those southern sheriffs with the fire hoses and the German shepherds, they have a point too." No, he said, "I had a dream and they had a nightmare." This isn't Team Edward & Team Jacob. Liberals like the ones on that field must stand up and be counted and not pretend that we're as mean or greedy or shortsighted or plain batched as they are. And if that is too polarizing for you and you still want to reach across the aisle and hold hands and sing with someone on the right ... Try Church.
Bill Maher
And these things took place, and the kings resumed their thrones, and the master of Europe was put in a cage, and the old régime became the new régime, and all the shadows and all the light of the earth changed place, because, on the afternoon of a certain summer’s day, a shepherd said to a Prussian in the forest, “Go this way, and not that!
Victor Hugo (Les Misérables)
Definite atonement is beautiful because it tells the story of the Warrior-Son who comes to earth to slay his enemy and rescue his Father’s people. He is the Good Shepherd who lays down his life for his sheep, a loving Bridegroom who gives himself for his bride, and a victorious King who lavishes the spoils of his conquest on the citizens of his realm.
David Gibson (From Heaven He Came and Sought Her: Definite Atonement in Historical, Biblical, Theological, and Pastoral Perspective)
It felt better than it should, hearing my father stick up for me. But stronger than the tug at the corner of my lips was a dull, aged pain, knotted deep in my chest, reminding me of the truth, ever present, between us. He hadn’t always stuck up for me.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
She cried out, calling his name, ripping the last whole piece of his rotted-out heart to tatters. Go, he commanded. Don’t look back. She fought it. Damn her, she fought to look back. Tears burned Elm’s eyes. “See you in the woods,” he murmured. “Mud on my ankles.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
He jerked his head around to look at the dog and it was halfway down the pathway, just behind the lions now, its mouth wide and yawning. Before, it had only been a hedge clipped in the general shape of a dog, something that lost all definition when you got up close to it. But now Jack could see that it had been clipped to look like a German shepherd, and shepherds could be mean. You could train shepherds to kill.
Stephen King (The Shining (The Shining #1))
Haiku Christmas Story New light in the sky announces a sacred birth. Shine brightly young star. Hallelujah song carries on a gentle wind, heralding a king. Shepherds lift their heads, not to gaze at a new light but to hear angels. "Unto you is born in the city of David a Savior for all." Born on straw at night under low stable rafters, Baby Jesus cried. Sheep and goats and cows gather 'round a manger bed to awe at a babe. Wise men come to see a child of greater wisdom and honor divine. Rare and precious gifts, gold and myrrh and frankincense, to offer a king. Mary and Joseph huddle snugly together. They cradle God's son. On this wise He came, the Son of God to the earth. A humble wonder.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
Why?” she asked. “Why do you aim to be better?” “Because I have to be,” Elm said in one breath. “I care not what they say about me at court, even if it is that I’m a rotten Prince and a piss-poor Destrier.” He leaned closer. “But I do want it said, loud enough so everyone hears, that I am nothing like Hauth.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
The following spring was a time of calving. Great icebergs calved from the vast glaciers which stretched down to our fjords from distant mountains. The heifers and cows of Kaupangen gave birth to over one hundred calves that spring. Most survived. Gudrod, the master shepherd, had seventy-five new lambkins skipping after their mothers. Ten sets of lamb twins were born in the city that year. Bitches had pups suckling at their breasts. The mountain goats that stood watch over the fjord, indifferently chewing on the wild grasses between the rocks, had kids following them on their steep paths. The residents of the city, too, gave birth. Twenty-one new healthy babies were born within thirty days of the spring equinox; boys and girls with thick blonde, brown, black, or red hair; others with smooth bald heads. Olaf, my third father, my king, had a son, stillborn. Olaf wept. Kenna wept. I wept as the boy was buried inside the casket with his mother in our graveyard by the church.
Jason Born (The Norseman (The Norseman Chronicles, #1))
His wingspan is broad and his beak is quite sharp.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
Yes. Because running, dear one, is exactly what she wants from you.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
Kings and princes of the church may find shepherds and serfs preferred before them,
Ellis Peters (Saint Peter's Fair (Chronicles of Brother Cadfael, #4))
Be wary. Be clever. Be good.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
I remember what it was like to care for somebody
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
A King’s reign is wrought with burden, the Nightmare whispered, his voice uncharacteristically heavy. Weighty decisions ripple through centuries. Still, decisions must be made.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
His eyes glided over her mouth. “Charitable of you to think me honorable.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Is this you pretending, Elspeth?" he said, the tip of his nose grazing mine. "Because if it is..." His breath stirred my eyelashes. "You're very good at it.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
If only it would be today and Jesus coming not with a lamb and a shepherd's crook, but with a boulder in each hand to crush the laughers and the snickerers
Stephen King (Carrie)
When he finally saw me, his gaze widened. “Elspeth Spindle,” he said, his eyes—so strange and yellow—ensnaring me. “Let me out.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
They tried to make me say that I had been with the group of fellows that raped a white woman,” Shepherd said. “It was terrible the way I was whipped, there was just knots all over me. They said they were not going to stop whipping me until I said that I was the one. I kept telling them I was in Orlando where I was. Finally, when I couldn’t take it anymore, I said yes.” Shepherd said yes, he raped Norma Padgett, and the men dropped their hoses. Yates told Shepherd he could have “saved all the beating” if he had just said yes the first time they asked.
Gilbert King (Devil in the Grove: Thurgood Marshall, the Groveland Boys, and the Dawn of a New America)
But the Spirit was neglected, no matter her plea. The Rowans erased her, as they once did to me. But she keeps her own time, and I keep a long score. The tide that comes next will blot out the shore.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
The Song Of The Happy Shepherd The woods of Arcady are dead, And over is their antique joy; Of old the world on dreaming fed; Grey Truth is now her painted toy; Yet still she turns her restless head: But O, sick children of the world, Of all the many changing things In dreary dancing past us whirled, To the cracked tune that Chronos sings, Words alone are certain good. Where are now the warring kings, Word be-mockers?—By the Rood, Where are now the watring kings? An idle word is now their glory, By the stammering schoolboy said, Reading some entangled story: The kings of the old time are dead; The wandering earth herself may be Only a sudden flaming word, In clanging space a moment heard, Troubling the endless reverie. Then nowise worship dusty deeds, Nor seek, for this is also sooth, To hunger fiercely after truth, Lest all thy toiling only breeds New dreams, new dreams; there is no truth Saving in thine own heart. Seek, then, No learning from the starry men, Who follow with the optic glass The whirling ways of stars that pass— Seek, then, for this is also sooth, No word of theirs—the cold star-bane Has cloven and rent their hearts in twain, And dead is all their human truth. Go gather by the humming sea Some twisted, echo-harbouring shell. And to its lips thy story tell, And they thy comforters will be. Rewording in melodious guile Thy fretful words a little while, Till they shall singing fade in ruth And die a pearly brotherhood; For words alone are certain good: Sing, then, for this is also sooth. I must be gone: there is a grave Where daffodil and lily wave, And I would please the hapless faun, Buried under the sleepy ground, With mirthful songs before the dawn. His shouting days with mirth were crowned; And still I dream he treads the lawn, Walking ghostly in the dew, Pierced by my glad singing through, My songs of old earth’s dreamy youth: But ah! she dreams not now; dream thou! For fair are poppies on the brow: Dream, dream, for this is also sooth.
W.B. Yeats (The Collected Poems of W.B. Yeats)
Just like our story, the original Christmas tales were stories of searching, not so much for the lost, as for the familiar. Mary and Joseph sought in Bethlehem- the home of their familial ancestry- a place to start their own family; the three kings from the East journeyed beneath the sentinel star to find the King of Kings; and the shepherds sought a child in a place most familiar to them: a manger.
Richard Paul Evans (Finding Noel)
The Drunken Gnat You are the soul of the soul, a door that opens into existence. When separation makes us angry, you strike with a sword. When union becomes vague, you feed it with a vast nothing. Old civilizations start to flourish again. The March sun warms the world with singing. Tambourine and harp, branches covered with buds. Is anyone sober enough to speak with the king? No one. All right. Remember how a gnat once got drunk and walked into the ear of a terrible tyrant, then from there into his brain and killed him? Grape-wine can do that to a gnat. What will the wine of infinity do for us? A cave dog watched over the sleepers. If a dog can be a shepherd, what could the spirit-lion of a human being become? Sparks from a fire lift in the sky and turn to stars. Shams is now a depth of truth that rises every morning in the east.
Jalal ad-Din Muhammad ar-Rumi (The Essential Rumi)
Still, there was darkness in Ravyn’s quiet. I could see it in his expression—the cool control of his features. He, like me, had learned to still his face—to obscure his thoughts under a mask of control and austerity.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
It’s going to hurt,” she said, “when the Maiden lets me go. When all the feelings I haven’t felt come rushing in. Are you sure you want to see that?” The moment held Elm in place. Even his breath had gone shallow. Ione dipped her hand into her bodice. When she pulled it back, the Maiden was between her fingers. “Do you?” He managed only one word. “Please.” Never breaking their gaze, Ione held a finger up to her Maiden Card. With three taps, she released herself from its magic.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
4:14) Holy One in your midst (Hos. 11:9) righteous Judge (2 Tim. 4:8) King of kings (1 Tim. 6:15) our life (Col. 3:4) light of life (John 8:12) Lord of lords (1 Tim. 6:15) Lord of the harvest (Matt. 9:38) mediator (1 Tim. 2:5) our peace (Eph. 2:14) Prince of Peace (Isa. 9:6) my Redeemer (Ps. 19:14) refuge and strength (Ps. 46:1) my salvation (Exod. 15:2) my help (Ps. 42:5) the Good Shepherd (John 10:11) Lord (Luke 2:29) my stronghold (Ps. 18:2) my support (2 Sam. 22:19) Good Teacher (Mark 10:17)
Henry T. Blackaby (Experiencing God)
My reading has been lamentably desultory and immedthodical. Odd, out of the way, old English plays, and treatises, have supplied me with most of my notions, and ways of feeling. In everything that relates to science, I am a whole Encyclopaedia behind the rest of the world. I should have scarcely cut a figure among the franklins, or country gentlemen, in King John's days. I know less geography than a schoolboy of six weeks standing. To me a map of old Ortelius is as authentic as Arrowsmith. I do not know whereabout Africa merges into Asia, whether Ethiopia lie in one or other of those great divisions, nor can form the remotest, conjecture of the position of New South Wales, or Van Diemen's Land. Yet do I hold a correspondence with a very dear friend in the first named of these two Terrae Incognitae. I have no astronomy. I do not know where to look for the Bear or Charles' Wain, the place of any star, or the name of any of them at sight. I guess at Venus only by her brightness - and if the sun on some portentous morn were to make his first appearance in the west, I verily believe, that, while all the world were grasping in apprehension about me, I alone should stand unterrified, from sheer incuriosity and want of observation. Of history and chronology I possess some vague points, such as one cannot help picking up in the course of miscellaneous study, but I never deliberately sat down to a chronicle, even of my own country. I have most dim apprehensions of the four great monarchies, and sometimes the Assyrian, sometimes the Persian, floats as first in my fancy. I make the widest conjectures concerning Egypt, and her shepherd kings. My friend M., with great pains taking, got me to think I understood the first proposition in Euclid, but gave me over in despair at the second. I am entirely unacquainted with the modern languages, and, like a better man than myself, have 'small Latin and less Greek'. I am a stranger to the shapes and texture of the commonest trees, herbs, flowers - not from the circumstance of my being town-born - for I should have brought the same inobservant spirit into the world with me, had I first seen it, 'on Devon's leafy shores' - and am no less at a loss among purely town objects, tool, engines, mechanic processes. Not that I affect ignorance - but my head has not many mansions, nor spacious, and I have been obliged to fill it with such cabinet curiosities as it can hold without aching. I sometimes wonder how I have passed my probation with so little discredit in the world, as I have done, upon so meagre a stock. But the fact is, a man may do very well with a very little knowledge, and scarce be found out, in mixed company; everybody is so much more ready to produce his own, than to call for a display of your acquisitions. But in a tete-a-tete there is no shuffling. The truth will out. There is nothing which I dread so much, as the being left alone for a quarter of an hour with a sensible, well-informed man that does not know me.
Charles Lamb
If we look upon those we meet with the eyes of the Christ child, we will see the love that binds us and reject the poison of prejudice that binds us to God's light. We will see God's love shine forth from every face as brightly as the star that guided great kings and humble shepherds to the manger. We will love one another as God has loved us, and by doing so, we will keep faith with the babe wrapped in swaddling clothes, the child born this day in the city of David, the savior, which is Christ the Lord.
Nancy Atherton (Aunt Dimity and the Heart of Gold (Aunt Dimity Mystery, #24))
In the book of Genesis He is the Seed of the Woman. In the book of Exodus He is our Passover Lamb. In the book of Ruth He is our Kinsman Redeemer. In the book of Psalms He is our Shepherd. In the book of Isaiah He is our Prince of Peace. In the book of John He is the Son of God. In the book of Acts He is the Holy Ghost. In the book of Hebrews He is the Blood of the Everlasting Covenant. In the book of James He is the Great Physician. And in the book of Revelation He is the King of kings and Lord of lords!
John Hagee (The Power of the Prophetic Blessing: An Astonishing Revelation for a New Generation)
Allow me to introduce my shepherd,” The Under-King said from the mist ahead, standing beside a ten-foot-tall black dog. Each of its fangs were as long as one of her fingers. All hooked—like a shark’s. Designed to latch into flesh and hold tight while it ripped and shredded. Its eyes were milky white—sightless. Identical to the Under-King’s. Her light would have no effect on something that was already blind. The dog’s fur—sleek and iridescent enough that it almost resembled scales—flowed over bulky, bunched muscles. Claws like razor blades sliced into the dry ground. Hunt’s lightning crackled, skittering at Bryce’s feet. “That’s a demon,” he ground out. He’d fought enough of them to know. “An experiment of the Prince of the Ravine’s, from the First Wars,” the Under-King rasped. “Forgotten and abandoned here in Midgard during the aftermath. Now my faithful companion and helper. You’d be surprised how many souls do not wish to make their final offering to the Gate. The Shepherd…Well, it herds them for me. As it shall herd you.” “Fry this fucker,” Bryce muttered to Hunt as the dog snarled. “I’m assessing.” “Assess faster. Roast it like a—” “Do not make a joke about—” “Hot dog.” Bryce had no sooner finished saying the words than the hound lunged. Hunt struck, swift and sure, a lightning bolt spearing toward its neck.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
Thomas More, the Lord Chancellor, has put his signature first on all the articles against Wolsey. They say one strange allegation has been added at his behest. The cardinal is accused of whispering in the king’s ear and breathing into his face; since the cardinal has the French pox, he intended to infect our monarch. When he hears this he thinks, imagine living inside the Lord Chancellor’s head. Imagine writing down such a charge and taking it to the printer, and circulating it through the court and through the realm, putting it out there to where people will believe anything; putting it out there, to the shepherds on the hills, to Tyndale’s plowboy, to the beggar on the roads and the patient beast in its byre or stall; out there to the bitter winter winds, and to the weak early sun, and the snowdrops in the London gardens.
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
There once was a girl, clever and good, who tarried in shadow in the depths of the wood. There also was a King- a Shepherd by his crook, who reigned over magic and wrote the old book. The two were together, so the two were the same. The Girl, the King and the Monster they became.
Rachel Gillig (The Shepherd King Series, Set of 2 Books (The Shepherd King, #1-2))
CHAPTER XXVI.—A new Prince in a City or Province of which he has taken Possession, ought to make Everything new. Whosoever becomes prince of a city or State, more especially if his position be so insecure that he cannot resort to constitutional government either in the form of a republic or a monarchy, will find that the best way to preserve his princedom is to renew the whole institutions of that State; that is to say, to create new magistracies with new names, confer new powers, and employ new men, and like David when he became king, exalt the humble and depress the great, "filling the hungry with good things, and sending the rich empty away." Moreover, he must pull down existing towns and rebuild them, removing their inhabitants from one place to another; and, in short, leave nothing in the country as he found it; so that there shall be neither rank, nor condition, nor honour, nor wealth which its possessor can refer to any but to him. And he must take example from Philip of Macedon, the father of Alexander, who by means such as these, from being a petty prince became monarch of all Greece; and of whom it was written that he shifted men from province to province as a shepherd moves his flocks from one pasture to another. These indeed are most cruel expedients, contrary not merely to every Christian, but to every civilized rule of conduct, and such as every man should shun, choosing rather to lead a private life than to be a king on terms so hurtful to mankind. But he who will not keep to the fair path of virtue, must to maintain himself enter this path of evil. Men, however, not knowing how to be wholly good or wholly bad, choose for themselves certain middle ways, which of all others are the most pernicious, as shall be shown by an instance in the following Chapter.
Niccolò Machiavelli (Discourses on the First Decade of Titus Livius)
love is influenced by no consideration, recognises no restraints of reason, and is of the same nature as death, that assails alike the lofty palaces of kings and the humble cabins of shepherds; and when it takes entire possession of a heart, the first thing it does is to banish fear and shame from it;
Miguel de Cervantes Saavedra (Don Quixote)
Now the shepherds met together, according to custom, that they might send their monthly report about the flocks to the king; into their assembly he came having the ring on his finger, and as he was sitting among them he chanced to turn the collet of the ring inside his hand, when instantly he became invisible to the rest of the company and they began to speak of him as if he were no longer present. He was astonished at this, and again touching the ring he turned the collet outwards and reappeared; he made several trials of the ring, and always with the same result—when he turned the collet inwards he became invisible, when outwards he reappeared. Whereupon he contrived to be chosen one of the messengers who were sent to the court; whereas soon as he arrived he seduced the queen, and with her help conspired against the king and slew him, and took the kingdom. Suppose now that there were two such magic rings,
Plato (The Republic)
If we want to participate in this Advent and Christmas event, we cannot simply sit there like spectators in a theater and enjoy all the friendly pictures. Rather, we must join in the action that is taking place and be drawn into this reversal of all things ourselves. Here we too must act on the stage, for here the spectator is always a person acting in the drama. We cannot remove ourselves from the action. With whom, then, are we acting? Pious shepherds who are on their knees? Kings who bring their gifts? What is going on here, where Mary becomes the mother of God, where God comes into the world in the lowliness of the manger? World judgment and world redemption—that is what’s happening here. And it is the Christ child in the manger himself who holds world judgment and world redemption. He pushes back the high and mighty; he overturns the thrones of the powerful; he humbles the haughty; his arm exercises power over all the high and mighty; he lifts what is lowly, and makes it great and glorious in his mercy.
Dietrich Bonhoeffer (God Is in the Manger: Reflections on Advent and Christmas)
He took a step forward, holding the blood-red rose in his hand out to me. “May I?” I looked at the rose, then back at his face. Trees, that face. Austerity and beauty. An imperfect, breathtaking statue. “I thought we weren’t pretending,” I murmured. He stripped the rose’s thorns with his blade. “It’s just a flower. Flowers don’t play games.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
To them I was Theseus the bull-leaper, whom the Mistress fancied; the odds-on favorite who had saved their bets. But to myself I was once more Kouros of Poseidon, Kerkyon of Eleusis; Theseus son of Aigeus son of Pandion, Shepherd of Athens, riding to my enemy. “Ahai! Ahai!” I shouted, as one leads the battle line. The war calls answered. My blood sparkled and sang.
Mary Renault (The King Must Die (Theseus, #1))
Far from birds, from flocks and village girls, What did I drink, on my knees in the heather Surrounded by a sweet wood of hazel trees, In the warm and green mist of the afternoon? What could I drink from that young Oise, − Voiceless elms, flowerless grass, an overcast sky! − Drinking from these yellow gourds, far from the hut I loved? Some golden spirit that made me sweat. I would have made a dubious sign for an inn. − A storm came to chase the sky away. In the evening Water from the woods sank into the virgin sand, And God’s wind threw ice across the ponds. Weeping, I saw gold − but could not drink. − ——— At four in the morning, in the summer, The sleep of love still continues. Beneath the trees the wind disperses The smells of the evening feast. Over there, in their vast wood yard, Under the sun of the Hesperidins, Already hard at work − in shirtsleeves − Are the Carpenters. In their Deserts of moss, quietly, They raise precious panelling Where the city Will paint fake skies. O for these Workers, charming Subjects of a Babylonian king, Venus! Leave for a moment the Lovers Whose souls are crowned with wreaths. O Queen of Shepherds, Carry the water of life to these labourers, So their strength may be appeased As they wait to bathe in the noon-day sea.
Arthur Rimbaud (A Season in Hell)
Psalm 23 The LORD the Shepherd of His People A Psalm of David. 1The LORD is †my shepherd; †I shall not awant. 2†He makes me to lie down in bgreen pastures; †He leads me beside the cstill waters. 3He restores my soul; †He leads me in the paths of righteousness For His name’s sake. 4Yea, though I walk through the valley of †the shadow of death, †I will fear no evil; †For You are with me; Your rod and Your staff, they comfort
Anonymous (Holy Bible, New King James Version)
Ravyn Yew watched me with gray eyes, his head tilted to the side. He looked like his namesake, the raven: sharp, intelligent, striking. But my gaze did not linger on the Captain’s face. I was too caught up in the color—the light—radiating from his breast pocket. It was darker than the Maiden, but just as strong. Dread curled my chest and I choked on air. I had seen that hue of velvet before. Burgundy—rich and blood red. The second Nightmare Card.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
Make no mistake, she’s beautiful. Only, I—” Ravyn’s voice cut out. Then, as if the words were bitter in his mouth, “If the ruse will help...” He heaved a sigh. “I’ll try. Though I doubt I’ll play a convincing suitor.” I huffed hot air out my nostrils. “Don’t do me any favors,” I said into the din. As if I would ever deign to court someone like him. I had enough struggles of my own without adding the chore of coaxing a smile out of Ravyn Yew to my list.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
I'd better explain something about myself. Just as I wasn''t your archetypal beauty of a miller's daughter, I also did not have the same hankerings after pretty golden princes as my peers were universally supposed to have. Don't ask me why. A matter of personal taste. The King, as handsome as a former fairytale prince must be once he's stopped being a frog, left me cold. I had always been attracted to—how can I put it?—the unusual. The shepherd boy was no one's idea of an Adonis; he suffered badly from the after-effects of chickenpox, and had a body which at best could be called weedy. But once he did the things he did, I came to love each and every pock mark on his pallid cheeks, and lay in my bed at night entertaining myself with visions of his skinny thighs and thin, unmanly, rounded shoulders. It's fascinating how human desire can find all manner of things exciting once it's been given a push in the right direction.
Jenny Diski (The Vanishing Princess)
He held me, resting his cheek against the crown of my head, his heart drumming against my ear. I inhaled him, leather and smoke and cedar, settling into his arms like a rabbit in its warm, safe den. I had not fit into anyone’s arms like that since childhood. And even then, no one had ever held me so tightly—as if they needed me in their arms as much as I needed to be held. As if nothing else mattered but to hold one another. As if we had all the time in the world.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
For what is in this world but grief and woe? O God! methinks it were a happy life To be no better than a homely swain; To sit upon a hill, as I do now, To carve out dials quaintly, point by point, Thereby to see the minutes how they run- How many makes the hour full complete, How many hours brings about the day, How many days will finish up the year, How many years a mortal man may live. When this is known, then to divide the times- So many hours must I tend my flock; So many hours must I take my rest; So many hours must I contemplate; So many hours must I sport myself; So many days my ewes have been with young; So many weeks ere the poor fools will can; So many years ere I shall shear the fleece: So minutes, hours, days, months, and years, Pass'd over to the end they were created, Would bring white hairs unto a quiet grave. Ah, what a life were this! how sweet! how lovely! Gives not the hawthorn bush a sweeter shade To shepherds looking on their silly sheep, Than doth a rich embroider'd canopy To kings that fear their subjects' treachery? O yes, it doth; a thousand-fold it doth. And to conclude: the shepherd's homely curds, His cold thin drink out of his leather bottle, His wonted sleep under a fresh tree's shade, All which secure and sweetly he enjoys, Is far beyond a prince's delicates- His viands sparkling in a golden cup, His body couched in a curious bed, When care, mistrust, and treason waits on him.
William Shakespeare (King Henry VI, Part 3)
The Scythe I created has been used for unspeakable crimes. Infected children have been hunted—killed. Physicians have turned to murderers. The Old Book of Alders has been defiled by Rowans to justify their every whim. Pain is Blunder’s legacy. It has perforated the kingdom for centuries, and would continue to do so if your family—my rightful heirs—were to forcibly take it back. There would be terrible unrest. You and I are Blunder’s reckoning, Ravyn Yew. Not its peace.” His voice softened, as if he were easing a child to rest with a story. “I had five hundred years to imagine my revenge. Hauth Rowan tasted it, that night at Spindle House. But poetry is as judicious as violence. And wouldn’t it be poetic to undo the Rowans from within? To take that legacy of pain, and watch one of their own grind it under his heel? To carve the way for a Prince who never used the Scythe for violence? Your cousin Elm has done more than Brutus Rowan or I ever could. He has looked pain in the eye—and refused to let it make a monster of him.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
New Rule: If you're going to have a rally where hundreds of thousands of people show up, you may as well go ahead and make it about something. With all due respect to my friends Jon Stewart and Stephen Colbert, it seems that if you truly wanted to come down on the side of restoring sanity and reason, you'd side with the sane and the reasonable--and not try to pretend the insanity is equally distributed in both parties. Keith Olbermann is right when he says he's not the equivalent of Glenn Beck. One reports facts; the other one is very close to playing with his poop. And the big mistake of modern media has been this notion of balance for balance's sake, that the left is just as violent and cruel as the right, that unions are just as powerful as corporations, that reverse racism is just as damaging as racism. There's a difference between a mad man and a madman. Now, getting more than two hundred thousand people to come to a liberal rally is a great achievement that gave me hope, and what I really loved about it was that it was twice the size of the Glenn Beck crowd on the Mall in August--although it weight the same. But the message of the rally as I heard it was that if the media would just top giving voice to the crazies on both sides, then maybe we could restore sanity. It was all nonpartisan, and urged cooperation with the moderates on the other side. Forgetting that Obama tried that, and found our there are no moderates on the other side. When Jon announced his rally, he said that the national conversation is "dominated" by people on the right who believe Obama's a socialist, and by people on the left who believe 9/11 was an inside job. But I can't name any Democratic leaders who think 9/11 was an inside job. But Republican leaders who think Obama's socialist? All of them. McCain, Boehner, Cantor, Palin...all of them. It's now official Republican dogma, like "Tax cuts pay for themselves" and "Gay men just haven't met the right woman." As another example of both sides using overheated rhetoric, Jon cited the right equating Obama with Hitler, and the left calling Bush a war criminal. Except thinking Obama is like Hitler is utterly unfounded--but thinking Bush is a war criminal? That's the opinion of Major General Anthony Taguba, who headed the Army's investigation into Abu Ghraib. Republicans keep staking out a position that is farther and farther right, and then demand Democrats meet them in the middle. Which now is not the middle anymore. That's the reason health-care reform is so watered down--it's Bob Dole's old plan from 1994. Same thing with cap and trade--it was the first President Bush's plan to deal with carbon emissions. Now the Republican plan for climate change is to claim it's a hoax. But it's not--I know because I've lived in L.A. since '83, and there's been a change in the city: I can see it now. All of us who live out here have had that experience: "Oh, look, there's a mountain there." Governments, led my liberal Democrats, passed laws that changed the air I breathe. For the better. I'm for them, and not the party that is plotting to abolish the EPA. I don't need to pretend both sides have a point here, and I don't care what left or right commentators say about it, I can only what climate scientists say about it. Two opposing sides don't necessarily have two compelling arguments. Martin Luther King Jr. spoke on that mall in the capital, and he didn't say, "Remember, folks, those southern sheriffs with the fire hoses and the German shepherds, they have a point, too." No, he said, "I have a dream. They have a nightmare. This isn't Team Edward and Team Jacob." Liberals, like the ones on that field, must stand up and be counted, and not pretend we're as mean or greedy or shortsighted or just plain batshit at them. And if that's too polarizing for you, and you still want to reach across the aisle and hold hands and sing with someone on the right, try church.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
Then Almitra spoke, saying, "We would ask now of Death." And he said: You would know the secret of death. But how shall you find it unless you seek it in the heart of life? The owl whose night-bound eyes are blind unto the day cannot unveil the mystery of light. If you would indeed behold the spirit of death, open your heart wide unto the body of life. For life and death are one, even as the river and the sea are one. In the depth of your hopes and desires lies your silent knowledge of the beyond; And like seeds dreaming beneath the snow your heart dreams of spring. Trust the dreams, for in them is hidden the gate to eternity. Your fear of death is but the trembling of the shepherd when he stands before the king whose hand is to be laid upon him in honour. Is the sheered not joyful beneath his trembling, that he shall wear the mark of the king? Yet is he not more mindful of his trembling? For what is it to die but to stand naked in the wind and to melt into the sun? And what is to cease breathing, but to free the breath from its restless tides, that it may rise and expand and seek God unencumbered? Only when you drink from the river of silence shall you indeed sing. And when you have reached the mountain top, then you shall begin to climb. And when the earth shall claim your limbs, then shall you truly dance.
Kahlil Gibran (The Prophet)
I’m sorry for my brother, miss,” he said, lowering his eyes. “His behavior is inexcusable.” I stared at the tall, darkly cloaked man, my back stiffening. “Elm—my cousin—told me Emory had been drinking. I came to be sure all was well.” At my silence, the man raised his gaze, observing me for the first time. Like his younger brother, his eyes were gray and stood out brilliantly against smooth copper skin. He watched me down a long, formidable nose, his eyes searching my face. My breath faltered, a shiver crawling up my spine. Unmistakably handsome, he stood like one of the statues in his uncle’s garden—cold and smooth as stone. He did not introduce himself. He did not have to. I knew who he was. Ravyn Yew. The King’s eldest nephew. My father’s successor—Captain of the Destriers.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
Long ago,” my aunt had said, “before Providence Cards, the Spirit of the Wood was our divinity. Folk of Blunder sought her out, combing the woods for the smell of salt. They asked her for blessings and gifts. They honored her woods and took the names of the trees as their own. This was old magic—old religion.” Her brow had darkened. “For his reverence, the Spirit of the Wood granted the Shepherd King strange, powerful magic. He wanted to share his magic with his kingdom, and so he made the twelve Providence Cards.” Her voice had grown solemn. “But everything has a price. For each Card, the Shepherd King gave something up to the Spirit of the Wood.” “Like his soul?” Ione had asked, gnawing at her fingernails. My aunt had nodded. “But it was the Spirit of the Wood, in the end, who would pay. With the Shepherd King’s Providence Cards, people had magic at their fingertips. They did not have to go to the wood and beg her blessings. No longer venerated, the Spirit grew vengeful, treacherous.” She’d paused, her lips pursed. “She created the mist, to lure people back to the wood.” I was young. But even then, I’d known to be wary of the mist. “Those who came upon it lost their way, and often their minds,” my mother had said. “The mist spread, isolating us from neighboring kingdoms. Worse, children who tarried in it grew sick with fever, their veins darkening. Those who survived the fever often carried magical gifts like those the Spirit used to bestow, only more unruly—more dangerous.” When her voice shook, she’d held a hand to her throat. “But these children degenerated over time. Some grew twisted in their bodies, others in their minds. Few survived to adulthood.
Rachel Gillig (One Dark Window (The Shepherd King, #1))