Shepherd's Crown Quotes

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Esme Weatherwax hadn't done nice. She'd done what was needed.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
FOR I CAN SEE THE BALANCE AND YOU HAVE LEFT THE WORLD MUCH BETTER THAN YOU FOUND IT, AND IF YOU ASK ME, said Death, NOBODY COULD DO ANY BETTER THAN THAT. . . .
Terry Pratchett (The Shepherd's Crown (Discworld #41; Tiffany Aching #5))
To anyone who’s ever felt lost in a wood. There is a strange sort of finding in losing.
Rachel Gillig (Two Twisted Crowns (The Shepherd King #2))
It's like chess, you know. The Queen saves the King.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Be wary, Be clever, Be good
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
You did not come all this way to yield to despair.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Well, you know Esme. She wasn't one for that kind of thing - never one to push herself forward* * She hadn't ever needed to. Granny Weatherwax was like the prow of a ship. Seas parted when she turned up.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Here we are, my darling girl, he whispered to me. The end of all things. The last page of our story.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
For a witch stands on the very edge of everything, between the light and the dark, between life and death, making choices, making decisions so that others may pretend no decisions have even been needed. Sometimes they need to help some poor soul through the final hours, help them to find the door, not to get lost in the dark.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Tiffany thought of the little spot in the woods where Granny Weatherwax lay. Remembered. And knew that You had been right. Granny Weatherwax was indeed here. And there. She was, in fact, and always would be, everywhere.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
And Tiffany knew that if a witch started thinking of anyone as "just" anything, that would be the first step on a well-worn path that could lead to, oh, to poisoned apples, spinning wheels, and a too-small stove... and to pain, and terror, and horror and the darkness.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
There once was a girl,” he said, his voice slick, “clever and good, who tarried in shadow in the depths of the wood. There also was a King—a shepherd by his crook, who reigned over magic and wrote the old book. The two were together, so the two were the same: “The girl, the King, and the monster they became.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
There were not enough pages in all the books Elm had read, in all the libraries he’d wandered, in all the notebooks he’d scrawled, that could measure—denote or describe—just how beautiful she was.
Rachel Gillig (Two Twisted Crowns (The Shepherd King #2))
Being a witch is a man’s job: that’s why it needs women to do it.
Terry Pratchett (The Shepherd's Crown (Discworld #41; Tiffany Aching #5))
Our rulers rule by consent, which means that we like having them as rulers, if they do what we want them to do.
Terry Pratchett (The Shepherd's Crown (Discworld #41; Tiffany Aching #5))
There was a bond, you see, when we were both young, but she wanted to be the best of all witches and I hoped one day to be Archchancellor. Alas for us, our dreams came true.
Terry Pratchett (The Shepherd's Crown (Discworld #41; Tiffany Aching #5))
He has looked pain in the eye - and refused to let it make a monster of him
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
I’d be your King, but always your servant. Never your keeper.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Above rowan and yew, the elm tree stands tall. It waits along borders, a sentry at call.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
It’s an inconvenience, true enough, and I don’t like it at all, but I know that you do it for everyone, Mister Death. Is there any other way?’ NO, THERE ISN’T, I’M AFRAID. WE ARE ALL FLOATING IN THE WINDS OF TIME. BUT YOUR CANDLE, MISTRESS WEATHERWAX, WILL FLICKER FOR SOME TIME BEFORE IT GOES OUT – A LITTLE REWARD FOR A LIFE WELL LIVED. FOR I CAN SEE THE BALANCE AND YOU HAVE LEFT THE WORLD MUCH BETTER THAN YOU FOUND IT, AND IF YOU ASK ME, said Death, NOBODY COULD DO ANY BETTER THAN THAT . . .
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
It was never easy being a witch. Oh, the broomstick was great, but to be a witch you needed to be sensible, so sensible that sometimes it hurt. You dealt with the reality—not what people wanted.
Terry Pratchett (The Shepherd's Crown (Discworld #41; Tiffany Aching #5))
The end of times?" said Nanny. "Look, Tiff, Esme tol' me to say, if you want to see Esmerelda Weatherwax, then just you look around. She is here. Us witches don't mourn for very long. We are satisfied with happy memories - they're there to be cherished.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Sometimes, Tiffany thought, I am so fed up with being young.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Our skills, you will find, could be our jailers.
Terry Pratchett (The Shepherd's Crown (Discworld #41; Tiffany Aching #5))
I HAVE WATCHED YOUR PROGRESS WITH INTEREST, ESMERELDA WEATHERWAX, said the voice in the dark. He was firm, but oh so polite. But now there was a question in his voice. PRAY TELL ME, WHY WERE YOU CONTENT TO LIVE IN THIS TINY LITTLE COUNTRY WHEN, AS YOU KNOW, YOU COULD HAVE BEEN ANYTHING AND ANYBODY IN THE WORLD? “I don’t know about the world, not much; but in my part of the world I could make little miracles for ordinary people,” Granny replied sharply. “And I never wanted the world—just a part of it, a small part that I could keep safe, that I could keep away from storms. Not the ones of the sky, you
Terry Pratchett (The Shepherd's Crown (Discworld #41; Tiffany Aching #5))
For nothing is safe, and nothing is free. Debt follows all men, no matter their plea. When the Shepherd returns, a new day shall ring. Death to the Rowans.” His gray eyes focused, homing in on Elm. “Long live the King.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Don’t get your knickers in a knot just yet, Tiff,’ she said briskly. ‘It won’t solve anything an’ will just make you walk odd.
Terry Pratchett (The Shepherd's Crown (Discworld, #41))
Then it came to her. She did not deserve to die. And she was not alone. She never would be. Not while her land was beneath her boots. Her land. The land of the Achings. She was Tiffany Aching. Not Granny Weatherwax, but a witch in her own right. A witch who knew exactly who she was and how she wanted to do things. Her way. And she had not failed, because she had barely begun...
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Only Granny Weatherwax really knew Granny Weatherwax.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
I’ve wanted to know you since I saw you all those years ago, riding in the wood, mud on your ankles.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Why? Why not do things differently? Why should we do things how they have always been done before? And something inside her suddenly thrilled to the challenge.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
But the tide always turns, and the truth always outs.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
I know as well as you that magic is the oldest paradox. The more power it gives you, the weaker you become.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Practice restraint, and know it by touch. Use Cards when they’re needed, and never too much. For too much of fire, our swords would all break. Too much of wine a poison doth make. Excess is grievous, be knave, maid, or crown. Too much of water, how easy we drown.
Rachel Gillig (One Dark Window (The Shepherd King #1))
Witches know that people die; and if they manages to die after a long time, leavin’ the world better than they went an’ found it, well then, that’s surely a reason to be happy. All the rest of it is just tidyin’ up.
Terry Pratchett (The Shepherd's Crown (Discworld #41; Tiffany Aching #5))
Human life is short. You are not as a tree, stoic and unyielding, but a butterfly. Delicate, fleeting. Inconsequential.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
For even dead, I will not die. I am the shepherd of shadow. The phantom of the fright. The demon in the daydream. The nightmare in the night.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Suddenly there was a humming in the air, and the bees were there too. They flowed out of Granny Weatherwax’s hive, circling Tiffany like a halo, crowning her, and swarm and girl stood on the threshold of the cottage and Tiffany reached out her arms and the bees settled along them, and welcomed her home.
Terry Pratchett (The Shepherd's Crown (Discworld #41; Tiffany Aching #5))
Thus proving that dreams that come true are not always the right dreams. Does wearing a glass slipper lead to a comfortable life? If everything you touch turns into marshmallows, won’t that make things a bit . . . sticky?
Terry Pratchett (The Shepherd's Crown (Discworld #41; Tiffany Aching #5))
Thus proving that books can teach you much, if only to give you a good name for a devilish, smart goat.
Terry Pratchett (The Shepherd's Crown (Discworld #41; Tiffany Aching #5))
Nanny Ogg scowled and said, "Granny never said as she was better than others. She just got on with it and showed 'em and people worked it out for themselves.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
The two were together, so the two were the same: “The girl, the King, and the monster they became.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
The Nightmare’s smile was a thinly veiled threat. “I know what I know. My secrets are deep. But long have I kept them. And long will they keep.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
For a witch stands on the very edge of everything, between the light and the dark, between life and death, making choices, making decisions so that others may pretend no decisions have even been needed.
Terry Pratchett (The Shepherd's Crown (Discworld, #41))
She taught me so much, she said to herself. She built me as we were walking around after the sheep, and she told me all those things that I needed to know, and the first thing was to look after people. Of course, the other thing had been to look after the sheep.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Tiffany found her mind filling up with an invisible gray mist, and in that thought there was nothing but grief. She could feel herself trying to push back time, but even the best witchcraft could not do that.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Mind how ye go, hag o’ hags. Ye’ll be sore missed.
Terry Pratchett (The Shepherd's Crown (Discworld #41; Tiffany Aching #5))
You’re a Rowan. Don’t you take whatever you fancy?” “Clearly not, when all I fancy is a proper night’s sleep.
Rachel Gillig (Two Twisted Crowns (The Shepherd King #2))
There you are.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
But his soul carried on, buried deep in Elspeth Spindle, the only woman Ravyn had ever loved.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
A shepherd’s crown, not a royal one. A crown for someone who knew where she had come from. A crown for the lone light zigzagging through the night sky, hunting for a single lost lamb. A crown for the shepherd who was there to herd away the predators.
Terry Pratchett (The Shepherd's Crown (Discworld #41; Tiffany Aching #5))
PRAY TELL ME, WHY WERE YOU CONTENT TO LIVE IN THIS TINY LITTLE COUNTRY WHEN, AS YOU KNOW, YOU COULD HAVE BEEN ANYTHING AND ANYBODY IN THE WORLD? “I don’t know about the world, not much; but in my part of the world I could make little miracles for ordinary people,” Granny replied sharply. “And I never wanted the world—just a part of it, a small part that I could keep safe, that I could keep away from storms. Not the ones of the sky, you understand: there are other kinds.
Terry Pratchett (The Shepherd's Crown (Discworld #41; Tiffany Aching #5))
And Granny Weatherwax said, “I was younger when I last danced with you. But I am old now. There will be no more dances for me.
Terry Pratchett (The Shepherd's Crown (Discworld #41; Tiffany Aching #5))
Having hope does not make me delusional, Elspeth,
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
I'll tell you a story, I whispered. It always helped me sleep as a child. He nodded, folding his hands over his lap, and closed his eyes. There once was a girl, clever and good, who tarried in shadow in the depths of the wood. There also was a King, a shepherd by his crook, who reigned over magic and wrote the old book. The two were together, so the two- I couldn't go on. Elspeth. No. I'm not ready. Not yet. Finish the story, dear one. My voice shook. The two were together- Together. So the two were the same. The girl, he whispered, honey and oil and silk. The King... We said the final words together, our voices echoing, listless, through the dark. A final note. An eternal farewell. And the monster they became.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
They come quietly—like a silent but deadly fart—and they get you before you can pinch your nose.
Terry Pratchett (The Shepherd's Crown (Discworld #41; Tiffany Aching #5))
And there was just the cat, You. All alone.
Terry Pratchett (The Shepherd's Crown (Discworld #41; Tiffany Aching #5))
My thoughts festered until my mind turned septic.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
A hundred years,” he said to her, as if she were the only one in the room. “I’ll love you for a hundred years—and an eternity after.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
But the reward for lots of work seemed to be lots more. If you dug the biggest hole, they just gave you a bigger shovel.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
And at the end of time, living is about fightin’ against everything.
Terry Pratchett (The Shepherd's Crown (Discworld #41; Tiffany Aching #5))
Well,’ said Tiffany, ‘there’s too much to be done and not enough people to do it.’ The smile that the kelda gave her was a strange one. The little woman said, ‘Do ye let them try? Ye mustn’t be afraid to ask for help. Pride is a good thing, my girl, but it will kill you in time.
Terry Pratchett (The Shepherd's Crown (Discworld, #41))
But the banging of the door as punctuation caused Tiffany to think and she thought suddenly, I want to do it my way. Not how the other witches think it should be done. I can't be Granny Weatherwax for them. I can only be me, Tiffany Aching.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Witches didn't have leaders, of course, but everyone knew that Granny Weatherwax had been the best leader they didn't have, so now someone else would need to step forward to generally steer the witches.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Why do you help these strangers?" she asked Tiffany now. "They are not of your clan. You owe them nothing." "Well," said Tiffany, "although they are strangers, I simply think of them as people. All of them. And you help other people--that's how we do it." "Does every person do it?" said Nightshade. "No," said Tiffany. "Sadly, that is true. But many people will help other people, just because, well, because they are other people. That's how it goes.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Tiffany had watched the dead before many times, of course - it was the custom for a departing soul to have company the night before any funeral or burial, as if to make a point to anything that might be... lurking: this person mattered, there is someone here to make sure nothing evil creeps in at this time of danger.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
There were not enough pages in all the books Elm had read, in all the libraries he’d wandered, in all the notebooks he’d scrawled, that could measure—denote or describe—just how beautiful she was. “There you are.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
But he wrapped his arms around me, pulling me against his chest in a hug so deep it blotted out Market Day entirely. He held me, resting his cheek against the crown of my head, his heart drumming against my ear. I inhaled him, leather and smoke and cedar, settling into his arms like a rabbit in its warm, safe den. I had not fit into anyone’s arms like that since childhood. And even then, no one had ever held me so tightly—as if they needed me in their arms as much as I needed to be held. As if nothing else mattered but to hold one another. As if we had all the time in the world.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
I get up Aching, and I go to bed Aching,' she whispered to herself, smiling. One of her father's jokes, and she had rolled her eyes when hearing it again and again as a child, but now its warmth curler over her body.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
call it empathy. That means putting yourself in the place of the other person and seeing their point of view. I suppose it's because in the very olden days, when humans had to fight fir themselves every day, they needed to find people who would fight with them too, and together we lived—yes, and prospered. Humans need other humans—it's as simple as that.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
MADAM, WE’VE ALREADY GONE.
Terry Pratchett (The Shepherd's Crown (Discworld #41; Tiffany Aching #5))
The End.
Terry Pratchett (The Shepherd's Crown (Discworld #41; Tiffany Aching #5))
Nae king! Nae quin! We will nae be fooled agin!
Terry Pratchett (The Shepherd's Crown (Discworld #41; Tiffany Aching #5))
I’m tied to a post with a grating headache and the dimmest Yews in five centuries,” the Nightmare muttered. “Never been better.
Rachel Gillig (Two Twisted Crowns (The Shepherd King #2))
Like any sensible witch, she wore strong boots that could march through anything—good, sensible boots.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
In Boffo’s Novelty and Joke Emporium in Ankh-Morpork, all the whoopee cushions trumpeted in a doleful harmony;
Terry Pratchett (The Shepherd's Crown (Discworld #41; Tiffany Aching #5))
There is no weakness in pain.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Then she wondered, not for the first time, about the differences between wizards and witches. The main difference, she thought, was that wizards used books and staffs to create spells, big spells about big stuff, and they were men. While witches - always women - dealt with everyday stuff. Big stuff too, she reminded herself firmly. What could be bigger than births and deaths? but why shouldn't this boy want to be a witch? She had chosen to be a witch, so why couldn't he make the same choice? With a start, she realized it was her choice that counted here too. If she was going to be a sort of head witch, she should be able to decide this. She didn't have to ask any other witches. It could be her decision. Her responsibility. Perhaps a first step toward doing things differently?
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Balance,” she answered, head tilting like a bird of prey. “To right terrible wrongs. To free Blunder from the Rowans.” Her yellow eyes narrowed, wicked and absolute. “To collect his due.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
An’ C is for claymore . . . and crivens, I’ll gi’e ye sich a guid kickin’ if’n you stick that sword intae me one muir time,” shouted the third, turning and hurling himself at one of his brothers.
Terry Pratchett (The Shepherd's Crown (Discworld #41; Tiffany Aching #5))
They came in the night,” we said, “the black and red horde. They burned down my castle, put my kin to the sword. The usurper was crowned, though my blood had not dried. But he did not account for the turn of the tide. For nothing is safe, and nothing is free. Debt follows all men, no matter their plea. When the Shepherd returns, a new day shall ring. Death to the Rowans… “Long live the King.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
There you are.” He wrapped me in his arms, holding me against his armored chest like a father would a child. “One day, you will be nothing more than memory, Elspeth Spindle. But not yet.” His yellow eyes rose to the blackened sky. “Don’t leave me alone with these fools.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
NO, THERE ISN’T, I’M AFRAID. WE ARE ALL FLOATING IN THE WINDS OF TIME. BUT YOUR CANDLE, MISTRESS WEATHERWAX, WILL FLICKER FOR SOME TIME BEFORE IT GOES OUT—A LITTLE REWARD FOR A LIFE WELL LIVED. FOR I CAN SEE THE BALANCE AND YOU HAVE LEFT THE WORLD MUCH BETTER THAN YOU FOUND IT, AND IF YOU ASK ME, said Death, NOBODY COULD DO ANY BETTER THAN THAT. . . .
Terry Pratchett (The Shepherd's Crown (Discworld #41; Tiffany Aching #5))
We smiled, and when we stood, the world around us faded, time and space, Prince and King, child and spirit. All that remained was magic - black as ink. Powerful, vengeful, and full of fury. Our voice dripped oil, Hauth fixed in our gaze. We stalked him, pinning him in the corner of the room. "They came in the night," we said, "the black and red horde. They burned down my castle, put my kin to the sword. The usurper was crowned, though my blood had not dried. But he did not account for the turn of the tide. For nothing is safe, and nothing is free. Debt follows all men, no matter their plea. When the Shepherd returns, a new day shall ring. Death to the Rowans... "Long live the King.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
understand: there are other kinds.” AND WOULD YOU SAY YOUR LIFE BENEFITED THE PEOPLE OF LANCRE AND ENVIRONS? After a minute the soul of Granny Weatherwax said, “Well, not boasting, your willingness, I think I have done right, for Lancre at least. I’ve never been to Environs.” MISTRESS WEATHERWAX, THE WORD “ENVIRONS” MEANS, WELL, THEREABOUTS. “All right,” said Granny. “I did get about, to be sure.” A VERY GOOD LIFE LIVED INDEED, ESMERELDA. “Thank you,” said Granny. “I did my best.
Terry Pratchett (The Shepherd's Crown (Discworld #41; Tiffany Aching #5))
They were scrawny, even by Feegle standards, with barely a wisp of beard hair between them and impractically low-slung spogs knocking about their knees, their kilts hung low on their skinny hips. To Tiffany's amazement, she could see the top bands of colored pants riding high above them. pants? On a Feegle? The times were indeed changing. "Pull yon kilts up, lads!" Ron muttered as they pushed their way past.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
She knew how the memory plays tricks, and the old stories had power, and everyone forgot how 'terrific' really meant 'brings terror'. Her people would only remember that the elves sang beautifully. They would have forgotten what their song was about.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Now, let’s dance! Dancin’ makes the world go round.
Terry Pratchett (The Shepherd's Crown (Discworld #41; Tiffany Aching #5))
Come back as good neighbors or not at all!
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
The disgust,” Ione said, her tone idle, “is mutual.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Beg me to.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Highwayman, Destrier, and another. One of age, of birthright. Tell me, Ravyn Yew, after your long walk in my wood—do you finally know your name?
Rachel Gillig (Two Twisted Crowns (The Shepherd King #2))
When Geoffrey was away, the goat often took himself off. He had soon got the goats at Granny’s cottage doing his bidding, and Nanny Ogg said once that she had seen what she called ‘that devil goat’ sitting in the middle of a circle of feral goats up in the hills. She named him ‘The Mince of Darkness’ because of his small and twinkling hooves, and added, ‘Not that I don’t like him, stinky as he is. I’ve always been one for the horns, as you might say. Goats is clever. Sheep ain’t. No offence, my dear.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
I am intrigued, Geoffrey,” she said. “Why do you want to be a witch instead of a wizard, which is something traditionally thought of as a man’s job?” “I’ve never thought of myself as a man, Mistress Tiffany. I don’t think I’m anything. I’m just me,” he said quietly. Good answer! Tiffany said to herself.
Terry Pratchett (The Shepherd's Crown (Discworld #41; Tiffany Aching #5))
To bleed is the first step—drop your blood on the stone. The next is to barter—match her price with your own. The last is to bend—for magic does twist. You’ll lose your old self, like getting lost in a mist. The Spirit will guide you, but she keeps a long score. She’ll grant what you ask… But you’ll always want more.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Terry usually had more than one book on the go at a time and he discovered what each was about as he went along. He would start somewhere, telling himself the story as he wrote it, writing the bits he could see clearly and assembling it all into a whole – like a giant literary jigsaw – when he was done. Once it was shaped, he would keep writing it too, adding to it, fixing bits, constantly polishing and adding linking sequences, tossing in just one more footnote or event.
Terry Pratchett (The Shepherd's Crown (Discworld, #41))
The Song Of The Happy Shepherd The woods of Arcady are dead, And over is their antique joy; Of old the world on dreaming fed; Grey Truth is now her painted toy; Yet still she turns her restless head: But O, sick children of the world, Of all the many changing things In dreary dancing past us whirled, To the cracked tune that Chronos sings, Words alone are certain good. Where are now the warring kings, Word be-mockers?—By the Rood, Where are now the watring kings? An idle word is now their glory, By the stammering schoolboy said, Reading some entangled story: The kings of the old time are dead; The wandering earth herself may be Only a sudden flaming word, In clanging space a moment heard, Troubling the endless reverie. Then nowise worship dusty deeds, Nor seek, for this is also sooth, To hunger fiercely after truth, Lest all thy toiling only breeds New dreams, new dreams; there is no truth Saving in thine own heart. Seek, then, No learning from the starry men, Who follow with the optic glass The whirling ways of stars that pass— Seek, then, for this is also sooth, No word of theirs—the cold star-bane Has cloven and rent their hearts in twain, And dead is all their human truth. Go gather by the humming sea Some twisted, echo-harbouring shell. And to its lips thy story tell, And they thy comforters will be. Rewording in melodious guile Thy fretful words a little while, Till they shall singing fade in ruth And die a pearly brotherhood; For words alone are certain good: Sing, then, for this is also sooth. I must be gone: there is a grave Where daffodil and lily wave, And I would please the hapless faun, Buried under the sleepy ground, With mirthful songs before the dawn. His shouting days with mirth were crowned; And still I dream he treads the lawn, Walking ghostly in the dew, Pierced by my glad singing through, My songs of old earth’s dreamy youth: But ah! she dreams not now; dream thou! For fair are poppies on the brow: Dream, dream, for this is also sooth.
W.B. Yeats (The Collected Poems of W.B. Yeats)
When Ravyn cast his eyes back into the courtyard, Otho was hurrying toward her sister. Hesis lay in the dirt, unmoving. Her mask was broken, shards of bone scattered around her. Blood trickled down her face. "Nightmare," he said through his teeth. The monster laughed as he slipped out of the fort. "She'll live. All I did was pay her back for breaking your nose." "I didn't ask you to do that." "No. But Elspeth did.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
When I get my kingdom back . . . ,” Nightshade began. “Stop there,” said Tiffany. “Why do you want your kingdom back? What good has it done you? Think about it, for I am the human who has looked after you, the only person you might call a friend.” She looked seriously at the elf. “I have told you that I—we—would be happy if you were to be Queen of the Elves again, but only if you can truly learn from your time here. Be prepared to live in peace, teach your elves that the world has changed and that there is no space for them here.” There was hope in her voice now, a hope that human and elf might be able to change the stories of humans and elves. A princess doesn’t have to be blond and blue-eyed and have a shoe size smaller than her age, she thought. People can trust witches, and not fear the old woman in the woods, the poor old woman whose only crime was to have no teeth and to talk to herself. And perhaps an elf could learn to know mercy, to discover humanity. . . . “If you learn things,” she finished softly, “you might find yourself building a different kind of kingdom.
Terry Pratchett (The Shepherd's Crown (Discworld #41; Tiffany Aching #5))
Far from birds, from flocks and village girls, What did I drink, on my knees in the heather Surrounded by a sweet wood of hazel trees, In the warm and green mist of the afternoon? What could I drink from that young Oise, − Voiceless elms, flowerless grass, an overcast sky! − Drinking from these yellow gourds, far from the hut I loved? Some golden spirit that made me sweat. I would have made a dubious sign for an inn. − A storm came to chase the sky away. In the evening Water from the woods sank into the virgin sand, And God’s wind threw ice across the ponds. Weeping, I saw gold − but could not drink. − ——— At four in the morning, in the summer, The sleep of love still continues. Beneath the trees the wind disperses The smells of the evening feast. Over there, in their vast wood yard, Under the sun of the Hesperidins, Already hard at work − in shirtsleeves − Are the Carpenters. In their Deserts of moss, quietly, They raise precious panelling Where the city Will paint fake skies. O for these Workers, charming Subjects of a Babylonian king, Venus! Leave for a moment the Lovers Whose souls are crowned with wreaths. O Queen of Shepherds, Carry the water of life to these labourers, So their strength may be appeased As they wait to bathe in the noon-day sea.
Arthur Rimbaud (A Season in Hell)