Shepherd's Crown Quotes

We've searched our database for all the quotes and captions related to Shepherd's Crown. Here they are! All 200 of them:

To anyone who’s ever felt lost in a wood. There is a strange sort of finding in losing.
Rachel Gillig (Two Twisted Crowns (The Shepherd King #2))
Here we are, my darling girl, he whispered to me. The end of all things. The last page of our story.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Be wary, Be clever, Be good
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Esme Weatherwax hadn't done nice. She'd done what was needed.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
You did not come all this way to yield to despair.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
FOR I CAN SEE THE BALANCE AND YOU HAVE LEFT THE WORLD MUCH BETTER THAN YOU FOUND IT, AND IF YOU ASK ME, said Death, NOBODY COULD DO ANY BETTER THAN THAT. . . .
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
There were not enough pages in all the books Elm had read, in all the libraries he’d wandered, in all the notebooks he’d scrawled, that could measure—denote or describe—just how beautiful she was.
Rachel Gillig (Two Twisted Crowns (The Shepherd King #2))
I’d be your King, but always your servant. Never your keeper.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
It's like chess, you know. The Queen saves the King.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
He has looked pain in the eye - and refused to let it make a monster of him
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
There once was a girl,” he said, his voice slick, “clever and good, who tarried in shadow in the depths of the wood. There also was a King—a shepherd by his crook, who reigned over magic and wrote the old book. The two were together, so the two were the same: “The girl, the King, and the monster they became.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
The two were together, so the two were the same: “The girl, the King, and the monster they became.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Above rowan and yew, the elm tree stands tall. It waits along borders, a sentry at call.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Well, you know Esme. She wasn't one for that kind of thing - never one to push herself forward* * She hadn't ever needed to. Granny Weatherwax was like the prow of a ship. Seas parted when she turned up.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
For nothing is safe, and nothing is free. Debt follows all men, no matter their plea. When the Shepherd returns, a new day shall ring. Death to the Rowans.” His gray eyes focused, homing in on Elm. “Long live the King.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
And Tiffany knew that if a witch started thinking of anyone as "just" anything, that would be the first step on a well-worn path that could lead to, oh, to poisoned apples, spinning wheels, and a too-small stove... and to pain, and terror, and horror and the darkness.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
For a witch stands on the very edge of everything, between the light and the dark, between life and death, making choices, making decisions so that others may pretend no decisions have even been needed. Sometimes they need to help some poor soul through the final hours, help them to find the door, not to get lost in the dark.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Human life is short. You are not as a tree, stoic and unyielding, but a butterfly. Delicate, fleeting. Inconsequential.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
I’ve wanted to know you since I saw you all those years ago, riding in the wood, mud on your ankles.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Tiffany thought of the little spot in the woods where Granny Weatherwax lay. Remembered. And knew that You had been right. Granny Weatherwax was indeed here. And there. She was, in fact, and always would be, everywhere.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
I know as well as you that magic is the oldest paradox. The more power it gives you, the weaker you become.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
A hundred years,” he said to her, as if she were the only one in the room. “I’ll love you for a hundred years—and an eternity after.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Being a witch is a man’s job: that’s why it needs women to do it.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Practice restraint, and know it by touch. Use Cards when they’re needed, and never too much. For too much of fire, our swords would all break. Too much of wine a poison doth make. Excess is grievous, be knave, maid, or crown. Too much of water, how easy we drown.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
The Nightmare’s smile was a thinly veiled threat. “I know what I know. My secrets are deep. But long have I kept them. And long will they keep.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
But the tide always turns, and the truth always outs.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
My darling, you’ve always had a choice.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Our rulers rule by consent, which means that we like having them as rulers, if they do what we want them to do.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
For even dead, I will not die. I am the shepherd of shadow. The phantom of the fright. The demon in the daydream. The nightmare in the night.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
It’s an inconvenience, true enough, and I don’t like it at all, but I know that you do it for everyone, Mister Death. Is there any other way?’ NO, THERE ISN’T, I’M AFRAID. WE ARE ALL FLOATING IN THE WINDS OF TIME. BUT YOUR CANDLE, MISTRESS WEATHERWAX, WILL FLICKER FOR SOME TIME BEFORE IT GOES OUT – A LITTLE REWARD FOR A LIFE WELL LIVED. FOR I CAN SEE THE BALANCE AND YOU HAVE LEFT THE WORLD MUCH BETTER THAN YOU FOUND IT, AND IF YOU ASK ME, said Death, NOBODY COULD DO ANY BETTER THAN THAT . . .
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
But his soul carried on, buried deep in Elspeth Spindle, the only woman Ravyn had ever loved.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
You’re a Rowan. Don’t you take whatever you fancy?” “Clearly not, when all I fancy is a proper night’s sleep.
Rachel Gillig (Two Twisted Crowns (The Shepherd King #2))
It was never easy being a witch. Oh, the broomstick was great, but to be a witch you needed to be sensible, so sensible that sometimes it hurt. You dealt with the reality—not what people wanted.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
There was a bond, you see, when we were both young, but she wanted to be the best of all witches and I hoped one day to be Archchancellor. Alas for us, our dreams came true.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
The end of times?" said Nanny. "Look, Tiff, Esme tol' me to say, if you want to see Esmerelda Weatherwax, then just you look around. She is here. Us witches don't mourn for very long. We are satisfied with happy memories - they're there to be cherished.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Our skills, you will find, could be our jailers.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Sometimes, Tiffany thought, I am so fed up with being young.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
I’m tied to a post with a grating headache and the dimmest Yews in five centuries,” the Nightmare muttered. “Never been better.
Rachel Gillig (Two Twisted Crowns (The Shepherd King #2))
I'll tell you a story, I whispered. It always helped me sleep as a child. He nodded, folding his hands over his lap, and closed his eyes. There once was a girl, clever and good, who tarried in shadow in the depths of the wood. There also was a King, a shepherd by his crook, who reigned over magic and wrote the old book. The two were together, so the two- I couldn't go on. Elspeth. No. I'm not ready. Not yet. Finish the story, dear one. My voice shook. The two were together- Together. So the two were the same. The girl, he whispered, honey and oil and silk. The King... We said the final words together, our voices echoing, listless, through the dark. A final note. An eternal farewell. And the monster they became.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Having hope does not make me delusional, Elspeth,
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
I HAVE WATCHED YOUR PROGRESS WITH INTEREST, ESMERELDA WEATHERWAX, said the voice in the dark. He was firm, but oh so polite. But now there was a question in his voice. PRAY TELL ME, WHY WERE YOU CONTENT TO LIVE IN THIS TINY LITTLE COUNTRY WHEN, AS YOU KNOW, YOU COULD HAVE BEEN ANYTHING AND ANYBODY IN THE WORLD? “I don’t know about the world, not much; but in my part of the world I could make little miracles for ordinary people,” Granny replied sharply. “And I never wanted the world—just a part of it, a small part that I could keep safe, that I could keep away from storms. Not the ones of the sky, you
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
I was the darkness and the darkness was me, and together we rolled with the tide, lulled toward a shore I could neither see nor hear. All was water—all was salt.
Rachel Gillig (Two Twisted Crowns (The Shepherd King #2))
Don’t get your knickers in a knot just yet, Tiff,’ she said briskly. ‘It won’t solve anything an’ will just make you walk odd.
Terry Pratchett (The Shepherd's Crown (Discworld, #41))
Then it came to her. She did not deserve to die. And she was not alone. She never would be. Not while her land was beneath her boots. Her land. The land of the Achings. She was Tiffany Aching. Not Granny Weatherwax, but a witch in her own right. A witch who knew exactly who she was and how she wanted to do things. Her way. And she had not failed, because she had barely begun...
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
There you are.” He wrapped me in his arms, holding me against his armored chest like a father would a child. “One day, you will be nothing more than memory, Elspeth Spindle. But not yet.” His yellow eyes rose to the blackened sky. “Don’t leave me alone with these fools.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Why? Why not do things differently? Why should we do things how they have always been done before? And something inside her suddenly thrilled to the challenge.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
There you are.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Only Granny Weatherwax really knew Granny Weatherwax.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Witches know that people die; and if they manages to die after a long time, leavin’ the world better than they went an’ found it, well then, that’s surely a reason to be happy. All the rest of it is just tidyin’ up.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
I know what I know. My secrets are deep. But long have I kept them. And long will they keep.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Suddenly there was a humming in the air, and the bees were there too. They flowed out of Granny Weatherwax’s hive, circling Tiffany like a halo, crowning her, and swarm and girl stood on the threshold of the cottage and Tiffany reached out her arms and the bees settled along them, and welcomed her home.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
A shepherd’s crown, not a royal one. A crown for someone who knew where she had come from. A crown for the lone light zigzagging through the night sky, hunting for a single lost lamb. A crown for the shepherd who was there to herd away the predators.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
They came in the night,” we said, “the black and red horde. They burned down my castle, put my kin to the sword. The usurper was crowned, though my blood had not dried. But he did not account for the turn of the tide. For nothing is safe, and nothing is free. Debt follows all men, no matter their plea. When the Shepherd returns, a new day shall ring. Death to the Rowans… “Long live the King.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
For a witch stands on the very edge of everything, between the light and the dark, between life and death, making choices, making decisions so that others may pretend no decisions have even been needed.
Terry Pratchett (The Shepherd's Crown (Discworld, #41))
Nanny Ogg scowled and said, "Granny never said as she was better than others. She just got on with it and showed 'em and people worked it out for themselves.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Thus proving that dreams that come true are not always the right dreams. Does wearing a glass slipper lead to a comfortable life? If everything you touch turns into marshmallows, won’t that make things a bit . . . sticky?
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
But he wrapped his arms around me, pulling me against his chest in a hug so deep it blotted out Market Day entirely. He held me, resting his cheek against the crown of my head, his heart drumming against my ear. I inhaled him, leather and smoke and cedar, settling into his arms like a rabbit in its warm, safe den. I had not fit into anyone’s arms like that since childhood. And even then, no one had ever held me so tightly—as if they needed me in their arms as much as I needed to be held. As if nothing else mattered but to hold one another. As if we had all the time in the world.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
Mind how ye go, hag o’ hags. Ye’ll be sore missed.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Reading is a faith requiring suspension of belief in a shrine of knowledge and imagination.
Rachel Gillig (Two Twisted Crowns (The Shepherd King #2))
There were not enough pages in all the books Elm had read, in all the libraries he’d wandered, in all the notebooks he’d scrawled, that could measure—denote or describe—just how beautiful she was. “There you are.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
She taught me so much, she said to herself. She built me as we were walking around after the sheep, and she told me all those things that I needed to know, and the first thing was to look after people. Of course, the other thing had been to look after the sheep.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Tiffany found her mind filling up with an invisible gray mist, and in that thought there was nothing but grief. She could feel herself trying to push back time, but even the best witchcraft could not do that.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Thus proving that books can teach you much, if only to give you a good name for a devilish, smart goat.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
But the reward for lots of work seemed to be lots more. If you dug the biggest hole, they just gave you a bigger shovel.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
But poetry is as judicious as violence
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Then be angry, Ione.” Elm pressed his mouth to her forehead. “It looks well on you.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
There is no weakness in pain.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Beg me to.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
MADAM, WE’VE ALREADY GONE.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
It was difficult to look at her. Beneath the ache that existed between them was a thin, fragile thread. One Ione had slipped through the eye of a needle and plunged into Elm's chest, past all his bricks and barbs, though she didn't yet realize it. It was uncomfortable, pretending she was not sewn into him.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
PRAY TELL ME, WHY WERE YOU CONTENT TO LIVE IN THIS TINY LITTLE COUNTRY WHEN, AS YOU KNOW, YOU COULD HAVE BEEN ANYTHING AND ANYBODY IN THE WORLD? “I don’t know about the world, not much; but in my part of the world I could make little miracles for ordinary people,” Granny replied sharply. “And I never wanted the world—just a part of it, a small part that I could keep safe, that I could keep away from storms. Not the ones of the sky, you understand: there are other kinds.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Witches didn't have leaders, of course, but everyone knew that Granny Weatherwax had been the best leader they didn't have, so now someone else would need to step forward to generally steer the witches.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Nightmare,” he said through his teeth. The monster laughed as he slipped out of the fort. “She’ll live. All I did was pay her back for breaking your nose.” “I didn’t ask you to do that.” “No. But Elspeth did.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Well,’ said Tiffany, ‘there’s too much to be done and not enough people to do it.’ The smile that the kelda gave her was a strange one. The little woman said, ‘Do ye let them try? Ye mustn’t be afraid to ask for help. Pride is a good thing, my girl, but it will kill you in time.
Terry Pratchett (The Shepherd's Crown (Discworld, #41))
My thoughts festered until my mind turned septic.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
And Granny Weatherwax said, “I was younger when I last danced with you. But I am old now. There will be no more dances for me.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
You know how this goes, asshole. Be wary. Be clever. Be good.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
And at the end of time, living is about fightin’ against everything.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Highwayman, Destrier, and another. One of age, of birthright. Tell me, Ravyn Yew, after your long walk in my wood—do you finally know your name?
Rachel Gillig (Two Twisted Crowns (The Shepherd King #2))
But first, I want a hundred years with you.
Rachel Gillig (Two Twisted Crowns (The Shepherd King #2))
I think about how easy it would be to do horrible things if I felt I had a good reason.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
They come quietly—like a silent but deadly fart—and they get you before you can pinch your nose.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Why do you help these strangers?" she asked Tiffany now. "They are not of your clan. You owe them nothing." "Well," said Tiffany, "although they are strangers, I simply think of them as people. All of them. And you help other people--that's how we do it." "Does every person do it?" said Nightshade. "No," said Tiffany. "Sadly, that is true. But many people will help other people, just because, well, because they are other people. That's how it goes.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Elspeth returned. She made a noise in her throat. Ravyn? Even now, taut with strain, her voice eased him, like a warm cloth pressed over his eyes. Yes, Elspeth? Don’t die. I won’t. Because if you do, and we never get the time we’re owed, I’ll hate you, Ravyn Yew. I’ll love you and hate you forever.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
I get up Aching, and I go to bed Aching,' she whispered to herself, smiling. One of her father's jokes, and she had rolled her eyes when hearing it again and again as a child, but now its warmth curler over her body.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
call it empathy. That means putting yourself in the place of the other person and seeing their point of view. I suppose it's because in the very olden days, when humans had to fight fir themselves every day, they needed to find people who would fight with them too, and together we lived—yes, and prospered. Humans need other humans—it's as simple as that.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
I was the darkness and the darkness was me, and together we rolled with the tide, lulled toward a shore I could neither see nor hear.
Rachel Gillig (Two Twisted Crowns (The Shepherd King #2))
And there was just the cat, You. All alone.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
The disgust,” Ione said, her tone idle, “is mutual.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
I’ll love you for a hundred years—and an eternity after.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
The End.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
I’m always right behind you.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Saying there must be another way does not make it so
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
The Nightmare kept going, pulling in rasping breaths. “Elspeth says if you do not get up, she’ll never kiss you again.” “That’s—not—what she—said.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
I have something of love in me.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Nae king! Nae quin! We will nae be fooled agin!
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
In Boffo’s Novelty and Joke Emporium in Ankh-Morpork, all the whoopee cushions trumpeted in a doleful harmony;
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
We smiled, and when we stood, the world around us faded, time and space, Prince and King, child and spirit. All that remained was magic - black as ink. Powerful, vengeful, and full of fury. Our voice dripped oil, Hauth fixed in our gaze. We stalked him, pinning him in the corner of the room. "They came in the night," we said, "the black and red horde. They burned down my castle, put my kin to the sword. The usurper was crowned, though my blood had not dried. But he did not account for the turn of the tide. For nothing is safe, and nothing is free. Debt follows all men, no matter their plea. When the Shepherd returns, a new day shall ring. Death to the Rowans... "Long live the King.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
But the banging of the door as punctuation caused Tiffany to think and she thought suddenly, I want to do it my way. Not how the other witches think it should be done. I can't be Granny Weatherwax for them. I can only be me, Tiffany Aching.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Then she wondered, not for the first time, about the differences between wizards and witches. The main difference, she thought, was that wizards used books and staffs to create spells, big spells about big stuff, and they were men. While witches - always women - dealt with everyday stuff. Big stuff too, she reminded herself firmly. What could be bigger than births and deaths? but why shouldn't this boy want to be a witch? She had chosen to be a witch, so why couldn't he make the same choice? With a start, she realized it was her choice that counted here too. If she was going to be a sort of head witch, she should be able to decide this. She didn't have to ask any other witches. It could be her decision. Her responsibility. Perhaps a first step toward doing things differently?
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
NO, THERE ISN’T, I’M AFRAID. WE ARE ALL FLOATING IN THE WINDS OF TIME. BUT YOUR CANDLE, MISTRESS WEATHERWAX, WILL FLICKER FOR SOME TIME BEFORE IT GOES OUT—A LITTLE REWARD FOR A LIFE WELL LIVED. FOR I CAN SEE THE BALANCE AND YOU HAVE LEFT THE WORLD MUCH BETTER THAN YOU FOUND IT, AND IF YOU ASK ME, said Death, NOBODY COULD DO ANY BETTER THAN THAT. . . .
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Tiffany had watched the dead before many times, of course - it was the custom for a departing soul to have company the night before any funeral or burial, as if to make a point to anything that might be... lurking: this person mattered, there is someone here to make sure nothing evil creeps in at this time of danger.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
I was its author.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
When Geoffrey’s not anxious, he radiates calmness, which probably means he sees more things and finds more things than other people do. It makes him open to new things too.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Like any sensible witch, she wore strong boots that could march through anything—good, sensible boots.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
It happened because, five hundred years ago, a boy wore a crown—had every abundance in the world—but always asked for MORE.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
You are not as a tree, stoic and unyielding, but a butterfly. Delicate, feeling. Inconsequential.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Balance,” she answered, head tilting like a bird of prey. “To right terrible wrongs. To free Blunder from the Rowans.” Her yellow eyes narrowed, wicked and absolute. “To collect his due.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
To bleed is the first step—drop your blood on the stone. The next is to barter—match her price with your own. The last is to bend—for magic does twist. You’ll lose your old self, like getting lost in a mist. The Spirit will guide you, but she keeps a long score. She’ll grant what you ask… But you’ll always want more.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
An’ C is for claymore . . . and crivens, I’ll gi’e ye sich a guid kickin’ if’n you stick that sword intae me one muir time,” shouted the third, turning and hurling himself at one of his brothers.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
When the Nightmare turned, his smile was gone. “I, too, have waited.” “To kill the Rowans?” “My aim is vast. There are many truths to unveil in the wood. Circles that began centuries ago will finally loop.” He let out a sigh. “Though I fear, with so many idiots around me, that I must do everything myself.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Finish the story, dear one. My voice shook. The two were together— Together. So the two were the same. The girl, he whispered, honey and oil and silk. The King… We said the final words together, our voices echoing, listless, through the dark. A final note. An eternal farewell. And the monster they became.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Elm twirled her away, then pulled her back into his chest. “I want you to know me very well, Ione Hawthorn. Which is”—he dipped her again, bowing over her and speaking against her throat—“a rather horrifying feeling, if I’m perfectly honest.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
understand: there are other kinds.” AND WOULD YOU SAY YOUR LIFE BENEFITED THE PEOPLE OF LANCRE AND ENVIRONS? After a minute the soul of Granny Weatherwax said, “Well, not boasting, your willingness, I think I have done right, for Lancre at least. I’ve never been to Environs.” MISTRESS WEATHERWAX, THE WORD “ENVIRONS” MEANS, WELL, THEREABOUTS. “All right,” said Granny. “I did get about, to be sure.” A VERY GOOD LIFE LIVED INDEED, ESMERELDA. “Thank you,” said Granny. “I did my best.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
They were scrawny, even by Feegle standards, with barely a wisp of beard hair between them and impractically low-slung spogs knocking about their knees, their kilts hung low on their skinny hips. To Tiffany's amazement, she could see the top bands of colored pants riding high above them. pants? On a Feegle? The times were indeed changing. "Pull yon kilts up, lads!" Ron muttered as they pushed their way past.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
She knew how the memory plays tricks, and the old stories had power, and everyone forgot how 'terrific' really meant 'brings terror'. Her people would only remember that the elves sang beautifully. They would have forgotten what their song was about.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
When Geoffrey was away, the goat often took himself off. He had soon got the goats at Granny’s cottage doing his bidding, and Nanny Ogg said once that she had seen what she called ‘that devil goat’ sitting in the middle of a circle of feral goats up in the hills. She named him ‘The Mince of Darkness’ because of his small and twinkling hooves, and added, ‘Not that I don’t like him, stinky as he is. I’ve always been one for the horns, as you might say. Goats is clever. Sheep ain’t. No offence, my dear.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Because you’ve never been turned by a beautiful woman, have you, Captain?
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Come back as good neighbors or not at all!
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Now, let’s dance! Dancin’ makes the world go round.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
And Ravyn, like in so many other things he did, carried the iron ring so that Elm didn’t have to.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
I didn’t know why, after so many years of wishing him gone, his words struck sadness in me.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Death demands to be felt.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
His teeth clicked together in a familiar lullaby rhythm. I find it strangely comforting, even with our minds threaded together, that I must endlessly explain things to you, Elspeth.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
I am intrigued, Geoffrey,” she said. “Why do you want to be a witch instead of a wizard, which is something traditionally thought of as a man’s job?” “I’ve never thought of myself as a man, Mistress Tiffany. I don’t think I’m anything. I’m just me,” he said quietly. Good answer! Tiffany said to herself.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Elm. The Nightmare slowed his pace. When he looked back at Elm, his voice drifted in the air, oil and honey and poison. “Neither Rowan nor Yew, but somewhere between. A pale tree in winter, neither red, gold, nor green. Black hides the bloodstain, forever his mark. Alone in the castle, Prince of the dark.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
When Ravyn cast his eyes back into the courtyard, Otho was hurrying toward her sister. Hesis lay in the dirt, unmoving. Her mask was broken, shards of bone scattered around her. Blood trickled down her face. "Nightmare," he said through his teeth. The monster laughed as he slipped out of the fort. "She'll live. All I did was pay her back for breaking your nose." "I didn't ask you to do that." "No. But Elspeth did.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Elm loved games. The playing, the cheating, the winning. Mostly, he loved the measuring of his opponent, the unearthing of their limitations. Only now, he wasn’t sure who his opponent was. Ione Hawthorn—or the Maiden Card.
Rachel Gillig (Two Twisted Crowns (The Shepherd King #2))
Somehow he seems to understand everybody...He calms people. You all know that. He is calm itself, and the calm stays even when he has left. He doesn’t just jolly people up. After he is gone, they are somehow much better—as if life was still worth havin’.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
She cried out, calling his name, ripping the last whole piece of his rotted-out heart to tatters. Go, he commanded. Don’t look back. She fought it. Damn her, she fought to look back. Tears burned Elm’s eyes. “See you in the woods,” he murmured. “Mud on my ankles.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Who are you?” “Blunder’s reckoning.” The Shepherd King’s grin was worse than any snarl. “I am the root and the tree. I am balance.” Ione reached out in a flash, her fingers wrapping around his wrist. “I want to speak to Elspeth.” “You cannot have her. She is with me. And I am letting her rest.” “I don’t care. Give her back to me.” The Shepherd King’s teeth scraped over his lip. For a moment, Elm thought he might tear into Ione’s soft, unblemished cheek. But his grip on her face loosened, his brow easing. “She will be free. But not until my work is finished.” His eyes flashed to Elm. “And old debts settled.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Why?” she asked. “Why do you aim to be better?” “Because I have to be,” Elm said in one breath. “I care not what they say about me at court, even if it is that I’m a rotten Prince and a piss-poor Destrier.” He leaned closer. “But I do want it said, loud enough so everyone hears, that I am nothing like Hauth.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
NO, THERE ISN’T, I’M AFRAID. WE ARE ALL FLOATING IN THE WINDS OF TIME. BUT YOUR CANDLE, MISTRESS WEATHERWAX, WILL FLICKER FOR SOME TIME BEFORE IT GOES OUT – A LITTLE REWARD FOR A LIFE WELL LIVED. FOR I CAN SEE THE BALANCE AND YOU HAVE LEFT THE WORLD MUCH BETTER THAN YOU FOUND IT, AND IF YOU ASK ME, said Death, NOBODY COULD DO ANY BETTER THAN THAT . . .
Terry Pratchett (The Shepherd's Crown (Discworld, #41))
I remember what it was like to care for somebody
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
His eyes glided over her mouth. “Charitable of you to think me honorable.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
And squabbling was de rigueur in Fairyland—not even cats were as bad.*
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
A VERY GOOD LIFE LIVED INDEED, ESMERELDA. “Thank you,” said Granny. “I did my best.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Alas for us, our dreams came true.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
A heartbeat in my ear—a false promise of forever.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
What was another cut, another scar? Ravyn’s hands were but blunt tools. Not the instruments of a gentleman, but of a man-at-arms
Rachel Gillig (Two Twisted Crowns (The Shepherd King #2))
Elspeth’s black eyes were gone. In their place, catlike irises, vivid and yellow, lit by a man five hundred years dead.
Rachel Gillig (Two Twisted Crowns (The Shepherd King #2))
Just do the work you find in front of you and enjoy yourself.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Tiffany sighed. ‘Being a witch is a man’s job: that’s why it needs women to do it.
Terry Pratchett (The Shepherd's Crown (Discworld, #41))
Oh, give her a hug. Don’t be grotesque.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Aemmory Percyval Taxus.” He dragged his gauntlets across the sand. “That’s my name.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
The Nightmare ignored her. He was carrying on a separate conversation—with himself. “I’m aware, Elspeth. Shouting at me won’t help.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Taxus. My name is Taxus.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Perhaps one day I’ll make a Card to read your mind
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
All that talk of pleasure and warmth and that terrible
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Nightmare. I drew in a breath. Spoke the words he had so often tendered me
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Are you with me
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
And though it had taken slow, painful time, I knew who I was without him. I was more than the girl, the King, and the monster of Blunder’s dark, twisted tale. I was its author.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
I was the darkness and the darkness was me
Rachel Gillig (Two Twisted Crowns (The Shepherd King #2))
The magic was already there
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
You offered me two things,” he said slowly. “I denied them both. For my restraint—and for the sake of balance—I ask for two clues.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
But—I can’t! And witches don’t have leaders! You’ve just said that, Nanny!” “Yes,” said Nanny. “And you must be the best damn leader that we don’t have.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
The King's eyes blazed. "You agreed to marry Hauth, knowing you'd be tethering him to a family that carried sickness? You disgust me." "The disgust," Ione said, her tone idle, "is mutual.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
The Shepherd King was born with the fever because I deemed it so. His children were gifted magic by me. Brutus Rowan took the throne because I did not intervene. Kings and monsters can be made
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
There was a bond, you see, when were both young, but she wanted to be the best of all witches and I hoped one day to be Archchancellor. Alas for us, our dreams came true. * " *Thus proving that dreams that come true are not always the right dreams. Does wearing a glass slipper lead to a comfortable life? If everything you touch turns into marshmallows, won't that make things a bit ... sticky?
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
The Song Of The Happy Shepherd The woods of Arcady are dead, And over is their antique joy; Of old the world on dreaming fed; Grey Truth is now her painted toy; Yet still she turns her restless head: But O, sick children of the world, Of all the many changing things In dreary dancing past us whirled, To the cracked tune that Chronos sings, Words alone are certain good. Where are now the warring kings, Word be-mockers?—By the Rood, Where are now the watring kings? An idle word is now their glory, By the stammering schoolboy said, Reading some entangled story: The kings of the old time are dead; The wandering earth herself may be Only a sudden flaming word, In clanging space a moment heard, Troubling the endless reverie. Then nowise worship dusty deeds, Nor seek, for this is also sooth, To hunger fiercely after truth, Lest all thy toiling only breeds New dreams, new dreams; there is no truth Saving in thine own heart. Seek, then, No learning from the starry men, Who follow with the optic glass The whirling ways of stars that pass— Seek, then, for this is also sooth, No word of theirs—the cold star-bane Has cloven and rent their hearts in twain, And dead is all their human truth. Go gather by the humming sea Some twisted, echo-harbouring shell. And to its lips thy story tell, And they thy comforters will be. Rewording in melodious guile Thy fretful words a little while, Till they shall singing fade in ruth And die a pearly brotherhood; For words alone are certain good: Sing, then, for this is also sooth. I must be gone: there is a grave Where daffodil and lily wave, And I would please the hapless faun, Buried under the sleepy ground, With mirthful songs before the dawn. His shouting days with mirth were crowned; And still I dream he treads the lawn, Walking ghostly in the dew, Pierced by my glad singing through, My songs of old earth’s dreamy youth: But ah! she dreams not now; dream thou! For fair are poppies on the brow: Dream, dream, for this is also sooth.
W.B. Yeats (The Collected Poems of W.B. Yeats)
Terry usually had more than one book on the go at a time and he discovered what each was about as he went along. He would start somewhere, telling himself the story as he wrote it, writing the bits he could see clearly and assembling it all into a whole – like a giant literary jigsaw – when he was done. Once it was shaped, he would keep writing it too, adding to it, fixing bits, constantly polishing and adding linking sequences, tossing in just one more footnote or event.
Terry Pratchett (The Shepherd's Crown (Discworld, #41))
It’s going to hurt,” she said, “when the Maiden lets me go. When all the feelings I haven’t felt come rushing in. Are you sure you want to see that?” The moment held Elm in place. Even his breath had gone shallow. Ione dipped her hand into her bodice. When she pulled it back, the Maiden was between her fingers. “Do you?” He managed only one word. “Please.” Never breaking their gaze, Ione held a finger up to her Maiden Card. With three taps, she released herself from its magic.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Peaseblossom reached down to grab the goblin, and Of the Lathe the Swarf reacted quickly, thrusting his small hands into his pockets and throwing a shower of silvery scraps over the elf. Peaseblossom screamed in pain as he fell from his horse.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
When I get my kingdom back . . . ,” Nightshade began. “Stop there,” said Tiffany. “Why do you want your kingdom back? What good has it done you? Think about it, for I am the human who has looked after you, the only person you might call a friend.” She looked seriously at the elf. “I have told you that I—we—would be happy if you were to be Queen of the Elves again, but only if you can truly learn from your time here. Be prepared to live in peace, teach your elves that the world has changed and that there is no space for them here.” There was hope in her voice now, a hope that human and elf might be able to change the stories of humans and elves. A princess doesn’t have to be blond and blue-eyed and have a shoe size smaller than her age, she thought. People can trust witches, and not fear the old woman in the woods, the poor old woman whose only crime was to have no teeth and to talk to herself. And perhaps an elf could learn to know mercy, to discover humanity. . . . “If you learn things,” she finished softly, “you might find yourself building a different kind of kingdom.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Number two was Hugh, who had suggested to his father that he would like to go into the church. His father had said, "Only if it's the Church of Om, but none of the others. I'm not having no son of mine fooling around with cultic activities!" Om was handily silent, thereby enabling his priests to interpret his wishes how they chose. Amazingly, Om's wishes rarely translated into instructions like "Feed the poor" or "Help the elderly" but more along the lines of "You need a splendid residence" or "Why not have seven courses for dinner?" So Lord Swivel felt that a clergyman in the family could in fact be useful.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
She got out the box of paints and some precious paper and tried to paint what she was seeing, and there was a kind of magic there, too. It was all about light and dark. If you could get down on paper the shadow and the shine, the shape that any creature left in the world, then you could get the thing itself.
Terry Pratchett (Tiffany Aching Complete 5-Book Collection: The Wee Free Men, A Hat Full of Sky, Wintersmith, I Shall Wear Midnight, The Shepherd's Crown – Epic Witch Fantasy Books from the Discworld)
Well," said Nanny Ogg, "you can count on me. I’ve always been a fighter. You has to be a fighter to be a witch. We don’t have to worry – they does. If you can get an elf down and kick it about a bit, it’s not goin’ to be so glamorous as it was. Take it from me, even elves has soft parts which don’t like no boot in ’em.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Blood is the price to unite the Deck. To lift the mist and heal the infection. Your price. And I will gladly pay it. Gladly die. I’ve been dying piece by piece since Emory grew sick.” His throat constricted. “I have died tenfold since Elspeth disappeared. And now your mist has claimed my sister. So do not speak to me of cost
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
So many people never seemed to think about the consequences of their everyday actions. And then a witch on her broom would have to set out from her bed in the rain in the dead of night because of "I only" and its little friends "I didn't know" and "It's not my fault." "I only wanted to see if the copper was hot . . . " "I didn't know a boiling pot was dangerous . . . " "It's not my fault--no one told me dogs that bark might also bite." And her favorite, "I didn't know it would go off bang"--when it said "goes bang" on the box it came in. That had been when little Ted Cooper had put an explosive banger (another tiny clue) into the carcass of a chicken after his mum's birthday party and nearly killed everybody around the table.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Far from birds, from flocks and village girls, What did I drink, on my knees in the heather Surrounded by a sweet wood of hazel trees, In the warm and green mist of the afternoon? What could I drink from that young Oise, − Voiceless elms, flowerless grass, an overcast sky! − Drinking from these yellow gourds, far from the hut I loved? Some golden spirit that made me sweat. I would have made a dubious sign for an inn. − A storm came to chase the sky away. In the evening Water from the woods sank into the virgin sand, And God’s wind threw ice across the ponds. Weeping, I saw gold − but could not drink. − ——— At four in the morning, in the summer, The sleep of love still continues. Beneath the trees the wind disperses The smells of the evening feast. Over there, in their vast wood yard, Under the sun of the Hesperidins, Already hard at work − in shirtsleeves − Are the Carpenters. In their Deserts of moss, quietly, They raise precious panelling Where the city Will paint fake skies. O for these Workers, charming Subjects of a Babylonian king, Venus! Leave for a moment the Lovers Whose souls are crowned with wreaths. O Queen of Shepherds, Carry the water of life to these labourers, So their strength may be appeased As they wait to bathe in the noon-day sea.
Arthur Rimbaud (A Season in Hell)
He held me, resting his cheek against the crown of my head, his heart drumming against my ear. I inhaled him, leather and smoke and cedar, settling into his arms like a rabbit in its warm, safe den. I had not fit into anyone’s arms like that since childhood. And even then, no one had ever held me so tightly—as if they needed me in their arms as much as I needed to be held. As if nothing else mattered but to hold one another. As if we had all the time in the world.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
From the Heliconian Muses let us begin to sing, who hold the great and holy mount of Helicon, and dance on soft feet about the deep-blue spring and the altar of the almighty son of Cronos, and, when they have washed their tender bodies in Permessus or in the Horse's Spring or Olmeius, make their fair, lovely dances upon highest Helicon and move with vigorous feet. Thence they arise and go abroad by night, veiled in thick mist, and utter their song with lovely voice, praising Zeus the aegis-holder and queenly Hera of Argos who walks on golden sandals and the daughter of Zeus the aegis-holder bright-eyed Athene, and Phoebus Apollo, and Artemis who delights in arrows, and Poseidon the earth-holder who shakes the earth, and reverend Themis and quick-glancing Aphrodite, and Hebe with the crown of gold, and fair Dione, Leto, Iapetus, and Cronos the crafty counsellor, Eos and great Helius and bright Selene, Earth too, and great Oceanus, and dark Night, and the holy race of all the other deathless ones that are for ever. And one day they taught Hesiod glorious song while he was shepherding his lambs under holy Helicon, and this word first the goddesses said to me—the Muses of Olympus, daughters of Zeus who holds the aegis: 'Shepherds of the wilderness, wretched things of shame, mere bellies, we know how to speak many false things as though they were true; but we know, when we will, to utter true things'.
Hesiod (Theogony / Works and Days)
The Scythe I created has been used for unspeakable crimes. Infected children have been hunted—killed. Physicians have turned to murderers. The Old Book of Alders has been defiled by Rowans to justify their every whim. Pain is Blunder’s legacy. It has perforated the kingdom for centuries, and would continue to do so if your family—my rightful heirs—were to forcibly take it back. There would be terrible unrest. You and I are Blunder’s reckoning, Ravyn Yew. Not its peace.” His voice softened, as if he were easing a child to rest with a story. “I had five hundred years to imagine my revenge. Hauth Rowan tasted it, that night at Spindle House. But poetry is as judicious as violence. And wouldn’t it be poetic to undo the Rowans from within? To take that legacy of pain, and watch one of their own grind it under his heel? To carve the way for a Prince who never used the Scythe for violence? Your cousin Elm has done more than Brutus Rowan or I ever could. He has looked pain in the eye—and refused to let it make a monster of him.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Silence. Then, “For five hundred years, I fractured in the dark. A man, slowly twisting into something terrible. I saw no sun, no moon. All I could do was remember the terrible things that had happened. So I forged a place to put away the King who once lived—all his pain—all his memories. A place of rest.” Ravyn turned. When his eyes caught the Nightmare’s yellow gaze, he knew. “That’s where she is. It’s why I can’t hear her with the Nightmare Card. You have Elspeth hidden away.” His throat burned. “Alone, in the dark.” The Nightmare cocked his head. “I am not a dragon hording gold. The moment Elspeth touched that Nightmare Card and I slipped into her mind, her days were marked. I was her degeneration.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
not fade. They do not decay with time. They cannot be destroyed. The Shepherd King declared it so.” “And he, like you, is certainly a liar.” The wind whispered through branches. “Your time is up, Ravyn Yew,” the Spirit said. “I will have your answer now. Tell me—what is your name?” His throat tightened. His eyes rushed over the meadow, the tips of trees. Trees he and Jespyr and Emory had swung from as children. Just like Tilly did, waiting for her father. Breath bloomed out of Ravyn’s mouth in the cool air. So often was he fixed on going forward—always forward—that he hadn’t let himself look back. But the past had been shown to him. Written out for him. Laid bare at his feet. The branches carved into the Shepherd King’s crown—his hilt. The blade, swinging through the air, rearranging the wood. A name, whispered against a yew’s gnarled trunk. An old name. For an old, twisted tree. The Shepherd King’s face. His son Bennett’s gray eyes. The Scythe had not worked on Bennett. Just as it did not work on Ravyn. I’m nothing like you. But you are. More than you know. Ravyn met the Spirit of the Wood’s silver gaze. When he finally said the words, he knew, with every piece of himself, that they were true. “Taxus. My name is Taxus.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Tell me the truth. Is there a way Elspeth and I will meet again on this side of the veil?” The answer was a cold, deafening silence. Ravyn squeezed his eyes shut and bit down so hard his jaw seized. He felt like he was back in the meadow, a knife in his side, bleeding out. Then, soft as a shifting breeze through yew branches, the Nightmare answered. “Only one.” Ravyn opened his eyes. The Nightmare stood before him like he had in his bedroom. Hand extended, palm open. And the Nightmare Card therein. “Destroy it,” he whispered. “With the final Nightmare Card gone, my soul will disappear. Her degeneration will have nothing to cling to. She will return. And I…” His voice faded. “I will finally rest.” Ravyn reached for the Nightmare Card, hands shaking. “Destroy this, and Elspeth returns?” “Yes.” Something hot touched Ravyn’s relief. “You’re telling me I’ve had the means to free her all this time?” The Nightmare grinned. “Yes.” “You didn’t—Why—” He pinched his nose, swallowing fury. “You make it so hard not to hate you.” “I had my Deck to collect. History to revisit—and rewrite. A path to draw for you and the Princeling, both of you Kings in your own right.” The Nightmare clung only a moment longer to his namesake Card, then released it into Ravyn’s hand. “And I was not yet ready to bid Elspeth goodbye.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
If you can read, you can learn. If you can learn, you can grow. And, if you can grow, you can be anything!
Crown Shepherd (Black Boy, Black Boy)
That’s how good the money is.” He paused and stuffed the catalog back into his pocket, then added, “Women’s clothes are wonderful, don’t you think? Only the other day I met a man who said he traveled in ladies’ lingerie. . . .” “Are you sure he was all right?” Martin asked Mr. Slack a bit dubiously. He had heard talk of one very remote camp where the tough, strong lumberjacks apparently chose to dress in women’s clothing as they sang songs about their big choppers, but he hadn’t believed it. Until now, anyway.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
Yan tan tethera.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
I PROBABLY AIN’T ALIVE, GYTHA OGG. YOU KNOW WHAT TO DO AND WHO TO TELL. ALL OF IT GOES TO TIFFANY ACHING EXCEPT THE CAT, YOU. SHE’LL GO WHERE SHE WANTS TO.
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
There once was a girl,” he said, his voice slick, “clever and good, who tarried in shadow in the depths of the wood. There also was a King—a shepherd by his crook, who reigned over magic and wrote the old book. The two were together, so the two were the same:
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
For too much of fire, our swords would all break. Too much of wine a poison doth make. Excess is grievous, be knave, maid, or crown. Too much of water, how easy we drown.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
There were not enough pages in all the books Elm had read, in all the libraries he’d wandered, in all the notebooks he’d scrawled, that could measure—denote or describe—just how beautiful she was
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
For even dead, I will not die. I am the shepherd of shadow. The phantom of the fright. The demon in the daydream. The nightmare in the night
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
It was one of the many masks he wore. And he’d worn it so long that, even when he should take it off, he didn’t always know how.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
For mercy’s sake.” The Nightmare spat phlegm onto roots. “Shut the fuck up.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Elspeth Spindle,” he said quietly, his eyes—so strange and yellow—ensnaring me. “I’ve been waiting for you.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
I don’t know what’s on the other side of those alder trees, Jes. When we find a way in, stay close.” When he drifted off to sleep, his sister’s voice was in his ear. “I always do.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
I’m going to wrench the knife out of him. And you, Tilly—
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
I was the darkness and the darkness was me, and together we rolled with the tide, lulled toward a shore I could neither see nor hear. All was water-all was salt.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Human life is short. You are not as a tree stoic and unyielding, but a butterfly. Delicate, fleeting. Inconsequential.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
You asked for the truth. Truth bends, Ravyn Yew. We must all bend along with it. If we do not, well..." His yellow eyes flared. "Then we will break.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
There were not enough pages in all the books Elm had read, in all the libraries he'd wandered, in all the notebooks he'd scrawled, that could measure-denote or describe-just how beautiful she was.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
I wish we could have had those hundred years, Hawthorn. I wish you could have been Queen.” “I don’t care about being Queen.” She pulled him close—pressed quivering lips to his mouth. “You are not Hauth, and you are not the boy he tormented. It would be terribly unclever to die, just to prove it. Please, Elm. Come with me.” Her kiss tasted like tears. Elm was lost to it. He pulled back. “Get on the horse and ride away, Ione.” When her hazel eyes went blurry under his Scythe’s command, it took all of Elm not to look away. Ione got on his horse, spurred it, her hair catching moonlight, a dreamy yellow ribbon in the wind.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
It was as if all of our lives, drawn in long, separate lines, had curved together. Curved so much that all of us had become interlocking circles. As if we had been destined together. Shepherded together.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
I’m not sorry he’s broken—only that it was not me doing the breaking.” Elm took a deep drink. “Does that make me wicked?” “If it does, you and I are the same kind of wicked.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Elm took the sword. Searched the Nightmare’s eyes. “You won’t stay?” “I’ve got to get back.” He glanced one last time at the glowing lights of the Providence Cards he had lived—bled—died for. “They’re waiting for me.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
there
Rachel Gillig (Two Twisted Crowns (The Shepherd King #2))
This will all be over at midnight, Elspeth. After that, you can love me as thoroughly as you like.
Rachel Gillig (Two Twisted Crowns (The Shepherd King #2))
The Nightmare’s whisper was like wind in the trees. “You are strong, Ravyn Yew. I have known that since the moment I clapped eyes on you. And you must keep being strong—” He turned and faced the hilltop. “For what comes next.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))