Shelter (novel) Quotes

Ladies sheltering behind men, men sheltering behind servants - the whole system's wrong, and she must challenge it.

At a party given by a billionaire on Shelter Island, Kurt Vonnegut informs his pal, Joseph Heller, that their host, a hedge fund manager, had made more money in a single day than Heller had earned from his wildly popular novel Catch-22 over its whole history. Heller responds, “Yes, but I have something he will never have … enough.” Enough. I was stunned by the simple eloquence of that word—stunned for two reasons: first, because I have been given so much in my own life and, second, because Joseph Heller couldn’t have been more accurate. For a critical element of our society, including many of the wealthiest and most powerful among us, there seems to be no limit today on what enough entails.

Right after her funeral I felt the way you feel when it suddenly starts raining hard, and you look around and find no place to take shelter.

JOE HELLER True story, Word of Honor: Joseph Heller, an important and funny writer now dead, and I were at a party given by a billionaire on Shelter Island. I said, “Joe, how does it make you feel to know that our host only yesterday may have made more money than your novel ‘Catch-22’ has earned in its entire history?” And Joe said, “I’ve got something he can never have.” And I said, “What on earth could that be, Joe?” And Joe said, “The knowledge that I’ve got enough.” Not bad! Rest in peace!

Questions stripped away the platitudes and undermined the verities that provided a sheltered, nursery existence for people who did not want to think. Questions were the obligation of the intellect.

You’re thinking, maybe it would be easier to let it slip let it go say ”I give up” one last time and give him a sad smile. You’re thinking it shouldn’t be this hard, shouldn’t be this dark, thinking love could flow easily with no holding back and you’ve seen others find their match and build something great together, of each other, like two halves fitting perfectly and now they achieve great things one by one, always together, and it seems grand. But you love him. Love him like a black stone in your chest you couldn’t live without because it fits in there. Makes you who you are and the thought of him gone—no more—makes your chest tighten up and maybe this is your fairytale. Maybe this is your castle. You could get it all on a shiny piece of glass with wooden stools and a neverending blooming garden but that’s not yours. This is yours. The cracks and the faults, the ugly words in the winter walking home alone and angry but falling asleep thinking you love him. This is your fairy tale. The quiet in the hallway, wishing for him to turn around, tell you to stay, tell you to please don’t go I need you like you need me and maybe it’s not a Jane Austen novel but this is your novel and your castle and you can run from it your whole life but this is here in front of you. Maybe nurture it? Sweet girl, maybe close the world off and look at him for an hour or two. This is your fairy. It ain’t perfect and it ain’t honey sweet with roses on the bed. It’s real and raw and ugly at times. But this is your love. Don’t throw it away searching for someone else’s love. Don’t be greedy. Instead, shelter it. Protect it. Capture every second of easy, pull through every storm of hardship. And when you can, look at him, lying next to you, trusting you not to harm him. Trusting you not to go. Be someone’s someone for someone. Be that someone for him. That’s your fairy tale. This is your castle. Now move in. Build a home. Build a house. Build a safety around things you love. It’s yours if you make it so. Welcome home, sweet girl, it will be all be fine.

At a party given by a billionaire on Shelter Island, Kurt Vonnegut informs his pal, Joseph Heller, that their host, a hedge fund manager, had made more money in a single day than Heller had earned from his wildly popular novel Catch-22 over its whole history. Heller responds,“Yes, but I have something he will never have — enough.

Lily had no heart to lean on. Her relation with her aunt was as superficial as that of chance lodgers who pass on the stairs. But even had the two been in closer contact, it was impossible to think of Mrs. Peniston's mind as offering shelter or comprehension to such misery as Lily's. As the pain that can be told is but half a pain, so the pity that questions has little healing in its touch. What Lily craved was the darkness made by enfolding arms, the silence which is not solitutde, but compassion holding its breath.

But there was never any knowing or any certitude; the time to come always had more than one possible direction. One could not even give up hope. The wind would blow, the sand would settle, and in some as yet unforeseen manner time would bring about a change which could only be terrifying, since it would not be a continuation of the present.

Heart isn’t something you find in soap operas and Harlequin novels. It’s that pure essence–sheltered deep inside–that occasionally makes its way to the surface. Give heed lest it ever trend to waste.

Ingenious philosophers tell you, perhaps, that the great work of the steam-engine is to create leisure for mankind. Do not believe them: it only creates a vacuum for eager thought to rush in. Even idleness is eager now—eager for amusement; prone to excursion-trains, art museums, periodical literature, and exciting novels; prone even to scientific theorizing and cursory peeps through microscopes. Old Leisure was quite a different personage. He only read one newspaper, innocent of leaders, and was free from that periodicity of sensations which we call post-time. He was a contemplative, rather stout gentleman, of excellent digestion; of quiet perceptions, undiseased by hypothesis; happy in his inability to know the causes of things, preferring the things themselves. He lived chiefly in the country, among pleasant seats and homesteads, and was fond of sauntering by the fruit-tree wall and scenting the apricots when they were warmed by the morning sunshine, or of sheltering himself under the orchard boughs at noon, when the summer pears were falling. He knew nothing of weekday services, and thought none the worse of the Sunday sermon if it allowed him to sleep from the text to the blessing; liking the afternoon service best, because the prayers were the shortest, and not ashamed to say so; for he had an easy, jolly conscience, broad-backed like himself, and able to carry a great deal of beer or port-wine, not being made squeamish by doubts and qualms and lofty aspirations.

Even if the roof of a house leaks a lot, it still provides more shelter than a tree.

We the erratic keep terrible time.

It is the most fundamental thing I know about being alive: Everything that lasts is invention followed by tenacious faith.

When a house falls apart, one cannot live their entire life under the open sky, merely complaining about it; finding shelter is essential. This is the truth, and it's the right thing to do.

In the end they had lost everything, their freedom as men, their rights as men, their dignity as men, and had become nothing else but slaves of an omnipotent State, working endlessly, half-starved, half-clothed, half-sheltered in ruined buildings, endlessly spied upon, supervised, commanded by the Military and treated like dogs.

I wanted to write a novel evoking the mood of Kamome Diner and Little Forest. A space we can escape to, a refuge from the intensity of daily life where we can’t even pause to take a breather. A space to shelter us from the harsh criticisms whipping us to do more, to go faster. A space to snuggle comfortably for a day. A day without something siphoning our energy, a day to replenish what’s lost. A day we begin with anticipation and end with satisfaction. A day where we grow, and from growth sprouts hope. A day spent having meaningful conversations with good people. Most importantly, a day where we feel good, and our heart beats strongly. I wanted to write about such a day, and the people within it.

but I will be my own shelter, my landing place. Like a snail, I will carry home on my back, find it where I happen to be, make it from what I bear inside me.

The pain was a river I rode; I could not plant my feet in it or it would knock me down

Failure to plan is planning to fail

A little baby girl trying to soothe her girl of a mother

People run to one another for shelter because they’re afraid of one another—capitalists stick together, workers stick together, scholars stick together!

Daemons had minds of their own, which could never be harnessed, even by those who sheltered them.

Cuisine, after all, is culture itself. If a nation doesn’t have a vibrant, expansive food culture, then if you ask me, what’s the point? Out of the three basic needs—food, clothing, and shelter—food was number one by far to me, although your mileage may vary.

She was only a year or two older than Musashi, but how different they were in their experience of love. Watching him sit so stiffly, restraining his emotions, avoiding her face as though a look at her might blind him, she felt once again like a sheltered maiden experiencing the first pangs of love.

When I am king, they shall not have bread and shelter only, but also teachings out of books; for a full belly is little worth where the mind is starved, and the heart. I will keep this diligently in my remembrance, that this day’s lesson be not lost upon me, and my people suffer thereby; for learning softeneth the heart and breedeth gentleness and charity.

Enough of this nonsense,” Fern Hampton interrupted. “What this church needs is a vanity table in the women’s rest room.” Sam sat in his folding chair, thinking of churches that had homeless shelters and soup kitchens and raised money to send doctors to Africa to help lepers. He wished there was a leper in Harmony they could help. There’s nothing like a leper to stir up a church, he thought.

Jim, as I’ve told you, accompanied me on the first stage of my journey back to the world he had renounced, and the way at times seemed to lead through the very heart of untouched wilderness. The empty reaches sparkled under the high sun; between the high walls of vegetation the heat drowsed upon the water, and the boat, impelled vigorously, cut her way through the air that seemed to have settled dense and warm under the shelter of lofty trees.

On this particular day her father, the vicar of a parish on the sea-swept outskirts of Lower Wessex, and a widower, was suffering from an attack of gout. After finishing her household supervision Elfride became restless, and several times left the room, ascended the staircase, and knocked at her father's chamber-door. 'Come in!' was always answered in a heart out-of-door voice from the inside. 'Papa,' she said on one occasion to the fine, red-faced, handsome man of forty, who, puffing and fizzing like a bursting bottle, lay on the bed wrapped in a dressing-gown, and every now and then enunciating, in spite of himself, about one letter of some word or words that were almost oaths; 'papa, will you not come downstairs this evening?' She spoke distinctly: he was rather deaf. 'Afraid not - eh-h-h! - very much afraid I shall not, Elfride. Piph-ph-ph! I can't bear even a handkerchief upon this deuced toe of mine, much less a stocking or slipper - piph-ph-ph! There 'tis again! No, I shan't get up till tomorrow.' 'Then I hope this London man won't come; for I don't know what I should do, papa.' 'Well, it would be awkward, certainly.' 'I should hardly think he would come today.' 'Why?' 'Because the wind blows so.' 'Wind! What ideas you have, Elfride! Who ever heard of wind stopping a man from doing his business? The idea of this toe of mine coming on so suddenly!... If he should come, you must send him up to me, I suppose, and then give him some food and put him to bed in some way. Dear me, what a nuisance all this is!' 'Must he have dinner?' 'Too heavy for a tired man at the end of a tedious journey.' 'Tea, then?' 'Not substantial enough.' 'High tea, then? There is cold fowl, rabbit-pie, some pasties, and things of that kind.' 'Yes, high tea.' 'Must I pour out his tea, papa?' 'Of course; you are the mistress of the house.' 'What! sit there all the time with a stranger, just as if I knew him, and not anybody to introduce us?' 'Nonsense, child, about introducing; you know better than that. A practical professional man, tired and hungry, who has been travelling ever since daylight this morning, will hardly be inclined to talk and air courtesies tonight. He wants food and shelter, and you must see that he has it, simply because I am suddenly laid up and cannot. There is nothing so dreadful in that, I hope? You get all kinds of stuff into your head from reading so many of those novels.

But the thing that made it most interesting is what it had to say about books and religion. I love how Brooks shows that every great religion shares a love of books, of reading, of knowledge. The individual books may be different, but reverence for books is what we all have in common. Books are what bring all the different people in the novel together, Muslims and Jews and Christians. That’s why everyone in the book goes to such lengths to save this one book—one book stands for all books. When I think back on all the refugee camps I visited, all over the world, the people always asked for the same thing: books. Sometimes even before medicine or shelter—they wanted books for their children.

The Soviet Union in American accounts tends to be a deprived, and depraved, hell, but there was also much that was sweet, and sheltered, about it, and this book’s portrayal of that country touches the bone for an exile. So does the novel’s evocation of that subtle Soviet sense of living with eyes and ears everywhere; of how sinners find crumbs even at a table set for the new saints of socialism; and of the integrity that survives, miraculously, even in such circumstances. So that the Muscovites mocked in the early part of the book receive, as well, a kind of hidden sympathy. No human being deserves the trauma of a life in a place like the USSR, and that person’s ultimate judgment must take that into account.

The hill was covered on its northern side by an ancient and decaying plantation of beeches, whose upper verge formed a line over the crest, fringing its arched curve against the sky, like a mane. To-night these trees sheltered the southern slope from the keenest blasts, which smote the wood and floundered through it with a sound as of grumbling, or gushed over its crowning boughs in a weakened moan. The dry leaves in the ditch simmered and boiled in the same breezes, a tongue of air occasionally ferreting out a few, and sending them spinning across the grass. A group or two of the latest in date amongst the dead multitude had remained till this very mid-winter time on the twigs which bore them and in falling rattled against the trunks with smart taps.

Jove! I feel as if nothing could ever touch me,” he said in a tone of sombre conviction. “If this business couldn’t knock me over, then there’s no fear of there being not enough time to — climb out, and...” He looked upwards. ‘It struck me that it is from such as he that the great army of waifs and strays is recruited, the army that marches down, down into all the gutters of the earth. As soon as he left my room, that “bit of shelter,” he would take his place in the ranks, and begin the journey towards the bottomless pit. I at least had no illusions; but it was I, too, who a moment ago had been so sure of the power of words, and now was afraid to speak, in the same way one dares not move for fear of losing a slippery hold. It is when we try to grapple with another man’s intimate need that we perceive how incomprehensible, wavering, and misty are the beings that share with us the sight of the stars and the warmth of the sun. It is as if loneliness were a hard and absolute condition of existence; the envelope of flesh and blood on which our eyes are fixed melts before the outstretched hand, and there remains only the capricious, unconsolable, and elusive spirit that no eye can follow, no hand can grasp.

Blessed Man” is a tribute to Updike’s tenacious maternal grandmother, Katherine Hoyer, who died in 1955. Inspired by an heirloom, a silver thimble engraved with her initials, a keepsake Katherine gave to John and Mary as a wedding present (their best present, he told his mother), the story is an explicit attempt to bring her back to life (“O Lord, bless these poor paragraphs, that would do in their vile ignorance Your work of resurrection”), and a meditation on the extent to which it’s possible to recapture experience and preserve it through writing. The death of his grandparents diminished his family by two fifths and deprived him of a treasured part of his past, the sheltered years of his youth and childhood. Could he make his grandmother live again on the page? It’s certainly one of his finest prose portraits, tender, clear-eyed, wonderfully vivid. At one point the narrator remembers how, as a high-spirited teenager, he would scoop up his tiny grandmother, “lift her like a child, crooking one arm under her knees and cupping the other behind her back. Exultant in my height, my strength, I would lift that frail brittle body weighing perhaps a hundred pounds and twirl with it in my arms while the rest of the family watched with startled smiles of alarm.” When he adds, “I was giving my past a dance,” we hear the voice of John Updike exulting in his strength. Katherine takes center stage only after an account of the dramatic day of her husband’s death. John Hoyer died a few months after John and Mary were married, on the day both the newlyweds and Mary’s parents were due to arrive in Plowville. From this unfortunate coincidence, the Updike family managed to spin a pair of short stories. Six months before he wrote “Blessed Man,” Updike’s mother had her first story accepted by The New Yorker. For years her son had been doing his filial best to help get her work published—with no success. In college he sent out the manuscript of her novel about Ponce de León to the major Boston publishers, and when he landed at The New Yorker he made sure her stories were read by editors instead of languishing in the slush pile. These efforts finally bore fruit when an editor at the magazine named Rachel MacKenzie championed “Translation,” a portentous family saga featuring Linda’s version of her father’s demise. Maxwell assured Updike that his colleagues all thought his mother “immensely gifted”; if that sounds like tactful exaggeration, Maxwell’s idea that he could detect “the same quality of mind running through” mother and son is curious to say the least. Published in The New Yorker on March 11, 1961, “Translation” was signed Linda Grace Hoyer and narrated by a character named Linda—but it wasn’t likely to be mistaken for a memoir. The story is overstuffed with biblical allusion, psychodrama, and magical thinking, most of it Linda’s. She believes that her ninety-year-old father plans to be translated directly to heaven, ascending like Elijah in a whirlwind, with chariots of fire, and to pass his mantle to a new generation, again like Elijah. It’s not clear whether this grand design is his obsession, as she claims, or hers. As it happens, the whirlwind is only a tussle with his wife that lands the old folks on the floor beside the bed. Linda finds them there and says, “Of all things. . . . What are you two doing?” Her father answers, his voice “matter-of-fact and conversational”: “We are sitting on the floor.” Having spoken these words, he dies. Linda’s son Eric (a writer, of course) arrives on the scene almost immediately. When she tells him, “Grampy died,” he replies, “I know, Mother, I know. It happened as we turned off the turnpike. I felt

Dr. Billi Tiner graduated from Oklahoma State University’s College of Veterinary Medicine in 1999. She has worked in a variety of veterinary fields including small animal practice and shelter animal practice. She currently lives with her husband, two children, three dogs, and three cats in Missouri. Dr. Tiner is the author of four middle-grade fiction novels

Novels can bring their authors to the brink of madness. Novels can shelter their authors, too. As a writer, I protected the characters in The God of Small Things, because they were vulnerable. Many of the characters in The Ministry of Utmost Happiness are, for the most part, even more vulnerable. But they protect me. Especially Anjum, who was born as Aftab, who ends up as the proprietor and Manager of the Jannat Guest House, located in a derelict Muslim graveyard just outside the walls of Old Delhi. Anjum softens the borders between men and women, between animals and humans and between life and death. I go to her when I need shelter from the tyranny of hard borders in this increasingly hardening world.

Fresh vegetables there." He leans forward and I lean with him; my knees crack, his don't. He has created an opening under the window and built a larder cupboard of wicker and bamboo. Luxurious cabbages, self-satisfied leeks, arching chard, earthy carrots, ravishing little turnips and all sorts of different squashes, some with markings like an ocelot, some shaped like gourds and others sheltering under impish bonnets of stalk. "Dried vegetables." In wooden pails, raised off the ground by hollow bricks, there are black-eyed beans watching me, lentils sleeping, haricot beans slithering and chickpeas tumbling. "Dairy products." There is now a portable chiller cabinet above my fridge. It is opened by means of a large aluminum handle which you lift then turn. It's a precious old-fashioned kitchen until harboring the cool half-light so beneficial to goat's and ewe's cheese, fresh cream and yogurt in strainers.

At a party given by a billionaire on Shelter Island, Kurt Vonnegut informs his pal, Joseph Heller, that their host, a hedge fund manager, had made more money in a single day than Heller had earned from his wildly popular novel Catch-22 over its whole history. Heller responds, “Yes, but I have something he will never have … enough.” Enough. I was stunned by the simple eloquence of that word—stunned for two reasons: first, because I have been given so much in my own life and, second, because Joseph Heller couldn’t have been more accurate.

The Lord wanted trust, above all trust. And this trusting was the foundation of the personal holiness from which right action flowed. By seeking solutions before the foundation was firm, he had been wanting to bypass faith and to grasp at knowledge, as if knowledge alone could save. This was an old error, a subtle one, part of fallen human nature. It was like building a house on sand, and he now saw that in his anxiety to preserve the flock from trials, to build a shelter for them, any shelter, he might have fallen into the trap of operating solely from fear. What was the nature of this fear? That trials were so annihilating that they must be avoided at all costs? That God could not, or would not, save? That he was not with his people?

If the mother is the boat's canopy, offering shelter to her children, the father is the sail and rudder, guiding them forward

George Moonlight had introduced his only son to the woods before Charlie could walk. He’d taught him to hunt, trap, fish, make squirrel stew, skin a deer, build a birchbark canoe, construct a wigwam for shelter, distinguish the edible mushrooms from the poisonous ones, start a blazing fire without matches, find his way through fifty miles of virgin forest without compass or map. He’d taught him to appreciate the sound of a mother quail protecting her babies, the rich smell of a fall day, the crispness of a winter night, the majesty of a hawk soaring across a cloudless sky, the gentle tranquility and harmony of snow blanketing a field. He’d taught him to respect Mother Earth, drilling into his head the Quidnecks’ three commandments: Take only what you need; use all that you take; leave something for tomorrow.

She keeps herself busy by hitting the gym, meditating, and volunteering at the local women’s shelter. And at first, Julie’s writing schedule is sporadic as she takes the time necessary to grieve over her lost relationship. But she realizes she feels best when she dedicates most of her time and energy to her novel.

Winter makes you old

Edward was good at finding Emil's most vulnerable places. Some people are like that. Siblings maybe most of all

There should be different words for giving birth than the ones we have. 'Giving' should at least be 'undertaking' or 'undergoing'. I remember in church how the priest said, 'Mary bore Jesus', and I always thought of it as 'bored'. But now that I know what 'bore' means, and now that I've seen what Jenny went through, it's a much better word than the passive 'the baby was born', like it's as easy as growing fingernails

Whoever dwells in the shelter of the Most High will rest in the shadow of the Almighty.” He looked up. “I truly believe this is true.” He read on, “I will say of the Lord, ‘He is my refuge and my fortress, my God, in whom I trust.’” He looked up. “Isn’t that encouraging?

In a novel, you'll find yourself in a world of possibilities. You'll find shelter there.

The travel sites all describe Luxembourg as a fairy tale come to life, but it feels less like a Grimm land of trolls and big bad wolves, and more like Disneyland Paris. Luxembourg is the wealthiest country in all of Europe, and the Old City is overrun by the tax-sheltered children of eBay and Skype executives, moving in Pied Piper phalanxes with their phones out and thumbs flying—casting spells out into the ethernet." (from "The Unchangeable Spots of Leopards: A Novel (Ala Notable Books for Adults)" by Kristopher Jansma)

This psychologist, Maslow, came up with this pyramid—well, more like a ladder. Give me a pen, I’ll draw it. Down here on the first level are the basics: food, water, shelter. On the second level are financial security and personal safety. Next level, here, you’ve got relationships: your friends and family, your wife or girlfriend. Then we come to level four, your esteem needs, when you feel good about your accomplishments and you’re satisfied with yourself. At the top, up here, the tip of the pyramid, is self-actualization. That’s where you realize your full potential as a human being. Now, the deal is, you start at the bottom of the pyramid and work your way up. You have to satisfy your needs at each level in order to free up the mental space that’ll allow you to advance to the next level, and if you skip any levels, you’ll never attain true self-actualization.

John Bogle, the Vanguard founder who passed away in 2019, once told a story about money that highlights something we don’t think about enough: At a party given by a billionaire on Shelter Island, Kurt Vonnegut informs his pal, Joseph Heller, that their host, a hedge fund manager, had made more money in a single day than Heller had earned from his wildly popular novel Catch-22 over its whole history. Heller responds, “Yes, but I have something he will never have … enough.” Enough. I was stunned by the simple eloquence of that word—stunned for two reasons: first, because I have been given so much in my own life and, second, because Joseph Heller couldn’t have been more accurate. For a critical element of our society, including many of the wealthiest and most powerful among us, there seems to be no limit today on what enough entails.

This is the drawback of vigilance: from your watchtower you finally spy, in your binoculars, your fleeing self; and you release the hounds. There is no outrunning them—grief present and grief foreseen. There is no shelter from the interior outdoors. I speak for myself, of course, on the basis of my experiences and hunches, which is to say, my misconceptions and my stupid fears.

Can’t I interest you in a nice romantic novel? They are my specialty, you see. Young women from across the city come to me, and I always carry the best.” His tone set her on edge. It was galling enough to know she was a sheltered child. Was it really necessary to remind her of it? “A romantic novel,” she said, holding her satchel close to her chest. “Yes, perhaps that would be nice. Do you by chance have a copy of Nearer the Flame?” The merchant blinked. Nearer the Flame was written from the viewpoint of a man who slowly descended into madness after watching his children starve.

Equity Rules - While this novel portrays an unusual slice of life, the main characters are profiled in detail. Their discussions include individual vulnerability, dating and relationships, medical situations, current jobs and future careers, religion and the afterlife, and volunteering at a youth shelter. The underlying theme of this book is that each person is ultimately equal in the eyes of God, regardless of race, color, sex, national origin, religious beliefs, medical condition/disability, economic/social status and educational achievements. Equality Rules.

At a party given by a billionaire on Shelter Island, Kurt Vonnegut informs his pal, Joseph Heller, that their host, a hedge fund manager, had made more money in a single day than Heller had earned from his wildly popular novel Catch-22 over its whole history. Heller responds, “Yes, but I have something he will never have … enough.” Enough.

May God grant you always a sunbeam to warm you, a moonbeam to charm you, a sheltering Angel so nothing can harm you. And whenever you pray, Heaven to hear you. –Celtic blessing

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He then turned to the master and mistress of the house, who came forward immediately. He renewed the words of gratitude he had conveyed through the priest, and asked whether they wouldn’t mind providing shelter for a few days to the guests that God had sent them. “Oh, yes, Your Grace,” answered the woman, with a voice and a face that expressed far more than that curt reply, choked as it was by her embarrassment. But her husband, dumbstruck by the presence of such a questioner, and the wish to distinguish himself on such an important occasion, struggled to formulate a memorable response. He furrowed his brow, squinted his eyes, pursed his lips, strained the arc of his intellect with all his might, and sought, rummaged, and groped his way through a clutter of half-baked ideas and broken words. But time was running out. The Cardinal indicated that he understood the silence. The poor man opened his mouth, and all that came out was, “Think nothing of it!” Which is all he could think to say. As a result, not only was he mortified in the moment, but that awkward memory would return to spoil the pleasure of the great honor received for many years to come. And how many times, thinking back and reflecting on that circumstance, did he come up with, almost out of spite, any number of words that would have been superior to that inane “Think nothing of it!” But, as an old proverb says, you could fill the ditches with hindsight. Then the Cardinal left, saying, “May the blessing of the Lord be upon this house.

I myself have often observed a dear impish little boy, a little too impish, to be honest, but showing signs of wanting to become a fine man. I have often observed him, as I was saying, toward evening, attempting to round up his herd of guinea pigs, which he allows to run free in the yard all day. He tries to get them to go into their pen together, but it’s always in vain. One heads right, and while the little shepherd runs to corral him back, one, two, or three others escape to the left, and in every direction. Eventually, after losing his patience, he adapts to their game, and pushes the ones closest to the gate inside, and then collects the others, in ones, twos, or threes, as best he can. We should play a similar game with our characters: Having found shelter for Lucia, we raced to Don Rodrigo; and now we have to abandon him to chase after Renzo, of whom we had lost sight.

Even the United States of America has been forced to beg for aid. We’re being invaded and poisoned. The population is fleeing inland. I’m having to shelter in this goddamn security bunker like some kind of mole. We’ve got anarchy and looting on the streets, the military and security forces are hopelessly overstretched, and all we can offer our citizens is contaminated food supplies and drugs that don’t work.

The only places I can think to go are home, a shelter, or Costco but I’m better off going home. - H Booker

HUH? What? It is the middle of the night, and I heard some weird groaning noise coming from the outside of the surface. I peeked through the opening of the shelter and saw a lot of monsters making a loud noise outside. I think they are preforming a band outside.

They reminisced about the war. Cecile told of farmers she knew, neighbors who kept to themselves and sold produce to the Germans, even as they sheltered a family of seven Jews in a root cellar below their barn. At war's end, the family was accused of being collaborators but the testimony of the Jews made them heroes instead. The family said they had lived in the cellar for two-and-a-half years and had never missed a meal. They were fed richly, given wine, eggs and fresh vegetables. They also claimed to have heard the farmer's voice only three times in all those years. When the village mayor sought to decorate him, the farmer refused to be either honored or thanked. He did not change his silent ways and quietly returned to growing artichokes and spinach.

Most of the galaxy's beings were soft—they grew up sheltered and spent the rest of their lives trying to make sure they stayed ignorant and indolent. Phasma was anything but soft—and by the time she could walk, she had understood there was no such thing as safety. There was only survival, which was the product of ceaseless struggle.

The old days were over, when sorrow could be sheltered by the empathy of the many, confronted by imported rage, a most foreign beast at war with a human emotion - terror. The invaders, such angry strangers steeped in madness, paraded the island as if they were its new and infernal overlords. How fathomless was Fazul the Egyptian’s betrayal of Pate and it’s people. The amorphous war he had stimulated cascaded over so many simple lives. It seized the best of Pate’s men, implicated in this sickness only because they were the best of men. Most of the taken would never return, not even as corpses. Those they left behind were forced to learn the languages of eternal hauntedness and silence.

Therefore, as we grow older, let us be more thankful that the circle of our Christmas associations and of the lessons that they bring, expands! Let us welcome every one of them, and summon them to take their places by the Christmas hearth. Welcome, old aspirations, glittering creatures of an ardent fancy, to your shelter underneath the holly! We know you, and have not outlived you yet. Welcome, old projects and old loves, however fleeting, to your nooks among the steadier lights that burn around us. Welcome, all that was ever real to our hearts; and for the earnestness that made you real, thanks to Heaven! Do we build no Christmas castles in the clouds now? Let our thoughts, fluttering like butterflies among these flowers of children, bear witness!

What’s wrong with Barbara Kingsolver?” Eva asked. “She is the embodiment of liberal piety at its most middlebrow and tendentious. Her novels are the beef ribs of fiction.

If the military boats that patrol the waters spot them, they risk being shot. However, if they are seen by any infected, it could mean a relentless siege upon their temporary shelter.

If you happen to be born into an Indian family, an Indian family from the Caribbean, migratory, never certain of the terrain, that’s how life falls down around you. It’s close and thick and sheltering, its ugly and violent secrets locked inside the family walls. The outside encroaches, but the ramparts are strong, and once you leave it you have no shelter and no ready skills for finding a different one. I found that out after years of trying.

Friedman, Rick Friedman (the two Friedmans are not related—at least, I don’t think they are), Selina Walker, Ben Sevier, Christine Ball, Jamie Knapp, Carrie Swetonic, Stephanie Kelly, Lisa Erbach Vance, Diane Discepolo, Craig Coben, and Anne Armstrong-Coben, MD. The stories of Mickey Bolitar and his friends Ema and Spoon can be found in the trilogy of young adult novels Shelter, Seconds Away, and Found. I think you adults will like them too. Myron appears in that series too, because turnabout is fair play. The author also wants to acknowledge Joe Corless,

window. ‘If this is your way of getting me to quit, it’s not going to work.’ She could almost see her dad standing on the pavement next to the car, taking inhumanly long drags on a cigarette. He shrugged at her, like, what’re you gonna do? She rolled her own window up and killed the engine, getting out of the car to look at the shelter. The building was sixties brutalist. A slab of concrete that looked like it would have been a chic and modern looking community centre six decades ago. Now it just looked like a pebble-dashed breeze block with wire-meshed vertical windows that ran the length of the outside.  Wide steps with rusty white rails led up to the main doors, dark brown stained wooden things with square aluminium handles, the word ‘pull’ etched into each one.  There was a piece of paper taped to the right-hand one that said ‘All welcome, hot food inside’ written in hand-printed caps.  There were five homeless people on the steps — three of them smoking rolled cigarettes. Two of those were drinking something out of polystyrene cups. The fourth was hunched forward, reading the tattiest looking novel Jamie had ever seen cling to a spine. His eyes stared at it blankly, not moving, his pupils wide. He wasn’t even registering the words. The last one was curled up into a ball inside a bright blue sleeping bag, his arms and legs folding the polyester into his body, just a pockmarked forehead peeking out into the November morning. Had they slept there all night on that step waiting for the shelter to open? She couldn’t say. Jamie and Roper crossed the road and the folks on the steps looked up. They were of varying ages, in varying states of malnutrition and addiction. The smell of old booze and urine hung in the alcove. Jamie wasn’t sure if you could tell they were police by the way they looked or walked, but the homeless seemed to have a sixth sense about it. Two of the three who were smoking clocked them, lowered their heads, and turned to face the wall. The third kept looking and held his hand out. The one with the novel didn’t even register them. Jamie knew that if they searched the two that turned away, they would have something on them they shouldn’t — drugs, needles, a knife, something stolen. That’s why they’d done it — to become invisible. The one who held out a hand would be clean. Wouldn’t risk chancing it with a police officer otherwise. She’d worked enough uniformed time on the streets of London to know how their minds worked.  She took a deep breath of semi-clean air and mounted the steps, looking down at the mid-thirties guy with the stretched-out beanie and out-stretched hand.  ‘We’re on duty,’ Roper said coldly, breezing past. Jamie gave him a weak smile, knowing that opening her pockets in a place like this would get them mobbed. If they needed to question anyone

At a party given by a billionaire on Shelter Island, Kurt Vonnegut informs his pal, Joseph Heller, that their host, a hedge fund manager, had made more money in a single day than Heller had earned from his wildly popular novel Catch-22 over its whole history. Heller responds, “Yes, but I have something he will never have … enough.

Cedric’s deep brown eyes looked almost black in the low light. “Beryl . . .” He paused and held her gaze until she looked away. “Take care of yourself. I worry about you out here all alone.” The words I want Edward to say, Beryl realized. She wanted to know that Edward really cared, hadn’t wanted to go, and worried about her. Instead, his cousin had spoken what he should have.

I blamed my absent husband for so many things, but I have come to see—life in general is to blame. Edward would have stayed home if there had been another way. I was too stubborn to recognize the truth. What will he say when I meet him at the depot? For that matter, what am I to say? Perhaps neither of us will need to speak. We will embrace and hopefully capture our hearts in our gaze, which will be enough.

Like any city, we have assholes with pits who try to put on spur of the moment fights to make these cowards think they’re tough guys. If they were so tough, they would do the fighting.

He thinks who he is.

Their first priority was the more than 150 passengers and crew of l’Étoile, especially the women and children now somewhere in the interior and at the mercy of medieval psychopaths so violent and depraved that the sheltered populations of the West could not for long hold in mind the depth of their conscienceless cruelty. The men on Athena had no such luxury.