Shell Strip Quotes

I know what she smells like. This little freckle on her neck when she pulls up her hair. Her upper lip is a little plumper than the lower. The curve of her wrist, when she holds a pen. It’s wrong, really wrong, but I know the shape of her. I go to sleep thinking about it, and then I wake up, go to work, and she is there, and it’s impossible. I tell her stuff I know she’ll agree to, just to hear her hum back at me. It’s like hot water down my fucking spine. She’s married. She’s brilliant. She trusts me, and all I think about is taking her to my office, stripping her, doing unspeakable things to her. And I want to tell her. I want to tell her that she’s luminous, she’s so bright in my mind, sometimes I can’t focus. Sometimes I forget why I came into the room. I’m distracted. I want to push her against a wall, and I want her to push back. I want to go back in time and punch her stupid husband on the day I met him and then travel back to the future and punch him again. I want to buy her flowers, food, books. I want to hold her hand, and I want to lock her in my bedroom. She’s everything I ever wanted and I want to inject her into my veins and also to never see her again. There’s nothing like her and these feelings, they are fucking intolerable. They were half-asleep while she was gone, but now she’s here and my body thinks it’s a fucking teenager and I don’t know what to do. I don’t know what to do. There is nothing I can do, so I’ll just . . . not.

The lamp I am writing by is deer fat poured into a turtle shell with a strip of my old city trousers for a wick.

How good it is when you have roast meat or suchlike foods before you, to impress on your mind that this is the dead body of a fish, this is the dead body of a bird or pig; and again, that the Falernian wine is the mere juice of grapes, and your purple edged robe simply the hair of a sheep soaked in shell-fish blood! And in sexual intercourse that it is no more than the friction of a membrane and a spurt of mucus ejected. How good these perceptions are at getting to the heart of the real thing and penetrating through it, so you can see it for what it is! This should be your practice throughout all your life: when things have such a plausible appearance, show them naked, see their shoddiness, strip away their own boastful account of themselves. Vanity is the greatest seducer of reason: when you are most convinced that your work is important, that is when you are most under its spell.

Was this the real me? Stripped of the ability to look like a punk- what defined me as one? Not my jacket. Not my clothes. My friends? My enemies? No. What I did determined who I was, not what I looked like or what I liked. My actions and reactions. Did I emerge from the shell? I felt naked and free. Was I now pupa or chrysalis? I felt like myself- and that was what punk was. The freedom to be who I was unapologetically, even if I hadn't chosen it.

Or, I could just sit in the bushes and pump the hand pump until the plumbing was superpressurized to 110 psi. This way, when someone goes to flush a toilet, the toilet tank will explode. At 150 psi, if someone turns on the shower, the water pressure will blow off the shower head, strip the threads, blam, the shower head turns into a mortar shell. Tyler only says this to make me feel better. The truth is I like my boss. Besides, I'm enlightened now. You know, only Buddha-style behavior.

There were people who escaped Hiroshima and rushed to Nagasaki to see that their loved ones were safe. Arriving just in time to be incinerated. He went there after the war with a team of scientists. My father. He said that everything was rusty. Everything looked covered with rust. There were burnt-out shells of trolleycars standing in the streets. The glass melted out of the sashes and pooled on the bricks. Seated on the blackened springs the charred skeletons of the passengers with their clothes and hair gone and their bones hung with blackened strips of flesh. Their eyes boiled from their sockets. Lips and noses burned away. Sitting in their seats laughing. The living walked about but there was no place to go. They waded by the thousands into the river and died there. They were like insects in that no one direction was preferable to another. Burning people crawled among the corpses like some horror in a vast crematorium. They simply thought that the world had ended. It hardly even occurred to them that it had anything to do with the war. They carried their skin bundled up in their arms before them like wash that it not drag in the rubble and ash and they passed one another mindlessly on their mindless journeyings over the smoking afterground, the sighted no better served than the blind. The news of all this did not even leave the city for two days. Those who survived would often remember these horrors with a certain aesthetic to them. In that mycoidal phantom blooming in the dawn like an evil lotus and in the melting of solids not heretofore known to do so stood a truth that would silence poetry a thousand years. Like an immense bladder, they would say. Like some sea thing. Wobbling slightly on the near horizon. Then the unspeakable noise. They saw birds in the dawn sky ignite and explode soundlessly and fall in long arcs earthward like burning party favors. p.116

Someone who makes you feel so alive, you can’t imagine going back to the shell of a human you were before you met them. Someone who sees you, really sees you, stripped down and raw, and wants to collect all your broken pieces and cherish them like they are something beautiful.

This contact with the overpowering is her first encounter with travel’s disconcerting ability to strip the hard shell of habit from the heart, leaving only the bare, fertile kernel.

A note from Annabeth.” Piper shook her head in amazement. “I don’t see how that’s possible, but if it is—” “She’s alive,” Leo said. “Thank the gods and pass the hot sauce.” Frank frowned. “What does that mean?” Leo wiped the chip crumbs off his face. “It means pass the hot sauce, Zhang. I’m still hungry.” Frank slid over a jar of salsa. “I can’t believe Reyna would try to find us. It’s taboo, coming to the ancient lands. She’ll be stripped of her praetorship.” “If she lives,” Hazel said. “It was hard enough for us to make it this far with seven demigods and a warship.” “And me.” Coach Hedge belched. “Don’t forget, cupcake, you got the satyr advantage.” Jason had to smile. Coach Hedge could be pretty ridiculous, but Jason was glad he’d come along. He thought about the satyr he’d seen in his dream—Grover Underwood. He couldn’t imagine a satyr more different from Coach Hedge, but they both seemed brave in their own way.

These ways we have to settle. Moving house. I hate packing: collecting myself up, pulling myself apart. Stripping the body of the house: the walls, the floors, the shelves. Then I arrive, an empty house. It looks like a shell. How I love unpacking. Taking things out, putting things around, arranging myself all over the walls. I move around, trying to distribute myself evenly around the rooms. I concentrate on the kitchen. The familiar smell of spices fills the air. I allow the cumin to spill, and then gather it up again. I feel flung back somewhere else. I am never sure where the smell of spices takes me, as it had followed me everywhere. Each smell that gathers returns me somewhere; I am not always sure where that somewhere is. Sometimes the return is welcome, sometimes not. Sometimes it is tears or laughter that makes me realize that I have been pulled to another place and another time. Such memories can involve a recognition of how one's body already feels, coming after the event. The surprise when we find ourselves moved in this way or that. So we ask the question, later, and it often seems too late: what is it that has led me away from the present, to another place and another time? How is it that I have arrived here or there?

Cutting away my roots and the people I loved would transform me into a shell of the person I once was, an automaton stripped of all its gears.

Let your mistress’s birthday be one of great terror to you: that’s a black day when anything has to be given. However much you avoid it, she’ll still win: it’s a woman’s skill, to strip wealth from an ardent lover. A loose-robed pedlar comes to your lady: she likes to buy: and explains his prices while you’re sitting there. She’ll ask you to look, because you know what to look for: then kiss you: then ask you to buy her something there. She swears that she’ll be happy with it, for years, but she needs it now, now the price is right. If you say you haven’t the money in the house, she’ll ask for a note of hand – and you’re sorry you learnt to write. Why - she asks doesn’t she for money as if it’s her birthday, just for the cake, and how often it is her birthday, if she’s in need? Why - she weeps doesn’t she, mournfully, for a sham loss, that imaginary gem that fell from her pierced ear? They many times ask for gifts, they never give in return: you lose, and you’ll get no thanks for your loss. And ten mouths with as many tongues wouldn’t be enough for me to describe the wicked tricks of whores.

When no one is watching Mother Earth, and most of the time no one is, she sings softly to herself. Certainly no one is watching after her, to the point where she's now calling herself M. Earth, using her first initial only, like the early women writers who did not want their work to be automatically dismissed because of their gender disadvantage. Though she is grand, M. Earth is feeling, perhaps, overly feminine, and therefore vulnerable. Don't even mention the word Gaia; it's such a projection! She thinks she could benefit from a more macho profile, a little kick-ass to make her point. Perhaps a little masculine detachment would be helpful, or a thicker skin. Because, frankly, she's been trampled, poisoned, stripped bare, robbed blind, and blamed for just about everything that's come down the pike. And like all mothers, everyone just assumes she'll always be there for them with open, loving arms, and a cup of hot cocoa. That it will be her pleasure to feed them, lick their wounds, and clean a load or two of their dirty laundry. She's looking for a little more respect.

She breaks. She's sick. Throw a rope, a net. She falls like a shot-up plane. Help her find the landing strip, Her feet are wet— She'll learn, she'll train. She walks a rope on fire, “Look Ma, no hands.

Bastian’s carelessness was artificial, a façade built to keep anyone from knowing just how much he cared. She still remembered the lightning-quick way he’d changed that night in the alley, how the lazy air of entitlement had fallen away like a discarded cloak. So many layers, so much crafted, careful nonchalance. Bastian was drowning in it, but he didn’t fool her, though the weak points she’d seen were only hairline cracks in the armor he’d forged over years. It reminded her of herself. How she’d been Night-Sister-Lore, and then poison-runner-Lore and now spy-Lore, each a new persona she’d eased into, a different shell to wear. When she thought about what might be left when all that artifice was stripped away, she came up blank. Like all the things that made her were window dressings on an empty house.

The place felt like a weapon expertly crafted to strip you of all humanity, hollow you to a shell creature that would do anything it was told for the slim chance of someday getting out into the living world again.

And because I had the latest advanced mathematical training, I was given the job of analyzing the retractable landing gear for Jimmy Doolittle’s Lockheed Orion 9-D, a modification of the basic Orion. That was my first contact with any of the famous early aviators who would frequent the Lockheed plant. Others included Amelia Earhart, Wiley Post, Sir Charles Kingsford-Smith, and Roscoe Turner. Doolittle, of course, was an early record-setting pilot, both military and civilian, with a master’s degree and doctorate in science from M.I.T. Then he was flying for Shell Oil Company, landing in out-of-the-way fields, cow pastures, and other unprepared strips.

He took up another long strip of towel in his right hand. He had to lean in to loop it behind her. He was so close now. His mind took in the shell of her ear, the hair tucked behind it, that rapid pulse fluttering in her throat. Alive, alive, alive. It isn’t easy for me either. He looped the bandage around again. The barest touches. Unavoidable. Shoulder, clavicle, once her knee. The water rose around him. He secured the knot. Step back. He did not step back. He stood there, hearing his own breath, hers, the rhythm of them alone in this room. The sickness was there, the need to run, the need for something else too. Kaz thought he knew the language of pain intimately, but this ache was new. It hurt to stand here like this, so close to the circle of her arms. It isn’t easy for me either. After all she’d endured, he was the weak one. But she would never know what it was like for him to see Nina pull her close, watch Jesper loop his arm through hers, what it was to stand in doorways and against walls and know he could never draw nearer. But I’m here now, he thought wildly. He had carried her, fought beside her, spent whole nights next to her, both of them on their bellies, peering through a long glass, watching some warehouse or merch’s mansion. This was nothing like that. He was sick and frightened, his body slick with sweat, but he was here. He watched that pulse, the evidence of her heart, matching his own beat for anxious beat. He saw the damp curve of her neck, the gleam of her brown skin. He wanted to … He wanted. Before he even knew what he intended, he lowered his head. She drew in a sharp breath. His lips hovered just above the warm juncture between her shoulder and the column of her neck. He waited. Tell me to stop. Push me away. She exhaled. “Go on,” she repeated. Finish the story. The barest movement and his lips brushed her skin—warm, smooth, beaded with moisture. Desire coursed through him, a thousand images he’d hoarded, barely let himself imagine—the fall of her dark hair freed from its braid, his hand fitted to the lithe curve of her waist, her lips parted, whispering his name.

I know what she smells like. This little freckle on her neck when she pulls up her hair. Her upper lip is a little plumper than the lower. The curve of her wrist, when she holds a pen. It’s wrong, really wrong, but I know the shape of her. I go to sleep thinking about it, and then I wake up, go to work, and she is there, and it’s impossible. I tell her stuff I know she’ll agree to, just to hear her hum back at me. It’s like hot water down my fucking spine. She’s married. She’s brilliant. She trusts me, and all I think about is taking her to my office, stripping her, doing unspeakable things to her. And I want to tell her. I want to tell her that she’s luminous, she’s so bright in my mind, sometimes I can’t focus. Sometimes I forget why I came into the room. I’m distracted. I want to push her against a wall, and I want her to push back. I want to go back in time and punch her stupid husband on the day I met him and then travel back to the future and punch him again. I want to buy her flowers, food, books. I want to hold her hand, and I want to lock her in my bedroom. She’s everything I ever wanted and I want to inject her into my veins and also to never see her again. There’s nothing like her and these feelings, they are fucking intolerable. They were half-asleep while she was gone, but now she’s here and my body thinks it’s a fucking teenager and I don’t know what to do. I don’t know what to do. There is nothing I can do, so I’ll just . . . not.

Boys—I think you're old enough now that I can talk about—certain topics with you. You know, most men expect a woman's body to look a certain way and not all of them do look that way. So sometimes a woman has to do something that will change her appearance so that she'll be accepted by the people around her. People expect a woman's breasts to be a certain size and mine aren't that size. They're smaller. So I wear a padded brassiere—it makes it look like my breasts are the size that most women's are.

Hanging from every corner, above every window, standing on every shelf and tabletop, were dozens of handmade birdcages. Nomi had crafted them all, mostly out of old fishing twine, scraps of nets, and chicken wire. Woven in between the bars of the cages were bits of seashells, crab shells, pebbles, and driftwood she had scavenged along the beach. In a pinch she had made a few out of old clothes hangers she had scissored apart and woven together with strips of a negligee or shirt. Each one was personal, each one was unique, each one was a story

It was in these moments, I knew, that my father loved my mother most. When my mother was broken and helpless, when her hard shell was stripped away and her spite and brittleness couldn't serve her. It was a sad dance of two people who were starving to death in each other's arms. Their marriage an X that forever joined murderer to victim.

I watch as she quickly grabs her dress and then suddenly pulls off my t-shirt, leaving her standing in her underwear. Shit! What the hell? A bit of warning would have been nice. What is she thinking stripping off in front of someone she thinks she doesn’t know? Wait. Damn, she looks hot. Shit. Stop staring! Look away! Look away or she’ll think you’re a creep!

To meet in Paris a fisher-girl from Balbec or a peasant-girl from Méséglise would have been like receiving the present of a shell which I had never seen upon the beach, or of a fern which I had never found among the woods, would have stripped from the pleasure which she was about to give me all those other pleasures in the thick of which my imagination had enwrapped her.

...stripped of the polish, gloss, veneer and lacquer that we wear as a polite shell and call civilization, the man of your old new world would but see in us a brother; and...what remote age was that in which he lived, since which slow-growing stone has walled in his bones and crusted the treasures of his handiwork?...Your new world does not extend far beneath the grass roots, sir.

The most problematic depression episodes plunge me into a feeling of disconnection. I am no longer a part of the world. All the colours, meaning and richness become hidden or lost to me. There is a numbing absence of feeling that strips away any inspiration and creativity. I become dead to myself, a husk, a shell. The fall into this state can be violently fast, although the triggers have all been external. Life does not treat many of us kindly. Most of the time, I draw inspiration from the world around me. That sense of connection to all other living and perhaps-not-living things nourishes and sustains me. Being pushed out of that sense of belonging is brutal. I have self-esteem issues and, subjected as I was to barrages of abuse, bitter criticism, invasive scrutiny and some terrifying processes in my life, I’ve been crushed, repeatedly. I’ve come to places where I’ve felt so awful that the only imaginable way out, I thought, was to die. I’m still alive because of the love and dedication of my husband. I hold the hope that I won’t have to crawl through hell again anytime soon, that I can build internal reserves strong enough to resist external pressures.

The Americans were badly discouraged. Twelve days to go, stripped of their gear, sniffling, they huddled in a Kraków McDonald's and invoked middle-school platitudes about Cornwallis's surrender and Valley Forge, about pitching crates of tea into Boston Harbor and bloody-soled snow marches for the good of the Republic. We must not quit now, they mumbled, and dipped their chicken nuggets into a tasteless sauce.

Jude never loved Locke.” My face feels hot, but my shame is an excellent cover to hide behind. “She loved someone else. He’s the one she’d want dead.” I am pleased to see Cardan flinch. “Enough,” he says before I can go on. “I have heard all I care to on this subject—” “No!” Nicasia interrupts, causing everyone under the hill to stir a little. It is immense presumption to interrupt the High King. Even for a princess. Especially for an ambassador. A moment after she speaks, she seems to realize it, but she goes on anyway. “Taryn could have a charm on her, something that makes her resistant to glamours.” Cardan gives Nicasia a scathing look. He does not like her undermining his authority. And yet, after a moment, his anger gives way to something else. He gives me one of his most awful smiles. “I suppose she’ll have to be searched.” Nicasia’s mouth curves to match his. It feels like being back at lessons on the palace grounds, conspired against by the children of the Gentry. I recall the more recent humiliation of being crowned the Queen of Mirth, stripped in front of revelers. If they take my gown now, they will see the bandages on my arms, the fresh slashes on my skin for which I have no good explanation. They will guess I am not Taryn. I can’t let that happen. I summon all the dignity I can muster, trying to imitate my stepmother, Oriana, and the way she projects authority. “My husband was murdered,” I say. “And whether or not you believe me, I do mourn him. I will not make a spectacle of myself for the Court’s amusement when his body is barely cold.” Unfortunately, the High King’s smile only grows. “As you wish. Then I suppose I will have to examine you alone in my chambers.

The room hushed as Alim introduced the first course, and everyone cooed over their plates---fresh oysters in a pool of black squid ink bouillon, served on stark-white china with a sliver of pickled onion and a bright strip of shaved Scotch bonnet on top. There was a dash of black bouillon inside the oyster shell and a rocket flower on the side, delicate and white. Feyi sipped at the accompanying drink, an expensive champagne with pomegranate seeds in it.

IT is not impossible that among the English readers of this book there may be one who in 1915 and 1916 was in one of those trenches that were woven like a web among the ruins of Monchy-au-Bois. In that case he had opposite him at that time the 73rd Hanoverian Fusiliers, who wear as their distinctive badge a brassard with ' Gibraltar ' inscribed on it in gold, in memory of the defence of that fortress under General Elliot; for this, besides Waterloo, has its place in the regiment's history. At the time I refer to I was a nineteen-year-old lieutenant in command of a platoon, and my part of the line was easily recognizable from the English side by a row of tall shell-stripped trees that rose from the ruins of Monchy. My left flank was bounded by the sunken road leading to Berles-au-Bois, which was in the hands of the English ; my right was marked by a sap running out from our lines, one that helped us many a time to make our presence felt by means of bombs and rifle-grenades. I daresay this reader remembers, too, the white tom-cat, lamed in one foot by a stray bullet, who had his headquarters in No-man's-land. He used often to pay me a visit at night in my dugout. This creature, the sole living being that was on visiting terms with both sides, always made on me an impression of extreme mystery. This charm of mystery which lay over all that belonged to the other side, to that danger zone full of unseen figures, is one of the strongest impressions that the war has left with me. At that time, before the battle of the Somme, which opened a new chapter in the history of the war, the struggle had not taken on that grim and mathematical aspect which cast over its landscapes a deeper and deeper gloom. There was more rest for the soldier than in the later years when he was thrown into one murderous battle after another ; and so it is that many of those days come back to my memory now with a light on them that is almost peaceful.

But the bull-dog ant of Australia affords us the most extraordinary example of this kind; for if it is cut in two, a battle begins between the head and the tail. The head seizes the tail with its teeth, and the tail defends itself bravely by stinging the head; the battle may last for half an hour, until they die or are dragged away by the other ants. This contest takes place every time the experiment is tried . . . . Yunghahn relates that he saw in Java a plain, as far as the eye could reach, entirely covered with skeletons, and took it for a battle-field; they were, however, merely the skeletons of large turtles, . . . which come this way out of the sea to lay their eggs, and are then attacked by wild dogs who with their united strength lay them on their backs, strip off the small shell from the stomach, and devour them alive. But often then a tiger pounces upon the dogs . . . . For this these turtles are born . . . . Thus the will to live everywhere preys upon itself, and in different forms is its own nourishment, till finally the human race, because it subdues all the others, regards nature as a manufactory for its own use. Yet even the human race . . . reveals in itself with most terrible distinctness this conflict, this variance of the will with itself; and we find homo homini lupus.

SHMAC: I know what she smells like. This little freckle on her neck when she pulls up her hair. Her upper lip is a little plumper than the lower. The curve of her wrist, when she holds a pen. It’s wrong, really wrong, but I know the shape of her. I go to sleep thinking about it, and then I wake up, go to work, and she is there, and it’s impossible. I tell her stuff I know she’ll agree to, just to hear her hum back at me. It’s like hot water down my fucking spine. She’s married. She’s brilliant. She trusts me, and all I think about is taking her to my office, stripping her, doing unspeakable things to her. And I want to tell her. I want to tell her that she’s

My knuckles brushed one of his wings- smooth and cool like silk, but hard as stone with it stretched taut. Fascinating, I blindly reached again... and dared to run a fingertip along some inner edge. Rhysand shuddered, a soft groan slipping past my ear. 'That,' he said tightly, 'is very sensitive.' I snatched my finger back, pulling away far enough to see his face. With the wind, I had to squint, and my braided hair ripped this way and that, but- he was entirely focused on the mountains around us. 'Does it tickle?' He flicked his gaze to me, then to the snow and pine that went on forever. 'It feels like this,' he said, and leaned in so close that his lips brushed the shell of my ear as he sent a gentle breath into it. My back arched on instinct, my chin tipping up at the caress of that breath. 'Oh,' I managed to say, I felt him smile against my ear and pull away. 'If you want an Illyrian male's attention, you'd be better off grabbing him by the balls. We're trained to protect our wings at all costs. Some males attack first, ask questions later, if their wings are touched without invitation.' 'And during sex?' The question blurted out. Rhys's face was nothing but feline amusement as he monitored the mountains. 'During sex, an Illyrian male can find completion just by having someone touch his wings in the right spot.' My blood thrummed. Dangerous territory; more lethal than the drop below. 'Have you found that to be true?' His eyes stripped me bare. 'I've never allowed anyone to see or touch my wings during sex. It makes you vulnerable in a way that I'm not... comfortable with.' 'Too bad,' I said, staring out too casually toward the mighty mountain that now appeared on the horizon, towering over the others. And capped, I noted, with that glimmering palace of moonstone. 'Why?' he asked warily. I shrugged, fighting the upward tugging of my lips. 'Because I bet you could get into some interesting positions with those wings.' Rhys loosed a barking laugh, and his nose grazed my ear. I felt him open his mouth to whisper something, but- Something dark and fast and sleek shot for us, and he plunged down and away, swearing.

Who are you?” the man asked in reply, raising his eyebrows. “Who gave you the right to abuse the evolutionary pedigree of almost four thousand million revolutions around this star? Who gave you the right to systematically decimate a planetary life system? You plunder and squander this planet for your own selfish ends with no regard for life.” “You are stewards,” the woman continued in a notably calmer voice. “That is all. You are passing through, not staying. Your lives are fleeting. Your concern should be to extend the life of your planet into the future, not to exploit all you can now.” “How long do you think Earth will survive under your reign?” the man asked. “Honestly? In the last hundred orbits, you’ve strip-mined the planet, tearing down forests, decimating ocean stocks, polluting the land and sea. How far will you go? How long will you persist at the expense of life? Another one or two hundred orbits? And then what? Then you’ll leave this planet a husk, an empty shell.

A misty vision of Francesca gazed down at me from a corner of the window. She gave me her wicked-sweet smile and the stars sparked in her pale hair. I wanted to call to her, but I had no voice. I smelled the mixed scents of her, and I imagined the lush, tropical feast I'd prepare for her on our wedding night. I'd slip raw oysters between her lips. We'd share ripe figs and plump, dewy cherries. I'd offer her sweetmeats and honeyed milk, blood oranges peeled and ready, salty artichokes stripped down to the heart. I'd pry open a lobster shell and feed her tender morsels of meat, slowly, slowly. The flavors would mingle and mount and burst inside us like soft explosions. I wanted to believe it would all be possible. I imagined her staring into my eyes while she dragged a buttered artichoke leaf between her teeth and sucked on the flesh. It was good. I rode through the long, lovely night on wave upon wave of pleasure, smelling her, tasting her, touching her... I heard myself moan, and in that fierce embrace, I believed.

Iain MacGregor,” she whispered longingly, looking up. The woods were quiet. Strips of moonlight shone through tree limbs that reached like surreal black fingertips across her vision. A single tear slid down her cheek. She touched her mouth, imagining his kiss. Taking a small pocket knife out of her cargo pants, she looked about. A mystic had once told her that if she left pieces of herself around while she lived, it would expand her haunting territory when she died. Jane wasn’t sure she believed in sideshow magic tricks—or the Old Magick as the mystic had spelled it on her sign. She had no idea what had possessed her to talk to the palm reader and ask about ghosts. Still, just in case, she was leaving her stamp all over the woods. She cut her palm and pressed it to a nearby tree under a branch. Holding the wound to the rough bark stung at first, but then it made her feel better. This forest wouldn’t be a bad eternity. The sound of running feet erupted behind her and she stiffened. No one ever came out here at night. She’d walked the woods hundreds of times. Her mind instantly went to the creepy girl ghosts chanting by the stream. “Whoohoo!” Jane whipped around, startled as a streak of naked flesh sprinted past her. The Scottish voice was met with loud cheers from those who followed him. “Water’s this way, lads, or my name isn’t Raibeart MacGregor, King of the Highlands!” Another naked man dashed through the forest after him. “It smells of freedom.” Jane stayed hidden in the branches, undetected, with her hand pressed to the bark. “Aye, freedom from your proper Cait,” Raibeart answered, his voice coming through the dark where he’d disappeared into the trees. “Murdoch, stop him before he reaches town. Cait will not teleport ya out of jail again,” a third man yelled, not running quite so fast. “Raibeart, ya are goin’ the wrong way!” “Och, Angus, my Cait canna live without me,” Murdoch, the second streaker, answered. “She’ll always come to my rescue.” “I said stop him, Murdoch, we’re new to this place.” Angus skidded to a stop and lifted his jaw, as if sensing he was being watched. He looked in her direction and instantly covered his manhood as his eyes caught Jane’s shocked face in the tree limbs. “Oh, lassie.” “Oh, naked man,” Jane teased before she could stop herself. “That I am,” Angus answered, “but there is an explanation for it.” “I don’t think some things need explained,” Jane said.

said he was attracted to the way I lived my life, the way I’d dance easily, laugh loudly, fill a room with colour; but instead of sitting back and enjoying the butterfly, he caught it. He framed me like a butterfly, pinning me into his frame, but the pins that hold the butterfly in place are not easily visible, and no one can see I’m being held down. Over the years the butterfly has faded – he’s stripped me of everything that made me what I was, and now he’s left with this dull, colourless woman who’s scared to say what she really thinks. And I can’t dance any more. It’s hard to reconcile the person I once was with the woman I am now, standing helplessly in my beautiful bedroom with handmade oak wardrobes and gold silk eiderdown. The only reason I get out of bed in the morning is my children; they are my reason to live, and without them I don’t think I would survive. Things have never been perfect between Simon and I, but until Caroline, my life was bearable, but now I see her curling up on our king-sized bed. She’s lounging seductively on our sofa, arms around the boys, my boys, and she’s in my kitchen serving breakfast. This woman wants to take over my husband, but she’ll also take over my life,

The men who had inhabited prehistoric Egypt, who had carved the Sphinx and founded the world‘s oldest civilization, were men who had made their exodus from Atlantis to settle on this strip of land that bordered the Nile. And they had left before their ill-fated continent sank to the bottom of the Atlantic Ocean, a catastrophe which had drained the Sahara and turned it into a desert. The shells which to-day litter the surface of the Sahara in places, as well as the fossil fish which are found among its sands, prove that it was once covered by the waters of a vast ocean. It was a tremendous and astonishing thought that the Sphinx provided a solid, visible and enduring link between the people of to-day and the people of a lost world, the unknown Atlanteans. This great symbol has lost its meaning for the modern world, for whom it is now but an object of local curiosity. What did it mean to the Atlanteans? We must look for some hint of an answer in the few remnants of culture still surviving from peoples whose own histories claimed Atlantean origin. We must probe behind the degenerate rituals of races like the Incas and the Mayas, mounting to the purer worship of their distant ancestors, and we shall find that the loftiest object of their worship was Light, represented by the Sun. Hence they build pyramidal Temples of the Sun throughout ancient America. Such temples were either variants or slightly distorted copies of similar temples which had existed in Atlantis. After Plato went to Egypt and settled for a while in the ancient School of Heliopolis, where he lived and studied during thirteen years, the priest-teachers, usually very guarded with foreigners, favoured the earnest young Greek enquirer with information drawn from their well-preserved secret records. Among other things they told him that a great flat-topped pyramid had stood in the centre of the island of Atlantis, and that on this top there had been build the chief temple of the continent – a sun temple. […] The Sphinx was the revered emblem in stone of a race which looked upon Light as the nearest thing to God in this dense material world. Light is the subtlest, most intangible of things which man can register by means of one of his five senses. It is the most ethereal kind of matter which he knows. It is the most ethereal element science can handle, and even the various kind of invisible rays are but variants of light which vibrate beyond the power of our retinas to grasp. So in the Book of Genesis the first created element was Light, without which nothing else could be created. „The Spirit of God moved upon the face of the Deep,“ wrote Egyptian-trained Moses. „And God said, Let there be Light: and there was Light.“ Not only that, it is also a perfect symbol of that heavenly Light which dawns within the deep places of man‘s soul when he yields heart and mind to God; it is a magnificent memorial to that divine illumination which awaits him secretly even amid the blackest despairs. Man, in turning instinctively to the face and presence of the Sun, turns to the body of his Creator. And from the sun, light is born: from the sun it comes streaming into our world. Without the sun we should remain perpetually in horrible darkness; crops would not grow: mankind would starve, die, and disappear from the face of this planet. If this reverence for Light and for its agent, the sun, was the central tenet of Atlantean religion, so also was it the central tenet of early Egyptian religion. Ra, the sun-god, was first, the father and creator of all the other gods, the Maker of all things, the One, the self-born [...] If the Sphinx were connected with this religion of Light, it would surely have some relationship with the sun.

Load the sailboat with bottles of white wine, olive oil, fishing rods, and yeasty, dark-crusted bread. Work your way carefully out of the narrow channels of the Cabras port on the western shore of Sardinia. Set sail for the open seas. Navigate carefully around the archipelago of small boats fishing for sea bass, bream, squid. Steer clear of the lines of mussel nets swooping in long black arcs off the coastline. When you spot the crumbling stone tower, turn the boat north and nuzzle it gently into the electric blue-green waters along ancient Tharros. Drop anchor. Strip down to your bathing suit. Load into the transport boat and head for shore. After a swim, make for the highest point on the peninsula, the one with the view of land and sea and history that will make your knees buckle. Stay focused. You're not here to admire the sun-baked ruins of one of Sardinia's oldest civilizations, a five-thousand-year-old settlement that wears the footprints of its inhabitants- Phoenicians, Greeks, Romans- like the layers of a cake. You're here to pick herbs growing wildly among the ancient tombs and temples, under shards of broken vases once holding humans' earliest attempts at inebriation. Taste this! Like peppermint, but spicy. And this! A version of wild lemon thyme, perfect with seafood. Pluck a handful of finocchio marino,sea fennel, a bright burst of anise with an undertow of salt. Withfinocchioin fist, reboard the transport vessel and navigate toward the closest buoy. Grab the bright orange plastic, roll it over, and scrape off the thicket of mussels growing beneath. Repeat with the other buoys until you have enough mussels to fill a pot. In the belly of the boat, bring the dish together: Scrub the mussels. Bring a pot of seawater to a raucous boil and drop in the spaghetti- cento grammi a testa. While the pasta cooks, blanch a few handfuls of the wild fennel to take away some of the sting. Remove the mussels from their shells and combine with sliced garlic, a glass of seawater, and a deluge of peppery local olive oil in a pan. Take the pasta constantly, checking for doneness. (Don't you dare overcook it!) When only the faintest resistance remains in the middle, drain and add to the pan of mussels. Move the pasta fast and frequently with a pair of tongs, emulsifying the water and mussel juice with the oil. Keep stirring and drizzling in oil until a glistening sheen forms on the surface of the pasta. This is called la mantecatura, the key to all great seafood pastas, so take the time to do it right.

His dark room now seemed cool and restfully confining. You could imagine maps in the wallpaper. The roses had faded into vague shells of pink. Only a few silver lines along the vanished stems and in the veins of leaves, indistinct patches of the palest green remained—the faint suggestion of mysterious geography. A grease spot was a marsh, a mountain or a treasure. Irabestis went boating down a crack on cool days, under the tree boughs, bending his head. He fished in a chip of plaster. The perch rose to the bait and were golden in the sunwater. Specks stood for cities; pencil marks were bridges; stains and shutter patterns laid out fields of wheat and oats and corn. In the shadow of a corner the crack issued into a great sea. There was a tear in the paper that looked exactly like a railway and another that signified a range of hills. Some tiny drops of ink formed a chain of lakes. A darker decorative strip of Grecian pediments and interlacing ivy at the ceiling’s edge kept the tribes of Gog and Magog from invasion. Once he had passed through it to the ceiling but it made him dizzy and afraid. Shadows moved quixotically over the whole wall, usually from left to right in tall thin bands, and sank behind the bureau or below the bed or disappeared suddenly in a corner.

She goes to the window, curious to look out, and her senses awaken. It was only a moment ago (for sleep knows no time) that the flat horizon was a loamy gray swell merging into the fog behind the icy glass. But now rocky, powerful mountains are massing out of the ground (where have they come from?), a vast, strange overwhelming sight. This is her first glimpse of the unimaginable majesty of the Alps, and she sways with surprise. Just now a first ray of sun through the pass to the east is shattering into a million reflections on the ice field covering the highest peak. The white purity of this unfiltered light is so dazzling and sharp that she has to close her eyes for a moment, but now she's wide awake. One push and the window bangs down, to bring this marvel closer, and fresh air - ice-cold, glass-sharp, and with a bracing dash of snow - streams through her lips, parted in astonishment, and into her lungs, the deepest, purest breath of her life. She spreads her arms to take in this first reckless gulp, and immediately, her chest expanding, feels a luxurious warmth rise through her veins - marvelous, marvelous. Inflamed with cold, she takes in the scene to the left and the right; her eyes (thawed out now) follow each of the granite slops up to the icy epaulet at the top, discovering, with growing excitement, new magnificence everywhere - here a white waterfall tumbling headlong into a valley, there neat little stone houses tucked into crevices like birds' nests, farther off an eagle circling proudly over the very highest heights, and above it all a wonderfully pure, sumptuous blue whose lush, exhilarating power she would never have thought possible. Again and again she returns to these Alps sprung overnight from her sleep, an incredible sight to someone leaving her narrow world for the first time. These immense granite mountains must have been here for thousands of years; they'll probably still be here millions and millions of years from now, every one of them immovably where it's always been, and if not for the accident of this journey, she herself would have died, rotted away, and turned to dust with no inkling of their glory, She's been living as though all this didn't exist, never saw it, hardly cared to; like a fool she dozed off in this tiny room, hardly longer than her arm, hardly wide enough for her feet, just a night away, a day away from this infinitude, these manifold immensities! Indifferent and without desires before, now she's beginning to realize what she's been missing. This contact with the overpowering is her first encounter with travel's disconcerting ability to strip the hard shell of habit from the heart, leaving only the bare, fertile kernel.

Clair de Lune - 1873-1939 I I should like to imagine A moonlight in which there would be no machine-guns! For, it is possible To come out of a trench or a hut or a tent or a church all in ruins: To see the black perspective of long avenues All silent. The white strips of sky At the sides, cut by the poplar trunks: The white strips of sky Above, diminishing— The silence and blackness of the avenue Enclosed by immensities of space Spreading away Over No Man’s Land…. For a minute… For ten… There will be no star shells But the untroubled stars, There will be no Very light But the light of the quiet moon Like a swan. And silence…. Then, far away to the right thro’ the moonbeams “Wukka Wukka” will go the machine-guns, And, far away to the left Wukka Wukka And sharply, Wuk…Wuk… and then silence For a space in the clear of the moon. II I should like to imagine A moonlight in which the machine-guns of trouble Will be silent…. Do you remember, my dear Long ago, on the cliffs, in the moonlight, Looking over to Flatholme We sat….Long ago!... And the things that you told me… Little things in the clear of the moon, The little, sad things of a life…. We shall do it again Full surely, Sitting still, looking over a Flatholme. Then, far away to the right Shall sound the Machine Guns of trouble Wukka-wukka! And, far away to the lft, under Flatholme, Wukka-wuk!... I wonder, my dear, can you stick it? As we could say: “Stick it, the Welch!” In the dark of the moon, Going over….

Load the sailboat with bottles of white wine, olive oil, fishing rods, and yeasty, dark-crusted bread. Work your way carefully out of the narrow channels of the Cabras port on the western shore of Sardinia. Set sail for the open seas. Navigate carefully around the archipelago of small boats fishing for sea bass, bream, squid. Steer clear of the lines of mussel nets swooping in long black arcs off the coastline. When you spot the crumbling stone tower, turn the boat north and nuzzle it gently into the electric blue-green waters along ancient Tharros. Drop anchor. Strip down to your bathing suit. Load into the transport boat and head for shore. After a swim, make for the highest point on the peninsula, the one with the view of land and sea and history that will make your knees buckle. Stay focused. You're not here to admire the sun-baked ruins of one of Sardinia's oldest civilizations, a five-thousand-year-old settlement that wears the footprints of its inhabitants- Phoenicians, Greeks, Romans- like the layers of a cake. You're here to pick herbs growing wildly among the ancient tombs and temples, under shards of broken vases once holding humans' earliest attempts at inebriation. Taste this! Like peppermint, but spicy. And this! A version of wild lemon thyme, perfect with seafood. Pluck a handful of finocchio marino,sea fennel, a bright burst of anise with an undertow of salt. With finocchio in fist, reboard the transport vessel and navigate toward the closest buoy. Grab the bright orange plastic, roll it over, and scrape off the thicket of mussels growing beneath. Repeat with the other buoys until you have enough mussels to fill a pot. In the belly of the boat, bring the dish together: Scrub the mussels. Bring a pot of seawater to a raucous boil and drop in the spaghetti- cento grammi a testa. While the pasta cooks, blanch a few handfuls of the wild fennel to take away some of the sting. Remove the mussels from their shells and combine with sliced garlic, a glass of seawater, and a deluge of peppery local olive oil in a pan. Take the pasta constantly, checking for doneness. (Don't you dare overcook it!) When only the faintest resistance remains in the middle, drain and add to the pan of mussels. Move the pasta fast and frequently with a pair of tongs, emulsifying the water and mussel juice with the oil. Keep stirring and drizzling in oil until a glistening sheen forms on the surface of the pasta. This is called la mantecatura, the key to all great seafood pastas, so take the time to do it right.

I am here on a condition of immunity from the king. If your lady thinks she’s above the king because she rules this wretched land, she’ll soon remember who can strip her powers away—without spells and potions.

The Inferno was the newest and most fabulous of all the fabulous luxury hotels and casinos in what the home folks themselves refer to as Fabulous Las Vegas. The word when applied to the Inferno was no Hollywood superlative; it was an apt description. It was between the Desert Inn and the Flamingo on the desert end of the Strip. The building was huge, surrounded by twenty acres of landscaped grounds and parking space, and fronted with ten thousand square feet of velvety green lawn.

She rose heavily from her chair and motioned to me to follow. I walked very close to her, these days—she didn’t seem completely steady on her feet, and frequently listed to one side, like a badly loaded ship in high seas. But she made it, her hand trailing the wall for extra stability. “Under that bed, dear. No, there. There are two chests. That’s it.” I knelt and wrenched out two heavy wooden boxes with lids. Opening them, I found them filled to the brim with rows of buttons, zippers, tapes, and fringes. There were hooks and eyes, fastenings of every type, all neatly separated and labeled, brass naval buttons and tiny Chinese ones, covered with bright silk, bone, and shell, sewn neatly onto little strips of card. In the cushioned lid sat sprays of pins, rows of different-sized needles, and an assortment of silk threads on tiny pegs. I ran my

held her head in my hands and spoke from behind her back. “Monique, listen,” I said. I spoke very slowly, deliberately letting the words drag while my voice got lower, softer, deeper. “First, I'm going to strip you naked and strip the dead man naked. I think he's dead. I'm almost sure he's dead. And I'll bind you both together, your warm body pressed against his own and your face against his cheek. I'll tie his arms around you, and yours around him and I'll leave you here alone, like lovers. You'll feel his body cooling, the flesh becoming cool and damp while darkness falls. And then it will be night, dark night, and you'll hear rustling all around you, in the grass and in the branches of the trees. Right now, you think you'll know it's only wind, or crawling things, but when it happens you won't know. The sounds will crawl into your mind like worms.

I began to delight in surprising adults with my refined palate and disgusting my inexperienced peers with what I would discover to be some of nature's greatest gifts. By the age of ten I had learned to break down a full lobster with my bare hands and a nutcracker. I devoured steak tartare, pâtés, sardines, snails baked in butter and smothered with roasted garlic. I tried raw sea cucumber, abalone, and oysters on the half shell. At night my mother would roast dried cuttlefish on a camp stove in the garage and serve it with a bowl of peanuts and a sauce of red pepper paste mixed with Japanese mayonnaise. My father would tear it into strips and we'd eat it watching television together until our jaws were sore, and I'd wash it all down with small sips from one of my mother's Coronas. Neither one of my parents graduated from college. I was not raised in a household with many books or records. I was not exposed to fine art at a young age or taken to any museums or plays at established cultural institutions. My parents wouldn't have known the names of authors I should read or foreign directors I should watch. I was not given an old edition of Catcher in the Rye as a preteen, copies of Rolling Stones records on vinyl, or any kind of instructional material from the past that might help give me a leg up to cultural maturity. But my parents were worldly in their own ways. They had seen much of the world and had tasted what it had to offer. What they lacked in high culture, they made up for by spending their hard-earned money on the finest of delicacies. My childhood was rich with flavor---blood sausage, fish intestines, caviar. They loved good food, to make it, to seek it, to share it, and I was an honorary guest at their table.

Someone who makes you feel so alive, you can’t imagine going back to the shell of a human you were before you met them. Someone who sees you, really sees you, stripped down and raw, and wants to collect all your broken pieces and cherish them like they are something beautiful

An enemy taken to their lowest can be the absolute deadliest. If a person thinks they have nothing to lose, they become infinitely more dangerous. If we strip Eliza of everything she has, including her pride, she’ll suffer, but she’ll also become a possible threat. I don’t want to have to live every day worrying that woman will try to get revenge.

On a fatal day, in the holy season of Lent, Hypatia was torn from her chariot, stripped naked, dragged to the church, and inhumanely butchered by the hands of Peter the Reader and a troop of savage and merciless fanatics; her flesh was scraped from her bones with sharp oyster-shells, and her quivering limbs were delivered to the flames.

I don’t have a bathin’ suit,” I tell them. “Don’t worry,” Brittany says. “Doug probably has one in the pool house you can wear.” In the pool house, Doug looks through a drawer searching for suits. “There’s only two here.” Doug picks up a skimpy Speedo and holds it out to me. “This okay for you, big guy?” “That wouldn’t fit my right testicle. Why don’t you wear it and I’ll take this one,” I say, reaching around Doug and grabbing a boxer-type suit. I notice the girls are gone. “Where’d they go?” “To change. And to talk about us, I’m sure.” In the small changing room as I strip and get into the suit, I think about my life back home. Here, in Lake Geneva, it’s easy to forget about home life for a while. Not having to worry about who’s got my back. When I step out of the changing room, Doug says, “She’ll take a lot of shit by being with you, you know. People are already starting to talk.” “Listen, Douggie. I like that girl more than I can remember likin’ anything in my life. I’m not about to give her up. I’ll start carin’ about what other people think when I’m six feet under.” Doug smiles and holds out his arms. “Ah, Fuentes, I think we just had a male bonding moment. Wanna hug?” “Not on your life, white boy.” Doug slaps me on the back, then we walk to the hot tub. Despite everything, I think we do have, if not a bonding, then at least an understanding. Either way, I’m still not hugging him.

Death is the worst kind of thief. It takes whatever soul it chooses, and then out of sheer spite or mean-spiritedness strips the humanity from the shell it leaves behind so that it’s impossible to believe life ever dwelt within something so

By the time Columbus discovered America, the Indians were already using beads for decoration. Beads were made from shells, bones, claws, stones, and minerals. The Algonquin and Iroquois tribes of the eastern coast made beads from clam, conch, periwinkle, and other seashells. These beads were used as a medium of exchange by the early Dutch and English colonists. They were called “wampum,” a contraction of the Algonquin “wampumpeak” or “wamponeage,” meaning string of shell beads. The purple beads had twice the value of the white ones. The explorer, followed by the trader, missionary and settler, soon discovered that he had a very good trade item in glass beads brought from Europe. The early beads that were used were about 1/8 inch in diameter, nearly twice as large as beads in the mid-1800’s. They were called pony beads and were quite irregular in shape and size. The colors most commonly used were sky-blue, white, and black. Other less widely used colors were deep bluff, light red, dark red, and dark blue. The small, round seed beads, as they are called, are the most generally used for sewed beadwork. They come in a variety of colors. Those most commonly used by the Indians are red, orange, yellow, light blue, dark blue, green, lavender, and black. The missionaries’ floral embroidered vestments influenced the Woodland tribes of the Great Lakes to apply beads in flower designs. Many other tribes, however, are now using flower designs. There are four main design styles used in the modern period. Three of the styles are largely restricted to particular tribes. The fourth style is common to all groups. It is very simple in pattern. The motifs generally used are solid triangles, hourglasses, crosses, and oblongs. This style is usually used in narrow strips on leggings, robes, or blankets. Sioux beadwork usually is quite open with a solid background in a light color. White is used almost exclusively, although medium or light blue is sometimes seen. The design colors are dominated by red and blue with yellow and green used sparingly. The lazy stitch is used as an application. The Crow and Shoshoni usually beaded on red trade or blanket cloth, using the cloth itself for a background. White was rarely used, except as a thin line outlining other design elements. The most common colors used for designs are pale lavender, pale blue, green, and yellow. On rare occasions, dark blue was used. Red beads were not used very often because they blended with the background color of the cloth and could not be seen. The applique stitch was used. Blackfoot beadwork can be identified by the myriad of little squares or oblongs massed together to make up a larger unit of design such as triangles, squares, diamonds, terraces, and crosses. The large figure is usually of one color and the little units edging it of many colors. The background color is usually white, although other light colors such as light blue and green have been used. The smallness of the pattern in Blackfoot designs would indicate this style is quite modern, as pony trading beads would be too large to work into these designs. Beadwork made in this style seems to imitate the designs of the woven quill work of some of the northwestern tribes with whom the Blackfoot came in contact.

Hank continued to look confused. “So, what’s she like otherwise? Is she a nice person?” Duane shrugged. “Not particularly. She’s businesslike, to the point. Cletus calls her efficient.” “Duane and Cletus would know.” I indicated to my brother with my chin. “She’ll talk to them, but she still doesn’t speak to me.” “So, Miss Too Pretty ignoring you has your boxers in a bunch?” Hank looked like he was stifling a laugh. “Like I said, it has nothing to do with her looks. And she can keep on ignoring me. I don’t care about that. But you’d be irritated too if someone you didn’t know told you your face was distorted.” “She didn’t say your face was distorted, dummy.” Duane rolled his eyes. I pointed at my brother. “She said yourface was perfectly symmetrical and myface was wonky. And that—plus I’m an idiot—is how she could tell us apart.” Hank barked a laugh. I glowered at my friend. “And I’m the one who needed to apologize?” “Now see, I don’t think you needed to apologize for mistaking her for a stripper. I think you needed to apologize for suggesting she take off her clothes. There’s the difference.” Duane nodded at his own words. “Technically, I didn’t suggest she take off her clothes. I suggested she keep them on.” Hank rubbed his chin. “You shouldn’t have made any reference to her clothes at all, especially since you’ll be working with her for the foreseeable future. That’s just unprofessional.” “Unprofessional?” I couldn’t believe the words out of my friend’s mouth, especially considering his practice of sending strippers to welcome me home was the cause of this mess in the first place. “Don’t look at me like that. I work in a strip club; you work in an auto shop. Of course I have to talk to my employees about their costumes and such.” Hank gave me a pointed look as he brought the beer bottle to his mouth and said before taking a sip, “The only stripping you should be discussing with this woman is salvaging for car parts.

As I saw it, these three titanic egos—Barack, Hillary, and Debbie—had stripped the party to a shell for their own purposes. Barack never had seen himself as connected to the party. He had not come up through it the way Joe Biden and Hillary had, but had sprung up almost on his own and never had any trouble raising money for his campaigns. He used the party to provide for political expenses like gifts to donors, and political travel, but he also cared deeply about his image. Late into his second term, the party was still paying for his pollster and focus groups. This was not working to strengthen the party. He had left it in debt. Hillary bailed it out so that she could control it, and Debbie went along with all of this because she liked the power and perks of being a chair but not the responsibilities.

As I saw it, we had three Democratic parties: the party of Barack Obama, the party of Hillary Clinton, and this weak little vestige of a party led by Debbie that was doing a very poor job getting people who were not president elected. As I saw it, these three titanic egos—Barack, Hillary, and Debbie—had stripped the party to a shell for their own purposes

Brittany has been wary this whole week. She’s waiting for me to play a joke on her, to get her back for tossing my keys into the woods. After school, as I’m at my locker picking books to take home, she storms up to me wearing her sexy pom uniform. “Meet me in the wrestling gym,” she orders. Now I can do two things: meet her like she told me to or leave the school. I take my books and enter the small gym. Brittany is standing, holding out her keychain without keys dangling from it. “Where have my keys magically disappeared to?” she asks. “I’m going to be late for the game if you don’t tell me. Ms. Small will kick me off the squad if I’m not at the game.” “I tossed them somewhere. You know, you should really get a purse that has a zipper. You never know when someone will reach in and grab somethin’.” “Glad to know you’re a klepto. Wanna give me a hint as to where you’ve hidden them?” I lean against the wall of the wrestling gym, thinking about what people would think if they caught us in here together. “It’s in a place that’s wet. Really, really wet,” I say, giving her a clue. “The pool?” I nod. “Creative, huh?” She tries to push me into the wall. “Oh, I’m going to kill you. You better go get them.” If I didn’t know her better, I’d think she was flirting with me. I think she likes this game we have going on. “Mamacita, you should know me better than that. You’re all on your own, like I was when you left me in the library parking lot.” She cocks her head, gives me sad eyes, and pouts. I shouldn’t concentrate on her pouty lips, it’s dangerous. But I can’t help it. “Show me where they are, Alex. Please.” I let her sweat it out a minute before I give in. By now most of the school is deserted. Half of the students are on their way to the football game. The other half is glad they’re not on their way to the football game. We walk to the pool. The lights are off, but sunlight is still shining through the windows. Brittany’s keys are where I threw ‘em--in the middle of the deep end. I point to the shiny pieces of silver under the water. “There they are. Have at it.” Brittany stands with her hands on her short skirt, contemplating how she’s going to get them. She struts over to the long stick hanging on the wall that’s used to pull drowning people from the water. “Piece of cake,” she tells me. But as she sticks the pole into the water, she finds out it’s not a piece of cake. I suppress a laugh as I stand at the edge of the pool and watch her attempt the impossible. “You can always strip and go in naked. I’ll watch to make sure nobody comes in.” She walks up to me, the pole gripped firmly in her fingers. “You’d like that, wouldn’t you?” “Uh, yeah,” I say, stating the obvious. “I have to warn you, though. If you have granny undies on, you’ll blow my fantasy.” “For your information, they’re pink satin. As long as we’re sharing personal info, are you a boxers or briefs guy?” “Neither. My boys go free, if you know what I mean.” Okay, I don’t let my boys go free. She’ll just have to figure that out herself. “Gross, Alex.” “Don’t knock it till you try it,” I tell her, then walk toward the door. “You’re leaving?” “Uh…yeah.” “Aren’t you going to help me get the keys?” “Uh…nope.” If I stay, I’ll be tempted to ask her to ditch the football game to be with me. I’m definitely not ready to hear the answer to that question. Toying with her I can handle. Showing my true colors like I did the other day made me take my guard down. I’m not about to do that again. I push the door open after taking one last glance at Brittany, wondering if leaving her right now makes me an idiot, a jerk, a coward, or all of the above.

You can always strip and go in naked. I’ll watch to make sure nobody comes in.” She walks up to me, the pole gripped firmly in her fingers. “You’d like that, wouldn’t you?” “Uh, yeah,” I say, stating the obvious. “I have to warn you, though. If you have granny undies on, you’ll blow my fantasy.” “For your information, they’re pink satin. As long as we’re sharing personal info, are you a boxers or briefs guy?” “Neither. My boys go free, if you know what I mean.” Okay, I don’t let my boys go free. She’ll just have to figure that out herself. “Gross, Alex.” “Don’t knock it till you try it,” I tell her, then walk toward the door.

The land’s like a woman. Tame her gently, treat her good, and you’ll never be without her. Strip her bare, and she’ll be colder than a whore’s heart.

The chemical structure of the K+ channel at its mouth strips off the water shells surrounding K+. Thus, K+ becomes smaller than Na+ and can pass through the channel, whereas Na+ cannot do so.

But today, the United States is a shell of what we were back then. Several administrations have stripped the military to the bone and what we have left is off fighting the unending 21st century version of the Crusades.

Strip out Comments and Blank Lines $ grep -E -v "^#|^$" file

Mariana screamed again, the sound so violent it made Robbie flinch away from her and clap his hands over his ears, wondering in horror how anyone could survive making a noise like that, wondering if he did want to die. He backed away from the pulsing white-hot sun of the kneeling woman's loss and staggered out through a gap in the half-built wall to where he'd left his clams, the pearlescent strips of their shells catching the thin sunlight.

It was from him that I learnt of the modern-day Fagins of Italy, and how the more innocent Gypsies fell into their nets. (…) Instead of Germany, after a long journey in a van, they found themselves in the city of Salerno in southern Italy. There they were brought by their 'Boss' to the empty shell of an unfinished apartment block. Inside there were hundreds of Romanian beggars sleeping on rags and mattresses which had been salvaged from rubbish dumps. There were rats everywhere. (…) The next morning they were pushed out on to the streets to beg. Romi was in tears. But in his tearful state he earned good money, especially outside the churches. He pocketed over a hundred euros on the first day and in the evening he tried to conceal some of it from the 'Boss'.He was told to strip. They found the money and beat him. They beat Dumitru as well because he had earned only ten euros. (p. 286)

We have to strip away all the barriers in order to live as part of the universal life. A person isn’t some private entity traveling unaffected through time and space as if sealed off from the rest of the world by a thick shell. Living for 100 or for 100,000 lives sealed off like that not only isn’t living, but it isn’t possible, in our lives are present a multitude of phenomena, just as we ourselves are present in many different phenomena. We are life, and life is limitless. Perhaps one can say that we are only alive when we live the life of the world, and so live the sufferings and joys of others. The suffering of others is our own suffering, and the happiness of others is our own happiness. If our lives have no limits, the assembly of the five aggregates which makes up our self also has no limits.the impermanent character of the universe, the successes and failures of life can no longer manipulate us.

S. Highway 91 to a small cocktail lounge called Cosmos, just past the Algiers and on the opposite side of the Strip.

If you've been around Los Angeles much, you know that desolate, unlighted strip of highway, Chavez Ravine Road, that stretches from Adobe Street to Elysian Park. It's solitary and lonely enough in the daytime.

Champagne Sheets by Stewart Stafford The little girl who swam with sharks, Receiver clutched in her dead hand, A naked, lonely death in a sterile room, Pill bottles silent witnesses to her end. Did she jump, or did others push her? Tabloid gossip for the masses to echo, Livid without make-up in the mortuary, Stripped of her last vestiges of privacy. Her disturbed mother was never there, She had no siblings or a nurturing father, True love and children evaded her grasp, A fragile shell, now a luminary immortal. © Stewart Stafford, 2022. All rights reserved.

Was this the real me? Stripped of the ability to look like a punk- what defined me as one? Not my jacket. Not my clothes. My friends? My enemies? No. What I did determined who I was, not what I looked like or what I liked. My actions and reactions. Did I emerge from the shell? I felt naked and free. Was I now pupa or chrysalis? I felt like myself- and that was what punk was. The freedom to be who I was unapologetically, even if I hadn't chosen it.

I know you’ll find someone who sees the scariest, darkest parts of you and loves the shit out of you anyway. Someone who presses your buttons, gets under your skin, makes you crazy in all the best ways. Someone who makes you feel so alive, you can’t imagine going back to the shell of a human you were before you met them. Someone who sees you, really sees you, stripped down and raw, and wants to collect all your broken pieces and cherish them like they are something beautiful.

Part of the appeal of paid sex in particular is the promise that, at least for the sixty minutes the hooker is on the clock, she’ll take away these complexities. And the girl on the screen is irresistible because he never has to seduce her and she never rejects him. Neither does she make him feel inadequate, and her moans assure him that she is having the best of times. Porn entices with a momentary promise to shield men from their basic sexual vulnerabilities. A lot can be said about the differences between prostitutes, strip clubs, full body massage, and porn, but in this sense they all yield common emotional dividends. They put men at the center of the woman’s attention, relieved of any pressure to perform and in a position where they can fully receive.

As we'll see throughout this book, nature's problem-solving strategies offer immense opportunities for wealth creation in a new economy. Whether the shatter-resistant ceramics of an abalone shell, the superior drag resistance demonstrated by seaweeds, or the pure combustion of plant photosynthesis, impacted industries range from construction to transportation to medicine to software. Nature's paradigm does what human technology tries to do-and does it sustainably without stripping out the base resources that create wealth. So what's preventing us from more rapid adoption of bio-inspired design?

Release isn’t stealing from us. It’s a gift—a gift to a woman weighed down, grasping her leaves in the midst of a snowstorm, desperate, so desperate for help. She can feel the twinges and hear the creaking sounds of a splitting break about to happen. She knows she can’t take much more. Tears well up in her upturned, pleading eyes. “God help me. It’s all too much. I’m tired and frustrated and so very worn-out.” The wind whips past her, trailing a whispered, “R-e-l-e-a-s-e.” She must listen or she will break. Her tree needs to be stripped and prepared for winter. But she can’t embrace winter until she lets go of fall. Like a tree, a woman can’t carry the weight of two seasons simultaneously. In the violent struggle of trying, she’ll miss every bit of joy each season promises to bring. No, release isn’t stealing a thing from her. From me. Or from you. Release brings with it the gift of peace. The beautiful, bare winter branch can now receive its snow.

Farah looked freaked out until Tawny hugged her and the tension faded from her face. A minute later, the table cloth lifted and Bailey appeared with beer bottles in her hands. “I figured you’d need booze to deal with the boredom of hiding.” “I can’t drink,” Farah said. “I’m off the pill and trying to get knocked up.” “I am knocked up. I also don’t like that brand of beer.” Handing the beers to Tawny, Bailey nodded. “Be back in a sec.” A minute later, Bailey returned with two cans of Coke for Farah and me. “So what are we talking about?” Bailey asked. “Men needing to protect their women,” I explained. “Lame. Talk about something I can join in on. What’s your sister like? Is she hotter than me?” “Yes.” “I hate her and you should tell her to watch out. If I see her, that pretty face is dead meat.” Grinning, I cuddled up with her as the table shook from fighting bodies knocking against it. “You’re having a baby?” she asked, wrapping her arms around me. “Everyone is getting married or having babies.” “Raven isn’t,” I said as Farah peeked out from under the table cloth to check on Cooper. She smiled and returned to her spot. “Judd and Aaron have stripped Mac down and are shoving him out the door.” Tawny laughed. “Judd finally got to punish Mac for letting me touch his arm months ago. Good for him.” Laughing, I leaned my head against Bailey. “Raven has bad taste in men. Going out with her will be great for you. If Raven likes someone, you’ll know he’s a loser. So she’ll distract all the shitty guys from you.” “Huh. And she’s hot, so she’ll draw guys to us. I think she might be my new best friend,” Bailey said, taking a swig. ‘Don’t be jealous. I just need a man because all of the kissing and fucking and marrying and baby making you guys keep doing. I can’t be the only one alone and Vaughn doesn’t count because he’ll be dead in a few months and shouldn’t be dating anyway.” We all frowned at Bailey who shrugged. “Those Devils fuck are going to kill him or he’ll try to kill them and get killed. Why do you think they call him Dead Man Walking?” “You’re bumming me out,” I told her while finishing my soda. “I wish Aaron was here.” “As you wish,” Aaron said, leaning down. “Look at you pretty girls hiding under here.” “We’re not hiding,” I said, crawling out. “We’re planning our attack. You know, just in case you couldn’t handle things.” When Aaron grinned, I noticed blood on his lip. “You’re hurt.” “You should see the other guys.” Glancing around, I noticed Mac’s friend was propped up on the pool table and the other guys were throwing pretzels and peanuts at him. In the corner, Kirk and Jodi sat as if on their porch drinking lemonade and admiring the sunset. “My hero,” I said, caressing the cobra. “Are you talking to me or the tattoo?” “Both, baby. Always both.

We should probably start planning this whole assassination thing, if you have less than a week before you’re talking to Isae.” “We?” I raised my eyebrows. “I’m the one who volunteered for this stupid mission, not you.” “You’re obviously going to need my help. For one thing, can you even fly yourself back to Thuvhe?” “I can fly a ship.” “Through Ogra’s atmosphere? I don’t think so.” “Okay,” I said, “so I need a pilot. And a ship.” “And you need to find out where Lazmet is. And get in, unseen. And figure out how you’re going to kill him. And then how you’re going to get out afterward.” She sat up, and popped the flesh of the nut, stripped of its shell, into her mouth. Tucking it into her cheek, she said, “Face it, you need help. And you’re not going to get many volunteers yourself. You may have observed, the exiles aren’t exactly wild about you.” “Oh really,” I said flatly. “I hadn’t noticed.” “Well, they’re stupid that way,” Teka said, flapping her hand at me. “I’ll get you the people you need. They like me.” “Can’t imagine why.” She threw the broken shell at me, hitting me in the cheek. I felt better than I had in a long time.

On a fatal day, in the holy season of Lent, Hypatia was torn from her chariot, stripped naked, dragged to the church, and inhumanely butchered by the hands of Peter the Reader and a troop of savage and merciless fanatics; her flesh was scraped from her bones with sharp oyster-shells, and her quivering limbs were delivered to the flames.

and you’re a good match.’ ‘You have a very precise memory.’ ‘It was yesterday.’ ‘I should have told you he keeps a mistress and ignores me.’ Reacher smiled. He said, ‘Good night, Mrs Mackenzie.’ She left him there, the same as the night before, alone in the dark, on the concrete bench, looking at the stars. At that moment a mile away, Stackley clicked off a phone call and parked his beat-up old pick-up truck in a lot behind an out-of-business retail enterprise three blocks from the centre of town. Earlier in his life he had favoured expensive haircuts, and one time when waiting in the salon he had read a magazine that said success in business depended entirely on ruthless control of costs. Thus wherever possible he slept in his truck. Hence the camper shell. A motel would take what he made on two pills. Why give it away? The old gal across the Snowy Range had bought a box of fentanyl patches, but he had given her one he had already opened, an hour before, very carefully, so he could skim out a patch all his own, for his pocket, for later. The old gal would never notice. If she did, she would assume she was too stoned to count right. A natural reaction. Addicts learned to blame themselves. The same the world over. He took scissors from his glove box, and he cut a quarter-inch strip off the patch, and he slipped it under his tongue. Sublingual, it was called. Another magazine in the same salon said it was the best method of all. Stackley couldn’t argue. At that moment sixty miles away, in the low hills west of town, Rose Sanderson was putting herself to bed. She had pulled down her hood, and taken off her silver track suit top. Under it was a T-shirt, which she took off, and a bra, likewise. She peeled the foil off her face. She used her toothbrush handle to scrape excess ointment off her skin. She buttered it back on the foil. With luck she might get one more day out of it. She ran her sink full of cool water. She took a breath, and held her face under the surface. Her record was four minutes. She came up and shook her head. Her

Meanwhile, at a Tokyo 7-Eleven, someone right now is choosing from a variety of bento boxes and rice bowls, delivered that morning and featuring grilled fish, sushi, mapo tofu, tonkatsu, and a dozen other choices. The lunch philosophy at Japanese 7-Eleven? Actual food. On the day we missed out on fresh soba, Iris had a tonkatsu bento, and I chose a couple of rice balls (onigiri), one filled with pickled plum and the other with spicy fish roe. For $1.50, convenience store onigiri encapsulate everything that is great about Japanese food and packaging. Let's start in the middle and work outward, like were building an onion. The core of an onigiri features a flavorful and usually salty filling. This could be an umeboshi (pickled apricot, but usually translated as pickled plum), as sour as a Sour Patch Kid; flaked salmon; or cod or mullet roe. Next is the rice, packed lightly by machine into a perfect triangle. Japanese rice is unusual among staple rices in Asia because it's good at room temperature or a little colder. Sushi or onigiri made with long-grain rice would be a chalky, crumbly disaster. Oishinbo argues that Japan is the only country in Asia that makes rice balls because of the unique properties of Japanese rice. I doubt this. Medium- and short-grain rices are also popular in parts of southern China, and presumably wherever those rices exist, people squish them into a ball to eat later, kind of like I used to do with a fistful of crustless white bread. (Come on, I can't be the only one.) Next comes a layer of cellophane, followed by a layer of nori and another layer of cellophane. The nori is preserved in a transparent shell for the same reason Han Solo was encased in carbonite: to ensure that he would remain crispy until just before eating. (At least, I assume that's what Jabba the Hutt had in mind.) You pull a red strip on the onigiri packaging, both layers of cellophane part, and a ready-to-eat rice ball tumbles into your hand, encased in crispy seaweed. Not everybody finds the convenience store onigiri packaging to be a triumph. "The seaweed isn't just supposed to be crunchy," says Futaki in Oishinbo: The Joy of Rice. "It tastes best when the seaweed gets moist and comes together as one with the rice." Yamaoka agrees. Jerk. Luckily, you'll find a few moist-nori rice balls right next to the crispy ones.

The casting away of things is symbolic, you know. Talismanic. When you cast away things, you're also casting away the self-related others that are symbolically related to those things. You start a cleaning-out process. You begin to empty the vessel." Larry shook his head slowly. "I don't follow that." "Well, take an intelligent pre-plague man. Break his TV, and what does he do at night?" "Reads a book," Ralph said. "Goes to see his friends," Stu said. "Plays the stereo," Larry said, grinning. "Sure, all those things," Glen said. "But he's also missing that TV. There's a hole in his life where that TV used to be. In the back of his mind he's still thinking, At nine o'clock I'm going to pull a few beers and watch the Sox on the tube. And when he goes in there and sees that empty cabinet, he feels as disappointed as hell. A part of his accustomed life has been poured out, is it not so?" "Yeah," Ralph said. "Our TV went on the fritz once for two weeks and I didn't feel right until it was back." "It makes a bigger hole in his life if he watched a lot of TV, a smaller hole if he only used it a little bit. But something is gone. Now take away all his books, all his friends, and his stereo. Also remove all sustenance except what he can glean along the way. It's an emptying-out process and also a diminishing of the ego. Your selves, gentlemen--they are turning into a window-glass. Or better yet, empty tumblers." "But what's the point?" Ralph asked. "Why go through all the rigmarole?" Glen said, "If you read your Bible, you'll see that it was pretty traditional for these prophets to go out into the wilderness from time to time--Old Testament Magical Mystery Tours. The timespan given for these jaunts was usually forty days and forty nights, a Hebraic idiom that really means 'no one knows exactly how long he was gone, but it was quite a while.' Does that remind you of anyone?" "Sure. Mother," Ralph said. "Now think of yourself as a battery. You really are, you know. Your brain runs on chemically converted electrical current. For that matter, your muscles run on tiny charges, too--a chemical called acetylcholine allows the charge to pass when you need to move, and when you want to stop, another chemical, cholinesterase, is manufactured. Cholinesterase destroys acetylcholine, so your nerves become poor conductors again. Good thing, too. Otherwise, once you started scratching your nose, you'd never be able to stop. Okay, the point is this: Everything you think, everything you do, it all has to run off the battery. Like the accessories in a car." They were all listening closely. "Watching TV, reading books, talking with friends, eating a big dinner ... all of it runs off the battery. A normal life--at least in what used to be Western civilization--was like running a car with power windows, power brakes, power seats, all the goodies. But the more goodies you have, the less the battery can charge. True?" "Yeah," Ralph said. "Even a big Delco won't ever overcharge when it's sitting in a Cadillac." "Well, what we've done is to strip off the accessories. We're on charge." Ralph said uneasily: "If you put a car battery on charge for too long, she'll explode." "Yes," Glen agreed. "Same with people. The Bible tells us about Isaiah and Job and the others, but it doesn't say how many prophets came back from the wilderness with visions that had crisped their brains. I imagine there were some. But I have a healthy respect for human intelligence and the human psyche, in spite of an occasional throwback like East Texas here--" "Off my case, baldy," Stu growled. "Anyhow, the capacity of the human mind is a lot bigger than the biggest Delco battery. I think it can take a charge almost to infinity. In certain cases, perhaps beyond infinity." They walked in silence for a while, thinking this over. "Are we changing?" Stu asked quietly. "Yes," Glen answered. "Yes, I think we are.

near the place it had stood again. Her feelings were so mixed up! Once they arrived at her old home, she could scarcely bring herself to look. When she finally mustered up the courage to do so, she gasped. Her friends had tidied up the area around her hut and added decorations to make it cute! They’d tucked berries and cones around the outside of the hut and donated things to make it homier. There was a new rug woven from bark strips on the hut’s swept dirt floor, a shell vase with flowers on her table, pictures on the walls, and a new hammock and quilt. A dozen homemade candles sat here and there, bringing golden light. “Thanks, you guys!” said Echo. “It’s b-beautiful!” Overwhelmed with joy and gratitude, tears welled up in her eyes. The way she was feeling, she was going to need some of Hera’s shop’s tissues pretty soon. “That’s not all,” said Daphne. “Look!” She led Echo around to the back side of the stump.

My little flower is ripe for the picking. She is delicate and soft, like prey begging to be claimed. She is weak now, sure, but under my care, she’ll grow. Thrive. I will give her just enough of what she needs to to bloom, but only on my terms. I will strip away the parts of her that do not serve me, and the shape her into something better. Something that is mine.

The veil between the Living and the Dead drew me in, guided my spirit, deposited me before the welcoming glow of--- I shit you not--- an In-N-Out Burger. Turns out the Afterlife? Where you go when you die? It's a Food Hall. There were good things to eat in every direction. Spirits strolled the streets with the lazy haze of tourists. They ate crepes in waxed paper; they licked swirls of ice cream. They chewed translucent strips of prosciutto folded inside newsprint cones. My stomach growled at the sights; it moaned at the smells. Garlic crisping in foaming slabs of butter. Crusty bread, still steaming from the oven. Glossy discs of chocolate melting over double boil. In the Hall, it was impossible to think about anything but food. Everywhere I looked, something beckoned. And as I passed a storefront--- a sweetshop, the candy arranged in the window like so many jewels--- the cravings won. Just one bite, I thought, and pulled open the door. Inside, on a marble counter, a black box appeared. Nestled inside were four perfect confections--- a sampler surprise. The aroma was decadent--- thick and bittersweet. I didn't even think before shoving one into my mouth. A gourmet peanut cup. Dark chocolate. Crunchy nut interior. Hard, thick outer shell. A bastardization, but enough to trigger a memory so strong I nearly dropped the box. Reese's. Everleigh. Halloween. The whole reason I was there.

This is different. She is different. When I’m with her, I want to strip her down, clasp a collar around her throat, brand her ass—do whatever it takes to ensure she’ll never leave me. I take a slow breath and remove my hand. I haven’t hurt her, but overwhelming her with my larger body is inexcusable.

Some brighter new shells had sprinkled down across the inclined face of the darker old shells. That would be something to sit in front of and try to see and capture with the colors, with the green grass growing around it and the different shade of green brush behind it, although Ethan imagined his sisters teasing him about it, too, like they did when he drew insects and dead birds and dead fish with their eyes pecked out and their spines stripped bare by gulls. Why you drawing that old heap of trash, Ethan? Why do you always draw bugs and junk and dead stuff on the beach? Tabitha asked.

Kissing Zoey now is a whole new experience. One I may never come back from. She tastes like rain and promises. She's not a stranger anymore. I've spent the last two weeks peeling the layers off, stripping away the hard shell, and uncovering versions of her I've never met, ones that she had forgotten. And each one makes me want her even more. Kissing Zoey now is kissing the woman she's always wanted to be.

Stars explode. It’s something they do really well. They wipe out entire solar systems. Chances are, that’s what’ll happen here in the long run. These binaries will merge. The newly born star will eventually burn through its fuel and its outer shell will explode violently into space, stripping the planets bare. Then we’ll be recycled into the heavens, perhaps to form other asteroids, comets, planets. Maybe even other lifeforms.

That’s where the humiliation started,” recalled Muhammad Najjar. “They were shooting directly at us, so we had to lay on the ground. We put our hands on our heads and took off our clothes without being ordered to because that is what we used to witness on TV when you run into special forces. We kept screaming, ‘Civilians! Civilians!’ But they didn’t respond.” From the tank, a soldier called out for an elderly man to step forward from the terrified group, which had huddled behind a large mound of dirt. Najjar said when the man emergedthe soldier shot him to death without explanation. Next, the soldier ordered another man forward, demanding he strip and turn around. Finally, the group was allowed to march forward behind the naked man, continuing their escape along a road strewn with dead bodies of the elderly, the weak, and those not able to escape the shells that were still landing all around. At the gates of Khuza’a, Najjar phones the ICRC one final time. Once again, they refused to dispatch an ambulance. And so the march continued west until the refugees found cars to take them to the main hospital in Khan Younis.

Al-Najjar was in his home with fifteen members of his family after a night of heavy bombardment when a tank shell hit their house. With the house surrounded by Israeli soldiers, al-Najjar beseeched the troops in Hebrew to allow him and his family to leave. Instead of permitting them to seek refuge elsewhere, the troops seized al-Najjar, forced him to strip and paraded him through the streets to the Kuuza Mosque to be interrogated.

With the sound of exploding bombs growing closer, Qadan and his family escaped again, to his brother's house in western Rafah, where they remained for the next three days. Qadan told me he did not seek shelter in an UNRWA school because Israel had begun shelling those, too. There was no sanctuary anywhere in the Gaza Strip, not in UN-operated schools, nor in hospitals. According to the UNRWA, by Saturday, August 2, the Israeli military had attacked a full third of Gaza's hospitals, along with fourteen primary healthcare clinics and twenty-nine ambulances belonging to either the Red Crescent or the Ministry of Health.

So Shell takes to mayhem with talent and a precision so quickly honed as to seem divinely given. If the Unnamed God don't want me to break the latches in that goat pen, why do I get the idea to do it? The goats don't mind. I'm a liberator, Papa. He never needs to say that, though. The goats go running wild, ruining scores of gardens in an afternoon. No one has seen Shell at the goat paddock. Maybe the gate has just broken open? No, the knife-sliced strips in the bark show ill intent.

In addition to aerial bombardment, according to a report issued by the Israeli logistical command in mid-August 2014, well before the final cease-fire took hold on August 26, 49,000 artillery and tank shells were fired into the Gaza Strip,31 most by the US-made M109A5 155mm howitzer. Its 98-pound shells have a kill zone of about 54 yards’ radius and inflict casualties within a diameter of 218 yards. Israel possesses 600 of these artillery pieces, and 175 of the longer-range American M107 175mm gun, which fires even heavier shells, weighing over 145 pounds. One instance of Israel’s use of these lethal battlefield weapons suffices to show the vast disproportionality of the war on Gaza.