Shell Quotes Within Quotes

And a woman spoke, saying, "Tell us of Pain." And he said: Your pain is the breaking of the shell that encloses your understanding. Even as the stone of the fruit must break, that its heart may stand in the sun, so must you know pain. And could you keep your heart in wonder at the daily miracles of your life, your pain would not seem less wondrous than your joy; And you would accept the seasons of your heart, even as you have always accepted the seasons that pass over your fields. And you would watch with serenity through the winters of your grief. Much of your pain is self-chosen. It is the bitter potion by which the physician within you heals your sick self. Therefore trust the physician, and drink his remedy in silence and tranquillity: For his hand, though heavy and hard, is guided by the tender hand of the Unseen, And the cup he brings, though it burn your lips, has been fashioned of the clay which the Potter has moistened with His own sacred tears.

Babies are soft. Anyone looking at them can see the tender, fragile skin and know it for the rose-leaf softness that invites a finger's touch. But when you live with them and love them, you feel the softness going inward, the round-cheeked flesh wobbly as custard, the boneless splay of the tiny hands. Their joints are melted rubber, and even when you kiss them hard, in the passion of loving their existence, your lips sink down and seem never to find bone. Holding them against you, they melt and mold, as though they might at any moment flow back into your body. But from the very start, there is that small streak of steel within each child. That thing that says "I am," and forms the core of personality. In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And "I am" grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh. The bones of the face emerge at six, and the soul within is fixed at seven. The process of encapsulation goes on, to reach its peak in the glossy shell of adolescence, when all softness then is hidden under the nacreous layers of the multiple new personalities that teenagers try on to guard themselves. In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until "I am" is set, delicate and detailed as an insect in amber.

First you must believe there is a soul." "Do you?" "If by a soul one means the creature who lives within each of us, a creature born loving, born joyful, but who with each wordly blow shrinks more deeply into its shell until at last, the poor desiccated thing is unrecognizable, even to its own self, yes. I do.

She's never asked for a drawing before. I'm horrible at giving them away. 'For the sun, stars, oceans, and all the trees, I'll consider it,' I say, knowing she'll never agree. She knows how badly I want the sun and trees. We've been dividing up the world since we were five. I'm kicking butt at the moment - universe domination is within my grasp for the first time. 'Are you kidding?' she says, standing up straight. It annoys me how tall she's getting. It's like she's being stretched at night. 'That leaves me just the flowers, Noah.' Fine, I think. She'll never do it. It's settled, but it isn't. She reaches over and props up the pad, gazing at the portrait like she's expecting the English guy to speak to her. 'Okay,' she says. 'Trees, stars, oceans. Fine.' 'And the sun, Jude.' 'Oh, all right," she says, totally surprising me. 'I'll give you the sun.

What - what - what are you doing?" he demanded. "I am almost six hundred years old," Magnus claimed, and Ragnor snorted, since Magnus changed his age to suit himself every few weeks. Magnus swept on. "It does seem about time to learn a musical instrument." He flourished his new prize, a little stringed instrument that looked like a cousin of the lute that the lute was embarrassed to be related to. "It's called a charango. I am planning to become a charanguista!" "I wouldn't call that an instrument of music," Ragnor observed sourly. "An instrument of torture, perhaps." Magnus cradled the charango in his arms as if it were an easily offended baby. "It's a beautiful and very unique instrument! The sound box is made from an armadillo. Well, a dried armadillo shell." "That explains the sound you're making," said Ragnor. "Like a lost, hungry armadillo." "You are just jealous," Magnus remarked calmly. "Because you do not have the soul of a true artiste like myself." "Oh, I am positively green with envy," Ragnor snapped. "Come now, Ragnor. That's not fair," said Magnus. "You know I love it when you make jokes about your complexion." Magnus refused to be affected by Ragnor's cruel judgments. He regarded his fellow warlock with a lofty stare of superb indifference, raised his charango, and began to play again his defiant, beautiful tune. They both heard the staccato thump of frantically running feet from within the house, the swish of skirts, and then Catarina came rushing out into the courtyard. Her white hair was falling loose about her shoulders, and her face was the picture of alarm. "Magnus, Ragnor, I heard a cat making a most unearthly noise," she exclaimed. "From the sound of it, the poor creature must be direly sick. You have to help me find it!" Ragnor immediately collapsed with hysterical laughter on his windowsill. Magnus stared at Catarina for a moment, until he saw her lips twitch. "You are conspiring against me and my art," he declared. "You are a pack of conspirators." He began to play again. Catarina stopped him by putting a hand on his arm. "No, but seriously, Magnus," she said. "That noise is appalling." Magnus sighed. "Every warlock's a critic." "Why are you doing this?" "I have already explained myself to Ragnor. I wish to become proficient with a musical instrument. I have decided to devote myself to the art of the charanguista, and I wish to hear no more petty objections." "If we are all making lists of things we wish to hear no more . . . ," Ragnor murmured. Catarina, however, was smiling. "I see," she said. "Madam, you do not see." "I do. I see it all most clearly," Catarina assured him. "What is her name?" "I resent your implication," Magnus said. "There is no woman in the case. I am married to my music!" "Oh, all right," Catarina said. "What's his name, then?" His name was Imasu Morales, and he was gorgeous.

New skin, a new land! And a land of liberty, if that is possible! I chose the geology of a land that was new to me, and that was young, virgin, and without drama, that of America. I traveled in America, but instead of romantically and directly rubbing the snakeskin of my body against the asperities of its terrain, I preferred to peel protected within the armor of the gleaming black crustacean of a Cadillac which I gave Gala as a present. Nevertheless all the men who admire and the women who are in love with my old skin will easily be able to find its remnants in shredded pieces of various sizes scattered to the winds along the roads from New York via Pittsburgh to California. I have peeled with every wind; pieces of my skin have remained caught here and there along my way, scattered through that "promised land" which is America; certain pieces of this skin have remained hanging in the spiny vegetation of the Arizona desert, along the trails where I galloped on horseback, where I got rid of all my former Aristotelian "planetary notions." Other pieces of my skin have remained spread out like tablecloths without food on the summits of the rocky masses by which one reaches the Salt Lake, in which the hard passion of the Mormons saluted in me the European phantom of Apollinaire. Still other pieces have remained suspended along the "antediluvian" bridge of San Francisco, where I saw in passing the ten thousand most beautiful virgins in America, completely naked, standing in line on each side of me as I passed, like two rows of organ-pipes of angelic flesh with cowrie-shell sea vulvas.

My rib cage clenched all of the organs and muscles within it. It pulsed, full of life and warmth and gummy bears and glitter. This was... I don't know how to explain it—it was like Christmas morning when you were a kid. It was everything I’d wanted. Each of his thumbs curved over the shells of my ears. "That's my girl." His girl. After all the crap that I'd gone through today, there couldn't have been three better words to hear. Well, there were three other words I'd like to hear but I'd take these from him. That didn't mean that he was the only one who knew how to give. He'd given enough. My bones and heart knew that there was nothing for me to fear. I loved him and sometimes there were consequences of it that were scary, but it—the emotion itself—wasn't. I knew that now. What kind of life was I living if I let my fears steer me? This was a gift I’d forgotten to appreciate lately. For so long I’d been happy to just be alive but now...now I had Dex. I had my entire life ahead of me, and I needed to quit being a wuss and grab life by the balls. In this case, I’d take his nipple piercings. “What’cha thinkin’, Ritz?” I held my hands out for him to see how badly they were shaking. “I’m thinking that I love you so much it scares me. See?” Dex's thumbs tipped my chin back so that I could look at his face—at his beautiful, scruffy face. "Baby." He said my name like a purr that reached the vertebrae of my spine. "And even though it really scares the living crap out of me, I love you, and I want you to know that. Everything you've done for me..." Oh hell. I had to let out a long gust of breath. "Thank you. You're the best thing that ever yelled at me." He murmured my name again, low and smooth. The pads of his thumbs dug a little deeper into the soft tissue on the underside of my jaw. "If all the shit I do for you, and all the shit I'd be willin' to do for you doesn't tell you how deep you've snuck into me, honey, then I'll tell you." He lowered his mouth right next to my ear, his teeth nipping at my lobe before he whispered, "Love you." The feeling that swamped me was indescribable. He gave me hope. This big, ex-felon with a temper, reminded me of how strong I was, and then made me stronger on top of it. "Dex," I exhaled his name. He nipped my ear again. "I love you, Ritz." The scruff of his jaw scraped my own before he bit it gently. "Love your fuckin' face, your that's what she said jokes, your dorky ass high-fives and your arm, but I really fuckin' love how much of a little shit you are. You got nuts bigger than your brother, baby." I choked out a laugh. Dex tipped my head back even further, holding the weight on his long fingers as he bit the curve of my chin. "And those are gonna be my nuts, you little bad ass." Fire shot straight through my chest. "Yeah?" I panted. "Yeah." He nodded, biting my chin even harder. "I already told you I keep what's mine.

He could not feel that they were an island of life journeying through an abyss of death. He felt almost the opposite--that life was waiting outside the little iron egg-shell in which they rode, ready at any moment to break in, and that, if it killed them, it would kill them by excess of its vitality. He hoped passionately that if they were to perish they would perish by the "unbodying" of the space-ship and not by suffocation within it. To be let out, to be free, to dissolve into the ocean of eternal noon, seemed to him at certain moments a consummation even more desirable than their return to Earth. And if he had felt some such lift of the heart when first he passed through heaven on their outward journey, he felt it now tenfold, for now he was convinced that the abyss was full of life in the most literal sense, full of living creatures.

THE PEARL STARTS ITS LIFE AS A SPLINTER—something unwanted like a piece of shell or shard of dirt that accidentally lodges itself in an oyster's body. To ease the splinter, the oyster takes defensive action, secreting a smooth, hard, lucid substance around the irritant to protect itself. That substance is called "nacre.” So long as the splinter remains within its body, the oyster will continue to coat it in nacre, layer upon beautiful layer. I always thought it was remarkable that the oyster coats its enemy not only in something beautiful, but a part of itself. And while diamonds are embraced with warm excitement, regarded to be of highest, deepest value, the pearl is somewhat overlooked. Its humble beginnings are that of a parasite, growing in something that is alive, draining its host of beauty. It’s clever—the plight of the splinter. A sort of rags to riches story.

Jodiya's shoulders shook in a silent laugh. Slowly, she lowered her pistol. And flung the grenade she held in her other hand. The fuse kindled in midair, burning unnaturally fast. No chance to outrun the explosion. Instead, Isyllt caught it. She hissed at the pain in her left hand, at the precious fraction of fuse being consumed. As soon as iron touched her skin, he magic began to work. Rust bloomed across damp metal, corroding at preternatural speed. Within heartbeats the iron shell crumbled in her hands, black powder hissing to the ground. She turned her head just in time as the fuse caught the last of the gunpowder and sprayed her with sparks. Her hand twisted with the pain of it, but she bared her teeth at Jodiya. "Again?"

can i have it?" This shocks me. She's never asked for a drawing before. I'm horrible at giving them away. "For the sun, stars, oceans, and all the trees, I'll consider it," | say knowing she'll never agree. She knows how badly I want the sun and the trees. we've been dividing up the world since we were five. |'m kicking butt at the moment - universe domination is within my grasp for the first time. "Are you kidding?" she says, standing up straight. It annoys me how tall she's getting. It's like she's being stretched at night. "That leaves me just the flowers, Noah." Fine, i think. She'll never do it. It's settled, but it isn't. She reaches over and props up the pad, gazing at the portrait like she's expecting the english guy to speak to her. "Okay," she says. "Trees, stars, oceans. Fine." "And the sun, Jude." "Oh, all right," she says, totally surprising me. "I'll give you the sun.

I'm not stupid, Mr. Potter. What's the real reason you didn't tell me, and what were you actually doing with Mr. Malfoy?" "Ah. Well..." Harry broke eye contact with her, and looked down at the library table. "Draco Malfoy told the Aurors under Veritaserum that he wanted to know if he could beat me, so he challenged me to a duel to test it empirically. Those were his exact words according to the transcript." "Right," Harry said, still not meeting her eyes. "Hermione Granger. Of course she'll remember the exact wording. It doesn't matter if she's chained to her chair, on trial for murder in front of the entire Wizengamot -" "What were you really doing with Draco Malfoy?" Harry winced, and said, "Probably not quite what you're thinking, but..." The horror scaled and scaled within her, and finally broke loose. "You were doing SCIENCE with him? " "Well -" "You were doing SCIENCE with him? You were supposed to be doing science with ME! 

The leveling process need find no place in Power's programme: it is embedded in its destiny. From the moment that it seeks to lay hands on the resources latent in the community, it finds itself impelled to put down the mighty by its natural tendency as that which causes a bear in search of honey to break the cells of the hive. How will the common people, the dependents and the laborers, welcome Power's secular work of destruction? With joy, inevitably. Its work is that of demolishing feudal castles; ambition motivates it, but the former victims rejoice in their liberation. Its work is that of breaking the shell of petty private tyrannies so as to draw out the hoarded energy within; greed motivates it but the exploited rejoice in the downfall of their exploiters. The final result of this stupendous work of aggression, does not disclose itself till late. Visible, no doubt, is the displacement of many private dominions by one general dominion, of many aristocracies by one "statocracy." But at first, the common people can but applaud: the more capable among them are, in a continuous stream, enrolled in Power's army - the administration - there to become the masters of their former social superiors.

It was getting very clear then (and during this week Riseholme naturally thought of nothing else) that Lucia designed a longer residence in the garish metropolis than she had admitted. Since she chose to give no information on the subject, mere pride and scorn of vulgar curiosity forebade anyone to ask her, though of course it was quite proper (indeed a matter of duty) to probe the matter to the bottom by every other means in your power, and as these bits of evidence pieced themselves together, Riseholme began to take a very gloomy view of Lucia's real nature. On the whole it was felt that Mrs. Boucher, when she paused in her bath-chair as it was being wheeled round the green, nodding her head very emphatically, and bawling into Mrs. Antrobus's ear-trumpet, reflected public opinion. "She's deserting Riseholme and all her friends," said Mrs. Boucher, "that's what she's doing. She means to cut a dash in London, and lead London by the nose. There'll be fashionable parties, you'll see, there'll be paragraphs, and then when the season's over she'll come back and swagger about them. For my part I shall take no interest in them. Perhaps she'll bring down some of her smart friends for a Saturday till Monday. There'll be Dukes and Duchesses at The Hurst. That's what she's meaning to do, I tell you, and I don't care who hears it." That was lucky, as anyone within the radius of a quarter of a mile could have heard it.

You can't work in the library without going into the Old Levels," said Mirelle somberly. "At least some of the time. I wouldn't be keen on going to some parts of the Library, myself." Lirael listened, wondering what they were talking about. The Great Library of the Clayr was enormous, but she had never heard of the Old Levels. She knew the general layout well. The Library was shaped like a nautilus shell, a continuous tunnel that wound down into the mountain in an ever-tightening spiral. This main spiral was an enormously long, twisting ramp that took you from the high reaches of the mountain down past the level of the valley floor, several thousand feet below. Off the main spiral, there were countless other corridors, rooms, halls, and strange chambers. Many were full of the Clayr's written records, mainly documenting the prophesies and visions of many generations of seers. But they also contained books and papers from all over the Kingdom. Books of magic and mystery, knowledge both ancient and new. Scrolls, maps, spells, recipes, inventories, stories, true tales, and Charter knew what else. In addition to all these written works, the Great Library also housed other things. There were old armories within it, containing weapons and armor that had not been used for centuries but still stayed bright and new. There were rooms full of odd paraphernalia that no one now knew how to use. There were chambers where dressmakers' dummies stood fully clothed, displaying the fashions of bygone Clayr or the wildly different costumes of the barbaric North. There were greenhouses tended by sendings, with Charter marks for light as bright as the sun. There were rooms of total darkness, swallowing up the light and anyone foolish enough to enter unprepared. Lirael had seen some of the Library, on carefully escorted excursions with the rest of her year gathering. She had always hankered to enter the doors they passed, to step across the red rope barriers that marked corridors or tunnels where only authorized librarians might pass.

He opened his eyes to the real world. Everything was moving with the slowness of a broken pict screen. Around him the Exiles of the Thousand Sons stood in the ruins of Tizca. Above him lights swelled within the storm cloud as the shells fell from the heavens. He reached up to his chest. The cracked back of a jade scarab found his fingers. His mind was suddenly empty, suddenly still. He felt the stone of the jade scarab. It was warm to his touch, just as it had been before, when Prospero had died under the axes of the Wolves. He knew that perhaps he alone of his brothers had kept that broken memento of their first flight from Prospero. Then it had unified the Legion, as Magnus had given the last of his power to save those who survived. Now, Ahriman did not need it to draw his brothers together. They were him and he was them. But the scarab mattered. It was not a connection to his brothers. It was a connection to the past, a connection to that first journey across space and time, a connection to the bridge that Magnus had created between Prospero and their refuge in the Eye. A key to opening that way again. You cannot step in the same river twice, he thought, the ancient words rising unbidden to his mind. Above him tears of flame fell from the frozen sky. For it is not the same river. He gripped the scarab and closed his eyes. And you are not the same man.

Simple Twist Of Fate" They sat together in the park As the evening sky grew dark She looked at him and he felt a spark tingle to his bones It was then he felt alone and wished that he'd gone straight And watched out for a simple twist of fate. They walked alone by the old canal A little confused I remember well And stopped into a strange hotel with a neon burning bright He felt the heat of the night hit him like a freight train Moving with a simple twist of fate. A saxophone someplace far off played As she was walking on by the arcade As the light bust through a-beat-up shade where he was waking up She dropped a coin into the cup of a blind man at the gate And forgot about a simple twist of fate. He woke up the room was bare He didn't see her anywhere He told himself he didn't care pushed the window open wide Felt an emptiness inside to which he just could not relate Brought on by a simple twist of fate. He hears the ticking of the clocks And walks along with a parrot that talks Hunts her down by the waterfront docks where the sailers all come in Maybe she'll pick him out again how long must he wait One more time for a simple twist of fate. People tell me it's a sin To know and feel too much within I still believe she was my twin but I lost the ring She was born in spring but I was born too late Blame it on a simple twist of fate. Bob Dylan, Blood On The Tracks (1975)

Krishna. The mystic who worships the Supersoul within himself is also called Atmarama. Such Atmarama yogis are of two kinds: The one is called sagarbha; the other is called nigarbha. In Srimad Bhagwatam it is stated, in the Second Canto, Second Chapter: "Some of the yogis meditate within the heart on the localized situation of Vishnu, Who is four-handed with four symbols: the conch shell, the wheel, the club and the lotus." The yogi who thinks of the fourhanded Vishnu becomes developed in devotional ecstasy, and attains the different symptoms of that position. Sometimes he cries, sometimes he feels separation. In this way he becomes merged in transcendental bliss. So, as a result of such transcendental bliss, he is practically entrapped like a fish.

An Introduction to CFD Trading Increase, commit, and individuals trying to trade systems and their cash in different areas are usually trying to find new strategies. Like several good buyer, you won’t be joining the group, instead you had want in order to change lives begin or to create one. Stocks trading is really 80s within the sensation that perhaps young kids today understand how it operates, and have the ability to survive without any formal education. If you should be looking for a new company shift, you should provide a try to this new venture. First what’s a CFD? CFD stands for contract for difference. It’s thought as a small business contract an entrepreneur and by an expense business. If the contract expires, both parties can trade notes concerning the differences between the original and final price indices of particular monetary things like shares of items and futures. This is exactly what CFD Trading is focused on. The one edge that traders have within this economic contract is the fact that they get to purchase these factors at lower costs despite the fact that it includes nonvoting stocks where the trader can’t vote on all aspects of the company as opposed to what stockholders are blessed to do. Another thing is the fact that a CFD does not hold taxes on files even if these aspects are acquired in large amounts. In simple terms, it’s a in which a derivative asset is founded on an underlying asset’s cost between two entities that transactions the differences. These parties will need to pay the differences required to eachother. The way in which CFD Trading works is that among the entities gives the difference before contract ends included to the other. Just about like what occurs in spreadbetting, the trader continues the opposite end-of the deal with investment institution or CFD service, where the trader anticipates which cost will increase and having three selections to take whether to buy, to slide or to sell the component required. Another similarity with spreadbetting is the fact that you can find no tax tasks since CFD’s don’t involve buying of assets to become settled. It just requires the activity of the fee. Since the investor is just needed to spot a minor amount on these things, that are also called edges, the earnings and in addition losses will soon be on the basis of the money set in. In other words, a CFD is good for the entrepreneur since it gives him the chance of owning main assets without so much problem. Does It Work A good example of that is to ingest a share worth $20 and the entrepreneur buys 100 of these. He will be cost $2,000 by this exchange. Employing a stockbroker will demand the entrepreneur to shell 50% of this amount out. That is $1,000. A meager initial cashout is needed which amounts as much as only $100, should you evaluate that to an expenditure finished with a CFD representative. However, allow it to be regarded that whenever an investor enters a deal of difference, the cost place usually begins in a loss. Which damage is definitely equal to the spread. Which means the spread is at $8 along with if you come into a deal, the underlying resource must generate $8 merely to break even. Let us say if the actual resource reaches a quote cost of $ 20, then the CFD price will be a few cents less than that since the dealer will have to escape at that point. So as opposed to increasing your money to $40, he will must settle for several dollars. Nevertheless not really a terrible package to get a purchase with less trouble.

The Qur’an does not just lead us, it liberates us from the grips of the ego. It does not just guide us; it helps us grow past the shells of our limiting beliefs. It does not just confront us; it consoles us with God’s infinite mercy. It reminds us of our holy purpose, of how incredibly valuable we are in the eyes of God, and inspires us to live a life not simply based on our present limited capacity, but to trust that when we depend on God all things are possible by virtue of His infinite and all-encompassing power. The Qur’an is not meant to only be recited, it is meant to be taken in like the fragrance of a rose, deep within our essence, allowing it to permeate in the deepest recesses of our being. The Qur’an was sent as a pathway of return to God. As the Prophet Muhammad (pbuh) said, “This Qur’an is the rope of Allah, and it is the clear light and healing. It is a protection for the one who clings to it and a rescue for the one who follows it. It is not crooked and so it puts things straight.

What’s the seventh direction?” The seventh direction is within. It is the most important. The Controllers focus on controlling the six directions, while the Sonvertos focus on opening humanity to the seventh direction.” “Why?” Uncle smiled. “Because it’s the one place the Controllers can’t control.” “Why can’t they control the seventh direction, if they can control the other six?” “Because the seventh direction is the sacred way in which the Creator—the Great Mystery - moves into the physical universe. The movement is always one-to-one. Creator to individual. Some people have allowed the Controllers to substitute their own image of a God, in effect, replacing the Great Mystery with the small faith. It’s not so much control as it is a form of magic like a shell game. It’s all about distraction. “Controllers are very good at two things: one, forming distractions so people grow to be predictable and easy to manage; and two, providing substitutions for the Real that, over time, become real to most people.” “I don’t understand,” I said, “why don’t people stop them? Kohana touched my arm gently. “One thing Nammu told you is true; they are a very ancient race. They operate in a different spacetime and they know all about us, because they’ve created the game in which we play, and they’ve been observing us since we began on this planet. “The Controllers may have created the game that humanity plays, but there is a bigger game being played out than one planet and a collection of races we call humanity. In this bigger game there’re larger players, more at stake, and this is where we focus. We don’t try to battle the Controllers, we honor them and their role, we avoid their distractions, and we withdraw our energy from them.” “Honor is our word for accept. If we battle them, then we’re trying to control the Controllers. We become like them. We don’t want to control anything, even the seventh direction.” “But if they’ve created the game,” I asked, “do we let them continue with their ways?” "The real manipulators live out of our reach. We can only teach about the seventh direction. That is what we do and why we’re here.” “It sounds so passive…” I whispered. “It’s passive only when you think in terms of battle,” Kohana said. His tone slightly irritated. “We actively teach. We actively show people how to live aligned to nature. We actively demonstrate how to connect with our Creator. People must have the desire to awaken; we can’t force them to wake up.” “And where do they get this desire?” I asked. “Everything you’ve said about the Controllers is that they’ve deceived us and kept us distracted. So where do people get the desire to even consider the seventh direction?” “These attractions are in mythology, religion, philosophy, poetry, art, nature, even science and technology. The attractions are everywhere, just as the distractions of the Controllers are everywhere. They are competing forces for the attention of a human mind and heart.

Batista was a rebellious non-commissioned officer in the 1933 Cuban Army and became the indisputable leader of the revolutionary faction within the military. Fulgencio Batista took over power during the bloody “Sergeants’ Revolt” and forced a military coup with the help of students and labor leaders, thus taking control of the government. He promoted himself to the rank of Colonel and summarily discharged the entire cadre of commissioned officers. Many officers fearing for their lives, barricaded themselves into the National Hotel. The Hotel Nacional was the fanciest hotel in Cuba, but that didn’t stop Batista from shelling it, using the Cuban war ship, the SS Cuba. Those officers who were not killed outright were jailed and “pax Batistiana” began. Batista controlled the short-lived five man Presidency of Cuba, which was called “The Pentarchy of 1933.” This ruling body was followed by the Presidency of Ramón Grau San Martin, a professor of the University of Havana, who held the office for just over 100 days. Carlos Mendieta followed and stayed in power for 11 months, after which Batista set himself up as the strong man behind a continuing succession of puppet presidents. Although calling himself a “Progressive Socialist,” Batista was supported by the “Communist Party” which had been legalized in 1938. In time much of this changed!

The leveling process need find no place in its programme: it is embedded in its destiny. From the moment that it seeks to lay hands on the resources latent in the community, it finds itself impelled to put down the mighty by its natural tendency as that which causes a bear in search of honey to break the cells of the hive. How will the common people, the dependents and the laborers, welcome its a secular work of destruction? With joy, inevitably. Its work is that of demolishing feudal castles; ambition motivates it, but the former victims rejoice in their liberation. Its work is that of breaking the shell of petty private tyrannies so as to draw out the hoarded energy within; greed motivates it but the exploited rejoice in the downfall of their exploiters. The final result of this stupendous work of aggression, does not disclose itself till late. Visible, no doubt, is the displacement of many private dominions by one general dominion, of many aristocracies by one "statocracy." But at first, the common people can but applaud: the more capable among them are, in a continuous stream, enrolled in Power's army - the administration - there to become the masters of their former social superiors.

There are seasons too for the individual. She may find herself at one time an aspiring thinker, at another a fighter, at a third a creator. And she will judge herself not only on the feeling of fullness that these ideals create within but also on what she contributes to other people by virtue of engaging her ideals. Hope will replace desire and for a while she will feel free. She may at times feel consumed by self. There will be a family to feed and protect, aging parents to tend; there will be the push and toss of daily life— the "pulling and hauling" as Whitman calls it. But in every act of courage or compassion or true thought, she'll feel something within her begin to swell, and she'll feel a joy that passes beyond mere happiness. She'll feel intimations of a finer and higher life and she'll begin, as well as she can, to move toward it. What she'll feel then will be the resurrection of her soul.

... the love within us is important, not the love we take or the love we are given. What is important is the fire that burns within us, the heat we beam, the fires we can light. The devil hates those who sit around other people’s firesides at night, basking in their shining bodies and hiding in their pitiful shells. Creatures ugly, ugly and terrible, but they needed love too. Anomalies… I also understood what we needed. Yes, I learned much more than I had even hoped. And probably more than I would have wanted to know if I had a choice.

Our lives are fragments. Consciousness can expand. Of course, there is always a price to pay." "What price?" "That’s up to each of us, Jax." "This is all outside the rules." "You must learn to think the impossible within the canon of the possible, then you will discover the limits within which you can move and dream. We are not God." "And what are we?" "We are beyond God.

A relentless storm rages within me, a maelstrom born out of this irritating affliction called Akathisia. This isn't just restlessness; it's akin to being trapped in a never-ending marathon with invisible shackles chaining every muscle, nerve, and inch of my being. I see the world around me as vibrant, lively, and pulsating with life, yet I'm confined to this lonely island of agony, isolated and misunderstood. Every moment is a battle against an invisible enemy that holds my peace hostage. I clench my fists, grit my teeth, and ride out the waves of torment. But the relentless onslaught of Akathisia never ceases. An unseen demon has sunk its claws into my soul, forcing me to endure this relentless turmoil. I look into the mirror and see a stranger staring back, a hollow shell writhing in pain, enslaved by an unseen tormentor. The cruel irony is that the world continues to spin, oblivious to the infernal landscape that has become my existence. From sunrise to sunset, the silent scream of Akathisia echoes within me, a chilling reminder of the hell on earth I am condemned to.

Women want men who have the capability of generating wealth, who are capable of securing a powerful spot within the social circles of the tribe... a man who can guarantee that she'll have ample resources to make her life (and the lives of her children) safe, secure, and comfortable.

I was touched," he said quietly," by your remark about seeing one another's souls." "Do you believe that's possible?" "First you must believe there is a soul." "Do you?" "If by a soul one means the creature who lives within each of us, a creature born loving, born joyful, but who with each worldly blow shrinks more deeply into its shell until at last, the poor desiccated thing is unrecognizable even to its own self, yes. I do.

Pippa is virtually engaged to Lord Castleton; we expect he'll propose within a matter of days of her return to London." His hand stilled for a moment before continuing its long, slow slide. "How did she and Castleton come to know each other?" She thought of the plain, uninspiring earl. "The same way it happens with anyone, really. Balls, dinners, dancing. He seems nice enough, but... I do not care for the idea of him with Pippa." "Why not?" "Some would say she's peculiar, but she's not. She's simply bookish, loves the sciences. She is fascinated by how things work. He doesn't seem to be able to keep up with her. But, honestly? I don't think she gives a fig one way or another about whether or whom she marries. As long as he has a library and a few dogs, she'll make a happiness of sorts for herself. I only wish she could find someone more... well, I hate to sound cruel, but... intelligent.

Oh sure, I appreciate physical beauty too. I can get excited about the primped and pruned outer shell; I can swoon over bright feathers, striking poses, and perfected prose as much as the next person. But in truth, I much prefer indulging my ethereal sense to those lesser ones – that inner sense that picks up on a deeper and far more exhilarating kind of beauty. That kind of beauty that presents itself slowly, slipping out one layer, one moment, one expression at a time as you really get to know someone. That’s what really gets me going. That’s the only kind that truly satisfies me – the kind of beauty that shines from within. The kind that speaks, not to the eyes, but that reflects back to them after first touching the heart.