Sheer Happiness Quotes

We've searched our database for all the quotes and captions related to Sheer Happiness. Here they are! All 100 of them:

And that sadness is intrinsically part of the fabric of happiness. You can’t have one without the other. Of course, they come in different degrees and quantities. But there is no life where you can be in a state of sheer happiness for ever. And imagining there is just breeds more unhappiness in the life you’re in.
Matt Haig (The Midnight Library)
I AM GOING TO BE FURIOUSLY HAPPY, OUT OF SHEER SPITE.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
Every second of every day we are entering a new universe. And we spend so much time wishing our lives were different, comparing ourselves to other people and to other versions of ourselves, when really most lives contain degrees of good and degrees of bad. [...] There are patterns of life... Rhythms. It is so easy, while trapped in just the one life, to imagine that times of sadness or tragedy or failure or fear are a result of the particular existence. That it is a by-product of living a certain way, rather than simply living. I mean, it would have made things a lot easier if we understood there was no way of living that can immunise you against sadness. And that sadness is intrinsically part of the fabric of happiness. You can't have one without the other. Of course, they come in different degrees and quantities. But there is no life where you can be in a state of sheer happiness for ever. And imagining there is just breeds more unhappiness in the life you're in.
Matt Haig
There are patterns to life . . . Rhythms. It is so easy, while trapped in just the one life, to imagine that times of sadness or tragedy or failure or fear are a result of that particular existence. That it is a by-product of living a certain way, rather than simply living. I mean, it would have made things a lot easier if we understood there was no way of living that can immunise you against sadness. And that sadness is intrinsically part of the fabric of happiness. You can’t have one without the other. Of course, they come in different degrees and quantities. But there is no life where you can be in a state of sheer happiness for ever. And imagining there is just breeds more unhappiness in the life you’re in.
Matt Haig (The Midnight Library)
Sisters share a bond that no one can explain. They understand each other in a way not even girl friends can approach. Secrets, heartbreaks, codes, history, delights, and sheer happiness can be shared in a simple glance between sisters. Many have attempted to decipher the language between sisters, and many have failed. sisters everywhere understand the importance of the bond and respect the relationship in other sisters. There is nothing more prized to a women than the secrets she shares with her sisters.
Juli Caldwell (Beyond Perfection)
Life streamed through him in splendid flood, glad and rampant, until it seemed that it would burst him asunder in sheer ecstasy and pour forth generously over the world.
Jack London (The Call of the Wild / White Fang)
You always think everything is so easy," Royce replied, wiping his eyes. "I'm just a glass-half-full kinda guy. How's your glass looking these days?" "I have no idea. I'm still trying to get over the sheer size of it.
Michael J. Sullivan (Percepliquis (The Riyria Revelations, #6))
Work on your strengths, not your weaknesses. How many of your New Year’s resolutions have been about fixing a flaw? And how many of those resolutions have you made several years in a row? It’s difficult to change any aspect of your personality by sheer force of will, and if it is a weakness you choose to work on, you probably won’t enjoy the process. If you don’t find pleasure or reinforcement along the way, then—unless you have the willpower of Ben Franklin—you’ll soon give up. But you don’t really have to be good at everything. Life offers so many chances to use one tool instead of another, and often you can use a strength to get around a weakness.
Jonathan Haidt (The Happiness Hypothesis: Finding Modern Truth in Ancient Wisdom)
All over, people were seeking “freedom” and “happiness” somewhere behind themselves, out of the sheer fear of being reminded of their own responsibilities and being admonished to travel their own path.
Hermann Hesse (Demian (Dover Thrift Editions: Classic Novels))
Everything that God sends us is beautiful, even though we may not understand it - and we only need to give it some proper thought to see that what God gives is just sheer happiness; the suffering is what we add to it.
Adalbert Stifter (The Bachelors (Pushkin Collection))
Generally speaking, though, Americans have an inability to relax into sheer pleasure. Ours is an entertainment-seeking nation, but not necessarily a pleasure-seeking one. Americans spend billions to keep themselves amused with everything from porn to theme parks to wars, but that's not exactly the same thing as quiet enjoyment. Americans work harder and longer and more stressful hours than anyone in the world today. But...we seem to like it. Alarming statistics back this observation up, showing that many Americans feel more happy and fulfilled in their offices than they do in their own homes. Of course, we all inevitably work too hard, then we get burned out and have to spend the whole weekend in our pajamas, eating cereal straight out of the box and staring at the TV in a mild coma (which is the opposite of working, yes, but not exactly the same thing as pleasure). Americans don't really know how to do NOTHING. This is the cause of that great sad American stereotype-the overstressed executive who goes on vacation but who cannot relax.
Elizabeth Gilbert (Eat, Pray, Love)
it would have made things a lot easier if we understood there was no way of living that can immunize you against sadness. And that sadness is intrinsically part of the fabric of happiness. You can’t have one without the other. Of course, they come in different degrees and quantities. But there is no life where you can be in a state of sheer happiness for ever. And imagining there is just breeds more unhappiness in the life you’re in.
Matt Haig (The Midnight Library)
A dog is a pitiful thing, depending wholly on companionship, and utterly lost except in packs or by the side of his master. Leave him alone and he does not know what to do except bark and howl and trot about till sheer exhaustion forces him to sleep. A cat, however, is never without the potentialities of contentment. Like a superior man, he knows how to be alone and happy. Once he looks about and finds no one to amuse him, he settles down to the task of amusing himself; and no one really knows cats without having occasionally peeked stealthily at some lively and well-balanced kitten which believes itself to be alone.
H.P. Lovecraft (Cats and Dogs)
And, indeed, this is the odd thing that is continually happening: there are continually turning up in life moral and rational persons, sages and lovers of humanity who make it their object to live all their lives as morally and rationally as possible, to be, so to speak, a light to their neighbours simply in order to show them that it is possible to live morally and rationally in this world. And yet we all know that those very people sooner or later have been false to themselves, playing some queer trick, often a most unseemly one. Now I ask you: what can be expected of man since he is a being endowed with strange qualities? Shower upon him every earthly blessing, drown him in a sea of happiness, so that nothing but bubbles of bliss can be seen on the surface; give him economic prosperity, such that he should have nothing else to do but sleep, eat cakes and busy himself with the continuation of his species, and even then out of sheer ingratitude, sheer spite, man would play you some nasty trick. He would even risk his cakes and would deliberately desire the most fatal rubbish, the most uneconomical absurdity, simply to introduce into all this positive good sense his fatal fantastic element. It is just his fantastic dreams, his vulgar folly that he will desire to retain, simply in order to prove to himself--as though that were so necessary-- that men still are men and not the keys of a piano, which the laws of nature threaten to control so completely that soon one will be able to desire nothing but by the calendar. And that is not all: even if man really were nothing but a piano-key, even if this were proved to him by natural science and mathematics, even then he would not become reasonable, but would purposely do something perverse out of simple ingratitude, simply to gain his point. And if he does not find means he will contrive destruction and chaos, will contrive sufferings of all sorts, only to gain his point!
Fyodor Dostoevsky
Lovers may kill their own love story for no other reason than that they are unable to tolerate the uncertainty, the sheer risk, that their experiment in happiness has delivered.
Alain de Botton
To be present in history, even as nothing more than a chuckle, was a universe away from being absent from it, from being written out of it altogether. A chuckle, after all, could become a foothold in the sheer wall of the future.
Arundhati Roy (The Ministry of Utmost Happiness)
Is that the summit of earthly happiness, the end of life - to love? I don't think it is. It may be the extreme of mortal misery, it may be sheer waste of time, and fruitless torture of feeling.
Charlotte Brontë (Villette)
We walked down the back stairwell into the garden where the old breakfast table used to be. 'This was my father's spot. I call it his ghost spot. My spot used to be over there, if you remember.' I pointed to where my old table used to stand by the pool. 'Did I have a spot?' he asked with a half grin. 'You'll always have a spot.' I wanted to tell him that the pool, the garden, the house, the tennis court, the orle of paradise, the whole place, would always be his ghost spot. Instead, I pointed upstairs to the French windows of his room. Your eyes are forever there, I wanted to say, trapped in the sheer curtains, staring out from my bedroom upstairs where no one sleeps these days. When there's a breeze and they swell and I look up from down here or stand outside on the balcony, I'll catch myself thinking that you're in there, staring out from your world to my world, saying, as you did on that one night when I found you on the rock, I've been happy here. You're thousands of miles away but no sooner do I look at this window than I'll think of a bathing suit, a shirt thrown on on the fly, arms resting on the banister, and you're suddenly there, lighting up your first cigarette of the day—twenty years ago today. For as long as the house stands, this will be your ghost spot—and mine too, I wanted to say.
André Aciman (Call Me by Your Name)
The heart's seasons seldom coincide with the calendar. Who among us has not been made desolate beyond all words upon some golden day when the little creatures of the air and meadow were life incarnate, from sheer joy of living? Who among us has not come home, singing, when the streets were almost impassable with snow, or met a friend with a happy, smiling face, in the midst of a pouring rain?
Myrtle Reed (Old Rose and Silver)
Sometimes, she told herself, life was a series of obstacles that just had to be negotiated, possibly through sheer act of will. She stared out at the muddy blue of the endless sea, gulped in the air, lifted her chin, and decided that she could survive this. She could survive most things. It was nobody’s right to be happy, after all.
Jojo Moyes (One Plus One)
All things considered, the last six months have been a goddamn Victorian tragedy. Today my husband, Victor, handed me a letter informing me that another friend had unexpectedly died. You might think that this would push me over the edge into an irreversible downward spiral of Xanax and Regina Spektor songs, but no. It’s not. I’m fucking done with sadness, and I don’t know what’s up the ass of the universe lately but I’ve HAD IT. I AM GOING TO BE FURIOUSLY HAPPY, OUT OF SHEER SPITE.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
There is the old pilot quip that their jobs are “hours and hours of boredom punctuated by moments of sheer terror.
Morgan Housel (The Psychology of Money)
Whispers of a forgotten shore When I die, throw my ashes to the wind… Let it carry me along as my heart will lead my soul, to the places that took my breath away. Let it blow me about to return to those places.. That I swore were so magical I would return, But have not, Let those forgotten shores, forgotten places, Be reunited with my eyes, The splendour and the overwhelming feeling of sheer happiness, Etch into my soul as I pass through one heaven into the next Where I shall live for eternity Knowing I made a promise and kept it, I forgot nothing, I left nothing behind, My loved ones will greet me or follow me, My broken promises were fixed, And the screams in my ears of a conscience I couldn’t escape, Faded to whispers, Till one day I shall return to Earth in a new vessel, Reborn to live and suffer and wish this wish of mine all over again, Knowing the fulfillment of being forever free….
Michelle Geaney (Under These Rebel Skies)
Happy? Poor, ordinary, everyday word. But what could one say, how could one describe it? It was as though she could hardly stay inside herself, it was as though she were too small to hold so much of joy, it was as though she were washed through with light. And how astonishing to feel this sheer bliss, for here she was, not doing and not going to do a single unselfish thing, not going to do a thing she didn't want to do. ... Now she had taken off all her goodness and left it behind her like a heap in rain-sodden clothes, and she only felt joy.
Elizabeth von Arnim (The Enchanted April)
It seemed truly frightening that it was only by sheer chance that she had met Nick. It could so easily not have happened and then she would have had a shadowy, half-alive existence, like some sort of woodland creature who never sees sunlight, never even knowing how much she could love and how much she could be loved. Elisabeth once said — very definitely and severely — that the right man didn't complete you, you have to find happiness yourself, and Alice nodded agreeably, while thinking to herself, 'Oh, but yes he does.
Liane Moriarty (What Alice Forgot)
The truth of living is proved not by the inevitability of death but by the wonder that we lived at all. Remembering lives from the past ratifies that truth, more and more so the older we get. When I was growing up, my father told me once, "Do by look for happiness; life itself is happiness." It took me years to understand what he meant. The value of a life lived; the sheer value of living.
Nina Sankovitch (Tolstoy and the Purple Chair: My Year of Magical Reading)
Such terrifying powers we possess, but what a sorry lot of gods some men are. And the worst of it is not the cruelty but the arrogance, the sheer hubris of those who bring only violence and fear into the animal world, as if it needed any more of either. Their lives entail enough frights and tribulations without the modern fire-makers, now armed with perfected, inescapable weapons, traipsing along for more fun and thrills at their expense even as so many of them die away. It is our fellow creatures' lot in the universe, the place assigned them in creation, to be completely at our mercy, the fiercest wolf or tiger defenseless against the most cowardly man. And to me it has always seemed not only ungenerous and shabby but a kind of supreme snobbery to deal cavalierly with them, as if their little share of the earth's happiness and grief were inconsequential, meaningless, beneath a man's attention, trumped by any and all designs he might have on them, however base, irrational, or wicked.
Matthew Scully (Dominion: The Power of Man, the Suffering of Animals, and the Call to Mercy)
, and there were days last winter when I danced for sheer joy out in my frost-bound garden, in spite of my years and children.
Elizabeth von Arnim (Elizabeth and Her German Garden)
But there is no life where you can be in a state of sheer happiness for ever. And imagining there is just breeds more unhappiness in the life you're in.
Matt Haig (The Midnight Library)
I do not consider her choice of a piece happy. Beethoven is so usually simple and direct in his appeal that it is sheer perversity to choose a thing like that, which, if anything, disturbs.
E.M. Forster (A Room with a View)
There are moments when you think you will cry forever. You never do. Eventually, sheer physical exhaustion forces you to stop, to settle, to becalm yourself amidst all the mad turbulence of bereavement.
Douglas Kennedy (The Pursuit of Happiness)
He was looking forward to his visit not only for the pleasure of the shrewd dealing which far transcended mere gross profit, but with the sheer happiness of being out of bed and moving once more at free will, even though a little weakly, in the sun and air which men drank and moved in and talked and dealt with one another - a pleasure no small part of which lay in the fact that he had not started yet and was absolutely nothing under heaven to make him start until he wanted to. He did not still feel weak, he was merely luxuriating in that supremely gutful lassitude of convalescence in which time, hurry, doing, did not exist, the accumulating seconds and minutes and hours to which in its well state the body's slave both waking and sleeping, now reversed and time now the lip-server and mendicant to the body's pleasure instead of the body thrall to time's headlong course.
William Faulkner (The Hamlet (The Snopes Trilogy, #1))
Free of all responsibility or restraint, in the sheer obliviousness of dreams, he had lived like a happy pagan; and now he must go back to the drear existence of a mediaeval monk, beneath the prompting of an obscure sense of duty.
H.P. Lovecraft (The Cthulhu Mythos Megapack: 40 Modern and Classic Lovecraftian Stories)
An eagle soaring above a sheer cliff, where I suppose its nest is, makes another striking show of life, and helps to bring to mind the other people of the so-called solitude—deer in the forest caring for their young; the strong, well-clad, well-fed bears; the lively throng of squirrels; the blessed birds, great and small, stirring and sweetening the groves; and the clouds of happy insects filling the sky with joyous hum as part and parcel of the down-pouring sunshine.
John Muir (My First Summer in the Sierra (Illustrated))
I'm fucking done with sadness, and I don't know what's up the ass of the universe lately, but I'VE HAD IT. I AM GOING TO BE FURIOUSLY HAPPY, OUT OF SHEER SPITE. Can you hear that? That's me smiling, y'all. I'm smiling so loud you can fucking hear it. I'm going to destroy the goddamn universe with my irrational joy and I will spew forth pictures of clumsy kittens and baby puppies adopted by raccoons and MOTHERFUCKING NEWBORN LLAMAS DIPPED IN GLITTER AND THE BLOOD OF SEXY VAMPIRES AND IT'S GOING TO BE AWESOME. In fact, I'm starting a whole movement right now. The FURIOUSLY HAPPY movement. And it's going to be awesome because first of all, we're all going to be VEHEMENTLY happy, and secondly because it will freak the shit out of everyone that hates you because those assholes don't want to see you even vaguely amused, much less furiously happy, and it will make their world turn a little sideways and will probably scare the shit out of them. Which will make you even more happy. Legitimately.
Jenny Lawson
I wanted to tell him that the pool, the garden, the house, the tennis court, the orle of paradise, the whole place, would always be his ghost spot. Instead, I pointed upstairs to the French windows of his room. Your eyes are forever there, I wanted to say, trapped in the sheer curtains, staring out from my bedroom upstairs where no one sleeps these days. When there’s a breeze and they swell and I look up from down here or stand outside on the balcony, I’ll catch myself thinking that you’re in there, staring out from your world to my world, saying, as you did on that one night when I found you on the rock, I’ve been happy here. You’re thousands of miles away but no sooner do I look at this window than I’ll think of a bathing suit, a shirt thrown on on the fly, arms resting on the banister, and you’re suddenly there, lighting up your first cigarette of the day—twenty years ago today. For as long as the house stands, this will be your ghost spot—and mine too, I wanted to say.
André Aciman (Call Me by Your Name)
...the greater part or my spring happiness is due to the scent of the wet earth and young leaves. I am always happy (out of doors be it understood, for indoors there are servants and furniture), but in quite different ways, and my spring happiness bears no resemblance to my summer or autumn happiness, though it is not more intense, and there were days last winter when I danced for sheer joy out in my frost-bound garden in spite of my years and children. But I did it behind a bush, having a due regard for the decencies.
Elizabeth von Arnim (Elizabeth and Her German Garden)
Long black hair and deep clean blue eyes and skin pale white and lips blood red she's small and thin and worn and damaged. She is standing there. What are you doing here? I was taking a walk and I saw you and I followed you. What do you want. I want you to stop. I breathe hard, stare hard, tense and coiled. There is still more tree for me to destroy I want that fucking tree. She smiles and she steps towards me, toward toward toward me, and she opens he r arms and I'm breathing hard staring hard tense and coiled she puts her arms around me with one hand not he back of my head and she pulls me into her arms and she holds me and she speaks. It's okay. I breathe hard, close my eyes, let myself be held. It's okay. Her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and my heart slows and I stop shaking an the Fury melts into her safety an she holds me and she says. Okay. Okay. Okay. Something else comes and it makes me feel weak and scared and fragile and I don't want to be hurt and this feeling is the feeling I have when I know I can be hurt and hurt deeper and more terribly than anything physical and I always fight it and control it and stop it but her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and if she let me go right now I would fall and the need and confusion and fear and regret and horror and shame and weakness and fragility are exposed to the soft strength of her open arms and her simple word okay and I start to cry. I start to cry. I want to cry. It comes in waves. THe waves roll deep and from deep the deep within me and I hold her and she holds me tighter and i let her and I let it and I let this and I have not felt this way this vulnerability or allowed myself to feel this way this vulnerability since I was ten years old and I don't know why I haven't and I don't know why I am now and I only know that I am and that it is scary terrifying frightening worse and better than anything I've ever felt crying in her arms just crying in her ams just crying. She guides me to the ground, but she doesn't let me go. THe Gates are open and thirteen years of addiction, violence, hell and their accompaniments are manifesting themselves in dense tears and heavy sobs and a shortness of breath and a profound sense of loss. THe loss inhabits, fills and overwhelms me. It is the loss of a childhood of being a Teeenager of normalcy of happiness of love of trust anon reason of God of Family of friends of future of potential of dignity of humanity of sanity f myself of everything everything everything. I lost everything and I am lost reduced to a mass of mourning, sadness, grief, anguish and heartache. I am lost. I have lost. Everything. Everything. It's wet and Lilly cradles me like a broken Child. My face and her shoulder and her shirt and her hair are wet with my tears. I slow down and I start to breathe slowly and deeply and her hair smells clean and I open my eyes because I want to see it an it is all that I can see. It is jet black almost blue and radiant with moisture. I want to touch it and I reach with one of my hands and I run my hand from the crown along her neck and her back to the base of her rib and it is a thin perfect sheer and I let it slowly drop from the tips of my fingers and when it is gone I miss it. I do it again and again and she lets me do it and she doesn't speak she just cradles me because I am broken. I am broken. Broken. THere is noise and voices and Lilly pulls me in tighter and tighter and I know I pull her in tighter and tighter and I can feel her heart beating and I know she can feel my heart beating and they are speaking our hearts are speaking a language wordless old unknowable and true and we're pulling and holding and the noise is closer and the voices louder and Lilly whispers. You're okay. You're okay. You're okay.
James Frey
most of my prayers are expressions of sheer gratitude for the fullness of my contentment.
Elizabeth Gilbert (Eat, Pray, Love)
... his body language is sheer joy. He bounces from handhold to handhold. 'I am very very very happy.' he says with a high pitch.
Andy Weir (Project Hail Mary)
Everyone knows that only children smile out of sheer delight. In a real adult smile, there is always something other than happiness.
Polly Rosenwaike (Look How Happy I'm Making You)
Enlightenment is a paradoxical phenomenon. You need to be commited to become enlightenment, and to do whatever is necessary to make it happen. But at the same time you can not force enlightenment to happen by sheer will. It is like the situation with happiness: you can not force happiness to happen, but you can create the right circumstances for happiness to happen. You need to be willing to die, to let go of your limited sense of “I”, to achieve enlightenment. I can feel a deepening thirst to die, to dissolve into the silence, in my heart and being.
Swami Dhyan Giten (Presence - Working from Within. The Psychology of Being)
You can figure out by sheer logic that if you were only—and I mean only—to stay with your desires and preferences, and if you were never—and I mean never—to stray into unrealistic demands that your desires have to be fulfilled, you could very rarely disturb, really disturb, yourself about anything. Why? Because your preferences start off with, “I would very much like or prefer to have success, approval, or comfort,” and then end with the conclusion, “But I don’t have to have it. I won’t die without it. And I could be happy (though not as happy) without it.
Albert Ellis (How To Stubbornly Refuse To Make Yourself Miserable About Anything – Yes, Anything!)
Your health isn’t entirely within your control, either, despite what diet culture wants you to think. Health isn’t something you can wrestle into submission by sheer force; certain circumstances beyond our control—genetics, socioeconomic status, experiences of stigma, environmental exposures—can affect our health outcomes. We can’t permanently change our body size through food intake and exercise, the way we’ve been told we can, and the same is true of our health—which, of course, is not dependent on body size. That is, even if everyone ate the exact same things and moved their bodies in the exact same ways, we’d all still have different health outcomes because of genetic differences, experiences of poverty and discrimination, and even deprivation that our mothers experienced during pregnancy. Many things contribute to health, meaning it’s not all down to personal responsibility, the way diet culture wants us to believe—not by a long shot.
Christy Harrison (Anti-Diet: Reclaim Your Time, Money, Well-Being and Happiness Through Intuitive Eating)
To most people, the sheer wall of El Capitan in Yosemite valley is just a huge chunk of featureless rock. But to the climber it is an arena offering an endlessly complex symphony of mental and physical challenges.
Mihály Csíkszentmihályi (Flow: The Classic Work On How To Achieve Happiness: The Psychology of Happiness)
I mean, it would have made things a lot easier if we understood there was no way of living that can immunize you against sadness. And that sadness is intrinsically part of the fabric of happiness. You can’t have one without the other. Of course, they come in different degrees and quantities. But there is no life where you can be in a state of sheer happiness forever. And imagining there is just breeds more unhappiness in the life you’re in.
Matt Haig (The Midnight Library)
Karl Popper, in The Open Society and Its Enemies, made a comment that sounds almost prophetic now: that the happy, primitive society (which, by the way, never existed) is lost for all those who have eaten of the fruit of the tree of knowledge. The more we try to return to the heroic age of tribalism, Popper warns, the more certainly we will reach the Inquisition, the secret police, and a romanticized gangsterism. But once the existential problems of the individual, who is good by nature, can be blamed on the "evil" society, nothing stands in the way of sheer imagination. The definition of the benevolent society free of all power is only a question of fantasy.
Paul Watzlawick
I mean, it would have made things a lot easier if we understood there was no way of living that can immunise you against sadness. And that sadness is intrinsically part of the fabric of happiness. You can’t have one without the other. Of course, they come in different degrees and quantities. But there is no life where you can be in a state of sheer happiness for ever. And imagining there is just breeds more unhappiness in the life you’re in.
Matt Haig (The Midnight Library)
If I start doing more things with my hands, whether that's woodworking or gardening or knitting or baking cookies, I might fall into the condition made famous by the psychologist with the impossible name: Mihaly Csikszentmihalyi. That condition is "flow." It means becoming completely involved in an activity not for the sake of the outcome but for the sheer joy of it. It means feeling alive when we are fully in the groove of doing something. According to Csikszentmihalyi, the path to greatest happiness lies not with mindless consuming but with challenging ourselves to experience or produce something new, becoming in the process more engaged, connected and alive.
Catherine Friend (Sheepish: Two Women, Fifty Sheep, and Enough Wool to Save the Planet)
Cousin of one of my parishioners. I do not consider her choice of a piece happy. Beethoven is so usually simple and direct in his appeal that it is sheer perversity to choose a thing like that, which, if anything, disturbs.
E.M. Forster (The Works of E. M. Forster)
Now I ask you: what can be expected of man since he is a being endowed with strange qualities? Shower upon him every earthly blessing, drown him in a sea of happiness, so that nothing but bubbles of bliss can be seen on the surface; give him economic prosperity, such that he should have nothing else to do but sleep, eat cakes and busy himself with the continuation of his species, and even then out of sheer ingratitude, sheer spite, man would play you some nasty trick. He would even risk his cakes and would deliberately desire the most fatal rubbish, the most uneconomical absurdity, simply to introduce into all this positive good sense his fatal fantastic element. It is just his fantastic dreams, his vulgar folly that he will desire to retain, simply in order to prove to himself—as though that were so necessary—that men still are men and not the keys of a piano, which the laws of nature threaten to control so completely that soon one will be able to desire nothing but by the calendar. And that is not all: even if man really were nothing but a piano-key, even if this were proved to him by natural science and mathematics, even then he would not become reasonable, but would purposely do something perverse out of simple ingratitude, simply to gain his point. And if he does not find means he will contrive destruction and chaos, will contrive sufferings of all sorts, only to gain his point! He will launch a curse upon the world, and as only man can curse (it is his privilege, the primary distinction between him and other animals), may be by his curse alone he will attain his object—that is, convince himself that he is a man and not a piano-key! If you say that all this, too, can be calculated and tabulated—chaos and darkness and curses, so that the mere possibility of calculating it all beforehand would stop it all, and reason would reassert itself, then man would purposely go mad in order to be rid of reason and gain his point! I believe in it, I answer for it, for the whole work of man really seems to consist in nothing but proving to himself every minute that he is a man and not a piano-key! It may be at the cost of his skin, it may be by cannibalism! And this being so, can one help being tempted to rejoice that it has not yet come off, and that desire still depends on something we don’t know?
Fyodor Dostoevsky (Notes from Underground)
It's like getting an extraordinary meal after you've been eating junk food for a long time. The taste just sweeps through your sensibilities, bringing all-out contentment, and the sheer goodness of it makes up for every bad meal you ever had.
Joan Bauer (Hope Was Here)
The fanciful theory that a person's life was etched on their physical form - be it despair, happiness, or in this case sheer depravity - was entirely disproved by Blaine. That, or she already had a huge portrait or herself slowly decaying in the attic.
Tabitha McGowan (The Tied Man (The Tied Man, #1))
Avilion was where King Arthur went to die. Surely Adelia’s choice of name signifies how hopelessly in exile she considered herself to be: she might be able to call into being by sheer force of will some shoddy facsimile of a happy isle, but it would never be the real thing.
Margaret Atwood (The Blind Assassin)
I have indeed lived life in a very rough school and have seen more than the average man's share of inhumanity and cruelty, from the forecastle and the prison, the slum and the desert, the execution-chamber and the lazar-house, to the battlefield and the military hospital. I have seen horrible deaths and mutilations. I have seen imbeciles hanged, because, being imbeciles, they did not possess the hire of lawyers. I have seen the hearts and stamina of strong men broken, and I have seen other men, by ill-treatment, driven to permanent and howling madness. I have witnessed the deaths of old and young, and even infants, from sheer starvation. I have seen men and women beaten by whips and clubs and fists, and I have seen the rhinoceros-hide whips laid around the naked torsos of black boys so heartily that each stroke stripped away the skin in full circle. And yet, let me add finally, never have I been so appalled and shocked by the world's cruelty as have I been appalled and shocked in the midst of happy, laughing, and applauding audiences when trained-animal turns were being performed on the stage.
Jack London (Michael Brother of Jerry)
Happiness comes to be understood as the by-product of individual will, rather than structural circumstances—and this rising generation of working-class youth draws swift and unforgiving boundaries against those who cannot achieve self-change and contentment through sheer emotional resolve.
Jennifer M. Silva (Coming Up Short: Working-Class Adulthood in an Age of Uncertainty)
Some days, the sheer amount of enemies we attracted made me question if maybe our crew was a little too trigger happy. That maybe we’d pissed in too many pots without thinking of the consequences. But then I remembered most folks couldn’t hold to a basic code of honor if it killed them. And kill them we did. Repeatedly.
Katherine McIntyre (The Airship Also Rises (Take to the Skies #3))
Lived and loved!” said she, “is that the summit of earthly happiness, the end of life—to love? I don’t think it is. It may be the extreme of mortal misery, it may be sheer waste of time, and fruitless torture of feeling. If Schiller had said to be loved, he might have come nearer the truth. Is not that another thing, Lucy, to be loved?
Charlotte Brontë (Villette (AmazonClassics Edition))
Here we must take account of one of St. Thomas's conceptual distinctions, which at first seems like unnecessary caviling. It is the distinction between "uncreated" and "created" happiness. We have here something which, while not at all obvious, is nevertheless fraught with consequences for our whole feeling about life. Namely, this: what does indeed make us happy is the infinite and uncreated richness of God; but participation in this, happiness itself, is entirely a "creatural" reality governed from within by our humanity; it is not something that descends overwhelmingly upon us from outside. That is, it is not only something that happens to us; we ourselves are intensely active participants in our own happiness. Beatitude - Thomas is saying - cannot possibly be conceived as a merely objective condition of sheer existence. It is not a mere quality, not pure passivity, not simply a feeling. It is something that takes place in the alert core of the mind... Happiness is an act and an activity of the soul.
Josef Pieper (Happiness and Contemplation)
Paris is a sensuous woman every man has loved, even if only in his dreams. Once he has been deep inside her, walked her streets and tasted her delights, he can never forget her. Yet no matter how strong the memory of her remains, it cannot prepare him for the sheer beauty of her nakedness as he gazes upon her for the second time; the intoxicating fragrance of her hair as it brushes against him as it did when she let him love her; the softness of her skin beneath his fingertips as he strokes her breathtakingly graceful form; or the searing fire which courses through every fiber of his soul now that she is within reach. For every man blessed with a woman's love, she is a shrine to his happiness now that he need search no more. But for those who reside in obscurity within the lonely domicile of an empty heart, she is the hope of finding love. In his tortured heart, love waits for him at a corner cafe in the woman's smile two tables away; it lingers in the melodic laughter of a girl riding past him on a bicycle; and sometimes, when the woman is smiling at someone else, and the girl rides past him without notice, he finds love beneath the skirt of the darkly sensual woman waiting for him under a streetlamp.
Bobby Underwood (The Gentle Tide (Matt Ransom #3))
And all my ethical reasoning crumbles to ash in the sheer fact of his presence. Because together, even in darkness, we light up a room; because the clotted guilt inside me breaks up and disperses before a surge of stupid happiness; because I love him, and I know I cannot leave him, am incapable of leaving him, unless he asks me to go. And he has not asked me. And that is the miracle which I live with, every day.
Anna Lyndsey (Girl in the Dark)
I'm the man I was four years ago when she stood on that stepladder. I still want her to hand me the Mozart mug. I want to feed the cat in our hideous green-and-yellow kitchenette, and to say pointless things at each tram stop. And I was lying when I said I didn't love her hands. They're my favorite part of her. They tell you who she is, what she does. Eyes, lips, the focal points of sonnets-- that's sheer genetics. But her hands--
Naoise Dolan (The Happy Couple)
The alternative to soul-acceptance is soul-fatigue. There is a kind of fatigue that attacks the body. When we stay up too late and rise too early; when we try to fuel ourselves for the day with coffee and a donut in the morning and Red Bull in the afternoon; when we refuse to take the time to exercise and we eat foods that clog our brains and arteries; when we constantly try to guess which line at the grocery store will move faster and which car in which lane at the stoplight will move faster and which parking space is closest to the mall, our bodies grow weary. There is a kind of fatigue that attacks the mind. When we are bombarded by information all day at work . . . When multiple screens are always clamoring for our attention . . . When we carry around mental lists of errands not yet done and bills not yet paid and emails not yet replied to . . . When we try to push unpleasant emotions under the surface like holding beach balls under the water at a swimming pool . . . our minds grow weary. There is a kind of fatigue that attacks the will. We have so many decisions to make. When we are trying to decide what clothes will create the best possible impression, which foods will bring us the most pleasure, which tasks at work will bring us the most success, which entertainment options will make us the most happy, which people we dare to disappoint, which events we must attend, even what vacation destination will be most enjoyable, the need to make decisions overwhelms us. The sheer length of the menu at Cheesecake Factory oppresses us. Sometimes college students choose double majors, not because they want to study two fields, but simply because they cannot make the decision to say “no” to either one. Our wills grow weary with so many choices.
John Ortberg (Soul Keeping: Caring For the Most Important Part of You)
As a boy, in my own backyard I could catch a basket of blue crabs, a string of flounder, a dozen redfish, or a net full of white shrimp. All this I could do in a city enchanting enough to charm cobras out of baskets, one so corniced and filigreed and elaborate that it leaves strangers awed and natives self-satisfied. In its shadows you can find metal work as delicate as lace and spiral staircases as elaborate as yachts. In the secrecy of its gardens you can discover jasmine and camellias and hundreds of other plants that look embroidered and stolen from the Garden of Eden for the sheer love of richness and the joy of stealing from the gods. In its kitchens, the stoves are lit up in happiness as the lamb is marinating in red wine sauce, vinaigrette is prepared for the salad, crabmeat is anointed with sherry, custards are baked in the oven, and buttermilk biscuits cool on the counter.
Pat Conroy (South of Broad)
She pushed him away from her. The rain swept over her face as she lifted her emerald eyes filled with laughter to his. “That’s it? That’s your big apology? I can see you’re not going to be a candy-and-flowers man.” She set off quickly. “Don’t talk to me, you uncivilized maniac. I don’t even want to hear the sound of your voice.” Jacques forced back the smile that seemed so ready to curve his hard mouth. Shea had a way of making even dangerous situations seem a game where laughter was always close at hand. She managed to find ways to make his madness, the terrible, unforgivable way he had treated her at their first meeting, seem casual. ”Can I put my arm around you?” Even while his eyes scanned, they held a gleam of merriment. “You’re talking. I said don’t talk to me.” Shea tried sticking her nose in the air, but it felt ridiculous, and she dissolved into undignified giggles. His arm curved around her slender waist and locked her under his shoulder. “I am sorry. I did not mean to speak when you asked me not to. Turn here. I’m going to have to carry you up.” “Don’t talk. You always get your way when you talk.” She walked with him a few more yards and stopped, staring up a sheer cliff face that seemed to go up forever. There had been no division between the forest and the rock face to warn her. “Up what? Not that.” The dark, malevolent feeling had faded away. Whoever it was no longer was watching them. She could tell. “I feel another argument coming on.” His mocking amusement might not have shown on his face, but she could feel it in her mind. Jacques simply lifted her and tossed her over his shoulder. “No way, you wild man. You aren’t Tarzan. I don’t like heights. Put me down.” “Close your eyes. Who is Tarzan? Not another male, I hope.” The wind rushed over her body, and she could feel them moving fast, so fast the world seemed to blur. She closed her eyes and clutched at him, afraid to do anything else. His laughter was happy and carefree, and it warmed her heart, dispelling any residue of fear she carried. It was a miracle to her that he could laugh, that he was happy. Tarzan is the ultimate male. He swung through trees and carries his woman off into the jungle. He patterns himself after me. She nuzzled his neck. He tries.
Christine Feehan (Dark Desire (Dark, #2))
The point is she raised herself into a new life by sheer force of will,” Vincent’s mother had said, and Vincent wondered even at the time—she would have been about eleven—what that statement might suggest about how happy Vincent’s mother was about the way her own life had gone, this woman who’d imagined writing poetry in the wilderness but somehow found herself sunk in the mundane difficulties of raising a child and running a household in the wilderness instead.
Emily St. John Mandel (The Glass Hotel)
happens when the Spiral is knocked out of balance. Earthmaker created the universe to have equal portions—Pain and Happiness, Birth and Death, Heat and Cold. That’s why the Spiral is so important. Its circles reach from the thinnest roots that dig into the ground to the perfect motions of the stars. Sometimes humans knock the Spiral out of kilter, sometimes animals do it. Every time a coyote runs through a flock of new lambs, killing for the sheer sport of it, without ever eating its prey … the Spiral tilts.
W. Michael Gear (People of the River (North America's Forgotten Past, #4))
She was standing at the door, and the sheer visual delight, the sharp ache of happiness, something like the sight of fleeing moments of beauty that are so much a part of the life’s vanishing act, with its total absence of forever, filled him as usual with that greed, that tyrannical urge to seize, to keep and preserve and never lose again, which is perhaps how twenty thousand years ago the first image of an antelope came to be painted by an artist upon a rock. Then she put her blouse on and Time, the old robber baron, went by, carrying his loots away.
Romain Gary (The Gasp)
Now I ask you: what can be expected of man since he is a being endowed with strange qualities? Shower upon him every earthly blessing, drown him in a sea of happiness, so that nothing but bubbles of bliss can be seen on the surface; give him economic prosperity, such that he should have nothing else to do but sleep, eat cakes and busy himself with the continuation of his species, and even then out of sheer ingratitude, sheer spite, man would play you some nasty trick. He would even risk his cakes and would deliberately desire the most fatal rubbish, the most uneconomical absurdity, simply to introduce into all this positive good sense his fatal fantastic element. It is just his fantastic dreams, his vulgar folly that he will desire to retain, simply in order to prove to himself—as though that were so necessary—that men still are men and not the keys of a piano, which the laws of nature threaten to control so completely that soon one will be able to desire nothing but by the calendar. And that is not all: even if man really were nothing but a piano-key, even if this were proved to him by natural science and mathematics, even then he would not become reasonable, but would purposely do something perverse out of simple ingratitude, simply to gain his point. And if he does not find means he will contrive destruction and chaos, will contrive sufferings of all sorts, only to gain his point! He will launch a curse upon the world, and as only man can curse (it is his privilege, the primary distinction between him and other animals), may be by his curse alone he will attain his object—that is, convince himself that he is a man and not a piano-key! If you say that all this, too, can be calculated and tabulated—chaos and darkness and curses, so that the mere possibility of calculating it all beforehand would stop it all, and reason would reassert itself, then man would purposely go mad in order to be rid of reason and gain his point! I believe in it, I answer for it, for the whole work of man really seems to consist in nothing but proving to himself every minute that he is a man and not a piano-key!
Fyodor Dostoevsky (Notes from Underground (Dostoyevsky Collection))
You’re bisexual,” he says a long minute later. I nod again. Another beat passes. “Is that why Diana—?” “I never cheated on her,” I tell him. “I wasn’t even tempted. We were pretty happy, or so I thought. But I didn’t want to marry her without telling her the truth.” “The truth,” he echoes. “Meaning that you’ve…” “Been with men before. Yes.” He goes quiet again. My stomach is wound so tightly I’m afraid to move for fear of rupturing something. “Wait, you said you didn’t cheat. You mean she left you because you told her… because you—” “Because I came out to her, yes,” I say. The sheer outrage on his face makes me want to kiss him. A tiny spark of hope flickers in the back of my mind. Maybe I won’t lose my friend after all. “That’s some serious sack of bullshit,” he says.
Whitley Green (Sizzle (Sizzle TV #1))
The tulips are too excitable, it is winter here. Look how white everything is, how quiet, how snowed-in. I am learning peacefulness, lying by myself quietly As the light lies on these white walls, this bed, these hands. I am nobody; I have nothing to do with explosions. I have given my name and my day-clothes up to the nurses And my history to the anesthetist and my body to surgeons. They have propped my head between the pillow and the sheet-cuff Like an eye between two white lids that will not shut. Stupid pupil, it has to take everything in. The nurses pass and pass, they are no trouble, They pass the way gulls pass inland in their white caps, Doing things with their hands, one just the same as another, So it is impossible to tell how many there are. My body is a pebble to them, they tend it as water Tends to the pebbles it must run over, smoothing them gently. They bring me numbness in their bright needles, they bring me sleep. Now I have lost myself I am sick of baggage—— My patent leather overnight case like a black pillbox, My husband and child smiling out of the family photo; Their smiles catch onto my skin, little smiling hooks. I have let things slip, a thirty-year-old cargo boat stubbornly hanging on to my name and address. They have swabbed me clear of my loving associations. Scared and bare on the green plastic-pillowed trolley I watched my teaset, my bureaus of linen, my books Sink out of sight, and the water went over my head. I am a nun now, I have never been so pure. I didn’t want any flowers, I only wanted To lie with my hands turned up and be utterly empty. How free it is, you have no idea how free—— The peacefulness is so big it dazes you, And it asks nothing, a name tag, a few trinkets. It is what the dead close on, finally; I imagine them Shutting their mouths on it, like a Communion tablet. The tulips are too red in the first place, they hurt me. Even through the gift paper I could hear them breathe Lightly, through their white swaddlings, like an awful baby. Their redness talks to my wound, it corresponds. They are subtle : they seem to float, though they weigh me down, Upsetting me with their sudden tongues and their color, A dozen red lead sinkers round my neck. Nobody watched me before, now I am watched. The tulips turn to me, and the window behind me Where once a day the light slowly widens and slowly thins, And I see myself, flat, ridiculous, a cut-paper shadow Between the eye of the sun and the eyes of the tulips, And I have no face, I have wanted to efface myself. The vivid tulips eat my oxygen. Before they came the air was calm enough, Coming and going, breath by breath, without any fuss. Then the tulips filled it up like a loud noise. Now the air snags and eddies round them the way a river Snags and eddies round a sunken rust-red engine. They concentrate my attention, that was happy Playing and resting without committing itself. The walls, also, seem to be warming themselves. The tulips should be behind bars like dangerous animals; They are opening like the mouth of some great African cat, And I am aware of my heart: it opens and closes Its bowl of red blooms out of sheer love of me. The water I taste is warm and salt, like the sea, And comes from a country far away as health. --"Tulips", written 18 March 1961
Sylvia Plath (Ariel)
Winter was come indeed bringing with it those pleasures of which the summer dreamer knows nothing—the delight when the fine and glittering day shows in the window, though one knows how cold it is outside; the delight of getting as close as possible to the blazing range which in the shadowy kitchen throws reflections very different from the pale gleams of sunlight in the yard, the range we cannot take with us on our walk, busy with its own activity, growling and grumbling as it sets to work, for in three hours time luncheon must be ready; the delight of filling one's bowl with steaming café-au-lait—for it is only eight o'clock—and swallowing it in boiling gulps while servants at their tasks come in and out with a, 'Good morning: up early, aren't you?' and a kindly, 'It's snug enough in here, but cold outside,' accompanying the words with that smile which is to be seen only on the faces of those who for the moment are thinking of others and not of themselves, whose expressions, entirely freed from egotism, take on a quality of vacillating goodness, a smile which completes that earlier smile of the bright golden sky touching the window-panes, and crowns our every pleasure as we stand there with the lovely heat of the range at our backs, the hot and limpid flavour of the café-au-lait in our mouths; the delight of night-time when, having had to get up to go shiveringly to the icy lavatory in the tower, into which the air creeps through the ill-fitting window, we later return deliciously to our room, feeling a smile of happiness distend our lips, finding it hard not to jump for sheer joy at the thought of the big bed already warm with our warmth, of the still burning fire, the hot-water bottle, the coverlets and blankets which have imparted their heat to the bed into which we are about to slip, walled in, embattled, hiding ourselves to the chin as against enemies thundering at the gates, who will not (and the thought brings gaiety) get the better of us, since they do not even know where we have so snugly gone to earth, laughing at the wind which is roaring outside, climbing up all the chimneys to every floor of the great house, conducting a search on each landing, trying all the locks: the delight of rolling ourselves in the blankets when we feel its icy breath approaching, sliding a little farther down the bed, gripping the hot-water bottle between our feet, working it up too high, and when we push it down again feeling the place where it has been still hot, pulling up the bedclothes to our faces, rolling ourselves into a ball, turning over, thinking—'How good life is!' too gay even to feel melancholy at the thought of the triviality of all this pleasure.
Marcel Proust (Jean Santeuil)
I rejoiced also because the ancient writings of the law and the prophets were no longer presented to me for reading with the kind of gaze that had made them look ridiculous before, when I’d accused your holy followers of holding opinions that in fact they didn’t hold. I was happy in hearing Ambrose say often in his public sermons, as if he were recommending this very carefully as a basic principle, ‘The letter kills, but the Spirit gives life.’ He was removing the ritual covering, as it were, from the deeper meaning, to disclose the spiritual sense of things that, when taken literally, seemed to teach what was untenable. He didn’t say anything I found troublesome, but he did say things I hadn’t yet learned how to distinguish as true or false. I was, you see, holding my heart back from any admission of the truth, as I feared the sheer drop into it; but hanging (myself) in the air above it was more like killing myself.
Sarah Ruden (Confessions)
This has been a wonderful day!' said he, as the Rat shoved off and took to the sculls again. 'Do you know, I've never been in a boat before in all my life.' 'What?' cried the Rat, open-mouthed: 'Never been in a—you never—well I—what have you been doing, then?' 'Is it so nice as all that?' asked the Mole shyly, though he was quite prepared to believe it as he leant back in his seat and surveyed the cushions, the oars, the rowlocks, and all the fascinating fittings, and felt the boat sway lightly under him. 'Nice? It's the ONLY thing,' said the Water Rat solemnly, as he leant forward for his stroke. 'Believe me, my young friend, there is NOTHING—absolute nothing—half so much worth doing as simply messing about in boats. Simply messing,' he went on dreamily: 'messing—about—in—boats; messing——' 'Look ahead, Rat!' cried the Mole suddenly. It was too late. The boat struck the bank full tilt. The dreamer, the joyous oarsman, lay on his back at the bottom of the boat, his heels in the air. '—about in boats—or WITH boats,' the Rat went on composedly, picking himself up with a pleasant laugh. 'In or out of 'em, it doesn't matter. Nothing seems really to matter, that's the charm of it. Whether you get away, or whether you don't; whether you arrive at your destination or whether you reach somewhere else, or whether you never get anywhere at all, you're always busy, and you never do anything in particular; and when you've done it there's always something else to do, and you can do it if you like, but you'd much better not. Look here! If you've really nothing else on hand this morning, supposing we drop down the river together, and have a long day of it?' The Mole waggled his toes from sheer happiness, spread his chest with a sigh of full contentment, and leaned back blissfully into the soft cushions. 'WHAT a day I'm having!' he said. 'Let us start at once!
Kenneth Grahame (The Wind in the Willows)
Incentives are the cornerstone of modern life. And understanding them - or, often, deciphering them - is the key to understanding a problem, and how it might be solved. Knowing what to measure, and how to measure it, can make a complicated world less so. There is nothing like the sheer power of numbers to scrub away lawyers of confusion and contradiction, especially with emotional, hot-button topics. The conventional wisdom is often wrong. And a blithe acceptance of it can lead to sloppy, wasteful, or even dangerous outcomes. Correlation does not equal causality. When two things travel together, it is tempting to assume that one causes the other. Married people, for instance, are demonstrably happier than single people; does this mean that marriage causes happiness? Not necessarily. The data suggest that happy people are more likely to get married in the first place. As one researcher memorably put it, "If you're grumpy, who the hell wants to marry you?
Steven D. Levitt (Think Like a Freak)
Up to this moment in her life, Audrey had never evinced the slightest sentimentality about children. Insofar as she had recognized them as an independent category of personhood, she had tended to think of them as trainee humans. Inadequate adults. She loved her own daughters well enough - wanted them to be happy and so forth - but they had failed to inspire in her that mad, lioness passion to which other mothers so preeningly testified. She was still in some shock regarding the servility of motherhood - the sheer, thankless drudgery of it. All the cleaning up of messes she had made and preparing meals she did not want to eat. She fed her girls regularly and diligently brushed their teeth twice a day and made sure they were more or less appropriately dressed for the weather, but beyond a dull sense of satisfaction at having fulfilled her maternal duties, she received no pleasure from performing these tasks. Try as she might, she she could not feel her daughters' happiness and sorrows as her own.
Zoë Heller (The Believers)
For a start, we should recognise that the idea of being deeply in love with one special partner over a whole lifetime, what we can call Romantic love, is a very new, ambitious and odd concept, which is at best 250 years old. Before then, people lived together of course but without any very high expectations of being blissfully content doing so. It was a purely practical arrangement, entered into for the sake of survival and the children. We should recognise the sheer historical strangeness of the idea of happy coupledom. A good Romantic marriage is evidently theoretically possible, but it may also be extremely unlikely, something only some 5 or 10 per cent of us can ever properly succeed at – which should make any failure feel a good deal less shameful. As a society, we’ve made something normal that’s in fact a profound anomaly. It is as though we’d set up high altitude tight rope walking as a popular sport. No wonder most of us fall off – and might not want to, or be able to, face getting back on.
Alain de Botton
By the same token, the failure to control Hitler after he was released from prison looks unreasonable only with the certainty of hindsight. Through the mid-1920s, he was banned from speaking in most German states, but as time passed and memories of the putsch receded, the bans began to be lifted. After all, Hitler was now pledging to abide by the rules of legality, and how, in a democracy, could a politician be denied the right to be heard, no matter how insidious his message, if he stayed within the bounds of the law? Who—and by what authority—had the right to silence him? Saxony, at the start of 1927, was the first large state to lift the speaking prohibition and was followed by Bavaria and others. The last to do so was the all-important state of Prussia, by far the largest in the federation (“whoever possesses Prussia possesses the Reich,” Goebbels said). It held out until after the September 1928 elections, when the Nazis won a paltry 2.6 percent of the vote, but after that dismal showing its prohibition looked untenable, a restriction based on bad faith and sheer partisan politics. Such a feeble electoral result brought the question of free speech in a democratic system into clear focus. In 1928, the Nazis seemed less a threat to democracy than a spent force, while the Weimar Republic seemed to have put down genuine roots. Real wages were rising. Unemployment had dropped dramatically. Industrial production had climbed 25 percent since 1925. “For the first time since the war, the German people were happy,” one journalist wrote. The astute political economist Joseph Schumpeter said in early 1929 that Weimar had achieved an “impressive stability” and that “in no sense, in no area, in no direction, are eruptions, upheavals or disasters probable.” The real threat to democracy during these good times appeared to be not Hitler or his party but any bans on the leaders of political organizations. Of course, two years later, after the Nazis had grown to become the second largest party in the Reichstag, it was too late to outlaw them.
Barry Gewen (The Inevitability of Tragedy: Henry Kissinger and His World)
Generally speaking, though, Americans have an inability to relax into sheer pleasure. Ours is an entertainment-seeking nation, but not necessarily a pleasure-seeking one. Americans spend billions to keep themselves amused with everything from porn to theme parks to wars, but that’s not exactly the same thing as quiet enjoyment. Americans work harder and longer and more stressful hours than anyone in the world today. But as Luca Spaghetti pointed out, we seem to like it. Alarming statistics back this observation up, showing that many Americans feel more happy and fulfilled in their offices than they do in their own homes. Of course, we all inevitably work too hard, then we get burned out and have to spend the whole weekend in our pajamas, eating cereal straight out of the box and staring at the TV in a mild coma (which is the opposite of working, yes, but not exactly the same thing as pleasure). Americans don’t really know how to do nothing. This is the cause of that great sad American stereotype—the overstressed executive who goes on vacation, but who cannot relax.
Elizabeth Gilbert (Eat, Pray, Love)
There was still the same unknowability about her life ahead. And yet, everything was different. And it was different because she no longer felt she was there simply to serve the dreams of other people. She no longer felt like she had to find sole fulfilment as some imaginary perfect daughter or sister or partner or wife or mother or employee or anything other than a human being, orbiting her own purpose, and answerable to herself. And it was different because she was alive, when she had so nearly been dead. And because that had been her choice. A choice to live. Because she had touched the vastness of life and within that vastness she had seen the possibility not only of what she could do, but also feel. There were other scales and other tunes. There was more to her than a flat line of mild to moderate depression, spiced up with occasional flourishes of despair. And that gave her hope, and even the sheer sentimental gratitude of being able to be here, knowing she had the potential to enjoy watching radiant skies and mediocre Ryan Bailey comedies and be happy listening to music
Matt Haig (The Midnight Library)
You may have a success in life, but then just think of it? What kind of life was it? What good was it - you've never done the thing you wanted to do in all your life. I always tell my students, go where your body and soul want to go. When you have the feeling, then stay with it, and don't let anyone throw you off... ... The way to find about your happiness is to keep your mind on those moments when you feel most happy, when you really are happy – not excited, not just thrilled, but deeply happy. This requires a little bit of self-analysis. What is it that makes you happy? Stay with it, no matter what people tell you. ... Just sheer life cannot be said to have a purpose, because look at all the different purposes it has all over the place. But each incarnation, you might say, has a potentiality, and the mission of life is to live that potentiality. How do you do it? My answer is, “Follow your bliss.” There’s something inside you that knows when you’re in the center, that knows when you’re on the beam or off the beam. And if you get off the beam to earn money, you’ve lost your life. And if you stay in the center and don’t get any money, you still have your bliss.
Joseph Campbell and Bill Moyers (The Power of Myth)
The Sandwich Maker would pass what he had made to his assistant who would then add a few slices of newcumber and fladish and a touch of splagberry sauce, and then apply the topmost layer of bread and cut the sandwich with a fourth and altogether plainer knife. It was not that these were not also skilful operations, but they were lesser skills to be performed by a dedicated apprentice who would one day, when the Sandwich Maker finally laid down his tools, take over from him. It was an exalted position and that apprentice, Drimple, was the envy of his fellows. There were those in the village who were happy chopping wood, those who were content carrying water, but to be the Sandwich Maker was very heaven. And so the Sandwich Maker sang as he worked. He was using the last of the year’s salted meat. It was a little past its best now, but still the rich savour of Perfectly Normal Beast meat was something unsurpassed in any of the Sandwich Maker’s previous experience. Next week it was anticipated that the Perfectly Normal Beasts would appear again for their regular migration, whereupon the whole village would once again be plunged into frenetic action: hunting the Beasts, killing perhaps six, maybe even seven dozen of the thousands that thundered past. Then the Beasts must be rapidly butchered and cleaned, with most of the meat salted to keep it through the winter months until the return migration in the spring, which would replenish their supplies. The very best of the meat would be roasted straight away for the feast that marked the Autumn Passage. The celebrations would last for three days of sheer exuberance, dancing and stories that Old Thrashbarg would tell of how the hunt had gone, stories that he would have been busy sitting making up in his hut while the rest of the village was out doing the actual hunting. And then the very, very best of the meat would be saved from the feast and delivered cold to the Sandwich Maker. And the Sandwich Maker would exercise on it the skills that he had brought to them from the gods, and make the exquisite Sandwiches of the Third Season, of which the whole village would partake before beginning, the next day, to prepare themselves for the rigours of the coming winter. Today he was just making ordinary sandwiches, if such delicacies, so lovingly crafted, could ever be called ordinary. Today his assistant was away so the Sandwich Maker was applying his own garnish, which he was happy to do. He was happy with just about everything in fact.
Douglas Adams (Mostly Harmless (Hitchhiker's Guide to the Galaxy, #5))
It was my father who called the city the Mansion on the River. He was talking about Charleston, South Carolina, and he was a native son, peacock proud of a town so pretty it makes your eyes ache with pleasure just to walk down its spellbinding, narrow streets. Charleston was my father’s ministry, his hobbyhorse, his quiet obsession, and the great love of his life. His bloodstream lit up my own with a passion for the city that I’ve never lost nor ever will. I’m Charleston-born, and bred. The city’s two rivers, the Ashley and the Cooper, have flooded and shaped all the days of my life on this storied peninsula. I carry the delicate porcelain beauty of Charleston like the hinged shell of some soft-tissued mollusk. My soul is peninsula-shaped and sun-hardened and river-swollen. The high tides of the city flood my consciousness each day, subject to the whims and harmonies of full moons rising out of the Atlantic. I grow calm when I see the ranks of palmetto trees pulling guard duty on the banks of Colonial Lake or hear the bells of St. Michael’s calling cadence in the cicada-filled trees along Meeting Street. Deep in my bones, I knew early that I was one of those incorrigible creatures known as Charlestonians. It comes to me as a surprising form of knowledge that my time in the city is more vocation than gift; it is my destiny, not my choice. I consider it a high privilege to be a native of one of the loveliest American cities, not a high-kicking, glossy, or lipsticked city, not a city with bells on its fingers or brightly painted toenails, but a ruffled, low-slung city, understated and tolerant of nothing mismade or ostentatious. Though Charleston feels a seersuckered, tuxedoed view of itself, it approves of restraint far more than vainglory. As a boy, in my own backyard I could catch a basket of blue crabs, a string of flounder, a dozen redfish, or a net full of white shrimp. All this I could do in a city enchanting enough to charm cobras out of baskets, one so corniced and filigreed and elaborate that it leaves strangers awed and natives self-satisfied. In its shadows you can find metalwork as delicate as lace and spiral staircases as elaborate as yachts. In the secrecy of its gardens you can discover jasmine and camellias and hundreds of other plants that look embroidered and stolen from the Garden of Eden for the sheer love of richness and the joy of stealing from the gods. In its kitchens, the stoves are lit up in happiness as the lamb is marinating in red wine sauce, vinaigrette is prepared for the salad, crabmeat is anointed with sherry, custards are baked in the oven, and buttermilk biscuits cool on the counter.
Pat Conroy (South of Broad)
Ave Maria BY FRANK O'HARA Mothers of America let your kids go to the movies! get them out of the house so they won’t know what you’re up to it’s true that fresh air is good for the body but what about the soul that grows in darkness, embossed by silvery images and when you grow old as grow old you must they won’t hate you they won’t criticize you they won’t know they’ll be in some glamorous country they first saw on a Saturday afternoon or playing hookey they may even be grateful to you for their first sexual experience which only cost you a quarter and didn’t upset the peaceful home they will know where candy bars come from and gratuitous bags of popcorn as gratuitous as leaving the movie before it’s over with a pleasant stranger whose apartment is in the Heaven on Earth Bldg near the Williamsburg Bridge oh mothers you will have made the little tykes so happy because if nobody does pick them up in the movies they won’t know the difference and if somebody does it’ll be sheer gravy and they’ll have been truly entertained either way instead of hanging around the yard or up in their room hating you prematurely since you won’t have done anything horribly mean yet except keeping them from the darker joys it’s unforgivable the latter so don’t blame me if you won’t take this advice and the family breaks up and your children grow old and blind in front of a TV set seeing movies you wouldn’t let them see when they were young
Frank O'Hara
Do you have vows?” Freeman asked. Zane nodded, but he didn’t move to take out a piece of paper or any notes. He licked his lips instead and took a deep breath. “Ty,” he said, and the sound was almost lost in the night. “Some roads to love aren’t easy, and I’ve never been more thankful for being forced to fight for something. I started this journey with a partner I hated, and a man in the mirror I hated even more. The road took me from the streets of New York to the mountaintops of West Virginia, from the place I born to the place I found a home. It forced me to let go of my past and face my future. And I had to be made blind before I could see.” Zane swallowed hard and looked down, obviously fighting to finish without choking on the words or tearing up. Ty realized his own eyes were burning, and it wasn’t because of the cold wind. Zane squeezed Ty’s fingers with one hand, and he met Ty’s eyes as he reached into his lapel with his other. “I promise to love you until I die,” he said, his voice strong again. He held up a Sharpie he’d had in his suit, and pulled Ty’s hand closer to draw on his ring finger. With several sweeping motions, he created an infinity sign that looped all the way around the finger. When he was satisfied with the ring he’d drawn, he kissed Ty’s knuckles and let him go, handing him the Sharpie. Ty grasped the pen, but he couldn’t take his eyes off Zane. He ran his thumb over Zane’s palm. He had a set of vows he’d jotted down on a note card, folded up in his pocket, but he left them where they were and gazed into Zane’s eyes, their past flashing in front of him, their future opening up in his mind. He took a deep breath. “I promise to never leave you alone in the dark,” he whispered. He pulled Zane’s hand closer and pressed the tip of the Sharpie against Zane’s skin, curving the symbol for forever around it. When he was satisfied, he kissed the tip of Zane’s finger and slid the pen back into his lapel pocket. Freeman coughed and turned a page in his book. “Do you, Zane Zachary Garrett, take this man to be your lawful wedded husband?” Zane’s lips curved into a warm smile. “I do.” Freeman turned toward Ty. “Do you, Beaumont Tyler Grady, take this man to be your lawful wedded husband?” “I do,” Ty said, almost before the question was finished. “Then by the power vested in me by the state of Maryland, I pronounce you legally wed.” Freeman slapped his little book closed. “You may now share the first kiss of the rest of your lives.” Ty had fully expected to have the urge to grab Zane and plant one on him out of sheer impatience and joy, but as he stood staring at his brand-new husband, it was as if they were moving underwater. He touched the tips of his fingers to Zane’s cheek, then stepped closer and used both hands to cup his face with the utmost care. Zane was still smiling when they kissed, and it was slow and gentle, Zane’s hands at Ty’s ribs pulling them flush. “Okay, now,” Livi whispered somewhere to their side, and a moment later they were both pelted with handfuls of heart-shaped confetti. Zane laughed and finally wrapped his arms around Ty, squeezing him tight. The others continued to toss the confetti at them, even handing out bits to people passing by so they’d be sure to get covered from all sides. They laughed into the kiss, not caring. They were still locked in their happy embrace when Deuce turned the box over above them and rained little, bitty hearts down on their heads.
Abigail Roux (Crash & Burn (Cut & Run, #9))
Aunt Jane came around from the back of the house, her black silk cape fluttering from her shoulders, and a calico sunbonnet hiding her features in its cavernous depth. She walked briskly to the clothes-line and began patting and smoothing the quilts where the breeze had disarranged them. "Aunt Jane," I called out, "are you having a fair all by yourself?" She turned quickly, pushing back the sunbonnet from her eyes. "Why, child," she said, with a happy laugh, "you come pretty nigh skeerin' me. No, I ain't havin' any fair; I'm jest givin' my quilts their spring airin'. Twice a year I put 'em out in the sun and wind; and this mornin' the air smelt so sweet, I thought it was a good chance to freshen 'em up for the summer. It's about time to take 'em in now." She began to fold the quilts and lay them over her arm, and I did the same. Back and forth we went from the clothes-line to the house, and from the house to the clothes-line, until the quilts were safely housed from the coming dewfall and piled on every available chair in the front room. I looked at them in sheer amazement. There seemed to be every pattern that the ingenuity of woman could devise and the industry of woman put together, — "four-patches," "nine-patches," "log-cabins," "wild-goose chases," "rising suns," hexagons, diamonds, and only Aunt Jane knows what else. As for color, a Sandwich Islander would have danced with joy at the sight of those reds, purples, yellows, and greens. "Did you really make all these quilts, Aunt Jane?" I asked wondcringly. Aunt Jane's eyes sparkled with pride. "Every stitch of 'em, child," she said, "except the quiltin'. The neighbors used to come in and help some with that. I've heard folks say that piecin' quilts was nothin' but a waste o' time, but that ain't always so.
Eliza Calvert Hall (Aunt Jane of Kentucky)
Mike continued to walk unhurriedly toward the crowd until he loomed up in the stereo tank in life size, as if he were in the room with his water brothers. He stopped on the grass verge in front of the hotel, a few feet from the crowd. "You called me?" He was answered with a growl. The sky held scattered clouds; at that instant the sun came out from behind one and a shaft of golden light hit him. His clothes vanished. He stood before them, a golden youth, clothed only in his own beauty, beauty that made Jubal's heart ache, thinking that Michelangelo in his ancient years would have climbed down from his high scaffolding to record it for generations unborn. Mike said gently, "Look at me. I am a son of man." . . . . "God damn you!" A half brick caught Mike in the ribs. He turned his face slightly toward his assailant. "But you yourself are God. You can damn only yourself and you can never escape yourself." "Blasphemer!" A rock caught him just over his left eye and blood welled forth. Mike said calmly, "In fighting me, you fight yourself... for Thou art God and I am God * . . and all that groks is God-there is no other." More rocks hit him, from various directions; he began to bleed in several places. "Hear the Truth. You need not hate, you need not fight, you need not fear. I offer you the water of life-" Suddenly his hand held a tumbler of water, sparkling in the sunlight. "-and you may share it whenever you so will . . . and walk in peace and love and happiness together." A rock caught the glass and shattered it. Another struck him in the mouth. Through bruised and bleeding lips he smiled at them, looking straight into the camera with an expression of yearning tenderness on his face. Some trick of sunlight and stereo formed a golden halo back of his head. "Oh my brothers, I love you so! Drink deep. Share and grow closer without end. Thou art God." Jubal whispered it back to him. . . . "Lynch him! Give the bastard a nigger necktie!" A heavy-gauge shotgun blasted at close range and Mike's right arm was struck off at the elbow and fell. It floated gently down, then came to rest on the cool grasses, its hand curved open in invitation. "Give him the other barrel, Shortie-and aim closer!" The crowd laughed and applauded. A brick smashed Mike's nose and more rocks gave him a crown of blood. "The Truth is simple but the Way of Man is hard. First you must learn to control yourself. The rest follows. Blessed is he who knows himself and commands himself, for the world is his and love and happiness and peace walk with him wherever he goes." Another shotgun blast was followed by two more shots. One shot, a forty-five slug, hit Mike over the heart, shattering the sixth rib near the sternum and making a large wound; the buckshot and the other slug sheered through his left tibia five inches below the patella and left the fibula sticking out at an angle, broken and white against the yellow and red of the wound. Mike staggered slightly and laughed, went on talking, his words clear and unhurried. "Thou art God. Know that and the Way is opened." "God damn it-let's stop this taking the Name of the Lord in vain!"- "Come on, men! Let's finish him!" The mob surged forward, led by one bold with a club; they were on him with rocks and fists, and then with feet as he went down. He went on talking while they kicked his ribs in and smashed his golden body, broke his bones and tore an ear loose. At last someone called out, "Back away a little so we can get the gasoline on him!" The mob opened up a little at that waning and the camera zoomed to pick up his face and shoulders. The Man from Mars smiled at his brothers, said once more, softly and clearly, "I love you." An incautious grasshopper came whirring to a landing on the grass a few inches from his face; Mike turned his head, looked at it as it stared back at him. "Thou art God," he said happily and discorporated.
Robert A. Heinlein
I kept my head down and my mouth full. I didn't want Frankie's sharp eyes or tongue focused on me any more than necessary. It was a lot easier with Daniel taking up half of the food and most of the air. "What about it, Ella?" he asked when everything was gone except the parsley garnish. "When do we get the pleasure of your vocal stylings?" "I don't sing." "You mean you won't sng," Sadie corrected. I tried to be charitable about her treason; she goes pretty brainless around Daniel. "Ella sings really well." "I'm sure she does." Daniel tipped his beer glass in my direction. "In fact, I bet she could totally murder 'Don't Stop Believin'." A song that is actually one of my guilty pleasures. I think he probably knew that. I think he probably had himself a lovely chuckle over it.Then he whispered, "Coward." In another story, the plucky little heroine would have slapped both hands onto the table, making it wobble a little on its predicatbly uneven fourth leg. She would then have taken both hands, ripped the long scarf from around her neck and, chin high and scar spotlit, stalked to the dais, leaped up, and slayed the audience with her kick-ass version of "Respect." Or maybe "Single Ladies," for the sheer Yay factor. In this version,I gave Daniel what I hoped was a slayer look and busied myself refolding my napkin. He was,not surprisingly, unfazed. "Can I ask you a question?" I sighed. "Will my answer to that one make any difference?" "None whatsoever." "Fine," I grumbled. "Ask." I didn't have to answer.He wasn't my Hobbes. "Why are there interstate highways in Hawaii?" I gaped at him. "That's your question?" "Nope." He leaned back in his chair, propping one foot on the other knee. "That's a question. My question is this: What's the one thing you should ask yourself before getting involved with someone?" "Seriously?" "Do I look serious?" Maybe not serious, but vaguely deadly. Still,it was an interesting question, especially coming from Daniel Hobbes. I thought for a second. "'Will he make me happy?'" "You think?" Daniel asked, the unfolded himself and got to his feet. "I'm outta here. Who's coming?
Melissa Jensen (The Fine Art of Truth or Dare)
There is a show tonight in the Highwood, John. There will be all sorts of people to play music there. We must go tonight to the Highwood, john. we'll breathe in the music and the cold-starred air. * And Cornelius has taken down the moon - hasn't he? - with gleam-of-eye and giddying snout and his touch on the wheel is delicate as the spring, here a soft tip, there a glanced tap for each swerve of the road as it runs the country and turns. Oh this is the knack of it - John can see clearly now - the carefree life, and he envies him the spring. And before we know it, John? The summer proper will be in on top of us and the woods will be whispering. Fuck the whispering woods, Cornelius. Just get me to my fucking island. But he is snagged again; he turns helplessly. How'd you mean, about the woods? Cornelius beams - There are things we can't describe, he says. Go on? What we see around us is only at the ten per cent level, John. Of? The reality. And what's the leftover? Unseen. How'd you mean? Well, he says. The way sometimes you'd walk across a field and a sense of elation would come over you. Are you with me? Okay... You're half risen from the skin. the feet are not touching the stones. The little heart is about to hop out of your chest from the sheer fucken joy. And the strange thing about it? Go on. That patch of happiness could be floating around the field for the last ten years. Or for the last three hundred and fifty years. Out of love that was had there or a child that was playing or an old friend that was found again after a long time lost. Whatever it was, it caused a great happy feeling and it was left there in the field. You're after walking into it. And for half a minute you're lifted and soaring but then you're out the far side again and back into your own poor stride and woes. You'd find a sadness just the same? Or an evil, John. Or a blackness. Or terror, John, or fucken terror, because there's plenty of terror in the world. Always was and has been. A soft whisper - I mean take a look out the window. A sweep of the arm for the greys and sea-greens of the moonful hills, the pale night as they pass by - I mean why'd you think I've the fucken foot down, John?
Kevin Barry (Beatlebone)
Boy Lost Picture a sunset in a small port town by the sea. Two teenaged boys sitting on the docks watching the ships as they fly across the water. One reaches out and takes the other’s hand. In this brush of skin for skin, a thousand unspoken promises erupt between them, and both are determined to keep them. This is what youth is. The sheer belief that you will be able to keep every promise you made to someone else. That you will be able to love someone into a forever when you do not even understand what forever means. An evening spent in the headiness of love, they go back to their respective homes. One boy helps his mother with cooking and cleaning and looking after his little sister. His father is a good man, a sailor who brings home with him meagre wages, but a heart full of love and a quicksilver tongue that tells stories of faraway lands to enthral them all. But this boy, despite his blessings, is not happy. He may have been blessed with a loving family, but that faraway look is made of unrest and wanderlust, something about him says fae, changeling, wearing the skin of a boy who was always destined to fly, to leave.   The other boy returns home to a father who drinks and a mother who works so hard that she is never there. He is the unwanted creature in this home, a beating waiting for him at every corner. His father’s temper is a beast so powerful that a boy made of paper bones barely held together cannot fight him. He hides in his room. He lives for a boy at sunset, hope made into a human being. Now picture this. This boy of paper bones alone at the docks the next sunset. And this boy alone on the docks again on a rainy day. And this boy alone on the docks every day after, waiting for someone who promised him forevers he never intended to keep. This boy becoming a man, a heart wounded so young in youth that it never quite healed right. Imagine him becoming a sailor, searching land after land for a boy he once loved, thinking he was hurt, or stolen, just needing to know what happened to him. Now see him finally finding out that the boy he loved in his boyhood ran away to a magical land where he never grew up. That without a second glance, he just forgot every promise of forever. Imagine his rage, that ancient pain turning to a terrible anger and escaping from the forgotten attic of his mangled heart. Think of what happens when immense love turns into immense hate. An anger so intense it cannot be controlled. What he would give up to avenge the boy he once was, paper-boned, standing on the docks, broken without a single person to love him, simply all alone. A hand is a small price to pay for a magical ship that will take him to Neverland, a place that lives on a star. Becoming a villain called Captain Hook is a small exchange to show Peter Pan that you cannot throw away love and think you will get away unscarred.
Nikita Gill (Fierce Fairytales: Poems and Stories to Stir Your Soul)
there are continually turning up in life moral and rational persons, sages and lovers of human- ity who make it their object to live all their lives as morally and rationally as possible, to be, so to speak, a light to their neighbours simply in order to show them that it is possible to live morally and rationally in this world. And yet we all know that those very people sooner or later have been false to themselves, playing some queer trick, o en a most un- seemly one. Now I ask you: what can be expected of man since he is a being endowed with strange qualities? Show- er upon him every earthly blessing, drown him in a sea of happiness, so that nothing but bubbles of bliss can be seen Free eBooks at Planet eBook.com on the surface; give him economic prosperity, such that he should have nothing else to do but sleep, eat cakes and busy himself with the continuation of his species, and even then out of sheer ingratitude, sheer spite, man would play you some nasty trick. He would even risk his cakes and would deliberately desire the most fatal rubbish, the most uneco- nomical absurdity, simply to introduce into all this positive good sense his fatal fantastic element. It is just his fantastic dreams, his vulgar folly that he will desire to retain, simply in order to prove to himself—as though that were so neces- sary— that men still are men and not the keys of a piano, which the laws of nature threaten to control so completely that soon one will be able to desire nothing but by the cal- endar. And that is not all: even if man really were nothing but a piano-key, even if this were proved to him by natural science and mathematics, even then he would not become reasonable, but would purposely do something perverse out of simple ingratitude, simply to gain his point. And if he does not nd means he will contrive destruction and chaos, will contrive su erings of all sorts, only to gain his point! He will launch a curse upon the world, and as only man can curse (it is his privilege, the primary distinction be- tween him and other animals), may be by his curse alone he will attain his object—that is, convince himself that he is a man and not a piano-key! If you say that all this, too, can be calculated and tabulated—chaos and darkness and curses, so that the mere possibility of calculating it all be- forehand would stop it all, and reason would reassert itself, then man would purposely go mad in order to be rid of rea- 0 Notes from the Underground son and gain his point! I believe in it, I answer for it, for the whole work of man really seems to consist in nothing but proving to himself every minute that he is a man and not a piano-key! It may be at the cost of his skin, it may be by can- nibalism! And this being so, can one help being tempted to rejoice that it has not yet come o , and that desire still de- pends on something we don’t know?
Fyodor Dostoevsky
The living have a simple choice. They can pay a high penalty for believing their lies—sheer stupidity!—or laugh at themselves and be happy.
Miguel Ruiz (The Toltec Art of Life and Death)
Mothers talk about the sheer pleasure of being skin to skin with their baby, and of seeing him drift off to sleep at the breast with a trickle of milk running down his chin. As the baby gets older, he’ll begin to play at the breast, letting go to smile, patting the mother’s cheek or investigating her teeth, making happy noises as he nurses. These are all part of the joy of parenting.
Jack Newman (Dr. Jack Newman's Guide to Breastfeeding: updated edition)
Imagine if our churches were known for being communities of Jesus-centered happiness, overflowing with the sheer gladness of what it means to live out the good news of great joy. Imagine if our children brought their friends to church and their comment was, “Those people seem so nice . . . and happy.
Randy Alcorn (Happiness)
A real education will not teach you to compete; it will teach you to cooperate. It will not teach you to fight and come first. It will teach you to be creative, to be loving, to be blissful, without comparing yourself to others. It will not teach you that you can be happy only when you are the first—that is sheer nonsense. You can’t be happy just by being first, and in trying to be first you go through such misery that by the time you become the first you are habituated to misery.
Anonymous
From 'Creating True Peace' by Thich Nhat Hanh To better understand the practise of protection, please study the Five Mindfulness Trainings in Chapter 3, particularly the third, sexual responsibility. By practising the Third Mindfulness Training, we protect ourselves, our family, and society. In addition, by observing all the trainings we learn to eat in moderation, to work mindfully, and to organise our daily life so we are there for others. This can bring us great happiness and restore our peace and balance. Expressing Sexual Feelings with Love and Compassion Animals automatically follow their instincts, but humans are different. We do not need to satisfy our cravings the way animals do. We can decide that we will have sex only with love. In this way we can cultivate the deepest love, harmony, and nonviolence. For humans, to engage only in nonviolent sexuality means to have respect for each other. The sexual act can be a sacred expression of love and responsibility. The Third Mindfulness Training teaches us that the physical expression of love can be beautiful and transcendent. If you have a sexual relationship without love and caring, you create suffering for both yourself and your partner, as well as for your family and our entire society. In a culture of peace and nonviolence, civilised sexual behaviour is an important protection. Such love is not sheer craving for sex, it is true love and understanding. Respecting Our Commitments To engage in a sexual act without understanding or compassion is to act with violence. It is an act against civilization. Many people do not know how to handle their bodies or their feelings. They do not realise that an act of only a few minutes can destroy the life of another person. Sexual exploitation and abuse committed against adults and children is a heavy burden on society. Many families have been broken by sexual misconduct. Children who grow up in such families may suffer their entire lives, but if they get an opportunity to practise, they can transform their suffering. Otherwise, when they grow up, they may follow in the footsteps of their parents and cause more suffering, especially to those they love. We know that the more one engages in sexual misconduct, the more one suffers. We must come together as families to find ways to protect our young people and help them live a civilised life. We need to show our young people that happiness is possible without harmful sexual conduct. Teenage pregnancy is a tragic problem. Teens are not yet mature enough to understand that with love comes responsibility. When a thirteen-or fourteen-year-old boy and girl come together for sexual intercourse, they are just following their natural instincts. When a girl gets pregnant and gives birth at such a young age, her parents also suffer greatly. Public schools throughout the United States have nurseries where babies are cared for while their mothers are in the classroom. The young father and mother do not even know yet how to take care of themselves - how can they take care of another human being? It takes years of maturing to become ready to be a parent.
Thich Nhat Hanh (Creating True Peace: Ending Violence in Yourself, Your Family, Your Community, and the World)
With the divorce rate at 53 percent, if you added the number of unhappy marriages that wouldn’t end in divorce because of religious beliefs or sheer stubbornness, which she estimated was running at about 46 percent, only 1 percent of all marriages could be considered happy.
Robin Kaye (Romeo, Romeo (Domestic Gods, #1))
The virtue it makes of its deliberately limited online component is a superb riposte to the current unthinking desperation to make everything “social” in a Twitface sense. (I recently read an article wondering how we could make books “more social”. Seriously, shut up: books have always been social.) And perhaps the most interesting aspect of Journey’s reception has been the sheer quantity of writing it has inspired, thus refuting again the mainstream prejudice that videogames and literacy are opposed.
Steven Poole (Trigger Happy 2.0: The Art and Politics of Videogames)
It is sad indeed not to be loved or not have the ability to love, for to love and be loved is sheer happiness.
Grace Foakes (Four Meals for Fourpence)
Now I ask you: what can be expected of man since he is a being endowed with strange qualities? Shower upon him every earthly blessing, drown him in a sea of happiness, so that nothing but bubbles of bliss can be seen on the surface; give him economic prosperity, such that he should have nothing else to do but sleep, eat cakes and busy himself with the continuation of his species, and even then out of sheer ingratitude, sheer spite, man would play you some nasty trick. He would even risk his cakes and would deliberately desire the most fatal rubbish, the most uneconomical absurdity, simply to introduce into all this positive good sense his fatal fantastic element. It is just his fantastic dreams, his vulgar folly that he will desire to retain, simply in order to prove to himself—as though that were so necessary—that men still are men and not the keys of a piano, which the laws of nature threaten to control so completely that soon one will be able to desire nothing but by the calendar. And that is not all: even if man really were nothing but a piano-key, even if this were proved to him by natural science and mathematics, even then he would not become reasonable, but would purposely do something perverse out of simple ingratitude, simply to gain his point. And if he does not find means he will contrive destruction and chaos, will contrive sufferings of all sorts, only to gain his point! He will launch a curse upon the world, and as only man can curse (it is his privilege, the primary distinction between him and other animals), may be by his curse alone he will attain his object—that is, convince himself that he is a man and not a piano-key! If you say that all this, too, can be calculated and tabulated—chaos and darkness and curses, so that the mere possibility of calculating it all beforehand would stop it all, and reason would reassert itself, then man would purposely go mad in order to be rid of reason and gain his point! I believe in it, I answer for it, for the whole work of man really seems to consist in nothing but proving to himself every minute that he is a man and not a piano-key! It may be
Fyodor Dostoevsky (Notes from Underground (Dostoyevsky Collection))