Sheer Elegance Quotes

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We are nothing more than game pieces on a celestial board whose sheer scale we could not possibly fathom. All of it is inevitable—just like you and I. You can’t fight Fate.” “I can fight you.” He smiled. It was a courtier’s smile. An elegant cover to endless secrets and depravities. “I’m counting on it.
Nenia Campbell (Star Crossed (Shadow Thane, #4))
Red Fox The red fox crosses the ice intent on none of my business. It's winter and slim pickings. I stand in the bushy cemetery, pretending to watch birds, but really watching the fox who could care less. She pauses on the sheer glare of the pond. She knows I'm there, sniffs me in the wind at her shoulder. If I had a gun or dog or a raw heart, she'd smell it. She didn't get this smart for nothing. She's a lean vixen: I can see the ribs, the sly trickster's eyes, filled with longing and desperation, the skinny feet, adept at lies. Why encourage the notion of virtuous poverty? It's only an excuse for zero charity. Hunger corrupts, and absolute hunger corrupts absolutely, or almost. Of course there are mothers, squeezing their breasts dry, pawning their bodies, shedding teeth for their children, or that's our fond belief. But remember - Hansel and Gretel were dumped in the forest because their parents were starving. Sauve qui peut. To survive we'd all turn thief and rascal, or so says the fox, with her coat of an elegant scoundrel, her white knife of a smile, who knows just where she's going: to steal something that doesn't belong to her - some chicken, or one more chance, or other life.
Margaret Atwood (Morning In The Burned House: Poems)
My husband claims I have an unhealthy obsession with secondhand bookshops. That I spend too much time daydreaming altogether. But either you intrinsically understand the attraction of searching for hidden treasure amongst rows of dusty shelves or you don't; it's a passion, bordering on a spiritual illness, which cannot be explained to the unaffected. True, they're not for the faint of heart. Wild and chaotic, capricious and frustrating, there are certain physical laws that govern secondhand bookstores and like gravity, they're pretty much nonnegotiable. Paperback editions of D. H. Lawrence must constitute no less than 55 percent of all stock in any shop. Natural law also dictates that the remaining 45 percent consist of at least two shelves worth of literary criticism on Paradise Lost and there should always be an entire room in the basement devoted to military history which, by sheer coincidence, will be haunted by a man in his seventies. (Personal studies prove it's the same man. No matter how quickly you move from one bookshop to the next, he's always there. He's forgotten something about the war that no book can contain, but like a figure in Greek mythology, is doomed to spend his days wandering from basement room to basement room, searching through memoirs of the best/worst days of his life.) Modern booksellers can't really compare with these eccentric charms. They keep regular hours, have central heating, and are staffed by freshly scrubbed young people in black T-shirts. They're devoid of both basement rooms and fallen Greek heroes in smelly tweeds. You'll find no dogs or cats curled up next to ancient space heathers like familiars nor the intoxicating smell of mold and mildew that could emanate equally from the unevenly stacked volumes or from the owner himself. People visit Waterstone's and leave. But secondhand bookshops have pilgrims. The words out of print are a call to arms for those who seek a Holy Grail made of paper and ink.
Kathleen Tessaro (Elegance)
How to explain the sheer tingling joy one experiences when two interesting, complex, and occasionally aggravating characters have at last settled their misunderstandings and will live happily ever after, no matter what travails life might throw in their path, because Jane Austen said they will, and that's that? How to describe the exhilaration of being caught up in an unknown but glamorous world of balls and gowns and rides in open carriages with handsome young men? How to explain that the best part of Jane Austen's world is that sudden recognition that the characters are just like you?
Margaret C. Sullivan (The Jane Austen Handbook: A Sensible Yet Elegant Guide to Her World)
On the drive to Paris, Michelle barely drew breath, speaking to her uncle about her holiday and pointing out landmarks to Delta. Secretly, Delta was relieved. She needed time to acclimatize to the potent force that was Édouard Valois. Sitting beside him in the front of the black Mercedes-Benz, she was all too aware of his presence: his sheer size, his stunning profile, his elegant hands upon the steering wheel deftly controlling the luxury machine, his dynamic and intriguing personality. He was living, breathing masculine perfection.
Brooke Templar (The Frenchman)
Her professors were astonished by her leaps of thought, by the finesse and elegance of her insights. She arrived at hypotheses by sheer intuition and with what eventually one of her mentors described as an almost alarming speed; she was like a dancer, he said, out in the cosmos springing weightlessly from star to star. Drones, merely brilliant, crawled along behind with laborious proofs that supported her assertions.
Deborah Eisenberg (My Mistress's Sparrow is Dead: Great Love Stories, from Chekhov to Munro)
There's something crazily beautiful about it, the banks of stacked illuminated signs- Sauna Hut, Sheer Elegance, Waterbeds USA, Chiropractic Here, Benihana, Ideal Uniform- gorse rolling from curbed island to curbed island, across the endless parking lots like suburban tumbleweed. Last week, I watched one roll over a lit cigarette, flaring brightly. If there'd been anything natural in its path, it might have started a fire.
Megan Abbott (Give Me Your Hand)
The Chatcaava consumed themselves and others with their savagery, and the Eldritch dwindled into elegant irrelevance... and ignored by them both, save when it suited them, the Pelted labored on, creating these minor miracles out of spare parts and sheer ingenuity. What had the Emperor said once? The creed of your Alliance: we are born weak, therefore let us make strength from bits of metal and philosophy.
M.C.A. Hogarth (Some Things Transcend (Princes' Game #2))
As he stared at her in hushed wonder, it was as though the world stopped. She was the most beautiful creature he had ever seen, a virginal water nymph, her tender skin flushed and glistening, the long tendrils of her strawberry-blond hair twining around her arms and slender waist, her thin muslin chemise wafting around her elegant hips like the white, delicate flowers of the lily pads she had studied so carefully in the garden. He could barely breathe for sheer worship.
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))
Even in the warm faelight of the foyer, the gown glittered and gleamed like a fresh-cut jewel. We had taken my gown from Starfall and refashioned it, adding sheer silk panels to the back shoulders, the glittering material like woven starlight as it flowed behind me in lieu of a veil or cape. If Rhysand was Night Triumphant, I was the star that only glowed thanks to his darkness, the light only visible because of him. I scowled up the stairs. That is, if he bothered to show up on time. My hair, Nuala had swept into an ornate, elegant arc across my head, and in front of it... I caught Cassian glancing at me for the third time in less than a minute and demanded, 'What?' His lips twitched at the corners. 'You just look so...' 'Here we go,' Mor muttered from where she picked at her red-tinted nails against the stair banister. Rings glinted at every knuckle, on every finger; stacks of bracelets tinkled against each other on either wrist. 'Official,' Cassian said with an incredulous look in her direction. He waved a Siphon-topped hand to me. 'Fancy.' 'Over five hundred years old,' Mor said, shaking her head sadly, 'a skilled warrior and general, famous throughout territories, and complementing ladies is still something he finds next to impossible. Remind me why we bring you on diplomatic meetings?' Azriel, wreathed in shadows by the front door, chuckled quietly. Cassian shot him a glare. 'I don't see you spouting poetry, brother.' Azriel crossed his arms, still smiling faintly. 'I don't need to resort to it.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
 "Oh, but I love them so. There." Margo stepped back, then nodded in satisfaction. "I didn't have much to work with, but…"  "Keep it up, Miss D Cup," Kate grumbled, then looked down and goggled. "Jesus, where did they come from?"  "Amazing, isn't it? In the right harness, those puppies just rise."  "I have breasts." Stunned, Kate patted the swell rising above black satin and lace. "And cleavage."  "It's all a matter of proper positioning and making the most of what we have. Even when it's next to nothing."  "Shut up." Grinning, Kate slicked her hands down her torso. "Look, Ma. I'm a girl." ....Her friend was sitting in an elegant Queen Anne chair wearing a black bustier with matching lacy garter belt and sheer black stockings. "Why, Kate, you look so… different."  "I have tits," she stated and rose. "Margo gave them to me."  
Nora Roberts (Holding the Dream (Dream Trilogy, #2))
This is a question that extends beyond theology, for it involves the same principle by which humanity organized itself on a 44- year cold war precipice, from 1945 to 1989. No one moved back from the sheer drop but stood, armed and balanced, at the very edge — each side daring and betting against the other’s nerve. What was called the balance of power involved massive nuclear armament; and the principle of armament was not deployment and use, but the threat of it. It was the careful preparation of a threat to do great evil, ostensibly (on both key sides) for the sake of a foundation good — whether for the good of democracy and ‘American values’ or the socialist values of the proletariat. But, just as economics has become a discipline in love with its key instrument of econometrics — the elegance of the equation is everything and its applicability somewhat less so — so the balance of power became a love affair not with power and its possible final triumph, but with the balance.
Stephen Chan (The End of Certainty: Towards a New Internationalism)
From what he'd been told about the duke's past, Keir would have expected a florid old dandy, or a rheumy-eyed satyr. Anything but this elegantly lean man who moved with the supple ease of a tomcat. His clean-shaven face was a marvel of bone structure: a gift of male beauty that could never be outlived. The dark gold of his hair was silvered at the temple and sides, and time had weathered his complexion here and there with fine lines. But the signs of maturity only made him seem more powerful. The sheer presence of the man caused the hairs on Keir's arms to prickle in warning beneath the too-short sleeves of his ready-made coat.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
The S.S. Honolulu's ballroom was as magnificent as the rest of her. Sheer elegance was on grand display as gentlemen in perfectly tailored tuxedos and women in glittering floor-length dresses danced cheek to cheek to the new song urging them to do just that. Astaire and Rogers were not on hand but the band’s vocalist was more than adequate in inspiring couples to adhere to his romantic admonition.
Bobby Underwood (Passage to Tomorrow)
My room was... a dream. ... Like the upstairs living area, its windows were open to the brutal world beyond- no glass, no shutters- and sheer amethyst curtains fluttered in that unnatural soft breeze. The large bed was a creamy white-and-ivory concoction, with pillows and blankets and throws for days, made more inviting by the twin golden lamps beside it. An armoire and dressing table occupied a wall, framed by those glass-less windows. Across the room, a chamber with a porcelain sink and toilet lay behind an arched wooden door, but the bath... The bath. Occupying the other half of the bedroom, my bathtub was actually a pool, hanging right off the mountain itself. A pool for soaking and or enjoying myself. Its far edge seemed to disappear into nothing, the water flowing silently off the side and into the night beyond. A narrow ledge on the adjacent wall was lined with fat, guttering candles whose glow gilded the dark, glassy surface and wafting tendrils of steam. Open, airy, plush, and... calm. The room was fit for an empress. With the marble floors, silks, velvets, and elegant details, only an empress could have afforded it. I tried not to think what Rhys' chamber was like, if this was how he treated his guests. Guest- not prisoner. Well... the room proved it.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
And then Rhysand appeared. He had released the damper on his power, on who he was. His power filled the throne room, the castle, the mountain. The world. It had no end and no beginning. No wings. No weapons. No sign of the warrior. Nothing but the elegant, cruel High Lord the world believed him to be. His hands were in his pockets, his black tunic seeming to gobble up the light. And on his head sat a crown of stars. No sign of the male who had been drinking on the roof; no sign of the fallen prince kneeling on his bed. The full impact of him threatened to sweep me away. Here- here was the most powerful High Lord ever born. The face of dreams and nightmares. Rhys's eyes met mine briefly from across the room as he strolled between the pillars. To the throne that was his by blood and sacrifice and might. My own blood sang at the power that thrummed from him, at the sheer beauty of him.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
So,” Oriana said, looking down the table at Oak. “You did very well up there. It made me imagine your coronation.” Vivi snorted delicately. “I don’t want to rule anything, no less Elfhame,” Oak reminded her. Jude kept her face carefully neutral through what appeared to be sheer force of will. “No need to worry. I don’t plan on kicking the bucket anytime soon, and neither does Cardan.” Oak turned to the High King, who shrugged elegantly. “Seems hard on pointy boots, kicking buckets.
Holly Black (The Prisoner’s Throne (The Stolen Heir Duology, #2))
Like the upstairs living area, its windows were open to the brutal world beyond—no glass, no shutters—and sheer amethyst curtains fluttered in that unnatural, soft breeze. The large bed was a creamy white-and-ivory concoction, with pillows and blankets and throws for days, made more inviting by the twin golden lamps beside it. An armoire and dressing table occupied a wall, framed by those glass-less windows. Across the room, a chamber with a porcelain sink and toilet lay behind an arched wooden door, but the bath … The bath. Occupying the other half of the bedroom, my bathtub was actually a pool, hanging right off the mountain itself. A pool for soaking or enjoying myself. Its far edge seemed to disappear into nothing, the water flowing silently off the side and into the night beyond. A narrow ledge on the adjacent wall was lined with fat, guttering candles whose glow gilded the dark, glassy surface and wafting tendrils of steam. Open, airy, plush, and … calm. This room was fit for an empress. With the marble floors, silks, velvets, and elegant details, only an empress could have afforded it.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
I wanted to let you to know that I agree to the match and I will marry you.” He couldn’t suppress a chuckle at her regal demeanor. “Well, I should certainly hope so as our engagement is a foregone conclusion. The contracts have already been drawn up.” Ian reached to touch her silken hair, unable to resist her. Her eyes narrowed as she rose from her seat. “I would have you know, Your Grace, that it was not a ‘foregone conclusion.’ In fact, I was not going to marry you at all! I have been doing everything I can to avoid becoming leg-shackled to you and I was going to run away!” His jaw clenched. Ian had hoped to dispel her feelings that he was a monster and apparently had failed far worse than he had ever anticipated. “And just where were you planning to run to?” he asked icily, unwilling to acknowledge the pain in his heart. Angelica did not flinch at his tone. Her skirts rustled as she paced the room. “I would have used the money I made from my stories to rent a flat somewhere in the city and support myself with short stories until I finished a novel. I heard that the lady who wrote Pride and Prejudice made one hundred forty pounds.” “That would not be enough to buy your pretty gowns,” he mocked, his temper rising at her sheer ignorance and ingratitude. “Gowns can go to the devil!” she retorted, cheeks growing pink in indignation. She looked down at her pale-blue satin opera gown as if offended by the shimmering elegance adorning her exquisite form. “Besides, they are not sensible garb for an author, I should say.” The way Angelica glibly spoke of living in squalor and subjecting herself to the sordid dangers of London rather than being his duchess made him clench his fists. Did she really think he was a fate worse than death? Or was she truly that naive? “What play are we going to see?” she asked in a blatant attempt to change the subject. Ian did not intend to let her off that easily. Inspiration struck him. Oh, he would take her to a “play” for certain. A play that she would never forget. “Something pitiful and tragic,” he said with an evil smile. It was high time his bride received a taste of reality. “I think you will be quite affected.” Her eyes narrowed in suspicion at his tone but she nodded in assent, ever displaying her indomitable courage. “I will get my cape.” “Put on a sensible pair of boots as well.” Ian’s heart twisted with bitterness. He would show her a fate worse than death. ***
Brooklyn Ann (Bite Me, Your Grace (Scandals with Bite, #1))
You look as if you’ve just lost your best friend.” Eve took a place beside Jenny on this observation, which leavened Jenny’s sense of desolation with a spike of resentment. “With all my family around me, how could I possibly be in want of companionship?” Eve watched their mutual siblings stepping through a minuet while their brother Valentine held forth at the piano. “The same way I can long to dance while the minuet plays all around me.” Marriage had settled Eve, and impending motherhood had only honed her already formidable instincts. “You’re admiring your husband, Lady Deene, even when you can’t dance with him.” “He’s promised me a waltz, though Valentine will probably find one to play at the speed of a dirge.” She fell silent for a moment as the dancers one-two-three’d around the space created by the music room and an adjoining parlor. “You would make a wonderful mother, Jenny.” The worst pain was not in the words Eve offered, but the combination of pleading and pity with which she offered them. “Becoming a mother usually contemplates becoming a wife first, and I’ve no wish to wed some man for the sole purpose of bearing his babies.” Not the sole purpose… As the dancers twirled and smiled, it occurred to Jenny that Victor had made her promise not to stop painting, but he hadn’t said anything specific about eschewing motherhood. Had he? Another pause in the conversation, while the music played on. Eve, however, was notably tenacious, so Jenny waited for the next salvo, and Eve did not disappoint. “You look at Bernward the way I look at Deene, the way Maggie looks at Benjamin, the way—” “Louisa looks at Joseph, I suppose.” And Sophie at her baron too, of course. They needn’t start on how the Windham brothers regarded their respective wives. “Louisa’s gaze is a touch more voracious. I was going to say, the way Mama looks at Papa.” Ouch. Ouch, indeed. The duke and duchess turned down the room with the grace of a more elegant age, and yet, their gazes spoke volumes about the sheer pleasure of sharing a dance. Jenny stated the obvious as matter-of-factly as possible. “Their Graces dance beautifully.” Eve’s feet were propped on a hassock. She wiggled her toes in time with the music, the left and right foot partnering each other. “Bernward also dances quite well.” Elijah was dancing with Valentine’s lady, Ellen’s preferred partner being ensconced at the keyboard, as usual. “Bernward is dancing carefully, lest Valentine take exception.” Eve twitched her skirts. “Bernward is dancing with one eye on you, you ninnyhammer, and with the certain knowledge that all three of our brothers are waiting for him to come over here and get you to stand up with him. How many more times do you think you can check on the punch bowl between sets without Bernward taking insult?” Check
Grace Burrowes (Lady Jenny's Christmas Portrait (The Duke's Daughters, #5; Windham, #8))
There is a clarity of design that contributes mightily to the building’s satisfaction. The harmony of design, with all the elements balanced in true classical form, is sheer elegance. At every stage horizontally and vertically there is a beginning, middle, and end, an introduction to the theme, a development of the theme, a recapitulation of the theme.
John Tauranac (The Empire State Building: The Making of a Landmark)
I love bitcoin not just for its efficiency as a currency but also for its sheer beauty and elegance. There’s a deep iconoclastic core to bitcoin that shuns all master-slave relationships through its decentralized and cryptographic nature. Bitcoin has risen out of humanity’s desire for total freedom and pseudo-anonymity in trade, and nothing can stop it.
Sterlin Lujan (Dignity & Decency: Rhapsodic Musings of a Modern Anarchist)
No American, so far as I am aware, ever professed a deep and unsullied affection for the USGS topographical sheets that it is possible to order from the government agencies. They are fine enough maps, and they cover the entirety of the nation. But seldom are they bought for the sheer pleasure of ownership, of the ability to pore over them and imagine, or remember, to draw contented admiration at their elegant appearance and scrupulous accuracy.
Simon Winchester (Land: How the Hunger for Ownership Shaped the Modern World)
One should not chug an entire glass of wine at an elegant dinner party. I start hacking and coughing, having practically water-boarded myself out of sheer humiliation.
Lisa Daily (Single-Minded)
Cade stood still in the doorway to the bedroom that had been the source of the only happiness he could remember. The mattress had been gutted by someone looking for hidden wealth. The bed frame and washstand had been used for firewood. The porcelain washbowl and pitcher with their colorful roses and greenery lay shattered on the floor. And Lily's elegant windows had been blasted by a shotgun. Cade was a proud man, and a strong one. Nothing in all his life had ever brought him to his knees, but he was on the verge now. Clinging to the door frame, Cade held himself upright by sheer force of will. Lily's cries of passion still haunted these walls. He could almost hear the sound of a flute as he clung to the wood. He had wanted to give her music and happiness. He had wanted to lay the world at her feet. He had wanted... He had wanted. And this was the result. Everything she had, destroyed. It was a poor return for everything she had given him in those few short months. Cade closed the door and walked away. Lily carried his life with her. He knew it as the soul knows the stars are out of reach. If Lily lived, he would survive. If she did not, he was a walking ghost. He could not return to being the man he had once been. He could not live alone again. He
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
one must pause to observe that he might perhaps have done well, in choosing this comparison, to have reflected on the sheer strangeness, and significance, of the historical and cultural changes that made it possible in the first place for the death of a common man at the hands of a duly appointed legal authority to become the captivating center of an entire civilization’s moral and aesthetic contemplations—and for the deaths of all common men and women perhaps to be invested thereby with a gravity that the ancient order would never have accorded them. It seems to me that here, displayed with an altogether elegant incomprehensibility in Grayling’s casual juxtaposition of the sea-born goddess and the crucified god (who is a crucified man), one catches a glimpse of the enigma of the Christian event, which Nietzsche understood and Grayling sadly does not: the unanticipated lightning bolt that broke from the cloudless sky of pagan antiquity, the long revolution that overturned the hierarchies of heaven and earth alike. One does not have to believe any of it, of course—the Christian story, its moral claims, its metaphysical systems, and so forth. But anyone who chooses to lament that event should also be willing first to see this image of the God-man, broken at the foot of the cross, for what it is, in the full mystery of its historical contingency, spiritual pathos, and moral novelty: that tender agony of the soul that finds the glory of God in the most abject and defeated of human forms. Only if one has succeeded in doing this can it be of any significance if one still then elects to turn away.
David Bentley Hart (The Dream-Child's Progress and Other Essays)
Her smile was brittle. "Well, I know Kieran's achieving something if someone like you is willing to be in a relationship with him." "Someone like me?" She gestured to me from head to toe. "Respectable. Elegantly dressed, if a little flamboyant with color. Beautiful manners, well-spoken. Clearly you listened to your parents when they told you how to behave." I choked back a snort at the thought of my biological father being Mr. Manners. The sheer audacity of it. "Kieran probably hasn't told you about all the times we had to get him out of trouble," she continued. I blinked, confused. "No." She ticked off on her fingers as she spoke. "He skipped classes, he stole money out of my wallet, he crashed our cars more than once. Not to mention the drinking, my God. He couldn't hold his liquor at all. We were so ashamed." I held back my eye roll. It was like having a conversation with a steamroller. As she continued to list Kieran's crimes, I realized that she relished this monologue, all the ways he'd done them wrong. Like she never wanted him to grow up because then she'd have to stop being a martyr. "But anyway, that's all in the past. Finally, he's become who we always wanted him to be, and we can hold our heads up." The thought of being a source of pride to these snobby, plastic people made me want to drink ten flutes of prosecco, climb onto their dining room table, and do Amy Winehouse karaoke, Diane's advice about polish and presentation be damned. But all I needed to shock them was the truth. "I haven't seen my father in over twenty years," I began. "As far as I know he's still the lead singer of the second-best hair metal band in Spokane. My mother's salary was for keeping herself in clothes and boyfriends. Sometimes I had to break into my piggy bank so that I could by Cup O' Noodles at 7-Eleven for my brother and me. I've made a good life in spite of my parents, not because of them. It's one of the reasons I fell in love with your son. I knew he was a survivor, too. But thank you for the compliments. Now, if you'll excuse me.
Sarah Chamberlain (The Slowest Burn)