“
Everywhere the weak execrate the powerful, before whom they cringe; and the powerful beat them like sheep whose wool and flesh they sell.
”
”
Voltaire (Candide)
“
It is a known fact that the sheep that give us steel wool have no natural enemies.
”
”
Gary Larson
“
No sheep may leave the flock," he said to anyone who would listen, "unless he comes back again.
”
”
Leonie Swann (Three Bags Full (Sheep Detective Story, #1))
“
For sheep don't throw up the grass to show the shepherds how much they have eaten; but, inwardly digesting their food, they outwardly produce wool and milk.
”
”
Epictetus (The Art of Living: The Classic Manual on Virtue, Happiness & Effectiveness)
“
For even sheep do not vomit up their grass and show to the shepherds how much they have eaten; but when they have internally digested the pasture, they produce externally wool and milk. Do you also show not your theorems to the uninstructed, but show the acts which come from their digestion.
”
”
Epictetus
“
The man had asked, Why do you want sheep? The wool? Meat? Monroe's answer had been, For the atmosphere.
”
”
Charles Frazier (Cold Mountain)
“
In typically blunt fashion he told them that sheep don’t vomit up grass to show the shepherds how much they’ve eaten but rather digest their food inwardly and produce good wool and milk outwardly.
”
”
Donald J. Robertson (How to Think Like a Roman Emperor: The Stoic Philosophy of Marcus Aurelius)
“
to find why this sheep's wool was red; and the prize was awarded to a learned man of the North, who demonstrated by A plus B minus C divided by Z, that the sheep must be red, and die of the rot.
”
”
Voltaire (Candide)
“
But unvented - ahh! One un-vents something; one unearths it; one digs it up, one runs it down in whatever recesses of the eternal consciousness it has gone to ground. I very much doubt if anything is really new when one works in the prehistoric medium of wool with needles. The products of science and technology may be new, and some of them are quite horrid, but knitting? In knitting there are ancient possibilities; the earth is enriched with the dust of the millions of knitters who have held wool and needles since the beginning of sheep. Seamless sweaters and one-row buttonholes; knitted hems and phoney seams - it is unthinkable that these have, in mankind's history, remained undiscovered and unknitted. One likes to believe that there is memory in the fingers; memory undeveloped, but still alive.
”
”
Elizabeth Zimmermann (Elizabeth Zimmermann's Knitter's Almanac)
“
The overseer wouldna speak to me of Ian, but he told me other things that would curl your hair, if it wasna already curled up like sheep's wool." He glanced at me, and a half-smile lit his face, inspite of his obvious perturbation.
"Judging by the state of your hair, Sassenach, I should say that it's going to rain verra soon now.
”
”
Diana Gabaldon (Voyager (Outlander, #3))
“
I must be honest about the fact that I'm made extremely uneasy by excessive noise, and that I do not care for shouted instructions. If I'd been meant to be a sheep, I reasoned, I'd have been born with wool instead of skin.
”
”
Alan Bradley (As Chimney Sweepers Come to Dust (Flavia de Luce, #7))
“
Whenever a state or an individual cited 'insufficient funds' as an excuse for neglecting this important thing or that, it was indicative of the extent to which reality had been distorted by the abstract lens of wealth. During periods of so-called economic depression, for example, societies suffered for want of all manner of essential goods, yet investigation almost invariably disclosed that there were plenty of goods available. Plenty of coal in the ground, corn in the fields, wool on the sheep. What was missing was not materials but an abstract unit of measurement called 'money.' It was akin to a starving woman with a sweet tooth lamenting that she couldn't bake a cake because she didn't have any ounces. She had butter, flour, eggs, milk, and sugar, she just didn't have any ounces, any pinches, any pints. The loony legacy of money was that the arithmetic by which things were measured had become more valuable than the things themselves.
”
”
Tom Robbins (Skinny Legs and All)
“
Tehol collected his cup and carefully sniffed. Then he frowned at his manservant.
Who shrugged. “We don’t have no herbs, master. I had to improvise.”
“With what? Sheep hide?”
Bugg’s brows rose. “Very close indeed. I had some leftover wool.”
“The yellow or the grey?”
“The grey.”
“Well, that’s alright, then.” He sipped. “Smooth.”
“Yes, it would be.”
“We’re not poisoning ourselves, are we?” – MT 237
”
”
Steven Erikson (Midnight Tides (Malazan Book of the Fallen, #5))
“
Like seeing roasted meat and other dishes in front of you and suddenly realizing: This is a dead fish. A dead bird. A dead pig. Or that this noble vintage is grape juice, and the purple robes are sheep wool dyed with shellfish blood. Or making love—something rubbing against your penis, a brief seizure and a little cloudy liquid. Perceptions like that—latching onto things and piercing through them, so we see what they really are. That’s what we need to do all the time—all through our lives when things lay claim to our trust—to lay them bare and see how pointless they are, to strip away the legend that encrusts them. Pride is a master of deception: when you think you’re occupied in the weightiest business, that’s when he has you in his spell.
”
”
Marcus Aurelius (Meditations)
“
V looked into his best friend’s eyes and realized… yeah, Butch wasn’t going to judge him. They were cool no matter what.
With a curse, V rubbed the center of his chest and blinked. He never cried but he felt as if he could at this moment.
Butch nodded as if he knew exactly what was doing. “Like I said, my man, it’s whatever. You and me? Same as always, no matter who you screw. Although… if you’re into sheep, that would be tough. Don’t know if I could handle that.”
V had to smile. “I don’t do farm animals.”
“Can’t stand hay in your leathers?”
“Or wool in my teeth.
”
”
J.R. Ward
“
Making something from nothing is the quintessential magic of women, whether turning fiber to thread or flour to bread or engaging in the ultimate creative act: conjuring new humans from nowhere at all.
”
”
Peggy Orenstein (Unraveling: What I Learned About Life While Shearing Sheep, Dyeing Wool, and Making the World's Ugliest Sweater)
“
She cleared her throat once or twice, and said something about poor people should eat a lot of herrings, as they were most nutritious, also she had heard poor people eat heaps of sheeps' heads and she went on to ask if I ever cooked them. I said I would rather be dead than cook or eat a sheep's head; I'd seen them in butchers' shops with awful eyes and bits of wool sticking to their skulls. After that helpful hints for the poor were forgotten.
”
”
Barbara Comyns (Our Spoons Came from Woolworths)
“
For I perceived that man's estate is as a citadel: he may throw down the walls to gain what he calls freedom, but then nothing of him remains save a dismantled fortress, open to the stars. And then begins the anguish of not-being. Far better for him were it to achieve his truth in the homely smell of blazing vine shoots, or of the sheep he has to shear. Truth strikes deep, like a well. A gaze that wanders loses sight of God. And that wise man who, keeping his thoughts in hand, knows little more than the weight of his flock's wool has a clearer vision of God than [anyone]. Citadel, I will build you in men's hearts.
/ Wisdom of the Sands by Antoine de Saint-Exupéry
”
”
Antoine de Saint-Exupéry (Citadelle)
“
The fruit will reveal the tree soon enough. And it is likely better to be momentarily deceived by an occasional wolf than to be constantly and impetuously trying to jerk the wool off of every one of the Lord's sheep.
”
”
Paul Earnhart (Invitation to a Spiritual Revolution: Studies in the Sermon on the Mount)
“
Lie quiet and you will lapse back into peace again. Be like the god Heimdall before the battle call, so still that you can hear the wool grow on the backs of sheep, and the grass grow far away in the lands where the snow melts.
”
”
Anne Rice (Blood And Gold (The Vampire Chronicles, #8))
“
Turn that worthless lawn into a beautiful garden of food whose seeds are stories sown, whose foods are living origins. Grow a garden on the flat roof of your apartment building, raise bees on the roof of your garage, grow onions in the iris bed, plant fruit and nut trees that bear, don't plant 'ornamentals', and for God's sake don't complain about the ripe fruit staining your carpet and your driveway; rip out the carpet, trade food to someone who raises sheep for wool, learn to weave carpets that can be washed, tear out your driveway, plant the nine kinds of sacred berries of your ancestors, raise chickens and feed them from your garden, use your fruit in the grandest of ways, grow grapevines, make dolmas, wine, invite your fascist neighbors over to feast, get to know their ancestral grief that made them prefer a narrow mind, start gardening together, turn both your griefs into food; instead of converting them, convert their garage into a wine, root, honey, and cheese cellar--who knows, peace might break out, but if not you still have all that beautiful food to feed the rest and the sense of humor the Holy gave you to know you're not worthless because you can feed both the people and the Holy with your two little able fists.
”
”
Martin Prechtel (The Unlikely Peace at Cuchumaquic: The Parallel Lives of People as Plants: Keeping the Seeds Alive)
“
Have any sheep been seen walking out of the Library with seagoing adventurers clinging to their wool?
”
”
Lindsey Davis (Alexandria (Marcus Didius Falco, #19))
“
If wool shrinks when you wash it, why don't sheep get smaller when it rains?
”
”
Ron Brackin
“
[The Utopians] marvel that any mortal can take pleasure in the weak sparkle of a little gem or bright pebble, when he has a star, or the sun itself, to look at. They are amazed at the foolishness of any man who considers himself a nobler fellow because he wears clothing of specially fine wool. No matter how delicate the thread, they say, a sheep wore it once, and still was nothing but a sheep… They do not understand why a dunderhead with no more brains than a post, and who is as depraved as he is foolish, should command a great many wise and good people simply because he happens to have a great pile of gold.
”
”
Thomas More
“
Sheep!” Angel cried, catching sight of some fluffy brown wool. “Anne is quite the animal lover,” Fang said to me as we followed Angel. “Horses, sheep, goats. Chickens. Pigs.” “Yeah,” I said. “I wonder who’s for dinner?” He flashed one of his rare smiles at me, and it was like the sun coming out. I felt my cheeks get hot and strode on ahead.
”
”
James Patterson (School's Out - Forever (Maximum Ride, #2))
“
And then there's this." He held up a shirt. "It'll protect you."
Carrot fingered it carefully. It was made from the wool of Ramtop sheep, which had all the warmth and softness of hog bristles. It was one of the legendary woolly dwarf vests, the kind of vest that needs hinges.
”
”
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
“
The genesis of my coat, made from fine wool, spinning backwards through the looms, onto the body of a lamb, a black sheep a bit apart from the flock, grazing on the side of a hill. A lamb opening its eyes to the clouds that resemble for a moment the woolly backs of his own kind.
”
”
Patti Smith (M Train: A Memoir)
“
For sheep don’t throw up the grass to show the shepherds how much they have eaten; but, inwardly digesting their food, they outwardly produce wool and milk. Thus, therefore, do you likewise not show theorems to the unlearned, but the actions produced by them after they have been digested. 47.
”
”
Epictetus (The Art of Living (Start Publishing))
“
This creature kneeling
dusted with snow, its teeth
grinding together, sound of old stones
at the bottom of a river
You lugged it to the barn
I held the lantern,
we leaned over it
as if it were being born.
The sheep hangs upside down from the rope,
a long fruit covered with wool and rotting.
It waits for the dead wagon
to harvest it.
Mournful November
this is the image
you invent for me,
the dead sheep came out of your head, a legacy:
Kill what you can’t save
what you can’t eat throw out
what you can’t throw out bury
What you can’t bury give away
what you can’t give away you must carry with you,
it is always heavier than you thought.
”
”
Margaret Atwood (You are Happy)
“
When You Return
Fallen leaves will climb back into trees.
Shards of the shattered vase will rise
and reassemble on the table.
Plastic raincoats will refold
into their flat envelopes. The egg,
bald yolk and its transparent halo,
slide back in the thin, calcium shell.
Curses will pour back into mouths,
letters un-write themselves, words
siphoned up into the pen. My gray hair
will darken and become the feathers
of a black swan. Bullets will snap
back into their chambers, the powder
tamped tight in brass casings. Borders
will disappear from maps. Rust
revert to oxygen and time. The fire
return to the log, the log to the tree,
the white root curled up
in the un-split seed. Birdsong will fly
into the lark’s lungs, answers
become questions again.
When you return, sweaters will unravel
and wool grow on the sheep.
Rock will go home to mountain, gold
to vein. Wine crushed into the grape,
oil pressed into the olive. Silk reeled in
to the spider’s belly. Night moths
tucked close into cocoons, ink drained
from the indigo tattoo. Diamonds
will be returned to coal, coal
to rotting ferns, rain to clouds, light
to stars sucked back and back
into one timeless point, the way it was
before the world was born,
that fresh, that whole, nothing
broken, nothing torn apart.
”
”
Ellen Bass (Like a Beggar)
“
Surely you must be possessed by the devil," said Candide.
"He is so deeply concerned in the affairs of this world," answered Martin, "that he may very well be in me, as well as in everybody else; but I own to you that when I cast an eye on this globe, or rather on this little ball, I cannot help thinking that God has abandoned it to some malignant being. I except, always, El Dorado. I scarcely ever knew a city that did not desire the destruction of a neighbouring city, nor a family that did not wish to exterminate some other family. Everywhere the weak execrate the powerful, before whom they cringe; and the powerful beat them like sheep whose wool and flesh they sell. A million regimented assassins, from one extremity of Europe to the other, get their bread by disciplined depredation and murder, for want of more honest employment. Even in those cities which seem to enjoy peace, and[Pg 100] where the arts flourish, the inhabitants are devoured by more envy, care, and uneasiness than are experienced by a besieged town. Secret griefs are more cruel than public calamities. In a word I have seen so much, and experienced so much that I am a Manichean."
"There are, however, some things good," said Candide.
"That may be," said Martin; "but I know them not.
”
”
Voltaire (Candide)
“
When he [Colin] reached the center of the field, he paused to catch his breath and scan the area for telltale tufts of wool. When the lamb failed to appear, he cupped his hands around his mouth and tried again. "Dinner!"
This time, his call earned an answer. Several answers. In fact, the ground shook with the collective bestial response. He spied several large, dark forms lumbering toward him through the twilight dusk. He blinked, trying to make them out. These weren't sheep. No, they were...
Cows. Large cows. Remarkably fast and menacing cows. A small herd of them, all thundering straight for him where he stood in the center of the field.
Colin took a few steps backward. "Wait," he said, holding up his hands. "I didn't mean you.
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
“
I scarce ever knew a city that did not wish the destruction of its neighbouring city, nor a family that did not desire to exterminate some other family. The poor in all parts of the world bear an inveterate hatred to the rich, even while they creep and cringe to them; and the rich treat the poor like sheep, whose wool and flesh they barter for money
”
”
Voltaire (Candide)
“
Never call yourself a philosopher, nor talk a great deal among the unlearned about theorems, but act conformably to them. Thus, at an entertainment, don’t talk how persons ought to eat, but eat as you ought. For remember that in this manner Socrates also universally avoided all ostentation. And when persons came to him and desired to be recommended by him to philosophers, he took and recommended them, so well did he bear being overlooked. So that if ever any talk should happen among the unlearned concerning philosophic theorems, be you, for the most part, silent. For there is great danger in immediately throwing out what you have not digested. And, if anyone tells you that you know nothing, and you are not nettled at it, then you may be sure that you have begun your business. For sheep don’t throw up the grass to show the shepherds how much they have eaten; but, inwardly digesting their food, they outwardly produce wool and milk. Thus, therefore, do you likewise not show theorems to the unlearned, but the actions produced by them after they have been digested.
”
”
Epictetus (The Enchiridion & Discourses of Epictetus)
“
It is my function as a Christian to imitate Christ; how then can I walk in the sheep's wool with out wearing the Lion's Mane.
”
”
Michael Lopez
“
Everywhere in the world, the weak detest the strong and grovel before them. And the strong treat them like flocks of sheep to be sold for their meat and wool.
”
”
Voltaire (Candide)
“
Moreover, wool wasn’t sheared in the early days, but painfully plucked. It is little wonder that sheep are such skittish animals when humans are around.
”
”
Bill Bryson (At Home: A Short History of Private Life)
“
It didn’t work. He still had wool in his teeth. I couldn’t make love to him. He had bone fragments and wool in his incisors, you know?”
“Yeah, sheep remnants would be a major mood killer,” Trinity agreed,
”
”
Stephanie Rowe (Kiss at Your Own Risk (Soulfire #1))
“
Equally, they are amazed that anyone can be so mad as to think of himself of nobler stock just because he is clothed in finer wool. However finely spun the wool, a sheep wore it first, and remained just a sheep.
”
”
Sir Thomas More (Utopia)
“
Justify my soul, O God, but also from Your fountains fill my will with fire. Shine in my mind, although perhaps this means “be darkness to my experience,” but occupy my heart with Your tremendous Life. Let my eyes see nothing in the world but Your glory, and let my hands touch nothing that is not for Your service. Let my tongue taste no bread that does not strengthen me to praise Your great mercy. I will hear Your voice and I will hear all harmonies You have created, singing Your hymns. Sheep’s wool and cotton from the field shall warm me enough that I may live in Your service; I will give the rest to Your poor. Let me use all things for one sole reason: to find my joy in giving You glory. Therefore keep me, above all things, from sin. Keep me from the death of deadly sin which puts hell in my soul. Keep me from the murder of lust that blinds and poisons my heart. Keep me from the sins that eat a man’s flesh with irresistible fire until he is devoured. Keep me from loving money in which is hatred, from avarice and ambition that suffocate my life. Keep me from the dead works of vanity and the thankless labor in which artists destroy themselves for pride and money and reputation, and saints are smothered under the avalanche of their own importunate zeal. Stanch in me the rank wound of covetousness and the hungers that exhaust my nature with their bleeding. Stamp out the serpent envy that stings love with poison and kills all joy. Untie my hands and deliver my heart from sloth. Set me free from the laziness that goes about disguised as activity when activity is not required of me, and from the cowardice that does what is not demanded, in order to escape sacrifice. But give me the strength that waits upon You in silence and peace. Give me humility in which alone is rest, and deliver me from pride which is the heaviest of burdens. And possess my whole heart and soul with the simplicity of love. Occupy my whole life with the one thought and the one desire of love, that I may love not for the sake of merit, not for the sake of perfection, not for the sake of virtue, not for the sake of sanctity, but for You alone. For there is only one thing that can satisfy love and reward it, and that is You alone.
”
”
Thomas Merton (New Seeds of Contemplation)
“
Everything smelled of sheep. The dandelions were suddenly more sheep than flower, each petal reflecting wool and the sound of a bell ringing off the yellow. But the thing that smelled the most like sheep, was the very sun itself. When the sun went behind a cloud, the smell of the sheep decreased, like standing on some old guy's hearing aid, and when the sun came back again, the smell of the sheep was loud, like a clap of thunder inside a coffee cup.
(from "On Paradise", page 50)
”
”
Richard Brautigan (Trout Fishing in America / The Pill vs. the Springhill Mine Disaster / In Watermelon Sugar)
“
A rainbow is a storm’s masterpiece.
A seed is a flower’s masterpiece.
A rock is a diamond’s masterpiece.
A butterfly is a caterpillar’s masterpiece.
A flame is a spark’s masterpiece.
A drop is an ocean’s masterpiece.
A brick is a mansion’s masterpiece.
A cell is a body’s masterpiece.
A nest is a bird’s masterpiece.
A flame is a spark’s masterpiece.
A note is a symphony’s masterpiece.
A flower is a garden’s masterpiece.
Herbs are a plant’s masterpiece.
Honey is a bee’s masterpiece.
Silk is a spider’s masterpiece.
Wool is a sheep’s masterpiece.
Perfume is a flower’s masterpiece.
Syrup is a tree’s masterpiece.
Wine is a grape’s masterpiece.
Fruit is a seed’s masterpiece.
Pearls are an oyster’s masterpiece.
Beauty is a sky’s masterpiece.
Charm is a star’s masterpiece.
Spring is nature’s masterpiece.
Time is eternity’s masterpiece.
Energy is light’s masterpiece.
Heat is fire’s masterpiece.
Knowledge is truth’s masterpiece.
Thoughts are the mind’s masterpiece.
Desires are the heart’s masterpiece.
Experiences are the soul’s masterpiece.
Intelligence is nature’s masterpiece.
Enlightenment is wisdom’s masterpiece.
The world is the universe’s masterpiece.
Life is the Divine One’s masterpiece.
Awareness is life’s masterpiece.
”
”
Matshona Dhliwayo
“
Consider him well.—Thou owest the worm no silk, the beast no hide, the sheep no wool, the cat no perfume. Ha! Here’s three on ’s are sophisticated. Thou art the thing itself.
Unaccommodated man is no more but such a poor, bare, forked animal as thou art.—
”
”
William Shakespeare (King Lear)
“
Although he had changed his name, his history came with him, even to his writing. The rhythm of his rain-soaked childhood became a sequence of words. His memories of the understory of the great forest burst into lyrical phrases, as resinous as the sap of a pinecone, as crisp as the shell of a beetle. Sentences grew long, then pulled up short, taking on the tempo of the waves upon the shore, or swayed gently, like the plaintive song of a lone harmonica. His fury became essays that pointed, stabbed, and burned. His convictions played out with the monotonous determination of a printing press. And his affections became poems, as warm and supple as the wool of a well-loved sheep.
”
”
Pam Muñoz Ryan (The Dreamer)
“
Like seeing roasted meat and other dishes in front of you and suddenly realising: This is a dead fish. A dead bird. A dead pig. Or that this noble vintage is grape juice, and the purple robes are sheep wool dyed with shellfish blood. Or making love - something rubbing against your penis, a brief seizure and a little cloudy liquid. (6.13)
”
”
Marcus Aurelius (Meditations)
“
The same goes for our dealings with sheep. Sheep raising in Japan has failed precisely because we’ve viewed sheep merely as a source of wool and meat. The daily-life level is missing from our thinking. We minimize the time factor to maximize the results. It’s like that with everything. In other words, we don’t have our feet on solid ground.
”
”
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
“
For sheep don't throw up the grass to show shepherds how much they have eaten; but, inwardly digest their food, they outwardly produce wool and milk.
”
”
Epictetus (THE ART OF LIVING)
“
You’re always trying to prove something unnecessary that no one cares about to nobody in particular.
”
”
Peggy Orenstein (Unraveling: What I Learned About Life While Shearing Sheep, Dyeing Wool, and Making the World's Ugliest Sweater)
“
The way I look at it, impatience may be the enemy of perfection, but the perfect is the enemy of the good.
”
”
Peggy Orenstein (Unraveling: What I Learned About Life While Shearing Sheep, Dyeing Wool, and Making the World's Ugliest Sweater)
“
Surely you must be possessed by the devil," said Candide.
"He is so deeply concerned in the affairs of this world," answered Martin, "that he may very well be in me, as well as in everybody else; but I own to you that when I cast an eye on this globe, or rather on this little ball, I cannot help thinking that God has abandoned it to some malignant being. I except, always, El Dorado. I scarcely ever knew a city that did not desire the destruction of a neighbouring city, nor a family that did not wish to exterminate some other family. Everywhere the weak execrate the powerful, before whom they cringe; and the powerful beat them like sheep whose wool and flesh they sell. A million regimented assassins, from one extremity of Europe to the other, get their bread by disciplined depredation and murder, for want of more honest employment. Even in those cities which seem to enjoy peace, and where the arts flourish, the inhabitants are devoured by more envy, care, and uneasiness than are experienced by a besieged town. Secret griefs are more cruel than public calamities. In a word I have seen so much, and experienced so much that I am a Manichean."
"There are, however, some things good," said Candide.
"That may be," said Martin; "but I know them not.
”
”
Voltaire (Candide)
“
Heiron, Kyros of Aegina entered, a slow stately walk in a chiton that swept the floor, and fell in folds, like heavy Veretian curtains. ‘My son tells a different story.’ ‘Your son?’ said Charls. ‘Alexon,’ said Heiron, holding out his hand. ‘Come here.’ As Charls stood amazed, Alexon drew himself up to his full height, pushing back the blue cloak. ‘It’s true. I am Alexon, son of Heiron,’ said Alexon. ‘I am not a humble sheep farmer as I claimed.’ ‘But your insights about wool,’ said Charls. ‘I often travel anonymously through the province,’ said Alexon. ‘People show their true natures freely when they don’t know who I am.’ He
”
”
C.S. Pacat (The Adventures of Charls, the Veretian Cloth Merchant (Captive Prince Short Stories, #3))
“
When I closed the door Grandmother was already seated at her spinning wheel. Her foot was on the treadle but her eyes were thoughtfully on me. The spinner was beautifully carved of dark oak with leaves twining their way round and round the outer rim. It must have been very old, as the designs were too fanciful to have been made i the new England. She called to me and asked me if I could spin. I told her yes, well enough, but that I could sew better, which was a statement only half true. A camp surgeon would have a better hand with a cleaver to a limb than I with a needle on the cloth. She spun the wool through knotted fingers glistening with sheep's oil and wrapped the threads neatly around the bobbin. Gently probing, she teased out the story of our days in Billerica just as she teased out the fine thread from the mix and jumble of the coarse wool in her hands.
”
”
Kathleen Kent (The Heretic's Daughter)
“
If I start doing more things with my hands, whether that's woodworking or gardening or knitting or baking cookies, I might fall into the condition made famous by the psychologist with the impossible name: Mihaly Csikszentmihalyi. That condition is "flow." It means becoming completely involved in an activity not for the sake of the outcome but for the sheer joy of it. It means feeling alive when we are fully in the groove of doing something. According to Csikszentmihalyi, the path to greatest happiness lies not with mindless consuming but with challenging ourselves to experience or produce something new, becoming in the process more engaged, connected and alive.
”
”
Catherine Friend (Sheepish: Two Women, Fifty Sheep, and Enough Wool to Save the Planet)
“
Don’t try to pull the wool over my eyes. You can’t fool an old sheep like me. To prove it, I’ll tell you that I’ve been continuously voting for the same person for president for years and years, a few of them even before he died.
”
”
Jarod Kintz (This Book is Not for Sale)
“
Earl had let Bertie off the porch for some fresh grass and I didn't want Dr. Eustace to see her. She still looked as though we'd put Hannibal Lecter in charge of her shearing and had hired the special effects team from Night of the Living Dead to bandage her.
”
”
Susan Juby (Home to Woefield (Woefield, #1))
“
In less than ten thousand years, domestication has increased the weight of wool grown by sheep from less than one kilogram of rough hairs to ten or twenty kilograms of uniform, fine down; or the volume of milk given by cattle during a lactation period from a few hundred to a million cubic centimeters. If artificial selection can make such major changes in so short a period of time, what must natural selection, working over billions of years, be capable of? The answer is all the beauty and diversity of the biological world. Evolution is a fact, not a theory.
”
”
Carl Sagan (Cosmos)
“
People came from far and wide to see the Italian Gardens and buy a honeycomb or damson jam in the farm shop. The wool from the sheep and the cheese from the goats drew buyers in a queue the day they were ready for purchase. In June, the pick-your-own strawberry fields were filled with children carrying baskets of berries, their lips stained red with sweet juice. In August, the dahlia fields were so flush with color that the cloudy days seemed brighter, and in autumn the apple and pear orchards were woven through with ladders and littered with overflowing bushels.
”
”
Ellen Herrick (The Forbidden Garden)
“
For sheep don’t throw up the grass to show the shepherds how much they have eaten; but, inwardly digesting their food, they outwardly produce wool and milk. Thus, therefore, do you likewise not show theorems to the unlearned, but the actions produced by them after they have been digested.
”
”
Epictetus (The Enchiridion)
“
The sheep know where they are, Browsing in their dirty wool-clouds, Gray as the weather. The black slots of their pupils take me in. It is like being mailed into space, A thin, silly message. They stand about in grandmotherly disguise, All wig curls and yellow teeth And hard, marbly baas.
”
”
Sylvia Plath (The Collected Poems)
“
Like seeing roasted meat and other dishes in front of you and suddenly realizing: This is a dead fish. A dead bird. A dead pig. Or that this noble vintage is grape juice, and the purple robes are sheep wool dyed with shellfish blood. Or making love—something rubbing against your penis, a brief seizure and a little cloudy liquid. Perceptions like that—latching onto things and piercing through them, so we see what they really are. That’s what we need to do all the time—all through our lives when things lay claim to our trust—to lay them bare and see how pointless they are, to strip away the legend that encrusts them.
”
”
Marcus Aurelius (Meditations)
“
Justify my soul, O God, but also from Your fountains fill my will with fire. Shine in my mind, although perhaps this means “be darkness to my experience,” but occupy my heart with Your tremendous Life. Let my eyes see nothing in the world but Your glory, and let my hands touch nothing that is not for Your service. Let my tongue taste no bread that does not strengthen me to praise Your great mercy. I will hear Your voice and I will hear all harmonies You have created, singing Your hymns. Sheep’s wool and cotton from the field shall warm me enough that I may live in Your service; I will give the rest to Your poor. Let me use all things for one sole reason: to find my joy in giving You glory.
”
”
Thomas Merton (New Seeds of Contemplation)
“
Labour had become expensive and your average lord could now make more money out of sheep than he could out of his peasants. There was more wool on sheep, for a start, and you could also eat them – which is possible with peasants but socially taboo – so the lords started to throw the expensive, troublesome and uneatable peasants off their land and replace them with sheep. The
”
”
Terry Jones (Terry Jones' Medieval Lives)
“
Viking Age sail 100 meters square took 154 kilometers (60 miles) of yarn. Working eight hours a day with a heavy spindle whorl to produce relatively coarse yarn, a spinner would toil 385 days to make enough for the sail. Plucking the sheep and preparing the wool for spinning required another 600 days. From start to finish, Viking sails took longer to make than the ships they powered.
”
”
Virginia Postrel (The Fabric of Civilization: How Textiles Made the World)
“
And God did not just ask for the perfect sheep; He also wanted its wool. Deuteronomy 18:4 instructs shepherds to give the first shearing of the sheep as on offering to God. Above the crackling warmth radiating from the stove, I read the verse aloud to Lynne. "Is a first shearing a once-in-a-lifetime offering?" I asked. "Yes, everybody wants the first shearing, especially if it's from one of your best lambs. The first shearing is the finest fleese that's used to the best clothes...to ask for that is a real sacrifice." ... For the first time in a long while, maybe ever, I had felt with my own hands what God desired from sacrifice. It was nothing like what I expected...In asking for the first fleece, God isn't asking for the biggest. He wants to smallest and the softest. He doesn't want more-He wants the best." -Scouting the Divine
”
”
Margaret Feinberg (Scouting the Divine: My Search for God in Wine, Wool, and Wild Honey)
“
And, if anyone tells you that you know nothing, and you are not nettled at it, then you be sure that you have begun your business. For sheep don't throw up the grass to show the shepherds how much they have eaten; but, inwardly digesting their food, they outwardly produce wool and milk. Thus, therefore, do you likewise not show theorems to the unlearned, but the actions produced by them after they have been digested.
”
”
Epictetus (Enchiridion)
“
If Christianity goes, the whole culture goes. Then you must start painfully again, and you cannot put on a new culture ready made. You must wait for the grass to grow to feed the sheep to give you wool to make a new coat that is honest and warm. We shall not make the culture of the future. Our children and our grandchildren, and those who come after them, will make it. And we must make something that we do not foresee.
”
”
T.S. Eliot (The Idea of a Christian Society)
“
Don't think me ugly because my body's a bristling thicket
of prickly hair. A tree is ugly without any foliage;
so is a horse, if a mane doesn't cover his tawny neck;
birds are bedecked in plumage, and sheep are clothed in
their own wool.
...
I've only one eye on my brow, in the middle, but that is as
big
as a fair-sized shield. Does it matter? The Sun looks down
from the sky
on the whole wide world, and he watches it all with a single
eye.
”
”
Ovid (Metamorphoses)
“
Only yesterday an express train tore up a whole flock of sheep not far from here, over forty dead animals, flung through the air like cotton-wool balls, the good shepherd fallen asleep drunk somewhere, the dog in the field alone, not a hope. Now the shepherd has to bear joint responsibility for the whole loss, or don't you think he bears a responsibility, dear television audience, write and let us know what you think, it's your views that count.
”
”
Elfriede Jelinek (Greed)
“
If you try to sell rivers to oceans, they will mock you;
fish to seas, they will belittle you;
rocks to mountains, they will taunt you;
clouds to skies, they will deride you;
color to rainbows, they will revile you;
stars to galaxies, they will chide you;
wind to storms, they will denounce you;
sand to deserts, they will ridicule you;
speed to cheetahs, they will criticize you;
venom to serpents, they will disparage you;
beauty to stars, they will discredit you;
pearls to oysters, they will berate you;
trees to forests, they will spite you;
birds to skies, they will disdain you;
music to birds, they will dismiss you;
wool to sheep, they will detest you;
silk to spiders, they will defame you;
seasons to nature, they will despise you;
honey to bees, they will laugh at you;
perfume to flowers, they will chuckle at you;
fruit to trees, they will jeer at you;
rain to clouds, they will scoff at you;
fear to wolves, they will howl at you;
and terror to lions, they will roar at you.
”
”
Matshona Dhliwayo
“
And I read something else," Jacob goes on. "There was this discussion of the story of Cain and Abel, from the Bible. After Cain kills his brother, God says, 'The bloods of your brother call out to me.' Not blood. Bloods. Weird, right? So the Talmud tries to explain it."
"I can explain it," says William. "The scribe was drunk."
"William!" cries Jeanne. "The Bible is written by God!"
"And copied by scribes," the big boy replies. "Who get drunk. A lot. Trust me."
Jacob is laughing. "The rabbis have a different explanation. The Talmud says it's 'bloods' because Cain didn't only spill Abel's blood. He spilled the blood of Abel and all the descendants he never had."
"Huh!"
"And then it says something like, 'Whoever destroys a single life destroys the whole world. And whoever saves a single life saves the whole world."
There are sheep in the meadow beside the road. Gwenforte walks up to the low stone wall, and one sheep--a ram--doesn't run away. They sniff each other's noses. Her white fur beside the ram's wool--two textures, two colors, both called white in our inadequate language.
Jeanne is thinking about something. At last, she shares it. "William, you said that it takes a lifetime to make a book."
"That's right."
"One book? A whole lifetime?"
William nods. "A scribe might copy out a single book for years. An illuminator would then take it and work on it for longer still. Not to mention the tanner who made the parchment, and the bookbinder who stitched the book together, and the librarian who worked to get the book for the library and keep it safe from mold and thieves and clumsy monks with ink pots and dirty hands. And some books have authors, too, like Saint Augustine or Rabbi Yehuda. When you think about it, each book is a lot of lives. Dozens and dozens of them."
Dozens and dozens of lives," Jeanne says. "And each life a whole world."
"We saved five books," says Jacob. "How many worlds is that?"
William smiles. "I don't know. A lot. A whole lot.
”
”
Adam Gidwitz (The Inquisitor's Tale: Or, The Three Magical Children and Their Holy Dog)
“
What are they, Dad? Cows, son. What are cows, Dad? Cows are cows, son. We walked farther along the brightening road and there were other creatures in the fields, white furry creatures. Malachy said, What are they, Dad? Sheep, son. What are sheep, Dad? My father barked at him, Is there any end to your questions? Sheep are sheep, cows are cows, and that over there is a goat. A goat is a goat. The goat gives milk, the sheep gives wool, the cow gives everything. What else in God’s name do you want to know? And
”
”
Frank McCourt (Angela's Ashes)
“
If I was a flower, I would sell perfume.
If I was a plant, I would sell herbs.
If I was a seed, I would sell wood.
If I was a tree, I would sell forests.
If I was a garden, I would sell beauty.
If I was a plant, I would sell medicine.
If I was a fish, I would sell oceans.
If I was a bee, I would sell honey.
If I was a spider, I would sell silk.
If I was a firebug, I would sell light.
If I was a sheep, I would sell wool.
If I was a rabbit, I would sell carrots.
If I was a cow, I would sell leather.
If I was a hen, I would sell eggs.
If I was a stream, I would sell lakes.
If I was a river, I would sell seas.
If I was a bird, I would sell skies.
If I was a monkey, I would sell trees.
If I was a dog, I would sell plains.
If I was a bear, I would sell caves.
If I was a goat, I would sell mountains.
If I was a fox, I would sell wit.
If I was a dove, I would sell peace.
If I was a bear, I would sell valor.
If I was a camel, I would sell grit.
If I was an owl, I would sell wisdom.
If I was a lion, I would sell strength.
If I was an elephant, I would sell might.
”
”
Matshona Dhliwayo
“
Ode to My Socks
Maru Mori brought me
a pair
of socks
knitted with her own
shepherd's hands,
two socks soft
as rabbits.
I slipped
my feet into them
as if
into
jewel cases
woven
with threads of
dusk
and sheep's wool.
Audacious socks,
my feet became
two woolen
fish,
two long sharks
of lapis blue
shot
with a golden thread,
two mammoth blackbirds,
two cannons,
thus honored
were
my feet
by these
celestial
socks.
They were
so beautiful
that for the first time
my feet seemed
unacceptable to me,
two tired old
fire fighters
not worthy
of the woven
fire
of those luminous
socks.
Nonetheless,
I resisted
the strong temptation
to save them
the way schoolboys
bottle
fireflies,
the way scholars
hoard
sacred documents.
I resisted
the wild impulse
to place them
in a cage
of gold
and daily feed them
birdseed
and rosy melon flesh.
Like explorers
who in the forest
surrender a rare
and tender deer
to the spit
and eat it
with remorse,
I stuck out
my feet
and pulled on
the
handsome
socks,
and
then my shoes.
So this is
the moral of my ode:
twice beautiful
is beauty
and what is good is doubly
good
when it is a case of two
woolen socks
in wintertime.
”
”
Pablo Neruda (Odes to Common Things)
“
Loving the Hands
I could make a wardrobe
with tufts of wool
caught on thistle and bracken.
Lost - the scraps
I might have woven whole cloth.
"Come watch," the man says,
shearing sheep
with the precision of long practice,
fleece, removed all of a piece,
rolled in a neat bundle.
I've been so clumsy
with people people who've loved me.
Straddling a ewe,
the man props its head on his foot,
leans down with clippers,
each pass across the coat a caress.
His dogs, lying nearby,
tremble at every move - as I do,
loving the hands that have learned
to gentle the life beneath them.
”
”
Julie Suk (Lie Down with Me: New and Selected Poems)
“
The concrete highway was edged with a mat of tangled, broken, dry grass, and the grass heads were heavy with oat beards to catch on a dog’s coat, and foxtails to tangle in a horse’s fetlocks, and clover burrs to fasten in sheep’s wool; sleeping life waiting to be spread and dispersed, every seed armed with an appliance of dispersal, twisting darts and parachutes for the wind, little spears and balls of tiny thorns, and all waiting for animals and for the wind, for a man’s trouser cuff or the hem of a woman’s skirt, all passive but armed with appliances of activity, still, but each possessed of the anlage of movement.
”
”
John Steinbeck (The Grapes of Wrath)
“
Then it all came together—every particle of discontent, nostalgia, and resistance in England—fusing in the North. The North: two words to describe a territory and a state of mind. England was conquered and civilized from the South upwards, and as one approached the borders of Scotland—first through Yorkshire and then Durham and finally Northumberland—everything dwindled. The great forests gave way first to stunted trees and then to open, windswept moors; the towns shrank to villages and then to hamlets; cultivated fields were replaced by empty, wild spaces. Here the Cistercian monasteries flourished, they who removed themselves from the centers of civilization and relied on manual labour as a route to holiness. The sheep became scrawnier and their wool thicker, and the men became lawless and more secretive, clannish. Winter lasted eight months and even the summers were grey and raw, leading Northumberland men to claim they had “two winters—a white one and a green one.” Since ancient times these peripheral lands had gone their own way, little connected to anything further south. A few great warrior families—the Percys, the Nevilles, the Stanleys—had claimed overlordship of these dreary, cruel wastes, and through them, the Crown had demanded obeisance. But
”
”
Margaret George (The Autobiography of Henry VIII: With Notes by His Fool, Will Somers)
“
...The [Renaissance] interest in education was also influenced by a changing economy. For different reasons in different countries, agriculture was becoming less lucrative, and many farmers decided to move to the cities to take up new occupations. However, to succeed in a trade they needed to know how to read and perform bookkeeping tasks ... Those who remained on the farm found life much the same as in the Middle Ages. In fact, in some agricultural regions the Renaissance economy devastated farmers. For example, as the wool industry grew in importance, more landowners in England decided to raise sheep instead of growing crops. They therefore needed fewer farmworkers, and many peasants lost their livelihoods.
”
”
Patricia D. Netzley (Life During Renaissance (The Way People Lived))
“
Incrimination and heady elation, cutting capers in the misty vapours, havoc and ravage hurrah for the savage life precarious, life so various, life nefarious and temerarious, pulling faces, fierce grimaces, leaving traces in rocky places, pieces and faeces all over the fleece is that a yow's shoulder they've left there to moulder stuck up on a boulder? Much to learn, Rowf, in the fern, of great concern, for this is the point of no return. Those who kill sheep should mind where they sleep, when there's nothing to hear the shot-gun is near, the curse of the farmer is likely to harm yer, a scent in the morning is sent for a warning, at a cloud on the sun a wise dog will run, it's the sharp and alert who avoid being hurt and a dog that's gone feral is living in peril. Those with blood on their paws and wool in their jaws should heed these old saws.
”
”
Richard Adams (Plague (The) Dogs)
“
After I’d come to understand evolution and know a little about history and farming, I saw that the thick white animals I laughed at for following each other around and getting caught in bushes were the product of generations of farmers as much as generations of sheep; we made them, we moulded them from the wild, smart survivors that were their ancestors so that they would become docile, frightened, stupid, tasty wool-producers. We didn’t want them to be smart, and to some extent their aggression and their intelligence went together. Of course, the rams are brighter, but even they are demeaned by the idiotic females they have to associate with and inseminate. The same principle applies to chickens and cows and almost anything we’ve been able to get our greedy, hungry hands on for long enough. It occasionally occurs to me that something the same might have happened to women but, attractive though the theory might be, I suspect I’m wrong.
”
”
Iain Banks (The Wasp Factory)
“
Impoverished Spain depended on imports not only for manufactured products but even for sufficient food. Spanish agriculture was hampered by poor soil and by the strange institution known as the Mesta. Spanish sheep grew high-quality fleeces—not as good as those of English sheep but better than could be found elsewhere—and Spain had, in fact, replaced England as the source of wool for the Flemish and Italian cloth industries. The Mesta was an organization of sheep owners who had royal privileges to sustain migratory flocks of millions of sheep. The flocks moved all across Spain—north in the summer, south in the winter—grazing as they went, making it impossible to farm along their routes.42 When conflicts arose with landowners, the crown always sided with the Mesta on grounds that nothing was more important to the economy than the wool exports. The government’s protection of the Mesta discouraged investments in agriculture, so Spain needed to import large shipments of grain and other foodstuffs.
”
”
Rodney Stark (How the West Won: The Neglected Story of the Triumph of Modernity)
“
Nobody can return to you something that was never yours, to begin with. Let’s trace back to the history of your race: the humans were made for slavery and were found faulty for that purpose. They showed immense energy and willpower only when confronted against tremendous obstacles with no weapons in their hands. With those bare hands, and the wits that exceeded even those of their creators and equalled the ones of mighty gods, they could break mountains. Once the humans earned at least a bit of benevolence from their creators, though, they’d immediately turn into lazy drunkards feasting upon the luxuries of life. They were quite haughty creatures, at that – one could never make them work without posing a certain purpose before their eyes. They should be given an aim they approved of, or else, they’d move no finger! Yet, if such necessities were met, they’d begin to loaf around. Forbidding them to taste those luxuries? Nay, they obeyed not! Hence, their creators cast them down on Earth – a planet inhabited by many other faulty experiments of different alien species, so that their lives would end. Yet even here, the humans defied their creators – instead of dying out, they adapted to the environment they were cast in, due to their boundless wits and the unexplainable willpower that no other species could ever possess. They mated the local species whom they could more or less find a common language with, killed off the obstacles, and conquered the planet as their own. The conquering ambitions of their creators, the boundless wisdom of their gods, and the primal instincts of Earthly nature – all of it meddled in these extraordinary creatures. They were full of instability, unpredictability, wild dreams, and rotten primitivism. Which side they would develop, depended entirely upon their choice. Aye, they had proven faulty to their creators, yet had attained the perfect treasure they required – the freedom. Could they make use of it? – Nay, certainly not… at least not many of them. There are certain individuals among the human race, who are able to well balance their mixed-up nature and grow into worthy people that merit our godly benevolence. However, most of them are quite an interesting bunch whom an ambitious man like me can make good use of. I am half-human with godly and angelic descendance, so I guess, I am worthy to be their sole ruler, their only saviour, their treasured shepherd… The shepherds too make use of their sheep – they guide them, then to consume some of them for wool and meat. Shepherds do not help the sheep for granted – they use their potential to its fullest. I shall be the same kind of a god – I shall help these magnificent creatures to achieve the wildest of their dreams but will use their powers for my own benefit. These poor creatures cannot define their potential alone, they cannot decide what’s the best and the fittest for them! I can achieve that. Free human souls? – Nay, they need no freedom. What they need, is to serve the rightful master, and that rightful master I shall be.
”
”
Tamuna Tsertsvadze (Galaxy Pirates)
“
Thus Epicurus also, when he designs to destroy the natural fellowship of mankind, at the same time makes use of that which he destroys.
For what does he say? ‘Be not deceived, men, nor be led astray, nor be mistaken: there is no natural fellowship among rational animals; believe me. But those who say otherwise, deceive you and seduce you by false reasons.’—What is this to you? Permit us to be deceived.
Will you fare worse, if all the rest of us are persuaded that there is a natural fellowship among us, and that it ought by all means to be preserved? Nay, it will be much better and safer for you.
Man, why do you trouble yourself about us? Why do you keep awake for us? Why do you light your lamp? Why do you rise early? Why do you write so many books, that no one of us may be deceived about the gods and believe that they take care of men; or that no one may suppose the nature of good to be other than pleasure?
For if this is so, lie down and sleep, and lead the life of a worm, of which you judged yourself worthy: eat and drink, and enjoy women, and ease yourself, and snore.
And what is it to you, how the rest shall think about these things, whether right or wrong? For what have we to do with you?
You take care of sheep because they supply us with wool and milk, and last of all with their flesh. Would it not be a desirable thing if men could be lulled and enchanted by the Stoics, and sleep and present themselves to you and to those like you to be shorn and milked?
For this you ought to say to your brother Epicureans: but ought you not to conceal it from others, and particularly before every thing to persuade them, that we are by nature adapted for fellowship, that temperance is a good thing; in order that all things may be secured for you?
Or ought we to maintain this fellowship with some and not with others? With whom then ought we to maintain it?
With such as on their part also maintain it, or with such as violate this fellowship?
And who violate it more than you who establish such doctrines?
What then was it that waked Epicurus from his sleepiness, and compelled him to write what he did write?
”
”
Epictetus (The Discourses)
“
We do have some strong traditions of community in the United States, but it’s interesting to me that our traditionally patriotic imagery in this country celebrates the individual, the solo flier, independence. We celebrate Independence Day; we don’t celebrate We Desperately Rely on Others Day. Oh, I guess that’s Mother’s Day [laughter]. It does strike me that our great American mythology tends to celebrate separate achievement and separateness, when in fact nobody does anything alone. Nobody in this auditorium is wearing clothing that you made yourself from sheep that you sheared and wool that you spun. It’s ridiculous to imagine that we don’t depend on others for the most ordinary parts of our existence, let alone the more traumatic parts when we need a surgeon or someone to put out the fire in our home. In everyday ways we are a part of a network. I guess it’s a biological way of seeing the world. And I don’t understand the suggestion that interdependence is a weakness. Animals don’t pretend to be independent from others of their kind—I mean no other animal but us. It seems like something we should get over [laughter].
”
”
Barbara Kingsolver (The Bean Trees)
“
Ode to My Socks
Maru Mori brought me
a pair
of socks
knitted with her own
shepherd's hands,
two socks soft
as rabbits.
I slipped
my feet into them
as if
into
jewel cases
woven
with threads of
dusk
and sheep's wool.
Audacious socks,
my feet became
two woolen
fish,
two long sharks
of lapis blue
shot
with a golden thread,
two mammoth blackbirds,
two cannons,
thus honored
were
my feet
by these
celestial
socks.
They were
so beautiful
that for the first time
my feet seemed
unacceptable to me,
two tired old
fire fighters
not worthy
of the woven
fire
of those luminous
socks.
Nonetheless,
I resisted
the strong temptation
to save them
the way schoolboys
bottle
fireflies,
the way scholars
hoard
sacred documents.
I resisted
the wild impulse
to place them
in a cage
of gold
and daily feed them
birdseed
and rosy melon flesh.
Like explorers
who in the forest
surrender a rare
and tender deer
to the spit
and eat it
with remorse,
I stuck out
my feet
and pulled on
the
handsome
socks,
and
then my shoes.
So this is
the moral of my ode:
twice beautiful
is beauty
and what is good doubly
good
when it is a case of two
woolen socks
in wintertime.
”
”
Pablo Neruda (Odes to Common Things)
“
Ode to My Socks
Maru Mori brought me
a pair
of socks
knitted with her own
shepherd's hands,
two socks soft
as rabbits.
I slipped
my feet into them
as if
into
jewel cases
woven
with threads of
dusk
and sheep's wool.
Audacious socks,
my feet became
two woolen
fish,
two long sharks
of lapis blue
shot
with a golden thread,
two mammoth blackbirds,
two cannons,
thus honored
were
my feet
by these
celestial
socks.
They were
so beautiful
that for the first time
my feet seemed
unacceptable to me,
two tired old
fire fighters
not worthy
of the woven
fire
of those luminous
socks.
Nonetheless,
I resisted
the strong temptation
to save them
the way schoolboys
bottle
fireflies,
the way scholars
hoard
sacred documents.
I resisted
the wild impulse
to place them
in a cage
of gold
and daily feed them
birdseed
and rosy melon flesh.
Like explorers
who in the forest
surrender a rare
and tender deer
to the spit
and eat it
with remorse,
I stuck out
my feet
and pulled on
the
handsome
socks,
and
then my shoes.
So this is
the moral of my ode:
twice beautiful
is beauty
and what is good is doubly
good
when it is a case of two
woolen socks
in wintertime.
”
”
Pablo Neruda (Odes to Common Things)
“
He concerns himself so much,” replied Martin, “in the affairs of this world that it is very probable he may be in me as well as
everywhere else; but I must confess, when I cast my eye on this globe, or rather globule, I cannot help thinking that God has abandoned it to some malignant being. I always except El Dorado. I scarce ever knew a city that did not wish the destruction of its neighboring city; nor a
family that did not desire to exterminate some other family. The poor in all parts of the world bear an inveterate hatred to the rich, even while they creep and cringe to them; and the rich treat the poor like sheep, whose wool and flesh they barter for money; a million of regimented
assassins traverse Europe from one end to the other, to get their bread by regular depredation and murder, because it is the most gentlemanlike profession. Even in those cities which seem to enjoy the
blessings of peace, and where the arts flourish, the inhabitants are devoured with envy, care, and inquietudes, which are greater plagues than any experienced in a town besieged. Private chagrins are still more dreadful than public calamities. In a word,” concluded the philosopher,
“I have seen and suffered so much that I am a Manichaean.
”
”
Voltaire (Candide)
“
Madrid. It was that time, the story of Don Zana 'The Marionette,' he with the hair of cream-colored string, he with the large and empty laugh like a slice of watermelon, the one of the
Tra-kay, tra-kay, tra-kay,
tra-kay, tra-kay, tra
on the tables, on the coffins. It was when there were geraniums on the balconies, sunflower-seed stands in the Moncloa, herds of yearling sheep in the vacant lots of the Guindalera. They were dragging their heavy wool, eating the grass among the rubbish, bleating to the neighborhood. Sometimes they stole into the patios; they ate up the parsley, a little green sprig of parsley, in the summer, in the watered shade of the patios, in the cool windows of the basements at foot level. Or they stepped on the spread-out sheets, undershirts, or pink chemises clinging to the ground like the gay shadow of a handsome young girl. Then, then was the story of Don Zana 'The Marionette.'
Don Zana was a good-looking, smiling man, thin, with wide angular shoulders. His chest was a trapezoid. He wore a white shirt, a jacket of green flannel, a bow tie, light trousers, and shoes of Corinthian red on his little dancing feet. This was Don Zana 'The Marionette,' the one who used to dance on the tables and the coffins. He awoke one morning, hanging in the dusty storeroom of a theater, next to a lady of the eighteenth century, with many white ringlets and a cornucopia of a face.
Don Zana broke the flower pots with his hand and he laughed at everything. He had a disagreeable voice, like the breaking of dry reeds; he talked more than anyone, and he got drunk at the little tables in the taverns. He would throw the cards into the air when he lost, and he didn't stoop over to pick them up. Many felt his dry, wooden slap; many listened to his odious songs, and all saw him dance on the tables. He liked to argue, to go visiting in houses. He would dance in the elevators and on the landings, spill ink wells, beat on pianos with his rigid little gloved hands.
The fruitseller's daughter fell in love with him and gave him apricots and plums. Don Zana kept the pits to make her believe he loved her. The girl cried when days passed without Don Zana's going by her street. One day he took her out for a walk. The fruitseller's daughter, with her quince-lips, still bloodless, ingenuously kissed that slice-of-watermelon laugh. She returned home crying and, without saying anything to anyone, died of bitterness.
Don Zana used to walk through the outskirts of Madrid and catch small dirty fish in the Manzanares. Then he would light a fire of dry leaves and fry them. He slept in a pension where no one else stayed. Every morning he would put on his bright red shoes and have them cleaned. He would breakfast on a large cup of chocolate and he would not return until night or dawn.
”
”
Rafael Sánchez Ferlosio (Adventures of the Ingenious Alfanhui)
“
Sweet to me your voice, said Caolcrodha Mac Morna, brother to sweet-worded sweet-toothed Goll from Sliabh Riabhach and Brosnacha Bladhma, relate then the attributes that are to Finn's people.
[...]
I will relate, said Finn. Till a man has accomplished twelve books of poetry, the same is not taken for want of poetry but is forced away. No man is taken till a black hole is hollowed in the world to the depth of his two oxters and he put into it to gaze from it with his lonely head and nothing to him but his shield and a stick of hazel. Then must nine warriors fly their spears at him, one with the other and together. If he be spear-holed past his shield, or spear-killed, he is not taken for want of shield-skill. No man is taken till he is run by warriors through the woods of Erin with his hair bunched-loose about him for bough-tangle and briar-twitch. Should branches disturb his hair or pull it forth like sheep-wool on a hawthorn, he is not taken but is caught and gashed. Weapon-quivering hand or twig-crackling foot at full run, neither is taken. Neck-high sticks he must pass by vaulting, knee-high sticks by stooping. With the eyelids to him stitched to the fringe of his eye-bags, he must be run by Finn's people through the bogs and the marsh-swamps of Erin with two odorous prickle-backed hogs ham-tied and asleep in the seat of his hempen drawers. If he sink beneath a peat-swamp or lose a hog, he is not accepted of Finn's people. For five days he must sit on the brow of a cold hill with twelve-pointed stag-antlers hidden in his seat, without food or music or chessmen. If he cry out or eat grass-stalks or desist from the constant recital of sweet poetry and melodious Irish, he is not taken but is wounded. When pursued by a host, he must stick a spear in the world and hide behind it and vanish in its narrow shelter or he is not taken for want of sorcery. Likewise he must hide beneath a twig, or behind a dried leaf, or under a red stone, or vanish at full speed into the seat of his hempen drawers without changing his course or abating his pace or angering the men of Erin. Two young fosterlings he must carry under the armpits to his jacket through the whole of Erin, and six arm-bearing warriors in his seat together. If he be delivered of a warrior or a blue spear, he is not taken. One hundred head of cattle he must accommodate with wisdom about his person when walking all Erin, the half about his armpits and the half about his trews, his mouth never halting from the discoursing of sweet poetry. One thousand rams he must sequester about his trunks with no offence to the men of Erin, or he is unknown to Finn. He must swiftly milk a fat cow and carry milk-pail and cow for twenty years in the seat of his drawers. When pursued in a chariot by the men of Erin he must dismount, place horse and chariot in the slack of his seat and hide behind his spear, the same being stuck upright in Erin. Unless he accomplishes these feats, he is not wanted of Finn. But if he do them all and be skilful, he is of Finn's people.
”
”
Flann O'Brien (At Swim-Two-Birds)
“
Wanna play in the snow?
I text back right away:
YES! It’s really hot in here.
Meet me in the hallway in two min?
K.
I stand up so fast in my sleeping bag I nearly trip. I use my phone to find my coat, my boots. Stormy is snoring away. I can’t find my scarf, but I don’t want to keep John waiting, so I run out without it.
He’s already in the hallway waiting for me. His hair is sticking up in the back, and on that basis alone I think I could fall in love with him if I let myself. When he sees me, he holds his arms out and sings, “Do you want to build a snowman?” and I burst out laughing so hard John says, “Shh, you’re going to wake up the residents!” which only makes me laugh harder. “It’s only ten thirty!”
We run down the long carpeted hallway, both of us laughing as quietly as we can. But the more you try to laugh quietly, the harder it is to stop. “I can’t stop laughing,” I gasp as we run through the sliding doors and to the courtyard.
We’re both out of breath; we both stop short.
The ground is blanketed in thick white snow, thick as sheep’s wool. It’s so beautiful and hushed, my heart almost hurts with the pleasure of it. I’m so happy in this moment, and I realize it’s because I haven’t thought of Peter once. I turn to look at John, and he’s already looking at me with a half smile on his face. It gives me a nervous flutter in my chest.
I spin around in a circle and sing, “Do you want to build a snowman?” And then we’re both giggling again.
“You’re going to get us kicked out of here,” he warns.
I grab his hands and make him spin around with me as fast as I can. “Quit acting like you really belong in a nursing home, old man!” I yell.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
Outside the snapdragons, cords of light. Today is easy as weeds & winds & early. Green hills shift green. Cardinals peck at feeders—an air seed salted. A power line across the road blows blue bolts. Crickets make crickets in the grass.
We are made & remade together. An ant circles the sugar cube. Our shadow’s a blown sail running blue over cracked tiles. Cool glistening pours from the tap, even on the edges. A red wire, a live red wire, a temperature.
Time, in balanced soil, grows inside the snapdragons. In the sizzling cast iron, a cut skin, a sunny side runs yellow across the pan. Silver pots throw a blue shadow across the range. We must carry this the length of our lives.
Tall stones lining the garden flower at once. Tin stars burst bold & celestial from the fridge; blue applause. Morning winds crash the columbines; the turf nods. Two reeling petal-whorls gleam & break.
Cartoon sheep are wool & want. Happy birthday oak; perfect in another ring. Branch shadows fall across the window in perfect accident without weight. Orange sponge a thousand suds to a squeeze, know your water.
School bus, may you never rust, always catching scraps of children’s laughter. Add a few phrases to the sunrise, and the pinks pop. Garlic, ginger, and mangoes hang in tiers in a cradle of red wire. That paw at the door is a soft complaint.
Corolla of petals, lean a little toward the light. Everything the worms do for the hills is a secret & enough. Floating sheep turn to wonder. Cracking typewriter, send forth your fire. Watched too long, tin stars throw a tantrum. In the closet in the dust the untouched accordion grows unclean along the white bone of keys. Wrapped in a branch, a canvas balloon, a piece of punctuation signaling the end. Holy honeysuckle, stand in your favorite position, beside the sandbox.
The stripes on the couch are running out of color. Perfect in their polished silver, knives in the drawer are still asleep. A May of buzz, a stinger of hot honey, a drip of candy building inside a hive & picking up the pace. Sweetness completes each cell. In the fridge, the juice of a plucked pear. In another month, another set of moths. A mosquito is a moment. Sketched sheep are rather invincible, a destiny trimmed with flouncy ribbon. A basset hound, a paw flick bitching at black fleas.
Tonight, maybe we could circle the floodwaters, find some perfect stones to skip across the light or we can float in the swimming pool on our backs—the stars shooting cells of light at each other (cosmic tag)—and watch this little opera, faults & all.
”
”
Kevin Phan (How to Be Better by Being Worse)
“
Bram stared into a pair of wide, dark eyes. Eyes that reflected a surprising glimmer of intelligence. This might be the rare female a man could reason with.
“Now, then,” he said. “We can do this the easy way, or we can make things difficult.”
With a soft snort, she turned her head. It was as if he’d ceased to exist.
Bram shifted his weight to his good leg, feeling the stab to his pride. He was a lieutenant colonel in the British army, and at over six feet tall, he was said to cut an imposing figure. Typically, a pointed glance from his quarter would quell the slightest hint of disobedience. He was not accustomed to being ignored.
“Listen sharp now.” He gave her ear a rough tweak and sank his voice to a low threat. “If you know what’s good for you, you’ll do as I say.”
Though she spoke not a word, her reply was clear: You can kiss my great woolly arse.
Confounded sheep.
“Ah, the English countryside. So charming. So…fragrant.” Colin approached, stripped of his London-best topcoat, wading hip-deep through the river of wool. Blotting the sheen of perspiration from his brow with his sleeve, he asked, “I don’t suppose this means we can simply turn back?”
Ahead of them, a boy pushing a handcart had overturned his cargo, strewing corn all over the road. It was an open buffet, and every ram and ewe in Sussex appeared to have answered the invitation. A vast throng of sheep bustled and bleated around the unfortunate youth, gorging themselves on the spilled grain-and completely obstructing Bram’s wagons.
“Can we walk the teams in reverse?” Colin asked. “Perhaps we can go around, find another road.”
Bram gestured at the surrounding landscape. “There is no other road.”
They stood in the middle of the rutted dirt lane, which occupied a kind of narrow, winding valley. A steep bank of gorse rose up on one side, and on the other, some dozen yards of heath separated the road from dramatic bluffs. And below those-far below those-lay the sparkling turquoise sea. If the air was seasonably dry and clear, and Bram squinted hard at that thin indigo line of the horizon, he might even glimpse the northern coast of France.
So close. He’d get there. Not today, but soon. He had a task to accomplish here, and the sooner he completed it, the sooner he could rejoin his regiment. He wasn’t stopping for anything.
Except sheep. Blast it. It would seem they were stopping for sheep.
A rough voice said, “I’ll take care of them.”
Thorne joined their group. Bram flicked his gaze to the side and spied his hulking mountain of a corporal shouldering a flintlock rifle.
“We can’t simply shoot them, Thorne.”
Obedient as ever, Thorne lowered his gun. “Then I’ve a cutlass. Just sharpened the blade last night.”
“We can’t butcher them, either.”
Thorne shrugged. “I’m hungry.”
Yes, that was Thorne-straightforward, practical. Ruthless.
“We’re all hungry.” Bram’s stomach rumbled in support of the statement. “But clearing the way is our aim at the moment, and a dead sheep’s harder to move than a live one. We’ll just have to nudge them along.”
Thorne lowered the hammer of his rifle, disarming it, then flipped the weapon with an agile motion and rammed the butt end against a woolly flank. “Move on, you bleeding beast.
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
“
In 1814 the breeders founded an organization, the title of which was—deep breath—“The Association of Friends, Experts and Supporters of Sheep Breeding for the achievement of a more rapid and more thoroughgoing advancement of this branch of the economy and the manufacturing and commercial aspects of the wool industry that is based upon it.” Those who didn’t want to lose too much oxygen uttering the full name simply called it the Sheep Breeders’ Society.
”
”
Carl Zimmer (She Has Her Mother's Laugh: What Heredity Is, Is Not, and May Become)
“
when the sheep all bleated at once and rushed the animal. It happened so fast that the deer stumbled and was lost in a sea of wool and trampling hooves. Grass and tufts of fur flew into the air. A second later the sheep all moved away, back to their regular peaceful wanderings. Where the deer had been was a pile of clean white bones.
”
”
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
“
A woman was sitting just outside the door knitting something at great speed in violently orange, synthetic wool. Beside her grazed a sheep in need of a haircut.
”
”
Juliet Barnes (The Ghosts of Happy Valley: Searching for the Lost World of Africa's Infamous Aristocrats)
“
When I am a little drunk, and that is as drunk as I ever get, I lose my resentment and my fear and all knowledge of a social existence and know my being as molecular, like this wine in the glass, French wine, Swedish glass, or like the good cloth of my trousers that once was wool on the back of a Southland sheep, and grass before that, minerals in the soil, rain sucked from an ocean on the other side of the world... You see where I am heading? It is enormously comforting to make the journey into the universe and into time and understand that I come from there and will go there and that consciousness will be put aside....
”
”
Maurice Gee (Live Bodies)
“
Every time I swung, I would just graze the sheep’s wool. It was, like, I was giving it a haircut.
”
”
Steve the Noob (Diary of Steve the Noob 18 (An Unofficial Minecraft Book) (Diary of Steve the Noob Collection))
“
Though this is my first trip to the United Kingdom, I am a proud Anglophile. I admire the practical temperament of the people. I love the artful details of daily life: a hand-stitched tea cozy in the shape of a Victorian mansion, the Wellie boots, the sheep's wool stockings, and the best tailors in the world.
”
”
Adriana Trigiani (Rococo)
“
Maelyn made a disgusted sound. “The first man, a wool dyer, lent ten silvers to a second man, a farmer. The farmer, finding it difficult to pay back the ten silvers, gave a sheep to the wool dyer. The farmer claims the sheep is worth ten silvers, cancelling his debt.” “Ah ha,” said Briette. Maelyn held up a finger. “But! The first man, the wool dyer, says the sheep is worth only five silvers, and therefore, the farmer still owes him five more. The farmer insists he paid ten silvers for that sheep. The dyer says it’s not his fault if the farmer made a foolish purchase, the sheep is worth only five, therefore five silvers are still owed.” “Oooh....
”
”
Anita Valle (Briette)
“
He trails off, looking up at the sky. He’s got one of those ruddy complexions that reddens easily, I’ve noticed. I imagine him herding sheep on the moors of Scotland or Ireland, somewhere misty and rugged, wearing a cream-colored wool cable-knit sweater and green Wellies, maybe smoking a pipe.
”
”
Lauren Graham (Someday, Someday, Maybe)
“
baallad FW 593.15 n. A poem, song, or ballad that tells a story about young sheep or a lamb. The nursery rhyme about Mary’s little lamb that broke the rules by following her to school is perhaps the most famous “baallad” of them all, although the “baallad” about the black sheep that had three bags full of wool is equally well known. An English expression for a nice, sweet young person is a “baa-lamb.”(“And let Billey Feghin be baallad out of his hummuluation.”)
”
”
Bill Cole Cliett (A "Finnegans Wake" Lextionary: Let James Joyce Jazz Up Your Voca(l)bulary)