“
To a parent, your child wasn't just a person: your child was a place, a kind of Narnia, a vast eternal place where the present you were living and the past you remembered and the future you longed for all at the same time. You could see it every time you looked at her: layered in her face was the baby she'd been and the child she'd become and the adult she would grow up to be, and you saw them all simultaneously, like a 3-D image. It made your head spin. It was a place you could take refuge, if you knew how to get in. And each time you left it, each time your child passed out of your sight, you feared you might never be able to return to that place again.
”
”
Celeste Ng (Little Fires Everywhere)
“
There is so much I want to tell you, Ma. I was once foolish enough to believe knowledge would clarify, but some things are so gauzed behind layers of syntax and semantics, behind days and hours, names forgotten, salvaged and shed, that simply knowing the wound exists does nothing to reveal it.
I don't know what I'm saying. I guess what I mean is that sometimes I don't know what or who we are. Days I feel like a human being, while other days I feel more like a sound. I touch the world not as myself but as an echo of who I was. Can you hear me yet? Can you read me?
”
”
Ocean Vuong (On Earth We're Briefly Gorgeous)
“
He was desperate for her to see inside, to look past all the layers of darkness and find that part of him she’d touched. The part that needed her to save him.
”
”
Christine Feehan (Judgment Road (Torpedo Ink, #1))
“
I was once foolish enough to believe knowledge would clarify, but some things so gauzed behind layers of syntax and semantics, behind days and hours, names forgotten, salvaged and shed, that simply knowing the wound exists does nothing to reveal it.
”
”
Ocean Vuong (On Earth We're Briefly Gorgeous)
“
You need to be alone when you are growing into a new version of yourself. When you are shedding the layers of who you’ve been like snakeskin, you will need the time to bury who you’ve been.
”
”
Heidi Priebe (This Is Me Letting You Go)
“
Did my mother ever get to see a cicada molting? Did she wish that she could do exact that? Shed her skin and be someone new? There were days when she seemed to transform into something quieter, darker. Her colors deeper but also muted. Both her truer self, and not. Or maybe it wasn't a transformation. Maybe it was a momentary reveal. A peeling back of the protective layers. A sharpening of a pencil, bringing the tip to its most focused point.
”
”
Emily X.R. Pan (The Astonishing Color of After)
“
But even as she told herself that, she remembered the way Cal had looked today with his shirt off while he’d stood on the ladder and scraped the side of Annie’s house. Watching those muscles bunch and flex every time he moved had made her crazy and she’d finally grabbed his shirt, thrown it at him, and delivered a stern lecture on the depletion of the ozone layer and skin cancer.
”
”
Susan Elizabeth Phillips (Nobody's Baby But Mine (Chicago Stars, #3))
“
Shedding off one more layer of skin
Keeping one step ahead of the persecutor within
”
”
Bob Dylan
“
As we age, we shed layers of ourselves, disintegrating like any other organic material, but some of us just break down faster than others.
”
”
Jeneva Rose (Home Is Where the Bodies Are)
“
At some point, a wave of repressed emotion broke through my armor, demanding expression and release. As I plumbed the depths of my despair, I shed one layer of pain after another. My inner world was like a series of reservoirs, each holding a different wave of emotional memory behind them. When one reservoir burst, another soon appeared. This phase went on for many months—the first of many essential release phases.
”
”
Jeff Brown (An Uncommon Bond)
“
That aunt of mine; boy, she used to wear make-up all week long so terrible thick that - well, she started about Wednesday layering it on, and she never washed, and every day she slapped down a new layer. Until Sunday. Then on Sunday she kind of peeled it off to go to church. *** Boy, she was a case; I used to hope she'd skip a Sunday - sleep through to Monday or something - because I knew two weeks' worth of make-up and she'd set up like a statue.
”
”
Ken Kesey (Sometimes a Great Notion)
“
When you are in trouble or at your lowest point, and have no one in whom to confide, a hawthorn would be the right choice. There is a reason why hawthorns are home to fairies and known to protect pots of treasure. For wisdom, try a beech; for intelligence, a pine; for bravery, a rowan; for generosity, a hazel; for joy, a juniper; and for when you need to learn to let go of what you cannot control, a birch with its white-silver bark, peeling and shedding layers like old skin. Then again, if it's love you're after, or love you have lost, come to the fig, always the fig.
”
”
Elif Shafak (The Island of Missing Trees)
“
There is so much I want to tell you, Ma. I was once foolish enough to believe knowledge would clarify, but some things are so gauzed behind layers of syntax and semantics, behind days and hours, names forgotten, salvaged and shed, that simply knowing the wound exists does nothing to reveal it.
”
”
Ocean Vuong (On Earth We're Briefly Gorgeous)
“
The most dangerous enemy is not the one who lingers behind you in the shadows, but the one who walks beside you as a friend. They shape the world around you with well-constructed lies, entombing you in the gossamer of their deceit. You’ll never know their true face, for they shed their masks in layers—meticulous and devious, like the skin of an ever-changing snake.
”
”
Bianca Scardoni (Inception (The Marked, #1))
“
She’d heard my theory on funnel cake and celery stalker men before. Most men were either like funnel cake: delicious and interesting, but who at the end of the day just aren’t good for the heart or complexion. Or they were celery: a sensible, healthy choice that didn’t really bring much to the table but an occasional crunch. If you OD on celery, you end up bingeing on cake behind closed doors.
Funnel cake, while warm and delicious, is difficult to make. But you go there because you long for it like the double-twist stomach-dropping roller coaster as soon as you arrive at the amusement park. Wet ribbons of batter crackle and pop until golden and crisp, yielding in the center. The steamy swirls of tender yellow dough absorb confectioners’ sugar like pores. When the luxurious fat melts on your tongue, you exhale. You’ve got sticky batter, dribbling down spouts, leaving rings on your clean countertops, splattering oil growing darker and beginning to smoke. Layers of paper towels and oil-draining weapons clutter your space. With funnel cake, you’ve got steps to follow. Procedures. Rules.
No one makes rules about celery. It’s always around for the snacking. You choose it when you’re dieting or trying not to consume too many wings over football. Come to think of it, you don’t even bother eating it when you diet. Instead it’s a conduit for blue cheese. You use it to make stocks and stuffing. It becomes filler, pantry almost.
”
”
Stephanie Klein (Straight Up and Dirty)
“
I was a masterpiece; a painting in itself. He was changing me, molding me, and making me into something brand new. I was a blank canvas when I came to him, ready to absorb all the paint he would slather on me. He kept going, adding layer upon layer, sometimes even shedding them just so I could turn out beautiful. And he was done now, ready to let me leave and display me on a wall for people to see.
”
”
Evelyn Deshane
“
She'd faced some hard knocks in life - one really hard one five years ago - and had managed to cultivate a protective shell for herself. But like a Godiva truffle, she was only hard in a thin outer layer. Her insides were still as tender as ever.
”
”
Becky Wade (Undeniably Yours (Porter Family, #1))
“
My child, when a mountain appears on the journey, we try to go to the left, then to the right. We try to find the easy way to navigate our way back to the easier path.…. But the mountain is there to be crossed. It is on that pilgrimage, as we climb higher, that we are forced to shed the layers upon layers we have carried for so long. Then we find that our load is lighter, and we have come to know something of ourselves in the perilous climb…..Do not seek to avoid the mountain, my child. For it has been placed there at a perfect time. It will only become larger if you seek to delay or draw back from the ascent.
”
”
Jacqueline Winspear (Pardonable Lies (Maisie Dobbs, #3))
“
Maybe innocence is a skin you must shed to build layers more resistant to the caustic truths of the world.
”
”
Héctor Tobar (The Barbarian Nurseries)
“
To a parent, your child wasn’t just a person: your child was a place, a kind of Narnia, a vast eternal place where the present you were living and the past you remembered and the future you longed for all existed at once. You could see it every time you looked at her: layered in her face was the baby she’d been and the child she’d become and the adult she would grow up to be, and you saw them all simultaneously, like a 3-D image. It made your head spin. It was a place you could take refuge, if you knew how to get in. And each time you left it, each time your child passed out of your sight, you feared you might never be able to return to that place again.
”
”
Celeste Ng (Little Fires Everywhere)
“
in one morning, I had woken up with my first love, crawled into bed with my new love, shed a layer of my old life, had grown a new one and had said I love you–all before finishing my eggs, bacon and toast.
”
”
Laura Miller (For All You Have Left)
“
To a parent, your child wasn’t just a person: your child was a place, a kind of Narnia, a vast eternal place where the present you were living and the past you remembered and the future you longed for all existed at once. You could see it every time you looked at her: layered in her face was the baby she’d been and the child she’d become and the adult she would grow up to be,
”
”
Celeste Ng (Little Fires Everywhere)
“
It was tiring, all that smiling and sharing and speculating about the weather, and she always left a gathering, no matter how intimate, feeling depleted, as if she’d accidentally left behind some vital layers of herself she’d never get back.
”
”
Kate Morton (The Clockmaker's Daughter)
“
To a parent, your child wasn't just a person: your child was a *place*, a kind of Narnia, a vast eternal place where the present you were living and the past you remembered and the future you longed for all existed at once. You could see it every time you looked at her: layered in her face was the baby she'd been and the child she'd become and the adult she would grow up to be, and you saw them all simultaneously, like a 3-D image.
”
”
Celeste Ng (Little Fires Everywhere)
“
Like the butterfly, you will also go through stages of change, rebirth, and new beginnings for transformation and renewal. Use these changes to create a clarity of purpose for a personal renaissance. Break out of your comfort zone, shed old layers, and stretch in your potential to become your best self. Be free of outdated limitations, experience rebirth and take flight.
”
”
Susan C. Young
“
You could see it every time you looked at her: layered in her face was the baby she’d been and the child she’d become and the adult she would grow up to be, and you saw them all simultaneously, like a 3-D image. It made your head spin. It was a place you could take refuge, if you knew how to get in. And each time you left it, each time your child passed out of your sight, you feared you might never be able to return to that place again.
”
”
Celeste Ng (Little Fires Everywhere)
“
She thinks now that she has always been a person that needs layers. Not a scarf or a sweater, but walls between her and other people. A series of homes within homes. A series of places to hide.
”
”
Amber Sparks (May We Shed These Human Bodies)
“
She could already sense that the answers were in there, but they were buried beneath so many layers she feared she'd never find them.
”
”
Neal Shusterman (The Toll (Arc of a Scythe, #3))
“
Through trial with death, you discover your power. Through trial, you shed your mortal flesh, layer after layer, until you become who you are supposed to be.
”
”
Amy Tan (Saving Fish from Drowning)
“
The American people spend thousands of dollars to propagate the doctrines of the fall of man, the creation of the world out of nothing in six days by a personal God, vicarious atonement, absolution from sin by the shedding of innocent blood. This is the Christianity offered to the poor and illiterate of India...
Christianity has percolated through the layers of dogmatism and bigotry, of intolerance and superstition, of damnation and hell fire. It takes on itself the quality of these layers and imparts them to those that are received within its folds.
”
”
Virchand Gandhi (The Monist)
“
Eric lifted the long lock of hair that he dyed a different vibrant color every forty-nine days without fail and stared at it. His memory had served him correctly. It was currently cobalt blue—the exact same shade as the under-layer of her hair. What were the chances? It had to be kismet. Destiny. Fate. Providence. All of the above...
She’d said her name was Rebekah. That was Eric’s favorite name. At least, now it was.
”
”
Olivia Cunning (Wicked Beat (Sinners on Tour, #4))
“
I started shedding friends like layers of winter clothing and found that even if I got cold, I would rather build my own damn fire. I was better off without them.” I shrug, letting him know that’s all there was to it.
”
”
Claire Contreras (Catch Me)
“
To a parent, your child wasn’t just a person: your child was a place, a kind of Narnia, a vast eternal place where the present you were living and the past you remembered and the future you longed for all existed at once. You could see it every time you looked at her: layered in her face was the baby she’d been and the child she’d become and the adult she would grow up to be, and you saw them all simultaneously, like a 3-D image. It made your head spin.
”
”
Celeste Ng (Little Fires Everywhere)
“
In the process of decluttering things in my life, I was peeling off the layers of my past that no longer mattered to my present life. But as I did that shedding, memories and emotions arose. I sometimes felt sadness as I removed reminders of a failed marriage or the loss of a loved one. I grieved lost dreams and deceased people and pets. If I looked for it, I also experienced gratitude for the good times and the love that once was. Eventually, I felt lighter after I worked my way through a particular emotional zone that exposed remnants of unhealed parts of my life.
”
”
Lisa J. Shultz (Lighter Living: Declutter. Organize. Simplify.)
“
The skin consists of an inner layer called the dermis and an outer epidermis. The outermost surface of the epidermis, called the stratum corneum, is made up entirely of dead cells. It is an arresting thought that all that makes you lovely is deceased. Where body meets air, we are all cadavers. These outer skin cells are replaced every month. We shed skin copiously, almost carelessly: some twenty-five thousand flakes a minute, over a million pieces every hour. Run a finger along a dusty shelf, and you are in large part clearing a path through fragments of your former self. Silently and remorselessly we turn to dust.
”
”
Bill Bryson (The Body: A Guide for Occupants)
“
A child is asleep. Her private life unwinds inside skin and skull; only as she sheds childhood, first one decade and then another, can she locate the actual, historical stream, see the setting of her dreaming private life—the nation, the city, the neighborhood, the house where the family lives—as an actual project under way, a project living people willed, and made well or failed, and are still making, herself among them. I breathed the air of history all unaware, and walked oblivious through its littered layers.
”
”
Annie Dillard (An American Childhood)
“
A thin, polished woman walks in. She sticks out immediately in her expensive looking navy dress, shiny bag and shoes that probably cost more than I make in a month. My breath leaves me when I see that her arm is draped around a younger version of herself. That hair, it's pulled back way too tight now, but I'd run my hands through it a thousand times before. That face, now in layer of makeup that makes her look older than I remember, I'd held it in my calloused hands and kissed those lips goodbye over a year ago. She said she'd never see me again and I learned to accept that. She destroyed me, and I'd moved on.
No. Not her. She's not from here anymore. I don't know who that person is anymore.
”
”
Jolene Perry (My Heart for Yours (Crawford, #1))
“
I had accepted beatings, loneliness, and near-starvation as normal because those things had helped me to survive. Now when these women undressed me, it felt like they were removing a shield that had become a part of me. As they peeled off layer after layer, I began to feel my age and started crying. With my tears I shed each fiber of responsibility I had in caring for my sisters and brother. I was finally being cared for as a child, and so the child inside me opened wide.
”
”
Jarvis Jay Masters (That Bird Has My Wings: The Autobiography of an Innocent Man on Death Row)
“
Long ago, when faeries and men still wandered the earth as brothers, the MacLeod chief fell in love with a beautiful faery woman. They had no sooner married and borne a child when she was summoned to return to her people. Husband and wife said a tearful goodbye and parted ways at Fairy Bridge, which you can still visit today. Despite the grieving chief, a celebration was held to honor the birth of the newborn boy, the next great chief of the MacLeods. In all the excitement of the celebration, the baby boy was left in his cradle and the blanket slipped off. In the cold Highland night he began to cry. The baby’s cry tore at his mother, even in another dimension, and so she went to him, wrapping him in her shawl. When the nursemaid arrived, she found the young chief in the arms of his mother, and the faery woman gave her a song she insisted must be sung to the little boy each night. The song became known as “The Dunvegan Cradle Song,” and it has been sung to little chieflings ever since. The shawl, too, she left as a gift: if the clan were ever in dire need, all they would have to do was wave the flag she’d wrapped around her son, and the faery people would come to their aid. Use the gift wisely, she instructed. The magic of the flag will work three times and no more.
As I stood there in Dunvegan Castle, gazing at the Fairy Flag beneath its layers of protective glass, it was hard to imagine the history behind it. The fabric was dated somewhere between the fourth and seventh centuries. The fibers had been analyzed and were believed to be from Syria or Rhodes. Some thought it was part of the robe of an early Christian saint. Others thought it was a part of the war banner for Harald Hardrada, king of Norway, who gave it to the clan as a gift. But there were still others who believed it had come from the shoulders of a beautiful faery maiden. And that faery blood had flowed through the MacLeod family veins ever since. Those people were the MacLeods themselves.
”
”
Signe Pike (Faery Tale: One Woman's Search for Enchantment in a Modern World)
“
She remembered that raw sensation she’d felt after previous relationships had ended. For months afterward, it had felt like she’d lost a layer of skin. If she’d felt like that after those meaningless boys, what would she feel like after breaking with Nick? She’d been so cozy in the cocoon of their relationship. She assumed she got to stay there forever.
”
”
Liane Moriarty (What Alice Forgot)
“
[...] some things are gauzed behind layers of syntax and semantics, behind days and hours, names forgotten, salvaged and shed, that simply knowing the wound exists does nothing to reveal it.
”
”
Ocean Vuong (On Earth We're Briefly Gorgeous)
“
It was true that she didn't have many friends, not of the flesh-and-blood variety, but the fact did not upset her.
It was tiring, all that smiling and sharing and speculating about the weather, and she always left a gathering, no matter how intimate, feeling depleted, as if she'd accidentally left behind some vital layers of herself she'd never get back.
--Part I: The Satchel> Chapter 1
”
”
Kate Morton (The Clockmaker's Daughter)
“
She'd make a game of it where she'd relax all the little bits of her body, starting with her fingers and toes and working in toward the center. She had to make herself limp and draw the hurt and want into a tight core inside, each time adding another layer to that core, so that if somebody came along and cut her open, they'd find inside a shining, perfect pearl, hard as any Willy Wonka jawbreaker.
”
”
Laura McHugh (The Weight of Blood)
“
Bastian’s carelessness was artificial, a façade built to keep anyone from knowing just how much he cared. She still remembered the lightning-quick way he’d changed that night in the alley, how the lazy air of entitlement had fallen away like a discarded cloak. So many layers, so much crafted, careful nonchalance. Bastian was drowning in it, but he didn’t fool her, though the weak points she’d seen were only hairline cracks in the armor he’d forged over years.
It reminded her of herself. How she’d been Night-Sister-Lore, and then poison-runner-Lore and now spy-Lore, each a new persona she’d eased into, a different shell to wear. When she thought about what might be left when all that artifice was stripped away, she came up blank. Like all the things that made her were window dressings on an empty house.
”
”
Hannah F. Whitten (The Foxglove King (The Nightshade Crown, #1))
“
To a parent, your child wasn’t just a person: your child was a place, a kind of Narnia, a vast eternal place where the present you were living in and the past you remembered and the future you longed for all existed at once. You could see it every time you looked at her: layered in her face was the baby she’d been and the child she’d become and the adult she’d grow up to be, and you saw them all simultaneously, like a 3-D image. It made your head spin. It was a place you could take refuge, if you knew how to get in. And each time you left it, each time your child passed out of your sight, you thought you might never be able to return to that place again.
”
”
Celeste Ng (Little Fires Everywhere)
“
For the first time, Draco Malfoy was fully human to her. She’d slipped
through his walls and peeled away his defensive layers of malice and
cruelty, until she reached the center of him, and there found he carried a
broken heart.
”
”
SenLinYu (Manacled)
“
I was once foolish enough to believe knowledge would clarify, but some things are so gauzed behind layers of syntax and semantics, behind days and hours, names forgotten, salvaged and shed, that simply knowing the wound exists does nothing to reveal it.
”
”
Ocean Vuong (On Earth We're Briefly Gorgeous)
“
When I walk out of the store, I feel as if I’ve shed a layer of the person I used to be, and it’s not just the sex and lingerie; I’m not just changing in the bedroom. I’m finally proudly and unapologetically wearing my own skin. The way I always should have been.
”
”
Sara Cate (Mercy (Salacious Players Club, #4))
“
Our ideal self is actually holding us back, not propelling us forward. Like our true self, the notion of the ideal self once again limits us to one ultimate self, instead of giving us room to grow and explore alongside our evolving circumstances and desires. It limits our future. Once we’ve arrived at destination Ideal Self, there isn’t anywhere else to go. To some, this might be an achievement. To me, it’s stifling. I hope that I’m not actually my ideal self now, because I want to know who else I can be, what other layers I might shed or add.
”
”
Vivek Shraya (People Change)
“
Familiar words chanted through his mind, demanding he speak them. He tried to bite his tongue. Now was hardly the time, and she'd likely laugh. Once spoken, the words would bind him to her for the rest of his life, even if she refused him, which was likely. And once she did, he could never touch another... not that he'd want to, since he hadn't almost from the moment he clapped eyes on her. Unless... what if she spoke the Binding?
Whatever she decided, the Mating Call was forever.
Despite that, he could not stop. "Become a part of me, as I become a part of you. And ever after—"
"Oh my God." She gasped. "Ice, I—"
"I promise myself to thee."
Sabelle might not want him to finish this Call, and saying it might doom him, but the taste of her still rolled around on his tongue like ambrosia. Instinct reeled, roared. No way would she stop him from trying to stake his claim and make her his.
"Ice," she implored. "My brother—"
"Is not involved here." He felt his eyes burning into her. "This is between you and me."
"But... I—I don't... He won't approve."
Bram wouldn't. That went without question. And right now, he could give a shit. But he noticed that she hadn't said she didn't want him. "What do you want? Because I know I want you, princess. Any and every way you'll let me have you."
God, her lips were right beneath his, and he needed another taste of her so badly, every cell in his body craved it. Damning caution, he layered his mouth over hers again. She was like sinking into sugar, sweet, light, tempting... addictive. He nibbled at her lips, then prowled deeper, engaging her tongue. Then deeper still, consuming as much of her as he could with a single taste. Again, the urge to claim, to mate, scraped down his instincts, clear, loud, strong. He lifted his mouth, panting over her lips. "Each day we share, I shall be honest, good and true. If this you seek, heed my call. From—"
"Stop!" She grabbed him by the sleeves of his robe. "Ice, think. If you say the rest, it's done. Even if I refuse, as long as I live, you'll be bound to me."
"I want nothing else." He stared deep into her eyes, as a feeling of rightness, inevitability settled into his gut. "From this moment on, there is no other for me but you.
”
”
Shayla Black (Possess Me at Midnight (Doomsday Brethren, #3))
“
There is so much I want to tell you, Ma. I was once foolish enough to believe knowledge would clarify, but some things are so gauzed behind layers of syntax and semantics, behind days and hours, names forgotten, salvaged and shed, that simply knowing the wound exists does nothing to reveal it
”
”
Ocean Vuong (On Earth We're Briefly Gorgeous)
“
She's shed her skins
and plasma jeans, gets around in 2K
retro gear like the frock she wears today;
a loose, white elegy to what's been lost.
Already she's flowing back into herself
the way a river flows to fill a creek bed.
But some hard layer has washed away
and left her softer, more interested.
”
”
Lisa Jacobson (The Sunlit Zone)
“
a parent, your child wasn’t just a person: your child was a place, a kind of Narnia, a vast eternal place where the present you were living and the past you remembered and the future you longed for all existed at once. You could see it every time you looked at her: layered in her face was the baby she’d been and the child she’d become and the adult she would grow up to be, and you saw them all simultaneously, like a 3-D image. It made your head spin. It was a place you could take refuge, if you knew how to get in. And each time you left it, each time your child passed out of your sight, you feared
”
”
Celeste Ng (Little Fires Everywhere)
“
The next minute he realized what had happened to him, but not before she’d caught him staring.
For a decade, I was fixated by her beauty. I wrote an entire article on the evolutionary significance of beauty as a rebuke to myself, that I, who understood the concepts so well, nevertheless could not escape the magnetic pull of one particular woman’s beauty.
She knew. With surgical precision, she had peeled back his layers of defenses, until his heart lay bare before her, all its shame and yearning exposed.
He could have lived with this if only he’d kept his secret whole and buried. But she knew. She knew.
”
”
Sherry Thomas (Beguiling the Beauty (Fitzhugh Trilogy, #1))
“
The glittery feeling. She’d named it because it felt to her as if her skin and everything beneath it briefly became shiny and jumpy and bubbly, as if glitter materialized inside her, then rose quickly through the layers of tissue that comprised her, momentarily sparkling all over the surface of her skin before dissipating into the air. Martha
”
”
Kevin Henkes (Olive's Ocean: A Newbery Honor Award Winner)
“
The snow was still drifting from the sky when we stepped out into the parking lot. The Hellcat was covered with a fine layer of the white stuff because it’d been parked there for so long. Beside me, Rimmel shivered, and I felt like an ass because she’d been out in this cold half the day and then stood in the drafty tunnel and had to wait on me.
The engine was already purring; I’d hit the electronic start as soon as it came into sight. I pulled off my varsity jacket as we walked around to the passenger side, and I draped it around her shoulders.
“Pretty soon I’m gonna have your entire wardrobe.” She smiled and pulled my coat farther around her.
“You can have whatever you want, baby.
”
”
Cambria Hebert (#Hater (Hashtag, #2))
“
No,her mother was made for the life. Patient,with a rod of steel beneath the fragile skin. Shelby wouldn't choose it, nor would she let it choose her. She'd love no one who could leave her again so horribly.
Letting the conversation flow around her, Shelby tilted back her glass. Her eyes met Alan's. It was there-that quietly brooding patience that promised to last a lifetime.She could almost feel him calmly peeling off layer after layer of whatever bits and pieces made up her personality to get to the tiny core she kept private.
You bastard.She nearly said it out loud. Certainly it reflected in her eys for he smiled at her in simple acknowledgement.The siege was definitely under way. She only hoped she had enough provisions to outlast him.
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
She’d heard those words over and again throughout her childhood, words that felt like a rap on the knuckles or a prod against the heart. You’re so sensitive, Charlotte. You feel too much, you are too much. It’s messy. A witch must be more restrained. She’d built a hundred layers of calm and coolness over the years in response. She’d worked hard to become something other than her altogether wrong self.
”
”
India Holton (The League of Gentlewomen Witches (Dangerous Damsels, #2))
“
Did she have to go to parties on her own again now? She remembered that raw sensation she’d felt after previous relationships had ended. For months afterward, it had felt like she’d lost a layer of skin. If she’d felt like that after those meaningless boys, what would she feel like after breaking with Nick? She’d been so cozy in the cocoon of their relationship. She assumed she got to stay there forever.
”
”
Liane Moriarty (What Alice Forgot)
“
The Storm Stranger by Stewart Stafford
Were I to shed forty coats,
Or forty layers of this skin,
I'd stay an intruder in myself,
At a crossroads in a storm.
Stranger in my own country,
Pariah to everything beloved,
Organ rejection by my own body,
A lantern wanderer in limbo.
All foul, cast out by my lamp,
Saving those mistreating me,
Traversing sanity's outer rings,
I turn my collar up and trudge on.
© 2024, Stewart Stafford. All rights reserved.
”
”
Stewart Stafford
“
I was once foolish enough to believe knowledge would clarify, but some things are so gauzed behind layers of syntax and semantics, behind days and hours, names forgotten, salvaged and shed, that simply knowing the wound exists does nothing to reveal it.
...When I first started writing, I hated myself for being so uncertain, about images, clauses, ideas, even the pen or journal I used. Everything I wrote began with maybe and perhaps and ended with I think or I believe.
”
”
Ocean Vuong (On Earth We're Briefly Gorgeous)
“
I was about to close in on her again when, to my confusion, she reached into her mouth. When she withdrew her hand, she was holding the top and bottom layers of her braces. Removable braces. She'd managed to keep them from the wardens. My pulse raced as I realized what she was doing. She quickly broke off the smooth rubber seal at the end of each of the wires, leaving them bare and pointed. Then she held a brace in each hand, positioning the wiry ends between her fingers so they stuck out like claws.
”
”
Bella Forrest (The Gender Game (The Gender Game, #1))
“
And then he lifted his eyes from the chair to his bed. If this was his imagination, his imagination was glorious. Margaret lay on his coverlet, stretched out full length. She still wore a corset and petticoats, but they’d been hiked up so that he could see where her garters tied at the knees. She crooked one finger at him and smiled.
“Margaret. What are you doing here?”
“I,” she said, “have been procuring my future.”
His mind went blank. He didn’t know how to take it. She’d decided to have him, after all. She’d realized she didn’t need him, not one bit. His head pounded. His heart swelled in a mix of hope and despair.
“I want you.”
Hope. Hope. It was all hope. He took a careful step towards her.
“Wait. There’s a condition.”
“You know,” Ash said, his throat closing, “that if you are half-naked on my bed, all conditions will be met. Instantly.”
“Ah, but this is one of the conditions I did not deliver to Lord Lacy-Follett earlier today.”
If he’d been overwhelmed by her appearance before, he was stunned now. “You talked to Lacy-Follett? You cannot be serious.”
“Oh, but I am. I had to renegotiate, after I’d heard what you had done. I had been so blinded by my loyalty to my brothers that I could not see that I owed loyalty to you, as well. I was wrong. I love you, Ash.”
He swallowed.
She smiled up at him. “I love that you make me feel as if I’m the only woman in the world. I love that you’ll always be there for me.” She sat up on the bed, and her petticoats fell, so that only her toes peeked out at him from underneath those layers of fabric. “I want to paint my own canvas, Ash. And I want you on it with me.”
Delicately, she stretched out one leg. Her foot flexed, and then her toes found the floor. He was helpless. Just seeing her push to her feet got him hard. And seeing her in his room—on his bed—made every part of him reverberate with the rightness of it.
”
”
Courtney Milan
“
Kings of a bakery? The very suggestion was laughable. How easy it was to assume that elsewhere was infinitely better than where you stood. Sometimes at night, she dreamed of the TEXAS, U.S.A. magazine advertisement, envisioning a land with row upon row of fat loaves laden with jeweled fruits; bread cubes sodden with thick lamb stew; sugar-dusted sweet breads, ginger-spiced cookies, and fat wedges of chocolate cake soaked in Kirschwasser. She’d awake with cold drool down her chin. Regardless of the family’s lack of resources, one of Papa’s famous Black Forest cakes had miraculously prevailed. Dressed in a layer of bittersweet chocolate shavings
”
”
Sarah McCoy (The Baker's Daughter)
“
To a parent, your child wasn’t just a person: your child was a place, a kind of Narnia, a vast eternal place where the present you were living and the past you remembered and the future you longed for all existed at once. You could see it every time you looked at her: layered in her face was the baby she’d been and the child she’d become and the adult she would grow up to be, and you saw them all simultaneously, like a 3-D image. It made your head spin. It was a place you could take refuge, if you knew how to get in. And each time you left it, each time your child passed out of your sight, you feared you might never be able to return to that place
”
”
Celeste Ng (Little Fires Everywhere)
“
To a parent, your child wasn’t just a person: your child was a place, a kind of Narnia, a vast eternal place where the present you were living and the past you remembered and the future you longed for all existed at once. You could see it every time you looked at her: layered in her face was the baby she’d been and the child she’d become and the adult she would grow up to be, and you saw them all simultaneously, like a 3-D image. It made your head spin. It was a place you could take refuge, if you knew how to get in. And each time you left it, each time your child passed out of your sight, you feared you might never be able to return to that place again. Early,
”
”
Celeste Ng (Little Fires Everywhere)
“
When she did, her mouth fell open. The vivid glamour of the world outside paled in comparison to the world within. It was a palace of vaulting glass and shimmering tapestry and, woven through it all like light, magic. The air was alive with it. Not the secret, seductive magic of the stone, but a loud, bright, encompassing thing. Kell had told Lila that magic was like an extra sense, layered on top of sight and smell and taste, and now she understood. It was everywhere. In everything. And it was intoxicating. She could not tell if the energy was coming from the hundreds of bodies in the room, or from the room itself, which certainly reflected it. Amplified it like sound in an echoing chamber. And it was strangely—impossibly—familiar. Beneath the magic, or perhaps because of it, the space itself was alive with color and light. She’d never set foot inside St. James, but it couldn’t possibly have compared to the splendor of this. Nothing in her London could. Her world felt truly grey by comparison, bleak and empty in a way that made Lila want to kiss the stone for freeing her from it, for bringing her here, to this glittering jewel of a place. Everywhere she looked, she saw wealth. Her fingers itched, and she resisted the urge to start picking pockets, reminding herself that the cargo in her own was too precious to risk being caught. The
”
”
Victoria E. Schwab (A Darker Shade of Magic (Shades of Magic, #1))
“
No one charged you with being my savior,” Camille’s voice shook, the confrontation not something she really wanted.
“No one had to charge me with it. I made the decision on my own the night the Christina went down.” Oscar sealed his lips as if he’d let something slip he hadn’t intended.
“What are you talking about?” she asked, her boots slipping once on the moss. He avoided her by looking out at the stream. He took a few moments to answer, and when he did he still didn’t meet her stare.
“Do you remember when you woke up on the Londoner? When you asked me if I’d seen your father?”
Camille nodded, and hoped their argument was over. “You said you didn’t see him.”
He shook his head. “I lied. I did see him in the water. He was trying to stay above the surface after I got ahold of the dory.”
It was as though freezing shocks of ocean water were striking Camille in the face all over again. She jumped from the rock, the hem of her skirt nearly tripping her.
“Did you row to him? Did you try and save him?”
He shook his head again. “No.”
“Why not?” she screeched. “Oscar, how could you not help him?” She couldn’t blink. She couldn’t do anything but stare at him in disbelief. He’d abandoned her father, the man who had given him everything.
“Because I spotted you,” he answered, hardly loud enough for her to hear. “I saw you in the waves and I chose to row to you.”
She loosened her fists, stunned.
Oscar sat down on the rock, the toes of his scuffed leather boots buried in the dry layer of pine needles.
“I tried to go back for him,” he said, kicking at the needles, “but by the time I pulled you out of the water and looked back, he was gone.”
She couldn’t move, could barely breathe. If she’d only held on to her father’s hand. Oscar would have been able to save them both.
“If there had just been a way to get to the both of you,” he said.
Camille sat on the rock beside him, laying a tentative hand on his arm. “You’re the most capable man I know, Oscar. If there had been a way, you’d have found it.”
She pressed her hand against his solid arm, the flaxen hairs covering his skin coarse against her fingertips. She wanted to soothe him more, reassure him like he always did her.
”
”
Angie Frazier (Everlasting (Everlasting, #1))
“
There is so much I want to tell you, Ma. I was once foolish enough to believe knowledge would clarify, but some things are so gauzed behind layers of syntax and semantics, behind days and hours, names forgotten, salvaged and shed, that simply knowing the wound exists does nothing to reveal it...
When I first started writing, I hated myself for being so uncertain, about images, clauses, ideas, even the pen or journal I used. Everything I wrote began with maybe and perhaps and ended with I think or I believe. But my doubt is everywhere, Ma. Even when I know something to be true as bone I fear the knowledge will dissolve, will not, despite my writing, feel real. I'm breaking us apart again so I could carry us somewhere else--where exactly I'm not sure.
”
”
Ocean Vuong (On Earth We're Briefly Gorgeous)
“
She canted her wings and soared toward the top of it, where she could see a never-ending line of trees tossing violently in the wind. The hurricane made one more effort to throw her back into the sea, but she fought with her last reserves until she felt earth beneath her talons. She collapsed forward, clutching the wet soil for a moment, grateful to be alive. Keep going. They’re not safe yet. Clearsight pushed herself up and faced the trees. They were coming. The first two dragons she would meet in this strange new world. What would it be like to face unfamiliar tribes, completely different from the ones she knew? There wouldn’t be any NightWings like her here. No sand dragons, no sea dragons, no ice dragons. She’d glimpsed what these new dragons would look like, but she didn’t know anything yet about their tribes . . . or whether they would trust her. They stepped out of the trees, eyeing her with wary curiosity. Oh, they’re beautiful, she thought. One was dark forest green, the color of the trees all around them. His wings curved gracefully like long leaves on either side of him, and mahogany-brown underscales glinted from his chest. But it was the other who took Clearsight’s breath away. His scales were iridescent gold layered over metallic rose and blue, shimmering through the rain. He outshone even the RainWings she’d occasionally seen in the marketplace, and those were the most beautiful dragons in Pyrrhia. Not only that, but his wings were startlingly weird. There were four of them instead of two; a second pair at the back overlapped the front ones, tilting and dipping at slightly different angles from the first pair to give the dragon extra agility in the air. Like dragonflies, she realized, remembering the delicate insects darting across the ponds in the mountain meadows. Or butterflies, or beetles. She sat up and spread her front talons to show that she was harmless. “Hello,” she said in her very least threatening voice. The green one circled her slowly. The iridescent one sat down and gave her a small smile. She smiled back, although her heart was pounding. She knew she had to wait for them to make the first move. “Leefromichou?” said the green dragon finally, in a deep, calm voice. “Wayroot?” Take a breath. You knew it would be like this at first. “My name is Clearsight,” she said, touching her forehead. “I am from far over the sea.” She pointed at the churning ocean stretching way off to the east behind her. “Anyone speak Dragon?
”
”
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))
“
Mergan no longer felt close to her husband. Her attraction to him had faded long ago, and now only habit remained. Lately, even the habit was becoming weaker and weaker … and soon, it seemed, it would be gone altogether. All of the visible and the hidden things that bind a husband and wife together no longer existed between Mergan and Soluch. They shared neither their work nor their intimate lives. Without work there’s no pleasure, and without pleasure, no love. Without love, there’s no speaking, and without speaking, there is no shouting and arguing, no laughter and joy. Both the heart and the tongue grow old, breath dies on the lips. The face loses life when devoid of light in the eyes. Hands grow idle from boredom, and the shovel and hoe and spade and scythe lie unused in the empty shed, hidden under a heavy layer of dust.
”
”
Mahmoud Dowlatabadi (Missing Soluch)
“
Enormous hydrangeas with vibrant pink sponge-like blooms, rhododendrons and impatiens, tall spears of flowering oyster plants jostled together with Jurassic-looking philodendron leaves and tree ferns, a mixed bag all tied by a wild creeper with bell-shaped blue flowers. The damp smell of the garden reminded Jess of places she'd visited in Cornwall, like St. Just in Roseland, where fertile ground spoke of layers of different generations, civilizations past.
At last, beyond the tangled greenery, Jess glimpsed the jutting white chimneys of a large roof. She realized she was holding her breath. She turned a final corner, just like Daniel Miller had done on his way to meet Nora, and there it was. Grand and magnificent, yet even from a distance she could see that the house was in a state of disrepair. It was perched upon a stone plinth that rose about a meter off the ground. A clinging ficus with tiny leaves had grown to cover most of the stones and moss stained the rest, so that the house appeared to sit upon an ocean of greenery. Jess was reminded of the houses in fairy tales, hidden and then forgotten, ignored by the human world only to be reclaimed by nature.
Protruding from one corner of the plinth was a lion's head, its mouth open to reveal a void from which a stream of spring water must once have flowed. On the ground beneath sat a stone bowl, half-filled with stale rainwater. As Jess watched, a blue-breasted fairy wren flew down to perch upon the edge of the bowl; after observing Jess for a moment, the little bird made a graceful dive across the surface of the water, skimming himself clean before disappearing once more into the folds of the garden.
”
”
Kate Morton (Homecoming)
“
The Core It can take a whole lifetime to become yourself — years of feeling adrift and alone acting in a role you were never meant to play stammering in a language you weren’t meant to speak wearing clothes that don’t fit trying to pass yourself off as normal but always feeling clumsy and unnatural like a stranger pretending to be at home knowing that everyone can sense your strangeness and resents you because they know you don’t belong. But slowly, through years of exploration, you see landmarks that you recognize hear vague whispers that seem to make sense strangely familiar words, as if you had spoken them yourself, and ideas that resonate deep down, as if you already knew them. And slowly your confidence grows and you walk faster, sensing the right direction, feeling the magnetic pull of home. And now you begin to excavate to peel away the layers of conditioning to shed the skins of your flimsy false self to discard those habits and desires that you absorbed until you reach the solid rock beneath the shining molten core of you. And now there’s no more uncertainty — your path is clear, your course is fixed. This bedrock of your being is so firm and stable that there’s no need for acceptance no fear of exclusion or ridicule. Everything you do is right and true deep and whole with authenticity. But don’t stop. This is only the halfway point — maybe even just the beginning. Once you’ve reached the core keep exploring but more subtly keep excavating but more delicately and you’ll keep unearthing new layers, finding new depths, until you reach the point that is no point where the core dissolves and the solid rock melts like ice and the self loses its boundary and expands to encompass the whole. A self even stronger and truer because it’s no self at all. A self you had to find so that you could lose it.
”
”
Steve Taylor (The Calm Center: Reflections and Meditations for Spiritual Awakening (An Eckhart Tolle Edition))
“
Through the dimness she could just make him out, stretched on his back, his arms crossed behind his head. He might have been silent, but he hadn't been asleep. She could feel his frown as he looked at her.
"What are you doing?"
"Moving closer to you." Dropping her gowns, she shook out her cloak and laid it next to his.
"Why?"
"Mice."
He let a heartbeat pass, then asked, carefully, "You're afraid of mice?"
She nodded. "Rodents. I don't discriminate." Swinging around, she sat on her cloak, then picked up her gowns and wriggled back and closer to him. "If I'm next to you, then either they'll give us both a wide berth, or if they decide to take a nibble, there's at least an even chance they'll nibble you first."
His chest shook. He was struggling not to laugh. But at least he was trying.
"Besides," she said, lying down and snuggling under her massed gowns, "I'm cold."
A moment ticked past, then he sighed.
He shifted in the hay beside her. She didn't know what he did, but suddenly she was sliding the last inches down a slope that hadn't been there before. She fetched up against him, against his side-hard, muscled, and wonderfully warm.
Her senses leapt greedily, pleasantly shocked, delightedly surprised; she caught her breath and slapped them down. Desperately; this was Breckenridge-this was definitely not the time.
His arm shifted and came around her, cradling her shoulders and gathering her against him.
"This doesn't mean anything." The whispered words drifted down to her.
Comfort, safety, warmth-it meant all those things.
"I know," she murmured back. Her senses weren't listening. Her body now lay alongside his. Her breast brushed his side; through various layers her thighs grazed his. Her heartbeat deepened, sped up a little, too. Yet despite the sensual awareness, she could feel reassurance along with his warmth stealing through her, relaxing her tensed muscles bit by bit as, greatly daring, she settled her cheek on his chest.
This doesn't mean anything. She knew what he meant. This was just for now, for this strange moment out of their usual lives in which he and she were just two people finding ways to weather a difficult situation.
She quieted. Listened.
The sound of his heartbeat, steady and sure, blocked out any rustlings.
Thinking of the strange moment, of what made it so, she murmured, "We're fugitives, aren't we?"
"Yes."
"In a strange country, one not really our own, with no way to prove who we are."
"Yes."
"And a stranger, a very likely dangerous highlander, is pursuing us."
"Hmm."
She should feel frightened. She should be seriously worried. Instead, she closed her eyes, and with her cheek pillowed on Breckenridge's chest, his arm like warm steel around her, smoothly and serenely fell asleep.
Breckenridge held her against him, and through senses far more attuned than he wished, followed the incremental falling away of her tension...until she slept.
Softly, silently, in his arms, with the gentle huff of her breathing ruffling his senses, the seductive weight of her slender body stretched out against his the subtlest of tortures.
Why had he done it? She might have slept close to him, but she would never have pushed to sleep in his arms. That had been entirely his doing, and he hadn't even stopped to think.
What worried him most was that even if he had thought, had reasoned and debated, the result would have been the same.
When it came to her, whatever the situation, there never was any question, no doubt in his mind as to what he should do.
Her protection, her safety-caring for her. From the first instant he'd laid eyes on her four years ago, that had been his mind's fixation. Its decision. Nothing he'd done, nothing she'd done, had ever succeeded in altering that.
But as to the why of that, the reason behind it...even now he didn't, was quite certain and absolutely sure he didn't, need to consciously know.
”
”
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
“
What do you remember most about what your pai put in his lamb chops?"
"I think it was basically salt, pepper, and garlic." He squeezed his eyes shut and focused so hard that not dropping a kiss on his earnestly pursed mouth was the hardest thing. His eyes opened, bright with memory. "Of course. Mint."
"That's perfect. Since we're only allowed only five tools, simple is good."
"My mãe always made rice and potatoes with it. How about we make lamb chops and a biryani-style pilaf?"
Ashna blinked. Since when was Rico such a foodie?
He shrugged but his lips tugged to one side in his crooked smile. "What? I live in London. Of course Indian is my favorite cuisine."
Tossing an onion at him, she asked him to start chopping, and put the rice to boil.
Then she turned to the lamb chops. The automatic reflex to follow Baba's recipe to within an inch of its life rolled through her. But when she ignored it, the need to hyperventilate didn't follow. Next to her Rico was fully tuned in to her body language, dividing his focus between following the instructions she threw out and the job at hand.
As he'd talked about his father's chops, she'd imagined exactly how she wanted them to taste. An overtone of garlic and lemon and an undertone of mint. The rice would be simple, in keeping with the Brazilian tradition, but she'd liven it up with fried onions, cashew nuts, whole black cardamom, cloves, bay leaves, and cinnamon stick. All she wanted was to create something that tasted like Rico's childhood, combined with their future together, and it felt like she was flying.
Just like with her teas, she knew exactly what she wanted to taste and she knew exactly how to layer ingredients to coax out those flavors, those feelings. It was her and that alchemy and Rico's hands flying to follow instructions and help her make it happen.
"There's another thing we have to make," she said. Rico raised a brow as he stirred rice into the spice-infused butter. "I want to make tea. A festive chai."
He smiled at her, heat intensifying his eyes.
Really? Talking about tea turned him on? Wasn't the universe just full of good news today.
”
”
Sonali Dev (Recipe for Persuasion (The Rajes, #2))
“
Dear Polar Night,
It seems like the darkness will never shed any light. It is like the night skies have layers of darkness when it comes to Kace and me. I mean, the sun isn’t rising at all in our life. The darkness has a way of making things difficult for us. We are supposed to sleep during the dark, but we are always awake because we have to always be on the lookout. Will the midnight sun rise? We will accept part of the sun disk. Just a little bit will be okay with us. They will be just enough light for us to see what’s next on our life’s path. However, selfishly we do not have a sunset or sunrise in our life. The clouds and the fog keep the sun isolated—how long do you think Kace and I will be able to endure such treatment? I hope one day the polar night will run its course, and the white nights will shed more than 24 hours of light. I know the sun will not be visible—that is okay. We will accept the white nights if we cannot have the sun. We would be more than happy to take whatever light is offered.
Wishing on Pinwheels and Dandelions until the break of dawn.
”
”
Charlena E. Jackson (Pinwheels and Dandelions)
“
Phoebe entered the room and stopped with a head-to-toe quiver, like an arrow striking a target, at the sight of a half-naked West Ravenel. He was facing away from her, standing barefoot at an old-fashioned washstand as he blotted his neck and chest with a length of toweling. The robe had been tossed to a chair, leaving him dressed only in a pair of trousers that rode dangerously low on his hips.
Henry had always seemed so much smaller without his clothes, vulnerable without the protection of civilized layers. But this man, all rippling muscle and bronzed skin and coiled energy, appeared twice as large. The room scarcely seemed able to contain him. He was big-boned and lean, his back flexing as he lifted a goblet of water and drank thirstily. Phoebe's helpless gaze followed the long groove of his spine down to his hips. The loose edge of a pair of fawn-colored trousers, untethered by braces, dipped low enough to reveal a shocking absence of undergarments. How could a gentleman go without wearing drawers? It was the most indecent thing she'd ever seen. The inside of her head was scalded by her own thoughts.
”
”
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
“
Her sword weighed heavily in her hand. She stared at the polished blade, wondering if its reflection would be the last sight she ever caught of herself. Would she die as Ping, the Fa son she'd made up so she could join the army in her father's place? If she died here, in the middle of this snow-covered mountain pass, she'd never see her father or her family again.
Mulan swallowed hard. Who would believe that only a few months ago, her biggest concern had been impressing the Matchmaker? She could barely remember the girl she'd been back then. She'd worn layer upon layer of silk, not plates of armor, her waist cinched tightly with a satin sash instead of sore from carrying a belt of weapons. Her lips had been painted with rouge instead of chapped from cold and lack of water, her lashes highlighted with coal that she now could only dream of using to fuel a fire for warmth.
How far she'd come from that girl to who she was now: a soldier in the Imperial army.
Maybe serving her country as a warrior was truer to her heart than being a bride. Yet when she saw her reflection in her sword, she knew she was still pretending to be someone else.
”
”
Elizabeth Lim (Reflection)
“
She looked up to see a knob of canary-yellow butter being carried towards her in a glass-lidded container.
'All this butter just for me, when there's a national shortage...'
Hearing Rika mumbling these words, the maitre d' smiled and lifted the lid of the dish.
'This butter had been flown in especially from overseas. Pleas help yourself to as much as you'd like.'
Confronted with an overwhelming selection of different kinds of bread on the trolley, Rika chose the simplest option she could see--- a piece of baguette. Once again, she thought that she should have come with Reiko. Reiko would have told her which to choose. Rika spread a thick layer of butter on the bread. The butter, of a firmness that would break apart slowly on the tongue, went sinking into the crumb of the baguette. That alone was enough to make Rika glad she'd come.
The next course to be served was a chilled dish of avocado and snow crab stacked delicately like layer cake, topped with a generous helping of caviar. The acidity of the pomegranate seeds that exploded juicily in her mouth accentuated the creamy richness of the avocado and the sweetness of the crab flesh. Their unabashed scarlet hue brought the color palette of the whole plate to life. Chased by the champagne, the taste of the crab and the caviar expanded like light suffusing her mouth.
”
”
Asako Yuzuki (Butter)
“
He reached up for his elegant neck cloth and began to unfasten it, and she watched his long, pale, bejeweled fingers in something of a daze.
He pulled the cloth free, his shirt coming open, and she averted her gaze from the disturbing sight of his bare chest. She heard his laugh, and then his hands were on her once more, catching her shoulders and turning her around. "Don't worry, my pet. You won't be seeing anything that might shock you." And he pulled the neck cloth over her eyes, effectively blinding her.
She wanted to fight back, to struggle, but that would give him an excuse to touch her further, and the less she felt the brush of his cool fingers the better. "That's right," he said, his voice soft and approving. "Now give me your arm and we'll give you a taste of damnation."
"Do you really find blasphemy that entertaining?" she said, trying not to start when he took her hand and placed it on his arm.
"Always."
She'd never put her hand on any arm that wasn't covered by layers of clothing, including a coat. The devil who oversaw these revels, be he Monsieur le Comte or something else, wore only a thin shirt made of the finest lawn. In her sudden world of darkness she was acutely aware of the feel of his arm beneath her fingers. The sinew and bone. The unexpected warmth of his skin, when his hands and his heart were so cold.
”
”
Anne Stuart (Ruthless (The House of Rohan, #1))
“
Chicken Francese, or lamb chops, or plump spinach gnocchi that she'd roll out by hand and drop into boiling salt water. When her brothers came home for the holidays, she'd spend days in the kitchen, preparing airy latkes and sweet and sour brisket; roast turkey with chestnut stuffing; elaborately iced layer cakes. She'd stay in the kitchen for hours, cooking dish after dish, hoping that all the food would somehow conceal their father's absence; hoping that the meals would take the taste of grief out of their mouths.
"After my father died, I think cooking saved me. It was the only thing that made me happy. Everything else felt so out of control. But if I followed a recipe, if I used the right amounts of the right ingredients and did everything I was supposed to do..."
She tried to explain it- how repetitive motions of peeling and chopping felt like a meditation, the comfort of knowing that flour and yeast, oil and salt, combined in the correct proportions, would always yield a loaf of bread; the way that making a shopping list could refocus her mind, and how much she enjoyed the smells of fresh rosemary, of roasting chicken or baking cookies, the velvety feel of a ball of dough at the precise moment when it reached its proper elasticity and could be put into an oiled bowl, under a clean cloth, to rise in a warm spot in the kitchen, the same step that her mother's mother's mother would have followed to make the same kind of bread. She liked to watch popovers rising to lofty heights in the oven's heat, blooming out of their tins. She liked the sound of a hearty soup or grain-thickened stew, simmering gently on a low flame, the look of a beautifully set table, with place cards and candles and fine china. All of it pleased her.
”
”
Jennifer Weiner (That Summer)
“
I hopped in the car and headed toward the ranch. I almost fell asleep at the wheel. Twice.
Marlboro Man met me at the road that led to his parents’ house, and I followed him down five miles of graveled darkness. When we pulled into the paved drive, I saw the figure of his mother through the kitchen window. She was sipping coffee. My stomach gurgled. I should have eaten something. A croissant, back at my parents’ house. A bowl of Grape-Nuts, maybe. Heck, a Twinkie at QuikTrip would have been nice. My stomach was in knots.
When I exited the car, Marlboro Man was there. Shielded by the dark of the morning, we were free to greet each other not only with a close, romantic hug but also a soft, sweet kiss. I was glad I’d remembered to brush my teeth.
“You made it,” he said, smiling and rubbing my lower back.
“Yep,” I replied, concealing a yawn. “And I got a five-mile run in before I came. I feel awesome.”
“Uh-huh,” he said, taking my hand and heading toward the house. “I sure wish I were a morning person like you.”
When we walked into the house, his parents were standing in the foyer.
“Hey!” his dad said with a gravelly voice the likes of which I’d never heard before. Marlboro Man came by it honestly.
“Hello,” his mom said warmly. They were there to welcome me. Their house smelled deliciously like leather.
“Hi,” I said. “I’m Ree.” I reached out and shook their hands.
“You sure look nice this morning,” his mom remarked. She looked comfortable, as if she’d rolled out of bed and thrown on the first thing she’d found. She looked natural, like she hadn’t set her alarm for 3:40 A.M. so she could be sure to get on all nine layers of mascara. She was wearing tennis shoes. She looked at ease. She looked beautiful. My palms felt clammy.
“She always looks nice,” Marlboro Man said to his mom, touching my back lightly. I wished I hadn’t curled my hair. That was a little over-the-top. That, and the charcoal eyeliner. And the raspberry shimmer lip gloss.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
As she explained to her students, patients often awoke from very bad illnesses or cardiac arrests, talking about how they had been floating over their bodies. “Mm-hmmm,” Norma would reply, sometimes thinking, Yeah, yeah, I know, you were on the ceiling. Such stories were recounted so frequently that they hardly jolted medical personnel. Norma at the time had mostly chalked it up to some kind of drug reaction or brain malfunction, something like that. “No, really,” said a woman who’d recently come out of a coma. “I can prove it.” The woman had been in a car accident and been pronounced dead on arrival when she was brought into the emergency room. Medical students and interns had begun working on her and managed to get her heartbeat going, but then she had coded again. They’d kept on trying, jump-starting her heart again, this time stabilizing it. She’d remained in a coma for months, unresponsive. Then one day she awoke, talking about the brilliant light and how she remembered floating over her body. Norma thought she could have been dreaming about all kinds of things in those months when she was unconscious. But the woman told them she had obsessive-compulsive disorder and had a habit of memorizing numbers. While she was floating above her body, she had read the serial number on top of the respirator machine. And she remembered it. Norma looked at the machine. It was big and clunky, and this one stood about seven feet high. There was no way to see on top of the machine without a stepladder. “Okay, what’s the number?” Another nurse took out a piece of paper to jot it down. The woman rattled off twelve digits. A few days later, the nurses called maintenance to take the ventilator machine out of the room. The woman had recovered so well, she no longer needed it. When the worker arrived, the nurses asked if he wouldn’t mind climbing to the top to see if there was a serial number up there. He gave them a puzzled look and grabbed his ladder. When he made it up there, he told them that indeed there was a serial number. The nurses looked at each other. Could he read it to them? Norma watched him brush off a layer of dust to get a better look. He read the number. It was twelve digits long: the exact number that the woman had recited. The professor would later come to find out that her patient’s story was not unique. One of Norma’s colleagues at the University of Virginia Medical Center at the time, Dr. Raymond Moody, had published a book in 1975 called Life After Life, for which he had conducted the first large-scale study of people who had been declared clinically dead and been revived, interviewing 150 people from across the country. Some had been gone for as long as twenty minutes with no brain waves or pulse. In her lectures, Norma sometimes shared pieces of his research with her own students. Since Moody had begun looking into the near-death experiences, researchers from around the world had collected data on thousands and thousands of people who had gone through them—children, the blind, and people of all belief systems and cultures—publishing the findings in medical and research journals and books. Still, no one has been able to definitively account for the common experience all of Moody’s interviewees described. The inevitable question always followed: Is there life after death? Everyone had to answer that question based on his or her own beliefs, the professor said. For some of her students, that absence of scientific evidence of an afterlife did little to change their feelings about their faith. For others,
”
”
Erika Hayasaki (The Death Class: A True Story About Life)
“
Milly went to work on her piecrust. After she'd rolled out the bottom layer and then the top one, she moved on to the kidney beans. She didn't know that the beans had to be soaked in warm water overnight and then cooked for several hours otherwise they'd upset the digestive tract- 'to the point of tears,' Milly would read later in the cookbook. She plucked a sprig of thyme from her herb box on the windowsill and dropped it, along with the beans, into the pie.
'Poor things,' she said to her herbs, stroking their leaves, which were soft as feathers.
”
”
Rebecca Rasmussen (The Bird Sisters)
“
She'd heard once that what made you a real New Yorker was when you could remember back three layers - the place on the corner that had been a bakery and then a barbershop before it was a cell-phone store, or the restaurant that had been Italian, then Mexican, then Cuban. The city was a palimpsest, a Mod Podged pileup of old signage and other people's failures. Newcomers saw only what was in front of them, but people who had been there long enough were always looking at two or three other places simultaneously. The IRT, Canal Jeans, the Limelight. So much of the city she'd fallen in love with was gone, but then again, that's how it worked. It was your job to remember. At least the bridges were still there. Some things were too heavy to take down.
”
”
Emma Straub (Modern Lovers)
“
She thought suddenly of those moments at the restaurant, after the dinner rush had ended and things were quiet, when Bebe sometimes rested her elbows on the counter and drifted away. Mia understood exactly where she drifted to. To a parent, your child wasn't just a person: your child was a place, a kind of Narnia, a vast eternal place where the present you were living and the past you remembered and the future you longed for all existed at once. You could see it every time you looked at her: layered in her face was the baby she'd been and the child she'd become and the adult she would grow up to be, and you saw them all simultaneously, like a 3-D image. It made your head spin. It was a place you could take refuge, if you knew how to get in. And each time you left it, each time your child passed out of your sight, you feared you might never be able to return to that place again.
”
”
Celeste Ng (Little Fires Everywhere)
“
There’s a note in there,” Paolo said, gesturing at the bundle. “I’m sure he’d rather you hear from him, not me.” He bowed slightly, his inky black hair falling forward to obscure part of his face. “Buona notte, Signorina Cassandra.” With that, he turned away, disappearing into the darkness in just a few long strides.
Cass re-bolted the door. Her heart was still beating hard. She looked down at the wrapped square. It was about two feet by two feet and as thick as her wrist. Lighting a candle, she laid the bundle on the long wobbly table where the servants prepared food for the villa and took their own meals. She held her breath as she tugged at the coarse twine wrapped around the package.
The muslin unfolded in layers, revealing a canvas beneath. A folded scrap of parchment fluttered to the kitchen floor. Cass barely noticed it.
She was too busy staring at the painting.
There she was on the divan in Tommaso’s studio. Just a couple of weeks had elapsed between now and then, but already it felt like years, like the dream of a different lifetime. Falco had captured her tiniest quirks on the canvas: the smattering of freckles across her cheeks, the unruly piece of hair behind her left ear that worked its way out of any arrangement. And her smile--Cass almost couldn’t believe it was real. She looked radiant, like she was experiencing true happiness for the first time.
She remembered Falco’s soft touches as he posed her, how delirious she’d been each time his fingers grazed her skin. She remembered how excited she was at being alone with him, the endless possibilities, the countless dangers. Cass wished she could dive into the painting and go back to that night where she had felt love for the first time.
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
Cass didn’t fight it when Falco leaned in and kissed her. She didn’t resist as he tipped her gently backward and laid her down on the wooden bottom of the batèla. Just be who you are. Easy to say, but so difficult to do. Falco unfolded a blanket over her. “So you don’t get cold,” he said.
“What’s going to keep you warm?” Cass asked softly, reaching up to tousle his hair.
Falco laughed. “Trust me, I’m plenty warm.”
“Prove it,” Cass said, pulling him down to her level.
She pressed her lips to his, surprised at her own bravery, emboldened by the way his body responded to hers. They fell back deeper into the boat, its creaky wooden sides offering privacy in the already-dark night. He kissed her harder, his tongue exploring her lips and mouth in soft circles. The small boat rocked underneath her, swaying with the gentle current of the canal. The weight of his chest pressed down on her rib cage, her hip bones pressed against his, even through the many layers of garments she wore. She felt a rush of warmth, a heat that made her forget everything else that had been bothering her. It was like she had slipped outside of her skin, and that only her soul, her essence, lay in the boat with Falco.
As Falco traced her hairline with his lips, he reached behind her back and loosened the ties of her bodice. He stroked the bare skin of her upper back. Cass couldn’t believe how warm his hands felt. She let her own hands wander beneath the hem of his shirt. Her fingers traced his muscles--first the stomach and then the chest. His pounding heartbeat accelerated as they kissed. Her own blood raced through her veins, trying to keep up. Again Cass thought of the way the body was a single thing, yet was made up of so many different parts all working together. She could barely believe this was happening. She felt like a stranger, a wild, impulsive stranger.
“Cassandra,” Falco murmured. He reached up and twisted all her hair into one of his hands, pulling it slightly as he held it behind her head. His lips made their way across her cheek and her jaw and her brow bone. His other hand caressed her left leg through her cotton stocking. His fingers followed the repeating diamond pattern embossed into her leather garter and then stroked the soft skin just above it.
Cass felt transported by his touch, his soft voice, and the mist rising off the canals. Everything felt otherworldly. It was a dream or a hallucination. Any moment now she’d wake up tucked beneath her covers with Slipper snuggled against her chest.
Just let go.
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
No1 stared into his captor’s eyes. ‘I said, I want to talk to Qweffor.’ Abbot heard him that time, because the voice wasn’t No1’s. It was a voice of pure magic, layered with undeniable power. Abbot blinked. ‘I’ll… eh… see if he’s in.’ It was too late for compliance: No1 wasn’t about to rein in his power now. He sent a magical probe into Abbot’s brain via the horns. The horns glowed bright blue and then began shedding large brittle flakes. ‘Careful with the horns,’ said Abbot blearily, then his eyes rolled back in his head. ‘The ladies love the horns.’ No1 rooted round in Abbot’s head for a while until he found Qweffor sleeping in a dark corner, in a place scientists would call the limbic system. The problem, realized No1, is that there is only room in every head for one consciousness. Abbot needs to go somewhere else. And so, with this instinctive knowledge and absolutely no expertise, No1 fed Qweffor’s consciousness until it expanded, occupying the entire brain. It was not a perfect fit, and poor Qweffor would suffer from twitches and sudden loss of bowel control at public functions, a syndrome which would become known as Abbot’s Revenge. But at least he was in control of a body, most of the time. After several years and three hearings, fairy warlocks would manage to rehouse Abbot’s consciousness in a lower life form. A guinea pig, to be precise. The guinea pig’s own consciousness was soon subjugated by Abbot’s. Warlock interns would often amuse themselves by throwing tiny swords into the pig’s pen, and crack up watching the little piggy trying to pick them up.
”
”
Eoin Colfer (The Lost Colony (Artemis Fowl, #5))
“
Jane leaned her head against a rough bit of brickwork. She couldn’t say that she hadn’t been warned. She’d known what Jack was before they began working together.
But she hadn’t known all the other things he was: the kindness, the fundamental decency of him. Beneath the layer of deliberate devil-may-care, his moral code was as stern as hers, and he was, she realized, a great deal better at seeing to the needs of others.
She tried to remember the frustrating bits, the moments when they had clashed. But all she could remember was Jack adapting to her change of plans. Jack taking charge when her plan had failed. Jack challenging her, making her think more carefully, and then, when she’d charted their course, covering her back without question. Caring for her.
When she was with him, she felt the weight of being the Pink Carnation lift off her shoulders. She didn’t have to be perfect. She didn’t have to have all the answers. Because Jack was there with her.
”
”
Lauren Willig (The Lure of the Moonflower (Pink Carnation, #12))
“
Easy.” She heard him laugh softly. “My fault. I shouldn’t have kissed you like that.” “You’re right,” she said, her sense of humor tentatively reasserting itself. “I should give you a set-down . . . slap you or something . . . what is the usual response from ladies you’ve taken liberties with?” “They encourage me to do it again?” Harry suggested in such a helpful manner that Poppy couldn’t help smiling. “No,” she said. “I’m not going to encourage you.” They faced each other in darkness relieved only by the slivers of light shed by upper-floor windows. How capricious life was, Poppy thought. She should have been dancing with Michael tonight. But now she was Michael’s castoff, and she was standing outside the ballroom, in the shadows with a stranger. Interesting, that she could be so in love with one man and yet find another so compelling. But Harry Rutledge was one of the most fascinating people she had ever met, with so many layers of charm and drive and ruthlessness that she couldn’t fathom what kind of man he really was. She wondered what he was like in his private moments. She was almost sorry she would never find out. “Give me a penance,” Harry urged. “I’ll do whatever you ask.” As their gazes caught and held in the shadows, Poppy realized that he actually meant it. “How large a penance?” she asked. Harry tilted his head a little, studying her intently. “Ask for anything.” “What if I wanted a castle?” “Done,” he said promptly. “Actually, I don’t want a castle. Too drafty. What about a diamond tiara?” “Certainly. A modest one suitable for daytime wear, or something more elaborate?” Poppy began to smile, when a few minutes earlier she had thought she would never smile again. She felt a surge of liking and gratitude. She couldn’t think of anyone else who would have been able to console her in these circumstances. But the smile turned bittersweet as she looked up at him once more. “Thank you,” she said. “But I’m afraid no one can give me the one thing I truly want.
”
”
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
“
Are you cooking the peppers?" she asked.
"I was going to slice them over the top with the cheese," Leo said. "Too much?"
"Nope." Thea let him handle the jalapeños while she shaved off a few thin slices of cheese, a mild cheddar the cooks kept on hand for baking into cornbread or slicing onto burgers at staff meal. It was just the sort of thing she would have been moved to eat if she'd been by herself, except she would have just toasted it on bread or eaten it cold on crackers, meditating on the ring of toothmarks she left in each slice as she chewed. Leo swirled his pan, tilting it to let the last soft rivulets of egg hit the hot pan, and then wordlessly reached one hand back toward her. Thea set the sliced cheese in his palm, realizing as she did that she was a little more buzzed than she'd intended to be, because she placed the cheddar on Leo's warm skin as delicately as if it were a piece of jewelry, a hollowed, painted eggshell. He laid the cheese over the eggs, then scattered a thick layer of chorizo coins over the cheese, and finally a handful of fresh sliced jalapeño.
"And we're done," Leo said. He paused, looking around frantically until Thea realized that he had forgotten where the plates were kept. She reached beneath the prep counter and handed him two.
"Thanks," he said. He ran a spatula down the center of the eggs and lifted a golden orange pillow onto each plate, dropping yet more paprika-scented oil onto the stove and the counter.
”
”
Michelle Wildgen (Bread and Butter)
“
She soaked, washed, and trimmed three artichokes, baby purple Romagnas, which would sadly lose their beautiful hue once they hit hot water, then washed and peeled a bunch of pencil-thin asparagus. She pulled out several small zucchini and sliced them into translucent moons. She washed three leeks, slicing them down their centers and peeling back each layer, carefully rinsing away any sand, then chopped the white, light green, and some of the darker parts into a fine dice. She shelled a couple handfuls of spring peas, collecting them in a ceramic bowl. She chopped a bulb of fennel and julienned one more, then washed and spun the fronds. She washed the basil and mint and spun them dry. Last, she chopped the shallots. With the vegetables prepped, she started on the risotto, the base layer for the torta a strati alla primavera, or spring layer cake, she'd been finessing since her arrival, and which she hoped would become Dia's dish. She'd make a total of six 'torte': three artichoke and three asparagus.
The trick was getting the risotto to the perfect consistency, which was considerably less creamy than usual. It had to be firm enough to keep its shape and support the layers that would be placed on top of it, but not gummy, the kiss of death for any risotto. She started with a 'soffritto' of shallot, fennel, and leek, adding Carnaroli rice, which she preferred to arborio, pinot grigio, and, when the wine had plumped the rice, spring-vegetable stock, one ladle at a time. Once the risotto had absorbed all the liquid and cooked sufficiently, she divided it into six single-serving crescent molds, placed the molds in a glass baking dish, and popped them all in the oven, which made the risotto the consistency of a soft Rice Krispies treat. Keeping the molds in place, she added the next layer, steamed asparagus in one version, artichoke in the other. A layer of basil and crushed pignoli pesto followed, then the zucchini rounds, flash-sauteed, and the fennel matchsticks, cooked until soft, and finally, the spring-pea puree. She carefully removed the first mold and was rewarded with a near-perfect crescent tower, which she drizzled with red-pepper coulis. Finally, she placed a dollop of chilled basil-mint 'sformato' alongside the crescent and radiated mint leaves around the 'sformato' so that it looked like a sun. The sun and the moon, 'sole e luna,' all anyone could hope for.
”
”
Jenny Nelson (Georgia's Kitchen)
“
He brushed her hair until it was nearly dry. He had to reach forward to catch the brandy glass. Lazy delight swirled through her at the glance of his hand over hers. Each stroke of the brush leached away another layer of resistance. After all the fear and anger, she slid into a fog of languorous docility. Perhaps soon he'd take her to bed. Surely he hadn't meant it when he said she'd sleep alone.
He set the brush aside and lifted her into his arms. She murmured sleepily and nestled into his chest. She was warm. He was warm. Everything was delicious warmth. She smothered a yawn and shut her eyes.
Jonas...
She might have spoken his name aloud. She nuzzled his chest, drawing in more rain-fresh scent. She thought he growled softly in his throat. She wasn't sure. She was so tired, she wasn't sure about much.
He set her down on the bed, the mattress sagging beneath her, and pulled up the covers. His arms slipped away with what felt like reluctance and the loss pierced her drowsiness. She whimpered in protest and waited for him to slide in beside her.
She kept her eyes shut. Looking at him veered too near to admitting she'd stopped fighting. She heard him sigh. His clean scent flooded her senses when he pressed his lips to her forehead then briefly kissed her mouth.
”
”
Anna Campbell (Seven Nights in a Rogue's Bed (Sons of Sin, #1))
“
We swayed together, knowing we weren't supposed to be dancing tonight, and I happened to catch Marla sneering at us over Caleb's shoulder. I looked at her. She looked back. Then she smiled. It was a smile that was layered with many things: giddiness, cruelty, malice, hatred, and even a little bit of envy. All of it pissed me off, and just as Caleb looked back at her over his shoulder, she pursed her lips as if to send him a kiss. Then I saw her face whip to the side as if she'd been slapped. She turned and glared at me. I bit my lip. I'd done that with my ability and anger. I looked back to Caleb, who was watching me with amusement. "She deserved it," he said and crushed me back to him. The song that was playing above us was You and Me by Lifehouse, and he pressed his face into my hair and softly sang the words to me. And I don't know why I can't keep my eyes off of you. I could have died…or cried…or sighed. I wasn’t sure what I wanted to do more. He looked down at me, all the way to my toes, and slowly back up. "You look so good." He pressed his face into my hair again. He groaned his words, "I could eat you up." My heart skidded and he leaned back to smirk slightly. I barely had caught my breath when he brought one hand up to lay against my heart. "Caleb," I sighed, "you can't do that kind of stuff in here." "And why not?" "Because I need to be ladylike and proper and you're making me want to drag you to my room.
”
”
Shelly Crane (Defiance (Significance, #3))
“
A man must be prepared to give 100% to his purpose, fulfill his karma or dissolve it, and then let go of that specific form of living. He must be capable of not knowing what to do with his life, entering a period of unknowingness and waiting for a vision or a new form of purpose to emerge. These cycles of strong specific action followed by periods of not knowing what the hell is going on are natural for a man who is shedding layers of karma in his relaxation into truth.
”
”
Deida David (El camino del hombre superior: Los desafíos del amor y del deseo sexual en el hombre de hoy. Guía espiritual (Spanish Edition))
“
Truly it is none of my affair. I will always advocate for lovers to follow their hearts.” “What do you think, Cinderella?” he asked. Cinderella stared at the basket in her hands. Colonel Friedrich’s beginner but well-constructed base was still intact, but the layers she’d added were lopsided and filled with holes. “I think I have no talent for basket weaving.” He chuckled as he set his basket aside.
”
”
K.M. Shea (Cinderella and the Colonel (Timeless Fairy Tales, #3))
“
Oh Killian." Five immense cliffs rose up from the sea in marvelous grandeur. They were as tall and craggy and enormous as any mountains she'd seen in paintings. The layers of rock were varied in color and the radiant sunset playing against them only added to the enchantment of the location. She watched as waves crashed against the monumental stone walls.
”
”
Leigh Ann Edwards (The Witch's Daughter (Irish Witch #2))
“
When a snake sheds its skin it lets go of the dead, dysfunctional layer. The new and wholesome skin, the new self, is already inside. It is just a matter of writhing, massaging or employing other kinds of work and energy to get the old skin off. Being likened to a slithering reptile may give us the creeps, but let’s take what we can from this metaphor. It doesn’t matter if our guidance comes from a Higher Power or an inner voice—the snake’s shedding of its skin is a useful likeness to the process. Our better self, higher self or our Good Orderly Direction is already inside us.
”
”
Joe C. (Beyond Belief: Agnostic Musings for 12 Step Life: Finally, a daily reflection book for nonbelievers, freethinkers and everyone!)
“
And if I had not met Jesus I would have died carrying to strip it away, layer by layer. He reminded me again and again that I could not hoard His love. And I could not be selective about who I would share it with. The love He had shed abroad in my heart was meant to be shared with others regardless of their color.
My good friend Judah Smith says, "You cannot exaggerate God's love. Just try it!" I agree with him. God intends for us to be extravagant and free in our love for one another.
”
”
John M. Perkins