“
What you are now is not what you’ve always been, nor is it what you always will be. You are a snake. Shed your skin if it no longer serves you. Transform into something different. Something better.
”
”
Shelby Mahurin (Blood & Honey (Serpent & Dove, #2))
“
I just wondered what a thing it would be...if overnight everything you owe anything to, justice, or love, had really gone away. Free.
It would be...heartless terror. Yes. Terrible, and...
Very great. To shed your skin, every old skin, one by one and then walk away, unemcumbered, into the morning.
”
”
Tony Kushner (Millennium Approaches (Angels in America, #1))
“
My child, I know you're not a child
But I still see you running wild
Between those flowering trees.
Your sparkling dreams, your silver laugh
Your wishes to the stars above
Are just my memories.
And in your eyes the ocean
And in your eyes the sea
The waters frozen over
With your longing to be free.
Yesterday you'd awoken
To a world incredibly old.
This is the age you are broken
Or turned into gold.
You had to kill this child, I know.
To break the arrows and the bow
To shed your skin and change.
The trees are flowering no more
There's blood upon the tiles floor
This place is dark and strange.
I see you standing in the storm
Holding the curse of youth
Each of you with your story
Each of you with your truth.
Some words will never be spoken
Some stories will never be told.
This is the age you are broken
Or turned into gold.
I didn't say the world was good.
I hoped by now you understood
Why I could never lie.
I didn't promise you a thing.
Don't ask my wintervoice for spring
Just spread your wings and fly.
Though in the hidden garden
Down by the green green lane
The plant of love grows next to
The tree of hate and pain.
So take my tears as a token.
They'll keep you warm in the cold.
This is the age you are broken
Or turned into gold.
You've lived too long among us
To leave without a trace
You've lived too short to understand
A thing about this place.
Some of you just sit there smoking
And some are already sold.
This is the age you are broken
Or turned into gold.
This is the age you are broken or turned into gold.
”
”
Antonia Michaelis (The Storyteller)
“
Athena stood in the middle of the road with her arms crossed and a look on her face that made me think Uh-oh. She'd changed out of her armor, into jeans and a white blouse, but she didn't look any less warlike. Her gray eyes blazed.
"Well, Percy," she said. "You will stay mortal."
"Um, yes, ma'am."
"I would know your reasons."
"I want to be a regular guy. I want to grow up. Have, you know, a regular high school experience."
"And my daughter?"
"I couldn't leave her," I admitted, my throat dry. "Or Grover," I added quickly. "Or-"
"Spare me." Athena stepped close to me, and I could feel her aura of power making my skin itch. "I once warned you, Percy Jackson, that to save a friend you would destroy the world. Perhaps I was mistaken. You seem to have saved both your friends and the world. But think very carefully about how you proceed from here. I have given you the benefit of the doubt. Don't mess up."
Just to prove her point, she erupted in a column of flame, charring the front of my shirt.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
Together we understood what terror was: you're not human anymore. You're a shadow. You slip out of your own skin, like molting, shedding your own history and your own future, leaving behind everything you ever were or wanted to believed in. You know you're about to die. And it's not a movie and you aren't a hero and all you can do is whimper and wait.
”
”
Tim O'Brien (The Things They Carried)
“
Sometimes you must shed your skin to save it.
”
”
Emma Donoghue (Kissing the Witch: Old Tales in New Skins)
“
Parents, she thought, learned to survive touching their children less and less. As a baby Pearl had clung to her; she’d worn Pearl in a sling because whenever she’d set her down, Pearl would cry. There’d scarcely been a moment in the day when they had not been pressed together. As she got older, Pearl would still cling to her mother’s leg, then her waist, then her hand, as if there was something in her mother she needed to absorb through the skin. Even when she had her own bed, she would often crawl into Mia’s in the middle of the night and burrow under the old patchwork quilt, and in the morning they would wake up tangled, Mia’s arm pinned beneath Pearl’s head, or Pearl’s legs thrown across Mia’s belly. Now, as a teenager, Pearl’s caresses had become rare—a peck on the cheek, a one-armed, half-hearted hug—and all the more precious because of that. It was the way of things, Mia thought to herself, but how hard it was. The occasional embrace, a head leaned for just a moment on your shoulder, when what you really wanted more than anything was to press them to you and hold them so tight you fused together and could never be taken apart. It was like training yourself to live on the smell of an apple alone, when what you really wanted was to devour it, to sink your teeth into it and consume it, seeds, core, and all.
”
”
Celeste Ng (Little Fires Everywhere)
“
What does it feel like to be alive?
Living, you stand under a waterfall. You leave the sleeping shore deliberately; you shed your dusty clothes, pick your barefoot way over the high, slippery rocks, hold your breath, choose your footing, and step into the waterfall. The hard water pelts your skull, bangs in bits on your shoulders and arms. The strong water dashes down beside you and you feel it along your calves and thighs rising roughly backup, up to the roiling surface, full of bubbles that slide up your skin or break on you at full speed. Can you breathe here? Here where the force is the greatest and only the strength of your neck holds the river out of your face. Yes, you can breathe even here. You could learn to live like this. And you can, if you concentrate, even look out at the peaceful far bank where you try to raise your arms. What a racket in your ears, what a scattershot pummeling!
It is time pounding at you, time. Knowing you are alive is watching on every side your generation's short time falling away as fast as rivers drop through air, and feeling it hit.
”
”
Annie Dillard (An American Childhood)
“
It’s strange to grieve for your former self, and still I think it’s something that any girl understands. I’ve shed so many skins, I hardly know what I am now—muscle, maybe, or just memory. Perhaps just the will to keep going.
”
”
Brittany Cavallaro (The Last of August (Charlotte Holmes, #2))
“
Doing those deeply unfashionable things—slowing down, letting your spare time expand, getting enough sleep, resting—is a radical act now, but it is essential. This is a crossroads we all know, a moment when you need to shed a skin. If you do, you’ll expose all those painful nerve endings and feel so raw that you’ll need to take care of yourself for a while. If you don’t, then that skin will harden around you.
”
”
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
“
Lost really has two disparate meanings. Losing things is about the familiar falling away, getting lost is about the unfamiliar appearing. There are objects and people that disappear from your sight or knowledge or possession; you lose a bracelet, a friend, the key. You still know where you are. Everything is familiar except that there is one item less, one missing element. Or you get lost, in which case the world has become larger than your knowledge of it. Either way, there is a loss of control. Imagine yourself streaming through time shedding gloves, umbrellas, wrenches, books, friends, homes, names. This is what the view looks like if you take a rear-facing seat on the train. Looking forward you constantly acquire moments of arrival, moments of realization, moments of discovery. The wind blows your hair back and you are greeted by what you have never seen before. The material falls away in onrushing experience. It peels off like skin from a molting snake. Of course to forget the past is to lose the sense of loss that is also memory of an absent richness and a set of clues to navigate the present by; the art is not one of forgetting but letting go. And when everything else is gone, you can be rich in loss.
”
”
Rebecca Solnit (A Field Guide to Getting Lost)
“
Because fate would not slight me so unspeakably. I'd seek a noon-day sun if I were paired with one such as you."
"Such as me," she repeated blandly. She'd been mocked too often over her lifetime to take offense. Her skin was as thick as armor.
"Yes, you. An ignorant, mortal Kmart checkout girl." He took the sharpest knife from his place setting, absently turning it between his left thumb and forefinger.
"Kmart? I should have been so lucky. Those jobs were hard to come by. I worked at my uncle's outfitter shop."
"Then you're even worse. You're an outfitter checkout girl with aspirations for Kmart."
"Still better than a demon.
”
”
Kresley Cole (Lothaire (Immortals After Dark, #11))
“
I pretty much hated you the last couple days. You should’ve seen yourself. Your skin, your veins… You hated me? He was thrilled she’d cared so much about him. She paused. That’s just my way of saying I would’ve killed you if you’d died.
”
”
James Dashner (The Maze Runner (Maze Runner, #1))
“
I guess the magic of being someone else is lost when you can never quite shed your own skin.
”
”
Julie Murphy (Dumplin' (Dumplin', #1))
“
But her attention was on the prince across from her, who seemed utterly ignored by his father and his own court, shoved down near the end with her and Aedion.
He ate so beautifully, she thought, watching him cut into his roast chicken. Not a drop moved out of place, not a scrap fell on the table. She had decent manners, while Aedion was hopeless, his plate littered with bones and crumbs scattered everywhere, even some on her own dress. She’d kicked him for it, but his attention was too focused on the royals down the table.
So both she and the Crown Prince were to be ignored, then. She looked at the boy again, who was around her age, she supposed. His skin was from the winter, his blue-black hair neatly trimmed; his sapphire eyes lifted from his plate to meet hers.
“You eat like a fine lady,” she told him.
His lips thinned and color stained his ivory cheeks. Across from her, Quinn, her uncle’s Captain of the Guard, choked on his water.
The prince glanced at his father—still busy with her uncle—before replying. Not for approval, but in fear. “I eat like a prince,” Dorian said quietly.
“You do not need to cut your bread with a fork and knife,” she said. A faint pounding started in her head, followed by a flickering warmth, but she ignored it. The hall was hot, as they’d shut all the windows for some reason.
“Here in the North,” she went on as the prince’s knife and fork remained where they were on his dinner roll, “you need not be so formal. We don’t put on airs.”
Hen, one of Quinn’s men, coughed pointedly from a few seats down. She could almost hear him saying, Says the little lady with her hair pressed into careful curls and wearing her new dress that she threatened to skin us over if we got dirty.
She gave Hen an equally pointed look, then returned her attention to the foreign prince. He’d already looked down at his food again, as if he expected to be neglected for the rest of the night. And he looked lonely enough that she said, “If you like, you could be my friend.” Not one of the men around them said anything, or coughed.
Dorian lifted his chin. “I have a friend. He is to be Lord of Anielle someday, and the fiercest warrior in the land.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
Give your ghost time, for they never grow old; Consider their voice as they woo your soul: “Shed thy fair skin and forsake thy warm breath, With me, thou shalt have true love after death.
”
”
Justin Tate (The Death Sonnets)
“
She is about to add, "I have scars, inside me," but she stops herself. What is a scar, Oh Toby? That would be the next question. Then she'd have to explain what a scar is. A scar is like writing on your body. It tells about something that once happened to you, such as a cut on your skin where blood came out.
”
”
Margaret Atwood (MaddAddam (MaddAddam, #3))
“
Never again,” he whispered, his voice rough with an edge of the wildness she’d seen in his eyes. It sent a delicious shiver down her spine.
“They will die a thousand deaths,” he murmured, almost gently as his thumb traced the line of her jaw, “before they ever touch a single hair on your head again.”
And then, with that deathly vow still echoing in her heart, he pressed his lips to her fluttering pulse.
“I promise,” his lips wrote against her skin.
”
”
RuNyx (The Reaper (Dark Verse, #2))
“
If your mother had any idea we were talking about this, she'd skin me alive. I'm not being metaphorical about that. I think she could actually, literally skin me. She gets these wild eyes sometimes. There's Cossack blood in her; I'd bet anything.
”
”
Claudia Gray (A Thousand Pieces of You (Firebird, #1))
“
You want me to say that when you grow, finally, all the changes will stop, but they don't. There will be another one, another opportunity to grow, to shed your skin, to rise like a phoenix from the ashes, to break out of your cocoon like a perfect new butterfly.
”
”
Shauna Niequist (Bittersweet: Thoughts on Change, Grace, and Learning the Hard Way)
“
Like a wise serpent shedding her skin, you are called to release whatever is no longer authentic or doesn’t serve your highest good. You are not the same person you were ten or even five years ago. Acknowledge your growth and movement.
”
”
Elizabeth Eiler
“
Like a snake, my heart
has shed its skin.
I hold it there in my hand,
full of honey and wounds.
The thoughts that nested
in your folds, where are they now?...
”
”
Federico García Lorca
“
Always remember…
A blooming rose bush catches the eye of admirers, but it grew from a seed buried in dirt.
A butterfly may be free and delicately beautiful, but it spent days shedding skin and dramatically changing inside its chrysalis so it could grow wings to fly.
Accept your process.
”
”
Kristin Michelle Elizabeth
“
There Comes the Strangest Moment
There comes the strangest moment in your life,
when everything you thought before breaks free--
what you relied upon, as ground-rule and as rite
looks upside down from how it used to be.
Skin's gone pale, your brain is shedding cells;
you question every tenet you set down;
obedient thoughts have turned to infidels
and every verb desires to be a noun.
I want--my want. I love--my love. I'll stay
with you. I thought transitions were the best,
but I want what's here to never go away.
I'll make my peace, my bed, and kiss this breast…
Your heart's in retrograde. You simply have no choice.
Things people told you turn out to be true.
You have to hold that body, hear that voice.
You'd have sworn no one knew you more than you.
How many people thought you'd never change?
But here you have. It's beautiful. It's strange.
”
”
Kate Light
“
Just because you moved on didn’t mean you shed your personal history like a suit of clothes. Your past was the same as your skin: with you for life, both the proverbial beauty marks . . . and the scars.
”
”
J.R. Ward (Blood Kiss (Black Dagger Legacy, #1))
“
God, she feels good. She looks like she’d be pudding in your fist. Soft. Too soft. It was so good, though. Those seconds on the car that she let me bury my face in her body. Her skin is like water. I want her smell in my bed. And in my hair. And never far away from me.
”
”
Penelope Douglas (Credence)
“
She'd heard of people having butterflies in their stomaches, and she knew what they meant. That flapping, uneasy feeling deep in your gut. But she had it now everywhere. Butterflies under all of her skin, fluttering, sending shivers that moved in waves up and down her body.
”
”
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
“
Here, child, said Mae hastily Hide your eyes. Boys? Are you decent? What'd you put on to swim in? I got Winnie Foster in the house?
For goodness sake ma said Jesse emerging from the stairwell . You think were going to march around in our altogether with Winnie Foster in the house?
And Miles behind him sain we just jumped in with our clothes on too tired to shed them
It was true. They stood there side by side with their wet clothes plastered to their skins, little pools of water collecting at their feet.
”
”
Natalie Babbitt
“
When you are in trouble or at your lowest point, and have no one in whom to confide, a hawthorn would be the right choice. There is a reason why hawthorns are home to fairies and known to protect pots of treasure. For wisdom, try a beech; for intelligence, a pine; for bravery, a rowan; for generosity, a hazel; for joy, a juniper; and for when you need to learn to let go of what you cannot control, a birch with its white-silver bark, peeling and shedding layers like old skin. Then again, if it's love you're after, or love you have lost, come to the fig, always the fig.
”
”
Elif Shafak (The Island of Missing Trees)
“
No,” I hear myself say. “You’re not supposed to be here.”
She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me.
“Hi,” she whispers.
It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear.
She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast.
Her lips are at my ear. Her words are so soft. “Kiss me,” she says.
“Juliette—”
“I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it.
I don’t want to.
Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed.
There aren’t enough words in this world to describe what I’m feeling.
I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed.
Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back.
Because I want her.
Now.
Here.
Everywhere.
I want nothing between us.
I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me.
I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me.
I wonder if I’ve actually died.
But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.”
Her words seem so strange, so familiar. “What do you mean?”
“Just a little longer and I’ll leave.”
“No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—”
“You’ll be all right,” she says. “I promise.”
“No—”
But now she’s holding a gun.
And pointing it at my heart.
”
”
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
“
You're a shadow. You slip out of your own skin, like molting, shedding your own history and your own future, leaving behind everything you ever were or wanted or believed in.
”
”
Tim O'Brien
“
Your body is not who you are. You shed it like a snake sheds its skin. Leave it, forgotten, behind you.
”
”
Altered Carbon
“
Keep creating new chapters in your personal book and never stop re-inventing and perfecting yourself. Try new things. Pick up new hobbies and books. Travel and explore other cultures. Never stay in the same city or state for more than five years of your life. There are many heavens on earth waiting for you to discover. Seek out people with beautiful hearts and minds, not those with just beautiful style and bodies. The first kind will forever remain beautiful to you, while the other will grow stale and ugly. Learn a new language at least twice. Change your career at least thrice, and change your location often. Like all creatures in the wild, we were designed to keep moving. When a snake sheds its old skin, it becomes a more refined creature. Never stop refining and re-defining yourself. We are all beautiful instruments of God. He created many notes in music so we would not be stuck playing the same song. Be music always. Keep changing the keys, tones, pitch, and volume of each of the songs you create along your journey and play on. Nobody will ever reach ultimate perfection in this lifetime, but trying to achieve it is a full-time job. Start now and don't stop. Make your book of life a musical. Never abandon obligations, but have fun leaving behind a colorful legacy. Never allow anybody to be the composer of your own destiny. Take control of your life, and never allow limitations implanted by society, tell you how your music is supposed to sound — or how your book is supposed to be written.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
One’s story isn’t a skin to be shed— it’s inescapable, one’s body and blood. You go on pumping it out till you die, the story veined with the themes of your life, the ever-recurring story that’s at once your invention and the invention of you.
”
”
Philip Roth
“
It's like he has emotional amnesia... I think you have to accept that the person you knew isn't there at the moment. I was witness to how much he loved you. I have the photos. This isn't the person we knew. I don't recognize this person. He's shed his skin." Her heart is broken too. She has to say the thing that will give me back my life. She draws on every reserve. I see how much it hurts her and it hurts me too. I came from her joy and her pain, I lived in it and I live in it now.
”
”
Emma Forrest (Your Voice in My Head)
“
She had told herself she should be reassured by his squeamishness; a man who balked at scars would not give her new ones. Now she suddenly wondered if she’d had it wrong. A man without scars would always underestimate their value. He would not see them as marks of courage.
”
”
Meredith Duran (Written on Your Skin)
“
A snake,” I replied, breath hitching. “I suppose . . . I’m a snake. A liar. A deceiver. Cursed to crawl on my belly and eat dust all the days of my life.”
“Ah.” To my surprise, Claud’s face didn’t twist in disgust or revulsion. He nodded instead, a knowing smile playing on his lips. “Yes, I would agree with that assessment.”
Humiliation hung my head. “Right. Thanks.”
“Louise.” A single finger lifted my chin, forcing me to look at him. Those eyes, once warm, now blazed with intensity, with conviction. “What you are now is not what you’ve always been, nor is it what you always will be. You are a snake. Shed your skin if it no longer serves you. Transform into something different. Something better.
”
”
Shelby Mahurin (Blood & Honey (Serpent & Dove, #2))
“
Julian made a noise. It was a noise Emma couldn't have described, not as human a sound as a how or a scream. It sounded like it was ripped out of the inside of him, like something brutal was tearing through his chest. He dropped the longsword Livvy had risked so much to bring him, fell to his knees and crawled to her, pulling her into his lap.
'Livvy, Livvy, my Livvy' he whispered, cradling her, feverishly stroking her blood-wet hair away from her face. There was so much blood. He was covered in it in seconds; it had soaked through Livvy's clothes, even her shoes were drenched in it. 'Livia' His hands shook; he fumbled out his stele and put it on her arm.
Emma felt as if someone had punched her in the stomach. There were wounds that were beyond and iratze's power. Healing runes only vanished from skin when an occupational poison was involved--or when the person was already dead.
'Livia,' Julian's voice rose, cracking and tumbling over itself like a wave breaking too far out to sea. 'Livvy, my baby, please, sweet- heart, open your eyes it's Jules, I'm here for you, I'm always here for you, please,please--'
Blackness exploded behind Emma's eyes. The pain in her arm was gone; she felt nothing but rage. Rage that bleached everything else out of the world except the sight of Annabel cringing against the lectern, staring at Julian cradling his sister's dead body. At what she'd done.
”
”
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
“
She pressed her hands against my chest and tried to push me away. "I can't think straight when you 're this close."
I backed her up against the wall. "I don't like the thoughts running through your head. I plan on staying here until you look me in the eye and tell me you 're mine."
"This isn't going to work. It never would have."
"Bullshit. We belong together." Echo sniffed and the sound tore at me. I softened my voice. "Look at me, baby. I know you love me. Three nights ago you were willing to offer everything to me. There is no way you can walk away from us."
"God Noah..." Her voice broke. "I'm a mess."
A mess? "You 're beautiful."
"I'm a mental mess. In two months you 're going to face some judge and convince him that you are the best person to raise your brothers. I'm a liability."
"Not true. My brothers will love you and you 'll love them. You are not a liability."
"But how will the judge see me? Are you really willing too take that risk? [...] What happens if the judge find out about me? What if he discovers what a mess you 're dating?"
Breathing became a painful chore. Her lips turned down while her warm fingers caressed my cheek. That touch typically brought me to knees, but now it cut me open.
"Did you know that when you stop being stubborn and accept i may be right on something, your eyes widen a little and you tilt your head to the side?" she asked.
I forced my head straight and narrowed my eyes. "I love you."
She flashed her glorious smile and then it became the saddest smile in the world. "You love your brothers more. I'm okay with that. In fact, it's one of the things i love about you. You were right the other day. I do want to be a part of a family. But i'd never forgive myself if i was the reason you didn't get yours."
To my horror, tears pricked my eyes and my throat swelled shut. "No, you 're not pulling this sacrificial bullshit on me. I love you and you love me and we 're supposed to be together."
Echo pressed her body to mine and her fingers clung to my hair. Water glistened in her eyes. "I love you enough to never make you choose."
She pushed off her toes toward me, guiding my head down, and gently kissed my lips. No. This wouldn't be goudbye. I'd fill her up and make her realize she'd always be empty without me.
I made Echo mine. My hands claimed her hair, her back. My lips claimed her mouth, her tongue. Her body shook against mine and i tasted salty wetness on her skin. She forced her lips away and i latched tighter to her. "No, baby, no," i whispered into her hair.
She pushed her palms against my chest, then became a blur as she ran past. "I'm sorry.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
Her eyes—green—were bright, merciful, sometimes given to melancholy, not entirely guileless. And I’d listen to her tell me about the abandoned factories and the cemetery where she’d grown up, the places where she’d skinned her knees. And her voice took me over. This is how you find the one to break your heart.
”
”
Nico Walker (Cherry)
“
Hormones affect everything. Have you ever struggled with acne, oily hair, dandruff, dry skin, cramps, headaches, irritability, exhaustion, constipation, irregular cycles, heavy bleeding, clotting, shedding hair, weight gain, anxiety, insomnia, infertility, lowered sex drive, or bizarre food cravings and felt like your body was just irrational? It’s not; it’s hormonal.
”
”
Alisa Vitti (WomanCode: Unlocking Women's Health - A Holistic Approach to Hormone Balance, Fertility, and Wellness Through Nutrition and Lifestyle Changes)
“
Nor did she believe in identity, certainly not the local nationalistic version of it. She said that man was only smart if he was able to shed his identity.
"Skin color is a little hard to shed," she said, "it's true. But the DNA of your social class is even harder to get rid of.
”
”
Sayed Kashua (Second Person Singular)
“
It's not pretty and perfect I am feeling today. Not in the mood for soft and contained. Not light or well-behaved or sugary sweet. No. I'm not willing to round off my sharp edges or make safe the danger zones. Not for you. Not for anyone, really. There's no room in me for gentle today. It's explore at your own risk, full on howl time. Oh, I can make nice. And I do. You'll only get past the surface if I deem you worthy. But my inner landscape? It's pure wilderness, darling, and the wolves are running. The moon went dark last night, loves, and something crashed and spiraled so something else could rise. It's time for music that courts the shadows and for dancing that sheds skin. Creation is calling and my muse, she likes it rough. Are you with me? Good. Now we can begin...
”
”
Jeanette LeBlanc
“
Deep in the blood the pull of paradise. The beyond. It must have all started with the navel. They cut the umbilical cord, give you a slap in the ass, and presto! you're out in the world, adrift. You look at the stars and then you look at your navel. You grow eyes everywhere -in the armpits, between the lips, in the roots of your hair, on the soles of your feet. What is distant becomes near, what is near becomes distant. Inner-outer, a constant flux, a shedding of skins, a turning inside out.
”
”
Henry Miller (Tropic of Cancer (Tropic, #1))
“
I feel like I am weak, and my weakness has been exposed to the light. It is okay for your weakness to be exposed to the light. The light is there because your weakness doesn’t serve you anymore. You are brave and you are letting it go… In order to let it go, you have to talk about it by dragging it out of the dark and bringing it forth into the light. You are shedding our skin. Dead skin can’t serve us. Right? Dead skin is brittle and dry, and when it sheds, your skin glows and it is smooth and vibrant.
”
”
Charlena E. Jackson (Dying on The Inside and Suffocating on The Outside)
“
Where's my sister?"
"She's setting up the island we found tonight."
Galen shakes his head. "You slithering eel. You might have told me what you were up to."
Toraf laughs. "Oh sure. 'Hey, Galen, I need to borrow Emma for a few minutes so I can kiss her, okay?' Didn't see that going over very well."
"You think your surprise attack went over better?"
Toraf shrugs. "I'm satisfied."
"I could have killed you today."
"Yeah."
"Don't ever do that again."
"Wasn't planning on it. Thought it was real sweet of you to defend your sister's honor. Very brotherly." Toraf snickers.
"Shut up."
"I'm just saying."
Galen runs a hand through his hair. "I only saw Emma. I forgot all about Rayna."
"I know, idiot. That's why I let you hit me fifty-eight times. That's what I would do if someone kissed Rayna."
"Fifty-nine times."
"Don't get carried away, minnow. By the way, was Emma boiling mad or just a little heated? Should I keep my distance for a while?"
Galen snorts. "She laughed so hard I thought she'd pass out. I'm the one in trouble."
"Shocker. What'd you do?"
"The usual." Hiding his feelings. Blurting out the wrong thing. Acting like a territorial bull shark.
Toraf shakes his head. "She won't put up with that forever. She already thinks you only want to change her so she can become another of your royal subjects."
"She said that?" Galen scowls. "I don't know what's worse. Letting her think that, or telling her the truth about why I'm helping her to change."
"In my opinion, there's nothing to tell her unless she can actually change. And so far, she can't."
"You don't think she's one of us?"
Toraf shrugs. "Her skin wrinkles. It's kind of gross. Maybe she's some sort of superhuman. You know, like Batman."
Galen laughs. "How do you know about Batman?"
"I saw him on that black square in your living room. He can do all sorts of things other humans can't do. Maybe Emma is like him."
"Batman isn't real. He's just a human acting like that so other humans will watch him."
"Looked real to me."
"They're good at making it look real. Some humans spend their whole lives making something that isn't real look like something that is."
"Humans are creepier than I thought. Why pretend to be something you're not?"
Galen nods. To take over a kingdom, maybe? "Actually, that reminds me. Grom needs you."
Toraf groans. "Can it wait? Rayna's getting all cozy on our island right about now."
"Seriously. I don't want to know."
Toraf grins. "Right. Sorry. But you can see my point, right? I mean, if Emma were waiting for you-"
"Emma wouldn't be waiting for me. I wouldn't have left."
"Rayna made me. You've never hit me that hard before. She wants us to get along. Plus, there's something I need to tell you, but I didn't exactly get a change to."
"What?"
"Yesterday when we were practicing in front of your house, I sensed someone. Someone I don't know. I made Emma get out of the water while I went to investigate."
"And she listened to you?"
Toraf nods. "Turns out, you're the only one she disobeys.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
I'm keeping you, Ally Marshall." And she'd just have to accept it, because he wouldn't let her go "You're mine."
Startled and spooked by that very sincere announcement that almost sounded....binding, Ally didn't speak for a moment. "Yours?"
"All mine. You got under my skin, became my obsession. There's no going back."
She swallowed nervously. "What do you want from me?"
"Everything you have to give. And I'll get it.
”
”
Suzanne Wright (Spiral of Need (The Mercury Pack, #1))
“
She’d just watched Tristan McLean, her cool suave movie star dad, reduced to near insanity. Leo could barely stand to watch that, but for Piper—Wow, Leo couldn’t even imagine. He figured that would make her insecure about herself, too. If weakness was inherited, she’d be wondering, could she break down the same way her dad did? “Hey, don’t worry,” Leo said. “Piper, you’re the strongest, most powerful beauty queen I’ve ever met. You can trust yourself. For what it’s worth, you can trust me too.” The helicopter dipped in a wind shear, and Leo almost jumped out of his skin. He cursed and righted the chopper. Piper laughed nervously. “Trust you, huh?” “Ah, shut up, already.” But he grinned at her, and for a second, it felt like he was just relaxing comfortably with a friend. Then they hit the storm clouds.
”
”
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
“
She felt his breaths over her face, the heat of his body right beside hers. And then, for the first time that night, she heard him speak. “Never again,” he whispered, his voice rough with an edge of the wildness she’d seen in his eyes. It sent a delicious shiver down her spine. “They will die a thousand deaths,” he murmured, almost gently as his thumb traced the line of her jaw, “before they ever touch a single hair on your head again.” And then, with that deathly vow still echoing in her heart, he pressed his lips to her fluttering pulse. “I promise,” his lips wrote against her skin.
”
”
RuNyx (The Reaper (Dark Verse #2))
“
The skin consists of an inner layer called the dermis and an outer epidermis. The outermost surface of the epidermis, called the stratum corneum, is made up entirely of dead cells. It is an arresting thought that all that makes you lovely is deceased. Where body meets air, we are all cadavers. These outer skin cells are replaced every month. We shed skin copiously, almost carelessly: some twenty-five thousand flakes a minute, over a million pieces every hour. Run a finger along a dusty shelf, and you are in large part clearing a path through fragments of your former self. Silently and remorselessly we turn to dust.
”
”
Bill Bryson (The Body: A Guide for Occupants)
“
At the tender age of 19 Bessie Stringfield commenced traveling across the United States. She’d toss a penny onto a map of the States and wherever it landed was where she’d go, and this was at the height of racism at its ugliest, yet this never stopped her. Though often denied accommodation because of the colour of her skin, she would find a place to sleep with black families or, if this wasn’t possible, she’d simply sleep on her motorbike at filling stations, using her rolled up jacket as a pillow
”
”
Karl Wiggins (Wrong Planet - Searching for your Tribe)
“
Sometimes... Come on, how often exactly, Bert? Can you recall four, five, more such occasions? Or would no human heart have survived two or three? Sometimes (I have nothing to say in reply to your question), while Lolita would be haphazardly preparing her homework, sucking a pencil, lolling sideways in an easy chair with both legs over its arm, I would shed all my pedagogic restraint, dismiss all our quarrels, forget all my masculine pride - and literally crawl on my knees to your chair, my Lolita! You would give me one look - a gray furry question mark of a look: "Oh no, not again" (incredulity, exasperation); for you never deigned to believe that I could, without any specific designs, ever crave to bury my face in your plaid skirt, my darling! The fragility of those bare arms of yours - how I longed to enfold them, all your four limpid lovely limbs, a folded colt, and take your head between my unworthy hands, and pull the temple-skin back on both sides, and kiss your chinesed eyes, and - "Please, leave me alone, will you," you would say, "for Christ's sake leave me alone." And I would get up from the floor while you looked on, your face deliberately twitching in imitation of my tic nerveux. But never mind, never mind, I am only a brute, never mind, let us go on with my miserable story.
”
”
Vladimir Nabokov (Lolita)
“
There! The boys are in from the pond.”
Winnie heard a burst of voices downstairs, and in a moment Miles and Jesse were climbing to the loft.
“Here, child,” said Mae hastily. “Hide your eyes. Boys? Are you decent? What’d you put on to swim in? I got Winnie up here, do you hear me?”
“For goodness’ sake, Ma,” said Jesse, emerging from the stairwell. “You think we’re going to march around in our altogether with Winnie Foster in the house?”
And Miles, behind him, said, “We just jumped in with our clothes on. Too hot and tired to shed ’em.”
It was true. They stood there side by side with their wet clothes plastered to their skins, little pools of water collecting at their feet.
“Well!” said Mae, relieved. “All right. Find something dry to put on. Your pa’s got supper nearly ready.” And she hustled Winnie down the narrow stairs.
”
”
Natalie Babbitt (Tuck Everlasting)
“
What in Bursin’s holy name is that?” he snarled.
If it were possible to die of embarrassment, Martise was sure she wouldn’t survive the next few minutes. “I was singing.”
His eyebrows rose almost to his hairline. “Singing. Is that what you call it? It sounded like someone was torturing a cat.”
“I thought I might work faster if I sang.” She wiped the perspiration from her forehead with a gloved hand and regretted the action. The swipe of citrus oil she’d left on her skin burned. Cael continued to howl, and a door shut with a bang.
"That will be Gurn coming to rescue us from whatever demon he thinks is attacking." The branch supporting Silhara creaked as he adjusted his stance and leaned closer to her. “Tell me something, Martise.” A leaf slapped him in the eye, and he ripped it off its twig with an irritated snap. “How is it that a woman, blessed with a voice that could make a man come, sings badly enough to frighten the dead?”
She was saved from having to answer the outlandish question by the quick thud of running footsteps. Silhara disappeared briefly from view when he bent to greet their visitor. Unfortunately, his answers to Gurn’s unspoken questions were loud and clear. “That was Martise you heard. She was…singing.
“Trust me, I’m not jesting. You can unload your bow.” His next indignant response made her smile. “No, I wasn’t beating her! She’s the one tormenting me with that hideous wailing!”
Martise hid her smile when he reappeared before her. His scowl was ferocious. “Don’t sing.” He pointed a finger at her for emphasis. “You’ve scared my dog, my birds and my servant with your yowling.” He paused. “You’ve even managed to scare me.
”
”
Grace Draven (Master of Crows (Master of Crows, #1))
“
It is an arresting thought that all that makes you lovely is deceased. Where body meets air, we are all cadavers. These outer skin cells are replaced every month. We shed skin copiously, almost carelessly: some twenty-five thousand flakes a minute, over a million pieces every hour. Run a finger along a dusty shelf, and you are in large part clearing a path through fragments of your former self. Silently and remorselessly we turn to dust.
”
”
Bill Bryson (The Body: A Guide for Occupants)
“
What's going on between us?"
I don't know. I rubbed my hand over my face before glancing at Echo. A hint of her cleavage peeked from her shirt. Damn, she was sexy as hell. I wanted her, badly. Would one night be enough, even if she gave it to me? Echo already felt like a heavy drug. The kind I avoided on purpose—crack, heroin, meth. The ones that screwed with your mind, crept into your blood and left you powerless, helpless. If she gave her body to me, would i be able to let go or would i be sucked into that black veil, hooks embedded into my skin, sentenced to death by the emotion i reserved for my brothers-love? "I want you."
"Do you? Really? Because these scars are sexy."
How did she see her self? "I don't give a fuck about your scars."
She stalked toward me, hips swaying side to side, eyes hardened with anger. Echo pushed her body agaist mine, parts of her fitting perfectly into parts of me. I swore under my breath, fighting for control over my body.
"How are you going to react when we 're this close and you take off my shirt? Are you still going to want me when you see red and white lines? Are you going to flinch each time you accidentally touch my arms and feel the raised skin? How about when i touch you?"
She pulled away from me, leaving my body cold after experiencing her warmth. "Or will you forbid that? Will you tell me how to dress or what i'm allowed to take off?"
Her anger only fed mine. "For the last time I don't give a fuck about your scars."
"Liar. Because the only way anyone will ever be okay with me is if they love me. Really love me enough to not care that I’m damaged. You don't love people. You have sex with them. So how could you want to be with me?"
She'd summed me up perfectly. I didn't love people-only my brothers. Echo deserved more. Better than me. One shot. Take it or go home. Kiss her and risk an attachment or leave her and watch some other guy enjoy what could have been mine.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
Doing those deeply unfashionable things—slowing down, letting your spare time expand, getting enough sleep, resting—is a radical act now, but it is essential. This is a crossroads we all know, a moment when you need to shed a skin. If you do, you’ll expose all those painful nerve endings and feel so raw that you’ll need to take care of yourself for a while. If you don’t, then that skin will harden around you. It’s one of the most important choices you’ll ever make.
”
”
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
“
Do you love him?”
I jumped out of my skin. She was standing right beside me. “Who?”
Her eyes widened.
“Seth?” I peered over my shoulder at his retreating back. “Um, we’ve been going together for a long time. A year.”
“That’s not what I asked.”
I couldn’t look at her. Couldn’t risk her seeing through me, reading me.
“Do you hear bells?” she asked.
I had to smile at that. “Bells?”
“You know, bells. Music, fireworks.” She wiggled her eyebrows.
I let out a short laugh. It sounded strangled, same way I felt. “Only in my dreams.”
“Oh, yeah?” She arched an eyebrow.
Why did I say that? God.
Cece said softly, “Maybe you should listen to your dreams.”
My stomach suffered a major eruption.
She pushed off the locker she’d been balancing against with the sole of her shoe and said, “Think about it.”
Like I haven’t been. “Do you think about it?” I asked at her back.
She stopped and turned around. “I don’t have to. I know.” (Chapter13)
”
”
Julie Anne Peters (Keeping You a Secret)
“
A blush tinged her bronzed skin as she wrapped her arms around herself. Corrado grasped her wrists, pulling her hands away when she tried to shield herself. He stared at her, stunned to see the uncertainty in her eyes.
"You're not nervous this time, are you?" he asked, half-teasingly, half honestly wanting to know. She'd been so confident, unwavering before.
"It's the way you're looking at me."
"How am I looking at you?"
"Like you look at the Taj Mahal. Or the Sistine Chapel. You're staring at me like you stare at the Mona Lisa."
"I've never seen those things."
"It's like you've never seen something so beautiful before."
"I haven’t.
”
”
J.M. Darhower (Made (Sempre, #0.4))
“
She thumped her weapon (others might call it a cane, but he
knew better) against the floor. “Fell off your horse?”
“No, I—”
“Tripped down the stairs? Dropped a bottle on your foot?” Her
expression grew sly. “Or does it involve a woman?”
He fought the urge to cross his arms. She was looking up at him
with a bit of a smirk. She liked poking fun at her companions; she’d
once told him that the best part of growing old was that she could
say anything she wanted with impunity.
He leaned down and said with great gravity, “Actually, I was
stabbed by my valet.”
It was, perhaps, the only time in his life he’d managed to stun
her into silence.
Her mouth fell open, her eyes grew wide, and he would have
liked to have thought that she even went pale, but her skin had such
an odd tone to begin with that it was hard to say. Then, after a
moment of shock, she let out a bark of laughter and said, “No,
really. What happened?”
“Exactly as I said. I was stabbed.” He waited a moment, then
added, “If we weren’t in the middle of a ballroom, I’d show you.”
“You don’t say?” Now she was really interested. She leaned in,
eyes alight with macabre curiosity. “Is it gruesome?”
“It was,” he confirmed.
She pressed her lips together, and her eyes narrowed as she
asked, “And where is your valet now?”
“At Chatteris House, likely nicking a glass of my best brandy.”
She let out another one of her staccato barks of laughter.
”
”
Julia Quinn (Just Like Heaven (Smythe-Smith Quartet, #1))
“
Their daughter was born just before sunrise. She had skin the color of cedarwood and eyes like wheat.
They named her for an old, half-forgotten god from Ade's own world, whom Yule had studied once in an ancient text preserved in Nin's archives. He was a strange god, depicted in the faded manuscript with two faces staring both backward and forward. He presided not over once particular domain but over the places between- past and present, here and there, endings and beginnings- over doorways, in short.
But Ade thought Janus sounded too much like Jane, and she'd be damned if any daughter of hers would be named Jane. They named her after the god's own month instead: January.
Oh, my sweet daughter, my perfect January, I would beg for your forgiveness, but I lack the courage.
All I can ask for is your belief. Believe in doors and worlds and the Written. Believe most of all in our love for you- even if the only evidence we've left you is contained in the book you now hold.
”
”
Alix E. Harrow (The Ten Thousand Doors of January)
“
Plants and animals don’t fight the winter; they don’t pretend it’s not happening and attempt to carry on living the same lives that they lived in the summer. They prepare. They adapt. They perform extraordinary acts of metamorphosis to get them through. Winter is a time of withdrawing from the world, maximising scant resources, carrying out acts of brutal efficiency and vanishing from sight; but that’s where the transformation occurs. Winter is not the death of the life cycle, but its crucible. Once we stop wishing it were summer, winter can be a glorious season in which the world takes on a sparse beauty and even the pavements sparkle. It’s a time for reflection and recuperation, for slow replenishment, for putting your house in order. Doing those deeply unfashionable things—slowing down, letting your spare time expand, getting enough sleep, resting—is a radical act now, but it is essential. This is a crossroads we all know, a moment when you need to shed a skin. If you do, you’ll expose all those painful nerve endings and feel so raw that you’ll need to take care of yourself for a while. If you don’t, then that skin will harden around you. It’s one of the most important choices you’ll ever make.
”
”
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
“
He stalks toward me, close enough that I can feel his breath stirring my hair. ¨Are you commanding me?¨
¨No¨ I say, startled and unable to meet his gaze. ¨Of course not.¨ His fingers come to my chin, tilting my head so I am looking up into his black eyes, the rage in them as hot as coals. ¨You just think I ought to. That I can. That i be good at it. Very well, Jude. Tell me how its done. Do you think she´d like it if i came to her like this, if i looked deeply into her eyes?¨ My whole body is alert, alive with sick desire, embarassing in its intensity. He knows. I know he knows. ¨Probably,¨ I say, my voice coming out a little shakily. ¨Whatever it is you usually do.¨ ¨Oh, come now,¨ he says, his voice full of barely controlled fury. ¨If you want me to play the bawd, at least give me the benefit on your advice.¨ His beringed fingers trace over my cheek, trace the line of my lip and down my throat. I feel dizzy and overwhelmed. ¨Should I touch her like this?¨ he asks, lashes lowered. The shadows limn his face, casting his cheekbones into stark relief. ¨I dont know,¨ I say, but my voice betrays me. It´s all wrong, high and breathless. He presses his mouth to my ear, kissing me there. His hands skim over my shoulders, making me shiver. ¨And then like this? Is this how I ought to seduce her? I can feel his mouth shape the light words against my skin. ¨Do you think it would work?¨ I dig my fingernails into the meat of my palm to keep from moving against him. My whole body is trembling with tension. ¨Yes.¨ Then his mouth is against mine, and my lips part. I close my eyes against what im about to do. My fingers reach up to tangle in the black curls of his hair. He doesnt kiss me as though hes angry; his kiss is soft, yearning. Everything slows, goes liquid and hot. I can barely think. Ive wanted this and feared it, and now its happening, I dont know how i will ever want anything else. We stumble back to the low couch. He leans me against the cushions, and I pull him down over me. His expression mirrors my own, suprise and a little horror.
Page 143-144
”
”
Holly Black (The Wicked King (The Folk of the Air, #2))
“
The Legendary Emperor Shun asked one of his Ministers: “Can one Possess the Tao?” “Your own body is not your Possession. How can you Possess the Tao?” “If my own body is not mine, whose is it?” “It is the Form lent you by Heaven and Earth. Your Life is not your Possession. It is a Harmony granted you for a time by Heaven and Earth. Your Life-Destiny is not your Possession. It is a Flow granted you for a time by Heaven and Earth. Your children and grandchildren are not your Possessions. Heaven and Earth have lent them to you to be cast off as an insect sheds its skin. You are the Breath-Energy of Heaven and Earth. How can you ever Possess that?
”
”
Lao Tzu (Tao Te Ching: The Essential Translation of the Ancient Chinese Book of the Way)
“
In fact, there is no point in trying to hide from your bacteria, for they are on and around you always, in numbers you can’t conceive. If you are in good health and averagely diligent about hygiene, you will have a herd of about one trillion bacteria grazing on your fleshy plains—about a hundred thousand of them on every square centimeter of skin. They are there to dine off the ten billion or so flakes of skin you shed every day, plus all the tasty oils and fortifying minerals that seep out from every pore and fissure. You are for them the ultimate food court, with the convenience of warmth and constant mobility thrown in. By way of thanks, they give you B.O.
”
”
Bill Bryson (A Short History of Nearly Everything)
“
How can man know himself? He is a dark and veiled thing; and whereas the hare has seven skins, the human being can shed seven times 70 skins and still not be able to say: ‘This is really you, this is no longer an outer shell. Besides, it is an agonizing, dangerous undertaking to dig down into yourself in this way, to force your way by the shortest route down the shaft of your own being. How easy it is to do damage to yourself that no doctor can heal. And moreover, why should it be necessary, since everything – our friendships and hatreds, the way we look, our handshakes, the things we remember and forget, our books, our handwriting – bears witness to our being.
”
”
Friedrich Nietzsche (Untimely Meditations)
“
You'll stay," he said firmly.
"But-"
He crossed his arms. "Do I look like a man in the mood to be argued with?"
She stared at him mutinously.
"If you run," he warned, "I will catch you."
Sophie eyed the distance between them, then tried to judge the distance back to My Cottage.If he stopped to pull on his clothing she might have a chance of escaping, but if he didn't...
"Sophie," he said, "I can practically see the steam coming out of your ears. Stop taxing your brain with useless mathematical computations and do as I asked."
One of her feet twitched. Whether it was itching to run home or merely turn around, she'd never know.
"Now," he ordered.
With a loud sigh and grumble, Sophie crossed her arms and turned around to stare at a knothole in the tree trunk in front of her as if her very life depended on it The inferal man wasn't being particularly quiet as he went about his business, and she couldn't seem to keep herself from listening to and trying to identify every sound that rustled and splashed behind her.Now he was emerging from the water, now he was reaching for his breeches, now he was...
It was no use.She had a dreadfully wicked imagination, and there was no getting around it.
He should have just let her return to the house. Instead she was forced to wait, utterly mortified, while he dressed. Her skin felt like it was on fire, and she was certain her cheeks must be eight different shades of red. A gentleman would have let her weasle out of her embarrassment and hole up in her room back at the house for at least three days in hopes that he'd just forget about the entire affair.
”
”
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
“
To no longer be able to abide the comfort of human contact. How did he stand it? No wonder he was so very remote. How could warmth touch your heart when it wasn't even allowed near your skin?
It could have been regret that softened his features, but it was impossible for her to tell. "You're thinking of Mackenzie," he murmured.
Ashamed that she'd been thinking of Blackwell and not her Dougan, Farah nodded, not trusting herself to make a sound.
For the second time since they'd met, he raised his hand to her face, only to pull it back again. "Is there no pity in your heart for me?"
Farah turned from him then, dashing madly at her cheeks. There was, of course, but she didn't dare show it to him. "Do you deserve my pity?" she asked, her voice thick with tears.
"Probably not," he answered honestly. "But the boy I once was might have.
”
”
Kerrigan Byrne (The Highwayman (Victorian Rebels, #1))
“
Sadie might not have many friends, but she’d never felt that she needed them: Alice was ne plus ultra. No one was cleverer, more daring, more beautiful, more athletic, more hilarious, more fill-in-the-adjective-of-your-choice than Alice. Even though they insisted Alice would recover, Sadie often found herself imagining a world that didn’t have Alice in it. A world that lacked shared jokes and music and sweaters and par-baked brownies and sister skin casually against sister skin, under the blankets, in the darkness, and most of all, lacking Alice, the keeper of the innermost secrets and shames of Sadie’s innocent heart. There was no one Sadie loved more than Alice, not her parents, not her grandmother. The world sans Alice was bleak, like a grainy photograph of Neil Armstrong on the moon, and it kept the eleven-year-old up late at night.
”
”
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
“
His fingers come to my chin, tilting my head so I am looking up into his black eyes, the rage in them as hot as coals. 'You just think I ought to. That I can. That's I'd be good at it. Very well, Jude. Tell me how it's done. Do you think she'd like it if I came to her like this, if I looked deeply in to her eyes?'
My whole body is alert, alive with sick desire, embarrassing in its intensity.
He knows, I know he knows.
'Probably,' I say, my voice coming out a little shakily. 'Whatever it is you usually do.'
'Oh, come now,' he says, his voice full of barely controlled fury. 'If you want me to play the bawd, at least give me the benefit of your advice.'
His beringed fingers trace over my cheek, trace the line of my lip and down my throat. I feel dizzy and overwhelmed. 'Should I took her like this?' he asks, lashes lowered. The shadows limn his face, casting his cheekbones in to stark relief.
'I don't know,' I say, but my voice betrays me. It's all wrong, high and breathless.
He presses his mouth to my ear, kissing me there. His hands skim over my shoulders, making me shiver. 'And then like this? Is this how I ought to seduce her?' I can feel his mouth shape the light words against my skin. 'Do you think it would work?'
I dig my fingernails in to the meat of my palm to keep from moving against him. My whole body is trembling with tension. 'Yes.'
Then his mouth is against mine, and my lips part. I close my eyes against what I'm about to do. My fingers reach up to tangle in the black curls of his hair. He doesn't kiss me as though he's angry; his kiss is soft, yearning.
Everything slows, goes liquid and hot. I can barely think.
I've wanted this and feared it, and now that it's happening, I don't know how I will ever want anything else.
”
”
Holly Black (The Wicked King (The Folk of the Air, #2))
“
But finally, when they stopped to sleep, not bothering with a tent, just bedding down in a hollow they’d trampled in the tall grass with their boots, Arin spoke. He slid a hand under her tunic to touch her bare back, then stopped. “Is this all right?”
She wanted to explain that she hadn’t thought she’d ever bear anyone’s touch on her scarred back, that it should revolt him and revolt her. Yet his touch made her feel soft and new. “Yes.”
He pushed the shirt up, seeking the lash marks, tracing their length. She let herself feel it, and shivered, and thought of nothing. But a tension grew. He was still, but for his hand.
Kestrel said, “What’s wrong?”
“Your life would have been easier if you had married the Valorian prince.”
She drew herself up so that she could face him. The scent of black powder clung to them both. His skin smelled like a blown-out candle. “But not better,” she said.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Two people, locked safely inside, briefly released from their complicated histories, and the weighty expectations of the town around them, ate good food, and laughed.
...
And while there was barely a touch between them, apart from the accidental brushing of skin against skin, while passing bread or refiling a glass, [she] rediscovered a little part of her that she hadn't known she'd missed. The flirtatious young woman who liked to talk about things she had read, seen, and thought about, as much as she liked to ride a mountain track.
In turn, [he] enjoyed a woman's full attention. A ready laugh at his jokes, and the challenge of an idea that might differ from his own.
Time flew. And each ended the night full and happy with the rare glow that comes from knowing your very being has been understood by somebody else. And that there might just be someone out there, who will only ever see the best in you.
”
”
Jojo Moyes (The Giver of Stars)
“
If this were a different time, a different place, I would take you to bed with me and make love to you for days," he said, his voice slow and deep and intent. "I would use my mouth on you, until no part of your skin went untouched, and I would make you come, over and over again until you could stand no more, and then I'd let you sleep in my arms until you were rested and then I would start all over again. I would kiss your wounds, I would drink your tears, I could make love to you in ways that haven't even been invented yet. I would make love to you in fields of flowers and under starry skies, where there is no death or pain or sorrow. I would show you things you haven't even dreamed of, and there would be no one in the world but you and me, between your legs, in your mouth, everywhere."
She stared at him, eyes wide. "Breathe," he said softly, with a self-deprecating smile, and she realized she'd been holding her breath.
”
”
Anne Stuart (Black Ice (Ice, #1))
“
ItHaving to put someone between himself and Emma made him feel sick, but the memory of the way he'd snapped at her in the entryway made him feel sicker.
It had been like watching someone else talking to the person he loved the most in the world; someone else, hurting his parabatai on purpose. He had been able to do something with his feelings while she'd ben with Mark - twist and crumple them, shove them far underneath his skin and consciousness. He had felt them there, bleeding, like a tumor slicing open his internal organs, but he hadn't been able to see them.
Now they were there again, laid out before him. It was terrifying to love someone who was forbidden to you. Terrifying to feel something you could never speak of, something that was horrible to almost everyone you knew, something that could destroy your life.
It was in some ways more terrifying to know that your feelings were unwanted. When he had thought Emma loved him back, he had not been completly alone in his hell.
Jules
”
”
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
“
That would make it easy for Amara. Not having a choice was always easy. It was always safer. However bad things were, you kept your head down and did as you were told in order to avoid worse.
The world always wanted people like her to believe those lies.
You were never safe as long as you were at someone else’s whim.
Amara’s eyes met Cilla’s, dark and beaten and haunted.
Not having a choice was the worst thing in the world.
Amara pushed the knife down. Nolan didn’t stop her. And in that moment, with her enemy’s knife in her own hand, a point pressing on Cilla’s arm, Cilla’s skin familiar against hers, relief sneaked up on her and refused to let go. Because what she’d told Cilla wasn’t true. It wasn’t that she couldn’t go back to her old life; she could. If she went back, she’d hate herself, but it meant survival. It might be worth it or it might not be, and she’d never have to find out because it would never happen. She wasn’t going back.
It wasn’t because of what Maart wanted, or because of what Cilla asked, or because of what Jorn said. She’d made the choice. It was hers alone. This or nothing.
Blood welled up from Cilla’s arm. Amara let the knife clatter to the ground. She reached for the cut. She was almost smiling now, a desperate smile that had her lips trembling, that came with tears burning her eyes.
This or nothing.
”
”
Corinne Duyvis (Otherbound)
“
He knew he loved her in February: steam leaving the mug of coffee in her hands in thick curls; her hair a snarled mess around her shoulders; the morning on the other side of the window bitter and windswept; her face lovely, pale, and lonely in a way he didn’t understand. She sat in the chair in his bedroom, in his shirt and a pair of socks that went up to her knees, gooseflesh on her slender legs. A copy of Oliver Twist had been open across the arm of the chair. “I think it might snow today,” she’d said, and he’d been completely in love with her.
He thought she might have loved him back in March: in from the rain; his clothes stuck to his skin; the umbrella showering the hardwood of her entry hall; the dinner she’d planned forgotten when he’d helped her out of her jacket and she’d been shivering with cold. That day, when she’d pushed his wet shirt back off his shoulders and stretched up on her toes to kiss him, he was sure there was something new shining deep down in her coffee-colored eyes. “You’re so cute,” she’d said, and he’d known: she loved him.
”
”
Lauren Gilley (Better Than You (Walker Family, #0.5))
“
Where did Grizel go?” Sandor asked as they turned to leave. “She’s supposed to stay by your side.” “I’m right here,” a husky female voice said as a lithe gray goblin in a fitted black jumpsuit seemed to melt out of the shadows. Fitz’s bodyguard was just as tall as Sandor, but far leaner—and what she lacked in bulk she made up for in stealth and grace. “I swear,” she said, tapping Sandor on the nose. “It’s almost too easy to evade you.” “Anyone can hide in this chaos,” Sandor huffed. “And now is not the time for games!” “There’s always time for games.” Grizel tossed her long ponytail in a way that almost seemed . . . Was it flirty? Sandor must’ve noticed too, because his gray skin tinted pink. He cleared his throat and turned to Sophie. “Weren’t we heading to the cafeteria?” She nodded and followed Fitz into the mazelike halls, where the colorful crystal walls shimmered in the afternoon sunlight. The cafeteria was on the second floor of the campus’s five-story glass pyramid, which sat in the center of the courtyard framed by the U-shaped main building. Sophie spent most of the walk wondering how long it would take Dex to notice her new accessories. The answer was three seconds—and another after that to notice the matching rings on Fitz’s thumbs. His periwinkle eyes narrowed, but he kept his voice cheerful as he said, “I guess we’re all giving rings this year.” Biana held out her hand to show Sophie a ring that looked familiar—probably because Sophie had a less sparkly, slightly more crooked, definitely less pink version on her own finger. “I also made one for you,” Dex told Fitz. “It’s in your thinking cap. And I have some for Tam and Linh, whenever we see them again. That way we’ll all have panic switches—and I added stronger trackers, so I can home in on the signal even if you don’t press your stone. Just in case anything weird happens.” “Your Technopath tricks aren’t necessary,” Sandor told him, pointing to their group of bodyguards—four goblins in all. “But it’s still good to have a backup plan, right?” Biana asked, admiring her ring from another angle. The pink stone matched the glittery shadow she’d brushed around her teal eyes, as well as the gloss on her
”
”
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
“
She felt him relax and his voice softened. “Is that what this is all about? You feel like you can’t talk to me anymore? We haven’t changed; we’re still the same people.”
She slipped her hands beneath the front of his shirt, slowly running her fingertips over his chest and back down to his waist. He turned in her arms and smiled, but his grin was filled with mocking suspicion. “Are you trying to distract me, Violet Ambrose?”
“I guess you’re smarter than you look,” she teased as he pushed her backward so that they both fell on her bed.
“And you are not as funny as you think you are.” His mouth hovered over hers, his arms tightening, crushing her against him. Violet giggled and tried to squirm free, but Jay wouldn’t let her. He kissed her throat, his lips teasing her until it wasn’t his grip that made it hard for Violet to breathe.
“Oh, and Violet,” he whispered against her ear, his breath tickling her cheek, “I’m still your best friend. Don’t ever forget it.” His words were fervent and touching.
Violet tried to think of a response that made sense, something appropriate, but all she could manage was: “Please. Don’t stop.”
She didn’t mind begging if it meant getting her way.
Apparently that was enough to satisfy Jay, and he kissed her possessively. Thoroughly. Deeply.
He eased her back until she was lying against the pillows, and she waited for him to stop, to tell her that they’d gone far enough for tonight. But she didn’t want him to. She wanted him to keep going. She wanted him to touch her, to kiss her, to explore her. Her body ached for it. She reached for him, clinging so tightly that her fingers hurt. Everything inside of her hurt.
Jay settled over her, covering her with his body, reacting to her. Violet wrapped her legs around him, pulling his hip closer, telling him with her every movement that she wanted him, that she wanted this. Now.
“Are you sure?” Jay asked into the warm breath between them, barely lifting his mouth from hers.
She nodded, but when she tried to speak, her voice trembled. She hoped he didn’t read it wrong. “Of course I am.” She was nervous and terrified and thrilled all at the same time.
He smiled against her mouth, still kissing her, and she melted into him, unable to stop her heart from thundering.
He reached around for his wallet. “I have a condom.” His voice was rough.
Violet smiled. She’d been waiting for this moment for far too long not to be prepared, but she was happy to hear that he’d been considering it seriously also. “Me too,” she told him, reaching into her nightstand drawer and pulling out a handful of them. “I knew you’d give in.”
He groaned, his lips moving to her neck as he tugged at his shirt and pulled it over his head.
Violet thought he was beautiful. He was right for her; he always had been.
And as he slowly slid her shirt up, his fingertips stroking her bare skin and making goose bumps prickle in the wake of his touch, she wondered why it had taken them so long to get to this place.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
Riley pulled on his jeans and she almost moaned. Focus, Mercy.
"I’ll check,” he said, zipping up those damn jeans as she slid on her own. “But we might get lucky with an insomniac.”
When he turned, she saw the marks on his back were almost healed. Fast, even for a changeling. Which meant Riley was more powerful than she’d guessed, more than he let on.
There was nothing flashy about him. Just
—“What the—” His hands were on her waist and his mouth on hers before she could do more than gasp. Lightning. Bright. Sizzling. Perfect. This time she did moan, wrapping her arms around him and luxuriating in his strength, in the sheer speed with which he’d come at her. With both of them only wearing jeans, her breasts were pressed against the exquisite roughness of the hairs on his chest. She rubbed against him, giving in to the leopard’s innate sensuality.
He tore away his lips but they remained less than a millimeter apart. “This is your fault.”
“Hell, no.” She sucked on his neck, biting him a little too hard for emphasis. “You jumped my bones.” Tugging back her head with a hand fisted in her hair, he glared down at her.
“You were all but licking me the way you were looking.”
“Looking’s not the same as touching.” Her mouth watered at the idea of licking him. They’d been in too much of a rush last night. Even the second and third time. As if they’d both been hungry so long, they’d needed to gorge.
But—“We don’t have time for this.”
He held her for another couple of seconds, pure male muscle and heated skin. “We need to make time.
”
”
Nalini Singh (Branded by Fire (Psy-Changeling, #6))
“
How are things going with your brothers?”
“The judge set a date to hear me out after graduation. Mrs.Collins has been prepping me.”
“That is awesome!”
“Yeah.”
“What’s wrong?”
“Carrie and Joe hired a lawyer and I lost visitation.”
Echo placed her delicate hand over mine.“Oh, Noah. I am so sorry."
I’d spent countless hours on the couch in the basement, staring at the ceiling wondering what she was doing. Her laughter, her smile, the feel of her body next to mine, and the regret that I let her walk away too easily haunted me. Taking the risk, I entwined my fingers with hers. Odds were I’d never get the chance to be this close again. "No, Mrs. Collins convinced me the best thing to do is to keep my distance and follow the letter of the law."
"Wow, Mrs. Collins is a freaking miracle worker. Dangerous Noah Hutchins on the straight and narrow. If you don’t watch out she’ll ruin your rep with the girls."
I lowered my voice. "Not that it matters. I only care what one girl thinks about me."
She relaxed her fingers into mine and stroked her thumb over my skin.
Minutes into being alone together, we fell into each other again, like no time had passed. I could blame her for ending us, but in the end, I agreed with her decision. “How about you, Echo? Did you find your answers?”
“No.”
If I continued to disregard breakup rules, I might as well go all the way. I pushed her curls behind her shoulder and let my fingers linger longer than needed so I could enjoy the silky feel. “Don’t hide from me, baby. We’ve been through too much for that.”
Echo leaned into me, placing her head on my shoulder and letting me wrap an arm around her. “I’ve missed you, too, Noah. I’m tired of ignoring you.”
“Then don’t.” Ignoring her hurt like hell. Acknowledging her had to be better.
I swallowed, trying to shut out the bittersweet memories of our last night together. “Where’ve you been? It kills me when you’re not at school.”
“I went to an art gallery and the curator showed some interest in my work and sold my first piece two days later. Since then, I’ve been traveling around to different galleries, hawking my wares.”
“That’s awesome, Echo. Sounds like you’re fitting into your future perfectly.
Where did you decide to go to school?”
“I don’t know if I’m going to school.”
Shock jolted my system and I inched away to make sure I understood. “What the fuck do you mean you don’t know?
You’ve got colleges falling all over you and you don’t fucking know if you want to go to school?”
My damned little siren laughed at me. “I see your language has improved.”
Poof—like magic, the anger disappeared.
“If you’re not going to school, then what are your plans?”
"I’m considering putting college off for a year or two and traveling cross-country, hopping from gallery to gallery.”
“I feel like a dick. We made a deal and I left you hanging. I’m not that guy who goes back on his word. What can I do to help you get to the truth?”
Echo’s chest rose with her breath then deflated when she exhaled. Sensing our moment ending, I nuzzled her hair, savoring her scent. She patted my knee and broke away. “Nothing. There’s nothing you can do.”
"I think it’s time that I move on. As soon as I graduate, this part of my life will be over. I’m okay with not knowing what happened.” Her words sounded pretty, but I knew her better. She’d blinked three times in a row.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
I’m heading out.”
Her gaze searched his and, a little breathless, she asked, “Leaving?”
“Yeah.” He stepped closer. Any second how Trace would intrude. “Thing is, Alani, I can’t be around you without wanting you. Bad. Really bad.”
“Oh.”
“If that’s crude, well, then screw it, I’m crude. I know we’d have a great time in bed, but since you aren’t ready for that yet, well . . . I promised Trace I wouldn’t pressure you.”
Her neck went stiff. “Dear God. You discussed this with my brother?”
“No!” He cut a hand through the air and his voice lowered. “When . . . if . . . I get you out of your panties, believe me, it’ll be a private thing between us. No way in hell would I discuss that with anyone else.”
Her face went as red as Priss’s had.
“Trace and I talked about you maybe decorating my house, that’s all.”
“Oh.” Face still hot, she said, “I—”
“Yeah, forget it. That’s off. Like I said, I’d just hanker for you, and you aren’t exactly reciprocating. So that’s that.”
She blinked fast.
“But if you ever change your mind, all you have to do is let me know.” He reached out and touched her cheek. Her skin was soft and warm and he wanted to feel her all over.
All over him. Naked. Hungry. Wet . . .
Damn, he had it bad. “I can promise you, if you do come to me, you won’t regret it.”
She swallowed, licked her lips and damned if her eyes didn’t heat. She wanted him, too. He had to believe that. But Trace was starting up the hill, and the others were looking on, and the last thing he wanted was to make Alani uncomfortable.
“Tell everyone I said goodbye. You make up any excuse you want.” And with that, he left Alani standing there, watching after him as he walked away.
God willing, she’d contact him soon.
He wasn’t sure he could stand it if she didn’t.
”
”
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
“
You know, there’s no need for you to stay here against your will. You could come home.”
Kestrel splattered oil onto Cheat’s feet and smeared it into the rough skin. “No. There’s nothing there I want.”
She felt his gaze on her bowed head, on her hands moving over his feet. “Do you do this for Arin?”
“No.”
“What do you do for him?”
Kestrel straightened. Her palms were greasy. She rubbed them into her skirts, not caring that disgust was at least one of the things Cheat wanted to see.
Why, why would he want that?
She turned to leave.
“We’re not done,” he said.
“We are,” said Kestrel, “unless you’d like to see how much my father taught me about unarmed combat. I’ll drown you in that fountain. If I can’t, I’ll scream loud enough to bring every Herrani in this house running, and make them wonder what kind of man their leader is, that a Valorian girl so easily snapped his self-control.”
She walked away, and he didn’t follow, though she felt his eyes on her until she turned a corner. She found the kitchens, the most populated place in the house, and stood by a fire, listening to the metal clatter of kettles. She ignored the strange looks.
Then she was shaking, as much with fury as anything else.
Tell Arin.
Kestrel waved that thought away. What good would telling Arin do?
Arin was a black box hidden below a smooth tile. A trap door opening beneath her. He wasn’t what she’d thought he was.
Maybe Arin had known that this would happen, or something like it.
Maybe he wouldn’t even mind.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Jacks-' Evangeline tried not to sound as if her heart was racing.
'Don't you want to hurt me anymore, Little Fox?' His finger reached out and lightly traced her exposed collarbone, setting every inch of her skin on fire. 'You can pick up the dagger any time now.'
But Evangeline couldn't pick up the dagger. She could barely manage to keep breathing. His hand was now at the hollow of her throat, careful and caressing. Jacks had touched her before- last night he'd held her while she'd slept, but he'd acted if that had been torture. His touch hadn't been warm, or curious.
Or maybe she was the one who was curious. She knew she shouldn't be. But hadn't she wondered what it would be like to be wanted with the intensity that Jacks seemed to want things?
His mouth curved wider as his hands moved from her throat to her shoulders and slowly slid the cape away, leaving more of her skin exposed.
'You should go back on the other side of the gate.' Her voice was hoarse.
'You're the one who said I needed a distraction.' HIs fingers drifted lower, trailing down her chest to the sensitive stretch of skin right above the lacy line of her corset. 'Isn't this better than talking?' One finger dipped all the way in to the corset.
Her breathing hitched. 'I don't think this is a good idea.'
'That's what makes it interesting.' His other hand found her jaw, while the finger in her corset gently stroked just above her heart, coaxing it to beat even faster.
'You can always pick up the blade,' he taunted. 'You wouldn't like me as a vampire, Little Fox.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
Sometimes, she said, she could recognize a place just by the quality of the light. In Lisbon, the light at the end of spring leans madly over the houses, white and humid, and just a little bit salty. In Rio de Janeiro, in the season that the locals instinctively call ‘autumn’, and that the Europeans insist disdainfully is just a figment of their imagination, the light becomes gentler, like a shimmer of silk, sometimes accompanied by a humid grayness, which hangs over the streets, and then sinks down gently into the squares and gardens. In the drenched land of the Pantanal in Mato Grosso, really early in the morning, the blue parrots cross the sky and they shake a clear, slow light from their wings, a light that little by little settles on the waters, grows and spreads and seems to sing. In the forests of Taman Negara in Malaysia, the light is like a liquid, which sticks to your skin, and has a taste and a smell. It’s noisy in Goa, and harsh. In Berlin the sun is always laughing, at least during those moments when it manages to break through the clouds, like in those ecological stickers against nuclear power. Even in the most unlikely skies, Ângela Lúcia is able to discern shines that mustn’t be forgotten; until she visited Scandinavia she’d believed that in that part of the world during the winter months light was nothing but the figment of people’s imagination. But no, the clouds would occasionally light up with great flashes of hope. She said this, and stood up, adopting a dramatic pose: ‘And Egypt? In Cairo? Have you ever been to Cairo?… To the pyramids of Giza?…’ She lifted her hands and declaimed: ‘The light, majestic, falls; so potent, so alive, that it seems to settle on everything like a sort of luminous mist.
”
”
José Eduardo Agualusa (The Book of Chameleons)
“
Goggles but no bathing suit?" she asked.
Daniel blushed. "I guess that was stupid. But I was in a hurry, only thinking about what you would need to get the halo." He drove the paddle back into the water, propelling them more quickly than a speedboat. "You can swim in your underwear, right?"
Now Luce blushed. Under normal circumstances, the question might have seemed thrilling, something they both would have giggled at. Not these nine days. She nodded. Eight days now. Daniel was deadly serious. Luce just swallowed hard and said, "Of course."
The pair of green-gray spires grew larger, more detailed, and then they were upon them. They were tall and conical, made of rusted slats of copper. They had once been capped by small teardrop-shaped copper flags sculpted to look like they were rippling in the wind, but one weathered flag was pocked with holes, and the other had broken off completely. In the open water, the spires' protrusion was bizarre, suggesting a cavernous cathedral of the deep. Luce wondered how long ago the church had sunk, how deep it sat below.
The thought of diving down there in ridiculous goggles and mom-bought underwear made her shudder.
"This church must be huge," she said. She meant I don't think I can do this. I can't breathe underwater. How are we going to find one small halo sunk in the middle of the sea?
"I can take you down as far as the chapel itself, but only that far. So long as you hold on to my hand." Daniel extended a warm hand to help Luce stand up in the gondola. "Breathing will not be a problem. But the church will still be sanctified, which means I'll need you to find the halo and bring it out to me."
Daniel yanked his T-shirt off over his head, dropping it to the bench of the gondola. He stepped out of his pants quickly, perfectly balanced on the boat, then kicked off his tennis shoes. Luce watched, feeling something stir inside her, until she realized she was supposed to be stripping down, too. She kicked off her boots, tugged off her socks, stepped out of her jeans as modestly as she could. Daniel held her hand to help her balance; he was watching her but not the way she would have expected. He was worried about her, the goose bumps rising on her skin. He rubbed her arms when she slipped off he sweater and stood freezing in her sensible underwear n the gondola in the middle of the Venetian lagoon.
Again she shivered, cold and fear an indecipherable mass inside her. But her voice sounded brave when she tugged the goggles, which pinched, down over her eyes and said, "Okay, let's swim."
They held hands, just like they had the last time they'd swum together at Sword & Cross. As their feet lifted off the varnished floor of the gondola, Daniel's hand tugged her upward, higher than she ever could have jumped herself-and then they dove.
Her body broke the surface of the sea, which wasn't as cold as she'd expected. In fact, the closer she swam beside Daniel, the warmer the wake around them grew.
He was glowing.
”
”
Lauren Kate (Rapture (Fallen, #4))
“
I’ve lived near here at several different stretches across time, but once, when I lived here a few hundred years ago, I had a camel I named Oded. He was just about the laziest creature ever to talk the Earth. He would pass out when I was in the middle of feeding him, and making it to the closest Bedouin camp for tea was a minor miracle. But when I first met you in that lifetime-“
“Oded broke into a run,” Luce said without thinking. “I screamed because I thought he was going to trample me. You said you’d never seen him move like that.”
“Yeah, well,” Daniel said. “He liked you.”
They paused and looked at each other, and Daniel started laughing when Luce’s jaw dropped. “I did it!” she cried out. “It was just there, in my memory, a part of me. Like it happened yesterday. I came to me without thinking!”
It was miraculous. All those memories from all those lives that had been lost each time Lucinda died in Daniel’s arms were somehow finding their way back to her, the way Luce always found her way back to Daniel.
No. She was finding her way to them.
It was like a gate had been left open after Luce’s quest through the Announcers. Those memories stayed with her, from Moscow to Helston to Egypt. Now more were becoming available.
She had a sudden, keen sense of who she was-and she wasn’t just Luce Price from Thunderbolt, Georgia. She was every girl she’d ever been, an amalgamation of experience, mistakes, achievements, and, above all, love.
She was Lucinda.
“Quick,” she said to Daniel. “Can we do another?”
“Okay, how about another desert life? You were living in the Sahara when I found you. Tall and gangly and the fastest runner in your village. I was passing through one day, on my way to visit Roland, and I stopped for the night at the closest spring. All the other men were very distrustful of me, but-“
“But my father paid you three zebra skins for the knife you had in your satchel!”
Daniel grinned. “He drove a hard bargain.”
“This is amazing,” she said, nearly breathless. How much more did she have in her that she didn’t know about? How far back could she go? She pivoted to face him, drawing her knees against her chest and leaning in so that their foreheads were almost touching. “Can you remember everything about our pasts?”
Daniel’s eyes softened at the corners. “Sometimes the order of things gets mixed up in my head. I’ll admit, I don’t remember long stretches of time I’ve spent alone, but I can remember every first glimpse of your face, every kiss of your lips, every memory I’ve ever made with you.
”
”
Lauren Kate (Rapture (Fallen, #4))
“
No one charged you with being my savior,” Camille’s voice shook, the confrontation not something she really wanted.
“No one had to charge me with it. I made the decision on my own the night the Christina went down.” Oscar sealed his lips as if he’d let something slip he hadn’t intended.
“What are you talking about?” she asked, her boots slipping once on the moss. He avoided her by looking out at the stream. He took a few moments to answer, and when he did he still didn’t meet her stare.
“Do you remember when you woke up on the Londoner? When you asked me if I’d seen your father?”
Camille nodded, and hoped their argument was over. “You said you didn’t see him.”
He shook his head. “I lied. I did see him in the water. He was trying to stay above the surface after I got ahold of the dory.”
It was as though freezing shocks of ocean water were striking Camille in the face all over again. She jumped from the rock, the hem of her skirt nearly tripping her.
“Did you row to him? Did you try and save him?”
He shook his head again. “No.”
“Why not?” she screeched. “Oscar, how could you not help him?” She couldn’t blink. She couldn’t do anything but stare at him in disbelief. He’d abandoned her father, the man who had given him everything.
“Because I spotted you,” he answered, hardly loud enough for her to hear. “I saw you in the waves and I chose to row to you.”
She loosened her fists, stunned.
Oscar sat down on the rock, the toes of his scuffed leather boots buried in the dry layer of pine needles.
“I tried to go back for him,” he said, kicking at the needles, “but by the time I pulled you out of the water and looked back, he was gone.”
She couldn’t move, could barely breathe. If she’d only held on to her father’s hand. Oscar would have been able to save them both.
“If there had just been a way to get to the both of you,” he said.
Camille sat on the rock beside him, laying a tentative hand on his arm. “You’re the most capable man I know, Oscar. If there had been a way, you’d have found it.”
She pressed her hand against his solid arm, the flaxen hairs covering his skin coarse against her fingertips. She wanted to soothe him more, reassure him like he always did her.
”
”
Angie Frazier (Everlasting (Everlasting, #1))
“
Psychoanalysis: An Elegy"
What are you thinking about?
I am thinking of an early summer.
I am thinking of wet hills in the rain
Pouring water. Shedding it
Down empty acres of oak and manzanita
Down to the old green brush tangled in the sun,
Greasewood, sage, and spring mustard.
Or the hot wind coming down from Santa Ana
Driving the hills crazy,
A fast wind with a bit of dust in it
Bruising everything and making the seed sweet.
Or down in the city where the peach trees
Are awkward as young horses,
And there are kites caught on the wires
Up above the street lamps,
And the storm drains are all choked with dead branches.
What are you thinking?
I think that I would like to write a poem that is slow as a summer
As slow getting started
As 4th of July somewhere around the middle of the second stanza
After a lot of unusual rain
California seems long in the summer.
I would like to write a poem as long as California
And as slow as a summer.
Do you get me, Doctor? It would have to be as slow
As the very tip of summer.
As slow as the summer seems
On a hot day drinking beer outside Riverside
Or standing in the middle of a white-hot road
Between Bakersfield and Hell
Waiting for Santa Claus.
What are you thinking now?
I’m thinking that she is very much like California.
When she is still her dress is like a roadmap. Highways
Traveling up and down her skin
Long empty highways
With the moon chasing jackrabbits across them
On hot summer nights.
I am thinking that her body could be California
And I a rich Eastern tourist
Lost somewhere between Hell and Texas
Looking at a map of a long, wet, dancing California
That I have never seen.
Send me some penny picture-postcards, lady,
Send them.
One of each breast photographed looking
Like curious national monuments,
One of your body sweeping like a three-lane highway
Twenty-seven miles from a night’s lodging
In the world’s oldest hotel.
What are you thinking?
I am thinking of how many times this poem
Will be repeated. How many summers
Will torture California
Until the damned maps burn
Until the mad cartographer
Falls to the ground and possesses
The sweet thick earth from which he has been hiding.
What are you thinking now?
I am thinking that a poem could go on forever.
”
”
Jack Spicer (My Vocabulary Did This to Me: The Collected Poetry)
“
Softly, he said, “Why are you crying?”
His words made the tears flow faster.
“Kestrel.”
She drew a shaky breath. “Because when my father comes home, I will tell him that he has won. I will join the military.”
There was a silence. “I don’t understand.”
Kestrel shrugged. She shouldn’t care whether he understood or not.
“You would give up your music?”
Yes. She would.
“But your bargain with the general was for spring.” Arin still sounded confused. “You have until spring to marry or enlist. Ronan…Ronan would ask the god of souls for you. He would ask you to marry him.”
“He has.”
Arin didn’t speak.
“But I can’t,” she said.
“Kestrel.”
“I can’t.”
“Kestrel, please don’t cry.” Tentative fingers touched her face. A thumb ran along the wet skin of her cheekbone. She suffered for it, suffered for the misery of knowing that whatever possessed him to do this could be no more than compassion. He valued her that much. But not enough.
“Why can’t you marry him?” he whispered.
She broke her word to herself and looked at him. “Because of you.”
Arin’s hand flinched against her cheek. His dark head bowed, became lost in its own shadow. Then he slipped from his seat and knelt before hers. His hands fell to the fists on her lap and gently opened them. He held them as if cupping water. He took a breath to speak.
She would have stopped him. She would have wished herself deaf, blind, made of unfeeling smoke. She would have stopped his words out of terror, longing. The way terror and longing had become indistinguishable.
Yet his hands held hers, and she could do nothing.
He said, “I want the same thing you want.”
Kestrel pulled back. It wasn’t possible his words could mean what they seemed.
“It hasn’t been easy for me to want it.” Arin lifted his face so that she could see his expression. A rich emotion played across his features, offered itself, and asked to be called by its name.
Hope.
“But you’ve already given your heart,” she said.
His brow furrowed, then smoothed. “Oh. No, not the way you think.” He laughed a little, the sound soft yet somehow wild. “Ask me why I went to the market.”
This was cruel. “We both know why.”
He shook his head. “Pretend that you’ve won a game of Bite and Sting. Why did I go? Ask me. It wasn’t to see a girl who doesn’t exist.”
“She…doesn’t?”
“I lied.”
Kestrel blinked. “Then why did you go to the market?”
“Because I wanted to feel free.” Arin raised a hand to brush the air by his temple, then awkwardly let it fall.
Kestrel suddenly understood this gesture she’d seen many times. It was an old habit. He was brushing away a ghost, hair that was no longer there because she had ordered it cut.
She leaned forward, and kissed his temple.
Arin’s hand held her lightly to him. His cheek slid against hers. Then his lips touched her brow, her closed eyes, the line where her jaw met her throat.
Kestrel’s mouth found his. His lips were salted with her tears, and the taste of that, of him, of their deepening kiss, filled her with the feeling of his quiet laugh moments ago. Of a wild softness, a soft wildness. In his hands, running up her thin dress. In his heat, burning through to her skin…and into her, sinking into him.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
It is true. I did fall asleep at the wheel. We nearly went right off a cliff down into a gorge. But there were extenuating circumstances.”
Ian snickered. “Are you going to pull out the cry-baby card? He had a little bitty wound he forgot to tell us about, that’s how small it was. Ever since he fell asleep he’s been trying to make us believe that contributed.”
“It wasn’t little. I have a scar. A knife fight.” Sam was righteous about it.
“He barely nicked you,” Ian sneered. “A tiny little slice that looked like a paper cut.”
Sam extended his arm to Azami so she could see the evidence of the two-inch line of white marring his darker skin. “I bled profusely. I was weak and we hadn’t slept in days.”
“Profusely?” Ian echoed. “Ha! Two drops of blood is not profuse bleeding, Knight. We hadn’t slept in days, that much is true, but the rest . . .” He trailed off, shaking his head and rolling his eyes at Azami.
Azami examined the barely there scar. The knife hadn’t inflicted much damage, and Sam knew she’d seen evidence of much worse wounds. “Had you been drinking?” she asked, her eyes wide with innocence. Those long lashes fanned her cheeks as she gaze at him until his heart tripped all over itself.
Sam groaned. “Don’t listen to him. I wasn’t drinking, but once we were pretty much in the middle of a hurricane in the South Pacific on a rescue mission and Ian here decides he has to go into this bar . . .”
“Oh, no.” Ian burst out laughing. “You’re not telling her that story.”
“You did, man. He made us all go in there, with the dirtbag we’d rescued, by the way,” Sam told Azami. “We had to climb out the windows and get on the roof at one point when the place flooded. I swear ther was a crocodile as big as a house coming right at us. We were running for our lives, laughing and trying to keep that idiot Frenchman alive.”
“You said to throw him to the crocs,” Ian reminded.
“What was in the bar that you had to go in?” Azami asked, clearly puzzled.
“Crocodiles,” Sam and Ian said simultaneously. They both burst out laughing.
Azami shook her head. “You two could be crazy. Are you making these stories up?”
“Ryland wishes we made them up,” Sam said. “Seriously, we’re sneaking past this bar right in the middle of an enemy-occupied village and there’s this sign on the bar that says swim with the crocs and if you survive, free drinks forever. The wind is howling and trees are bent almost double and we’re carrying the sack of shit . . . er . . . our prize because the dirtbag refuses to run even to save his own life—”
“The man is seriously heavy,” Ian interrupted. “He was kidnapped and held for ransom for two years. I guess he decided to cook for his captors so they wouldn’t treat him bad. He tried to hide in the closet when we came for him. He didn’t want to go out in the rain.”
“He was the biggest pain in the ass you could imagine,” Sam continued, laughing at the memory. “He squealed every time we slipped in the mud and went down.”
“The river had flooded the village,” Sam added. “We were walking through a couple of feet of water. We’re all muddy and he’s wiggling and squeaking in a high-pitched voice and Ian spots this sign hanging on the bar.
”
”
Christine Feehan (Samurai Game (GhostWalkers, #10))
“
Nothing had changed in that moment when Violet and Jay had finally decided to have sex. Nothing-and everything.
Violet was amazed by what they’d done. Amazed that they’d shared themselves with each other, like that. It was wonderful, and beautiful, and not anything that Violet had expected it to be.
The pain had been more intense than she could have imagined, and she’d done her best not to cry out. But, of course, Jay had noticed as her body tensed, and then she shuddered. Tears dampened her lashes, yet she’d refused to let them fall.
Jay had insisted that they stop, but Violet wouldn’t let him. Instead they’d waited, with Jay holding her, stroking her hair, her shoulders, her face, until the pain subsided, becoming something…less.
Later, when she was lying in his arms, she shuddered again.
Jay hugged her tight. “What’s wrong? You’re not sorry, are you?” The tenderness of his words made her heart twist.
“Of course not. How could I be sorry for that?”
He kissed her eyes, gently. “Then why are you shivering? I didn’t mean to hurt you, Vi.”
She shook her head, clumsily bumping his chin. “I don’t know why.” She ran her fingertips over his arm, memorizing the feel of his coarse hairs, his skin, the muscles beneath it all. “It’s just…it’s a lot. You know?”
Jay smiled. It was a satisfied smile. “Yeah.” He leaned back and pulled her to him, tucking her against his shoulder. “It was a lot. A really good lot.”
She wanted to shove him, to banter, to play, but she was too exhausted.
When Jay finally got up to leave, Violet leaned up on her elbow and watched as he buttoned his jeans. She wished they could stay like that-together-for longer. Forever.
She already missed the feel of him beside her, and the scent of him around her. She sat up to give him back the T-shirt she was wearing.
His lazy smile was far too beautiful to be real. “Keep it,” he insisted. “I like it better on you anyway.” The way he stared at her made her stomach flip. It was a look brimming with tenderness. They were a part of something more now; they belonged to each other.
He tugged his hoodie over his bare chest, and then he leaned down to kiss her one last time, his lips lingering.
His thumb traced the line of her cheek. “I love you, Violet Marie. I’ll always love you.”
And then he left.
And, once again, Violet slept deeply, soundly, wrapped in Jay’s shirt.
He was the perfect remedy to all her worries.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
Katarina wasn’t afraid of Baden. Not anymore.
He took a step to the side, intending to move around her. Oh, no. She flattened her hands on his shoulders, keeping him in place.
“I want to know what’s wrong with you.” She said. “Tell me.”
He snapped his teeth at her in a show of dominance. “You think you want to know my problem. You’re wrong.”
Her tone dry, she said, “I’m so glad you know my mind better than I do.”
“Very well. I need sex.” He threw the words at her as if they were weapons. “Badly.”
Whoa. Blindside!
Heart pounding, she jerked her hands away from him. “Sex...from me?”
“Yesss.” A hiss. “Only from you.”
Only. Amazing how one little word could send pleasure soaring through her, warming her. “You told me never to touch you.” Which she’d just done, she realized. My bad.
“I’ve changed my mind.” His gaze dropped, lingered on her lips.
Burning her... “But you and I...we’re a different species.” As if that mattered to her body. Gimme!
He took a step closer, invading her personal space. “We’ll fit, I promise you.”
Tristo hrmenych! The raspy quality of his voice, all smoke and gravel...she shivered with longing. Must resist his allure.
But...but...why? Before she’d committed to Peter, she’d dated around, had made out in movie theaters, cars and on couches. She’d liked kissing and touching and “riding the belt buckle,” as her friends had called it. Then, after committing to Peter, she’d gifted him with her virginity. At first, he hadn’t known what to do with her—he’d been just as inexperienced—and she’d left each encounter disappointed. When finally she’d gathered the courage to tell him what she wanted, he’d satisfied her well.
She missed sex. But connection...intimacy...she thought she missed those more.
The dogs barked, jolting her from her thoughts. They’d cleaned their food bowls, and now wanted to play. She clasped Baden’s hand to lead him out of the kennel. He jerked away, severing contact.
One action. Tons of hurt.
“I’m allowed to touch you and you want to have sex with me, but you’re still disgusted by me.” She stomped outside the kennel, done with him. “Well, I’m leaving. Good riddance! Your do-what-I-say-or-else attitude was annoying, anyway.”
He darted in front of her, stopping her. Breath caught in her throat as sunlight streamed over him, paying his chiseled features absolute tribute, making his bronzed skin glimmer.
So beautiful. Too beautiful.
“I’m not disgusted by you. You need me. I’ve come to accept it,” he admitted, looking away from her. “But being skin-to-skin with another is painful for me. We’ll have to proceed carefully. And you’ll get over your annoyance.”
Another order! She would show him the error of his ways.
”
”
Gena Showalter (The Darkest Torment (Lords of the Underworld, #12))
“
Then, suddenly, a shadowy flash came to me. Tiffany, taking an order, arguing with a girl. Shockingly, not me. Another flash, of Detective Toscano walking into Yummy’s minutes ago. Tiffany nervously kneading a coaster between her fingers. The coaster I held in my hands right now.
Tiffany was scared.
Why was she scared of the cop?
“Hey! Space shot! You want your Coke or not?”
I tried to ignore Tiffany’s screeching and hold on to the vision, but it blurred and disappeared. I grabbed my new glass from her outstretched hand.
“I heard you got into an argument last night,” I said.
Tiffany paled, which I never thought possible since her skin was so fake-and-bake tan. She nervously twirled a lock of her bleach blond hair around her finger. “Where did you hear that?”
“Doesn’t matter where I heard it.” I took a chance and added, “But it was pretty juicy gossip, considering who she was.”
Tiffany’s pale face turned to green and I involuntarily took a step back ,half expecting an Exorcist-style stream of vomit to shoot out of her gaping mouth. Instead, she narrowed her eyes and leaned closer. “Get away from me,” she growled.
And then it became clear. My flash of her argument. Her fear of the detective. She’d argued with the girl who was murdered last night. And she did not want Detective Toscano to find out about it.
I stepped away from the bar, giddy with my new knowledge. I had the upper hand on Tiffany Desposito. I could torture her with this. Drag it out. Hold it over her head for days, even weeks.
“It’s too bad you’re not with Justin anymore,” she said to my back. “He’s a cutie. And such a good kisser.”
And that was my limit.
I spun around and dumped my brand-new Coke over her head. She shrieked and flailed her hands as the liquid streamed over her face and down between her giant boobs. She peeled her sticky hair off her eyes and snarled, “I’ll get you for this.”
I merely smiled, then sauntered over to the two Toscanos, who had apparently been watching this whole display with entertained grins on their faces.
“You’re the new detective?” I asked the elder Toscano.
He nodded. Either his mouth was too full with French fries or he was too scared of me to speak at the moment.
“Tiffany Desposito, the wet and sticky waitress over there? She had a fight with the girl who was murdered. Last night, at this restaurant. You should question her right away. I wouldn’t even give her a chance to go home and shower first. I think she’s a flight risk.”
I strolled back to my booth, sat down, and tore into my pancakes, happy as a kid on Christmas. Nate and Perry stared at me in silence for a few moments.
Then Perry said, “Maybe you should have let me go over.”
Nate shook his head. “Nah. She did just fine.
”
”
Kim Harrington (Clarity (Clarity, #1))
“
Oh I'll die I'll die I'll die
My skin is in blazing furore
I do not know what I'll do where I'll go oh I am sick
I'll kick all Arts in the butt and go away Shubha
Shubha let me go and live in your cloaked melon
In the unfastened shadow of dark destroyed saffron curtain
The last anchor is leaving me after I got the other anchors lifted
I can't resist anymore, a million glass panes are breaking in my cortex
I know, Shubha, spread out your matrix, give me peace
Each vein is carrying a stream of tears up to the heart
Brain's contagious flints are decomposing out of eternal sickness
other why didn't you give me birth in the form of a skeleton
I'd have gone two billion light years and kissed God's ass
But nothing pleases me nothing sounds well
I feel nauseated with more than a single kiss
I've forgotten women during copulation and returned to the Muse
In to the sun-coloured bladder
I do not know what these happenings are but they are occurring within me
I'll destroy and shatter everything
draw and elevate Shubha in to my hunger
Shubha will have to be given
Oh Malay
Kolkata seems to be a procession of wet and slippery organs today
But i do not know what I'll do now with my own self
My power of recollection is withering away
Let me ascend alone toward death
I haven't had to learn copulation and dying
I haven't had to learn the responsibility of shedding the last drops
after urination
Haven't had to learn to go and lie beside Shubha in the darkness
Have not had to learn the usage of French leather
while lying on Nandita's bosom
Though I wanted the healthy spirit of Aleya's
fresh China-rose matrix
Yet I submitted to the refuge of my brain's cataclysm
I am failing to understand why I still want to live
I am thinking of my debauched Sabarna-Choudhury ancestors
I'll have to do something different and new
Let me sleep for the last time on a bed soft as the skin of
Shubha's bosom
I remember now the sharp-edged radiance of the moment I was born
I want to see my own death before passing away
The world had nothing to do with Malay Roychoudhury
Shubha let me sleep for a few moments in your
violent silvery uterus
Give me peace, Shubha, let me have peace
Let my sin-driven skeleton be washed anew in your seasonal bloodstream
Let me create myself in your womb with my own sperm
Would I have been like this if I had different parents?
Was Malay alias me possible from an absolutely different sperm?
Would I have been Malay in the womb of other women of my father?
Would I have made a professional gentleman of me
like my dead brother without Shubha?
Oh, answer, let somebody answer these
Shubha, ah Shubha
Let me see the earth through your cellophane hymen
Come back on the green mattress again
As cathode rays are sucked up with the warmth of a magnet's brilliance
I remember the letter of the final decision of 1956
The surroundings of your clitoris were being embellished
with coon at that time
Fine rib-smashing roots were descending in to your bosom
Stupid relationship inflated in the bypass of senseless neglect
Aaaaaaaaaaaaaaaaaaaaaaaah
I do not know whether I am going to die
Squandering was roaring within heart's exhaustive impatience
I'll disrupt and destroy
I'll split all in to pieces for the sake of Art
There isn't any other way out for Poetry except suicide
Shubha
Let me enter in to the immemorial incontinence of your labia majora
In to the absurdity of woeless effort
In the golden chlorophyll of the drunken heart
Why wasn't I lost in my mother's urethra?
Why wasn't I driven away in my father's urine after his self-coition?
Why wasn't I mixed in the ovum -flux or in the phlegm?
With her eyes shut supine beneath me
I felt terribly distressed when I saw comfort seize S
”
”
Malay Roy Choudhury (Selected Poems)
“
There was a moment of stillness before something in him seemed to snap. she pounced on her with a sort of tigerish delight, and clamped his mouth over hers. She squeaked in surprise, wriggling in his hold, but his arms clamped around her easily, his muscles as solid as oak. He kissed her possessively, almost roughly at first, gentling by voluptuous degrees. Her body surrendered without giving her brain a chance to object, applying itself eagerly to every available inch of him. The luxurious male heat and hardness of him satisfied a wrenching hunger she hadn't been aware of until now. It also gave her the close-but-not-close-enough feeling she remembered from before. Oh, how confusing this was, this maddening need to crawl inside his clothes, practically inside his skin.
She let her fingertips wander over his cheeks and jaw, the neat shape of his ears, the taut smoothness of his neck. When he offered no objection, she sank her fingers into his thick, vibrant hair and sighed in satisfaction. He searched for her tongue, teased and stroked intimately until her heart pounded in a tumult of longing, and a sweet, empty ache spread all through her. Dimly aware that she was going to lose control, that she was on the verge of swooning, or assaulting him again, she managed to break the kiss and turn her face away with a gasp.
"Don't," she said weakly.
His lips grazed along her jawline, his breath rushing unsteadily against her skin. "Why? Are you still worried about Australian pox?"
Slowly it registered that they were no longer standing. Gabriel was sitting on the ground with his back against the grass-covered mound, and- heaven help her- she was in his lap. She glanced around them in bewilderment. How had this happened?
"No," she said, bewildered and perturbed, "but I just remembered that you said I kissed like a pirate."
Gabriel looked blank for a moment. "Oh, that. That was a compliment."
Pandora scowled. "It would only be a compliment if I had a beard and a peg leg."
Setting his mouth sternly against a faint quiver, Gabriel smoothed her hair tenderly. "Forgive my poor choice of words. What I meant to convey was that I found your enthusiasm charming."
"Did you?" Pandora turned crimson. Dropping her head to his shoulder, she said in a muffled voice, "Because I've worried for the past three days that I did it wrong."
"No, never, darling." Gabriel sat up a little and cradled her more closely to him. Nuzzling her cheek, he whispered, "Isn't it obvious that everything about you gives me pleasure?"
"Even when I plunder and pillage like a Viking?" she asked darkly.
"Pirate. Yes, especially then." His lips moved softly along the rim of her right ear. "My sweet, there are altogether too many respectable ladies in the world. The supply has far exceeded the demand. But there's an appalling shortage of attractive pirates, and you do seem to have a gift for plundering and ravishing. I think we've found you're true calling."
"You're mocking me," Pandora said in resignation, and jumped a little as she felt his teeth gently nip her earlobe.
Smiling, Gabriel took her head between his hands and looked into her eyes. "Your kiss thrilled me beyond imagining," he whispered. "Every night for the rest of my life, I'll dream of the afternoon in the holloway, when I was waylaid by a dark-haired beauty who devastated me with the heat of a thousand troubled stars, and left my soul in cinders. Even when I'm an old man, and my brain has fallen to wrack and ruin, I'll remember the sweet fire of your lips under mine, and I'll say to myself, 'Now, that was a kiss.'"
Silver-tongued devil, Pandora thought, unable to hold back a crooked grin. Only yesterday, she'd heard Gabriel affectionately mock his father, who was fond of expressing himself with elaborate, almost labyrinthine turns of phrase. Clearly the gift had been passed down to his son.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
Nicolas couldn’t stop looking at her with her head thrown back, her thick, black hair streaming in the wind, her body perfectly balanced as she guided the boat. With her head back, he could see her neck and the outline of her body beneath the shirt, almost as if she wore nothing at all. His body stirred, hardened. Nicolas didn’t bother to fight the reaction. Whatever was between them, the chemistry was apparent and it wasn’t going to go away. He could sit in the boat and admire the flawless perfection of her skin. Imagine the way it would feel beneath his fingertips, his palm.
Dahlia’s head suddenly turned and her eyes were on him. Hot Wild. Wary. “Stop touching my breasts.” She lifted her chin, faint color stealing under her skin.
He held up his hands in surrender. “I have no idea what you’re talking about.”
“You know exactly what I’m talking about.” Dahlia’s breasts ached, felt swollen and hot, and deep inside her, a ravenous appetite began to stir. Nicolas was sitting across from her, looking the epitome of the perfect male statue, his features expressionless and his eyes cool, but she felt his hands on her body. Long caresses, his palms cupping her breasts, thumbs stroking her nipples until she shivered in awareness and hunger.
“Oh, that.”
“Yes, that.” She couldn’t help seeing the rigid length bulging beneath his jeans, and he made no effort to hide it. His unashamed display sent her body into overtime reaction so that she felt a curious throbbing where no throbbing needed to be. She grit her teeth together. “I can still feel you touching me.”
He nodded thoughtfully. “I consider myself an innocent victim in this situation,” Nicolas said. “I’ve always had control, in fact I pride myself on self-discipline. You seem to have destroyed it. Permanently.” He wasn’t exactly lying to her. He couldn’t take his eyes or his mind from her body. It was an unexpected pleasure, a gift.
He was devouring her with his eyes. With his mind. A part of her, the truly insane part—and Dahlia was beginning to believe there really was one—loved the way he was looking at her. She’d never experienced a man’s complete attention centered on her in a sexual way before. And he wasn’t just any man. He was . . . extraordinary.
“Well, stop all the same,” she said, caught between embarrassment and pleasure.
“I don’t see why my having a few fantasies should bother you.”
“I’m feeling your fantasies. I think you’re projecting just a little too strongly.”
His eyebrows shot up. “You mean you can actually feel what I’m thinking? My hands on your body? I thought you were reading my mind.”
“I told you I could feel you touching me.”
“That’s amazing. Has that ever happened before?”
“No, and it better not happen again. Good grief, we’re strangers.”
“You slept with me last night,” he pointed out. “Do you sleep with many strangers?” He was teasing her, but the question sent a dark shadow skittering through him.
”
”
Christine Feehan (Mind Game (GhostWalkers, #2))
“
He raised an eyebrow. "Where did you get this? Is our Anne Boleyn suddenly from Mars?" He chuckled. "I always thought she hailed from Wiltshire."
Luce's mind raced to catch up. She was playing Anne Boleyn? She'd never read this play, but Daniel's costume suggested he was playing the king, Henry VIII.
"Mr. Shakespeare-ah,Will-thought it would look good-"
"Oh,Will did?" Daniel smirked, bot believing her at all but seeming not to care. It was strange to feel that she could do or say almost anything and Daniel would still find it charming. "You're a little bit mad, aren't you, Lucinda?"
"I-well-"
He brushed her cheek with the back of his finger. "I adore you."
"I adore you,too." The words tumbled from her mouth,feeling so real and so true after the last few stammering lies. It was like letting out a long-held breath. "I've been thinking, thinking a lot,and I wanted to tell you that-that-"
"Yes?"
"The truth is that what I feel for you is...deeper than adoration." She pressed her hands over his heart. "I trust you. I trust your love. I know how strong it is,and how beautiful." Luce knew that she couldn't come right out and say what she really meant-she was supposed to be a different version of herself,and the other times,when Daniel had figured out who she was, where she'd come from,he'd clammed up immediately and told her to leave. But maybe if she chose her words carefully, Daniel would understand. "It may seem like sometimes I-I forgot what you mean to me and what I mean to you,but deep down...I know.I know because we are meant to be together.I love you, Daniel."
Daniel looked shocked. "You-you love me?"
"Of course." Luce almost laughed at how obvious it was-but then she remembered: She had no idea which moment from her past she'd walked into.Maybe in this lifetime they'd only exchanged coy glances.
Daniel's chest rose and fell violently and his lower lip began to quiver. "I want you to come away with me," he said quickly.There was a desperate edge to his voice.
Luce wanted to cry out Yes!, but something held her back.It was so easy to get lost in Daniel when his body was pressed so close to hers and she could feel the heat coming off his skin and the beating of his heart through his shirt.She felt she could tell him anything now-from how glorious it had felt to die in his arms in Versailles to how devastated she was now that she knew the scope of his suffering. But she held back: The girl he thought she was in this lifetime wouldn't talk about those things, wouldn't know them. Neither would Daniel. So when she finally opened her mouth,her voice faltered.
Daniel put a finger over her lips. "Wait. Don't protest yet. Let me ask you properly.By and by, my love."
He peeked out the cracked wardrobe door, toward the curtain.A cheer came from the stage.The audience roared with laughter and applause. Luce hadn't even realized the play had begun.
"That's my entrance.I'll see you soon." He kissed her forehead,then dashed out and onto the stage.
”
”
Lauren Kate (Passion (Fallen, #3))
“
Camille heard the rustle of grass. She opened one eye and saw Oscar settling down beside her.
“We can spare a few minutes,” he said. She sat up and cradled her knees in her arms. He plucked a blade of grass and commenced peeling it down the center. They heard the Australian snoring from his spot a few yards away, completely hidden in a blanket of green.
“I guess we can spare more than a few minutes.” Oscar smiled and met her gaze, holding it a moment. She suddenly realized how horrible she must look-her hair, her clothes, her skin.
“Do you miss him?” he asked, not seeming to notice any of those things.
Camille uprooted a purple flower and a white daisy near it. “Of course I do. But I’m hoping with the stone I won’t have to very long.”
“Not your father, Camille. Randall.”
She took a deep breath, shocked she hadn’t thought of her fiancé for so long. How many days had it been? A full week, maybe more.
“Oh. Well…I suppose I do.”
Oscar raised an eyebrow and laughed at her clear lack of conviction.
Camille shrugged. “What? A lot has happened and right now getting back to San Francisco isn’t something I’m concerned about.”
Oscar nodded and chewed on the tip of his blade of grass.
“It’s not that Randall isn’t a perfectly good man,” she said, fiddling with the flowers in her hands. The roots crumbled dirt onto her lap. “He’s kind and caring and handsome and an excellent businessman.”
Oscar continued to nod.
“And he’ll make a fine husband, I’m sure,” she added, knowing he really was all those things. If only all of them combined could make up for what she didn’t feel while with him.
“I’m sure,” Oscar repeated. Had he been mocking her? She thought she had caught a trace of sarcasm. All this talk about Randall had her itching.
“Why do you ask?”
“Just wondered if you missed home,” Oscar answered and threw the mangled blade of grass behind him.
“Do you?” she asked, ashamed to her Oscar know how little she desired to return. He thought for a moment, tugging up another switch of grass and rolling it between his fingers.
“No,” he answered with stark certainty. “I have everything I’d miss right here.”
Every inch of Camille’s body smoldered under Oscar’s gentle, and so very forward, gaze. He’d miss her. She looked into his gray-blue eyes, rimmed by thick, honey-colored lashes-had they always been so full? The bridge of his nose crooked to the left slightly, perhaps broken in a fight after he’d moved from her father’s carriage house to a small apartment along the San Francisco harbor front. She’d never noticed the charming imperfection before.
She watched as his eyes traveled over her own features, touching on the wound by her temple and settling on the heart-shaped fullness of her lips.
Oscar held his piercing stare. “We probably won’t arrive home in time for your wedding.
”
”
Angie Frazier (Everlasting (Everlasting, #1))
“
Is it Randall?” Oscar sounded out the name with care, as if testing dangerous waters. Camille closed her eyes and turned her face away from him, not wanting to have to see him when she said what she needed to say.
“I have a duty, Oscar, just like my mother did. She failed at hers and look what happened; she destroyed so much. My father asked me not to say anything, but if I don’t marry Randall…I’m sorry, Oscar, I just have to.”
Camille tried to edge by him, but Oscar held her back with his arm.
“Do you think I’m a fool, Camille? Don’t try to blame marrying Randall on some duty you think you have.”
She parted her lips to insist he was wrong. He cut her off.
“If this is how you really feel, then you had no right to ask me to stay with you that night. You gave me a taste of what being with you might be like, and now you’re asking me to walk away. Who do you think you are?”
Camille shook her head. He wasn’t listening. He had no idea how difficult it was for her, too, to have that one taste, that single moment of pure bliss to feed off of for the rest of her life.
“I don’t have a choice-“
He slammed his fist against the pantry shelf behind her.
“I don’t have a bank vault filled with money, or ten suits hanging in my closet to choose from each morning. I know I couldn’t give you all the things he could, but I can give you something he’ll never be able to. I love you, Camille,” he said, his mouth so close to hers his breath moistened her lips. “I love you. Not your last name or your pretty face or all the business opportunities you could bring me.” He laid his palm just beneath her neck, his thumb caressing the skin above where her heart lay. “Just you.”
She stared at him, unblinking, unable to breathe, let alone speak. Oscar’s arm fell away.
“You do have a choice, Camille. Or should I already be calling you Mrs. Jackson?”
He stormed from the pantry, Camille on his heels. Promise or no promise to her father, she had to tell Oscar everything.
“Please, Oscar, wait, if you’ll just listen-“
The companionway steps rattled, and Ira bounded into the galley. Oscar scooped up his shirt and shoved his arms inside the sleeves as Ira kicked out a bench at the table and sat down.
“I’ve never been so friggin’ tried in my life,” Ira said, grabbing a mug for coffee. “And I once played a game of poker that lasted two days.
Camille ignored him, Oscar’s anger still stinging. She’d created a massive mass. Ira peered at her, then at Oscar.
“Why’re you two all red in the face?” he asked. Then his cheeks drew up and his teeth glistened. Oscar caught him before he could speak.
“Save it, Ira,” he said, quickly glancing at Camille. She couldn’t plead with him to listen to her explain with Ira there. Oscar buttoned his shirt and left the galley. Ira directed his wily grin toward her.
“Save it, Ira,” she echoed, and resumed scrubbing the floor.
”
”
Angie Frazier (Everlasting (Everlasting, #1))
“
But if her idiot suitors were staying at Halstead Hall with her, then by thunder, he'd be here, too. They wouldn't take advantage of her on his watch. "We're agreed that you won't do any of that foolish nonsense you mentioned, like spying on them, right?"
"Of course not. That's what I have you for."
Her private lackey to jump at her commands. He was already regretting this.
"Surely the gentlemen will accept the invitation," she went on, blithely ignoring his disgruntlement. "It's hunting season, and the estate has some excellent coveys."
"I wouldn't know."
She cast him an easy smile. "Because you generally hunt men, not grouse. And apparently you do it very well."
A compliment? From her "No need to flatter me, my lady," he said dryly. "I've already agreed to your scheme."
Her smile vanished. "Really, Mr. Pinter, sometimes you can be so..."
"Honest?" he prodded.
"Irritating." She tipped up her chin. "It will be easier to work together if you're not always so prickly."
He felt more than prickly, and for the most foolish reasons imaginable. Because he didn't like her trawling for suitors. Or using him to do it. And because he hated her "lady of the manor" role. It reminded him too forcibly of the difference in their stations.
"I am who I am, madam," he bit out, as much a reminder for himself as for her. "You knew what you were purchasing when you set out to do this."
She frowned. "Must you make it sound so sordid?"
He stepped as close as he dared. "You want me to gather information you can use in playing a false role to catch s husband. I am not the one making it sordid."
"Tell me, sir, will I have to endure your moralizing at every turn?" she said in a voice dripping with sugar. "Because I'd happily pay extra to have you keep your opinions to yourself."
"There isn't enough money in all the world for that."
Her eyes blazed up at him. Good. He much preferred her in a temper. At least then she was herself, not putting on some show.
She seemed to catch herself, pasting an utterly false smile to her lips. "I see. Well then, can you manage to be civil for the house party? It does me no good to bring suitors here if you'll be skulking about, making them uncomfortable."
He tamped down the urge to provoke her further. If he did she'd strike off on her own, and that would be disastrous. "I shall try to keep my 'skulking' to a minimum."
"Thank you." She thrust out her hand. "Shall we shake on it?"
The minute his fingers closed about hers, he wished he'd refused. Because having her soft hand in his roused everything he'd been trying to suppress during this interview.
He couldn't seem to let go. For such a small-boned female, she had a surprisingly firm grip. Her hand was like her-fragility and strength all wrapped in beauty. He had a mad impulse to lift it to his lips and press a kiss to her creamy skin.
But he was no Lancelot to her Guinevere. Only in legend did lowly knights dare to court queens.
Releasing her hand before he could do something stupid, he sketched a bow. "Good day, my lady. I'll begin my investigation at once and report to you as soon as I learn something."
He left her standing there, a goddess surrounded by the aging glories of an aristocrat's mansion. God save him-this had to be the worst mission he'd ever undertaken, one he was sure to regret.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))