“
Be brave and be patient. Have faith in yourself; trust in the significance of your life and the purpose of your passion. You are strong enough to sit in the space between spaces and allow divine inspiration to shed some light. When you put positive energy and productive effort into the world it will come back to you. Occasionally in ways you might not immediately understand and on a time frame you didn’t expect. Look. Listen. Learn. Stay open. Your destiny is awaiting you.
”
”
Jillian Michaels (Unlimited: How to Build an Exceptional Life)
“
Because when some incident sheds a favorable light on an old and absent friend, that's about as good a gift as chance intends to offer.
”
”
Amor Towles (Rules of Civility)
“
Each person shines with his or her own light. No two flames are alike. There are big flames and little flames, flames of every color. Some people’s flames are so still they don’t even flicker in the wind, while others have wild flames that fill the air with sparks. Some foolish flames neither burn nor shed light, but others blaze with life so fiercely that you can’t look at them without blinking, and if you approach you shine in the fire.
”
”
Eduardo Galeano
“
Faster than lightening, his hand shot out and she gagged, jolting as he grabbed her tongue between his fingers...He released her tongue, and she gasped for breath. She swore at him, a filthy, foul name, and spat at his feet. And that's when he bit her. She cried out as those canines pierced the spot between her neck and shoulder, a primal act of aggression--the bite so strong and claiming that she was too stunned to move. He had her pinned against the tree and clamped down harder, his canines digging deep, her blood spilling onto her shirt. Pinned, like some weakling. But that was what she'd become, wasn't it? Useless, pathetic.
She growled, more animal than sentient being. And shoved.
Rowan staggered back a step, teeth ripping her skin and she struck his chest. She didn't feel the pain, didn't care about the blood or flash of light. No, she wanted to rip his throat out--rip it out with the elongated canines she bared at him as she finished shifting and roared.
Rowan grinned. "There you are.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
No one knows what he himself is made of, except his own spirit within him, yet there is still some part of him which remains hidden even from his own spirit; but you, Lord, know everything about a human being because you have made him...Let me, then, confess what I know about myself, and confess too what I do not know, because what I know of myself I know only because you shed light on me, and what I do not know I shall remain ignorant about until my darkness becomes like bright noon before your face.
”
”
Augustine of Hippo (Confessions)
“
Keefe closed the distance between them.
And then... everything was new.
The soft press of his lips against hers.
The way their breath seemed to fall perfectly into sync as her heart and brain screamed FINALLY!
Some tiny part of her had always wondered if kissing could really be as great as everyone claimed.
But kissing Keefe was So. Much. Better.
He was the one to finally pull away, leaning back to study her in the shimmering light. "You're okay, right? No regrets?"
She grinned. "Absolutely none."
His relieved smile was the sweetest thing she'd ever seen- but it faded a little as he leaned his forehead against hers. "I don't want to mess this up," he whispered. "Please don't let me mess this up."
"I won't," she promised, tilting her chin up to steal another quick kiss.
”
”
Shannon Messenger (Stellarlune (Keeper of the Lost Cities, #9))
“
That even in the darkest of times we have the right to expect some illumination, and that such illumination might well come less from theories and concepts than from the uncertain, flickering, and often weak light that some men and women, in their lives and their works, will kindle under almost all circumstances and shed over the time span that was given to them....
”
”
Hannah Arendt (Men in Dark Times)
“
A man depends largely on woman for the light in the family as he is not well equipped at finding meaning for himself. Life is often dry and barren for him unless someone bestows meaning on life for him. With a few words, a woman can give meaning to a whole day’s struggle and a man will be so grateful. A man knows and wants this; he will edge up to it, initiate little occasions so that a woman can shed some light for him. When he comes home and recounts the events of the day, he is asking her to bestow meaning on them. This is the light-bearing quality of a woman.
”
”
Robert A. Johnson (She: Understanding Feminine Psychology)
“
The world,' he revealed, 'is a heap of people, a sea of tiny flames.'
Each person shines with his or her own light. No two flames are alike. There are big flames and little flames, flames of every colour. Some peoples flames are so still they don't even flicker in the wind, while others have wild flames that fill the air with sparks. Some foolish flames neither burn nor shed light, but others blaze with life so fiercely that you can't look at them without blinking and if you approach, you shine in fire.
”
”
Eduardo Galeano (The Book of Embraces)
“
Recent brain scans have shed light on how the brain simulates the future. These simulation are done mainly in the dorsolateral prefrontal cortex, the CEO of the brain, using memories of the past. On one hand, simulations of the future may produce outcomes that are desirable and pleasurable, in which case the pleasure centers of the brain light up (in the nucleus accumbens and the hypothalamus). On the other hand, these outcomes may also have a downside to them, so the orbitofrontal cortex kicks in to warn us of possible dancers. There is a struggle, then, between different parts of the brain concerning the future, which may have desirable and undesirable outcomes. Ultimately it is the dorsolateral prefrontal cortex that mediates between these and makes the final decisions. (Some neurologists have pointed out that this struggle resembles, in a crude way, the dynamics between Freud's ego, id, and superego.)
”
”
Michio Kaku (The Future of the Mind: The Scientific Quest to Understand, Enhance, and Empower the Mind)
“
In nature, some seeds lie dormant in anticipation of the season most conducive to their growth. This is true of art as well. There are ideas whose time has not yet come. Or perhaps their time has come, but you are not yet ready to engage with them. Other times, developing a different seed may shed light on a dormant one.
”
”
Rick Rubin (The Creative Act: A Way of Being)
“
Next time she’d have to ask him to keep the light on while he did it, so she could watch his face. That was the best part of the whole thing as far as she was concerned, the way a guy’s face contorted so violently and then relaxed, as if some terrible mystery had just been solved.
”
”
Tom Perrotta (The Leftovers)
“
Above us, stars. Beneath us, constellations.
Five billion miles away, a galaxy dies
like a snowflake falling on water. Below us,
some farmer, feeling the chill of that distant death,
snaps on his yard light, drawing his sheds and barn
back into the little system of his care.
All night, the cities, like shimmering novas,
tug with bright streets at lonely lights like his.
”
”
Ted Kooser (Flying At Night: Poems 1965-1985 (Pitt Poetry Series))
“
I don't know what I was hoping for. Some small praise, I guess. A bit of encouragement. I didn't get it. Miss Parrish took me aside one day after school let out. She said she'd read my stories and found them morbid and dispiriting. She said literature was meant to uplift the heart and that a young woman such as myself ought to turn her mind to topics more cheerful and inspiring than lonely hermits and dead children.
"Look around yourself, Mathilda," she said. "At the magnificence of nature. It should inspire joy and awe. Reverence. Respect. Beautiful thoughts and fine words."
I had looked around. I'd seen all the things she'd spoken of and more besides. I'd seen a bear cub lift it's face to the drenching spring rains. And the sliver moon of winter, so high and blinding. I'd seen the crimson glory of a stand of sugar maples in autumn and the unspeakable stillness of a mountain lake at dawn. I'd seen them and loved them. But I'd also seen the dark of things. The starved carcasses of winter deer. The driving fury of a blizzard wind. And the gloom that broods under the pines always. Even on the brightest days.
”
”
Jennifer Donnelly (A Northern Light)
“
Luc scored forty and slapped the darts in her palm. “The light sucks in here.”
“No.” She smiles and took great pleasure in announcing, “You suck.”
His gaze narrowed.
Weeks of anger and hurt poured out of her and she said, louder than she’d intended, “And worse – you’re a whiner.”
A collective intake of breath caught their attention and she and Luc turned and looked at the guys watching a few feet away.
“Lucky’s gonna kill Sharky,” Sutter predicted from the sidelines.
By taut agreement they both went to their respective corners. Jane shot and scored sixty-five. Luc scored thirty-four.
“Now remind me. Why do they call you Lucky?” she asked as she reached for the darts.
He pulled them back out of her reach as a slow, purely licentious smile curved his mouth. A smile that told her he was remembering her on her knees kissing his tattoo. “I’m sure if you think long and hard, you’ll remember the answer to that.”
“No.” She shook her head. “Some things just aren’t that memorable.
”
”
Rachel Gibson (See Jane Score (Chinooks Hockey Team #2))
“
Rhoda comes now, having slipped in while we were not looking. She must have made a tortuous course, taking cover now behind a waiter, now behind some ornamental pillar, so as to put off as long as possible the shock of recognition, so as to be secure for one more moment to rock her petals in her basin. We wake her. We torture her. She dreads us, she despises us, yet she comes cringing to our sides because for al our cruelty there is always some name, some face which sheds a radiance, which lights up her pavements and makes it possible for her to replenish her dreams.
”
”
Virginia Woolf (The Waves)
“
My eye is still used to searching for her in a crowd. My breath is still used to catching when I see her and the light is angled just right. My body is still used to hers moving next to mine. So the distance—anything short of contact—is a constant rejection. We were together for six months, and in each of those months my desire found new ways to be fueled by her. It’s over can’t kill that. All of the songs I wrote in my head were for her, and now I can’t stop them from playing. This null soundtrack. I’m tired, she’d said, and I told her that I was tired, too, and that I wanted to take some time for us, too. And then she’d said, No, I’m tired of you, and I slipped into the surreal-but-true universe where we were over and I wasn’t over it. She was no longer any kind of here that I could get to
”
”
David Levithan (Nick & Norah's Infinite Playlist)
“
And yet, they hesitated. The knowledge that they might never see each other again, that some of them—maybe all of them—might not survive this night hung heavy in the air. A gambler, a convict, a wayward son, a lost Grisha, a Suli girl who had become a killer, a boy from the Barrel who had become something worse.
Inej looked at her strange crew, barefoot and shivering in their soot-stained prison uniforms, their features limned by the golden light of the dome, softened by the mist that hung in the air.
What bound them together? Greed? Desperation? Was it just the knowledge that if one or all of them disappeared tonight, no one would come looking? Inej’s mother and father might still shed tears for the daughter they’d lost, but if Inej died tonight, there would be no one to grieve for the girl she was now. She had no family, no parents or siblings, only people to fight beside. Maybe that was something to be grateful for, too.
It was Jesper who spoke first. “No mourners,” he said with a grin. “No funerals,” they replied in unison. Even Matthias muttered the words softly.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
No,” I hear myself say. “You’re not supposed to be here.”
She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me.
“Hi,” she whispers.
It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear.
She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast.
Her lips are at my ear. Her words are so soft. “Kiss me,” she says.
“Juliette—”
“I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it.
I don’t want to.
Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed.
There aren’t enough words in this world to describe what I’m feeling.
I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed.
Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back.
Because I want her.
Now.
Here.
Everywhere.
I want nothing between us.
I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me.
I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me.
I wonder if I’ve actually died.
But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.”
Her words seem so strange, so familiar. “What do you mean?”
“Just a little longer and I’ll leave.”
“No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—”
“You’ll be all right,” she says. “I promise.”
“No—”
But now she’s holding a gun.
And pointing it at my heart.
”
”
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
“
Here,” she said. She pulled the shirt over her head, revealing a black bra and ribs shadowed like the furrows of a tilled field. “Don't get Dawes.”
Why was she so willing to put herself in his hands? Was she unafraid or just reckless? Neither trait boded well for her future at Lethe. But he had the sense it was neither of those things. It felt like she was testing him now, like she'd laid down another challenge.
“Some propriety wouldn't kill you,” he said.
“Why take the chance?”
“Usually when a woman takes her clothes off in front of me I have some warning.”
Alex shrugged, and the shadows moved over her skin. “Next time, I'll light the signal fires.”
“That would be best.
”
”
Leigh Bardugo (Ninth House (Alex Stern, #1))
“
The whole island was exactly what a kid growing up in some trailer park--say some dump like Tecumseh Lake, Georgia--would dream about. This kid would turn out all the lights in the trailer while her mom was at work. She'd lie down flat on her back, on the matted-down orange shag carpet in the living room. The carpet smelling like somebody stepped in a dog pile. The orange melted black in spots from cigarette burns. The ceiling was water-stained. she'd fold her arms across her chest, and she could picture life in this kind of place. It would be that time--late at night--when your ears reach out for any sound. When you can see more with your eyes closed than open. The fish skeleton. From the first time she held a crayon, that's what she'd draw.
”
”
Chuck Palahniuk (Diary)
“
I understand why sin eaters were made. Carrying such feelings is too much for one little heart, too much for one body. There must be some hope of shedding regret, grief, sorrow, sloughing them off like a skin and going into death free and light. Else we'd never be able to live.
”
”
Megan Campisi (Sin Eater)
“
She'd like to say something about the metaphors of space. She won't, but she'd like to. In many religions, the sun is viewed as an analogue to God, and in some Near Eastern cults, the fire cults that interested Nietzsche, the sun is a diety, the origin of all energy, heat, light, and life. A masculine force, this sun, countered by the feminine lucent moon, mutable, pale pink at the horizon, grayish white overhead, and silver in daytime. The moon is a friend to women. Its attraction, its capacity to pull objects toward itself, is traditionally a metaphor for womanly force. Lovers know and understand the moon as a sign for love: a cliché, certainly, but one that does not wear out. "The Moon," they whisper, infinitely.
”
”
Charles Baxter
“
Members of teams that tend to avoid conflict must occasionally assume the role of a “miner of conflict”—someone who extracts buried disagreements within the team and sheds the light of day on them. They must have the courage and confidence to call out sensitive issues and force team members to work through them. This requires a degree of objectivity during meetings and a commitment to staying with the conflict until it is resolved. Some
”
”
Patrick Lencioni (The Five Dysfunctions of a Team: A Leadership Fable)
“
When Death strikes down the innocent and young, for every fragile form from which he lets the panting spirit free, a hundred virtues rise, in shapes of mercy, charity, and love, to walk the world, and bless it. Of every tear that sorrowing mortals shed on such green graves, some good is born, some gentler nature comes. In the Destroyer's steps there spring up bright creations that defy his power, and his dark path becomes a way of light to Heaven.
”
”
Charles Dickens (The Old Curiosity Shop)
“
For some reason the neatly ordered and abandoned books make me feel sad. Tired. I wish Cassia were with me. She'd turn each page and read every word. I can picture her in the dim light of the cave with her bright eyes and her smile and I close my eyes. That shadowy memory might be as close as I come to seeing her again. We have the map, but the distance we still have to cross looks almost insurmountable.
”
”
Ally Condie (Crossed (Matched, #2))
“
Some risks that are thought to be unknown, are not unknown. With some foresight and critical thought, some risks that at first glance may seem unforeseen, can in fact be foreseen. Armed with the right set of tools, procedures, knowledge and insight, light can be shed on variables that lead to risk, allowing us to manage them.
”
”
Daniel Wagner
“
A Faint Music by Robert Hass
Maybe you need to write a poem about grace.
When everything broken is broken,
and everything dead is dead,
and the hero has looked into the mirror with complete contempt,
and the heroine has studied her face and its defects
remorselessly, and the pain they thought might,
as a token of their earnestness, release them from themselves
has lost its novelty and not released them,
and they have begun to think, kindly and distantly,
watching the others go about their days—
likes and dislikes, reasons, habits, fears—
that self-love is the one weedy stalk
of every human blossoming, and understood,
therefore, why they had been, all their lives,
in such a fury to defend it, and that no one—
except some almost inconceivable saint in his pool
of poverty and silence—can escape this violent, automatic
life’s companion ever, maybe then, ordinary light,
faint music under things, a hovering like grace appears.
As in the story a friend told once about the time
he tried to kill himself. His girl had left him.
Bees in the heart, then scorpions, maggots, and then ash.
He climbed onto the jumping girder of the bridge,
the bay side, a blue, lucid afternoon.
And in the salt air he thought about the word “seafood,”
that there was something faintly ridiculous about it.
No one said “landfood.” He thought it was degrading to the rainbow perch
he’d reeled in gleaming from the cliffs, the black rockbass,
scales like polished carbon, in beds of kelp
along the coast—and he realized that the reason for the word
was crabs, or mussels, clams. Otherwise
the restaurants could just put “fish” up on their signs,
and when he woke—he’d slept for hours, curled up
on the girder like a child—the sun was going down
and he felt a little better, and afraid. He put on the jacket
he’d used for a pillow, climbed over the railing
carefully, and drove home to an empty house.
There was a pair of her lemon yellow panties
hanging on a doorknob. He studied them. Much-washed.
A faint russet in the crotch that made him sick
with rage and grief. He knew more or less
where she was. A flat somewhere on Russian Hill.
They’d have just finished making love. She’d have tears
in her eyes and touch his jawbone gratefully. “God,”
she’d say, “you are so good for me.” Winking lights,
a foggy view downhill toward the harbor and the bay.
“You’re sad,” he’d say. “Yes.” “Thinking about Nick?”
“Yes,” she’d say and cry. “I tried so hard,” sobbing now,
“I really tried so hard.” And then he’d hold her for a while—
Guatemalan weavings from his fieldwork on the wall—
and then they’d fuck again, and she would cry some more,
and go to sleep.
And he, he would play that scene
once only, once and a half, and tell himself
that he was going to carry it for a very long time
and that there was nothing he could do
but carry it. He went out onto the porch, and listened
to the forest in the summer dark, madrone bark
cracking and curling as the cold came up.
It’s not the story though, not the friend
leaning toward you, saying “And then I realized—,”
which is the part of stories one never quite believes.
I had the idea that the world’s so full of pain
it must sometimes make a kind of singing.
And that the sequence helps, as much as order helps—
First an ego, and then pain, and then the singing
”
”
Robert Hass (Sun under Wood)
“
Between the roof of the shed and the big plant that hangs over the fence from the house next door I could see the constellation Orion. People say that Orion is called Orion because Orion was a hunter and the constellation looks like a hunter with a club and a bow and arrow, like this:
But this is really silly because it is just stars, and you could join up the dots in any way you wanted, and you could make it look like a lady with an umbrella who is waving, or the coffeemaker which Mrs. Shears has, which is from Italy, with a handle and steam coming out, or like a dinosaur.
And there aren't any lines in space, so you could join bits of Orion to bits of Lepus or Taurus or Gemini and say that they were a constellation called the Bunch of Grapes or Jesus or the Bicycle (except that they didn't have bicycles in Roman and Greek times, which was when they called Orion Orion). And anyway, Orion is not a hunter or a coffeemaker or a dinosaur. It is just Betelgeuse and Bellatrix and Alnilam and Rigel and 17 other stars I don't know the names of. And they are nuclear explosions billions of miles away. And that is the truth.
I stayed awake until 5:47. That was the last time I looked at my watch before I fell asleep. It has a luminous face and lights up if you press a button, so I could read it in the dark. I was cold and I was frightened Father might come out and find me. But I felt safer in the garden because I was hidden. I looked at the sky a lot. I like looking up at the sky in the garden at night. In summer I sometimes come outside at night with my torch and my planisphere, which is two circles of plastic with a pin through the middle. And on the bottom is a map of the sky and on top is an aperture which is an opening shaped in a parabola and you turn it round to see a map of the sky that you can see on that day of the year from the latitude 51.5° north, which is the latitude that Swindon is on, because the largest bit of the sky is always on the other side of the earth.
And when you look at the sky you know you are looking at stars which are hundreds and thousands of light-years away from you. And some of the stars don't even exist anymore because their light has taken so long to get to us that they are already dead, or they have exploded and collapsed into red dwarfs. And that makes you seem very small, and if you have difficult things in your life it is nice to think that they are what is called negligible, which means that they are so small you don't have to take them into account when you are calculating something.
I didn't sleep very well because of the cold and because the ground was very bumpy and pointy underneath me and because Toby was scratching in his cage a lot. But when I woke up properly it was dawn and the sky was all orange and blue and purple and I could hear birds singing, which is called the Dawn Chorus. And I stayed where I was for another 2 hours and 32 minutes, and then I heard Father come into the garden and call out, "Christopher...? Christopher...?
”
”
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
“
But there are times of suffering which remain in our lives like black absolutes and are not blotted out. Fortunate are those for whom these black stars shed some sort of light.
”
”
Iris Murdoch (The Black Prince)
“
If her luck held, she'd never have to know. The baby was perfect cover, it made her something else, a mom, that was all, just another mom in the nation of moms, ad all she'd ever have to do to be safe was stay inside that particular fate, bring up the kid, grow into some version of Sasha... speak the right lines, stay within budget, wrap each day, one by one, before she lost the light.
”
”
Thomas Pynchon (Vineland)
“
I'd like to ask you more about your ears if I may," I said.
"You want to ask whether or not my ears possess some special power?"
I nodded.
"See what I mean?" She said.
She’d become so beautiful, it defied understanding. Never had I feasted my eyes on such beauty. It transcended all concepts within the boundaries of my awareness. She was at one with her ears, gliding down the oblique face of time like a protean beam of light.
"You are extraordinary." I said after catching my breath.
"I know." she said. "These are my ears in their unblocked state."
Several of the other customers were now turned our way, staring agape at her. The waiter who came over with more coffee couldn't pour properly. Not a soul uttered a word, only the reels on the tape deck kept slowly spinning. She retrieved a clove cigarette from her purse and put it to her lips. I hurriedly offered her a light with my lighter.
"I want to sleep with you," She said.
So we slept together.
”
”
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
“
Ivy felt as if she’d been touched by magic. Her eyes caught the glances of other musicians. And it was clear they felt it, too.
Who can explain it?
Who can tell you why?
Fools give you reasons,
Wise men never try.
Some enchanted evening…
Tonight, there was brilliance in the hall, a communion of spirits, as if Ivy and the conductor and the pianist and the orchestra and everyone in the audience were one, breathing in and out to the same tempo, feeling one another’s strength and vision, filling with beauty and light, glowing beneath the same stars…
…and connected by the same silken thread.
”
”
Pam Muñoz Ryan (Echo)
“
Dancing and fighting weren’t that different, really. So what if she looked like she’d accidentally stuck her sword in a light socket every time she hit a dance floor? She could definitely throw down some fancy footwork while wielding said sword.
”
”
Bethany K. Lovell (Faetal Distraction (Blood Crown, #1))
“
Some analogies are so useful that they don’t merely shed light on a concept, they actually become platforms for novel thinking. For example, the metaphor of the brain as a computer has been central to the insights generated by cognitive psychologists during the past fifty years.
”
”
Chip Heath (Made to Stick: Why Some Ideas Survive and Others Die)
“
Gail loved to talk about how stressed she was. She would do this thing where we'd be walking in the hallway, and suddenly she'd stop in her tracks, rub both of her temples with her index and middle fingers, and theatrically let out a deep guttural moan: "Mooooog."
"Mooog. Minz. I am just so stressed out," she'd say. "I just want to go home, open a bottle of red wine, draw up a hot bath, light some candles and listen to David Gray."
A note about me: I do not think stress is a legitimate topic of conversation, in public anyway. No one ever wants to hear how stressed out anyone else is, because most of the time everyone is stressed out. Going on and on in detail about how stressed out I am isn't conversation. It'll never lead anywhere. No one is going to say, "Wow, Mindy, you really have it especially bad. I have heard some stories of stress, but this just takes the cake.
”
”
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
“
Eventually the last rays of the sun vanished completely, and he turned. His face was still illuminated from somewhere, and when Arthur looked for the source of the light he saw that a few yards away stood a small craft of some kind—a small Hovercraft, Arthur guessed. It shed a dim pool of light around it.
”
”
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
“
The guilt over his secret was eating him up alive, but hell, the feel of her in his arms threatened to override all of it. This was Maria, the woman he’d fantasized about for almost a decade. In his arms.
He shifted again and tried to pull his hips back, but Maria snuggled tighter against him, hooking one leg over his hip.
Fuck.
Yeah, he had to get out of here. It was still dark outside, so maybe he could salvage a few hours and get some rest in his own bed. She’d just asked him to stay until she fell asleep. Which he’d done. Now it was time to relocate.
Slowly he reached back and lightly grasped her wrist, moving her hand so that she wasn’t wrapping her arm around him. Next, he tried to do the same with her leg. Grasping her silky-smooth thigh, he froze when she let out a tiny moan in her sleep. And when she practically ground against him, he groaned.
Couldn’t help it. She felt so good the sound just escaped—and woke her up.
”
”
Katie Reus (Bound to Danger (Deadly Ops, #2))
“
His last night, the sky was cloudless with a full moon lighting the snowy terrain in an opalescent blue light. He remembered Yasmin telling him that the moonlight that reaches Earth is mainly the reflected light from the sun with some starlight and Earthlight thrown in. She'd told him that the light wasn't really blue, it was because of the Purkinje effect, a flaw in the human eye, that made it so. And he'd thought that what we know is filtered by our flaws, and sometimes turned more beautiful by them.
”
”
Rosamund Lupton (The Quality of Silence)
“
Orin's special conscious horror, besides heights and the early morning, is roaches. There'd been parts of metro Boston near the Bay he'd refused to go to, as a child. Roaches give him the howling fantods. The parishes around N.O. had been having a spate or outbreak of a certain Latin-origin breed of sinister tropical flying roaches, that were small and timid but could fucking fly, and that kept being found swarming on New Orleans infants, at night, in their cribs, especially infants in like tenements or squalor, and that reportedly fed on the mucus in the babies' eyes, some special sort of optical-mucus — the stuff of fucking nightmares, mobile flying roaches that wanted to get at your eyes, as an infant — and were reportedly blinding them; parents'd come in in the ghastly A.M.-tenement light and find their infants blind, like a dozen blinded infants that last summer; and it was during this spate or nightmarish outbreak, plus July flooding that sent over a dozen nightmarish dead bodies from a hilltop graveyard sliding all gray-blue down the incline Orin and two teammates had their townhouse on, in suburban Chalmette, shedding limbs and innards all the way down the hillside's mud and one even one morning coming to rest against the post of their roadside mailbox, when Orin came out for the morning paper, that Orin had had his agent put out the trade feelers.
”
”
David Foster Wallace (Infinite Jest)
“
Even the girl he'd danced with had thought it was some marvelous trick. She had been enveloped in real, bright fire and she had tipped back her head and laughed, the tumble of her black hair becoming a crackling waterfall of light, the heels of her shoes striking sparks like glittering leaping dust all over the floor, her skirt trailing flame as if he were following a phoenix tail. Magnus had spun and swung with her, and she'd thought he was marvelous for a single moment of bright illusion.
But, like love, fire didn't last.
”
”
Cassandra Clare (The Bane Chronicles)
“
You are still beautiful,” Fern said softly, her face turned to his. He was quiet for a moment, but he didn't pull away or groan or deny what she'd said. “I think that statement is more a reflection of your beauty than mine,” Ambrose said eventually, turning his head so he could look down at her. Fern's face was touched with moonglow, the color of her eyes and the red of her hair undecipherable in the wash of pale light. But her features were clear–the dark pools of expressive eyes, the small nose and soft mouth, the earnest slant of her brow that indicated she didn't understand his response. “You know that thing people always say, about beauty being in the eye of the beholder?” “Yes?” “I always thought it meant we all have different tastes, different preferences . . . you know? Some guys focus on the legs, some guys prefer blondes, some men like girls with long hair, that kind of thing. I never thought about it really, not before this moment. But maybe you see beauty in me because you are beautiful, not because I am.” “Beautiful on the inside?” “Yes.
”
”
Amy Harmon (Making Faces)
“
In recent years behavioral scientists have shed some light on why these waiting techniques can be powerful. Let’s first look at the notion that texting back right away makes you less appealing. Psychologists have conducted hundreds of studies in which they reward lab animals in different ways under different conditions. One of the most intriguing findings is that “reward uncertainty”—in which, for instance, animals cannot predict whether pushing a lever will get them food—can dramatically increase their interest in getting a reward, while also enhancing their dopamine levels so that they basically feel coked up.
If a text back from someone is considered a “reward,” consider the fact that lab animals who get rewarded for pushing a lever every time will eventually slow down because they know that the next time they want a reward, it will be waiting for them. So basically, if you are the guy or girl who texts back immediately, you are taken for granted and ultimately lower your value as a reward. As a result, the person doesn’t feel as much of an urge to text you or, in the case of the lab animal, push the lever.
”
”
Aziz Ansari
“
April 26th, 2014 is not only the day of the Alamogordo dig, it’s also my mother’s 78th birthday. How perfect is that? Without her, I wouldn’t be here. Of course, with her I might not be here either. She didn’t want me to go to Atari. When I announced I was leaving Hewlett-Packard to go make games, she told me I was throwing my life away. She told me I wasn’t her son, because no child of hers would do such a stupid thing. She came around though. After I made several million-sellers and put an addition on her home, she told me it was a good thing I had listened to her and gone into computers. This may shed some light on how my background prepared me for becoming a therapist, and before that a client. After all, if it weren’t for families, there would be no therapists.
”
”
Howard Scott Warshaw (Once Upon Atari: How I made history by killing an industry)
“
What people had had shed and left--a pair of shoes, a shooting cap, some faded skirts and coats in wardrobes--those alone kept the human shape and in the emptiness indicated how once they were filled and animated; how once hands were busy with hooks and buttons; how once the looking-glass had held a face; had held a world hollowed out in which a figure turned, a hand flashed, the door opened, in came children rushing and tumbling; and went out again. Now, day after day, light turned, like a flower reflected in water, its sharp image on the wall opposite. Only the shadows of the trees, flourishing in the wind, made obeisance on the wall, and for a moment darkened the pool in which light reflected itself; or birds, flying, made a soft spot flutter slowly across the bedroom floor.
”
”
Virginia Woolf
“
Jeffrey’s arrest a few years back—the dropped charges, the smuttiness of the coverage—ruined the whole enterprise, canceled the club. But he’d gotten off lightly, so they had moved on with life. She’d remained in southern Florida and made out on elderly targets for fun and some liquid cash. Newly minted retirees with more than a little savings love to feel as though they’ve met the right people, the kind of people who will help to establish them as the big shots they’d thought they had been in their heyday. It was an easy con: a simple promise of a private investment and suddenly there was a check.
”
”
Jonathan Epps (Until Morning Comes (The American Wrath Trilogy))
“
Eventually they climb sixteen steps into the Gallery of Mineralogy. The guide shows them a gate from Brazil and violet amethysts and a meteorite on a pedestal that he claims is as ancient as the solar system itself. Then he leads them single file down two twisting staircases and along several corridors and stops outside an iron door with a single keyhole. “End of tour,” he says.
A girl says, “But what’s through there?”
“Behind this door is another locked door, slightly smaller.”
“And what’s behind that?”
“A third locked door, smaller yet.”
“What’s behind that?”
“A fourth door, and a fifth, on and on until you reach a thirteenth, a little locked door no bigger than a shoe.”
The children lean forward. “And then?”
“Behind the thirteenth door”—the guide flourishes one of his impossibly wrinkled hands—“is the Sea of Flames.”
Puzzlement. Fidgeting. “Come now. You’ve never heard of the Sea of Flames?”
The children shake their heads. Marie-Laure squints up at the naked bulbs strung in three-yard intervals along the ceiling; each sets a rainbow-colored halo rotating in her vision.
The guide hangs his cane on his wrist and rubs his hands together. “It’s a long story. Do you want to hear a long story?”
They nod.
He clears his throat. “Centuries ago, in the place we now call Borneo, a prince plucked a blue stone from a dry riverbed because he thought it was pretty. But on the way back to his palace, the prince was attacked by men on horseback and stabbed in the heart.”
“Stabbed in the heart?”
“Is this true?”
A boy says, “Hush.”
“The thieves stole his rings, his horse, everything. But because the little blue stone was clenched in his fist, they did not discover it. And the dying prince managed to crawl home. Then he fell unconscious for ten days. On the tenth day, to the amazement of his nurses, he sat up, opened his hand, and there was the stone.
“The sultan’s doctors said it was a miracle, that the prince never should have survived such a violent wound. The nurses said the stone must have healing powers. The sultan’s jewelers said something else: they said the stone was the largest raw diamond anyone had ever seen. Their most gifted stonecutter spent eighty days faceting it, and when he was done, it was a brilliant blue, the blue of tropical seas, but it had a touch of red at its center, like flames inside a drop of water. The sultan had the diamond fitted into a crown for the prince, and it was said that when the young prince sat on his throne and the sun hit him just so, he became so dazzling that visitors could not distinguish his figure from light itself.”
“Are you sure this is true?” asks a girl.
“Hush,” says the boy.
“The stone came to be known as the Sea of Flames. Some believed the prince was a deity, that as long as he kept the stone, he could not be killed. But something strange began to happen: the longer the prince wore his crown, the worse his luck became. In a month, he lost a brother to drowning and a second brother to snakebite. Within six months, his father died of disease. To make matters even worse, the sultan’s scouts announced that a great army was gathering in the east.
"The prince called together his father’s advisers. All said he should prepare for war, all but one, a priest, who said he’d had a dream. In the dream the Goddess of the Earth told him she’d made the Sea of Flames as a gift for her lover, the God of the Sea, and was sending the jewel to him through the river. But when the river dried up, and the prince plucked it out, the goddess became enraged. She cursed the stone and whoever kept it.
”
”
Anthony Doerr (All the Light We Cannot See)
“
These were hard questions, questions she wasn’t even sure she was ready to ask out loud. But she had been presented with this rare opportunity, and in a way, she had been preparing for the answers her entire life. Maybe that’s what she had been doing this entire time—hardening herself for the truth. Some questions were never meant to be answered, yet ideally, pursuing them might at least shed light on how much you valued yourself, the need you might have to tell your own story, however fragmented it might be. It was okay to yearn for the impossible every now and then as long as in the yearning you discovered something about yourself.
”
”
Nancy Jooyoun Kim (The Last Story of Mina Lee)
“
Some Men Have Vaginas
He said he was a gay man
with a vagina and I, penis heavy
and light of foot, wondered
if gay meant the same to him
as it did to me, wondered
if man was in mind or body.
Because I wear my man,
strip down bare to my man.
In the mirror, there, I am.
For me, man has merely been
a matter of circumstance,
not a journey or discovery.
I rarely had to fight for it,
rarely want to fight against it,
never wanted to shed skin
to reveal somebody else.
I never questioned it until
he said, "Some men have vaginas."
I understood it to be true
but it left me feeling nothing
more than a tool, who knew
nothing about being a man
outside his own body.
”
”
Dean Atta (The Black Flamingo)
“
Desolate city. Snow on the streets. Fire in the sky.
It could have been one of a hundred wars.
But there-
The place on the street where the snow had melted. The dark crater in the sea of white.Daniel sank to his knees and reached for the ring of black ash stained on the ground.He closed his eyes.And he remembered the precise way she had died in his arms.
Moscow.1941.
So this was what she was doing-tunneling into her past lives. Hoping to understand.
The thing was,there was no rhyme or reason to her deaths.More than anyone, Daniel knew that.
But there were certain lifetimes when he'd tried to shed some light for her,hoping it would change things. Sometimes he'd hoped to keep her alive longer,though that never really worked. Sometimes-like this time during the siege of Moscow-he'd chosen to send her on her way more quickly.To spare her.So that his kiss could be the last thing she felt in that lifetime.
”
”
Lauren Kate (Passion (Fallen, #3))
“
What do you think of all this?” he said. “I don’t know,” she said. “I’ve never heard anything like it.” But that wasn’t exactly true. She’d always known that it was possible to be two different people in one lifetime, or maybe it was only possible for some. Maybe others were just stuck with who they were. She’d tried to lighten her skin once, during her first summer in Mallard. She was still young enough then to believe that such a thing was possible, yet old enough to understand that it would require a degree of alchemy that she didn’t quite understand. Magic. She wasn’t foolish enough to hope that someday she might be light, but a deep brown maybe, anything better than this endless black.
”
”
Brit Bennett (The Vanishing Half)
“
By the time she entered the hidden garden, early light was sifting through the autumn-sparse canopy. Eliza took a deep breath. She'd come to the garden because it was the place in which she always felt settled, and today more than ever she needed it to work its magic.
She ran her hand along the little iron seat, beaded with rain, and perched on its damp edge. The apple tree was fruiting, shiny globes of orange and pink. She could pick some for Cook, or perhaps she should tidy the borders, or trim the honeysuckle.
”
”
Kate Morton (The Forgotten Garden)
“
She bought me betta fish when I was six, after I kept telling her the same story, every day, about the tanks we had in my class at school, the betta fish, red and purple and blue and green, swimming lazily in the tanks, flashing brilliant and then dull. She came home with one on a Sunday, after she'd been out all weekend. I hadn't seen her since Friday, since she told Mam she was going to the store to buy some milk and some sugar and didn't come back. When she came back, her skin was dry and flaking at the corners of her mouth, her hair stuck out in a bushy halo, and she smelled like wet hay. The fish was green, the color of pine needles, and he had stripes down his tail the color of red mud. I called him Bubby Bubbles, since he blew bubbles all day, and when I leaned over his tank, I could hear him crunching on the fish food Leonie had brought home in a sample-size bag. I imagined even then that one day I could lean over his bowl, and instead of crunching, little words would pop out the bubbles that fizzed up to the surface. Big face. Light. And love. But when the sample size of fish food ran out, and I asked Leonie to buy me more, she said she would, and then forgot, again and again, until old day she said: Give him sold old bread. I figured he couldn't crunch like needed on some old bread, so I kept bugging her about it, and Bubby got skinnier and skinnier, his bubbles smaller and smaller, until I walked into the kitchen one day and he was floating on top of the water, his eyes white, a slimy scrim like fat, no voice in his bubbles.
Leonie kill things.
”
”
Jesmyn Ward (Sing, Unburied, Sing)
“
Find your bed, Martise. I’ll be up for some time. This is bandit country, and we’ll each take a watch. Put your blankets with mine. We’ll stay warmer that way. And keep your shoes on. I’ll join you soon.” She’d grown used to him curled against her in sleep. Even the light snores purred into her ear comforted her, and there was always the possibility that when he awakened, he’d want her beneath him. Or atop him. Martise blushed at the sensual images playing in her mind. She prepared their bed as he instructed, crawled under the blankets—with her shoes on—and fell asleep. She woke when Silhara slid beneath the blankets and spooned against her. He laid his arm across her waist and wedged his leg between hers through her heavy skirts. His sigh tickled her ear. “Far better if you were bare, but this will do.
”
”
Grace Draven (Master of Crows (Master of Crows, #1))
“
The door opened, and it was
like an apparition materializing before me, some sort of heavenly messenger descended from above.
I’d never been away from her for this long, and after all this time, part of me wondered if I was
imagining this.
Her hand went to her mouth, and she stared at me wide-eyed. I think she felt the same way-and she
hadn’t even had warning of my visit. She’d just been told I was coming “soon.” No doubt I seemed
like a phantom to her, too.
And with that reunion… it was like I was emerging from a cave-one I’d been in for almost five
weeks-into the bright light of day. When Dimitri had turned, I’d felt like I’d lost part of my soul. When
I’d left Lissa, another piece had gone. Now, seeing her… I began to think maybe my soul might be
able to heal. Maybe I could go on after all. I didn’t feel 100 percent whole yet, but her presence filled
up that missing part of me. I felt more like myself than I had in ages.
A world of questions and confusion hung in the silence between us. In spite of everything we’d been
through with Avery, there was still a lot of unresolved business from when I had first left the school.
For the first time since I’d set foot on the Academy’s grounds, I felt afraid. Afraid that Lissa would
reject me or scream at me for what I’d done.
Instead, she drew me into a giant hug. “I knew it,” she said. She was already choking on her sobs. “I
knew you’d come back.
”
”
Richelle Mead (Blood Promise (Vampire Academy, #4))
“
So what do I do? What do we do? How do we move forward when we are tired and afraid? What do we do when the voice in our head is yelling that WE ARE NEVER GONNA MAKE IT? How do we drag ourselves through the muck when our brain is telling us youaredumbandyouwillneverfinishandnoonecaresanditistimeyoustop?
Well, the first thing we do is take our brain out and put it in a drawer. Stick it somewhere and let it tantrum until it wears itself out. You may still hear the brain and all the shitty things it is saying to you, but it will be muffled, and just the fact that it is not in your head anymore will make things seem clearer. And then you just do it. You just dig in and write it. You use your body. you lean over the computer and stretch and pace. You write and then cook something and write some more. you put your hand on your heart and feel it beating and decide if what you wrote feels true. You do it because the doing of it is the thing. The doing is the thing. The talking and worrying and thinking is not the thing. That is what I know. Writing the book is about writing the book.
So here we go, you and me. Because what else are we going to do? Say no? Say no to an opportunity that may be slightly out of our comfort zone? Quiet our voice because we are worried it is not perfect? I believe great people do things before they are ready. This is America and I am allowed to have healthy self-esteem. This book comes straight from my feisty and freckled fingers. Know it was a battle. Blood was shed. A war raged between my jokey and protective brain and my squishy and tender heart. I have realized that mystery is what keeps people away, and I've grown tired of smoke and mirrors. I yearn for the clean, well-lighted place. So let's peek behind the curtain and hail the others like us. The open-faced sandwiches who take risks and live big and smile with all of their teeth. These are the people I want to be around. This is the honest way I want to live and love and write.
”
”
Amy Poehler (Yes Please)
“
Jaime knew the look in his sister's eyes. He had seen it before, most recently on the night of Tommen's wedding, when she burned the Tower of the Hand. The green light of the wildfire had bathed the face of the watchers, so they looked like nothing so much as rotting corpses, a pack of gleeful ghouls, but some of the corpses were prettier than others. Even in the baleful glow, Cersei had been beautiful to look upon. She'd stood with one hand on her breast, her lips parted, her green eyes shining. She is crying, Jaime had realized, but whether it was from grief or ecstasy he could not have said.
”
”
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
“
I'm jittery.It's like the animatronic band from Chuck E. Cheese is throwing a jamboree in my stomach. I've always hated Chuck E. Cheese. Why am I thinking about Chuck E. Cheese? I don't know why I'm nervous.I'm just seeing my mom again. And Seany.And Bridge! Bridge said she'd come.
St. Clair's connecting flight to San Francisco doesn't leave for another three hours,so we board the train that runs between terminals,and he walks me to the arrivals area.We've been quiet since we got off the plane. I guess we're tired. We reach the security checkpoint,and he can't go any farther. Stupid TSA regulations.I wish I could introduce him to my family.The Chuck E. Cheese band kicks it up a notch,which is weird, because I'm not nervous about leaving him. I'll see him again in two weeks.
"All right,Banana.Suppose this is goodbye." He grips the straps of his backpack,and I do the same.
This is the moment we're supposed to hug. For some reason,I can't do it.
"Tell your mom hi for me. I mean, I know I don't know her. She just sounds really nice. And I hope she's okay."
He smiles softly. "Thanks.I'll tell her."
"Call me?"
"Yeah,whatever. You'll be so busy with Bridge and what's-his-name that you'll forget all about your English mate, St. Clair."
"Ha! So you are English!" I poke him in the stomach.
He grabs my hand and we wrestle, laughing. "I claim....no...nationality."
I break free. "Whatever,I totally caught you. Ow!" A gray-haired man in sunglasses bumps his red plaid suitcase into my legs.
"Hey,you! Apologize!" St. Clair says,but the guy is already too far away to hear.
I rub my shins. "It's okay, we're in the way. I should go."
Time to hug again. Why can't we do it? Finally, I step forward and put my arms around him. He's stiff,and it's awkward, especially with our backpacks in the way.I smell his hair again. Oh heavens.
We pull apart. "Have fun at the show tonight" he says.
"I will.Have a good flight."
"Thanks." He bites his thumbnail,and then I'm through security and riding down the escalator. I look back one last time. St. Clair jumps up and down, waving at me.I burst into laughter, and his face lights up.The escalator slides down.
He's lost from view.
I swallow hard and turn around.And then-there they are.Mom has a gigantic smile, and Seany is jumping and waving, just like St. Clair.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
I would choose you." The words were out before he thought better of them, and there was no way to pull them back.
Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully.
"As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters.
And a fine general you are.
There could be no better leader.
You may be prickly, but that what Ravka needs.
So many easy replies.
Instead he said, "As my queen."
He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far.
"Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets."
"I do trust you more than myself sometimes- and I think very highly of myself."
Hadn't she said there was no one else she'd choose to have her back in a fight?
But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines.
"I would make you my queen because I want you. I want you all the time."
She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision."
He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you."
Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop.
"I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day."
She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm.
Then she pulled back her hand, cradling her fingers as if they'd been singed.
"You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs."
"And if you're the queen I want?"
...
She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon."
Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung.
"Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?"
Zoya opened the door to the Cargo hold. Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
”
”
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
“
The truth is,” she said shakily, “that I am scared to death of being here.”
“I know you are,” he said, sobering, “but I am the last person in the world you’ll ever have to fear.”
His words and his tone made the quaking in her limbs, the hammering of her heart, begin again, and Elizabeth hastily drank a liberal amount of her wine, praying it would calm her rioting nerves. As if he saw her distress, he smoothly changed the topic. “Have you given any more thought to the injustice done Galileo?”
She shook her head. “I must have sounded very silly last night, going on about how wrong it was to bring him up before the Inquisition. It was an absurd thing to discuss with anyone, especially a gentleman.”
“I thought it was a refreshing alternative to the usual insipid trivialities.”
“Did you really?” Elizabeth asked, her eyes searching his with a mixture of disbelief and hope, unaware that she was being neatly distracted from her woes and drawn into a discussion she’d find easier.
“I did.”
“I wish society felt that way.”
He grinned sympathetically. “How long have you been required to hide the fact that you have a mind?”
“Four weeks,” she admitted, chuckling at his phrasing. “You cannot imagine how awful it is to mouth platitudes to people when you’re longing to ask them about things they’ve seen and things they know. If they’re male, they wouldn’t tell you, of course, even if you did ask.”
“What would they say?” he teased.
“They would say,” she said wryly, “that the answer would be beyond a female’s comprehension-or that they fear offending my tender sensibilities.”
“What sorts of questions have you been asking?”
Her eyes lit up with a mixture of laughter and frustration. “I asked Sir Elston Greeley, who had just returned from extensive travels, if he had happened to journey to the colonies, and he said that he had. But when I asked him to describe to me how the natives looked and how they lived, he coughed and sputtered and told me it wasn’t at all ‘the thing’ to discuss ‘savages’ with a female, and that I’d swoon if he did.”
“Their appearance and living habits depend upon their tribe,” Ian told her, beginning to answer her questions. “Some of the tribes are ‘savage’ by our standards, not theirs, and some of the tribes are peaceful by any standards…”
Two hours flew by as Elizabeth asked him questions and listened in fascination to stories of places he had seen, and not once in all that time did he refuse to answer or treat her comments lightly. He spoke to her like an equal and seemed to enjoy it whenever she debated an opinion with him. They’d eaten lunch and returned to the sofa; she knew it was past time for her to leave, and yet she was loath to end their stolen afternoon.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
This book will take you into a world far more wonderful than the world of work and entertainment. At university I try to make converts by assigning works of literature that shed light on human psychology, history or philosophy. Some students respond by asking me to give them lists of books. Well, here is your list. But I also want to make converts of those who have not yet gone or will never go to university. The educational establishment may ignore you but I will not. I remember my own family and how they educated themselves. Many in my running club have never been to university. Some of them are among the most intelligent and intellectually curious people I know. Some of them are better informed than university students about almost everything, except the narrow knowledge a graduate gets from majoring in physics or commerce or engineering. Some of my running companions know who Hitler was. As for my students, I once set an exam question about tyranny in the twentieth century. Only a few students could volunteer Hitler’s name.
”
”
James R. Flynn (The Torchlight List: Around the World in 200 Books)
“
But once when she was chatting with some stupid boy online, she described herself as the color of coffee with not enough milk. There was a pause in the conversation, and the words glared back at her strangely, like the echo of a burp in an empty auditorium. She wondered if what she’d typed was burning holes in her chat partner too. Then he typed o thas hot yo and she’d quickly slammed her laptop shut. In the sudden darkness of her bedroom, the words had lingered as if imprinted in her forehead: not enough. The worst part about it, the part she couldn’t let go of, was that the thought came from her. Not from one of the teachers or guidance counselors whose eyes said it again and again over sticky-sweet smiles. Not from some cop on Marcy Avenue or Tía Rosa. It came from somewhere deep inside her. And that meant that for all the times she’d shrugged off one of those slurs, some little tentacle of them still crawled its way toward her heart. Not enough milk. Not light enough. Morena. Negra. No matter what she did, that little voice came creeping back, persistent and unsatisfied. Not enough.
”
”
Daniel José Older (Shadowshaper (Shadowshaper Cypher #1))
“
The Biology of Tribalism concerns pushes and pulls between populations, which primarily occur due to tradeoffs between inbreeding and outbreeding. Ethnocentrism and other tribalistic personality facets have evolved to influence mate choice and encourage “optimal outbreeding.” The book will explore these and other tribalistic political phenomena that impact the evolution of populations, including gender inequality, warfare, and genocide.
The Biology of Family Conflict (Parent-Offspring Conflict) is the field of evolutionary theory that explains why the interests of the most closely related individuals do not always align, and thus why different family disciplinary strategies exist. The two opposed disciplinary models are based on egalitarian and hierarchical moralities. These conflicts are linked to the variation in people's tolerance of inequality.
The Biology of Altruism and Self-Interest is the area of evolutionary theory that describes how and why people cooperate with and betray one another; this field sheds light on why some people perceive human nature so differently than others.
”
”
Avi Tuschman (Our Political Nature: The Evolutionary Origins of What Divides Us)
“
There were some things that hadn't changed about Sydney, like her light-brown hair that had just enough natural curl to make it look like waves of caramel icing on a cake. And her beautiful lightly tanned skin. And the freckles across her nose. She'd lost weight but still had a stunning figure, petite in a way that always made Claire, who was four inches taller, feel heavy and clumsy.
”
”
Sarah Addison Allen (Garden Spells (Waverley Family, #1))
“
He’d look at her the way he looked at her that always, still, probably forever, brought a skip to her heartbeat. He’d make her eat something, even if she didn’t want to, which was both annoying and precious.
And he’d listen. No bitching about her being late, no guilt trips. He’d listen, offer to help and, with all of that, with all of him, bring her a peace of mind she’d never expected to have in her life. So when she drove, at last, through the gates, she felt that quiet click. Coming home.
Under the night sky, the house Roarke built stood and spread and towered with its fanciful turrets, its grand design. Dozens of windows, so much light to welcome her, glowed out against the dark.
When she pulled up, got out of the car, some of the weight shifted. Work to do, yes, but home.
”
”
J.D. Robb (Golden in Death (In Death, #50))
“
It was so late and she’d be sleeping
He came through her home town
With the moonlight on the crossroads
And the green light shining down
And the bell at the railroad crossing
And the horn from far away
And his Silver Eagle passing
Half a mile from where she lay
At his feet a sea of faces
Make devotions with their love
Clap their hands and plead their cases
Call for blessings from above
Like the rolling waves forever massing
To crash and foam and creep away
And the Silver Eagle passing
Half a mile from where she lay
Road signs flow into the headlights
Whisper names and fall behind
He finds some honor in the darkness
Hopes for grace and peace of mind
And he thinks of how they’d lay together
He’d run his fingers through her hair
And he wonders if she’ll ever
Come to know that he was there
”
”
Mark Knopfler
“
Though I set out to redress the rose-tinted imbalance in the reporting on the Nordic region in the Western media, as well as to get a few things off my chest, I hope, too, that I have shed light on some of the more positive aspects of Scandinavia—the trust, the social cohesion, the economic and gender equality, the rationalism, the modesty, the well-balanced political and economic systems, and so on. Right now, the West is looking for an alternative to the rampant capitalism that has ravaged our economies, a system that might avoid the extremes of Soviet socialism or American deregulated neoliberalism. Really, as far as I am concerned there is only one place to look for the economic and societal role model of the future, and it is not Brazil or Russia or China. The Nordic countries have the answer
”
”
Michael Booth (The Almost Nearly Perfect People: Behind the Myth of the Scandinavian Utopia)
“
I could actually see and hear my tears dripping down into the white pool of moonlight, where they were sucked in as if they had always been part of the light. As they fell, the tears caught the light of the moon and sparkled like beautiful crystals. Then I noticed that my shadow was crying too, shedding clear, sharp shadow tears. Have you ever seen the shadows of tears, Mr. Wind-Up Bird? They’re nothing like ordinary shadows. Nothing at all. They come here from some other, distant world, especially for our hearts. Or maybe not. It struck me then that the tears my shadow was shedding might be the real thing, and the tears that I was shedding were just shadows. You don’t get it, I’m sure, Mr. Wind-Up Bird. When a naked seventeen-year-old girl is shedding tears in the moonlight, anything can happen. It’s true.
”
”
Haruki Murakami (The Wind-Up Bird Chronicle)
“
I love you, Kate,” he whispered, his lips brushing the words against her mouth. “I love you so much.”
She nodded, unable to make a sound.
“And right now I wish . . . I wish . . .” And then the strangest thing happened. Laughter bubbled up inside of him. He was overtaken by the pure joy of the moment, and it was all he could do not to pick her up and twirl her grandly through the air.
“Anthony?” she asked, sounding equal parts confused and amused.
“Do you know what else love means?” he murmured, planting his hands on either side of her body and letting his nose rest against hers.
She shook her head. “I couldn’t possibly even hazard a guess.”
“It means,” he grumbled, “that I’m finding this broken leg of yours a damned nuisance.”
“Not half so much as I, my lord,” she said, casting a rueful glance at her splinted leg.
Anthony frowned. “No vigorous exercise for two months, eh?”
“At least.”
He grinned, and in that moment he looked every inch the rake she’d once accused him of being. “Clearly,” he murmured, “I shall have to be very, very gentle.”
“Tonight?” she croaked.
He shook his head. “Even I haven’t the talent to express myself with that light a touch.”
Kate giggled. She couldn’t help herself. She loved this man and he loved her and whether he knew it or not, they were going to grow very, very old together. It was enough to make a girl— even a girl with a broken leg— positively giddy.
“Are you laughing at me?” he queried, one of his brows arching arrogantly as he slid his body into place next to her.
“I wouldn’t dream of it.”
“Good. Because I have some very important things to tell you.”
“Really?”
He nodded gravely. “I may not be able to show you how much I love you this eve, but I can tell you.”
“I should never tire of hearing it,” she murmured.
“Good. Because when I’m done telling you, I’m going to tell you how I’d like to show you.”
“Anthony!” she squeaked.
“I think I’d start with your earlobe,” he mused. “Yes, definitely the earlobe. I’d kiss it, and then nibble it, and then . . .”
Kate gasped. And then she squirmed. And then she fell in love with him all over again.
”
”
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
“
If she’d known what a good shot you are,” he whispered past the unfamiliar tightness in his throat, “she’d never have dared.” His hand lifted to her wet cheek, holding it pressed against his chest. “You could always call her out, you know.” The spasmodic shaking in Elizabeth’s slender shoulders began to subside, and Ian added with forced tightness, “Better yet, Robert should stand in for you. He’s not as fine a shot as you are, but he’s a hell of a lot faster…”
A teary giggle escaped the girl in his arms, and Ian continued, “On the other hand, if you’re holding the pistol, you’ll have some choices to make, and they’re not easy…”
When he didn’t say more, Elizabeth drew a shaky breath. “What choices?” she finally whispered against his chest after a moment.
“What to shoot, for one thing,” he joked, stroking her back. “Robert was wearing Hessians, so I had a tassel for a target. I suppose, though, you could always shoot the bow off Valerie’s gown.”
Elizabeth’s shoulders gave a lurch, and a choked laugh escaped her.
Overwhelmed with relief, Ian kept his left arm around her and gently took her chin between his forefinger and thumb, tipping her face up to his. Her magnificent eyes were still wet with tears, but a smile was trembling on her rosy lips. Teasingly, he continued, “A bow isn’t much of a challenge for an expert marksman like you. I suppose you could insist that she hold up an earring between her fingers so you could shoot that instead.”
The image was so absurd that Elizabeth chuckled.
Without being conscious of what he was doing, Ian moved his thumb from her chin to her lower lip, rubbing lightly against its inviting fullness. He finally realized what he was doing and stopped.
Elizabeth saw his jaw tighten. She drew a shuddering breath, sensing he’d been on the verge of kissing her, and had just decided not to do it. After the last shattering minutes, Elizabeth no longer knew who was friend or foe, she only knew she’d felt safe and secure in his arms, and at that moment his arms were already beginning to loosen, and his expression was turning aloof. Not certain what she was going to say or even what she wanted, she whispered a single, shaky word, filled with confusion and a plea for understanding, her green eyes searching his: “Please-“
Ian realized what she was asking for, but he responded with a questioning lift of his brows.
“I-“ she began, uncomfortably aware of the knowing look in his eyes.
“Yes?” he prompted.
“I don’t know-exactly,” she admitted. All she knew for certain was that, for just a few minutes more, she would have liked to be in his arms.
“Elizabeth, if you want to be kissed, all you have to do is put your lips on mine.”
“What!”
“You heard me.”
“Of all the arrogant-“
He shook his head in mild rebuke. “Spare me the maidenly protests. If you’re suddenly as curious as I am to find out if it was as good between us as it now seems in retrospect, then say so.” His own suggestion startled Ian, although having made it, he saw no great harm in exchanging a few kisses if that was what she wanted.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
The largest, and most provocative, sense in which a technological singularity might be an existential opportunity can only be grasped by stepping outside the human perspective altogether and adopting a more cosmological point of view. It is surely the height of anthropocentric thinking to suppose that the story of matter in this corner of the universe climaxes with human society and the myriad living brains embedded in it, marvelous as they are. Perhaps matter still has a long way to go on the scale of complexity. Perhaps there are forms of consciousness yet to arise that are, in some sense, superior to our own. Should we recoil from this prospect, or rejoice in it? Can we even make sense of such an idea? Whether or not the singularity is near, these are questions worth asking, not least because in attempting to answer them we shed new light on ourselves and our place in the order of things.
Murray Shanahan
”
”
Murray Shanahan (The Technological Singularity)
“
The plane banked, and he pressed his face against the cold window. The ocean tilted up to meet him, its dark surface studded with points of light that looked like constellations, fallen stars. The tourist sitting next to him asked him what they were. Nathan explained that the bright lights marked the boundaries of the ocean cemeteries. The lights that were fainter were memory buoys. They were the equivalent of tombstones on land: they marked the actual graves. While he was talking he noticed scratch-marks on the water, hundreds of white gashes, and suddenly the captain's voice, crackling over the intercom, interrupted him. The ships they could see on the right side of the aircraft were returning from a rehearsal for the service of remembrance that was held on the ocean every year. Towards the end of the week, in case they hadn't realised, a unique festival was due to take place in Moon Beach. It was known as the Day of the Dead...
...When he was young, it had been one of the days he most looked forward to. Yvonne would come and stay, and she'd always bring a fish with her, a huge fish freshly caught on the ocean, and she'd gut it on the kitchen table. Fish should be eaten, she'd said, because fish were the guardians of the soul, and she was so powerful in her belief that nobody dared to disagree. He remembered how the fish lay gaping on its bed of newspaper, the flesh dark-red and subtly ribbed where it was split in half, and Yvonne with her sleeves rolled back and her wrists dipped in blood that smelt of tin.
It was a day that abounded in peculiar traditions. Pass any candy store in the city and there'd be marzipan skulls and sugar fish and little white chocolate bones for 5 cents each. Pass any bakery and you'd see cakes slathered in blue icing, cakes sprinkled with sea-salt.If you made a Day of the Dead cake at home you always hid a coin in it, and the person who found it was supposed to live forever. Once, when she was four, Georgia had swallowed the coin and almost choked. It was still one of her favourite stories about herself. In the afternoon, there'd be costume parties. You dressed up as Lazarus or Frankenstein, or you went as one of your dead relations. Or, if you couldn't think of anything else, you just wore something blue because that was the colour you went when you were buried at the bottom of the ocean. And everywhere there were bowls of candy and slices of special home-made Day of the Dead cake. Nobody's mother ever got it right. You always had to spit it out and shove it down the back of some chair.
Later, when it grew dark, a fleet of ships would set sail for the ocean cemeteries, and the remembrance service would be held. Lying awake in his room, he'd imagine the boats rocking the the priest's voice pushed and pulled by the wind. And then, later still, after the boats had gone, the dead would rise from the ocean bed and walk on the water. They gathered the flowers that had been left as offerings, they blew the floating candles out. Smoke that smelt of churches poured from the wicks, drifted over the slowly heaving ocean, hid their feet. It was a night of strange occurrences. It was the night that everyone was Jesus...
...Thousands drove in for the celebrations. All Friday night the streets would be packed with people dressed head to toe in blue. Sometimes they painted their hands and faces too. Sometimes they dyed their hair. That was what you did in Moon Beach. Turned blue once a year. And then, sooner or later, you turned blue forever.
”
”
Rupert Thomson (The Five Gates of Hell)
“
Daniel's wings were concealed, but he must have sensed her eyeing the place where they unfurled from his shoulders. "When everything is in order, we'll fly wherever we have to go to stop Lucifer. Until then it's better to stay low to the ground."
"Okay," Luce said.
"Race you to the other side?"
Her breath frosted the air. "You know I'd beat you."
"True." He slipped an arm around her waist, warming her. "Maybe we'd better take the boat, then. Protect my famous pride."
She watched him unmoor a small metal rowboat from a boat slip. The soft light on the water made her think back to the day they'd raced across the secret lake at Sword & Cross. His skin had glistened as they had pulled themselves up to the flat rock in the center to catch their breath, then had lain on the sun-warmed stone, letting the day's heat dry their bodies. She'd barely known Daniel then-she hadn't known he was an angel-and already she'd been dangerously in love with him.
"We used to swim together in my lifetime in Tahiti, didn't we?" she asked, surprised to remember another time she'd seen Daniel's hair glisten with water.
Daniel stared at her and she knew how much it meant to him finally to be able to share some of his memories of their past. He looked so moved that Luce thought he might cry.
Instead he kissed her forehead tenderly and said, "You beat me all those times, too, Lulu."
They didn't talk much as Daniel rowed. It was enough for Luce to watch the way his muscles strained and flexed each time he dragged back, hearing the oars dip into and out of the cold water, breathing in the brine of the ocean.
”
”
Lauren Kate (Rapture (Fallen, #4))
“
The innumerable trees she's seen over the course of all her life, the undulating forests that blanket the continents like a heartless sea, envelop her exhausted body and lift her up. Only fragments of cities, small towns and roads are visible, floating on the roof of the forest like islands or bridges, slowly being swept away somewhere, borne on those warm waves. There's no way for In-hye to know what on earth those waves are saying. Or what those trees she'd seen at the end of the narrow mountain path, clustered together like green flames in the early-morning half-light, had been saying. Whatever it was, there had been no warmth in it. Whatever the words were, they hadn't been words of comfort, words that would help her pick herself up. Instead they were merciless, and the trees that had spoken them were a frighteningly chill form of life. Even when she turned about on the spot and searched in all directions, In-hye hadn't been able to find a tree that would take her life from her. Some of the trees had refused to accept her. They'd just stood there, stubborn and solemn yet alive as animals, bearing up the weight of their own massive bodies.
”
”
Han Kang, The Vegetarian
“
A lot of her songs were to do with Blake, which did not escape Mark’s attention. She told Mark that writing songs about him was cathartic and that ‘Back to Black’ summed up what had happened when their relationship had ended: Blake had gone back to his ex and Amy to black, or drinking and hard times. It was some of her most inspired writing because, for better or worse, she’d lived it. Mark and Amy inspired each other musically, each bringing out fresh ideas in the other. One day they decided to take a quick stroll around the neighbourhood because Amy wanted to buy Alex Clare a present. On the way back Amy began telling Mark about being with Blake, then not being with Blake and being with Alex instead. She told him about the time at my house after she’d been in hospital when everyone had been going on at her about her drinking. ‘You know they tried to make me go to rehab, and I told them, no, no, no.’ ‘That’s quite gimmicky,’ Mark replied. ‘It sounds hooky. You should go back to the studio and we should turn that into a song.’ Of course, Amy had written that line in one of her books ages ago. She’d told me before she was planning to write a song about what had happened that day, but that was the moment ‘Rehab’ came to life. Amy had also been working on a tune for the ‘hook’, but when she played it to Mark later that day it started out as a slow blues shuffle – it was like a twelve-bar blues progression. Mark suggested that she should think about doing a sixties girl-group sound, as she liked them so much. He also thought it would be fun to put in the Beatles-style E minor and A minor chords, which would give it a jangly feel. Amy was unaccustomed to this style – most of the songs she was writing were based around jazz chords – but it worked and that day she wrote ‘Rehab’ in just three hours. If you had sat Amy down with a pen and paper every day, she wouldn’t have written a song. But every now and then, something or someone turned the light on in her head and she wrote something brilliant. During that time it happened over and over again. The sessions in the studio became very intense and tiring, especially for Mark, who would sometimes work a double shift and then fall asleep. He would wake up with his head in Amy’s lap and she would be stroking his hair, as if he was a four-year-old. Mark was a few years older than Amy, but he told me he found her very motherly and kind.
”
”
Mitch Winehouse
“
Oh! it is hard to take to heart the lesson that such deaths will teach, but let no man reject it, for it is one that all must learn, and is a mighty, universal Truth. When Death strikes down the innocent and young, for every fragile form from which he lets the panting spirit free, a hundred virtues rise, in shapes of mercy, charity, and love, to walk the world, and bless it. Of every tear that sorrowing mortals shed on such green graves, some good is born, some gentler nature comes. In the Destroyer’s steps there spring up bright creations that defy his power, and his dark path becomes a way of light to Heaven.
”
”
Charles Dickens (Charles Dickens: The Complete Novels (The Greatest Writers of All Time Book 1))
“
No,” she whispered. “No more.”
His breath came hot and heavy against her ear as his arm crept back around her waist. “Why not?”
For a moment her mind was blank. What reason could she give that would make sense to him? If she protested that they weren’t married, he would simply put an end to that objection by marrying her, and that would be disastrous.
Then she remembered Petey’s plan. “Because I’ve already promised myself to another.”
His body went still against hers. An oppressive silence fell over them both, punctuated only by the distant clanging of the watch bell. But he didn’t move away, and at first she feared he hadn’t heard her.
“I said—” she began.
“I heard you.” He drew back, his face taught with suspicion. “What do you mean ‘another?’ Someone in England?”
She considered inventing a fiancé in London. But that would have no weight with him, would it? “Another sailor. I . . . I’ve agreed to marry one of your crew.”
His expression hardened until it looked chiseled from the same oak that formed his formidable ship. “You’re joking.”
She shook her head furiously. “Peter Hargraves asked me to . . . to be his wife last night. And I agreed.”
A stunned expression spread over his face before anger replaced it. Planting his hands on either side of her hips, he bent his head until his face was within inches from her. “He’s not one of my crew. Is that why you accepted his proposal—because he’s not one of my men? Or do you claim to have some feeling for him?”
He sneered the last words, and shame spread through her. It would be too hard to claim she had feelings for Petey when she’d just been on the verge of giving herself to Gideon. But that was the only answer that would put him off her. Her ands trembled against his immovable chest. “I . . . I like him, yes.”
“The way you ‘like’ me?” When she glanced away, uncertain what to say to that, he caught her chin and forced her to look at him. Despite the dim light, she could tell that desire still held him. And when he spoke again, his voice was edged with the tension of his need. “I don’t care what you agreed to last night. Everything has changed. You can’t possibly still want to marry him after the way you just responded to my touch.”
“That was a mistake,” she whispered, steeling herself to ignore the flare of anger in his eyes. “Petey and I are well suited. I knew him from before, from the Chastity. I know he’s an honorable man, which is why I still intend to marry him.”
A muscle ticked in Gideon’s jaw. “He’s not a bully, you mean. He’s not a wicked pirate like me, out to ‘rape and pillage.’” He pushed away from the trunk with an oath, then spun towards the steps. “Well, he’s not for you, Sara, no matter what you may think. And I’m going to put a stop to his courtship of you right now!
”
”
Sabrina Jeffries (The Pirate Lord)
“
For when you say that, to be saved, a man must hold this or that, then are you leaving the living God and his will, and putting trust in some notion about him or his will. To make my meaning clearer,—some of you say we must trust in the finished work of Christ; or again, our faith must be in the merits of Christ—in the atonement he has made—in the blood he has shed: all these statements are a simple repudiation of the living Lord, in whom we are told to believe, who, by his presence with and in us, and our obedience to him, lifts us out of darkness into light, leads us from the kingdom of Satan into the glorious liberty of the sons of God. No manner or amount of belief about him is the faith of the New Testament.
”
”
George MacDonald (Unspoken Sermons, Series I., II., and III.)
“
I’m okay. I think all this isolation, and all the extra security stuff, is just starting to wear on me. I’m going a little stir-crazy being cooped up all the time.” She tried to explain her sulky mood. “Especially with Homecoming this weekend. The idea of sitting around here, while everyone else is out having fun, just sucks.”
He didn’t react the way she’d expected him to react. She’d expected some more sympathy, and maybe even some suggestive comments about the two of them being left alone together. What she didn’t expect was for him to smile at her. But he did. And it was his sideways smile, which told Violet that he knew something she didn’t.
“What?” she demanded adamantly.
He grinned. He was definitely keeping something from her.
“Tell me!” she insisted, glowering at him.
“I don’t know . . .” he teased her. “I’m not sure you deserve it.”
She punched him in the arm for making her beg. “Please, just tell me.”
He laughed at her. “Fine. I give up. Bully.” He pretended to rub his arm where she’d hit him. “What if I were to tell you that . . .”—he dragged it out, making her lean closer in anticipation, his crooked smile lighting up his face—“. . . we’re still going to the dance?”
Violet was speechless. That wasn’t at all what she’d expected him to say.
“Yeah, right,” she retorted cynically. “My parents barely let me go to school, let alone go to the dance.”
“You’re right, they didn’t want you to go, but we talked about it, and even your uncle Stephen helped out. The football game was definitely out of the question; there are just too many people coming and going, and there’re no restrictions for getting in. But the dance is at school, in the gym. Only students and their dates can get in, and your uncle said he was already planning to have extra security there. So, as long as I promise to keep a close eye on you . . . which I do”—his voice suggested that the last part had nothing to do with keeping her safe, and Violet felt her cheeks flushing in response—“your parents have agreed to let you go.”
She glanced down at her ankle, double-wrapped in Ace bandages, and completely useless. “But I can’t dance.” She felt crestfallen.
He slid his finger beneath her shin and lifted it up so that she was staring into his eyes. “I don’t care at all if we dance. I just want to take my girlfriend”—his emphasis on the word gave her goose bumps, and she smiled—“to Homecoming.”
They stayed there like that, with their eyes locked and unspoken meaning passing between them, for several long, electrifying moments. Violet was the first to break the spell. “Lissie’ll be there,” she stated in a voice that was devoid of any real jealousy.
Jay shook his head, still gazing at her intently. “I won’t even notice her. I won’t be able to take my eyes off you.”
Violet was glad she was already sitting, because his words made her feel weak and fluttery. The corner of her mouth twitched upward with satisfaction. “Not if I have any say in it, you won’t,” she answered.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
In a hurry to escape he let himself out of the house and walked to the truck. Before he could climb inside Marilee raced down the steps.
Breathless,she came to a sudden halt in front of him.
At the dark look in his eyes she swallowed. "Please don't go,Wyatt. I've been such a fool."
"You aren't the only one." He studied her with a look that had her heart stuttering.A look so intense, she couldn't look away. "I've been neating myself up for days,because I wanted things to go my way or no way."
"There's no need.You're not the only one." Her voice was soft,throaty. "You've always respected my need to be independent.But I guess I fought the battle so long,I forgot how to stop fighting even after I'd won the war."
"You can fight me all you want. You know Superman is indestructable." Again that long,speculative look. "I know I caught you off guard with that proposal. It won't happen again. Even when I understood your fear of commitment, I had to push to have things my way.And even though I still want more, I'm willing to settle for what you're willing to give,as long as we can be together."
She gave a deep sigh. "You mean it?"
"I do."
"Oh,Wyatt.I was so afraid I'd driven you away forever."
He continued studying her. "Does this mean you're suffering another change of heart?"
"My heart doesn't need to change. In my heart,I've always known how very special you are.It's my head that can't seem to catch up." She gave a shake of her head,as though to clear it. "I'm so glad you understand me. I've spent so many years fighting to be my own person, it seems I can't bear to give up the battle."
A slow smile spread across his face, changing it from darkness to light. "Marilee,if it's a sparring partner you want,I'm happy to sigh on. And if,in time,you ever decide you want more, I'm your man."
He framed her face with his hands and lowered his head,kissing her long and slow and deep until they were both sighing with pleasure.
Her tears started again,but this time they were tears of joy.
Wyatt brushed them away with his thumbs and traced the tracks with his lips. Marilee sighed at the tenderness. It was one of the things she most loved about this man.
Loved.
Why did she find it so hard to say what she was feeling? Because,her heart whispered, love meant commitment and promises and forever after,and that was more than she was willing to consider. At least for now.
After a moment he caught her hand.
"Where are we going?"
"Your place.It's closer than the ranch, and we've wasted too much time already."
"i can't leave the ambulance..."
"All right." He turned away from the ranch truck and led her toward her vehicle. "See how easy I am?"
At her little laugh he added, "I'm desperate for some time alone with you."
Alone.
She thought about that word. She'd been alone for so long.What he was offering had her heart working overtime. He was willing to compromise in order to be with her.
She was laughing through her tears as she turned the key in the ignition. The key that had saved his life.
"Wyatt McCord,I can't think of anything I'd rather be than alone with you.
”
”
R.C. Ryan (Montana Destiny)
“
She might come in to bride-bed: and he laughed,
As one that wist not well of wise love's craft,
And bade all bridal things be as she would.
Yet of his gentleness he gat not good;
For clothed and covered with the nuptial dark
Soft like a bride came Brangwain to King Mark,
And to the queen came Tristram; and the night
Fled, and ere danger of detective light
From the king sleeping Brangwain slid away,
And where had lain her handmaid Iseult lay.
And the king waking saw beside his head
That face yet passion-coloured, amorous red
From lips not his, and all that strange hair shed
Across the tissued pillows, fold on fold,
Innumerable, incomparable, all gold,
To fire men's eyes with wonder, and with love
Men's hearts; so shone its flowering crown above
The brows enwound with that imperial wreath,
And framed with fragrant radiance round the face beneath.
And the king marvelled, seeing with sudden start
Her very glory, and said out of his heart;
"What have I done of good for God to bless
That all this he should give me, tress on tress,
All this great wealth and wondrous? Was it this
That in mine arms I had all night to kiss,
And mix with me this beauty? this that seems
More fair than heaven doth in some tired saint's dreams,
Being part of that same heaven? yea, more, for he,
Though loved of God so, yet but seems to see,
But to me sinful such great grace is given
That in mine hands I hold this part of heaven,
Not to mine eyes lent merely. Doth God make
Such things so godlike for man's mortal sake?
Have I not sinned, that in this fleshly life
Have made of her a mere man's very wife?
”
”
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
“
She turned to go back inside the livery stable. The excitement with which she’d
entered it less than an hour earlier had been replaced by heavy-hearted dread. She didn’t want to see Jim right now, or even think of him and the ramifications of their impossible
relationship.
He waited for her only a few yards from the door, leaning against Lady’s stall and scratching her forelock. When Catherine approached, he raised his eyebrows.
“Nathan won’t tell.” She pressed a finger to her lips. “We’re safe.”
Jim stood there a moment, his expression unreadable. He took a tentative step toward her, pointed to her and himself and twined his fingers together with another questioning
tilt of his brows.
“I don’t know.” She shook her head. “I don’t know if we’re together or not. I simply don’t know. Please don’t ask me this tonight. I need some time to think.”
His gaze was riveted on her lips, then her eyes. He seemed calm, but she noticed tension in his jaw and neck, signs she’d learned to read to tell her when he was upset or angry. She wished she could give him a better answer, could tell him what he wanted to
hear, but to say “I love you and want to be with you” would be a lie right now. Her conflicting emotions were tearing her apart.
Walking over to him, she tilted her face up and kissed him on the cheek. “I’m sorry,”
she whispered near his ear so he couldn’t see her words. “I don’t mean to keep hurting you. I want to love you, but I’m afraid. You don’t understand what a huge thing you’re
asking of me.”
She stepped back, gave him a small smile, and gestured toward the door. “I have to go now. It’s late. But I’ll try to see you soon.”
He nodded, but the hopeful light had gone out of his eyes.
”
”
Bonnie Dee (A Hearing Heart)
“
I just wish I knew what he was thinking, you know?” Her eyebrows knotted as she searched his face for who knew what.
“You’re a guy. Can you shed any light on what the hell goes through a teenage boy’s head?”
Troy was pretty sure she did not want to know the kind of things that occupied the brain of a fifteen-year-old male. There was some stuff mothers just shouldn’t know. “Well that would be breaking the guy code,” he teased. “Suffice to say that most of it involves chicks and heavy levels of nudity.”
“Oh God…” She groaned. “Don’t. I’m not ready for that. I don’t even want to think about it.”
She chewed on her bottom lip and Troy lost his place in the conversation. He wanted to step right up into her space, slide his hand onto her waist and soothe that bottom lip with his tongue.
His dick got hard at the thought but he was pretty sure she’d knee him in the balls if he even attempted such a move.
Unfortunately, not even the prospect of that killed his erection.
”
”
Amy Andrews (Troy (American Extreme Bull Riders Tour, #5))
“
When she finally reached it, she bent forward and looked through the peephole.
Jay was grinning back at her from outside.
Her heart leaped for a completely different reason.
She set aside her crutches and quickly unbolted the door to open it.
"What took you so long?"
Her knee was bent and her ankle pulled up off the ground. She balanced against the doorjamb. "What d'you think, dumbass?" she retorted smartly, keeping her voice down so she wouldn't alert her parents. "You scared the crap out of me, by the way. My parents are already in bed, and I was all alone down here."
"Good!" he exclaimed as he reached in and grabbed her around the waist, dragging her up against him and wrapping his arms around her.
She giggled while he held her there, enjoying everything about the feel of him against her. "What are you doing here? I thought I wouldn't see you till tomorrow."
"I wanted to show you something!" He beamed at her, and his enthusiasm reached out to capture her in its grip. She couldn't help smiling back excitedly.
"What is it?" she asked breathlessly.
He didn't release her; he just turned, still holding her gently in his arms, so that she could see out into the driveway. The first thing she noticed was the officer in his car, alert now as he kept a watchful eye on the two of them. Violet realized that it was late, already past eleven, and from the look on his face, she thought he must have been hoping for a quiet, uneventful evening out there.
And then she saw the car. It was beautiful and sleek, painted a glossy black that, even in the dark, reflected the light like a polished mirror. Violet recognized the Acura insignia on the front of the hood, and even though she could tell it wasn't brand-new, it looked like it had been well taken care of.
"Whose is it?" she asked admiringly. It was way better than her crappy little Honda.
Jay grinned again, his face glowing with enthusiasm. "It's mine. I got it tonight. That's why I had to go. My mom had the night off, and I wanted to get it before..." He smiled down at her. "I didn't want to borrow your car to take you to the dance."
"Really?" she breathed. "How...? I didn't even know you were..." She couldn't seem to find the right words; she was envious and excited for him all at the same time.
"I know right?" he answered, as if she'd actually asked coherent questions. "I've been saving for...for forever, really. What do you think?"
Violet smiled at him, thinking that he was entirely too perfect for her. "I think it's beautiful," she said with more meaning than he understood. And then she glanced back at the car. "I had no idea that you were getting a car. I love it, Jay," she insisted, wrapping her arms around his neck as he hoisted her up, cradling her like a small child."
"I'd offer to take you for a test-drive, but I'm afraid that Supercop over there would probably Taser me with his stun gun. So you'll have to wait until tomorrow," he said, and without waiting for an invitation he carried her inside, dead bolting the door behind him.
He settled down on the couch, where she'd been sitting by herself just moments before, without letting her go. There was a movie on the television, but neither of them paid any attention to it as Jay reclined, stretching out and drawing her down into the circle of his arms. They spent the rest of the night like that, cradled together, their bodies fitting each other perfectly, as they kissed and whispered and laughed quietly in the darkness.
At some point Violet was aware that she was drifting into sleep, as her thoughts turned dreamlike, becoming disjointed and fuzzy and hard to hold on to. She didn't fight it; she enjoyed the lazy, drifting feeling, along with the warmth created by the cocoon of Jay's body wrapped protectively around her.
It was the safest she'd felt in days...maybe weeks...
And for the first time since she'd been chased by the man in the woods, her dreams were free from monsters.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
I would choose you." The words were out before he thought better of them, and there was no way to pull them back.
Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully.
"As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters.
And a fine general you are.
There could be no better leader.
You may be prickly, but that's what Ravka needs.
So many easy replies.
Instead he said, "As my queen."
He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far.
"Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets."
"I do trust you more than myself sometimes- and I think very highly of myself."
Hadn't she said there was no one else she'd choose to have her back in a fight?
But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines.
"I would make you my queen because I want you. I want you all the time."
She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision."
He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you."
Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop.
"I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day."
She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm.
Then she pulled back her hand, cradling her fingers as if they'd been singed.
"You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs."
"And if you're the queen I want?"...
She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon."
Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung.
"Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?"
Zoya opened the door to the Cargo hold.Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
”
”
Leigh Bardugo
“
After the plates are removed by the silent and swift waiting staff, General Çiller leans forward and says across the table to Güney, ‘What’s this I’m reading in Hürriyet about Strasbourg breaking up the nation?’
‘It’s not breaking up the nation. It’s a French motion to implement European Regional Directive 8182 which calls for a Kurdish Regional Parliament.’
‘And that’s not breaking up the nation?’ General Çiller throws up his hands in exasperation. He’s a big, square man, the model of the military, but he moves freely and lightly ‘The French prancing all over the legacy of Atatürk? What do you think, Mr Sarioğlu?’
The trap could not be any more obvious but Ayşe sees Adnan straighten his tie, the code for, Trust me, I know what I’m doing,
‘What I think about the legacy of Atatürk, General? Let it go. I don’t care. The age of Atatürk is over.’
Guests stiffen around the table, breath subtly indrawn; social gasps. This is heresy. People have been shot down in the streets of Istanbul for less. Adnan commands every eye.
‘Atatürk was father of the nation, unquestionably. No Atatürk, no Turkey. But, at some point every child has to leave his father. You have to stand on your own two feet and find out if you’re a man. We’re like kids that go on about how great their dads are; my dad’s the strongest, the best wrestler, the fastest driver, the biggest moustache. And when someone squares up to us, or calls us a name or even looks at us squinty, we run back shouting ‘I’ll get my dad, I’ll get my dad!’ At some point; we have to grow up. If you’ll pardon the expression, the balls have to drop. We talk the talk mighty fine: great nation, proud people, global union of the noble Turkic races, all that stuff. There’s no one like us for talking ourselves up. And then the EU says, All right, prove it. The door’s open, in you come; sit down, be one of us. Move out of the family home; move in with the other guys. Step out from the shadow of the Father of the Nation.
‘And do you know what the European Union shows us about ourselves? We’re all those things we say we are. They weren’t lies, they weren’t boasts. We’re good. We’re big. We’re a powerhouse. We’ve got an economy that goes all the way to the South China Sea. We’ve got energy and ideas and talent - look at the stuff that’s coming out of those tin-shed business parks in the nano sector and the synthetic biology start-ups. Turkish. All Turkish. That’s the legacy of Atatürk. It doesn’t matter if the Kurds have their own Parliament or the French make everyone stand in Taksim Square and apologize to the Armenians. We’re the legacy of Atatürk. Turkey is the people. Atatürk’s done his job. He can crumble into dust now. The kid’s come right. The kid’s come very right. That’s why I believe the EU’s the best thing that’s ever happened to us because it’s finally taught us how to be Turks.’
General Çiller beats a fist on the table, sending the cutlery leaping.
‘By God, by God; that’s a bold thing to say but you’re exactly right.
”
”
Ian McDonald (The Dervish House)
“
I think that today young people come toward marriage as growing, searching men and women; and suddenly marriage and parenthood is represented as a stoppage of all that. I mean, young married people become members of a social community, and come under the authority of a political community. Once children come, even some of our more radical youth feel themselves no longer so free to protest various wrongs - because they need work and on their children's account feel more dependent on, more vulnerable to, the power of a town or city or county. They are expected to join with other consumers. They are expected to prepare the next generation for the next wars and for an expansion of the same, the very same community...
I think the Church as I have experienced it during, let's say, thirty years of membership in my order, the Church is speaking less and less to the realities before us. Just one instance is the Church's failure to face and deal with the social and political difficulties of believers. And then when one moves out to another scene, as I have been doing, and meets the people of very mixed religious and ethnic backgrounds, one sees how tragically unresponsive the Church has been - because it has not heard and been moved by the ethical struggles of people on the 'outside,' yet maybe nearer to Christ's own struggle. More and more I see the need for flexibility in the Church. And I feel that one's responsibility to the Church can no longer be expressed by the priest's or parishioner's traditional compliance before powerful and sometimes corrupt 'authority.' I would like to see the resources of the Church brought to bear upon the realities that the Church alone cannot deal with - though it can shed certain light upon many troublesome issues. It is such matters I am discussing now with the families I stay with. I hope we can come upon something new, which will help us in the very real and new situations we are facing, I hope there is a spiritual breakthrough of sorts awaiting us, so that we can learn to live together in a new and stronger and less 'adjusted' way - 'adjusted' to the forces in America which plunder other countries and our own country as well.
”
”
Daniel Berrigan (The Geography of Faith: Underground Conversations on Religious, Political & Social Change)
“
But there is also some empirical evidence that sheds light on the relationship between quantum principles and consciousness. Anesthesiologist Stuart Hameroff claims to have found evidence that anesthesia arrests consciousness by hindering the motion of electrons in microtubules, minute tunnels of protein that serve as a kind of skeleton for cells. Hameroff speculates that microtubules could be a possible site for quantum effects in the brain,17 and his speculations have led mathematical physicist Roger Penrose to endorse the hypothesis.18 Attempts to develop models of consciousness based on quantum mechanics have also been made by neuroscientist John Eccles, and physicists Henry Stapp and Evan Harris Walker.o Walker and the experimental physicist Helmut Schmidt (the latter responsible for many of the micro-PK experiments described earlier) have also proposed mathematical theories of psi based on quantum mechanics.19 These theories rest upon two propositions that are now supported by experimental evidence: that mind can influence random quantum events, and that influence can occur instantaneously at a distance.p
”
”
Chris Carter (Science and Psychic Phenomena: The Fall of the House of Skeptics)
“
You’re the only person who doesn’t see the advantage in such a match.”
“That’s because I don’t believe in marriages of convenience. Given your family’s history, I’d think that you wouldn’t either.”
She colored. “And why do assume it would be such a thing? Is it so hard to believe that a man might genuinely care for me? That he might actually want to marry me for myself?”
“Why would anyone wish to marry the reckless Lady Celia, after all,” she went on in a choked voice, “if not for her fortune or to shore up his reputation?”
“I didn’t mean any such thing,” he said sharply.
But she’d worked herself up into a fine temper. “Of course you did. You kissed me last night only to make a point, and you couldn’t even bear to kiss me properly again today-“
“Now see here,” he said, grabbing her shoulders. “I didn’t kiss you ‘properly’ today because I was afraid if I did I might not stop.”
That seemed to draw her up short. “Wh-What?”
Sweet God, he shouldn’t have said that, but he couldn’t let her go on thinking she was some sort of pariah around men. “I knew that if I got his close, and I put my mouth on yours…”
But now he was this close. And she was staring up at him with that mix of bewilderment and hurt pride, and he couldn’t help himself. Not anymore.
He kissed her, to show her what she seemed blind to. That he wanted her. That even knowing it was wrong and could never work, he wanted to have her.
She tore her lips from his. “Mr. Pinter-“ she began in a whisper.
“Jackson,” he growled. “Let me hear you say my name.”
Backing away from him, she cast him a wounded expression. “Y-you don’t have to pretend-“
“I’m not pretending anything, damn it!”
Grabbing her by the sleeves, he dragged her close and kissed her again, with even more heat. How could she not see that he ached to take her? How could she not know what a temptation she was? Her lips intoxicated him, made him light-headed. Made him reckless enough to kiss her so impudently that any other woman of her rank would be insulted.
When she pulled away a second time, he expected her to slap him. But all she did was utter a feeble protest. “Please, Mr. Pinter-“
“Jackson,” he ordered in a low, unsteady voice, emboldened by the melting look in her eyes. “Say my Christian name.”
Her lush dark lashes lowered as a blush stained her cheeks. “Jackson…”
His breath caught in his throat at the intimacy of it, and fire exploded in his brain. She wasn’t pushing him away, so to hell with trying to be a gentleman.
He took her mouth savagely this time, plundering every part of its silky warmth as his blood pulsed high in his veins. She tasted of red wine and lemon cake, both tart and sweet at once. He wanted to eat her up. He wanted to take her, right here in this room.
So when she pulled out of his arms to back away, he walked after her.
She didn’t stop backing away, but neither did she turn tail and run. “Last night you claimed this wouldn’t happen again.”
“I know. And yet it has.” Like someone in an opium den, he’d been craving her for months. And how that he’d suddenly had a taste of the very thing he craved, he had to have more.
When she came up against the writing table, he caught her about the waist. She turned her head away before he could kiss her, so he settled for burying his face in her neck to nuzzle the tender throat he’d been coveting.
With a shiver, she slid her hands up his chest. “Why are you doing this?”
“Because I want you,” he admitted, damning himself. “Because I’ve always wanted you.”
Then he covered her mouth with his once more.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
When she was finished with the mailbox, Lisey trudged back down the driveway with her buckets in the long evening light. Breakfast had been coffee and oatmeal, lunch little more than a scoop of tuna and mayo on a scrap of lettuce, and dead cat or no dead cat, she was starved. She decided to put off her call to Woodbody until she had some food in her belly. The thought of calling the Sheriff's Office—anyone in a blue uniform, for that matter—hadn't yet returned to her.
She washed her hands for three minutes, using very hot water and making sure any speck of blood was gone from under her nails. Then she found the Tupperware dish containing the leftover Cheeseburger Pie, scraped it onto a plate, and blasted it in the microwave. While she waited for the chime, she hunted a Pepsi out of the fridge. She remembered thinking she'd never finish the Hamburger Helper stuff once her initial lust for it had been slaked. You could add that to the bottom of the long, long list of Things in Life Lisey Has Been Wrong About, but so what? Big diddly, as Cantata had been fond of saying in her teenage years.
"I never claimed to be the brains of the outfit," Lisey told the empty kitchen, and the microwave bleeped as if to second that.
The reheated gloop was almost too hot to eat but Lisey gobbled it anyway, cooling her mouth with fizzy mouthfuls of cold Pepsi. As she was finishing the last bite, she remembered the low whispering sound the cat's fur had made against the tin sleeve of the mailbox, and the weird pulling sensation she'd felt as the body began, reluctantly, to come forward. He must have really crammed it in there, she thought, and Dick Powell once more came to mind, black-and-white Dick Powell, this time saying And have some stuffing!
She was up and rushing for the sink so fast she knocked her chair over, sure she was going to vomit everything she'd just eaten, she was going to blow her groceries, toss her cookies, throw her heels, donate her lunch. She hung over the sink, eyes closed, mouth open, midsection locked and straining. After a pregnant five-second pause, she produced one monstrous cola-burp that buzzed like a cicada. She leaned there a moment longer, wanting to make absolutely sure that was all. When she was, she rinsed her mouth, spat, and pulled "Zack McCool"'s letter from her jeans pocket. It was time to call Joseph Woodbody.
”
”
Stephen King (Lisey's Story)
“
A monk lived near the temple of Shiva. In the house opposite lived a prostitute. Noticing the large number of men who visited her, the monk decided to speak to her.
‘You are a great sinner,’ he said sternly. ‘You reveal your lack of respect for God every day and every night. Do you never stop to think about what will happen to you after your death?’
The poor woman was very shaken by what the monk said. She prayed to God out of genuine repentance, begging His forgiveness. She also asked the Almighty to help her to find another means of earning her living.
But she could find no other work and, after going hungry for a week, she returned to prostitution.
But each time she gave her body to a stranger, she would pray to the Lord for forgiveness.
Annoyed that his advice had had no effect, the monk thought to himself:
‘From now on, I’m going to keep a count of the number of men who go into that house, until the day the sinner dies.’
And from that moment on, he did nothing but watch the comings and goings at the prostitute’s house, and for each man who went in, he added a stone to a pile of stones by his side.
After some time, the monk again spoke to the prostitute and said:
‘You see that pile of stones? Each stone represents a mortal sin committed by you, despite all my warnings. I say to you once more: do not sin again!’
Seeing how her sins accumulated, the woman began to tremble. Returning home, she wept tears of real repentance and prayed to God:
‘O Lord, when will Your mercy free me from this wretched life?’
Her prayer was heard. That same day, the angel of death came to her house and carried her off. On God’s orders, the angel crossed the street and took the monk with him too.
The prostitute’s soul went straight up to Heaven, while the devils bore the monk down into Hell. They passed each other on the way, and when the monk saw what was happening, he cried out:
‘Is this Your justice, O Lord? I spent my whole life in devotion and poverty and now I am carried off into Hell, while that prostitute, who lived all her life steeped in sin, is borne aloft up to Heaven!’
Hearing this, one of the angels replied:
Angels are always just. You thought that God’s love meant judging the behaviour of your neighbour. While you filled your heart with the impurity of another’s sin, this woman prayed fervently day and night. Her soul is so light after all the tears she has shed that we can easily bear her up to Paradise. Your soul is so weighed down with stones it is too heavy to lift.
”
”
Paulo Coelho
“
To the Highland Girl of Inversneyde
SWEET Highland Girl, a very shower
Of beauty is thy earthly dower!
Twice seven consenting years have shed
Their utmost bounty on thy head:
And these gray rocks, this household lawn,
These trees—a veil just half withdrawn,
This fall of water that doth make
A murmur near the silent lake,
This little bay, a quiet road
That holds in shelter thy abode;
In truth together ye do seem
Like something fashion’d in a dream;
Such forms as from their covert peep
When earthly cares are laid asleep!
But O fair Creature! in the light
Of common day, so heavenly bright
I bless Thee, Vision as thou art,
I bless thee with a human heart:
God shield thee to thy latest years!
I neither know thee nor thy peers:
And yet my eyes are fill’d with tears.
With earnest feeling I shall pray
For thee when I am far away;
For never saw I mien or face
In which more plainly I could trace
Benignity and home-bred sense
Ripening in perfect innocence.
Here scatter’d, like a random seed,
Remote from men, Thou dost not need
The embarrass’d look of shy distress,
And maidenly shamefacédness:
Thou wear’st upon thy forehead clear
The freedom of a mountaineer:
A face with gladness overspread,
Soft smiles, by human kindness bred;
And seemliness complete, that sways
Thy courtesies, about thee plays;
With no restraint, but such as springs
From quick and eager visitings
Of thoughts that lie beyond the reach
Of thy few words of English speech:
A bondage sweetly brook’d, a strife
That gives thy gestures grace and life!
So have I, not unmoved in mind,
Seen birds of tempest-loving kind,
Thus beating up against the wind.
What hand but would a garland cull
For thee who art so beautiful?
O happy pleasure! here to dwell
Beside thee in some heathy dell;
Adopt your homely ways, and dress,
A shepherd, thou a shepherdess!
But I could frame a wish for thee
More like a grave reality:
Thou art to me but as a wave
Of the wild sea: and I would have
Some claim upon thee, if I could,
Though but of common neighbourhood.
What joy to hear thee, and to see!
Thy elder brother I would be,
Thy father, anything to thee.
Now thanks to Heaven! that of its grace
Hath led me to this lonely place:
Joy have I had; and going hence
I bear away my recompense.
In spots like these it is we prize
Our memory, feel that she hath eyes:
Then why should I be loth to stir?
I feel this place was made for her;
To give new pleasure like the past,
Continued long as life shall last.
Nor am I loth, though pleased at heart,
Sweet Highland Girl! from thee to part;
For I, methinks, till I grow old
As fair before me shall behold
As I do now, the cabin small,
The lake, the bay, the waterfall;
And Thee, the spirit of them all
”
”
William Wordsworth
“
Poirot asked:
‘Whatdo you see so plainly? The witnesses? The counsel? The judge? The accused standing in the dock?’
Fogg said quietly:
‘That’s the reason, of course! You’ve put your finger on it. I shall always seeher…Funny thing, romance. She had the quality of it. I don’t know if she was really beautiful…She wasn’t very young-tired looking-circles under her eyes. But it all centered round her. The interest-the drama. And yet, half the time,she wasn’t there. She’d gone away somewhere, quite far away-just left her body there, quiescent, attentive, with the little polite smile on her lips. She was all half tones, you know, lights and shades. And yet, with it all, she was more alive than the other-that girl with the perfect body, and the beautiful face, and the crude young strength. I admired Elsa Greer because she had guts, because she could fight, because she stood up to her tormentors and never quailed! But I admired Caroline Crale because she didn’t fight, because she retreated into her world of half lights and shadows. She was never defeated because she never gave battle.’
He paused:
‘I’m only sure of one thing. She loved the man she killed. Loved him so much that half of her died with him…’
Mr Fogg, K.C., paused and polished his glasses.
‘Dear me,’ he said. ‘I seem to be saying some very strange things! I was quite a young man at the time, you know. Just an ambitious youngster. These things make an impression. But all the same I’m sure that Caroline Crale was a very remarkable woman. I shall never forget her. No-I shall never forget her…
”
”
Agatha Christie (Five Little Pigs (Hercule Poirot, #25))
“
This process is illustrated by an image of it that is continually taking place before our very eyes. Observe what happens when sunbeams are admitted into a building and shed light on its shadowy places. You will see a multitude of tiny particles mingling in a multitude of ways in the empty space within the light of the beam, as though contending in everlasting conflict, rushing into battle rank upon rank with never a moment’s pause in a rapid sequence of unions and disunions. From this you may picture what it is for the atoms to be perpetually tossed about in the illimitable void. To some extent a small thing may afford an illustration and an imperfect image of great things. Besides, there is a further reason why you should give your mind to these particles that are seen dancing in a sunbeam: their dancing is an actual indication of underlying movements of matter that are hidden from our sight. There you will see many particles under the impact of invisible blows, changing their course and driven back upon their tracks, this way and that, in all directions. You must understand that they all derive this restlessness from the atoms. It originates with the atoms, which move of themselves. Then those small compound bodies that are least removed from the impetus of the atoms are set in motion by the impact of their invisible blows and in turn cannon against slightly larger bodies. So the movement mounts up from the atoms and gradually emerges to the level of our senses, so that those bodies are in motion that we see in sunbeams, moved by blows that remain invisible.23
”
”
Carlo Rovelli (Reality Is Not What It Seems: The Journey to Quantum Gravity)
“
Why did you come here-that is, why did you agree to reconsider my proposal?”
The question alarmed and startled her. Now that she’d seen him she had only the dimmest, possibly even erroneous recollection of having spoken to him at a ball. Moreover, she couldn’t tell him she was in danger of being cut off by her uncle, for that whole explanation was to humiliating to bear mentioning.
“Did I do or say something during our brief meetings the year before last to mislead you, perhaps, into believing I might yearn for the city life?”
“It’s hard to say,” Elizabeth said with absolute honesty.
“Lady Cameron, do you even remember our meeting?”
“Oh, yes, of course. Certainly,” Elizabeth replied, belatedly recalling a man who looked very like him being presented to her at Lady Markham’s. That was it! “We met at Lady Markham’s ball.”
His gaze never left her face. “We met in the park.”
“In the park?” Elizabeth repeated in sublime embarrassment.
“You had stopped to admire the flowers, and the young gentleman who was your escort that day introduced us.”
“I see,” Elizabeth replied, her gaze skating away from his.
“Would you care to know what we discussed that day and the next day when I escorted you back to the park?”
Curiosity and embarrassment warred, and curiosity won out. “Yes, I would.”
“Fishing.”
“F-fishing?” Elizabeth gasped.
He nodded. “Within minutes after we were introduced I mentioned that I had not come to London for the Season, as you supposed, but that I was on my way to Scotland to do some fishing and was leaving London the very next day.”
An awful feeling of foreboding crept over Elizabeth as something stirred in her memory. “We had a charming chat,” he continued. “You spoke enthusiastically of a particularly challenging trout you were once able to land.”
Elizabeth’s face felt as hot as red coals as he continued, “We quite forgot the time and your poor escort as we shared fishing stories.”
He was quiet, waiting, and when Elizabeth couldn’t endure the damning silence anymore she said uneasily, “Was there…more?”
“Very little. I did not leave for Scotland the next day but stayed instead to call upon you. You abandoned the half-dozen young bucks who’d come to escort you to some sort of fancy soiree and chose instead to go for another impromptu walk in the park with me.”
Elizabeth swallowed audibly, unable to meet his eyes.
“Would you like to know what we talked about that day?”
“No, I don’t think so.”
He chucked but ignored her reply, “You professed to be somewhat weary of the social whirl and confessed to a longing to be in the country that day-which is why we went to the park. We had a charming time, I thought.”
When he fell silent, Elizabeth forced herself to meet his gaze and say with resignation, “And we talked of fishing?”
“No,” he said. “Of boar hunting.”
Elizabeth closed her eyes in sublime shame.
“You related an exciting tale of a wild board your father had shot long ago, and of how you watched the hunt-without permission-from the very tree below which the boar as ultimately felled. As I recall,” he finished kindly, “you told me that it was your impulsive cheer that revealed your hiding place to the hunters-and that caused you to be seriously reprimanded by your father.”
Elizabeth saw the twinkle lighting his eyes, and suddenly they both laughed.
“I remember your laugh, too,” he said, still smiling, “I thought it was the loveliest sound imaginable. So much so that between it and our delightful conversation I felt very much at ease in your company.” Realizing he’d just flattered her, he flushed, tugged at his neckcloth, and self-consciously looked away.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
You know," he said, 'for what it's worth, the justice system is supposed to be this purveyor of right and wrong, good and had. But sometimes, I think it gets it wrong almost as much as it gets it right. I've had to learn that, too, and it's hard to accept. What do you do when the things that are supposed to protect you, fail you like that??
'I was so naïve,' Pip said. 'I practically handed Max Hastings to them, after everything came out last year. And I truly believed it was some kind of victory, that the bad would be punished. Because it was the truth, and the truth was the most important thing to me. It's all I believed in, all I cared about: finding the truth, no matter the cost. And the truth was that Max was guilty and he would face justice. But justice doesn't exist, and the truth doesn't matter, not in the real world, and now they've just handed him right back.
'Oh, justice exists,' Charlie said, looking up at the rain. 'Maybe not the kind that happens in police stations and courtrooms, but it does exist. And when you really think about it, those words - good and bad, right and wrong- they don't really matter in the real world. Who gets to decide what they mean: those people who just got it wrong and let Max walk free? No,' he shook his head. 'I think we all get to decide what good and bad and right and wrong mean to us, not what we're told to accept. You did nothing wrong. Don't beat yourself up
for other people's mistakes.' She turned to him, her stomach clenching. But that doesn't matter now. Max has won.'
'He only wins if you let him.' 'What can I do about it?' she asked.
'From listening to your podcast, sounds to me like there's not much you can't do.'
'I haven't found Jamie.' She picked at her nails. "And now people think he's not really missing, that I made it all up. That I'm a liar and I'm bad and -'
'Do you care?' Charlie asked. 'Do you care what people
think, if you know you're right?'
She paused, her answer sliding back down her throat. Why did she care? She was about to say she didn't care at all, but hadn't that been the feeling in the pit of her stomach all along? The pit that had been growing these last six months. Guilt about what she did last time, about her dog dying, about not being good, about putting her family in danger, and every day reading the disappointment in her mum's eyes. Feeling bad about the secrets she was keeping to protect Cara and Naomi. She was a liar, that part was true.
And worse, to make herself feel better about it all, she'd said it wasn't really her and she'd never be that person again. That she was different now... good. That she'd almost lost herself last time and it wouldn't happen again. But that wasn't it, was it? She hadn't almost lost herself, maybe she'd actually been meeting herself for the very first time. And she was tired of feeling guilty about it. Tired of feeling shame about who she was. She bet Max Hastings had never felt ashamed a day in his life.
'You're right,' she said. And as she straightened up, untwisted, she realized that the pit in her stomach, the one that had been swallowing her from inside out, it was starting to go, Filling in until it was hardly there at all. "Maybe I don't have to be good, or other people's versions of good. And maybe I don't have to be likeable.' She turned to him, her movements quick and light despite her water-heavy clothes. "Fuck likeable You know who's likeable? People like Max Hastings who walk into a courtroom with fake glasses and charm their way out. I don't want to be like that."
'So don't, Charlie said. 'And don't give up because of him. Someone's life might depend on you. And I know you can find him, find Jamie. He turned a smile to her. "Other people might
”
”
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
“
I'm unaccustomed to being cooped up all day-I really must insist that you permit me to enjoy a short walk."
"Not on your life," Fletcher growled.
From the sound, Breckenridge realized the group had moved closer to the tap.
"You don't need to think you're going to give us the slip so easily," Fletcher said again.
"My dear good man"-Heather with her nose in the air; Breckenridge could tell by her tone-"just where in this landscape of empty fields do you imagine I'm going to slip to?"
Cobbins opined that she might try to steal a horse and ride off.
"Oh,yes-in a round gown and evening slippers," Heather jeered. "But I wasn't suggesting you let me ramble on my own-Martha can come with me."
That was Martha's cue to enter the fray, but Heather stuck to her guns, refusing to back down through the ensuing, increasingly heated verbal stoush.
Until Fletcher intervened, aggravated frustration resonating in his voice. "Look you-we're under strict orders to keep you safe, not to let you wander off to fall prey to the first shiftless rake who rides past and takes a fancy to you."
Silence reigned for half a minute, then Heather audibly sniffed. "I'll have you know that shiftless rakes know better than to take a fancy to me."
Not true, Breckenridge thought, but that wasn't the startling information contained in Fletcher's outburst. "Come on, Heather-follow up."
As if she'd heard his muttered exhortation, she blithely swept on. "But if rather than standing there arguing, you instead treated me like a sensible adult and told me what your so strict orders with respect to me were, I might see my way to complying-or at least to helping you comply with them."
Breckenridge blinked as he sorted through that pronouncement; he could almost feel for Fletcher when he hissed out a sigh.
"All right," Fletcher's frustration had reached breaking point. "If you must know, we're to keep you safe from all harm. We're not to let a bloody pigeon pluck so much as a hair from your head. We're to deliver you up in prime condition, exactly as you were when he grabbed you."
From the change in Fletcher's tone, Breckenridge could visualize him moving closer to tower over Heather to intimidate her into backing down; he could have told him it wouldn't work.
"So now you see," Fletcher went on, voice low and forceful, "that it's entirely out of the question for you to go out for any ramble."
"Hmm." Heather's tone was tellingly mild.
Fletcher was about to get floored by an uppercut. For once not being on the receiving end, Breckenridge grinned and waited for it to land.
"If, as you say, your orders are to-do correct me if I'm wrong-keep me in my customary excellent health until you hand me over to your employer, then, my dear Fletcher, that will absolutely necessitate me going for a walk. Being cooped up all day in a carriage has never agreed with me-if you don't wish me to weaken or develop some unhealthy affliction, I will require fresh air and gentle exercise to recoup." She paused, then went on, her tone one of utmost reasonableness, "A short excursion along the river at the rear of the inn, and back, should restore my constitution."
Breckenridge was certain he could hear Fletcher breathing in and out through clenched teeth.
A fraught moment passed on, then, "Oh, very well! Martha-go with her. Twenty minutes, do you hear? Not a minute more."
"Thank you, Fletcher. Come, Martha-we don't want to waste the light."
Breckenridge heard Heather, with the rather slower Martha, leave the inn by the main door. He sipped his ale, waited. Eventually, Fletcher and Cobbins climbed the stairs, Cobbins grumbling, Fletcher ominously silent.
The instant they passed out of hearing, Breckenridge stood, stretched, then walked out of the tap and into the foyer. Seconds later, he slipped out of the front door.
”
”
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
“
So what, then"-his voice deepened, softened, the suave tones sliding over her skin-"will it take to convince you that you should-indeed, ought to-marry me?"
He let her look into his eyes, for once didn't keep his mask between them.
Let her see he was in earnest, sincere in wanting to know.
She drew in a long breath, then looked back at the river and let out a long, slow sigh. Wondered why she was bothering. If he truly didn't know...
Perhaps she should tell him.
"Very well. As you're so determined to hear them, these are my reasons." She'd never voiced them before, not all of them, yet if Catriona was right and he might be her hero...it behooved her to try to find the words. "I long ago decided that the one element I would never agree to marry without was true...affection." Recalling Catriona's views, she substituted the less specific, less, for men, frightening word. "An affection strong enough to last the years, powerful enough to guide and inform, deep and broad enough to be the foundation of a shared life. I want passion and laughter, interest and inclusion, a partnership at least on a practical level, and something even deeper on the personal.
"I want...to be wanted, to feel necessary and needed, to know I feel a role that only I can fill." She paused, then forced herself to go on. "But even more that that, I want that depth of affection to be offered to me, Heather Cynster, not because I am Heather Cynster, well-connected heiress and"-she flicked a glance his way-"considered by some to be more than passably attractive, but because I'm me." She tapped her chest, felt the pendant beneath her bodice. "I want to be wanted, needed-and married-because of who I am, not what I am."
Suddenly seeing the parallel, she caught his gaze. "In light of your query regarding your birth, you should understand how I feel-how important to me it is to be valued for myself, and to know it.
”
”
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
“
Neamh. Evie. Neamh. Evie. Lend, Lend, Lend. Neamh. Evie.
“What are you doing, my love?”
I scowled at Reth for breaking my concentration. “Thinking. Shut up.” The Light Queen was speechifying up on a podium made of liquid light, her radiance bathing all the faeries in a glow that was nearly overpowering. Within a few seconds of being around this much faerie glamour I was having a hard time seeing straight and found myself slack-jawed and dazed. Thus, the name equivalent of pinching myself.
I realized at some point she had stopped talking, and now every single set of faerie eyes—a few hundred of them—were trained intently on me.
“Oh, uh, hey.” I waved. “What did I miss?” I whispered to Reth.
“You’re supposed to tell us how to convince the Dark Court to join us.”
“I—What? Seriously? I’m only here to make sure everything happens. I thought the queen would have a plan! I’m a glorified doorman. I open the gate, I close the gate. Nowhere in my job description of Empty One does it say I also manage to convince a mob of anti-Evie faeries to saunter through the gate.”
Reth smiled. “And just when she’d finished praising human ingenuity and assuring us that everything will work out according to plan.”
“Yes! Plan! Her plan! Gosh, you guys are sucking it up all over the place. Aren’t you supposed to have these things in place for centuries, or were you too busy writing pretty little poems to describe the plans that you never bothered actually making them?”
His golden eyes, now with fine lines around them, twinkled with amusement. “We had a plan, my love. I was to fill you up and you were to open a fate for us immediately. But I seem to recall you doing everything in your power to resist and change that plan. So now we’ve had to account for all the other creatures from our world and conform to your requirements. I think you’ll find that we fey, while obviously superior in nearly every way, are not quite as adaptable as temporary creatures. If you want improvisations, you’ll have to provide it yourself.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
You know," he said, 'for what it's worth, the justice system is supposed to be this purveyor of right and wrong, good and had. But sometimes, I think it gets it wrong almost as much as it gets it right. I've had to learn that, too, and it's hard to accept. What do you do when the things that are supposed to protect you, fail you like that??
'I was so naïve,' Pip said. 'I practically handed Max Hastings to them, after everything came out last year. And I truly believed it was some kind of victory, that the bad would be punished. Because it was the truth, and the truth was the most important thing to me. It's all I believed in, all I cared about: finding the truth, no matter the cost. And the truth was that Max was guilty and he would face justice. But justice doesn't exist, and the truth doesn't matter, not in the real world, and now they've just handed him right back.
'Oh, justice exists,' Charlie said, looking up at the rain. 'Maybe not the kind that happens in police stations and courtrooms, but it does exist. And when you really think about it, those words - good and bad, right and wrong- they don't really matter in the real world. Who gets to decide what they mean: those people who just got it wrong and let Max walk free? No,' he shook his head. 'I think we all get to decide what good and bad and right and wrong mean to us, not what we're told to accept. You did nothing wrong. Don't beat yourself up
for other people's mistakes.' She turned to him, her stomach clenching. But that doesn't matter now. Max has won.'
'He only wins if you let him.' 'What can I do about it?' she asked.
'From listening to your podcast, sounds to me like there's not much you can't do.'
'I haven't found Jamie.' She picked at her nails. "And now people think he's not really missing, that I made it all up. That I'm a liar and I'm bad and -'
'Do you care?' Charlie asked. 'Do you care what people think, if you know you're right?'
She paused, her answer sliding back down her throat. Why did she care? She was about to say she didn't care at all, but hadn't that been the feeling in the pit of her stomach all along? The pit that had been growing these last six months. Guilt about what she did last time, about her dog dying, about not being good, about putting her family in danger, and every day reading the disappointment in her mum's eyes. Feeling bad about the secrets she was keeping to protect Cara and Naomi. She was a liar, that part was true.
And worse, to make herself feel better about it all, she'd said it wasn't really her and she'd never be that person again. That she was different now... good. That she'd almost lost herself last time and it wouldn't happen again. But that wasn't it, was it? She hadn't almost lost herself, maybe she'd actually been meeting herself for the very first time. And she was tired of feeling guilty about it. Tired of feeling shame about who she was. She bet Max Hastings had never felt ashamed a day in his life.
'You're right,' she said. And as she straightened up, untwisted, she realized that the pit in her stomach, the one that had been swallowing her from inside out, it was starting to go, Filling in until it was hardly there at all. "Maybe I don't have to be good, or other people's versions of good. And maybe I don't have to be likeable.' She turned to him, her movements quick and light despite her water-heavy clothes. "Fuck likeable You know who's likeable? People like Max Hastings who walk into a courtroom with fake glasses and charm their way out. I don't want to be like that."
'So don't, Charlie said. 'And don't give up because of him. Someone's life might depend on you. And I know you can find him, find Jamie. He turned a smile to her. "Other people might not believe in you but, for what it's worth, your neighbour from four doors down does.
”
”
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))