She Wears Black Quotes

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Isabelle drifted over, Jace a pace behind her. She was wearing a long black dress with boots and an even longer cutaway coat of soft green velvet, the color of moss. "I can't believe you did it!" she exclaimed. "How did you get Magnus to let Jace leave?" "Traded him for Alec," Clary said. Isabelle looked mildly alarmed. "Not permanently?" "No," said Jace. "Just for a few hours. Unless I don't come back," he added thoughtfully. "In which case, maybe he does get to keep Alec. Think of it as a lease with an option to buy." Isabelle looked dubious. "Mom and Dad won't be pleased if they find out." "That you freed a possible criminal by trading away your brother to a warlock who looks like a gay Sonic the Hedgehog and dresses like the Child Catcher from Chitty Chitty Bang Bang?" Simon inquired. "No, probably not.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
A WOMAN SHOULD HAVE .... enough money within her control to move out and rent a place of her own even if she never wants to or needs to... A WOMAN SHOULD HAVE .... something perfect to wear if the employer or date of her dreams wants to see her in an hour... A WOMAN SHOULD HAVE ... a youth she's content to leave behind.... A WOMAN SHOULD HAVE .... a past juicy enough that she's looking forward to retelling it in her old age.... A WOMAN SHOULD HAVE ..... a set of screwdrivers, a cordless drill, and a black lace bra... A WOMAN SHOULD HAVE .... one friend who always makes her laugh... and one who lets her cry... A WOMAN SHOULD HAVE .... a good piece of furniture not previously owned by anyone else in her family... A WOMAN SHOULD HAVE .... eight matching plates, wine glasses with stems, and a recipe for a meal that will make her guests feel honored... A WOMAN SHOULD HAVE .... a feeling of control over her destiny... EVERY WOMAN SHOULD KNOW... how to fall in love without losing herself.. EVERY WOMAN SHOULD KNOW... HOW TO QUIT A JOB, BREAK UP WITH A LOVER, AND CONFRONT A FRIEND WITHOUT RUINING THE FRIENDSHIP... EVERY WOMAN SHOULD KNOW... when to try harder... and WHEN TO WALK AWAY... EVERY WOMAN SHOULD KNOW... that she can't change the length of her calves, the width of her hips, or the nature of her parents.. EVERY WOMAN SHOULD KNOW... that her childhood may not have been perfect...but it's over... EVERY WOMAN SHOULD KNOW... what she would and wouldn't do for love or more... EVERY WOMAN SHOULD KNOW... how to live alone... even if she doesn't like it... EVERY WOMAN SHOULD KNOW... whom she can trust, whom she can't, and why she shouldn't take it personally... EVERY WOMAN SHOULD KNOW... where to go... be it to her best friend's kitchen table... or a charming inn in the woods... when her soul needs soothing... EVERY WOMAN SHOULD KNOW... what she can and can't accomplish in a day... a month...and a year...
Pamela Redmond Satran
Even the Inquisitor's eyebrows shot up when Magnus strode through the gate. The High Warlock was wearing black leather pants, a belt with a buckle in the shape of a jeweled M, and a cobalt-blue Prussian military jacket open over a white lace shirt. He shimmered with layers of glitter. His gaze rested for a moment on Alec's face with amusement and a hint of something else before moving on to Jace, prone on the ground. "Is he dead?" he inquired. "He looks dead." "No," snapped Maryse. "He's not dead." "Have you checked? I could kick him if you want." Magnus moved toward Jace. "Stop that!" the Inquisitor snapped, sounding like Clary's third-grade teacher demanding that she stop doodling on her desk with a marker.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
She was wearing a purple T-shirt, with a skinny black dress over it that made you remember how much of a girl she was, and trashed black boots that made you forget.
Kami Garcia (Beautiful Creatures (Caster Chronicles, #1))
She wears trouble like a crown. If she ever falls in love, she’ll fall like a comet, burning the sky as she goes.
Holly Black (Black Heart (Curse Workers, #3))
You’re here!” Isabelle danced up to them in delight, carrying a glass of fuchsia liquid, which she thrust at Clary. “Have some of this!” Clary squinted at it. “Is it going to turn me into a rodent?” “Where is the trust? I think it’s strawberry juice,” Isabelle said. “Anyways, it’s yummy. Jace?” She offered him the glass. “I am a man,” he told her, “and men do not consume pink beverages. Get thee gone, woman, and bring me something brown.” “Brown?” Isabelle made a face. “Brown is a manly color,” said Jace, and yanked on a stray lock of Isabelle’s hair with his free hand. “In fact, look – Alec is wearing it.” Alec looked mournfully down at his sweater. “It was black,” he said. “But then it faded.” “You could dress it up with a sequined headband,” Magnus suggested, offering his boyfriend something blue and sparkly. “Just a thought.” “Resist the urge, Alec.” Simon was sitting on the edge of a low wall with Maia beside him, though she appeared to be deep in conversation with Aline. “You’ll look like Olivia Newton-John in Xanadu.” “There are worse things,” Magnus observed.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
What I like about The Sims is that I don't have a normal life at all, so I play this game where these people have these really boring, mundane lives. It's fun. My Sims family is called the Cholly family. I don't know why I picked that name; it's kind of random. The teenage daughter is my favourite, because I just had her go through this Goth phase. She's really kind of nerdy and she just became a concert violinist, which is pretty huge for the family. And she got into private school. But she started wearing black lipstick and she dyed her hair purple. It's pretty huge.
Gerard Way
Vivi blows a noisemaker. “Here,” she says, passing out paper crowns for us to wear. “This is ridiculous,” I complain, but put mine on. Cardan looks at his reflection in the door of the microwave and adjusts his crown so it’s at an angle. I roll my eyes, and he gives me a quick grin.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Fucking heels,” she mumbles. Only she isn’t wearing heels. She’s wearing black flats, but she blames them, anyway.
Colleen Hoover (Confess)
She's going to want to wear your skull for a hat," Oak warns. There is an uncomfortable shifting among the ex-falcons. Perhaps they are recalling their own choice to denounce her, their own punishment. "And Cardan is going to laugh and laugh when she does.
Holly Black (The Stolen Heir (The Stolen Heir Duology #1))
The moment she was cursed, I lost her. Once it wears off- soon- she will be embarrassed to remember things that she said, things she did, things like this. No matter how solid she feels in my arms, she is made of smoke.
Holly Black (Red Glove (Curse Workers, #2))
Just for future reference, don't use words like "love" anymore. It's a very sensitive word and it wears out quickly. Romeo barely says it, but John Hinckley filled up a whole journal with it. To put it into your terms, it's a currency that's easily devalued. Pretty soon you're saying it whenever you hang up the phone or whenever you leave. It turns into an apology. Then it's an excuse. Some assholes want it to be a bulletproof vest: don't hate me; I love you. But mostly it just means--more. More, more--give me something more. A couple of years from now, when you're on your own completely, if you really fall in love, if it really comes to that--and I pity you if it does--you have to look right down into the black of her eyes, right down into the emptiness in there and feel everything, absolutely everything she needs and you have to be willing to drown in it, Kevin. You'd have to want to be crushed, buried alive. Because that's what real love feels like--choking. They used to bury some women in their wedding dresses, you know. I thought it was because all those husbands were too cheap to spring for another gown, but now it makes sense: love is your first foot in the grave. That's why the second most abused word is "forever".
Peter Craig (Hot Plastic)
She shrugged and flipped her glossy hair behind her shoulders. "What else do you have to do with your time besides think about stuff like this? It's not like you're real heavy into extracurriculars. Besides, you're all, like, goth and into the dead, right?" Alona Dare, queen of the insult-compliment. "Wow. Thanks. Anyone ever tell you you're good with people?" She frowned. "No." "Good. I'm not goth." "Your hair is black, you have piercings, you wear black all the time and act all freaky-" "My hair is naturally this color. I have three earings in one ear, that's it. This shirt" -I tugged at the fabric across my chest- "is navy blue, and if I act weird all the time, it's because of ghosts like you.
Stacey Kade (The Ghost and the Goth (The Ghost and the Goth, #1))
you must wear it like she wears disappointment on her face you must hide the surprise of tasting other men on your lips your mother is a woman and women like her cannot be contained. you find the black tube inside her beauty case, where she keeps your fathers old prison letters, you desperately want to look like her film star beauty, you hold your hand against your throat your mother was most beautiful when sprawled out on the floor half naked and bleeding. you go to the bathroom to apply the lipstick, somewhere no one can find you your teeth look brittle against the deep red slickness you smile like an infant, your mouth is a wound you look nothing like your mother you look everything like your mother. you call your ex boyfriend, sit on the toilet seat and listen to the phone ring, when he picks up you say his name slow he says i thought i told you to stop calling me you lick your lips, you taste like years of being alone.
Warsan Shire
So what are you really wearing?" The words left her mouth before she could consider them. She winced. He didn't seem to mind; in fact, he flashed her one of his brief smiles. "And if I said nothing at all?" "Then I would point out that sometimes, if you look at something out of the corner of your eye, you can see right through glamour," she returned. That brought surprised laughter. "What a relief to us both then that I am actually wearing exactly what you saw me in this afternoon. Although one might point out that in that outfit, your last concern should be my modesty.
Holly Black (Tithe (Modern Faerie Tales, #1))
She wore too much eyeliner then, at age thirteen, and now, at eighteen, she wears so much black under her eyes, she looks like a slutty linebacker raccoon.
A.S. King (Please Ignore Vera Dietz)
jace's clothes had been clean,stylish,ordinary. Sebastian had been wearing a long black wool trench coat that had looked expensive. Like an evil Burbeery ad, Simon said when she was done.
Cassandra Clare
A game: say something. Close your eyes and say something. Anything, a number, a name. Like this (she closes her eyes): Two, two what? Two women. What do they look like? Wearing black. Where are they? In a park. . . . And then, what are they doing? Try it, it's so easy, why don't you want to play? You know, that's how I talk to myself when I'm alone, I tell myself all kinds of stories. And not only silly stories: actually, I live this way altogether.
André Breton (Nadja)
Sylvia had given him a scalding lecture, the gist of it being that whatever a woman enjoyed wearing was feminine and anything she didn't enjoy wearing wasn't, and if he was too stubborn and old fashioned to understand that, he could go and soak his head in a bucket of cold water. He hadn't quite forgiven her yet for saying they would have to look hard to find a bucket big enough to fit his head in to, but he admired the sass behind the remark.
Anne Bishop (Heir to the Shadows (The Black Jewels, #2))
When most people said "I'm psychic, you see," they meant "I have an overactive but unoriginal imagination/wear black nail varnish/talk to my budgie;" when Anathema said it, it sounded as though she was admitting to a hereditary disease which she'd much prefer not to have.
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
He was obviously a very arrogant ragamuffin, and younger than she was, to boot. And he was wearing a necromancer's bells! Apart from that, he was quite handsome, which was another black mark as far as she was concerned.
Garth Nix (Lirael (Abhorsen, #2))
Don’t mind me,” I said. “I’m just the person who tried to rob the place last July.” “No, you diddn’t,” Abby said, appearing on the roof. She was wearing a trim suit and tall black boots. Her hair was pulled into a sleek ponytail at the nape of her neck, and either i was imagining things or Townsend wasn’t quite as good a spy as I thought, because I could have sworn I saw him drool a little. Note to self: your aunt is a hottie.
Ally Carter (Out of Sight, Out of Time (Gallagher Girls, #5))
When Shaundelle turned and looked back at Nonie she had her lips pursed. "The man say wear whatever you want. Wear black, girl. It's slimmin', not that you need any slimmin' with your skinny self, but it makes me look like I've been dietin' for a week. I don't want to be the only one wearin' black, so wear black, okay?
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
When I hug her, I notice she's still wearing yesterday's false eyelashes. Mom? You know those come off with a little makeup remover and a cotton pad?" I'm not taking them off." Why not?" I spent $180 on that makeup job and I refuse to wash my face until I get my money's worth.
Jen Lancaster (Bitter Is the New Black: Confessions of a Condescending, Egomaniacal, Self-Centered Smartass, Or, Why You Should Never Carry A Prada Bag to the Unemployment Office)
She was blond as hell, wearing a lot of black.
Kenneth Fearing (The Big Clock)
You must be blind." "Why?" he asked, coming over to her. "Well, I feel like such an ass for saying this." She smoothed the front of her off-the-rack-and-then-some slacks. "But I wish I had better clothes. Then I'd be beautiful." Rehvenge paused. And then he shocked the crap out of her by kneeling before her. As he looked up, he had a slight smile on his lips. "Don't you get it Ehlena." With gentle hands, he stroked down her calf and brought her foot forward, balancing it on his thigh. As he undid the laces of her cheapo Keds sneaker, he whispered, "No matter what you wear... to me, you will always have diamonds on the soles of your shoes.
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
For you she learned to wear a short black slip and red lipstick, how to order a glass of red wine and finish it. She learned to reach out as if to touch your arm and then not touch it, changing the subject. Didn't you think, she'd begin, or Weren't you sorry. . . . To call your best friends by their schoolboy names and give them kisses good-bye, to look away when they say Your wife! So your confidence grows. She doesn't ask what you want because she knows. Isn't that what you think? When actually she was only waiting to be told Take off your dress--- to be stunned, and then do this, never rehearsed, but perfectly obvious: in one motion up, over, and gone, the X of her arms crossing and uncrossing, her face flashing away from you in the fabric so that you couldn't say if she was appearing or disappearing.
Deborah Garrison (A Working Girl Can't Win)
You should be thankful that dark colors suit you. Not everyone wears black well." "Why, Lady Olivia, is that a compliment?" "Not so much as a compliment to you as an insult to everyone else," she assured him. "Thanks heaven for that. I don't think I would know how to conduct myself in a world in which you offered compliments.
Julia Quinn (What Happens in London (Bevelstoke, #2))
Grandma was wearing a blond Marilyn Monroe wig, a hot pink tank top, black Pilates pants, and black kitten heels. She looked like the senior version of an inflatable sex toy doll that needed more air.
Janet Evanovich (Notorious Nineteen (Stephanie Plum, #19))
Karṇa walks, his back is straight, he is lit up by his divine earings; yet his feet drag. He turns into an alley. His head droops and falls to his chest. He stops. Mist swirls around him, becomes motionless, parts. From between his ribs steps a young woman. Her eyes and face and tongue are brown like old blood and she is decked in old things and she wears upon her wrists two burnt black bracelets. She places the point of a knife under Karṇa’s chest plate and cuts, a gentle sawing motion, the blade moving beneath the skin, a slicing of the quick: nerves, blood vessels, sinews. I feel his pain; not a stab; it is insistent, enduring, but sharp nonetheless, as with any loss.
Michael Tobert (Karna's Wheel)
So what do you wear to dump somebody?" she asked me, twirling a lock of hair around one finger. "Black, for mourning? Or something cheerful and colorful, to distract them from their pain? Or maybe you wear some sort of camouflage, something that will help you disappear quickly in case they don't take it well.
Sarah Dessen (This Lullaby)
But her attention was on the prince across from her, who seemed utterly ignored by his father and his own court, shoved down near the end with her and Aedion. He ate so beautifully, she thought, watching him cut into his roast chicken. Not a drop moved out of place, not a scrap fell on the table. She had decent manners, while Aedion was hopeless, his plate littered with bones and crumbs scattered everywhere, even some on her own dress. She’d kicked him for it, but his attention was too focused on the royals down the table. So both she and the Crown Prince were to be ignored, then. She looked at the boy again, who was around her age, she supposed. His skin was from the winter, his blue-black hair neatly trimmed; his sapphire eyes lifted from his plate to meet hers. “You eat like a fine lady,” she told him. His lips thinned and color stained his ivory cheeks. Across from her, Quinn, her uncle’s Captain of the Guard, choked on his water. The prince glanced at his father—still busy with her uncle—before replying. Not for approval, but in fear. “I eat like a prince,” Dorian said quietly. “You do not need to cut your bread with a fork and knife,” she said. A faint pounding started in her head, followed by a flickering warmth, but she ignored it. The hall was hot, as they’d shut all the windows for some reason. “Here in the North,” she went on as the prince’s knife and fork remained where they were on his dinner roll, “you need not be so formal. We don’t put on airs.” Hen, one of Quinn’s men, coughed pointedly from a few seats down. She could almost hear him saying, Says the little lady with her hair pressed into careful curls and wearing her new dress that she threatened to skin us over if we got dirty. She gave Hen an equally pointed look, then returned her attention to the foreign prince. He’d already looked down at his food again, as if he expected to be neglected for the rest of the night. And he looked lonely enough that she said, “If you like, you could be my friend.” Not one of the men around them said anything, or coughed. Dorian lifted his chin. “I have a friend. He is to be Lord of Anielle someday, and the fiercest warrior in the land.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Rule number one of anime," Simon said. He sat propped up against a pile of pillows at the foot of his bed, a bag of potato chips in one hand and the TV remote in the other. He was wearing a black T-shirt that said I BLOGGED YOUR MOM and a pair of jeans with a hole ripped in one knee. "Never screw with a blind monk." "I know," Clary said, taking a potato chip and dunking it into the can of dip balanced on the TV tray between them. "For some reason they're always way better fighters than monks who can see." She peered at the screen. "Are those guys dancing?" "That's not dancing. They're trying to kill each other. This is the guy who's the mortal enemy of the other guy, remember? He killed his dad. Why would they be dancing?
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
It's me," a deep voice rumbled. The hands released me and I turned. There stood Derek, all six foot of him. Maybe it was just the thrill of seeing him, but he looked better than I remembered. His black hair was still lank, and his face was still dotted with acne. But he looked...better. ~~~~~ Tori waited until Derek was gone, then shuddered. "Okay, Derek always weired me out, but the wolf man stuff is seriously creepy. Suits him, I suppose. A creepy power for a creepy guy." "I thought he looked better." She stared at me. "What? He does. Probably because he's starting his wolf changes and he's not stressed out about being in Lyle House. That must help." "You know what will really help? Shampoo. Deodorant - " I raised my hand to cut her off. "He smelled fine, so don't start that. I'm sure his wearing deodorant and - for once-it's working. As for showers, they're a little hard to come by on the street, and we won't look much better soon." "I'm just saying." "Do you think he doesn't know you're saying? News flash-he's not stupid.
Kelley Armstrong (The Awakening (Darkest Powers, #2))
I'd been making desicions for days. I picked out the dress Bailey would wear forever- a black slinky one- innapropriate- that she loved. I chose a sweater to go over it, earrings, bracelet, necklace, her most beloved strappy sandals. I collected her makeup to give to the funeral director with a recent photo- I thought it would be me that would dress her; I didn't think a strange man should see her naked touch her body shave her legs apply her lipstick but that's what happened all the same. I helped Gram pick out the casket, the plot at the cemetery. I changed a few lines in the obituary that Big composed. I wrote on a piece of paper what I thought should go on the headstone. I did all this without uttering a word. Not one word, for days, until I saw Bailey before the funeral and lost my mind. I hadn't realized that when people say so-and-so snapped that's what actually happens- I started shaking her- I thought I could wake her up and get her the hell out of that box. When she didn't wake, I screamed: Talk to me. Big swooped me up in his arms, carried me out of the room, the church, into the slamming rain, and down to the creek where we sobbed together under the black coat he held over our heads to protect us from the weather.
Jandy Nelson (The Sky Is Everywhere)
Death has a body like a model, the clothes of a poet and the smile of your best friend. She wears a top hat for fun, her ankh necklace for power, and carries a big black umbrella for travelling to the 'sunless lands.' I wonder what she smells like? I'm sure it's fresh and clean and her laugh must be rinkly or maybe it's warm and chuckly, but whatever it is, Death laughs a lot. We talk about the 'miracle of birth' but what about the 'miracle of death'? We have the science of death pretty much figured out, but death's magic and inevitability have been feared and ignored for a long time now. What if Death is a person?
Neil Gaiman (Death: The Time of Your Life)
Faris turned on him. "Why choose to wear black today, of all days? I know why I'm in black. Why are you? Mourning? He looked startled. "One does not wear mourning for a servant." You still don't understand, do you? He was not my servant." He regarded her anger, aghast. "What then? What else could he be? Her empty hands shook as she held them out to him. Her voice shook as she replied, "Glove to my hand." Slowly she closed her fists. "Everything.
Caroline Stevermer (A College of Magics (A College of Magics, #1))
My name...my name is Mary. I'm here with a friend.' Rhage stopped breathing. His heart skipped a beat and then slowed. "Say that again,' he whispered. 'Ah, my name is Mary Luce. I'm a friend of Bella's...We came here with a boy, with John Matthew. We were invited.' Rhage shivered, a balmy rush blooming out all over his skin. The musical lilt of her voice, the rhythm of her speech, the sound of her words, it all spread through him, calming him, comforting him. Chaining him sweetly. He closed his eyes. 'Say something else.' 'What?' she asked, baffled. 'Talk. Talk to me. I want to hear your voice.' She was silent, and he was about to demand that she speak when she said, 'You don't look well. Do you need a doctor?' He found himself swaying. The words didn't matter. It was her sound: low, soft, a quiet brushing in his ears. He felt as if here being stroked on the inside of his skin. 'More,' he said, twisting his palm around to the front of her neck so he could feel the vibrations in her throat better. 'Could you... could you please let go of me?' 'No.' He brought his other arm up. She was wearing some kind of fleece, and he moved the collar aside, putting his hand on her shoulder so she couldn't get away from him. 'Talk.' She started to struggle. 'You're crowding me.' 'I know. Talk.' 'Oh for God's sake, what do you want me to say?' Even exasperated, her voice was beautiful. 'Anything.' 'Fine. Get your hand off my throat and let me go or I'm going to knee you where it counts.' He laughed. Then sank his lower body into her, trapping her with his thighs and hips. She stiffened against him, but he got an ample feel of her. She was built lean, though there was no doubt she was female. Her breasts hit his chest, her hips cushioned his, her stomach was soft. 'Keep talking,' he said in her ear. God, she smelled good. Clean. Fresh. Like lemon. When she pushed against him, he leaned his full weight into her. Her breath came out in a rush. 'Please,' he murmured. Her chest moved against his as if she were inhaling. 'I... er, I have nothing to say. Except get off of me.' He smiled, careful to keep his mouth closed. There was no sense showing off his fangs, especially if she didn't know what he was. 'So say that.' 'What?' 'Nothing. Say nothing. Over and over and over again. Do it.' She bristled, the scent of fear replaced by a sharp spice, like fresh, pungent mint from a garden. She was annoyed now. 'Say it.' "Fine. Nothing. Nothing.' Abruptly she laughed, and the sound shot right through to his spine, burning him. 'Nothing, nothing. No-thing. No-thing. Noooooothing. There, is that good enought for you? Will you let me go now?
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
Idris had been green and gold and russet in the autumn, when Clary had first been there. It had a stark grandeur in the winter: the mountains rose in the distance, capped white with snow, and the trees along the side of the road that led back to Alicante from the lake were stripped bare, their leafless branches making lace-like patterns against the bright sky. Sometimes Jace would slow the horse to point out the manor houses of the richer Shadowhunter families, hidden from the road when the trees were full but revealed now. She felt his shoulders tense as they passed one that nearly melded with the forest around it: it had clearly been burned and rebuilt. Some of the stones still bore the black marks of smoke and fire. “The Blackthorn manor,” he said. “Which means that around this bend in the road is …” He paused as Wayfarer summited a small hill, and reined him in so they could look down to where the road split in two. One direction led back toward Alicante — Clary could see the demon towers in the distance — while the other curled down toward a large building of mellow golden stone, surrounded by a low wall. “ … the Herondale manor,” Jace finished. The wind picked up; icy, it ruffled Jace’s hair. Clary had her hood up, but he was bare-headed and bare-handed, having said he hated wearing gloves when horseback riding. He liked to feel the reins in his hands. “Did you want to go and look at it?” she asked. His breath came out in a white cloud. “I’m not sure.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
How can she create with all your negative energy?" "Yeah, man. You're bringing us down." "This is about as low as it gets," Ariel said. "Where did you get those ridiculous black berets?" Moth adjusted his recently donned beatnik attire. "This is what the hip cats wear , daddy-o." "Can you dig it?" Cobweb stroked a few wisps of fake chin hair, while the others nodded and snapped their fingers.
Lisa Mantchev (Perchance to Dream (Théâtre Illuminata, #2))
A girl like that, Grandad said, perfumes herself with ozone and metal filings. She wears trouble like a crown. If she ever falls in love, she'll fall like a comet, burning the sky as she goes.
Holly Black (Black Heart (Curse Workers, #3))
You know what else is hot?" said a nameless blonde as she put her arm around the one black girl. "What?" "Bisexuals." "Totally. Well, not like real bisexuals who are just sort of your everyday people, but, like, the kind of bisexuals you see in magazines wearing nothing but body paint and kissing both boys and girls to promote a new single." "Totally, totally hot.
Libba Bray (Beauty Queens)
She took a second look at him, at his fancy tailored suit. Dark gray with pinstripes. Oh please, like she’d really believe he was a dom at all? “Gabrielle Anderson. Are you sure you’re Master Marcus?” “Why would you think I’m not Master Marcus?” he asked. Well, good grief. She waved a hand at him and kept the duh from slipping out. Just in case he really was Master Marcus. Maybe he hadn’t changed yet or something. “The suit? Where are your leathers or latex or…biker jacket or vest? And black? Did you forget to wear black?” He stared for a second, as if she’d turned into a drooling idiot, and then simply roared. Deep, full laughter—amazing coming from someone who looked like he should have a stick up his ass.
Cherise Sinclair (Make Me, Sir (Masters of the Shadowlands, #5))
You have given me something ... I didn't even know I needed. It's the greatest gift I will ever receive--it's, like, completing me already in places I wasn't aware were empty. And yet ... in spite of all that? I don't love you one bit more. You are as important to me as you've always been." He curled down and pressed a kiss to the loose shirt she was wearing--it was one of his, actually, and wasn't that great. "I was wholly bonded to you before this, and will be after this--and forevermore." "You're going to make me cry again." "So cry. And let me take care of you. I got this.
J.R. Ward (The King (Black Dagger Brotherhood #12))
The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice. Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember. “Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms. She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire. Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.” “What to get the Shadowhunter who has everything,” Simon said with a grin. “Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?” “A piano.” “Simon.” “A really huge metronome that could also double as a weapon?” Clary sighed, exasperated. “Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.” “Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?” “I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets. “Oh, come on. Isabelle’s easy.” “That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.” “You really have to DTR, Simon.” “What?” “Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?” Simon blanched. “What? Seriously?” “Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—” “Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother. where are you? It’s an emergency.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
The white feminist becomes the CEO. The black feminist becomes the exiled rebel. The white feminist speaks about teaching literacy like i should thank her, hold her hand, kiss her for teaching children of darker skin. The black feminist should be grateful. The black feminist wears her natural hair, she is called ‘too rebellious’. The white feminist cuts her hair, she is brave. The white feminist gets featured on TIME. The black feminist is the fine print.
Ijeoma Umebinyuo
Seven things has Lady Lackless Keeps them underneath her black dress One a ring that’s not for wearing One a sharp word, not for swearing Right beside her husband’s candle There’s a door without a handle In a box, no lid or locks Lackless keeps her husband’s rocks There’s a secret she’s been keeping She’s been dreaming and not sleeping On a road, that’s not for traveling Lackless likes her riddle raveling.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
Why do you always wear black?” She delighted me with her answer, the correct, the only, answer. “I’m in mourning for my life. I’m unhappy.
Barbara Vine (No Night is Too Long)
MY MOTHER GETS DRESSED It is impossible for my mother to do even the simplest things for herself anymore so we do it together, get her dressed. I choose the clothes without zippers or buckles or straps, clothes that are simple but elegant, and easy to get into. Otherwise, it's just like every other day. After bathing, getting dressed. The stockings go on first. This time, it's the new ones, the special ones with opaque black triangles that she's never worn before, bought just two weeks ago at her favorite department store. We start with the heavy, careful stuff of the right toes into the stocking tip then a smooth yank past the knob of her ankle and over her cool, smooth calf then the other toe cool ankle, smooth calf up the legs and the pantyhose is coaxed to her waist. You're doing great, Mom, I tell her as we ease her body against mine, rest her whole weight against me to slide her black dress with the black empire collar over her head struggle her fingers through the dark tunnel of the sleeve. I reach from the outside deep into the dark for her hand, grasp where I can't see for her touch. You've got to help me a little here, Mom I tell her then her fingertips touch mine and we work her fingers through the sleeve's mouth together, then we rest, her weight against me before threading the other fingers, wrist, forearm, elbow, bicep and now over the head. I gentle the black dress over her breasts, thighs, bring her makeup to her, put some color on her skin. Green for her eyes. Coral for her lips. I get her black hat. She's ready for her company. I tell the two women in simple, elegant suits waiting outside the bedroom, come in. They tell me, She's beautiful. Yes, she is, I tell them. I leave as they carefully zip her into the black body bag. Three days later, I dream a large, green suitcase arrives. When I unzip it, my mother is inside. Her dress matches her eyeshadow, which matches the suitcase perfectly. She's wearing coral lipstick. "I'm here," she says, smiling delightedly, waving and I wake up. Four days later, she comes home in a plastic black box that is heavier than it looks. In the middle of a meadow, I learn a naked more than naked. I learn a new way to hug as I tighten my fist around her body, my hand filled with her ashes and the small stones of bones. I squeeze her tight then open my hand and release her into the smallest, hottest sun, a dandelion screaming yellow at the sky.
Daphne Gottlieb (Final Girl)
Jace?" She offered him the glass. "I am a man," he told her. "And men do not consume pink beverages. Get the gone, woman and bring me something brown." "Brown?" Isabelle made a face. "Brown is a manly colour," said Jace and yanked on a stray lock of Isabelle's hair with his free hand. "In fact, look-Alec is wearing it." Alec looked mournfully down at his sweater. "It was black," he said. "But then it faded." "You could dress it up with a sequined headband," Magnus suggested.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
You'll want all your strength for the wedding night." I cannot think why I should need strength," she said, ignoring a host of spine-tingling images rising in her mind's eye. "All I have to do is lie there." "Naked," he said grimly. "Truly?" She shot him a glance from under her lashes. "Well, if I must, I must, for you have the advantage of experience in these matters. Still, I do wish you'd told me sooner. I should not have put the modiste to so much trouble about the negligee." "The what?" "It was ghastly expensive," she said, "but the silk is as fine as gossamer, and the eyelet work about the neckline is exquisite. Aunt Louisa was horrified. She said only Cyprians wear such things, and it leaves nothing to the imagination." Jessica heard him suck in his breath, felt the muscular thigh tense against hers. "But if it were left to Aunt Louisa," she went on,"I should be covered from my chin to my toes in thick cotton ruffled with monstrosities with little bows and rosebuds. Which is absurd, when an evening gown reveals far more, not to mention--" "What color?" he asked. His low voice had roughened. "Wine red," she said, "With narrow black ribbons threaded through the neckline. Here." She traced a plunging U over her bosom. "And there's the loveliest openwork over my...well, here." She drew her finger over the curve of her breast a bare inch above the nipple. "And openwork on the right side of the skirt. From here" --she pointed to her hip--"down to the hem. And I bought---" "Jess." Her name was a strangled whisper. "--slippers to match," she continued." Black mules with--" "Jess." In one furious flurry of motion he threw down the reins and hauled her into his lap.
Loretta Chase (Lord of Scoundrels (Scoundrels, #3))
She let Sicarius lead since he had that knack for getting people to move out of his way without doing anything. Amaranthe, on the other hand, received elbows in the ribs or suggestive jostles from drunken men. Maybe she should try wearing all black and glaring more often.
Lindsay Buroker (Dark Currents (The Emperor's Edge, #2))
Live or die, but don't poison everything... Well, death's been here for a long time -- it has a hell of a lot to do with hell and suspicion of the eye and the religious objects and how I mourned them when they were made obscene by my dwarf-heart's doodle. The chief ingredient is mutilation. And mud, day after day, mud like a ritual, and the baby on the platter, cooked but still human, cooked also with little maggots, sewn onto it maybe by somebody's mother, the damn bitch! Even so, I kept right on going on, a sort of human statement, lugging myself as if I were a sawed-off body in the trunk, the steamer trunk. This became perjury of the soul. It became an outright lie and even though I dressed the body it was still naked, still killed. It was caught in the first place at birth, like a fish. But I play it, dressed it up, dressed it up like somebody's doll. Is life something you play? And all the time wanting to get rid of it? And further, everyone yelling at you to shut up. And no wonder! People don't like to be told that you're sick and then be forced to watch you come down with the hammer. Today life opened inside me like an egg and there inside after considerable digging I found the answer. What a bargain! There was the sun, her yolk moving feverishly, tumbling her prize -- and you realize she does this daily! I'd known she was a purifier but I hadn't thought she was solid, hadn't known she was an answer. God! It's a dream, lovers sprouting in the yard like celery stalks and better, a husband straight as a redwood, two daughters, two sea urchings, picking roses off my hackles. If I'm on fire they dance around it and cook marshmallows. And if I'm ice they simply skate on me in little ballet costumes. Here, all along, thinking I was a killer, anointing myself daily with my little poisons. But no. I'm an empress. I wear an apron. My typewriter writes. It didn't break the way it warned. Even crazy, I'm as nice as a chocolate bar. Even with the witches' gymnastics they trust my incalculable city, my corruptible bed. O dearest three, I make a soft reply. The witch comes on and you paint her pink. I come with kisses in my hood and the sun, the smart one, rolling in my arms. So I say Live and turn my shadow three times round to feed our puppies as they come, the eight Dalmatians we didn't drown, despite the warnings: The abort! The destroy! Despite the pails of water that waited, to drown them, to pull them down like stones, they came, each one headfirst, blowing bubbles the color of cataract-blue and fumbling for the tiny tits. Just last week, eight Dalmatians, 3/4 of a lb., lined up like cord wood each like a birch tree. I promise to love more if they come, because in spite of cruelty and the stuffed railroad cars for the ovens, I am not what I expected. Not an Eichmann. The poison just didn't take. So I won't hang around in my hospital shift, repeating The Black Mass and all of it. I say Live, Live because of the sun, the dream, the excitable gift.
Anne Sexton (The Complete Poems)
My mom says, "Do you know what the AIDS memorial quilt is all about?" Jump to how much I hate my brother at this moment. I bought this fabric because I thought it would make a nice panel for Shane," Mom says. "We just ran into some problems with what to sew on it." Give me amnesia. Flash. Give me new parents. Flash. Your mother didn't want to step on any toes," Dad says. He twists a drumstick off and starts scraping the meat onto a plate. "With gay stuff you have to be so careful since everything means something in secret code. I mean, we didn't want to give people the wrong idea." My Mom leans over to scoop yams onto my plate, and says, "Your father wanted a black border, but black on a field of blue would mean Shane was excited by leather sex, you know, bondage and discipline, sado and masochism." She says, "Really, those panels are to help the people left behind." Strangers are going to see us and see Shane's name," my dad says. "We didn't want them thinking things." The dishes all start their slow clockwise march around the table. The stuffing. The olives. The cranberry sauce. "I wanted pink triangles but all the panels have pink triangles," my mom says. "It's the Nazi symbol for homosexuals." She says,"Your father suggested black triangles, but that would mean Shane was a lesbian. It looks like female pubic hair. The black triangle does." My father says, "Then I wanted a green border, but it turns out that would mean Shane was a male prostitute." My mom says, "We almost chose a red border, but that would mean fisting. Brown would mean either scat or rimming, we couldn't figure which." Yellow," my father says, "means watersports." A lighter shade of blue," Mom says, "would mean just regular oral sex." Regular white," my father says, "would mean anal. White could also mean Shane was excited by men wearing underwear." He says, "I can't remember which." My mother passes me the quilted chicken with the rolls still warm inside. We're supposed to sit and eat with Shane dead all over the table in front of us. Finally we just gave up," my mom says, "and I made a nice tablecloth out of the material." Between the yams and the stuffing, Dad looks down at his plate and says, "Do you know about rimming?" I know it isn't table talk. And fisting?" my mom asks. I say, I know. I don't mention Manus and his vocational porno magazines. We sit there, all of us around a blue shroud with the turkey more like a big dead baked animal than ever, the stuffing chock full of organs you can still recognize, the heart and gizzard and liver, the gravy thick with cooked fat and blood. The flower centerpiece could be a casket spray. Would you pass the butter, please?" my mother says. To my father she says, "Do you know what felching is?
Chuck Palahniuk (Invisible Monsters)
I told you everything I know", said the messenger. Arin had gone to his childhood suite, feeling anxiety verging on panic at the thought of not finding the man there, of having to track him down, of time lost…but the man had opened the outermost door almost immediately after Arin’s pounding knock. "I didn’t ask you the right questions,“ Arin said. "I want to start again. You said that the prisoner reached trough the bars of the wagon to give you the moth.” “Yes” “And you couldn’t really see her.” “That’s right.” “But you said she was Herrani. Why would you say that if you couldn’t see her?” “Because she spoke in Herrani.” “Perfectly.” “Yes.” “No accent.” “No.” “Describe the hand.” “I’m not sure…” “Start with the skin. You said it was paler than yours, than mine.” “Yes, like a house slave’s.” Which wasn’t very different from a Valorian’s. “Could you see her wrist, her arm?” “The wrist, yes, now that you mention it. She was in chains. I saw the manacle.” “Did you see the sleeve of a dress?” “Maybe. Blue?” Dread churned inside Arin. “You think or you know?” “I don’t know. Things happened too fast.” “Please. This is important.” “I don’t want to say something I’m not sure is true.” “All right, all right. Was this her right hand or her left?” “I don’t know.” “Can you tell me anything about it? Did she wear a seal ring?” “Not that I saw, but –” “Yes?" "She had a birthmark. On the hand, near the thumb. It looked like a little black star.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
The house smells like an Italian restaurant when I walk through the door. I turn to Logan, who shoots me a WTF look, and I shrug as if to say fuck if I know, because I honestly don’t know. I bend down to unlace my scuffed black boots, then follow the mouthwatering aroma to the kitchen. When I reach the doorway, I blink like I’ve just stumbled upon a desert mirage. Hannah’s sexy ass greets my eyes. She’s angled over the oven door, wearing Tuck’s pink oven mitts as she pulls a steaming pan of lasagna off the middle shelf. At the sound of my footsteps, she glances over her shoulder and smiles. “Oh, hey. Perfect timing.
Elle Kennedy (The Deal (Off-Campus, #1))
I dunno." She sat on the bench and hugged the robe like a pillow. "I still think that Brett guy is cute." "Good luck getting him away from Bekka." Cleo gathered her silky black hair into a high pony and pink-dabbed Smith's Rosebud Salve on her lips. "She's got more grip than Crazy Glue." "More cling than Saran Wrap," Lala added. "More hold than Final Net." Cleo giggled. "More possession than The Exorcist," Lala managed. "More clench than butt cheeks," Blue chimed in. "More competition than American Idol," Frankie stuck out her chest and showed them her diva booty roll. The girls burst out laughing. "Nice!" Blue lifted her purple gloved hand. Frankie slapped it without a single spark. "I hate to be a downer..." Claudine shuffled back into the conversation wearing her slippers and robe. "But that girl will destroy you if she catches you with Brett." "I'm not worried," Frankie tossed her hair back. "I've seen all the teen movies, and the nice girl gets the boy in the end.
Lisi Harrison (Monster High (Monster High, #1))
I can't wear this,” she said from inside the dressing room. “It's too small.” “Let's see,” Nick said. “Come on out.” “Get me a bigger size. A lot bigger.” Nick opened the door and looked in at Kate. “Whoa,” he said on a gush of air. His pupils dilated to the point where his brown eyes were almost totally black, and Kate decided the dress must look better than she'd first thought. “Well?” she asked. “I think I'm in love,” Nick said. “But then my brain isn't completely engaged right now. That's not where the blood is flowing.” “Too much information” Kate said. “It would have been enough to tell me I look okay.” “Honey you look a lot better than okay.” “You don't think I look slutty?” “Not at these prices,” Nick said.
Janet Evanovich (The Heist (Fox and O'Hare, #1))
To Galen’s relief, they reached the silver and pearl gate before Rose could convince Pansy to tell her any more. He rode in the boat with Jonquil and her prince, who was not as stoic as his brothers. “What did you eat for dinner?” the dark prince huffed. “What do you mean?” Jonquil frowned at her escort as he rowed. “You’re so heavy, it’s like you’re wearing iron underthings,” he panted. “Oh!” Jonquil whacked her prince on the shoulder with her fan. “How rude!” When their boat reached the island and the black palace, Jonquil leaped out without waiting for assistance. She stalked into the palace ahead of everyone else, with her prince scuttling at her heels, apologizing every step of the way.
Jessica Day George (Princess of the Midnight Ball (The Princesses of Westfalin Trilogy, #1))
The heavy black she had worn for years was gone; her dress was of turquoise-colored silk, bright and soft as the evening sky. It belled out full from her hips, and all the skirt was embroidered with thin silver threads and seed pearls and tiny crumbs of crystal, so that it glittered softly, like rain in April. She looked at the magician, speechless. “Do you like it?” “Where—” “It’s like a gown I saw a princess wear once, at the Feast of Sun-return in the New Palace in Havnor,” he said, looking at it with satisfaction. “You told me to show you something worth seeing. I show you yourself.
Ursula K. Le Guin (The Tombs of Atuan (Earthsea Cycle, #2))
What do you think it is to be normal?' Why in the world would you want to be?' she says. I don't know. I guess that's the problem.' I don't think normal is that great.' But so many people choose it,' I reply. I don't think that's it at all. I think most everyone is normal and some of us, for whatever reason, choose to reject that and wear ruby red slippers or old black hats.' Well, why do we choose the hard road?
Patrick Jones (Nailed)
Don't wear those trousers with that shirt. What are you thinking?" "I'm going to a bust, not a party." "That's no reason not to look your best. Let's see, what's the well-dressed cop wearing these days to take down a major terrorist organization? You can't go wrong with basic black." "Is this a joke?" she asked as he selected another shirt. "Good fashion sense is never a joke." He handed her the shirt, slid a finger down the dent in her chin. "But it's good to see you smile again, Lieutenant. Oh, and wear the black boots, not the brown." "I don't have any black boots." He reached in, pulled out a pair of sturdy black leather. "You do now.
J.D. Robb (Purity in Death (In Death, #15))
CPUs. Cayce Pollard Units. That’s what Damien calls the clothing she wears. CPUs are either black, white, or gray, and ideally seem to have come into this world without human intervention. What people take for relentless minimalism is a side effect of too much exposure to the reactor-cores of fashion. This has resulted in a remorseless paring-down of what she can and will wear. She is, literally, allergic to fashion. She can only tolerate things that could have been worn, to a general lack of comment, during any year between 1945 and 2000. She’s a design-free zone, a one-woman school of anti whose very austerity periodically threatens to spawn its own cult.
William Gibson
Um… Eve…can I ask…?” “About what?” Eve was still frowning at the pasta like she suspected it to do something clever, like try to escape the pot. “You and Michael.” “Oh.” A surge of pink to Eve’s cheeks. Between that and the fact that she was wearing colors outside of the Goth red and black rainbow, she looked young and very cute. “Well. I don’t know if it’s – God, he’s just so–” “Hot?” Claire asked. “Hot,” Eve admitted. “Nuclear hot. Surface of the sun hot. And–” She stopped, the flush in her cheeks getting darker. Claire picked up a wooden spoon and poked the pasta, which was beginning to loosen up. “And?” “And I was planning on putting the moves on him before all this happened. That’s why I had on the garters and stuff. Planning ahead.” “Oh, wow.” “Yeah, embarrassing. Did he peek?” “When you were changing?” Claire asked. “I don’t think so. But I think he wanted to.” “That’s okay then.” Eve blinked down at the pasta, which had formed a thick white foam on top. “Is it supposed to be doing that?” Claire hadn’t ever seen it happen at her parents’ house. But then again, they hadn’t made spaghetti much. “I don’t know.” “Oh, crap!” The white foam kept growing, like in one of those cheesy science fiction movies. The foam that ate the Glass House…it mushroomed up over the top of the pot and down over the sides, and both girls yelped as it hit the burners and began to sizzle and pop. Claire grabbed the pot and moved it. Eve turned down the burner. “Right, pasta makes foam, good to know. Too hot. Way too hot.” “Who? Michael?” Claire asked, and they dissolved in giggles.
Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
The night following the reading, Gansey woke up to a completely unfamiliar sound and fumbled for his glasses. It sounded a little like one of his roommates was being killed by a possum, or possibly the final moments of a fatal cat fight. He wasn’t certain of the specifics, but he was sure death was involved. Noah stood in the doorway to his room, his face pathetic and long-suffering. “Make it stop,” he said. Ronan’s room was sacred, and yet here Gansey was, twice in the same weak, pushing the door open. He found the lamp on and Ronan hunched on the bed, wearing only boxers. Six months before, Ronan had gotten the intricate black tattoo that covered most of his back and snaked up his neck, and now the monochromatic lines of it were stark in the claustrophobic lamplight, more real than anything else in the room. It was a peculiar tattoo, both vicious and lovely, and every time Gansey saw it, he saw something different in the pattern. Tonight, nestled in an inked glen of wicked, beautiful flowers, was a beak where before he’d seen a scythe. The ragged sound cut through the apartment again. “What fresh hell is this?” Gansey asked pleasantly. Ronan was wearing headphones as usual, so Gansey stretched forward far enough to tug them down around his neck. Music wailed faintly into the air. Ronan lifted his head. As he did, the wicked flowers on his back shifted and hid behind his sharp shoulder blades. In his lap was the half-formed raven, its head tilted back, beak agape. “I thought we were clear on what a closed door meant,” Ronan said. He held a pair of tweezers in one hand. “I thought we were clear that night was for sleeping.” Ronan shrugged. “Perhaps for you.” “Not tonight. Your pterodactyl woke me. Why is it making that sound?” In response, Ronan dipped the tweezers into a plastic baggy on the blanket in front of him. Gansey wasn’t certain he wanted to know what the gray substance was in the tweezers’ grasp. As soon as the raven heard the rustle of the bag, it made the ghastly sound again—a rasping squeal that became a gurgle as it slurped down the offering. At once, it inspired both Gansey’s compassion and his gag reflex. “Well, this is not going to do,” he said. “You’re going to have to make it stop.” “She has to be fed,” Ronan replied. The ravel gargled down another bite. This time it sounded a lot like vacuuming potato salad. “It’s only every two hours for the first six weeks.” “Can’t you keep her downstairs?” In reply, Ronan half-lifted the little bird toward him. “You tell me.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Fitz’s human clothes are a huge snoozefest. Check out what Dex and I found in Alvar’s closet!” They both unzipped their hoodies, revealing T-shirts with logos underneath. “I have no idea what this means, but it’s crazy awesome, right?” Keefe asked, pointing to the black and yellow oval on his shirt. “It’s from Batman,” Sophie said—then regretted the words. Of course Keefe demanded she explain the awesomeness of the Dark Knight. “I’m wearing this shirt forever, guys,” he decided. “Also, I want a Batmobile! Dex, can you make that happen?” Sophie wouldn’t have been surprised if Dex actually could build one. As a Technopath, he worked miracles with technology. He’d made all kinds of cool gadgets for Sophie, including the lopsided ring she wore—a special panic switch that had saved her life during her fight with one of her kidnappers. “What’s my shirt from?” Dex asked, pointing to the logo with interlocking yellow W’s. Sophie didn’t have the heart to tell him it was the symbol for Wonder Woman.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
The woman is perfected. Her dead Body wears the smile of accomplishment, The illusion of a Greek necessity Flows in the scrolls of her toga, Her bare Feet seem to be saying: We have come so far, it is over. Each dead child coiled, a white serpent, One at each little Pitcher of milk, now empty. She has folded Them back into her body as petals Of a rose close when the garden Stiffens and odors bleed From the sweet, deep throats of the night flower. The moon has nothing to be sad about, Staring from her hood of bone. She is used to this sort of thing. Her blacks crackle and drag.
Sylvia Plath
I can do this,” [Daemon] crooned, slowly circling around her. “I can keep Dorothea and Hekatah off-balance enough to keep the others safe and also prevent those Ladies from giving the orders to send the Terreillean armies into Kaeleer. I can buy you seventy-two hours, Jaenelle. But it’s going to cost me because I’m going to do things I may never be forgiven for, so I want something in return.” He could taste her slight bafflement before she said, “All right.” “I don’t want to wear the Consort’s ring anymore.” A slash of pain, quickly stifled. “All right.” “I want a wedding ring in its place.” A flash of joy, immediately followed by sorrow. She smiled at him at the same time her eyes filled with tears. “It would be wonderful.” She meant that.
Anne Bishop (Queen of the Darkness (The Black Jewels, #3))
Jaenelle opened her mouth, closed it, and finally said timidly, “Do you think, when I’m grown up, I could wear an outfit like that?” Daemon bit his cheek. He didn’t know whether to laugh or cry. Buying time, he looked down at himself. “Well,” he said, giving it slow consideration, “the shirt would have to be altered somewhat to accommodate a female figure, but I don’t see why not.” Jaenelle beamed. “Daemon, it’s a wonderful hat.” It took him a moment to admit it to himself, but he was miffed. He stood in front of her, on display as it were, and the thing that fascinated her most was his hat. You do know how to bruise a man’s ego, don’t you, little one? he thought dryly as he said, “Would you like to try it on?” Jaenelle bounced to the mirror, brushing against him as she passed.
Anne Bishop (Daughter of the Blood (The Black Jewels, #1))
No,” I hear myself say. “You’re not supposed to be here.” She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me. “Hi,” she whispers. It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear. She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast. Her lips are at my ear. Her words are so soft. “Kiss me,” she says. “Juliette—” “I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it. I don’t want to. Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed. There aren’t enough words in this world to describe what I’m feeling. I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed. Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back. Because I want her. Now. Here. Everywhere. I want nothing between us. I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me. I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me. I wonder if I’ve actually died. But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.” Her words seem so strange, so familiar. “What do you mean?” “Just a little longer and I’ll leave.” “No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—” “You’ll be all right,” she says. “I promise.” “No—” But now she’s holding a gun. And pointing it at my heart.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
GONE TO STATIC it sounds better than it is, this business of surviving, making it through the wrong place at the wrong time and living to tell. when the talk shows and movie credits wear off, it's just me and my dumb luck. this morning I had that dream again: the one where I'm dead. I wake up and nothing's much different. everything's gone sepia, a dirty bourbon glass by the bed, you're still dead. I could stumble to the shower, scrub the luck of breath off my skin but it's futile. the killer always wins. it's just a matter of time. and I have time. I have grief and liquor to fill it. tonight, the liquor and I are talking to you. the liquor says, 'remember' and I fill in the rest, your hands, your smile. all those times. remember. tonight the liquor and I are telling you about our day. we made it out of bed. we miss you. we were surprised by the blood between our legs. we miss you. we made it to the video store, missing you. we stopped at the liquor store hoping the bourbon would stop the missing. there's always more bourbon, more missing tonight, when we got home, there was a stray cat at the door. she came in. she screams to be touched. she screams when I touch her. she's right at home. not me. the whisky is open the vcr is on. I'm running the film backwards and one by one you come back to me, all of you. your pulses stutter to a begin your eyes go from fixed to blink the knives come out of your chests, the chainsaws roar out from your legs your wounds seal over your t-cells multiply, your tumors shrink the maniac killer disappears it's just you and me and the bourbon and the movie flickering together and the air breathes us and I am home, I am lucky I am right before everything goes black
Daphne Gottlieb (Final Girl)
Her head was full of thoughts. She managed to walk a little way and then sat down, hugging her knees. Imagine getting stuck like this, she thought. You'd have to wear earplugs and noseplugs and a big black hood over your head, and still you'd see and hear too much... She closed her eyes, and closed her eyes again. She felt it all draining away. It was like falling asleep, sliding from that strange wide-awakeness into just normal, everyday... well, being awake. It felt as if everything was blurred and muffled. This is how we always feel. she thought. We sleepwalk through our lives, because how could we live if we were always this awake?
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
Hi. How are you feeling?" "Downright perky, thanks for asking." She smiled a little until she came up to him. With her night vision, she saw that he was lying on top of the covers with only a pair of boxers on. He had a gauze pad around his belly and was covered with bruises. And-oh God-his leg... "Don't worry,". he said dryly. I haven't had that foot-and-shin combo for over a century. And I really am okay. Just some aesthetic damage." "Then why are you wearing that bandage like a sash?" "It makes my ass look smaller.
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
Of the seminal moments in my life, Careers Day in the autumn of Year 5 is my favorite. Everyone had to dress as whatever they wanted to be once they grew up. I had gone in a tweed jacket and a bow tie, and when Miss Weston asked me what I wanted to be, I told her that I wanted to be the Doctor. 'Shouldn't you be wearing a lab coat and stethoscope like Paul?' She pointed to Paul Black, who was trying to strangle everyone with the stethoscope in question. Before I could answer, a boy I didn't know from the other class spoke up. 'Paul's *a* doctor,' he explained, giving me a look of approval. 'He wants to be *the* Doctor.' 'Who?' 'Exactly,' we said at the same time, relieved that she understood. She didn't. We were sent to the quiet table to reflect on why cheeking teachers was wrong.
Non Pratt (Trouble)
Here are the sounds of Wear. It rattles stone on stone. It sucks its teeth. It sings. It hisses like the rain. It roars. It laughs. It claps its hands. Sometimes I think it prays. In winter, through the ice, I've seen it moving swift and black as Tune, without a sound. Here are the sights of Wear. It falls in braids. It parts at rocks and tumbles round them white as down or flashes over them in silver quilts. It tosses fallen trees like bits of straw yet spins a single leaf as gentle as a maid. Sometimes it coils for rest in darkling pools and sometimes it leaps its banks and shatters in the air. In autumn, I've seen it breathe a mist so thick and grey you'd never know old Wear was there at all. Each day, for years and years, I've gone and sat in it. Usually at dusk I clamber down and slowly sink myself to where it laps against my breast. Is it too much to say, in winter, that I die? Something of me dies at least. First there's the fiery sting of cold that almost stops my breath, the aching torment in my limbs. I think I may go mad, my wits so outraged that they seek to flee my skull like rats a ship that's going down. I puff. I gasp. Then inch by inch a blessed numbness comes. I have no legs, no arms. My very heart grows still. These floating hands are not my hands. The ancient flesh I wear is rags for all I feel of it. "Praise, Praise!" I croak. Praise God for all that's holy, cold, and dark. Praise him for all we lose, for all the river of the years bears off. Praise him for stillness in the wake of pain. Praise him for emptiness. And as you race to spill into the sea, praise him yourself, old Wear. Praise him for dying and the peace of death. In the little church I built of wood for Mary, I hollowed out a place for him. Perkin brings him by the pail and pours him in. Now that I can hardly walk, I crawl to meet him there. He takes me in his chilly lap to wash me of my sins. Or I kneel down beside him till within his depths I see a star. Sometimes this star is still. Sometimes she dances. She is Mary's star. Within that little pool of Wear she winks at me. I wink at her. The secret that we share I cannot tell in full. But this much I will tell. What's lost is nothing to what's found, and all the death that ever was, set next to life, would scarcely fill a cup.
Frederick Buechner (Godric)
Girls like her, my grandfather once warned me, girls like her turn into women with eyes like bullet holes and mouths made of knives. They are always restless. They are always hungry. They are bad news. They will drink you down like a shot of whisky. Falling in love with them is like falling down a flight of stairs. What no one told me, with all those warnings, is that even after you’ve fallen, even after you know how painful it is, you’d still get in line to do it again. A girl like that, Grandad said, perfumes herself with ozone and metal filings. She wears trouble like a crown. If she ever falls in love, she’ll fall like a comet, burning the sky as she goes. She was the epic crush of my childhood. She was the tragedy that made me look inside myself and see my corrupt heart. She was my sin and my salvation, come back from the grave to change me forever. Again. Back then, when she sat on my bed and told me she loved me, I wanted her as much as I have ever wanted anything. There are no words for how much I will miss her, but I try to kiss her so that she’ll know. I try to kiss her to tell her the whole story of my love, the way I dreamed of her when she was dead, the way that every other girl seemed like a mirror that showed me her face. The way my skin ached for her. The way that kissing her made me feel like I was drowning and like I was being saved all at the same time. I hope she can taste all that, bittersweet, on my tongue.
Holly Black (Black Heart (Curse Workers, #3))
Saetan paused. “Can you also appreciate that, in the thirteen years she’s lived here, Jaenelle has never been concerned enough about clothes to ask for my opinion about something she was wearing. And can you appreciate that she wasn’t asking for my opinion as her Steward or her father but as a man. And I admit that, considering the way that dress fit her, my opinion of it as a father would have differed considerably from my opinion as a man.” Daemon almost smiled. “She sees you as a man, Daemon. A man, not a male friend. For the first time in her life, she’s trying to deal with her own lust. So she’s running.” “She’s not the only one trying to deal with it,” Daemon muttered, but the sleepy look had changed to sharp interest. “I am her Consort. She could just—” Saetan shook his head. “Do you really think Jaenelle would demand that from you?” “No.
Anne Bishop (Queen of the Darkness (The Black Jewels, #3))
You see someone more interesting than me?" asked Simon. In the dream he was mysteriously an expert dance. He steered her through the crowd as if she were a leaf caught in a river current. He was wearing all black, like a shadow hunter, and it showed his coloring to a good advantage: dark hair, lighted brown skin,white teeth. He's handsome, Clary thought, with a jolt of surprise. "There's no one more interesting than you," Clary said. "It's just this place. I've never seen anything like it." She turned again as they passed a champagne fountain... She was now dancing with Jace, who was wearing white, the material of his shirt a thin cotton...
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
As for Nina, Genya had offered up a glorious red kefta from her collection and they’d pulled out the embroidery, altering it from blue to black. She and Genya were hardly the same size, but they’d managed to let out the seams and sew in a few extra panels. It had felt strange to wear a proper kefta after so long. The one Nina had worn at the House of the White Rose had been a costume, cheap finery meant to impress their clientele. This was the real thing, worn by soldiers of the Second Army, made of raw silk dyed in a red only a Fabrikator could create. Did she even have a right to wear such a thing now? When Matthias had seen her, he’d frozen in the doorway of the suite, his blue eyes shocked. They’d stood there in silence until he’d finally said, “You look very beautiful.” “You mean I look like the enemy.” “Both of those things have always been true.” Then he’d simply offered her his arm.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Lillian moved forward to meet her, studying her with curiosity. They had met before, on infrequent occasions, and she found it strange to see Dagny Taggart wearing an evening gown. It was a black dress with a bodice that fell as a cape over one arm and shoulder, leaving the other bare: the naked shoulder was the gown’s only ornament. Seeing her in the suits she wore, one never thought of dagny taggart’s body. The black dress seemed excessively revealing – because it was astonishing to discover that the lines of her shoulder were fragile and beautiful, and that the diamond band on the wrist of her naked arm gave her the most feminine of all aspects: the look of being chained.
Ayn Rand (Atlas Shrugged)
Hey,” Fitz said, leaning closer. “You trust me, don’t you?” Sophie’s traitorous heart still fluttered, despite her current annoyance. She did trust Fitz. Probably more than anyone. But having him keep secrets from her was seriously annoying. She was tempted to use her telepathy to steal the information straight from his head. But she’d broken that rule enough times to know the consequences definitely weren’t worth it. “What is with these clothes?” Biana interrupted, appearing out of thin air next to Keefe. Biana was a Vanisher, like her mother, though she was still getting used to the ability. Only one of her legs reappeared, and she had to hop up and down to get the other to show up. She wore a sweatshirt three sizes too big and faded, baggy jeans. “At least I get to wear my shoes,” she said, hitching up her pants to reveal purple flats with diamond-studded toes. “But why do we only have boy stuff?” “Because I’m a boy,” Fitz reminded her. “Besides, this isn’t a fashion contest.” “And if it was, I’d totally win. Right, Foster?” Keefe asked. Sophie actually would’ve given the prize to Fitz—his blue scarf worked perfectly with his dark hair and teal eyes. And his fitted gray coat made him look taller, with broader shoulders and— “Oh please.” Keefe shoved his way between them. “Fitz’s human clothes are a huge snoozefest. Check out what Dex and I found in Alvar’s closet!” They both unzipped their hoodies, revealing T-shirts with logos underneath. “I have no idea what this means, but it’s crazy awesome, right?” Keefe asked, pointing to the black and yellow oval on his shirt. “It’s from Batman,” Sophie said—then regretted the words. Of course Keefe demanded she explain the awesomeness of the Dark Knight. “I’m wearing this shirt forever, guys,” he decided. “Also, I want a Batmobile! Dex, can you make that happen?” Sophie wouldn’t have been surprised if Dex actually could build one. As a Technopath, he worked miracles with technology. He’d made all kinds of cool gadgets for Sophie, including the lopsided ring she wore—a special panic switch that had saved her life during her fight with one of her kidnappers. “What’s my shirt from?” Dex asked, pointing to the logo with interlocking yellow W’s. Sophie didn’t have the heart to tell him it was the symbol for Wonder Woman.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
Imagine a morning in late November. A coming of winter morning more than twenty years ago. Consider the kitchen of a spreading old house in a country town. A great black stove is its main feature; but there is also a big round table and a fireplace with two rocking chairs placed in front of it. Just today the fireplace commenced its seasonal roar. A woman with shorn white hair is standing at the kitchen window. She is wearing tennis shoes and a shapeless gray sweater over a summery calico dress. She is small and sprightly, like a bantam hen; but, due to a long youthful illness, her shoulders are pitifully hunched. Her face is remarkable—not unlike Lincoln’s, craggy like that, and tinted by sun and wind; but it is delicate, too, finely boned, and her eyes are sherry-colored and timid. “Oh my,” she exclaims, her breath smoking the windowpane, “it’s fruitcake weather!
Truman Capote (A Christmas Memory)
Are you going to hand me over to him?" "I haven't decided yet," I teased, and he smiled again, erasing his momentary seriousness. "So, where'd you get the suit?" "Believe it or not, that lovely friend of yours, Willa," Loki said. "She brought me a whole slew of clothes last night. When I asked her why she was being so generous, she said it was out of fear that I would run around naked." I smiled. "That does sound like something you would do. Why are you wearing all black, though? Didn't you know you were going to a wedding?" "On the contrary," he said, doing his best to look unhappy. "I'm in mourning over the wedding." "Oh, because it's too late?" I asked. "No, Wendy, it's never too late." His voice was light, but his eyes were solemn. "May I cut in?" the best man asked. "No, you may not," Loki said. I'd started to move away from him, but he held fast. "Loki," I said, and my eyes widened. "I'm still dancing with her," Loki said, turning to look at him. "You can have her when I'm done." "Loki," I said again, but he was already twirling me away. "You can't do that." "I just did." He grinned. "Oh, Wendy, don't look so appalled. I'm already the rebel Prince of thine enemy. I can't do much more to tarnish my image." "You can certainly tarnish mine," I pointed out. "Never," Loki said, and it was his turn to look appalled. "I'm merely showing them how it's done." He began spinning me around the dance floor in grand arcs, my gown swirling around me. He was a brilliant dancer, moving with grace and speed. Everyone had stopped to watch us, but I didn't care. This was the way a Princess was supposed to dance on her wedding day. The song ended, switching to something by Mozart, and he slowed, almost to a stop, but he kept me in his arms. "Thank you." I smiled. My skin felt flushed from dancing, and I was a little out of breath. "That was a wonderful dance." "You're welcome," he said, staring intently at me. "You are so beautiful." "Stop," I said, looking away as my cheeks reddened. "How can you blush?" Loki asked, laughing gently. "People must tell you how beautiful you are a thousand times a day." "It's not the same," I said. "It's not the same?" Loki echoed. "Why? Because you know they don't mean it like I do?" We did stop dancing them, and neither of us said anything. Garrett came up to us. He smiled, but his eyes didn't appear happy. "Can I cut in?" Garrett asked. "Yes," Loki said, shaking off the intensity he'd had a moment ago, and grinned broadly at Garrett. "She's all yours, good sir. Take care of her." He patted Garrett on the arm once for good measure and gave me a quick smile before heading back over to the refreshment table.
Amanda Hocking (Ascend (Trylle, #3))
But as soon as we touched, I felt magic crackle over and through me, so strong that I tried to jerk my hand back. But he held tight until, finally, the crackling sensation stopped. My hand slid out of his, and I leaped up from the fountain."What the hell was-" Then I looked down and realized I was completely dry. Not only that, but my demure black dress had been replaced with...well, another black dress, but this one was a lot shorter, sparklier, and also rocking a very low neckline. Even my hair was different, transformed from a soggy braid to silky brown waves. Nick winked at me. "That's better. Now you look more like the Demon Who Would be Queen." He heaved himself out of the water and grabbed Jenna's hand. Within seconds, she went from drowned rat to hottie, her soaked clothes replaced with-what else?-a pink sundress. Of course it showed a lot more skin than anything Jenna would have picked out for herself. "Oh,lovely,Nick," Daisy said, rolling her eyes as he wrapped an arm around her waist. "What?" he asked once he laid a smacking kiss on her cheek. "They look better like that." Without thinking,I reached out and grabbed Nick's free arm. His wet white T-shirt and jeans rippled, and suddenly he was wearing a Day-Glo yellow tank top and acid-washed jeans. "And you look better like this." I wasn't sure if it was the ridiculous sight of Nick in those clothes, or the fact that I'd done a spell so easily-with absolutely no explosions-but I could feel my lips curving upward in a smile. As Daisy hooted with laughter, Nick narrowed his eyes at me. "Okay, now you're in for it." He waved his hand, and suddenly I was sweltering. When I glanced down, I saw that it was because I was now dressed like the Easter Bunny.But with the flick of one fuzzy paw,I'd transformed Nick's jeans and tank top into a snowsuit. Then I was in a bikini. So Nick was wearing a particularly poofy purple prom dress. By the time he'd turned my clothes into a showgirl's costume, complete with a feathery headdress, and I'd put him in a scuba suit, we were both completely magic drunk and giggling.
Rachel Hawkins (Demonglass (Hex Hall, #2))
One day on a ranging we brought down a fine big elk. We were skinning it when the smell of blood drew a shadowcat out of its lair. I drove it off, but not before it shredded my cloak to ribbons. Do you see? Here, here, and here?” He chuckled. “It shredded my arm and back as well, and I bled worse than the elk. My brothers feared I might die before they got me back to Maester Mullin at the Shadow Tower, so they carried me to a wildling village where we knew an old wisewoman did some healing. She was dead, as it happened, but her daughter saw to me. Cleaned my wounds, sewed me up, and fed me porridge and potions until I was strong enough to ride again. And she sewed up the rents in my cloak as well, with some scarlet silk from Asshai that her grandmother had pulled from the wreck of a cog washed up on the Frozen Shore. It was the greatest treasure she had, and her gift to me.” He swept the cloak back over his shoulders. “But at the Shadow Tower, I was given a new wool cloak from stores, black and black, and trimmed with black, to go with my black breeches and black boots, my black doublet and black mail. The new cloak had no frays nor rips nor tears … and most of all, no red. The men of the Night’s Watch dressed in black, Ser Denys Mallister reminded me sternly, as if I had forgotten. My old cloak was fit for burning now, he said. “I left the next morning … for a place where a kiss was not a crime, and a man could wear any cloak he chose.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
How are you holding up?" "I'm good.And still untouched," she added. "Are you alone in that bed?" "Except for the six members of the all-girl Swedish volleyball team.Helga's got a hell of a spike.Aren't you going to ask what I'm wearing?" "Black Speedos,sweat,and a big smile." "How'd you guess?So,what are you wearing?" Slowly,she ran a tongue around her teeth. "Oh,just this little..very little..white lace teddy." "And stiletto heels." "Naturally.With a pair of sheer hose.They have little pink roses around the tops. It matches the one I'm tucking between my breasts right now. I should add I've just gotten out of the tub.I'm still a little..wet." "Jesus.You're too good at this.I'm hanging up." Her response was a long, throaty laugh."I'm going to love driving the Jag.let me know when to expect the shipment." When the phone clicked in her ear,she laughed again,turned, and found herself nearly face to face wth Kate. "how long have you been standing there?" "Long enough to be confused.Were you just having [hone sex with Josh? Our Josh?" Carelessly,Margo brushed her hair behind her ear. "It was more foreplay really.
Nora Roberts (Daring to Dream (Dream Trilogy, #1))
Georgette was a hip queer. She (he) didn't try to disguise or conceal it with marriage and mans talk, satisfying her homosexuality with the keeping of a secret scrapbook of pictures of favorite male actors or athletes or by supervising activities of young boys or visiting turkish baths or mens locker rooms, leering sidely while seeking protection behind a carefully guarded guise of virility (fearing that moment at a cocktail party or in a bar when this front may start crumbling from alcohol and be completely disintegrated with an attempted kiss or groping of an attractive young man and being repelled with a punch and - rotten fairy - followed with hysteria and incoherent apologies and excuses and running from the room) but, took a pride in being a homosexual by feeling intellectually and esthetically superior to those (especially women) who weren't gay (look at all the great artists who were fairies!); and with the wearing of womens panties, lipstick, eye makeup (this including occasionally gold and silver - stardust - on the lids),long marcelled hair, manicured and polished fingernails, the wearing of womens clothes complete with a padded bra, high heels and wig (one of her biggest thrills was going to BOP CITY dressed as a tall stately blond ( she was 6'4 in heels) in the company of a negro (he was a big beautiful black bastard and when he floated in all the cats in the place jumped and the squares bugged. We were at crazy pad before going and were blasting like crazy, and were up so high that I just didnt give ashit for anyone honey, let me tell you!); and the occasional wearing of menstrual napkin.
Hubert Selby Jr.
Instructions for Dad. I don't want to go into a fridge at an undertaker's. I want you to keep me at home until the funeral. Please can someone sit with me in case I got lonely? I promise not to scare you. I want to be buried in my butterfly dress, my lilac bra and knicker set and my black zip boots (all still in the suitcase that I packed for Sicily). I also want to wear the bracelet Adam gave me. Don't put make-up on me. It looks stupid on dead people. I do NOT want to be cremated. Cremations pollute the atmosphere with dioxins,k hydrochloric acid, hydrofluoric acid, sulphur dioxide and carbon dioxide. They also have those spooky curtains in crematoriums. I want a biodegradable willow coffin and a woodland burial. The people at the Natural Death Centre helped me pick a site not for from where we live, and they'll help you with all the arrangements. I want a native tree planted on or near my grave. I'd like an oak, but I don't mind a sweet chestnut or even a willow. I want a wooden plaque with my name on. I want wild plants and flowers growing on my grave. I want the service to be simple. Tell Zoey to bring Lauren (if she's born by then). Invite Philippa and her husband Andy (if he wants to come), also James from the hospital (though he might be busy). I don't want anyone who doesn't know my saying anything about me. THe Natural Death Centre people will stay with you, but should also stay out of it. I want the people I love to get up and speak about me, and even if you cry it'll be OK. I want you to say honest things. Say I was a monster if you like, say how I made you all run around after me. If you can think of anything good, say that too! Write it down first, because apparently people often forget what they mean to say at funerals. Don't under any circumstances read that poem by Auden. It's been done to death (ha, ha) and it's too sad. Get someone to read Sonnet 12 by Shakespeare. Music- "Blackbird" by the Beatles. "Plainsong" by The Cure. "Live Like You Were Dying" by Tim McGraw. "All the Trees of the Field Will Clap Their Hands" by Sufian Stevens. There may not be time for all of them, but make sure you play the last one. Zoey helped me choose them and she's got them all on her iPod (it's got speakers if you need to borrow it). Afterwards, go to a pub for lunch. I've got £260 in my savings account and I really want you to use it for that. Really, I mean it-lunch is on me. Make sure you have pudding-sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money. And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream. Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that. OK. That's it. I love you. Tessa xxx
Jenny Downham
Gallop apace, you fiery-footed steeds, Towards Phoebus' lodging: such a wagoner As Phaethon would whip you to the west, And bring in cloudy night immediately. Spread thy close curtain, love-performing night, That runaway's eyes may wink and Romeo Leap to these arms, untalk'd of and unseen. Lovers can see to do their amorous rites By their own beauties; or, if love be blind, It best agrees with night. Come, civil night, Thou sober-suited matron, all in black, And learn me how to lose a winning match, Play'd for a pair of stainless maidenhoods: Hood my unmann'd blood, bating in my cheeks, With thy black mantle; till strange love, grown bold, Think true love acted simple modesty. Come, night; come, Romeo; come, thou day in night; For thou wilt lie upon the wings of night Whiter than new snow on a raven's back. Come, gentle night, come, loving, black-brow'd night, Give me my Romeo; and, when he shall die, Take him and cut him out in little stars, And he will make the face of heaven so fine That all the world will be in love with night And pay no worship to the garish sun. O, I have bought the mansion of a love, But not possess'd it, and, though I am sold, Not yet enjoy'd: so tedious is this day As is the night before some festival To an impatient child that hath new robes And may not wear them. O, here comes my nurse, And she brings news; and every tongue that speaks But Romeo's name speaks heavenly eloquence.
William Shakespeare (Romeo and Juliet)
And the days move on and the names of the months change and the four seasons bury one another and it is spring again and yet again and the small streams that run over the rough sides of Gormenghast Mountain are big with rain while the days lengthen and summer sprawls across the countryside, sprawls in all the swathes of its green, with its gold and sticky head, with its slumber and the drone of doves and with its butterflies and its lizards and its sunflowers, over and over again, its doves, its butterflies, its lizards, its sunflowers, each one an echo-child while the fruit ripens and the grotesque boles of the ancient apple trees are dappled in the low rays of the sun and the air smells of such rotten sweetness as brings a hunger to the breast, and makes of the heart a sea-bed, and a tear, the fruit of salt and water, ripens, fed by a summer sorrow, ripens and falls … falls gradually along the cheekbones, wanders over the wastelands listlessly, the loveliest emblem of the heart’s condition. And the days move on and the names of the months change and the four seasons bury one another and the field-mice draw upon their granaries. The air is murky, and the sun is like a raw wound in the grimy flesh of a beggar, and the rags of the clouds are clotted. The sky has been stabbed and has been left to die above the world, filthy, vast and bloody. And then the great winds come and the sky is blown naked, and a wild bird screams across the glittering land. And the Countess stands at the window of her room with the white cats at her feet and stares at the frozen landscape spread below her, and a year later she is standing there again but the cats are abroad in the valleys and a raven sits upon her heavy shoulder. And every day the myriad happenings. A loosened stone falls from a high tower. A fly drops lifeless from a broken pane. A sparrow twitters in a cave of ivy. The days wear out the months and the months wear out the years, and a flux of moments, like an unquiet tide, eats at the black coast of futurity. And Titus Groan is wading through his boyhood.
Mervyn Peake (The Illustrated Gormenghast Trilogy)
I turn and I walk my tray to the conveyor and I drop it on the belt and I start to walk out of the Dining Hall. As I head through the Glass Corridor separating the men and women, I see Lilly sitting alone at a table. She looks up at me and she smiles and our eyes meet and I smile back. She looks down and I stop walking and I stare at her. She looks up and she smiles again. She is as beautiful a girl as I have ever seen. Her eyes, her lips, her teeth, her hair, her skin. The black circles beneath her eyes, the scars I can see on her wrists, the ridiculous clothes she wears that are ten sizes too big, the sense of sadness and pain she wears that is even bigger. I stand and I stare at her, just stare stare stare. Men walk past me and other women look at me and LIlly doesn’t understand what I’m doing or why I’m doing it and she’s blushing and it’s beautiful. I stand there and I stare. I stare because I know where I am going I’m not going to see any beauty. They don’t sell crack in Mansions or fancy Department Stores and you don’t go to luxury Hotels or Country Clubs to smoke it. Strong, cheap liquor isn’t served in five-star Restaurants or Champagne Bars and it isn’t sold in gourmet Groceries or boutique Liquor stores. I’m going to go to a horrible place in a horrible neighborhood run by horrible people providing product for the worst Society has to offer. There will be no beauty there, nothing even resembling beauty. There will be Dealers and Addicts and Criminals and Whores and Pimps and Killers and Slaves. There will be drugs and liquor and pipes and bottles and smoke and vomit and blood and human rot and human decay and human disintegration. I have spent much of my life in these places. When I leave here I will fond one of the and I will stay there until I die. Before I do, however, I want one last look at something beautiful. I want one last look so that I have something to hold in my mind while I’m dying, so that when I take my last breath I will be able to think of something that will make me smile, so that in the midst of the horror I can hold on to some shred of humanity.
James Frey
After dinner, I went upstairs and found Ren standing on the veranda again, looking at the sunset. I approached him shyly and stood behind him. “Hello, Ren.” He turned and openly studied my appearance. His gaze drifted ever so slowly down my body. The longer he looked, the wider his smile got. Eventually, his eyes worked their way back up to my bright red face. He sighed and bowed deeply. “Sundari. I was standing here thinking nothing could be more beautiful than this sunset tonight, but I was mistaken. You standing here in the setting sun with your hair and skin aglow is almost more than a man can…fully appreciate.” I tried to change the subject. “What does sundari mean?” “It means ‘most beautiful.’” I blushed again, which made him laugh. He took my hand, tucked it under his arm, and led me to the patio chairs. Just then, the sun dipped below the trees leaving its tangerine glow in the sky for just a few more moments. We sat again, but this time he sat next to me on the swinging patio seat and kept my hand in his. I ventured shyly, “I hope you don’t mind, but I explored your house today, including your room.” “I don’t mind. I’m sure you found my room the least interesting.” “Actually, I was curious about the note I found. Did you write it?” “A note? Ah, yes. I just scribbled a few notes to help me remember what Phet had said. It just says seek Durga’s prophecy, the Cave of Kanheri, Kelsey is Durga’s favored one, that sort of thing.” “Oh. I…also noticed a ribbon. Is it mine?” “Yes. If you’d like it back, you can take it.” “Why would you want it?” He shrugged, looking embarrassed. “I wanted a memento, a token from the girl who saved my life.” “A token? Like a fair maiden giving her handkerchief to a knight in shining armor?” He grinned. “Exactly.” I jested wryly, “Too bad you didn’t wait for Cathleen to get a little older. She’s going to be very pretty.” He frowned. “Cathleen from the circus?” He shook his head. “You were the chosen one, Kelsey. And if I had the option of choosing the girl to save me, I still would have picked you.” “Why?” “A number of reasons. I liked you. You are interesting. I enjoyed listening to your voice. I felt like you saw through the tiger skin to the person underneath. When you spoke, it felt like you were saying exactly the things I needed to hear. You’re smart. You like poetry, and you’re very pretty.” I laughed at his statement. Me, pretty? He can’t be serious. I was average in so many ways. I didn’t really concern myself with current makeup, hairstyles, or fashionable, but uncomfortable, clothes like other teenagers. My complexion was pale, and my eyes were so brown that they were almost black. By far, my best feature was my smile, which my parents paid dearly for and so did I-with three years of metal braces. Still, I was flattered. “Okay, Prince Charming, you can keep your memento.” I hesitated, and then said softly, “I wear those ribbons in memory of my mom. She used to brush out my hair and braid ribbons through it while we talked.” Ren smiled understandingly. “Then it means even more to me.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Do people call you Ollie?” Lola asked. Oliver looked at her, completely dumbfounded by the possibility of this nickname. She may as well have asked him if people call him Garth, or Andrew, or Timothy. “No,” he said flatly, and the only thing charming about him was the way his accent seemed to run through every vowel with one syllable. Lola’s eyebrow twitched in her single tell—mildly annoyed—and she lifted her flashing LED drink cup to her lips. Lola wears mostly black, including her glossy dark hair, and has a tiny diamond pierced into her lip, but, even still, she’s never been able to pull off the full physical manifestation of the angry Riot Grrrl. With her perfect porcelain skin and the longest eyelashes in the world, she’s simply too delicate. But once she decides you’re an asshole, it no longer matters to her what you think. She gives good glare. “The flower suits you,” she said, tilting her head to study him. “And you have pretty hands, kind of soft. Maybe we should call you Olive.” He grunted out a dry laugh. “And a really beautiful mouth,” I added. “Gentle. Like a woman’s.” “Aw fuck off.” He was laughing outright by then.
Christina Lauren (Dirty Rowdy Thing (Wild Seasons, #2))
Get the hell out of—” Aelin let out a low whistle. “Allow me to introduce to you, Captain Rolfe, the incomparable, the beautiful, and the absolutely and all-around flawless Queen of Terrasen.” Dorian’s brows creased. But footsteps sounded, and then—The males shifted as Aelin Galathynius indeed strode into the room, clad in a dark green tunic of equal wear and dirt, her golden hair unbound, her turquoise-and-gold eyes laughing as she strode past a slack-jawed Rolfe and perched on the arm of Aelin’s chair. Dorian couldn’t tell—without a Fae’s sense of smell, he couldn’t tell. “What—what devilry is this,” Rolfe hissed, yielding a single step. Aelin and Aelin looked at each other. The one in black grinned up at the newcomer. “Oh, you are gorgeous, aren’t you?” The one in green smiled, but for all its delight, all its wicked mischief … It was a softer smile, made with a mouth that was perhaps less used to snarling and teeth-baring and getting away with saying hideous, swaggering things. Lysandra, then. The two queens faced Rolfe. “Aelin Galathynius had no twin,” he growled, a hand on his sword. Aelin in black—the true Aelin, who had been among them all along—rolled her eyes. “Ugh, Rolfe. You ruin my fun. Of course I don’t have a twin.” She jerked her chin at Lysandra, and the shifter’s flesh glowed and melted, hair becoming a heavy, straight fall of dark tresses, her skin sun-kissed, her uptilted eyes a striking green.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
Bob Thurber (Paperboy: A Dysfunctional Novel)
FatherMichael has entered the room Wildflower: Ah don’t tell me you’re through a divorce yourself Father? SureOne: Don’t be silly Wildflower, have a bit of respect! He’s here for the ceremony. Wildflower: I know that. I was just trying to lighten the atmosphere. FatherMichael: So have the loving couple arrived yet? SureOne: No but it’s customary for the bride to be late. FatherMichael: Well is the groom here? SingleSam has entered the room Wildflower: Here he is now. Hello there SingleSam. I think this is the first time ever that both the bride and groom will have to change their names. SingleSam: Hello all. Buttercup: Where’s the bride? LonelyLady: Probably fixing her makeup. Wildflower: Oh don’t be silly. No one can even see her. LonelyLady: SingleSam can see her. SureOne: She’s not doing her makeup; she’s supposed to keep the groom waiting. SingleSam: No she’s right here on the laptop beside me. She’s just having problems with her password logging in. SureOne: Doomed from the start. Divorced_1 has entered the room Wildflower: Wahoo! Here comes the bride, all dressed in . . . SingleSam: Black. Wildflower: How charming. Buttercup: She’s right to wear black. Divorced_1: What’s wrong with misery guts today? LonelyLady: She found a letter from Alex that was written 12 years ago proclaiming his love for her and she doesn’t know what to do. Divorced_1: Here’s a word of advice. Get over it, he’s married. Now let’s focus the attention on me for a change. SoOverHim has entered the room FatherMichael: OK let’s begin. We are gathered here online today to witness the marriage of SingleSam (soon to be “Sam”) and Divorced_1 (soon to be “Married_1”). SoOverHim: WHAT?? WHAT THE HELL IS GOING ON HERE? THIS IS A MARRIAGE CEREMONY IN A DIVORCED PEOPLE CHAT ROOM?? Wildflower: Uh-oh, looks like we got ourselves a gate crasher here. Excuse me can we see your wedding invite please? Divorced_1: Ha ha. SoOverHim: YOU THINK THIS IS FUNNY? YOU PEOPLE MAKE ME SICK, COMING IN HERE AND TRYING TO UPSET OTHERS WHO ARE GENUINELY TROUBLED. Buttercup: Oh we are genuinely troubled alright. And could you please STOP SHOUTING. LonelyLady: You see SoOverHim, this is where SingleSam and Divorced_1 met for the first time. SoOverHim: OH I HAVE SEEN IT ALL NOW! Buttercup: Sshh! SoOverHim: Sorry. Mind if I stick around? Divorced_1: Sure grab a pew; just don’t trip over my train. Wildflower: Ha ha. FatherMichael: OK we should get on with this; I don’t want to be late for my 2 o’clock. First I have to ask, is there anyone in here who thinks there is any reason why these two should not be married? LonelyLady: Yes. SureOne: I could give more than one reason. Buttercup: Hell yes. SoOverHim: DON’T DO IT! FatherMichael: Well I’m afraid this has put me in a very tricky predicament. Divorced_1: Father we are in a divorced chat room, of course they all object to marriage. Can we get on with it? FatherMichael: Certainly. Do you Sam take Penelope to be your lawful wedded wife? SingleSam: I do. FatherMichael: Do you Penelope take Sam to be your lawful wedded husband? Divorced_1: I do (yeah, yeah my name is Penelope). FatherMichael: You have already e-mailed your vows to me so by the online power vested in me, I now pronounce you husband and wife. You may kiss the bride. Now if the witnesses could click on the icon to the right of the screen they will find a form to type their names, addresses, and phone numbers. Once that’s filled in just e-mail it off to me. I’ll be off now. Congratulations again. FatherMichael has left the room Wildflower: Congrats Sam and Penelope! Divorced_1: Thanks girls for being here. SoOverHim: Freaks. SoOverHim has left the room
Cecelia Ahern (Love, Rosie)
Still, this moment belongs to the two of them, Mom and this handsome stranger. He reaches the passenger side door and stares down at her with steely violet eyes-down at my mother who never cries, down at my mother who’s now bawling like a spanked child-his face contorted in a rainbow of so many emotions, some that I can’t even name. Then Grom the Triton king sinks to his knees in front of her, and a single tear spills down his face. “Nalia,” he whispers. And then my mother slaps him. It’s not the kind of slap you get for talking back. It’s not the kind of punch she dealt Galen and Toraf in our kitchen. It’s the kind of slap a woman gives a man when he’s hurt her deeply. And Grom accepts it with grace. “I looked for you,” she shouts, even though he’s inches from her. Slowly, as if in a show of peace, he takes the hand that slapped him and sandwiches it between his own. He seems to revel in the feel of her touch. His face is pure tenderness, his voice like a massage to the nerves. “And I looked for you.” “Your pulse was gone,” she insists. By now she chokes back sobs between words. She’s fighting for control. I’ve never seen my mother fight for control. “As was yours.” I realize Grom knows what not to say, what not to do to provoke her. He is the complete opposite of her, or maybe just a completion of her. Her eyes focus on his wrist, and tears slip down her face, leaving faint trails of mascara on her cheeks. He smiles and slowly pulls his hand away. I think he’s going to show her the bracelet he’s wearing, but instead he rips it off his wrist and holds it out for her inspection. From where I’m standing it looks like a single black ball tied to some sort of string. By my mom’s expression, this black ball has meaning. So much meaning that I think she’s forgotten to breathe. “My pearl,” she whispers. “I thought I’d lost it.” He encloses it in her hand. “This isn’t your pearl, love. That one was lost in the explosion with you. For almost an entire season, I scoured the oyster beds, looking for another one that would do. I don’t know why, but I thought maybe if I found another perfect pearl, I would somehow find you, too. When I found this though, it didn’t bring me the peace I’d hoped for. But I couldn’t bring myself to discard it. I’ve worn it on my wrist ever since.” This is all it takes for my mom to throw herself into his arms, bringing Rachel partially with her. Even so, it’s probably the most moving moment I’ve ever encountered in my eighteen years. Or at least it would be, if my mom weren’t clinging to a man who is not my dad.
Anna Banks (Of Triton (The Syrena Legacy, #2))
She locked herself in her room. She needed time to get used to her maimed consciousness, her poor lopped life, before she could walk steadily to the place allotted her. A new searching light had fallen on her husband's character, and she could not judge him leniently: the twenty years in which she had believed in him and venerated him by virtue of his concealments came back with particulars that made them seem an odious deceit. He had married her with that bad past life hidden behind him, and she had no faith left to protest his innocence of the worst that was imputed to him. Her honest ostentatious nature made the sharing of a merited dishonor as bitter as it could be to any mortal. But this imperfectly taught woman, whose phrases and habits were an odd patchwork, had a loyal spirit within her. The man whose prosperity she had shared through nearly half a life, and who had unvaryingly cherished her—now that punishment had befallen him it was not possible to her in any sense to forsake him. There is a forsaking which still sits at the same board and lies on the same couch with the forsaken soul, withering it the more by unloving proximity. She knew, when she locked her door, that she should unlock it ready to go down to her unhappy husband and espouse his sorrow, and say of his guilt, I will mourn and not reproach. But she needed time to gather up her strength; she needed to sob out her farewell to all the gladness and pride of her life. When she had resolved to go down, she prepared herself by some little acts which might seem mere folly to a hard onlooker; they were her way of expressing to all spectators visible or invisible that she had begun a new life in which she embraced humiliation. She took off all her ornaments and put on a plain black gown, and instead of wearing her much-adorned cap and large bows of hair, she brushed her hair down and put on a plain bonnet-cap, which made her look suddenly like an early Methodist. Bulstrode, who knew that his wife had been out and had come in saying that she was not well, had spent the time in an agitation equal to hers. He had looked forward to her learning the truth from others, and had acquiesced in that probability, as something easier to him than any confession. But now that he imagined the moment of her knowledge come, he awaited the result in anguish. His daughters had been obliged to consent to leave him, and though he had allowed some food to be brought to him, he had not touched it. He felt himself perishing slowly in unpitied misery. Perhaps he should never see his wife's face with affection in it again. And if he turned to God there seemed to be no answer but the pressure of retribution. It was eight o'clock in the evening before the door opened and his wife entered. He dared not look up at her. He sat with his eyes bent down, and as she went towards him she thought he looked smaller—he seemed so withered and shrunken. A movement of new compassion and old tenderness went through her like a great wave, and putting one hand on his which rested on the arm of the chair, and the other on his shoulder, she said, solemnly but kindly— "Look up, Nicholas." He raised his eyes with a little start and looked at her half amazed for a moment: her pale face, her changed, mourning dress, the trembling about her mouth, all said, "I know;" and her hands and eyes rested gently on him. He burst out crying and they cried together, she sitting at his side. They could not yet speak to each other of the shame which she was bearing with him, or of the acts which had brought it down on them. His confession was silent, and her promise of faithfulness was silent. Open-minded as she was, she nevertheless shrank from the words which would have expressed their mutual consciousness, as she would have shrunk from flakes of fire. She could not say, "How much is only slander and false suspicion?" and he did not say, "I am innocent.
George Eliot (Middlemarch)
When Elizabeth finally descended the stairs on her way to the dining room she was two hours late. Deliberately. “Good heavens, you’re tardy, my dear!” Sir Francis said, shoving back his chair and rushing to the doorway where Elizabeth had been standing, trying to gather her courage to do what needed to be done. “Come and meet my guests,” he said, drawing her forward after a swift, disappointed look at her drab attire and severe coiffure. “We did as you suggested in your note and went ahead with supper. What kept you abovestairs so long?” “I was at prayer,” Elizabeth said, managing to look him straight in the eye. Sir Francis recovered from his surprise in time to introduce her to the three other people at the table-two men who resembled him in age and features and two women of perhaps five and thirty who were both attired in the most shockingly revealing gowns Elizabeth had ever seen. Elizabeth accepted a helping of cold meat to silence her protesting stomach while both women studied her with unhidden scorn. “That is a most unusual ensemble you’re wearing, I must say,” remarked the woman named Eloise. “Is it the custom where you come from to dress so…simply?” Elizabeth took a dainty bite of meat. “Not really. I disapprove of too much personal adornment.” She turned to Sir Francis with an innocent stare. “Gowns are expensive. I consider them a great waste of money.” Sir Francis was suddenly inclined to agree, particularly since he intended to keep her naked as much as possible. “Quite right!” he beamed, eyeing the other ladies with pointed disapproval. “No sense in spending all that money on gowns. No point in spending money at all.” “My sentiments exactly,” Elizabeth said, nodding. “I prefer to give every shilling I can find to charity instead.” “Give it away?” he said in a muted roar, half rising out of his chair. Then he forced himself to sit back down and reconsider the wisdom of wedding her. She was lovely-her face more mature then he remembered it, but not even the black veil and scraped-back hair could detract from the beauty of her emerald-green eyes with their long, sooty lashes. Her eyes had dark circles beneath them-shadows he didn’t recall seeing there earlier in the day. He put the shadows down to her far-too-serious nature. Her dowry was creditable, and her body beneath that shapeless black gown…he wished he could see her shape. Perhaps it, too, had changed, and not for the better, in the past few years. “I had hoped, my dear,” Sir Francis said, covering her hand with his and squeezing it affectionately, “that you might wear something else down to supper, as I suggested you should.” Elizabeth gave him an innocent stare. “This is all I brought.” “All you brought?” he uttered. “B-But I definitely saw my footmen carrying several trunks upstairs.” “They belong to my aunt-only one of them is mine,” she fabricated hastily, already anticipating his next question and thinking madly for some satisfactory answer. “Really?” He continued to eye her gown with great dissatisfaction, and then he asked exactly the question she’d expected: “What, may I ask, does your one truck contain if not gowns?” Inspiration struck, and Elizabeth smiled radiantly. “Something of great value. Priceless value,” she confided. All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. “Well, don’t keep us in suspense, love. What’s in it?” “The mortal remains of Saint Jacob.
Judith McNaught (Almost Heaven (Sequels, #3))
It was raining and I had to walk on the grass. I’ve got mud all over my shoes. They’re brand-new, too.” “I’ll carry you across the grass on the return trip, if you like,” Colby offered with twinkling eyes. “It would have to be over one shoulder, of course,” he added with a wry glance at his artificial arm. She frowned at the bitterness in his tone. He was a little fuzzy because she needed glasses to see at distances. “Listen, nobody in her right mind would ever take you for a cripple,” she said gently and with a warm smile. She laid a hand on his sleeve. “Anyway,” she added with a wicked grin, “I’ve already given the news media enough to gossip about just recently. I don’t need any more complications in my life. I’ve only just gotten rid of one big one.” Colby studied her with an amused smile. She was the only woman he’d ever known that he genuinely liked. He was about to speak when he happened to glance over her shoulder at a man approaching them. “About that big complication, Cecily?” “What about it?” she asked. “I’d say it’s just reappeared with a vengeance. No, don’t turn around,” he said, suddenly jerking her close to him with the artificial arm that looked so real, a souvenir of one of his foreign assignments. “Just keep looking at me and pretend to be fascinated with my nose, and we’ll give him something to think about.” She laughed in spite of the racing pulse that always accompanied Tate’s appearances in her life. She studied Colby’s lean, scarred face. He wasn’t anybody’s idea of a pinup, but he had style and guts and if it hadn’t been for Tate, she would have found him very attractive. “Your nose has been broken twice, I see,” she told Colby. “Three times, but who’s counting?” He lifted his eyes and his eyebrows at someone behind her. “Well, hi, Tate! I didn’t expect to see you here tonight.” “Obviously,” came a deep, gruff voice that cut like a knife. Colby loosened his grip on Cecily and moved back a little. “I thought you weren’t coming,” he said. Tate moved into Cecily’s line of view, half a head taller than Colby Lane. He was wearing evening clothes, like the other men present, but he had an elegance that made him stand apart. She never tired of gazing into his large black eyes which were deep-set in a dark, handsome face with a straight nose, and a wide, narrow, sexy mouth and faintly cleft chin. He was the most beautiful man. He looked as if all he needed was a breastplate and feathers in his hair to bring back the heyday of the Lakota warrior in the nineteenth century. Cecily remembered him that way from the ceremonial gatherings at Wapiti Ridge, and the image stuck stubbornly in her mind. “Audrey likes to rub elbows with the rich and famous,” Tate returned. His dark eyes met Cecily’s fierce green ones. “I see you’re still in Holden’s good graces. Has he bought you a ring yet?” “What’s the matter with you, Tate?” Cecily asked with a cold smile. “Feeling…crabby?” His eyes smoldered as he glared at her. “What did you give Holden to get that job at the museum?” he asked with pure malice. Anger at the vicious insinuation caused her to draw back her hand holding the half-full coffee cup, and Colby caught her wrist smoothly before she could sling the contents at the man towering over her. Tate ignored Colby. “Don’t make that mistake again,” he said in a voice so quiet it was barely audible. He looked as if all his latent hostilities were waiting for an excuse to turn on her. “If you throw that cup at me, so help me, I’ll carry you over and put you down in the punch bowl!” “You and the CIA, maybe!” Cecily hissed. “Go ahead and try…!” Tate actually took a step toward her just as Colby managed to get between them. “Now, now,” he cautioned. Cecily wasn’t backing down an inch. Neither was Tate.
Diana Palmer (Paper Rose (Hutton & Co. #2))