She Rides Shotgun Quotes

I was her daughter, but more. I was Karen, Cheryl, Leif. Karen Cheryl Leif. KarenCherylLeif. Our names blurred into one in my mother’s mouth all my life. She whispered it and hollered it, hissed it and crooned it. We were her kids, her comrades, the end of her and the beginning. We took turns riding shotgun with her in the car. “Do I love you this much?” she’d ask us, holding her hands six inches apart. “No,” we’d say, with sly smiles. “Do I love you this much?” she’d ask again, and on and on and on, each time moving her hands farther apart. But she would never get there, no matter how wide she stretched her arms. The amount that she loved us was beyond her reach. It could not be quantified or contained. It was the ten thousand named things in the Tao Te Ching’s universe and then ten thousand more. Her love was full-throated and all-encompassing and unadorned. Every day she blew through her entire reserve.

She had a teddy bear in her arms and murder in her eyes.

She has a high opinion of herself,” Andrea said. “Oh yes. When she gets into a car, her ego has to ride shotgun.

She is an uber-doer, exactly the kind of person you want riding shotgun when you're chasing a big goal and also trying to have a life.

He could have laughed at how fucked up life was. That soon as you found something to live for, you found something to die for too. But he guessed in the end it was a good trade.

We were her kids, her comrades, the end of her and the beginning. We took turns riding shotgun with her in the car. “Do I love you this much?” she’d ask us, holding her hands farther apart. “No,” we’d say, with sly smiles. “Do I love you this much?” she’d ask again, and on and on and on, each time moving her hands farther apart. But she would never get there, no matter how wide she stretched her arms. The amount that she loved us was beyond her reach. It could not be quantified or contained. It was the ten thousand named things in the Tao Te Ching’s universe and then ten thousand more. Her love was full-throated and all-encompassing and unadorned. Every day she blew through her entire reserve….She was optimistic and serene, except a few times when she lost her temper and spanked us with a wooden spoon. Or the one time when she screamed FUCK and broke down crying because we wouldn’t clean our room. She was kindhearted and forgiving, generous and naïve. She dated men with names like Killer and Doobie and Motercycle Dan…

It didn’t matter that it wasn’t real. It only mattered that it was true.

She thought it was the police who were really missing. They were the ones who weren’t where they were supposed to be, which was coming to get her.

It’s the best part of not being real.

Either you teach her how to take a punch or the world does.

You got to feel weak to get strong. Don’t run away from it.

It was an intimate moment, this moment between robber and victim. A gun to the head made you naked.

The underpass was a tent city. The people living there dirty faced and unfed. Refugees of a war only they knew about.

But as Ana pulled away on a west-bound highway with a werewolf riding shotgun and her thirst for blood calling yet again, she had this thought: Maybe a Misfit could never be normal, no matter how badly it wanted to.

She buried her head in a towel. She scrubbed, not just her hair, but her face too, the towel scratching, pressing it into the sockets of her eyes until she saw color galaxies be born and die in the dark behind her eyelids.

He had men for hands. It only took a few days all told before the posters came to a man with a throat-cut tattoo and fuck-you-money ambitions. Addresses were compiled. Plans made. Weapons secured. Blood pacts sealed. His will be done.

Poetry: Peacekeeper of the World I declare poetry, 'Peacekeeper of the World!' As our sentinel. she glides softly like a guided missile, carries within words an alliteratively wide-ranging whistle, she ride shotgun preserving the liberties of our fucked-up human race, eliminating evil empires with ametaphor, a simile or elegant coup de grace.

Said Red Molly to James that's a fine motorbike A girl could feel special on any such like Said James to Red Molly, my hat's off to you It's a Vincent Black Lightning, 1952 And I've seen you at the corners and cafes it seems Red hair and black leather, my favourite colour scheme And he pulled her on behind And down to Boxhill they did ride Said James to Red Molly, here's a ring for your right hand But I'll tell you in earnest I'm a dangerous man I've fought with the law since I was seventeen I robbed many a man to get my Vincent machine Now I'm 21 years, I might make 22 And I don't mind dying, but for the love of you And if fate should break my stride Then I'll give you my Vincent to ride Come down, come down, Red Molly, called Sergeant McRae For they've taken young James Adie for armed robbery Shotgun blast hit his chest, left nothing inside Oh, come down, Red Molly to his dying bedside When she came to the hospital, there wasn't much left He was running out of road, he was running out of breath But he smiled to see her cry And said I'll give you my Vincent to ride Says James, in my opinion, there's nothing in this world Beats a 52 Vincent and a red headed girl Now Nortons and Indians and Greeveses won't do They don't have a soul like a Vincent 52 He reached for her hand and he slipped her the keys He said I've got no further use for these I see angels on Ariels in leather and chrome Swooping down from heaven to carry me home And he gave her one last kiss and died And he gave her his Vincent to ride

...you should’ve seen me ready to shiv security for making me take my ring off earlier.” I frowned as I accidently lost control of my chopsticks, my California roll dropping into the little plastic cup of soy sauce. “See?Sounds like classic Bridezilla behavior to me.” She almost choked on her wasabi-laced sushi piece. “Bridezilla? I am the least likely person to turn Bridezilla you will ever meet. In fact, I am like the Mothra of the Bridezilla world.” “Mothra.” I tsked. “Pedestrian. Destoroyah—no, Bridestoroyah—could totally take on Bridezilla.” “You have the chopstick skill level of a preschooler, and you dare to go around citing Japanese monster movie characters to me?” Laney seethed. “I have my reasons for choosing Mothra.” “Yeah?” I stabbed my chopsticks straight through the middle of my errant sushi piece. “Let’s hear them.” “Don’t, it’s bad luck!” she exclaimed. “What, to talk to a bride about her wedding dress before the big day?” And I thought Sloane was taking the wedding superstitions too far. “No, to stab your chopstick through the middle of your food.” She reached across the table and readjusted my sticks for me with one hand. I noticed she kept her other hand on the garment bag riding shotgun in the chair next to her. Its midnight blue sheen and fancy silver embroidery looked out of place in the middle of the airport food court.

While she prayed, she listened--for Hunter, for some telltale sound that he was indeed out there, as she sensed he was. She knew, as surely as if Hunter had told her, that he was watching over her. She knew as long as the white men did her and Amy no harm, he was content to ride shotgun, watching over them from a distance. On the last night out, Loretta’s faith in Hunter was rewarded. As everyone settled down to sleep, a coyote yipped nearby, his voice lifting in a mournful call that shivered along her spine and made the hair on her nape prickle. She rolled onto her side, back to the fire so she could scan the darkness. A shadow moved beyond the firelight. The coyote yipped again. Warmth spread through her. As unobtrusively as she could, she linked her forefingers in the sign of friendship. If Hunter was out there, he would see and know the song her heart sang.

You got to feel weak to get strong.

She yanked open the door, and her smile faded. The same Indian who had wanted to trade two horses for her was standing on the apple crate that served as a front step, his black hair dripping with water, his calico shirt so wet that his copper skin showed through in places. “No house!” he said. Lily was paralyzed for a moment. Here it was, she thought, the moment she’d been warned about. She was going to be scalped, or ravaged, or carried off to an Indian village. Maybe all three. She cast a desperate glance toward the shutgun, at the same time smiling broadly at the Indian. “I’m terribly sorry,” she said, “but of course you can see that there is a house.” “Woman go away!” the Indian insisted. Lily’s heart was flailing in her throat like a bird trapped in a chimney, but she squared her shoulders and put out her chin. “I’m not going anywhere, you rude man,” she replied. “This is my land, and I have the papers to prove it!” The Indian spouted a flock of curses; Lily knew the words for what they were only because of their tone. She started to close the door. “If you’re going to be nasty,” she said, “you’ll just have to leave.” Undaunted, the red man pushed past Lily and strode right over to the stove. He got a cup from the shelf, filled it with coffee, and took a sip. He grimaced. “You got firewater?” he demanded. “Better with firewater.” Lily had never been so frightened or so angry in her life. With one hand to her bosom she edged toward the shotgun. “No firewater,” she said apologetically, “but there is a little sugar. There”—she pointed—“in the blue bowl.” When her unwanted guest turned around to look for the sugar, Lily lunged for the shotgun and cocked it. There was no shell in the chamber; she could only hope the Indian wouldn’t guess. “All right, you,” she said, narrowing her eyes and pointing the shotgun. “Get out of here right now. Just ride away and there won’t be any trouble.” The Indian stared at her for a moment, then had the audacity to burst out laughing. “The major’s right about you,” he said in perfectly clear English. “You are a hellcat.” Now it was Lily who stared, slowly lowering the shotgun. “So that’s why Caleb wasn’t alarmed that day when you and your friends rode up and made all that fuss about the land. He knows you.” “The name’s Charlie Fast Horse,” the man said, offering his hand. Lily’s blood was rushing to her head like lava flowing to the top of an erupting volcano. “Why, that polecat—that rounder—that son-of-a—” Charlie Fast Horse set his coffee aside and held out both hands in a plea for peace. “Calm down, now, Miss Lily,” he pleaded. “It was just a harmless little joke, after all.” “When I see that scoundrel again I’m going to peel off his hide!” Charlie was edging toward the door. “Lord knows I’d like to warm myself by your fire, Miss Lily, but I’ve got to be going. No, no—don’t plead with me to stay.” “Get out of here!” Lily screamed, and Charlie Fast Horse ran for his life. Obviously he didn’t know the shotgun wasn’t loaded. The

I steered us across a bridge that had been made from an old freight car, a common practice in our part of the world, and pulled up to a number of strands of barbed wire with a steel sign affixed, which read KEEP OUT, PRIVATE PROPERTY, followed by TRESPASSERS WILL BE PROSECUTED. I slowed the truck to a stop and looked at the shiners riding shotgun. “Feel like doing something unlawful?” She cracked the passenger door open and climbed out. “Always, and all ways.

My silk slick black muscular back- talking uncle driving me and a school of fish corpses to church. The sick-eyed gap-mouthed bass, the kingfish without kingdom, the silver-thin silver fish--each dead and separate in a cool bucket. Gilded and shapely as a necktied Sunday morning, the fish. Sit uptight, he said, and I sat right up, riding shotgun looking hard at the road. He muttered, Crackers, as if it was something swinging from a thin clear wire, the clump of tiny maggots in a trout's brain, the flies lazing like the devil's jewelry at our backs. Last night when the white boy's arm lassoed his daughter's neck, my uncle said nothing until they left. I let him feed me the anger I knew was a birthright, a plate of bones thin enough to puncture a lung. But the words did things in my mouth I'd heard they killed people for. They went to a movie and sat quietly and touched or did not touch the darkness. My uncle watched the news with the sound turned down until she came in, my silk slick black back- talking cousin, his daughter. He went to work beating a prayer out her skin.

...nobody belonged to anybody but themselves. Not in the end.

She felt something strange, a thrumming in her muscles, a thrumming in her mind. It took her a second to find the word for what she felt. It was a word she hadn't gotten to use for herself in a long time. The word was power.

The hardest thing about a fight is learning to get hit.’ ‘You mean how not to get hit?’ ‘You’re going to get hit,’ he said. ‘Life ain’t a video game or a school test. There’s no doing it perfect. . . ' When the bullies came after you, when they hurt you, it wasn’t the hurt that you were scared of. It was what you wanted to do, what you could do, that’s what scared you.

Free air smelled great even when it was filthy.

Billy the Kid died in the dark, asking who is it? to the man who murdered him. That's how gunslingers died. Real life didn't give you a showdown. Real life put a bullet in the back of your head.

...eyes don't only reflect what they're seeing. They also reflect what they've already seen.

Looking down the barrel of a gun, you don’t see the tip of the bullet. You just see darkness, like a preview of eternity.

Group homes and orphanages were no safer than the streets. They were cages full of predators and Polly was prey.