She's A Different Breed Quotes

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Although I have felt compelled to write things down since I was five years old, I doubt that my daughter ever will, for she is a singularly blessed and accepting child, delighted with life exactly as life presents itself to her, unafraid to go to sleep and unafraid to wake up. Keepers of private notebooks are a different breed altogether, lonely and resistant rearrangers of things, anxious malcontents, children afflicted apparently at birth with some presentiment of loss.
Joan Didion
The impulse to write things down is a peculiarly compulsive one, inexplicable to those who do not share it, useful only accidentally, only secondarily, in the way that any compulsion tries to justify itself. I suppose that it begins or does not begin in the cradle. Although I have felt compelled to write things down since I was five years old, I doubt that my daughter ever will, for she is a singularly blessed and accepting child, delighted with life exactly as life presents itself to her, unafraid to go to sleep and unafraid to wake up. Keepers of private notebooks are a different breed altogether, lonely and resistant rearrangers of things, anxious malcontents, children afflicted apparently at birth with some presentiment of loss.
Joan Didion (Slouching Towards Bethlehem)
Oh, go right ahead,' she replied. 'You seem to have such an affinity for canines.' 'Clearly,' he shot back, keeping his voice low so that Mary could not hear, 'they are not so different from women. Both breeds hang on my every word.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
In the end, what i have come to believe about God is simple. It's like this - I used to have this really great dog. She came from the pound. She was a mixture of about ten different breeds, but seemed to have inherited the finest features of them all. She was brown. When people asked me, "What kind of dog is that?" I would always give the same answer: "She's a brown dog." Similarly, when the question is raised, "What kind of God do you believe in?" my answer is easy: "I believe in a magnificent God.
Elizabeth Gilbert (Eat, Pray, Love)
Lenora was a different breed of chick entirely, Her wardrobe consisted of black shit only. She wore a lot of eyeliner and had a septum piercing. If you'd told me she'd lost her virginity in a satanic ritual on someone's grave, I wouldn't bet against it. Seemed legit. What worked for Lenny was the fact that she was small and pretty, so she looked cute more then scary – like something Tim Burton would keep as a pet.
L.J. Shen (Broken Knight (All Saints High, #2))
Why did I write it down? In order to remember, of course, but exactly what was it I wanted to remember? How much of it actually happened? Any of it? Why do I keep a notebook at all? It is easy to deceive oneself on all those scores. The impulse to write things down is a peculiarly compulsive one, inexplicable to those who do not share it, useful if accidentally, only secondarily, in the way that compulsion tries to justify itself. I suppose that it begins or does not begin in the cradle. Although I have felt compelled to write things down since I was five years old, I doubt my daughter ever will, for she is a singularly blessed and accepting child, delighted with life exactly as life presents itself to her, unafraid to wake up. Keepers of private notebooks are a different breed altogether, lonely and resistant rearranger of things, anxious malcontents, children afflicted apparently at birth with some presentment of loss.
Joan Didion (Slouching Towards Bethlehem)
September looked down at her black silks. Everyone saw her as a Criminal. They did it because of how she looked. But that was the whole purpose of clothes, she supposed. Clothes are a story you choose to tell about yourself, a different one every day. Even folk who wore plain overalls every day and didn't comb their hair and knew more about cattle breeds than fashion were telling a story: I am a person who doesn't know or care about fashion because those aren't things worth knowing or caring about.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
Culturally, though not theologically, I’m a Christian. I was born a Protestant of the white Anglo-Saxon persuasion. And while I do love that great teacher of peace who was called Jesus, and while I do reserve the right to ask myself in certain trying situations what indeed He would do, I can’t swallow that one fixed rule of Christianity insisting that Christ is the only path to God. Strictly speaking, then, I cannot call myself a Christian. Most of the Christians I know accept my feelings on this with grace and open-mindedness. Then again, most of the Christians I know don’t speak very strictly. To those who do speak (and think) strictly, all I can do here is offer my regrets for any hurt feelings and now excuse myself from their business. “Traditionally, I have responded to the transcendent mystics of all religions. I have always responded with breathless excitement to anyone who has ever said that God does not live in a dogmatic scripture or in a distant throne in the sky, but instead abides very close to us indeed—much closer than we can imagine, breathing right through our own hearts. I respond with gratitude to anyone who has ever voyaged to the center of that heart, and who has then returned to the world with a report for the rest of us that God is an experience of supreme love. In every religious tradition on earth, there have always been mystical saints and transcendents who report exactly this experience. Unfortunately many of them have ended up arrested and killed. Still, I think very highly of them. “In the end, what I have come to believe about God is simple. It’s like this—I used to have this really great dog. She came from the pound. She was a mixture of about ten different breeds, but seemed to have inherited the finest features of them all. She was brown. When people asked me, “What kind of dog is that?” I would always give the same answer: “She’s a brown dog.” Similarly, when the question is raised, “What kind of God do you believe in?” my answer is easy: “I believe in a magnificent God
Elizabeth Gilbert (Eat, Pray, Love)
I made decaf,” he said. “Caffeine isn’t good for you.” “Thank you, Mama Lane.” He made a face at her. “Tate and I used to share everything. Let him go off in a snit. I’ll share his baby. If he doesn’t come back, I’ll appropriate it, and you.” “That’s one area where all your commando skills will fail, dear man,” she said affectionately. “I like you very much, and you can be baby’s godfather. But I’m raising this child myself.” “Godfather.” He was savoring the word when the toast popped up. “Bad choice of words,” she murmured. “I wouldn’t want to give you any bad ideas. I don’t want my child outfitted in a fedora and a machine gun.” “Commando godfathers are a different breed.” “Black bags and camo gear aren’t much better,” she informed him. “Spoilsport. Where’s your sense of adventure?” “Hanging in the shower trying to dry out.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Mama used to say it was a faerie’s kiss.” Gideon stepped toward her where she sat on the old wooden chair. He gave a mild shrug. “Something made you and those others born with that mark different from other women. Who’s to say it wasn’t faeries?
Lara Adrian (A Touch of Midnight (Midnight Breed, #0.5))
In the end, what I have come to believe about God is simple. It’s like this—I used to have this really great dog. She came from the pound. She was a mixture of about ten different breeds, but seemed to have inherited the finest features of them all. She was brown. When people asked me, “What kind of dog is that?” I would always give the same answer: “She’s a brown dog.” Similarly, when the question is raised, “What kind of God do you believe in?” my answer is easy: “I believe in a magnificent God.
Elizabeth Gilbert (Eat, Pray, Love)
No, No and No. I'm not desperate unlike what you think. I'm not like the madding crowd. I'm a different breed of woman. The sort of woman who's unstoppable once she's set her mind onto something. I march to the beat of my own drum like a free-spirit and I know exactly what I want out of life. So get it out of your head honey.
Anne Bancroft
Why is it so special to you?” she asked, hoping to distract Caius from his line of questioning “It’s not,” he said. “It just … it reminds me of someone I used to know.” There was a weight to his words that Echo thought she understood. “A girl?” A different breed of smile graced his face, but there was no joy in it. “Isn’t it always?” The
Melissa Grey (The Girl at Midnight (The Girl at Midnight, #1))
Ma was isolated and alone. Under those circumstances people behave differently. Kya made a soft groan. “Please don't talk to me about isolation. No one has to tell me how it changes a person. I have lived it. I am isolation," Kya whispered with a slight edge. "I forgive Ma for leaving. But I don't understand why she didn't come back- why she abandoned me. You probably don't remember, but after she walked away, you told me that a she-fox will sometimes leave her kits if she's starving or under some other extreme stress. The kits die- as they probably would have anyway- but the vixen lives to breed again when conditions are better, when she can raise a new litter to maturity. "I've read a lot about this since. In nature- out yonder where the crawdads sing- these ruthless-seeming behaviors actually increase the mother's number of young over her lifetime, and thus her genes for abandoning offspring in times of stress are passed on to the next generation. And on and on. It happens in humans, too. Some behaviors that seem harsh to us now ensured the survival of early man in whatever swamp he was in at the time. Without them, we wouldn't be here. We still store those instincts in our genes, and they express themselves when certain circumstances prevail. Some parts of us will always be what we were, what we had to be to survive- way back yonder.
Delia Owens (Where the Crawdads Sing)
You think he should turn to dairying and livestock,” Kathleen said. “It would be easier and more profitable than trying to farm lowland clay.” “You may be right,” she told him ruefully. “But in this part of England, breeding livestock is not considered as respectable as working the land.” “What the devil is the difference? Either way, one ends up shoveling manure.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
The girls thought the altar and the candles and the Mass very cute; one of them had been sometimes to that kind of service in Cambridge, Mass., at a place she called the Monastery, which Father Chantry-Pigg said was where the Cowley Fathers in America lived, but the other girl and her parents were not Episcopalian, they belonged to one of those sects that Americans have, and that are difficult for English people to grasp, though probably they got over from Britain in the Mayflower originally, and when sects arrive in America they multiply, like rabbits in Australia, so that America has about one hundred to each one in Britain, and this is said to be in on account of the encouraging climate, which is different in each of the states, and most encouraging of all in the Deep South and in California, where sects breed best.
Rose Macaulay (The Towers of Trebizond)
It’s like this—I used to have this really great dog. She came from the pound. She was a mixture of about ten different breeds, but seemed to have inherited the finest features of them all. She was brown. When people asked me, “What kind of dog is that?” I would always give the same answer: “She’s a brown dog.” Similarly, when the question is raised, “What kind of God do you believe in?” my answer is easy: “I believe in a magnificent God.
Elizabeth Gilbert (Eat, Pray, Love)
Even before the publication of her bestseller, [Sonia] Sotomayor was a different breed: approachable, human, like the people who came out to greet her. Her book brought her to another level of celebrity and public adulation. She wrote about her 'darker experiences' growing up. She wrote that she had a pudgy nose, a mop of hair, and that it would take most of her adult life to feel pulled together. She became an everywoman with everywoman doubts.
Joan Biskupic (Breaking In: The Rise of Sonia Sotomayor and the Politics of Justice)
And now, sitting in the van with Charlie, who was looking ahead of them and not really paying much attention to where they currently were, she reflected on the possibility that young men were a completely alien breed, and that however much you tried to get them to see things the way you saw them, you were destined to fail. And that perhaps part of the secret of leading a life in which you would not always be worrying about things, or complaining about them, was to accept that there were people who just saw things differently from you and always would. Once you understood that, then you could accept the people themselves as they were and not try to change them. What was even more important, perhaps, was that you could love those people who looked at things so differently, because you realised that they were not trying to make life hard for you by being what they were, but were simply doing their best. Then, when you started to love them, love would do the work that it always did and it would begin to transform them and then they would end up seeing things in the same way that you did. She
Alexander McCall Smith (Precious and Grace (No. 1 Ladies' Detective Agency #17))
Fisher outlines the different hormones and personalities for me. Those with lots of dopamine, she says, are likely to be "Explorers," optimistic risk takers. Serotonin breeds "Builders," who tend to be calm and organized and work well in groups. Those brimming with testosterone she calls "Directors." Two thirds of them are men. They're analytical, logical, and often musical. (They sound suspiciously like Numerati to me.) In the fourth group, their brains coursing with estrogen, are the negotiators. They're verbal and intuitive, and have good people skills. You'd think they'd be built for relationships. But sometimes, Fisher says, "they're so pliable that they turn into placaters. You don't know who they are.
Stephen Baker (The Numerati)
At different spots in the room stood the six resident geniuses to whose presence in the home Mr. Pett had such strong objections, and in addition to these she had collected so many more of a like breed from the environs of Washington Square that the air was clamorous with the hoarse cries of futurist painters, esoteric Buddhists, vers libre poets, interior decorators, and stage reformers, sifted in among the more conventional members of society who had come to listen to them. Men with new religions drank tea with women with new hats. Apostles of Free Love expounded their doctrines to persons who had been practising them for years without realising it. All over the room throats were being strained and minds broadened.
P.G. Wodehouse (Piccadilly Jim)
The coyote was not a coyote. Or, maybe it was a coyote. Sam still didn't know what the difference was. In any case, it was a young, not much older than a puppy. It had the shaggy look of a coyote, but the muscular build of a pit bull. Its back leg was bleeding, and Sam worried he might have grazed it with the car. The coyote/dog looked scared. "If I pick you up," Sam said gently, "will you bite me?" The coyote/dog looked at him blankly, terrified. It was shivering. Sam took off his plaid shirt, and he scooped the little dog into his arms, and he put it into the back seat of his car. They drove to an emergency veterinary clinic. The dog had broken its leg. She needed stitches and would have to be in a cast for a couple of weeks, but she was strong, and she would recover. When Sam asked the vet whether the dog might be a coyote, she rolled her eyes. She was just a dog, a mutt yes, but likely some combination of German shepherd, Shiba Inu, and greyhound. You could tell by the elbows, she said. Coyote elbows were higher than dog elbows. She brought up a graphic on her computer: a coyote, next to a wolf, next to a domesticated dog. See, she said, isn't it obvious?
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
Would you be willing to tell me how the ladies came to be here? I mean, who are they?” Ian drew a long, impatient breath, tipped his head back, and absently massaged the muscles at the back of his neck. “I met Elizabeth a year and a half ago at a party. She’d just made her debut, was already betrothed to some unfortunate nobleman, and was eager to test her wiles on me.” “Test her wiles on you? I thought you said she was engaged to another.” Sighing irritably at his friend’s naiveté, Ian said curtly, “Debutantes are a different breed from any women you’ve known. Twice a year their mamas bring them to London to make their debut. They’re paraded about during the Season like horses at an auction, then their parents sell them as wives to whoever bids the highest. The winning bidder is selected by the expedient measure of choosing whoever has the most important title and the most money.” “Barbaric!” said Jake indignantly. Ian shot him an ironic look. “Don’t waste your pity. It suits them perfectly. All they want from marriage is jewels, gowns, and the freedom to have discreet liaisons with whomever they please, once they produce the requisite heir. They’ve no notion of fidelity or honest human feeling.” Jake’s brows lifted at that.
Judith McNaught (Almost Heaven (Sequels, #3))
Blast. This day had not gone as planned. By this time, he was supposed to be well on his way to the Brighton Barracks, preparing to leave for Portugal and rejoin the war. Instead, he was…an earl, suddenly. Stuck at this ruined castle, having pledged to undertake the military equivalent of teaching nursery school. And to make it all worse, he was plagued with lust for a woman he couldn’t have. Couldn’t even touch, if he ever wanted his command back. As if he sensed Bram’s predicament, Colin started to laugh. “What’s so amusing?” “Only that you’ve been played for a greater fool than you realize. Didn’t you hear them earlier? This is Spindle Cove, Bram. Spindle. Cove.” “You keep saying that like I should know the name. I don’t.” “You really must get around to the clubs. Allow me to enlighten you. Spindle Cove-or Spinster Cove, as we call it-is a seaside holiday village. Good families send their fragile-flower daughters here for the restorative sea air. Or whenever they don’t know what else to do with them. My friend. Carstairs sent his sister here last summer, when she grew too fond of the stable boy.” “And so…?” “And so, your little militia plan? Doomed before it even starts. Families send their daughters and wards here because it’s safe. It’s safe because there are no men. That’s why they call it Spinster Cove.” “There have to be men. There’s no such thing as a village with no men.” “Well, there may be a few servants and tradesmen. An odd soul or two down there with a shriveled twig and a couple of currants dangling between his legs. But there aren’t any real men. Carstairs told us all about it. He couldn’t believe what he found when he came to fetch his sister. The women here are man-eaters.” Bram was scarcely paying attention. He focused his gaze to catch the last glimpses of Miss Finch as her figure receded into the distance. She was like a sunset all to herself, her molten bronze hair aglow as she sank beneath the bluff’s horizon. Fiery. Brilliant. When she disappeared, he felt instantly cooler. And then, only then, did he turn to his yammering cousin. “What were you saying?” “We have to get out of here, Bram. Before they take our bollocks and use them for pincushions.” Bram made his way to the nearest wall and propped one shoulder against it, resting his knee. Damn, that climb had been steep. “Let me understand this,” he said, discreetly rubbing his aching thigh under the guise of brushing off loose dirt. “You’re suggesting we leave because the village is full of spinsters? Since when do you complain about an excess of women?” “These are not your normal spinsters. They’re…they’re unbiddable. And excessively educated.” “Oh. Frightening, indeed. I’ll stand my ground when facing a French cavalry charge, but an educated spinster is something different entirely.” “You mock me now. Just you wait. You’ll see, these women are a breed unto themselves.” “These women aren’t my concern.” Save for one woman, and she didn’t live in the village. She lived at Summerfield, and she was Sir Lewis Finch’s daughter, and she was absolutely off limits-no matter how he suspected Miss Finch would become Miss Vixen in bed.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
Astrophage has a predator!” There’s a whole biosphere at Adrian. Not just Astrophage. There’s even an active biosphere within the Petrova line. This is where it all started. Has to be. How else can we explain countless extremely different life-forms that all evolved to migrate in space? They all came from the same genetic root. Astrophage was just one of many, many life-forms that evolved here. And with all life, there is variance and predation. Adrian isn’t just some planet that Astrophage infected. It’s the Astrophage homeworld! And it’s the home of Astrophage’s predators. “This is amazing!” I yell. “If we find a predator…” “We take home!” Rocky says, two octaves higher than normal. “It eat Astrophage, breed, eat more Astrophage, breed, eat more more more! Stars saved!” “Yes!” I press my knuckles against the tunnel wall. “Fist-bump!” “What, question?” I rap the tunnel again. “This. Do this.” He emulates my gesture against the wall opposite my hand. “Celebration!” I say. “Celebration!” The crew of the Hail Mary sat on the couch in the break room, each with their drink of choice. Commander Yáo had a German beer, Engineer Ilyukhina had a distressingly large tumbler of vodka, and Science Specialist DuBois had a glass of 2003 Cabernet Sauvignon that he had poured ten minutes in advance to ensure it had time to breathe. The break room itself had been a struggle to arrange. Stratt didn’t like anything that wasn’t directly related to the mission, and an aircraft carrier wasn’t exactly overflowing with extra space. Still, with more than a hundred scientists from all over the world demanding a place to relax, she had relented. A small room in the corner of the hangar deck was built to house the “extravagance.” Dozens of people crowded into the room and watched the TV feed on the wall-mounted monitor. By silent agreement, the crew got to sit on the couch.
Andy Weir (Project Hail Mary)
Ye are stirring up a lot of trouble, arenae ye?” “Me? I just came to explore this building. She is the one stirring up trouble. She wants Cathal, I think.” “She does, e’en though his Outsider blood sickens her. Edmee would like to be the lady of Cambrun. She has ne’er been able to convince Cathal of that, however. It doesnae help her cause that she makes her contempt of his mother so verra clear. Cathal has ne’er intended to wed with a MacNachton, either. He wants bairns.” Bridget frowned at him. “There is a wee bit more to me than a womb, ye ken.” “Och, aye, a wee bit.” He laughed when she softly hissed in annoyance, then grew serious. “O’er the last few days ’tis evident neither of ye will suffer in the making of a bairn.” He only briefly smiled at her blushes. “Tis a blessing, that. And where is the insult in a mon thinking a woman a good choice as mother to his bairns?” None, she supposed, but she was not about to admit it. “There should be more.” “Ah, poor lass, so unsure of yourself.” He nimbly danced out of her reach when she tried to hit him. “The only thing I will say is that, compared to the rest of us, Cathal is nearly a monk. He isnae one to be caught in embraces with a lass round every corner. And, aye, mayhap he thinks too much on a bairn, but ’tisnae just an heir he seeks, is it? Tis the salvation of his people. Tis no small thing that. So, do ye cease teasing the fool and say aye?” Bridget sighed. “Tisnae an easy thing to decide. Tisnae just my fate, but that of my children I must consider and ye ask me to do it in but a week.” “We are but a wee bit different.” “Och, aye, ye are that.” “But, that shouldnae trouble a Callan, I think.” He sighed when she did not respond to that remark. “We arenae what ye think we are, lass. Nay exactly. I dinnae believe the soulless dead breed bairns.” He smiled gently at the look of consternation that briefly crossed her face. “We are but different. Cursed in some ways, blessed in others, but ’tis Cathal who must tell ye the tale.
Hannah Howell (The Eternal Highlander (McNachton Vampires, #1))
I freely admit that the best of my fun, I owe it to Horse and Hound - Whyte Melville (1821-1878) "Once more unto the breach, dear friends, once more; Or close the wall up with our English dead. In peace there's nothing so becomes a man As modest stillness and humility: But when the blast of war blows in our ears, Then imitate the action of the tiger; Stiffen the sinews, summon up the blood, Disguise fair nature with hard-favour'd rage; Then lend the eye a terrible aspect; Let pry through the portage of the head Like the brass cannon; let the brow o'erwhelm it As fearfully as doth a galled rock O'erhang and jutty his confounded base, Swill'd with the wild and wasteful ocean. Now set the teeth and stretch the nostril wide, Hold hard the breath and bend up every spirit To his full height. On, on, you noblest English. Whose blood is fet from fathers of war-proof! Fathers that, like so many Alexanders, Have in these parts from morn till even fought And sheathed their swords for lack of argument: Dishonour not your mothers; now attest That those whom you call'd fathers did beget you. Be copy now to men of grosser blood, And teach them how to war. And you, good yeoman, Whose limbs were made in England, show us here The mettle of your pasture; let us swear That you are worth your breeding; which I doubt not; For there is none of you so mean and base, That hath not noble lustre in your eyes. I see you stand like greyhounds in the slips, Straining upon the start. The game's afoot: Follow your spirit, and upon this charge Cry 'God for Harry, England, and Saint George!" ... King Henry V 1598 (William Shakespeare) I can resist anything except temptation - Oscar Wilde (Lady Windermere's Fan, 1892) In order to be irreplaceable, one must always be different - Coco Chanel When it comes to pain and suffering, she's right up there with Elizabeth Taylor - Truvy (Steel Magnolias) She looks too pure to be pink (Rizzo, Grease) I can't think about that right now. If I do, I'll go crazy. I'll think about that tomorrow - Scarlett O'Hara (Gone With The Wind.)
George John Whyte-Melville
HE DO THE POLICE IN DIFFERENT VOICES: Part I THE BURIAL OF THE DEAD First we had a couple of feelers down at Tom's place, There was old Tom, boiled to the eyes, blind, (Don't you remember that time after a dance, Top hats and all, we and Silk Hat Harry, And old Tom took us behind, brought out a bottle of fizz, With old Jane, Tom's wife; and we got Joe to sing 'I'm proud of all the Irish blood that's in me, 'There's not a man can say a word agin me'). Then we had dinner in good form, and a couple of Bengal lights. When we got into the show, up in Row A, I tried to put my foot in the drum, and didn't the girl squeal, She never did take to me, a nice guy - but rough; The next thing we were out in the street, Oh it was cold! When will you be good? Blew in to the Opera Exchange, Sopped up some gin, sat in to the cork game, Mr. Fay was there, singing 'The Maid of the Mill'; Then we thought we'd breeze along and take a walk. Then we lost Steve. ('I turned up an hour later down at Myrtle's place. What d'y' mean, she says, at two o'clock in the morning, I'm not in business here for guys like you; We've only had a raid last week, I've been warned twice. Sergeant, I said, I've kept a decent house for twenty years, she says, There's three gents from the Buckingham Club upstairs now, I'm going to retire and live on a farm, she says, There's no money in it now, what with the damage don, And the reputation the place gets, on account off of a few bar-flies, I've kept a clean house for twenty years, she says, And the gents from the Buckingham Club know they're safe here; You was well introduced, but this is the last of you. Get me a woman, I said; you're too drunk, she said, But she gave me a bed, and a bath, and ham and eggs, And now you go get a shave, she said; I had a good laugh, couple of laughs (?) Myrtle was always a good sport'). treated me white. We'd just gone up the alley, a fly cop came along, Looking for trouble; committing a nuisance, he said, You come on to the station. I'm sorry, I said, It's no use being sorry, he said; let me get my hat, I said. Well by a stroke of luck who came by but Mr. Donovan. What's this, officer. You're new on this beat, aint you? I thought so. You know who I am? Yes, I do, Said the fresh cop, very peevish. Then let it alone, These gents are particular friends of mine. - Wasn't it luck? Then we went to the German Club, Us We and Mr. Donovan and his friend Joe Leahy, Heinie Gus Krutzsch Found it shut. I want to get home, said the cabman, We all go the same way home, said Mr. Donovan, Cheer up, Trixie and Stella; and put his foot through the window. The next I know the old cab was hauled up on the avenue, And the cabman and little Ben Levin the tailor, The one who read George Meredith, Were running a hundred yards on a bet, And Mr. Donovan holding the watch. So I got out to see the sunrise, and walked home. * * * * April is the cruellest month, breeding lilacs out of the dead land....
T.S. Eliot (The Waste Land Facsimile)
As an elder in the city gates, he had the undesirable privilege of seeing some of the darkest secrets behind the curtains of the ruling class of Ashtart. He discovered that she was breeding giants through the line of Canaan and sending them to different parts of the country. It became increasingly apparent that she also engaged in the Sacred Marriage rite of copulation with the daughters of men. Such violation of the heavenly earthly divide had been a strictly forbidden behavior, since the Flood. Though Ashtart had made a commitment to Mastema to avoid these excesses that brought down such judgment, she could not help herself. She could not keep away from her taste for the strange flesh of humans. She was addicted to it, and she was getting more strident about her carnal defiance. Word was getting out. Even humans like Lot were catching wind of her perilous behavior.
Brian Godawa (Abraham Allegiant (Chronicles of the Nephilim Book 4))
The day will come, my dear, when your children's children stride the galactic rim as the kings and queens of all they survey. But first, you — we — must teach them how to survive, until that moment. In your generation, there were five hundred. Of them all, I kept only you and your closest siblings. The rest are scattered across the galaxy, burrowed into the flesh of a dying empire, so that they might best guide it to its well-deserved and long overdue grave. They, and their children, carry on my teachings into the dark. Generation upon generation, their strength breeding true. As mankind dies, so it nurtures its own replacement, all unknowing. But you are different. You and your kin are to be my hand on the throat of the future. For my brothers will not surrender to fate with dignity. Those who remain, after that final hour, will fight one another for the right to rule the ashes. And in that moment, you and yours shall assert yourselves, for the first time and the last. You will hunt angels, in the days to come, and make a new kingdom from their bones". ‘And where will you be?’ she asked softly. Fabius stepped back. ‘I imagine I will be first among the foundations, my dear.’ He smiled thinly. ‘There will be no place for me in the paradise to come.’ He laughed. Behind them, the entrance to the laboratorium whined open, and someone entered. Fabius ignored the newcomer, even as Igori stiffened. ‘But until then, I persist. Until my work is done.
Josh Reynolds
But even though apes may be special in this regard, we cannot exclude similar capacities in other animals. A well-documented instance of possible altruism concerns a very different species: Rodrigues fruit bats in a breeding colony in Florida, studied by Thomas Kunz, a biologist at the University of Boston. By chance, Kunz witnessed an exceptionally difficult birthing process in which a mother bat failed to adopt the required feet-down position. Instead, she continued to hang upside-down. Taking on a midwife role, another female spent no less than two and a half hours assisting the inexperienced mother. She licked and groomed her behind, and wrapped her wings around her, perhaps so as to prevent the emerging pup from falling. She also repeatedly fanned the exhausted mother with her wings. But what amazed the biologist most was that the helper seemed to be instructing the mother: the mother adopted the correct feet-down position only after the helper had done so right in front of her. On four separate occasions the helper adopted the correct position in full view of the mother-a position normally used only for urination or defecation, which the helper didn't engage in-and each time the mother followed the helper's example.
Frans de Waal (The Ape and the Sushi Master: Reflections of a Primatologist)
Yes.” She took a breath. “How can Xanth be prevented from fragmenting entirely, except by interaction and cross-breeding? Smash, I think the very future of Xanth depends on the half-breeds and quarter-breeds, the people like us who share two or more views. In Mundania, no species breeds with another—and look at Mundania! According to my father’s stories—” “Awful,” he agreed. “Mundania has no magic.” “So their species just keep drifting farther apart, making that land more dreary year by year. Xanth is different; Xanth can reunify. Smash, we owe it to Xanth to—
Piers Anthony (Ogre, Ogre (Xanth, #5))
What they had together was different. Separate from what she had, and yet she didn’t feel jealous. It was like a different strand of the ties that held them all together. They were family, and that meant more than all the men rotating around her like she was the sun to their planets. Everything was still evolving; they’d barely had time to get to know each other, but this? It was beautiful.
Jade Thorn (Breeding Contempt (Of Magic and Contempt, #4))
Leeda moved down the row slowly, picking expertly, doing a touch test on the fruits whose ripeness she doubted. If she picked them too soon, they wouldn't taste sweet enough because they wouldn't have time to draw in enough sugar. If she picked them too late, she knew, they would have already started producing ethylene, a chemical that ripened them, and they'd be overripe by the time they were sold. Their first summer on the orchard, Birdie had revealed to them that the world of peaches was more intricate and varied than they ever imagined. Clingstones, the ones that clung to their pits, ripened earliest, then semi-frees, and then freestones. Each variety was like a different dog breed with vastly different characteristics---the texture of the meat, the fuzziness of the skin, the strength and sweetness of the flavor.
Jodi Lynn Anderson (Love and Peaches (Peaches, #3))
Nancy’s. ‘War does funny things to men,’ he said. ‘Sometimes they change … sometimes they realize what’s important to them.’ ‘Yes,’ Cassie said with a wistful smile, ‘their bombers. I think fliers are a different breed of men. At least all the ones I know are. The women too. They’re all a little crazy.’ ‘It’s part of the charm.’ He smiled at her, suddenly looking more relaxed than she’d ever seen him. ‘I’ll have to remember that,’ she said, sipping her wine, and watching him. She wondered what made him tick, but there was no way of knowing. Even when he was being friendly, he was completely guarded. There was really no way of knowing him. He was careful to keep his distance. Nancy had told her that about him, and Cassie finally understood it. ‘And then there are the rest of us.’ He smiled at her again. ‘Those who live on the ground. So simple, and so lowly.’ ‘I don’t think I’d say that,’ she said quietly, as he watched her. ‘More sensible perhaps. More
Danielle Steel (Wings)
They were a watchful flock of birds, one pearl-white wing extended over each of them, but she was a different, commoner breed. Perhaps, not even a bird at all but the animal destined to be roadkill on which they would feast.
Isabel Agajanian (Modern Divination (Modern Divination, #1))
The stewardess’s lips shine, glossed and pink and perfect. But when she smiles, there’s a smudge of color on her tooth. Olivia taps her own tooth to indicate the streak, and the stewardess nods a thank-you. People who keep quiet in such situations, who let others walk around with wedged-in poppy seeds or toothpaste on their chins, those people are a different breed. The ones who either value their own comfort above all or who feel themselves rise when others fall.
Gian Sardar (Take What You Can Carry)
Who were these people who were Nico's friends at that club? It seemed like an Italian-Spanish coffeeshop. I'm not sure, it was quite far from downtown in a pretty hidden location. I don't remember the name of the club or the street, but if I drive from Urgell I can find it. I took a few pictures outside the reception area while we were waiting outside with Adam to be allowed to enter after being registered as club members. They took our entry into the almost empty private club very seriously, unlike my girlfriend selling weed in their dispensary at age 20, when I just gave her a job elsewhere. The pictures I took were of two skateboards hanging on the wall next to each other. They were spray-painted with smiling devilish faces, the comedy and tragedy masks. („Sock and buskin: The sock and buskin are two ancient symbols of comedy and tragedy. In ancient Greek theatre, actors in tragic roles wore a boot called a buskin (Latin cothurnus). The actors with comedic roles wore only a thin-soled shoe called a sock (Latin soccus).” – Source: Wikipedia) There was another skateboard hanging on the wall, showing the devil smiling with his eyes and teeth and horns only visible in the darkness of the artwork. I doubt they were Italians – they were rather Spaniards – but I never really met anyone else from there besides Nico and Carulo. But I trusted Carulo; he was different. Carulo was a known person in Catalonia. He was known to be the person who was sitting in the Catalan Parliament and rolled a joint and lit it up, smoking during a session as a protest against the law prohibiting marijuana growing and smoking in Spain. Nico told me when he introduced me to Carulo in the summer of 2013, almost a year earlier: “This is the guy you can thank for being able to smoke freely in Catalonia without the police bothering you. Tomas, meet Carulo.” He never really ordered from me if I had met him before. He had no traffic; his growshop was always closed. He was only smoking inside with his younger brother, who was always walking his bull terrier. Their white Bull Terrier was female, half the size of Chico, but she was kind of crazy; you could see in her eyes that she was not normal; she had mental issues. At least, looking into Carulo's eyes and his brother's eyes, I recognized the similar illness in their dog's eyes. In 2014, it had been over four years since I had been working with dogs in my secondary job interpreting Italian and travelling every fifth weekend. Additionally, Huns came to Europe with their animals, including their dogs. There are at least nine unique Hungarian dog breeds.
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
Fish and the old woman An old woman, selling fish, Crying at all those who passed by, “Try my fish that you shall relish,” Most of them ignored her calls but many asked why? She answered all whys, all ifs, all questions, As long as you were someone she thought would buy, And I stood there listening to her witty quotations, That addressed all doubts and answered every why, Her greasy hands often patted and placed the fish in order, In the round wicker basket that was wet but clean, And in this fish market she looked much wiser and older, Her face was round, her eyes sharp, with a body frame that was lean, Few minutes passed, unlike the fish she was unable to catch a reliable prospect, Then a man stopped and looked at her basket full of fish, And she had found her much needed suspect, The providence had granted her her wish, She turned the fish around and showed him the best ones, Her greasy hands held them with twin feelings, A feeling that still wanted to retain the best ones, And a feeling that was willing to let go of the few in her commercial dealings, And there was her struggle, and her eyes revealed it clearly, She shuffled the best ones around and then mixed them with the rest, And she did this with a professional dexterity, Creating a mix of the good fish and the best, Because to her all customers are the same, They all deserve to savour the fish that she thinks are the finest, So she had to indulge in this necessary hypnotic game, And she performed it in ways sharp and tidiest, She scrubbed off the scales carefully, And cleaned them with a unique fondness, And when ready she handed them to the man lovingly, He held them with a sense of quickness, And walked away, leaving behind the old woman and her basket full of fish, Who once again shouted in her typical melody, “Try my fish that you shall relish, The fish that will make the tastiest dish, The fish from the lake that breeds the best fish!” While I watched her and her teary eyes, Because she missed the fish that were being taken away, Away from her everyday, with her daily lot gone a part of her in that basket dies, But she does not let her feelings give in or sway, Because this is who she is, the seller of life and joy, Who shouts on the bridge on a cold November day, For she too has a home, where she has to feed her girl and her always waiting boy, It has been so for many decades, and was so today, In the evening when the wicker basket is dry with no fish left in it, She lifts the basket, mops the floor, and places it on her head, Well I guess not all of us can do it, Because she carries the physical load over the head that with a million thoughts is also fed, Yet she walks with a smile and vivaciousness that is radiant, Because she sells the fish that are the best, And in the wicker basket they look magnificent and brilliant, I guess for her, the fish and the basket are her test, Where fate pushes her to the extreme every day, But she never gets tired to shout and say, “Try my fish that you shall relish any day, Why not let that day be today, your luckiest day!” With the old woman gone, the bridge is still crowded but the spot is empty, So, I turn around and look at it, and I hear her echoes, And I feel a wave of humility induced by my realisation of her piety, Towards a different God, the God she invokes often in her melody that resides there in the form of her echoes, I may never see her again, or maybe I will, Whenever I cross the bridge, the bridge that leads people to their destinations, But for me it begins there and it ends there too, there time holds still, Because we all respect her courage and we love her melodious incantations!
Javid Ahmad Tak (They Loved in 2075!)
The days when he had taken insults passively had passed, as had the days when he would melt in tears. He had never understood what made the others do it, only that he was somehow apart from them, somehow differ- ent, and that he would never fit in. From the time Serena had first held him after it happened, when he was only five, his mother had counseled patience. "Ignore them," she said. "Deny them the satisfaction of seeing you rise in anger." She too had suffered this way. "Pay no attention to them. They are only jealous of your noble birth." She had tried to soften their in- sults. "When they call you half-breed you must remem- ber what it really means, that you are the best of two worlds, the best of the French and the best of the Tuareg." Her advice felt warm and wise while he was on her lap, but evaporated quickly in the schoolyard. His patience only drove his tormentors to greater creativity in their taunts, and then they accused him of cowardice, of being a sissy. If he cried it drove them to new heights of viciousness. And then one day when Moussa was eight Henri had seen his bruised cheek and asked about it, and Moussa had poured out his sorrow and his dilemma. "Your mother is right in her way," Henri agreed after listening, "but just now I think they need a good thrashing. You need to teach them a lesson. I wish it weren't so, but they respect only strength." After that Moussa tried hard not to forget his mother's advice, but he found that fists often worked better. At first he lost most of the fights, but a bloody nose from fighting back felt better to him than a bloody nose from doing nothing. And with practice, along with the instruction he received from his father and Gascon, he got better. Before long the students learned to taunt him at their own peril, for even if they might finally beat him, they would pay a heavy price.
David Ball (Empires of Sand by David Ball (2001-03-06))
She had sung him nursery rhymes, and comforted him when the other children made fun of him. He was only five the first time it had happened. She had never dreamed it would begin so soon. "Maman, what's a half-breed?" His eyes had been so puzzled, so wide, so hurt. Of course none of the chil- dren had the slightest idea what a half-breed might be: just words picked up from parents. But in the manner of children they could use words cruelly, playing happily with him one moment, making him feel isolated and alone the next. This had been a double insult, for the child had called him demi-sang, a term reserved for horses, not men. One of the children discovered that he could make a rhyme of it, and the rhyme caught on and all the children except Paul joined in. Moussa burst into tears and ran away. Later he climbed into Serena's lap where she stroked his hair and searched her mind for words of comfort, but the words would not come. She knew it would not be the last time he would feel the sting of disapproval, the agony of being different. She felt it herself every day, had felt it ever since coming to France with Henri. Peo- ple stared at her and laughed and whispered and pointed. They made fun of her accent and touched the long locks of her hair as though she had crawled from under a rock. She was strong, stronger than they, strong enough to stand straight and stare back, and so could only tell her son that which she knew
David Ball (Empires of Sand by David Ball (2001-03-06))
Ask a man to explain his success and he will typically credit his own innate qualities and skills. Ask a woman the same question and she will attribute her success to external factors, insisting she did well because she “worked really hard,” or “got lucky,” or “had help from others.” Men and women also differ when it comes to explaining failure. When a man fails, he points to factors like “didn’t study enough” or “not interested in the subject matter.” When a woman fails, she is more likely to believe it is due to an inherent lack of ability.8 And in situations where a man and a woman each receive negative feedback, the woman’s self-confidence and self-esteem drop to a much greater degree.9 The internalization of failure and the insecurity it breeds hurt future performance, so this pattern has serious long-term consequences.10
Sheryl Sandberg (Lean In: Women, Work, and the Will to Lead)
think. ‘About what?’ I say. She gets all mad and stomps off to the bedroom. Now how in tarnation am I supposed to know she had her hair fixed a different way? I ain’t some faggot hairdresser. If she’d had it shaved off or dyed green, I most likely would have noticed.” Kevin thought this over. “Dahlia’s temperamental, but her hair’s the same.” “She buy a new dress? That can be dangerous.” “Not in a long while. She just kicked me out. Whenever I try to talk to her, her lips get all puckered and there I am on the porch.” “There’s your problem,” Earl said. “No man should be trying to talk to a woman. They’re a whole different breed, all the time wantin’ to know how you feel about things. Buy her a big bottle of cologne at Wal-Mart and tell her you like her hair. Just don’t sound like a faggot, okay? Keep in mind God ain’t married. Now go get that beer.” “You know anything about men?” Dahlia asked her mother-in-law while they took turns dipping into the bowl of popcorn. “I’ve been married to one for over thirty years,” said Eileen. “Far as I can tell, they’re all the same. The only reason they have faces is so we can tell ’em apart. Hardly
Joan Hess (murder@maggody.com (Arly Hanks, #12))
Ask a man to explain his success and he will typically credit his own innate qualities and skills. Ask a woman the same question and she will attribute her success to external factors, insisting she did well because she “worked really hard,” or “got lucky,” or “had help from others.” Men and women also differ when it comes to explaining failure. When a man fails, he points to factors like “didn’t study enough” or “not interested in the subject matter.” When a woman fails, she is more likely to believe it is due to an inherent lack of ability. 8 And in situations where a man and a woman each receive negative feedback, the woman’s self-confidence and self-esteem drop to a much greater degree. 9 The internalization of failure and the insecurity it breeds hurt future performance, so this pattern has serious long-term consequences. 10
Anonymous
The bottom of the bathtub was grimy and sticky because the water took forever to drain. The hot water made me feel cold and then warm. Soaped up my chest and stomach and face. Got soap in my eye. Stung. Imagined the rabbits the Johnson & Johnson people tortured Clockwork Orange-style with soap just so they knew you couldn’t go blind that way. Soaped up my pussy, legs, and ass. Wished I had a cock. I had to rub myself on stuff. Bet it would be fun to jerk off in the shower. Took the razor and put my leg up on the side of the tub, shaved, and then shaved the other one. My sinuses started to clear. I blew snot out of my nose. Shaved the outside of my pussy, covered my clit with a finger and shaved inside at the top where there was always hair and inside the lips and then all the way through the middle and then all inside the ass. Kept feeling with my fingers for those stubborn hairs I had to keep going over. The water felt like someone spitting at me. The bikini area was a bitch. Ingrown hairs or razor burn. Those lucky bitches back in the seventies could let it all grow out into a giant bush. Sometimes the present seemed just as dumb as the past if you imagined what it would sound like in the future: In ancient times, the female would rub a bladed tool over her genitalia to slice the hair growing from the body even with the surface of the skin, from where it would grow again. I plugged in the laptop and brought it from the coffee table to the couch to watch porn. The way they characterized the women like different breeds. Black bitch. White cunt. Asian slut. The line of spit from the cock to the woman’s mouth. A woman blew two guys. When she took them both in her mouth at the same time, the cocks touched. I wondered if that made the men feel a little gay. A gangbang scene. The men looked pathetic, jerking off as they waited their turn, and then this one dude rubbed his cock in the woman’s hair and then wrapped some of her hair around his cock and jerked off with it. Men are so weird. A girl swallowed and then opened her mouth and stuck out her tongue so you could see she really did swallow it all. An asshole, a wrinkled, gaping hole spitting back the come like an awful little volcano, and you thought to yourself, Why would anyone on Earth want to see that? And yet there it was. Someone on Earth wanted to see just that. The men were bullies. Pulling, slapping, ordering the women around. I put the throw pillow underneath me and started to fuck it. I liked watching the scenes where the women really didn’t look like they wanted it. Like they were just doing it for the money or drugs or whatever. When I came, I came wanting it all. In one way or another, I wanted to be the men, and I wanted to hurt the woman. I wanted to hurt like the woman, and I wanted to hate the men for hurting me. I wanted to be the man at home jerking off wanting to be the man wanting to hurt the woman. And then I wanted to hurt more. Isn’t it a little sad we can’t do a little of everything there is to do? I’ll never know what it feels like to jam my cock into a tight little asshole.
Jade Sharma (Problems)
Like most children of her era, she’d been taught to believe that the genome—the sequence of base pairs expressed in the chromosomes in every nucleus of the body—said everything there was to say about the genetic destiny of an organism. A small minority of those DNA sequences had clearly defined functions. The remainder seemed to do nothing, and so were dismissed as “junk DNA.” But that picture had changed during the first part of the twenty-first century, as more sophisticated analysis had revealed that much of that so-called junk actually performed important “roles in the functioning of cells by regulating the expression of genes. Even simple organisms, it turned out, possessed many genes that were suppressed, or silenced altogether, by such mechanisms. The central promise of genomics—that by knowing an organism’s genome, scientists could know the organism—had fallen far short as it had become obvious that the phenotype (the actual creature that met the biologist’s eye, with all of its observable traits and behaviors) was a function not only of its genotype (its DNA sequences) but also of countless nanodecisions being made from moment to moment within the organism’s cells by the regulatory mechanisms that determined which genes to express and which to silence. Those regulatory mechanisms were of several types, and many were unfathomably complex. Had it not been for the sudden intervention of the Agent, the biologists of Old Earth would have devoted at least the “remaining decades of the century to cataloging these mechanisms and understanding their effects—a then-new science called epigenetics. Instead of which, on Cleft, in the hands of Eve Moira and the generations of biologists she reared, it became a tool. (...) Thousands of years later, epigenetics was sufficiently well understood to be programmed into the DNA of some of the newly created species that would be let loose on the surface of New Earth. And one of the planks in the Get It Done platform was to use epigenetics for all it was worth. So rather than trying to sequence and breed a new subspecies of coyote that was optimized for, and that would breed true in, a particular environment, the GID approach was to produce a race of canines that would, over the course of only a few generations, become coyotes or wolves or dogs—or something that didn’t fit into any of those categories—depending on what happened to work best. They would all start with a similar genetic code, but different parts of it would end up being expressed or suppressed depending on circumstances. And no particular effort would be made by humans to choose and plan those outcomes. They would seed New Earth and see what happened. If an ecosystem failed to “take” in a particular area, they “they would just try something else. In the decades since such species had been seeded onto New Earth, this had been going on all the time. Epigenetic transformation had been rampant. Still, when it led to results that humans saw, and happened to find surprising, it was known as “going epi.
Neal Stephenson (Seveneves)
In families in which parents are overbearing, rigid, and strict, children grow up with fear and anxiety. The threat of guilt, punishment, the withdrawal of love and approval, and, in some cases, abandonment, force children to suppress their own needs to try things out and to make their own mistakes. Instead, they are left with constant doubts about themselves, insecurities, and unwillingness to trust their own feelings. They feel they have no choice and as we have shown, for many, they incorporate the standards and values of their parents and become little parental copies. They follow the prescribed behavior suppressing their individuality and their own creative potentials. After all, criticism is the enemy of creativity. It is a long, hard road away from such repressive and repetitive behavior. The problem is that many of us obtain more gains out of main- taining the status quo than out of changing. We know, we feel, we want to change. We don’t like the way things are, but the prospect of upsetting the stable and the familiar is too frightening. We ob- tain “secondary gains” to our pain and we cannot risk giving them up. I am reminded of a conference I attended on hypnosis. An el- derly couple was presented. The woman walked with a walker and her husband of many years held her arm as she walked. There was nothing physically wrong with her legs or her body to explain her in- ability to walk. The teacher, an experienced expert in psychiatry and hypnosis, attempted to hypnotize her. She entered a trance state and he offered his suggestions that she would be able to walk. But to no avail. When she emerged from the trance, she still could not, would not, walk. The explanation was that there were too many gains to be had by having her husband cater to her, take care of her, do her bidding. Many people use infirmities to perpetuate relationships even at the expense of freedom and autonomy. Satisfactions are derived by being limited and crippled physically or psychologically. This is often one of the greatest deterrents to progress in psychotherapy. It is unconscious, but more gratification is derived by perpetuating this state of affairs than by giving them up. Beatrice, for all of her unhappiness, was fearful of relinquishing her place in the family. She felt needed, and she felt threatened by the thought of achieving anything 30 The Self-Sabotage Cycle that would have contributed to a greater sense of independence and self. The risks were too great, the loss of the known and familiar was too frightening. Residing in all of us is a child who wants to experiment with the new and the different, a child who has a healthy curiosity about the world around him, who wants to learn and to create. In all of us are needs for security, certainty, and stability. Ideally, there develops a balance between the two types of needs. The base of security is present and serves as a foundation which allows the exploration of new ideas and new learning and experimenting. But all too often, the security and dependency needs outweigh the freedom to explore and we stifle, even snuff out, the creative urges, the fantasy, the child in us. We seek the sources that fill our dependency and security needs at the expense of the curious, imaginative child. There are those who take too many risks, who take too many chances and lose, to the detriment of all concerned. But there are others who are risk-averse and do little with their talents and abilities for fear of having to change their view of themselves as being the child, the dependent one, the protected one. Autonomy, independence, success are scary because they mean we can no longer justify our needs to be protected. Success to these people does not breed success. Suc- cess breeds more work, more dependence, more reason to give up the rationales for moving on, away from, and exploring the new and the different.
Anonymous
But, say what you like, our Queen reigns over the greatest nation that ever existed.” “Which nation?” asked the younger stranger, “for she reigns over two.” The stranger paused; Egremont was silent, but looked inquiringly. “Yes,” resumed the stranger after a moment’s interval. “Two nations; between whom there is no intercourse and no sympathy; who are as ignorant of each other’s habits, thoughts, and feelings, as if they were dwellers in different zones, or inhabitants of different planets; who are formed by a different breeding, are fed by a different food, are ordered by different manners, and are not governed by the same laws.” “You speak of——,” said Egremont, hesitatingly. “The Rich and the Poor.” Benjamin Disraeli: “Sybil, or The Two Nations.
Edward Abbott Parry (The Law and the Poor)
Don’t shoot,” Tom cautioned again. “That brave in the lead has a crooked lance with a white flag. Whatever it is they’re wantin’, it ain’t a fight. You speak any Comanch’?” “Not a word,” Henry replied. “I don’t know much. If they do a lot of tradin’, they can probably talk English, but if they don’t--all we can do is hope my Injun will get us by.” Tom spat a glob of chew onto Rachel’s bleached floor. Then he bellowed, “What do you want?” Loretta’s nerves were strung so taut, she leaped. Nausea surged into her throat as the brown tobacco juice soaked into the floor. Was she losing her mind? Who cared if the puncheon got stained? Before this was over, the house might be burned to the ground. She heard Rachel crying, a soft, irregular whimpering. Terror. The metallic taste of it shriveled her tongue. “What brings you here?” Tom cried again. “Hites!” a deep voice called back. “We come as friends, White-Eyes.” The lead warrior moved some twenty feet in front of his comrades, holding the crooked lance high so the dusty white rag was clearly visible. He sat proudly on his black stallion, gleaming brown shoulders straight, leather-sheathed legs pressed snugly to his mount. A rush of wind lifted his mahogany hair, wisping it across his bronzed, sharply chiseled face. Loretta’s first thought when she saw him was that he seemed different from the others. A closer look told her why. He was unquestionably a half-breed, taller on horseback than the rest, lighter-skinned. If not for his sun-darkened complexion and long hair, he might have passed for a white man. Everything else about him was savage, though, from the cruel sneer on his mouth to the expert way he balanced on his horse, as if he and the animal were one entity. Tom Weaver stiffened. “Son of a--Henry, you know who that is?” “I was hopin’ I was wrong.” Loretta inched closer to get a better look. Then it hit her. Hunter. She had heard his name whispered with dread, heard tales. But until this moment she hadn’t believed he existed. A blue-eyed half-breed, one of the most cunning and treacherous adversaries the U.S. Army had run across. Now that the war had pitted North against South, the homesteaders had no cavalry to keep Hunter and his marauders at bay, and his raiders struck ever deeper into settled country, advancing east. Some claimed he was far more dangerous than a full-blooded Comanche because he had a white man’s intelligence. As vicious as he was, there were stories that he spared women and children. Whether that was coincidence, design, or a lie some Indian lover had dreamed up, no one knew. Loretta opted for the latter.
Catherine Anderson (Comanche Moon (Comanche, #1))
Nikolai sat inside the shade of the vine shelter and watched a single nimbus of sunlight shine through the leaves and into Renata's dark hair while she slept. Ultraviolet light was toxic to his kind—lethal after about half an hour's sustained exposure—but he couldn't work up the desire to patch the small hole in the vegetation and snuff out the errant ray. Instead, for the past several minutes, he'd been sitting next to Renata and watching, admittedly, much too intrigued, as the light soaked into her ebony hair, infusing the silky strands with a dozen different shades of copper, bronze, and burgundy. What the hell was wrong with him? He was sitting there staring at her hair, for crissake. Not just staring, but staring with total rapt fascination. To Niko, that seemed to indicate one of two equally disturbing facts: Either he should seriously consider looking into night courses with Vidal Sassoon, or he was a complete goner when it came to this female. Goner as in gone for good, ruined for any other.
Lara Adrian (Veil of Midnight (Midnight Breed, #5))
The two of us... We're from different breeds. Different species, even. I can't pretend to fathom what you're doing with all these animals. However, I doubt you approve of the way I live my life, either." That was fair to say, she supposed. "There is, however, one thing we have in common. I'm stubborn as hell, and I'd formed the impression that you don't surrender easily, either. Or was I mistaken?" "You weren't mistaken." "It's settled, then." His gaze held her captive. "I'm not giving up, and neither are you.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
Ugh, so what're we supposed to help with?" "Harvesting stuff from our veggie garden out back." "Wow! You guys grow your own ingredients too?" "Yeah. A lot of the people living at Polaris are into making their own. Ibusaki makes the wood chips he uses for smoking meats and cheeses. Ryoko specializes in cooking foods that use shio koji as an ingredient... *Shio koji is rice malt fermented in salt and water.* ... so she has her own warehouse close to the dorm where she ferments her own. Me, I want to make my own breed of Polaris chicken, like the French bresse. I have my own flock I'm keeping free-range right here. So... over here is the place Isshiki senpai runs. A kitchen garden with over a dozen different kinds of vegetables!
Yūto Tsukuda (Food Wars!: Shokugeki no Soma, Vol. 2)
No, No and No. I'm not desperate unlike what you think. I'm not like the madding crowd. I'm a different breed of woman. The sort of woman who's unstoppable once she's set her mind onto something. I march to the beat of my own drum and I know exactly what I want out of life. So get it out of your head honey.
Anne Bancroft
In the picture, Burbank has a grandfatherly smile, a shock of gray hair, a starched collar, and a black tie. The image belonged to an earlier chapter in the history of heredity, when breeders could use their intuitions to produce new fruits and flowers, becoming masters of forces they didn’t understand. By the 1940s, when the beer ad appeared, heredity meant something very different. It was now a precise molecular science in the hands of some, and a monstrous rationale for oppression and genocide in the hands of others. Even the plants and yeast that went into Budweiser beer in the 1940s had become products of scientific breeding, rather than of Burbank’s old wizardry.
Carl Zimmer (She Has Her Mother's Laugh: What Heredity Is, Is Not, and May Become)
It had been a long time since she’d seen a tricherpeton, commonly if unimaginatively known as hairmonsters. There was a very specific and small community within the supernatural and super-adjacent world that bred them, like pedigreed dogs, in lots of different varieties, although you could summon them individually via magic if you didn’t have the patience or wherewithal to set up a breeding program. This one wouldn’t have won any show awards for conformation or breed-specific traits; in fact, it looked like a complete mongrel—but the quality of the hair under Greta’s hands was impressive nonetheless. (There were sphynx varieties, but they were somewhat mercifully rare: a hairless faceless creature with nothing but a mouth was difficult to look at, even though their temperament was among the sweetest of the tricherpeton breeds.)
Vivian Shaw (Dreadful Company (Dr. Greta Helsing, #2))