Shaw Pygmalion Quotes

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What you are to do without me I cannot imagine.
George Bernard Shaw (Pygmalion)
The difference between a lady and a flower girl is not how she behaves, but how she’s treated.
George Bernard Shaw (Pygmalion / My Fair Lady)
If you can’t appreciate what you’ve got, you’d better get what you can appreciate.
George Bernard Shaw (Pygmalion)
Happy is the man who can make a living by his hobby
George Bernard Shaw (Pygmalion)
What is life but a series of inspired follies? The difficulty is to find them to do. Never lose a chance: it doesn’t come every day.
George Bernard Shaw (Pygmalion)
I sold flowers. I didn't sell myself. Now you've made a lady of me I'm not fit to sell anything else.
George Bernard Shaw (Pygmalion)
I can't turn your soul on. Leave me those feelings; and you can take away the voice and the face. They are not you.
George Bernard Shaw (Pygmalion)
The great secret, Eliza, is not having bad manners or good manners or any other particular sort of manners, but having the same manner for all human souls: in short, behaving as if you were in Heaven, where there are no thirdclass carriages, and one soul is as good as another.
George Bernard Shaw (Pygmalion / My Fair Lady)
Get out of my way; for I won't stop for you.
George Bernard Shaw (Pygmalion)
I have my own soul. My own spark of divine fire.
George Bernard Shaw (Pygmalion / My Fair Lady)
I shall always be a flower girl to Professor Higgins, because he always treats me as a flower girl, and always will; but I know I can be a lady to you, because you always treat me as a lady, and always will.
George Bernard Shaw (Pygmalion)
HIGGINS. Have you no morals, man? DOOLITTLE [unabashed] Cant afford them, Governor. Neither could you if you was as poor as me.
George Bernard Shaw (Pygmalion)
She has mischievious moments when she wishes she could get him alone on a desert island...
George Bernard Shaw (Pygmalion)
HIGGINS. The great secret, Eliza, is not having bad manners or good manners or any other particular sort of manners, but having the same manner for all human souls: in short, behaving as if were in Heaven, where there are no third-class carriages, and one soul is as good as another.
George Bernard Shaw (Pygmalion)
Galatea never does quite like Pygmalion: his relation to her is too godlike to be altogether agreeable.
George Bernard Shaw (Pygmalion)
Would the world ever have been made if its maker had been afraid of making trouble?Making life means making trouble. There’s only one way of escaping trouble; and that’s killing things.
George Bernard Shaw (Pygmalion / My Fair Lady)
You know well I couldn't bear to live with a low common man after you two; and it's wicked and cruel of you to insult me by pretending I could.
George Bernard Shaw (Pygmalion)
No use slaving for me and then saying you want to be cared for: who cares for a slave? If you come back, come back for the sake of good fellowship; for you’ll get nothing else.
George Bernard Shaw (Pygmalion / My Fair Lady)
It exasperated her to think that the dungeon in which she had languished for so many unhappy years had been unlocked all the time, and that the impulses she had so carefully struggled with and stifled for the sake of keeping well with society, were precisely those by which alone she could have come into any sort of sincere human contact.
George Bernard Shaw (Pygmalion)
We are all savages
George Bernard Shaw (Pygmalion)
Besides, do any of us understand what we are doing? If we did, would we ever do it?
George Bernard Shaw (Pygmalion)
German and Spanish are accessible to foreigners: English is not accessible even to Englishmen.
George Bernard Shaw (Pygmalion)
HIGGINS I find that the moment I let a woman make friends with me, she becomes jealous, exacting, suspicious, and a damned nuisance. I find that the moment I let myself make friends with a woman, I become selfish and tyrannical. Women upset everything. When you let them into your life, you find that the woman is driving at one thing and you're driving at another. PICKERING At what, for example? HIGGINS Oh, Lord knows! I suppose the woman wants to live her own life; and the man wants to live his; and each tries to drag the other on to the wrong track. One wants to go north and the other south; and the result is that both have to go east, though they both hate the east wind.
George Bernard Shaw (Pygmalion)
PICKERING:Excuse the straight question, Higgins. Are you a man of good character where women are concerned? HIGGINS [moodily]:Have you ever met a man of good character where women are concerned?
George Bernard Shaw (Pygmalion)
Remember that you are a human being with a soul and the divine gift of articulate speech: that your native language is the language of Shakespear and Milton and The Bible; and don't sit there crooning like a bilious pigeon.
George Bernard Shaw (Pygmalion)
HOSTESS. Oh, nonsense! She speaks English perfectly. NEPOMMUCK. Too perfectly. Can you shew me any English woman who speaks English as it should be spoken? Only foreigners who have been taught to speak it speak it well.
George Bernard Shaw (Pygmalion)
HIGGINS [aggrieved] Do you mean that my language is improper? MRS HIGGINS. No, dearest: it would be quite proper - say on a canal barge...
George Bernard Shaw (Pygmalion)
The weak may not be admired and hero-worshipped; but they are by no means disliked or shunned; and they never seem to have the least difficulty in marrying people who are too good for them. They may fail in emergencies; but life is not one long emergency: it is mostly a string of situations for which no exceptional strength is needed, and with which even rather weak people can cope if they have a stronger partner to help them out.
George Bernard Shaw (Pygmalion)
MRS PEARCE. Mr Higgins: you're tempting the girl. It’s not right. She should think of the future. HIGGINS. At her age! Nonsense! Time enough to think of the future when you haven't any future to think of.
George Bernard Shaw (Pygmalion)
the beauty and nobility, the august mission and destiny, of human handwriting.
George Bernard Shaw (Pygmalion)
She has even secret mischievous moments in which she wishes she could get him alone, on a desert island, away from all ties and with nobody else in the world to consider, and just drag him off his pedestal and see him making love like any common man.
George Bernard Shaw (Pygmalion)
Making Life means making trouble
George Bernard Shaw
I'm willing to tell you. I'm wanting to tell you. I'm waiting to tell you.
George Bernard Shaw (Pygmalion)
I have to live for others and not for myself: thats middle class morality.
George Bernard Shaw (Pygmalion)
Oh that. Men do fall in love with me. They seem to think me a creature with volcanic passions; I'm sure I don't know why. All the volcanic women I know are plain little creatures with sandy hair. I don't consider human volcanoes respectable. And I'm so tired of the subject. Our house is always full of women in love with my husband and men in love with me. We encourage it because it's pleasant to have company.
George Bernard Shaw (Works of George Bernard Shaw (30+ Works) Pygmalion, Major Barbara, Candida, The Irrational Knot, An Unsocial Socialist & more (mobi))
I have never sneered in my life. Sneering doesn't become either the human face or the human soul. I am expressing my righteous contempt for Commercialism. I don't and wont trade in affection. You call me a brute because you couldn't buy a claim on me by fetching my slippers and finding my spectacles. You were a fool: I think a woman fetching a man's slippers is a disgusting sight: did I ever fetch your slippers? I think a good deal more of you for throwing them in my face. No use slaving for me and then saying you want to be cared for: who cares for a slave?
George Bernard Shaw (Pygmalion)
I'm one of the undeserving poor: that's what I am. Think of what that means to a man. It means that he's up agen middle class morality all the time. If there's anything going, and I put in for a bit of it, it's always the same story: "You're undeserving; so you can't have it." Buy my needs is as great as the most deserving widow's that ever got money out of six different charities in one week for the death of the same husband. I don't need less than a deserving man: I need more. I don't eat less hearty than him; and I drink a lot more. I want a bit of amusement, cause I'm a thinking man. I want cheerfulness and a song and a band when I feel low. Well, they charge me just the same for everything as they charge the deserving. What is middle class morality? Just an excuse for never giving me anything.
George Bernard Shaw (Pygmalion)
When a lion meets another with a louder roar the first lion thinks the last a bore.
George Bernard Shaw (Pygmalion)
Eliza has no use for the foolish romantic tradition that all women love to be mastered, if not actually bullied and beaten.
George Bernard Shaw (Pygmalion)
You know you can't be a nice girl inside if you're a dirty slut outside
George Bernard Shaw (Pygmalion)
The man or woman who feels strong enough for two, seeks for every other quality in a partner than strength.
George Bernard Shaw (Pygmalion)
The English have no respect for their language, and will not teach their children to speak it. They cannot spell it because they have nothing to spell it with but an old foreign alphabet of which only the consonants – and not all of them – have any agreed speech value. Consequently no man can teach himself what it should sound like from reading it; and it is impossible for an Englishman to open his mouth without making some other Englishman despise him.
George Bernard Shaw (Pygmalion)
You see, we're all savages, more or less. We're supposed to be civilized and cultured—to know all about poetry and philosophy and art and science, and so on; but how many of us know even the meanings of these names?
George Bernard Shaw (Pygmalion)
palatable
George Bernard Shaw (Pygmalion)
There's only one way of escaping trouble; and that's killing things." Henry Higgins, Act V, Pygmalion
George Bernard Shaw (Pygmalion)
Dacă nu ești în stare să prețuiești ceea ce ai, atunci caută să ai ceea ce ești în stare să prețuiești.
George Bernard Shaw (Pygmalion)
Independence? That’s middle class blasphemy. We are all dependent on one another, every soul of us on earth.
George Bernard Shaw (Pygmalion)
Who asked him to make a gentleman of me? I was happy. I was free. I touched pretty nigh everybody for money when I wanted it, same as I touched you, Henry Higgins. Now I am worrited; tied neck and heels; and everybody touches me for money. It's a fine thing for you, says my solicitor. Is it? says I. You mean it's a good thing for you, I says. When I was a poor man and had a solicitor once when they found a pram in the dust cart, he got me off, and got shut of me and got me shut of him as quick as he could. Same with the doctors: used to shove me out of the hospital before I could hardly stand on my legs, and nothing to pay. Now they finds out that I'm not a healthy man and cant live unless they looks after me twice a day. In the house I'm not let do a hand's turn for myself: somebody else must do it and touch me for it. A year ago I hadn't a relative in the world except two or three that wouldn't speak to me. Now I've fifty, and not a decent week's wages among the lot of them. I have to live for others and not for myself: that's middle class morality.
George Bernard Shaw (Pygmalion)
A woman who utters such depressing and disgusting sounds has no right to be anywhere - no right to live. Remember that you are a human being with a soul and the divine gift to articulate speech: that your native language is the language of Shakespeare and Milton...
George Bernard Shaw (Pygmalion)
If an imaginative boy has a sufficiently rich mother who has intelligence, personal grace, dignity of character without harshness, and a cultivated sense of the best art of her time to enable her to make her house beautiful, she sets a standard for him against which very few women can struggle, besides effecting for him a disengagement of his affections, his sense of beauty, and his idealism from his specifically sexual impulses.
George Bernard Shaw (Pygmalion)
But to admire a strong person and to live under that strong person’s thumb are two different things.
George Bernard Shaw (Pygmalion)
How can she? She's incapable of understanding anything. Besides, do any of us understand what we are doing? If we did, would we ever do it?
George Bernard Shaw (Pygmalion and Related Readings)
What is life but a series of inspired follies? The difficulty is to find them to do. Never lose a chance: it doesn't come every day.
George Bernard Shaw (Pygmalion)
I can do without anybody. I have my own soul: my own spark of divine fire.
George Bernard Shaw (Pygmalion)
Would the world ever have been made if its maker had been afraid of making trouble? Making life means making trouble. There’s only one way of escaping trouble; and that’s killing things. Cowards, you notice, are always shrieking to have troublesome people killed.
George Bernard Shaw (Pygmalion)
Happy is the man who can make a living by his hobby!
George Bernard Shaw (Pygmalion)
How can she? She's incapable of understanding anything. Besides, do any of us understand what we are doing? If we did, would we ever do it?
George Bernard Shaw (Pygmalion and Related Readings)
I care for life, for humanity; and you are a part of it that has come my way and been built into my house. What more can you or anyone ask?
George Bernard Shaw (Pygmalion and Related Readings)
I find that the moment I let a woman make friends with me, she becomes jealous, exacting, suspicious, and a damned nuisance.
George Bernard Shaw (Pygmalion)
Dont be afraid: she never comes to words with anyone now, poor woman! respectability has broke all the spirit out of her.
George Bernard Shaw (Pygmalion)
I sold flowers. I didn’t sell myself. Now you’ve made a lady of me I’m not fit to sell anything else. I wish you’d left me where you found me.
George Bernard Shaw (Pygmalion)
You see this creature with her kerbstone English: the English that will keep her in the gutter to the end of her days.
George Bernard Shaw (Pygmalion)
and I wont be coaxed round as if I was a baby or a puppy. If I cant have kindness, I’ll have independence.
George Bernard Shaw (Pygmalion)
Weak people want to marry strong people who do not frighten them too much; and this often leads them to make the mistake we describe metaphorically as “biting off more than they can chew.
George Bernard Shaw (Pygmalion)
You see, we're all savages, more or less. We're supposed to be civilized and cultured—to know all about poetry and philosophy and art and science, and so on; but how many of us know even the meanings of these names?
George Bernard Shaw (Pygmalion)
What they think they ought to think is bad enough, Lord knows; but what they really think would break up the whole show. Do you suppose it would be really agreeable if I were to come out now with what I really think?
George Bernard Shaw (Pygmalion)
But you have no idea how frightfully interesting it is to take a human being and change her into a quite different human being by creating a new speech for her. It’s filling up the deepest gulf that separates class from class and soul from soul.
George Bernard Shaw (Pygmalion)
Oh, it’s a fine life, the life of the gutter. It’s real: it’s warm: it’s violent: you can feel it through the thickest skin: you can taste it and smell it without any training or any work. Not like Science and Literature and Classical Music and Philosophy and Art.
George Bernard Shaw (Pygmalion)
The rest of the story need not be shown in action, and indeed, would hardly need telling if our imaginations were not so enfeebled by their lazy dependence on the ready-makes and reach-me-downs of the ragshop in which Romance keeps its stock of “happy endings” to misfit all stories.
George Bernard Shaw (Pygmalion)
Pickering : You see, lots of the real people can't do it at all: they're such fools that they think style comes by nature to people in their position; and so they never learn. There's always something professional about doing a thing superlatively well. HIGGINS. Yes: that's what drives me mad: the silly people don't know their own silly business.
George Bernard Shaw (Pygmalion)
professional humbug which saves the face of the stupid system of violence and robbery which we call Law and Industry. Even
George Bernard Shaw (Complete Works of George Bernard Shaw "Irish Playwright, Critic, Polemicist and Nobel Prize Winner in Literature"! 41 Complete Works (Man and Superman, Pygmalion, Saint Joan, Candida) (Annotated))
Liza. If I cant have kindness, I’ll have independence. Higgins. Independence? That's middle class blasphemy. We are all dependent on one another, every soul of us on earth.
George Bernard Shaw (Pygmalion)
Я — ругаться? (С большим пафосом.) Я никогда не ругаюсь. Я презираю эту манеру. Что, черт возьми, вы хотите сказать? ("Пигмалион", Б. Шоу)
George Bernard Shaw (Pygmalion)
Десять фунтов — большие деньги; у кого они заведутся, тот уже начинает жить с оглядкой, а это значит — конец счастью. ("Пигмалион", Б. Шоу)
George Bernard Shaw (Pygmalion)
I tell you I have created this thing out of the squashed cabbage leaves of Covent Garden; and now she pretends to play the fine lady with me.
George Bernard Shaw (Pygmalion)
Bridegroom! What a word! It makes a man realize his position, somehow.
George Bernard Shaw (Pygmalion)
When you go to women,” says Nietzsche, “take your whip with you.
George Bernard Shaw (Pygmalion)
The vilest abortionist is he who attempts to mould a child's character.
George Bernard Shaw (Complete Works of George Bernard Shaw (Annotated): Collection Includes Pygmalion, Mrs Warren's Profession, Man And Superman, Arms and the Man, Caesar and Cleopatra, & More.)
I sold flowers. I didn't sell myself. Now youve made a lady of me I'm not fit to sell anything else. I wish youd left me where you found me.
George Bernard Shaw (Pygmalion / My Fair Lady)
[Y]ou shouldn't cut your old friends now that you have risen in the world. That's what we call snobbery.
George Bernard Shaw (Pygmalion)
What is life but a series of inspired follies?
George Bernard Shaw (Pygmalion)
PICKERING. Have you no morals, man? DOOLITTLE [unabashed] Can’t afford them, Governor. Neither could you if you was as poor as me.
George Bernard Shaw (Pygmalion)
LIZA. I’m a good girl, I am; and I won’t pick up no free and easy ways. HIGGINS. Eliza: if you say again that you’re a good girl, your father shall take you home.
George Bernard Shaw (Pygmalion)
Ive taught scores of American millionairesses how to speak English: the best looking women in the world. I’m seasoned. They might as well be blocks of wood. I might as well be a block of wood.
George Bernard Shaw (Pygmalion)
Пикеринг: Послушайте, но неужели у вас совершенно нет чувства морали? Дулиттл(не смущаясь): Оно мне не по карману, хозяин. Будь вы на моем месте, у вас бы его тоже не было. ("Пигмалион", Б. Шоу)
George Bernard Shaw (Pygmalion)
Eliza has no use for the foolish romantic tradition that all women love to be mastered, if not actually bullied and beaten. "When you go to women," says Nietzsche, "take your whip with you." Sensible despots have never confined that precaution to women: they have taken their whips with them when they have dealt with men, and been slavishly idealized by the men over whom they have flourished the whip much more than by women. No doubt there are slavish women as well as slavish men; and women, like men, admire those that are stronger than themselves. But to admire a strong person and to live under that strong person's thumb are two different things. The weak may not be admired and hero-worshipped; but they are by no means disliked or shunned; and they never seem to have the least difficulty in marrying people who are too good for them. They may fail in emergencies; but life is not one long emergency: it is mostly a string of situations for which no exceptional strength is needed, and with which even rather weak people can cope if they have a stronger partner to help them out. Accordingly, it is a truth everywhere in evidence that strong people, masculine or feminine, not only do not marry stronger people, but do not show any preference for them in selecting their friends. When a lion meets another with a louder roar "the first lion thinks the last a bore." The man or woman who feels strong enough for two, seeks for every other quality in a partner than strength. The converse is also true. Weak people want to marry strong people who do not frighten them too much; and this often leads them to make the mistake we describe metaphorically as "biting off more than they can chew." They want too much for too little; and when the bargain is unreasonable beyond all bearing, the union becomes impossible: it ends in the weaker party being either discarded or borne as a cross, which is worse. People who are not only weak, but silly or obtuse as well, are often in these difficulties.
George Bernard Shaw (Pygmalion)
Хиггинс: Она сегодня придет к вам в гости. Миссис Хиггинс: Не помню, когда я ее приглашала. Хиггинс: Вы и не приглашали. Я ее пригласил. Если б вы ее знали, вы бы ее ни за что не пригласили. ("Пигмалион", Б. Шоу)
George Bernard Shaw (Pygmalion)
Remember that you are a human being with a soul and the divine gift of articulate speech: that your native language is the language of Shakespear and Milton and The Bible; and don’t sit there crooning like a bilious pigeon.
George Bernard Shaw (Pygmalion)
At her age! Nonsense! Time enough to think of the future when you havnt any future to think of. No, Eliza: do as this lady does: think of other people’s futures; but never think of your own. Think of chocolates, and taxis, and gold, and diamonds.
George Bernard Shaw (Pygmalion)
Пикеринг: Простите за откровенность, Хиггинс, но я хочу вам задать один вопрос. Вы человек порядочный в делах, касающихся женщин? Хиггинс(ворчливо): А вы когда-нибудь видели, чтобы человек был порядочным в делах, касающихся женщин? ("Пигмалион", Б. Шоу)
George Bernard Shaw (Pygmalion)
HIGGINS. It's all you'll get until you stop being a common idiot. If you're going to be a lady, you'll have to give up feeling neglected if the men you know don't spend half their time snivelling over you and the other half giving you black eyes. If you can't stand the coldness of my sort of life, and the strain of it, go back to the gutter. Work til you are more a brute than a human being; and then cuddle and squabble and drink til you fall asleep. Oh, it's a fine life, the life of the gutter. It's real: it's warm: it's violent: you can feel it through the thickest skin: you can taste it and smell it without any training or any work. Not like Science and Literature and Classical Music and Philosophy and Art. You find me cold, unfeeling, selfish, don't you? Very well: be off with you to the sort of people you like. Marry some sentimental hog or other with lots of money, and a thick pair of lips to kiss you with and a thick pair of boots to kick you with. If you can't appreciate what you've got, you'd better get what you can appreciate.
George Bernard Shaw (Pygmalion)
HIGGINS. You know, Pickering, that woman has the most extraordinary ideas about me. Here I am, a shy, diffident sort of man. I’ve never been able to feel really grown-up and tremendous, like other chaps. And yet she’s firmly persuaded that I’m an arbitrary overbearing bossing kind of person. I can’t account for it.
George Bernard Shaw (Pygmalion)
Playing! The hardest job I ever tackled: make no mistake about that, mother. But you have no idea how frightfully interesting it is to take a human being and change her into a quite different human being by creating a new speech for her. It’s filling up the deepest gulf that separates class from class and soul from soul.
George Bernard Shaw (Pygmalion)
The difference between a lady and a flower girl is not how she behaves, but how she’s treated. I shall always be a flower girl to Professor Higgins, because he always treats me as a flower girl, and always will; but I know I can be a lady to you [Colonel Pickering], because you always treat me as a lady, and always will.
George Bernard Shaw (Pygmalion)
I wish to boast that Pygmalion has been an extremely successful play all over Europe and North America as well as at home. It is so intensely and deliberately didactic, and its subject is esteemed so dry, that I delight in throwing it at the heads of the wiseacres who repeat the parrot cry that art should never be didactic. It goes to prove my contention that art should never be anything else.
George Bernard Shaw (Pygmalion)
[A]lthough I well know how hard it is for a man of genius with a seriously underrated subject to maintain serene and kindly relations with the men who underrate it, and who keep all the best places for less important subjects which they profess without originality and sometimes without much capacity for them, still, if he overwhelms them with wrath and disdain, he cannot expect them to heap honors on him.
George Bernard Shaw (Pygmalion)
All the other passions were in me before; but they were idle and aimless—mere childish greedinesses and cruelties, curiosities and fancies, habits and superstitions, grotesque and ridiculous to the mature intelligence. When they suddenly began to shine like newly lit flames it was by no light of their own, but by the radiance of the dawning moral passion. That passion dignified them, gave them conscience and meaning, found them a mob of appetites and organized them into an army of purposes and principles. My soul was born of that passion. ANN.
George Bernard Shaw (Complete Works of George Bernard Shaw "Irish Playwright, Critic, Polemicist and Nobel Prize Winner in Literature"! 41 Complete Works (Man and Superman, Pygmalion, Saint Joan, Candida) (Annotated))
HIGGINS [*snatching a chocolate cream from the piano, his eyes suddenly beginning to twinkle with mischief*] Have some chocolates, Eliza. LIZA [*halting, tempted*] How do I know what might be in them? I've heard of girls being drugged by the like of you. *Higgins whips out his penknife; cuts a chocolate in two; puts one half into his mouth and bolts it; and offers her the other half.* HIGGINS. Pledge of good faith, Eliza. I eat one half: you eat the other. [*Liza opens her mouth to retort: he pops the half chocolate into it*]. You shall have boxes of them, barrels of them, every day. You shall live on them. Eh? LIZA [*who has disposed of the chocolate after being nearly choked by it*] I wouldn't have ate it, only I'm too ladylike to take it out of my mouth. (Act 2, Scene 1).
George Bernard Shaw (Pygmalion)
[D]o you know what began my real education?... Your calling me Miss Doolittle that day when I first came to Wimpole Street. That was the beginning of self-respect for me. And there were a hundred little things you never noticed, because they came naturally to you. Things about standing up and taking off your hat and opening doors... [T]hings that showed you thought and felt about me as if I were something better than a scullerymaid; though of course I know you would have been just the same to a scullery-maid if she had been let in the drawing-room. You see, really and truly, apart from the things anyone can pick up (the dressing and the proper way of speaking, and so on), the difference between a lady and a flower girl is not how she behaves, but how she's treated. I shall always be a flower girl to Professor Higgins, because he always treats me as a flower girl, and always will; but I know I can be a lady to you, because you always treat me as a lady, and always will.
George Bernard Shaw (Pygmalion)
Eliza has no use for the foolish romantic tradition that all women love to be mastered, if not actually bullied and beaten. "When you go to women," says Nietzsche, "take your whip with you." Sensible despots have never confined that precaution to women: they have taken their whips with them when they have dealt with men, and been slavishly idealized by the men over whom they have flourished the whip much more than by women. No doubt there are slavish women as well as slavish men; and women, like men, admire those that are stronger than themselves. But to admire a strong person and to live under that strong person's thumb are two different things. The weak may not be admired and hero-worshipped; but they are by no means disliked or shunned; and they never seem to have the least difficulty in marrying people who are too good for them. They may fail in emergencies; but life is not one long emergency: it is mostly a string of situations for which no exceptional strength is needed, and with which even rather weak people can cope if they have a stronger partner to help them out. Accordingly, it is a truth everywhere in evidence that strong people, masculine or feminine, not only do not marry stronger people, but do not show any preference for them in selecting their friends. When a lion meets another with a louder roar "the first lion thinks the last a bore." The man or woman who feels strong enough for two, seeks for every other quality in a partner than strength. The converse is also true. Weak people want to marry strong people who do not frighten them too much; and this often leads them to make the mistake we describe metaphorically as "biting off more than they can chew." They want too much for too little; and when the bargain is unreasonable beyond all bearing, the union becomes impossible: it ends in the weaker party being either discarded or borne as a cross, which is worse. People who are not only weak, but silly or obtuse as well, are often in these difficulties
George Bernard Shaw (Pygmalion)