Shaw Jaws Quotes

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Have you kissed many boys before?" he asked quietly. His question brought my mind back into focus. I raised an eyebrow. "Boys? That's an assumption." Noah laughed, the sound low and husky. "Girls, then?" "No." "Not many girls? Or not many boys?" "Neither," I said. Let him make of that what he would. "How many?" "Why—" "I am taking away that word. You are no longer allowed to use it. How many?" My cheeks flushed, but my voice was steady as I answered. "One." At this, Noah leaned in impossibly closer, the slender muscles in his forearm flexing as he bent his elbow to bring himself nearer to me, almost touching. I was heady with the proximity of him and grew legitimately concerned that my heart might explode. Maybe Noah wasn't asking. Maybe I didn't mind. I closed my eyes and felt Noah's five o' clock graze my jaw, and the faintest whisper of his lips at my ear. "He was doing it wrong.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
Is there any point asking what you're going to make me do on Sunday?' 'Not really.' Okay. 'Is there any point asking what you're going to do to me?' He grinned wickedly. 'Not really.' Fabulous. 'Does it involve the use of a safe word?' 'That will depend entirely on you.' Noah moved impossibly closer, just inches away. A few freckles disappeared into the scruff on his jaw. 'I'll be gentle,' Noah added. My breath caught in my throat as he looked at me from beneath those lashes, ruining me. I narrowed my eyes at him. 'You're evil.' In response, Noah smiled, and raised his finger to gently tap the tip of my nose. 'And you're mine,' he said, then walked away.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
Noah's eyes held my face. I swallowed hard. The juxtaposition of him sitting in a room full of people while staring at no one but me was overwhelming. Something shifted inside of me at the intimacy of us, eyes locked amid the scraping of twenty graphite pencils on paper. I shaded his face out of nothingness. I smudged the slope of his neck and darkened his delinquent mouth, while the lights accented the right angle of his jaw against the cloudy sky outside. I did not hear the bell. I did not hear the other students rise and leave the room. I did not even notice that Noah no longer sat at the stool.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
Your strong jaw, your perfectly mussed-up hair, the lean but somehow still muscular body, the height—you’re practically Captain America.” “Except English.” “Even worse!
Michelle Hodkin (The Becoming of Noah Shaw (The Shaw Confessions, #1))
Anyhow, whether undergraduate or shop boy, man or woman, it must come as a shock about the age of twenty—the world of the elderly—thrown up in such black outline upon what we are; upon the reality; the moors and Byron; the sea and the lighthouse; the sheep’s jaw with the yellow teeth in it; upon the obstinate irrepressible conviction which makes youth so intolerably disagreeable—“I am what I am, and intend to be it,” for which there will be no form in the world unless Jacob makes one for himself. The Plumers will try to prevent him from making it. Wells and Shaw and the serious sixpenny weeklies will sit on its head.
Virginia Woolf (Jacob's Room)
Material artifacts may stubbornly defy time, but what they tell about man's history is a good deal less than the truth, the whole truth, and nothing but the truth. If the only clue to Shakespeare's achievement as a dramatist were his cradle, an Elizabethan mug, his lower jaw, and a few rotted planks from the Globe Theatre, one could not even dimly imagine the subject matter of his plays, still less guess in one's wildest moments what a poet he was. Though we would still be far from justly appreciating Shakespeare, we should nevertheless have a better notion of his work through examining the known plays of Shaw and Yeats and reading backward.
Lewis Mumford (Technics and Human Development (The Myth of the Machine, Vol 1))
Come below for a moment. Please.” “Zephyr, I don’t have time t—” “Bradshaw, do me the courtesy of at least looking at me when I’m talking to you, or I shall punch you in the nose.” His lean jaw twitched, but he folded his arms across his chest and faced her. “What is it, then?” She took a deep breath. This would have been so much easier in a more intimate setting and if he wasn’t glaring at her. “Shaw, I just wanted to say—that is, I mean—I . . . I love you.” Something crossed his expression so swiftly that she couldn’t decipher it. But then he very obviously scowled. At her. “You’re only saying that now because I bullied you into it.” Oh, that was enough of that. “Idiot. You have no idea how much considering I’ve been doing. And you have never bullied me into anything. I said I love you because I love you.” He hesitated again. “Very well. Thank you. Now you won’t have to worry that you drove me to my death if I don’t return.” Zephyr narrowed her eyes. “All you did was say you loved me and then run away. I’m standing here saying it back to you, and all you can do is try to make me into a liar. It’s your fault, for surprising me. I don’t keep a response to that sort of thing in my pocket, ready for use.” “I know that. And I said thank you.
Suzanne Enoch (Rules of an Engagement (Adventurers’ Club, #3))
You are wrong to assume that I insist upon perfection in a woman. I enjoy physical beauty like any other man, but it's hardly a requirement. That would be hypocritical, coming from a man who is far from handsome himself." Aline paused in surprise, regarding his broad, even features, his strong jaw, the shrewd black eyes set beneath the straight lines of his brows. "You are attractive," she said earnestly. "Perhaps not in the way that someone like Mr. Shaw is... but few men are." Her brother shrugged. "Believe me, it doesn't matter, since I've never found my looks- or lack thereof- to be an impediment in any way. Which has given me a very balanced perspective on the subject of physical beauty- a perspective that someone with your looks rarely attains." Aline frowned, wondering if she was being criticized. "It must be extraordinarily difficult," Marcus continued, "for a woman as beautiful as you to feel that there is a part of you that is shameful and must be concealed. You've never made peace with it, have you?" Leaning her head back against the settee, Aline shook her head. "I hate these scars. I'll never stop wishing that I didn't have them. And there's nothing I can do to change them." "Just as McKenna can never change his origins." "If you're trying to draw a parallel, Marcus, it won't do any good. McKenna's origins have never mattered to me. There is nothing that would make me stop loving him-" She stopped abruptly as she understood the point he had been leading to. "Don't you think he would feel the same way about your legs?" "I don't know." "For God's sake, go tell him the truth. This isn't the time for you to let your pride get the better of you." His words kindled sudden outrage. "This has nothing to do with pride!" "Oh?" Marcus gave her a sardonic look. "You can't bear to let McKenna know that you're less than perfect. What is that if not pride?
Lisa Kleypas (Again the Magic (Wallflowers, #0))
Other mother wasps pick up a small stone with their jaws and tamp down the soil over the nest entrance. Thus, wasps were the first stone tool users, probably tens of millions of years before any primate or human ever picked up a rock.
Scott Richard Shaw (Planet of the Bugs: Evolution and the Rise of Insects)
And as if Jamie Shaw wasn’t already hot, melted sex on a stick, he was holding a little kitten inside a coffee shop with a five o’clock shadow teasing his jaw. Lord help me.
Kandi Steiner (A Love Letter to Whiskey: Fifth Anniversary Edition)