Sharper Than A Quotes

We've searched our database for all the quotes and captions related to Sharper Than A. Here they are! All 100 of them:

The distinction between sanity and insanity is narrower than a razor’s edge, sharper than a hound’s tooth, more agile than a mule deer. It is more elusive than the merest phantom. Perhaps it does not even exist; perhaps it is a phantom.
Philip K. Dick (VALIS)
How sharper than a serpent's tooth it is To have a thankless child!
William Shakespeare (King Lear)
Separation isn’t time or distance it’s the bridge between us finer than silk thread sharper than swords
Nâzım Hikmet
Liam, soon-to-be-fucking-dead, Callahan was walking down the stairs—my fucking stairs—with his sex hair high and his green eyes sharper than razor blades. He was beautiful, and I almost regretted the fact that I would have to put a bullet in his head and then smash it through a fucking wall. -Melody G.
J.J. McAvoy (Ruthless People (Ruthless People, #1))
Daimonds are a girls best friend- they're sharper than knives
Lynne Ewing
We all have our security blankets in this world. Some are just sharper than others.
Rob Thurman (Nightlife (Cal Leandros, #1))
Just as women's bodies are softer than men's, so their understanding is sharper.
Christine de Pizan
vampires know better than anyone how important it is to protect their hearts. And love, understand, is sharper than any stake.
Carissa Broadbent (The Serpent and the Wings of Night (Crowns of Nyaxia, #1))
It surprised him that his grief was sharper than in the past few days. He had forgotten that grief does not decline in a straight line or along a slow curve like a graph in a child's math book. Instead, it was almost as if his body contained a big pile of garden rubbish full both of heavy lumps of dirt and of sharp thorny brush that would stab him when he least expected it.
Helen Simonson (Major Pettigrew's Last Stand)
And love, understand, is sharper than any stake.
Carissa Broadbent (The Serpent and the Wings of Night (Crowns of Nyaxia, #1))
For the word is quick and powerful Sharper than any two-edged sword Piercing even to the dividing asunder Of soul and spirit Of joints and marrow It is a discerner of the thoughts And intents of the heart
Amy Harmon (The Bird and the Sword (The Bird and the Sword Chronicles, #1))
One word can sometimes be sharper than a thousand swords
Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
Everything seems different at night. Defined. Beyond the window, the world is full of shadows, all pressed together in harsh relief, somehow sharper than they ever were in daylight. Sounds seem sharper,too, at night. A whistle. A crack. A child's whisper.
V.E. Schwab (The Near Witch (The Near Witch, #1))
Sharper than a serpent's tooth is a daughter's ingratitude. Still, the proudest spirits can be broken, with love.
Neil Gaiman (Coraline)
The Love of a lonely wolf, full of secrets and strange midnights- drawn out of the darkness from hills thick with black oaks valleys riddled with riddles- that love is sharper than a bed of thistles; each kiss pares away flesh. The love of a wolf can eat you up all the better.
Sandra Kasturi
The last time you were feeling heartbroken, you took shots at a chandelier with a mundane gun and nearly drowned yourself in the Serpentine.” said Matthew. “I wasn’t trying to drown myself,” James pointed out. “Besides, Magnus Bane saved me.” “Don’t mention that,” said Matthew, as James uncapped the flask. “You know how angry I am about that. I idolize Magnus Bane, you had one chance to meet him, and you embarrassed us all.” “I’m quite sure I never mentioned any of you to him,” said James, and tipped the flask back. He choked. It was blue ruin: the cheapest, harshest kind of gin. It went down like lightning. He coughed and thrust the flask away. “Even worse,” said Matthew. “How sharper than the serpent’s tooth it is to have an ungrateful parabatai.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
Faster than the devil *times* Sharper than wind! That's the ultimate law of the hero!!
Masashi Kishimoto (Naruto, Vol. 10: A Splendid Ninja (Naruto, #10))
Memories, I was coming to realize, can be sharper than daggers.
Alan Bradley (The Golden Tresses of the Dead (Flavia de Luce, #10))
Her pride is bigger than your ego, Sharper than your ugly words And it has always been there for her to walk as a queen; No matter what her pretty eyes have ever seen …
Samiha Totanji
Her smile cut sharper than a knife’s edge.
Grace Curley (The Light that Binds Us)
No justification of virtue will enable a man to be virtuous. Without the aid of trained emotions the intellect is powerless against the animal organism. I had sooner play cards against a man who was quite skeptical about ethics, but bred to believe that ‘a gentleman does not cheat’, than against an irreproachable moral philosopher who had been brought up among sharpers.
C.S. Lewis (The Abolition of Man)
life without books is a life not lived, Dior. There’s a magik like no other to be found in them. To open a book is to open a door – to another place, another time, another mind. And usually, mademoiselle, it’s a mind far sharper than your own.
Jay Kristoff (Empire of the Damned (Empire of the Vampire #2))
It's just money," he replied. "It's just paper." "It's time," I said, sharper than I'd meant. "It's the means to purchase time. It's the cost of a new bed in a hospital, a solar panel on a roof; it's a year's salary for a tailor in Dhaka, it's the price of a fishing boat, the cost of an education, it's not money. It's what it could have been.
Claire North (The Sudden Appearance of Hope)
Ed’s breath wanders over me, and he spotlights that freckle on my neck with his eyes and the heat of the night is sharper than ever and it feels like we’re hanging from the sky or the ceiling. Swaying around each other without our feet on the ground. If we touched I wouldn’t be surprised to hear chiming.
Cath Crowley (Graffiti Moon)
Everybody has their security blankets in this world.Some are just sharper than others.
Cal Leandros
The tongue is sharper than a sword.
علي بن أبي طالب
Just because something was unfamiliar, that didn’t mean it had sharper teeth or crueler claws than the monster they already knew.
Seanan McGuire (Down Among the Sticks and Bones (Wayward Children, #2))
As soon as I had seen her, I was lost. For Beauty's wound is sharper than any weapon's, and it runs through the eyes down to the soul. It is through the eye that love's wound passes, and I now became a prey to a host of emotions...
Achilles Tatius
You seem to be attracted to trouble," he said. "Yeah, she's real pretty," I replied. "Your tongue is sharper than mine ever was." I stuck out my tongue and tried to look at the tip of it.
Obert Skye (Choke (Pillage, #2))
There was a hand in the darkness, and it held a knife. The knife had a handle of polished black bone, and a blade finer and sharper than any razor. If it sliced you, you might not even know you had been cut, not immediately.
Neil Gaiman
What is whiter than snow?' he said. 'The truth,' said Grania. 'What is the best colour?' said Finn. 'The colour of childhood,' said she. 'What is hotter than fire?' 'The face of a hospitable man when he sees a stranger coming in, and the house empty.' 'What has a taste more bitter than poison?' 'The reproach of an enemy.' 'What is best for a champion?' 'His doings to be high, and his pride to be low.' 'What is the best of jewels?' 'A knife.' 'What is sharper than a sword?' 'The wit of a woman between two men.' 'What is quicker than the wind?' said Finn then. 'A woman’s mind,' said Grania. And indeed she was telling no lie when she said that.
Lady Gregory (Gods and Fighting Men: The Story of the Tuatha De Danaan and the Fianna of Ireland)
I never saw a fruit-bearing Christian who was not a student of the Bible. If a man neglects his Bible, he may pray and ask God to use him in His work; but God cannot make use of him, for there is not much for the Holy Ghost to work upon. We must have the Word itself, which is sharper than any two-edged sword.
Dwight L. Moody (Pleasure & Profit in Bible Study)
There are corners in the world that are too dark to see, and there are edges that are sharper than they appear, ready to snag the unwary. There are those who do not fear the things they should, and there are those who would bargain with the devil herself for the sake of their greed.The world is made safe by a woman, yes, but it is a very big world.
E.K. Johnston (Spindle (A Thousand Nights, #2))
Hundreds of years later, historians and scholars would look back upon this moment. This decision that, one day, would topple an empire. What a strange choice, they would whisper. Why would he do this? Why, indeed. After all, vampires know better than anyone how important it is to protect their hearts. And love, understand, is sharper than any stake.
Carissa Broadbent (The Serpent and the Wings of Night (Crowns of Nyaxia, #1))
It was strange how it was always the poor who picked us up [hitchhiking]...They dwelled beneath poverty lines and were undereducated, but they were...more civilized than the finely bred..for there is no demographic that has a sharper instinct for empathy than the downtrodden.
Ken Ilgunas
A boy was watching his grandmother write a letter. At one point he asked: ‘Are you writing a story about what we’ve done? Is it a story about me?’ His grandmother stopped writing her letter and said to her grandson: I am writing about you, actually, but more important than the words is the pencil I’m using. I hope you will be like this pencil when you grow up.’ Intrigued, the boy looked at the pencil. It didn’t seem very special. ‘But it’s just like any other pencil I’ve ever seen!’ ‘That depends on how you look at things. It has five qualities which, if you manage to hang on them, will make you a person who is always at peace with the world.’ ‘First quality: you are capable of great things, but you must never forget that there is a hand guiding your steps. We call that hand God, and He always guides us according to His will.’ ‘Second quality: now and then, I have to stop writing and use a sharpner. That makes the pencil suffer a little, but afterwards, he’s much sharper. So you, too, must learn to bear certain pains and sorrows, because they will make you a better person. ‘Third quality: the pencil always allows us to use an eraser to rub out any mistakes. This means that correcting something we did is not necessarily a bad thing; it helps to keep us on the road to justice.’ ‘Fourth quality: what really matters in a pencil is not its wooden exterior, but the graphite inside. So always pay attention to what is happening inside you.’ ‘Finally, the pencil’s fifth quality: it always leaves a mark. in just the same way, you should know that everything you do in life will leave a mark, so try to be conscious of that in your every action
Paulo Coelho (Like the Flowing River)
For my father there was no sharper way to understand a country than by listening to its stories.
Tahir Shah (In Arabian Nights: A Caravan of Moroccan Dreams)
The Word of God seems to be the only offensive weapon which you have in your spiritual armory. It is quite powerful, and in the words of Hebrews 4:12, “It is sharper than the sharpest two-edged sword” (NLT). You make use of this weapon when you speak God’s Word to the Enemy concerning the situation you face.
Pedro Okoro (Crushing the Devil: Your Guide to Spiritual Warfare and Victory In Christ)
Never had the opportunity in her first lost childhood; and in the intervening years her desire for it had doubled over and doubled over like a katana being forged until finally it was sharper than the truth.
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
OPENING VERSES by PASTOR THIEME HEB 4:12 The word of God is alive and powerful and sharper than any two-edged sword, and piercing even to the dividing asunder of the soul and the spirit, of the joints and marrow, and is a critic of the thoughts and intents of the heart. 2TI 3:16-17 All Scripture is God breathed and is profitable for doctrine, for reproof, for correction, for instruction in righteousness; that the man of God may be mature, thoroughly furnished unto all good works. 2TI 2:15 Study to show yourself approved unto God as a workman who need not be ashamed, rightly dividing the word of truth.
R.B. Thieme Jr.
Neil is softer than I realized, and I’m a barbed-wire fence. Every time he gets too close, I make myself sharper.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
She was sent to the scaffold because she had a sharper tongue and a shrewder mind than her accusers. It is always the case when men hang women.
Chris Bohjalian (Hour of the Witch)
Time suddenly feels sharper than a knife grazing your skin, capable of cutting you at any moment.
Rebecca Ross (Divine Rivals (Letters of Enchantment #1))
Is it not curious, that so vast a being as the whale should see the world through so small an eye, and hear the thunder through an ear which is smaller than a hare's? But if his eyes were broad as the lens of Herschel's great telescope; and his ears capacious as the porches of cathedrals; would that make him any longer of sight, or sharper of hearing? Not at all.—Why then do you try to "enlarge" your mind? Subtilize it
Herman Melville (Moby-Dick or, The Whale)
She was gone and the coldness of it was her final gift. She would do it with a flake of obsidian. He'd taught her himself. Sharper than steel. The edge an atom thick. And she was right. There was no argument. The hundred nights they'd sat up arguing the pros and cons of self destruction with the earnestness of philosophers chained to a madhouse wall. In the morning the boy said nothing at all and when they were packed and ready to set out upon the road he turned and looked back at their campsite and he said: She's gone isn't she? And he said: Yes, she is.
Cormac McCarthy (The Road)
The only thing that was sharper and that scarred more was the selfish actions of those you loved when they made it crystal clear that they cared more for themselves than they did for you. Especially when it was someone you trusted to always put you first.
Sherrilyn Kenyon
No human metal had gone into the forging of that blade. It was alive with moonlight, translucent, a shard of crystal so thin that it seemed to almost vanish when seen edge on. There was a faint blue shimmer to the thing and a ghost light that played around its edges, and somehow Will knew that it was sharper than any razor.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Perception requires imagination because the data people encounter in their lives are never complete and always equivocal. For example, most people consider that the greatest evidence of an event one can obtain is to see it with their own eyes, and in a court of law little is held in more esteem than eyewitness testimony. Yet if you asked to display for a court a video of the same quality as the unprocessed data catptured on the retina of a human eye, the judge might wonder what you were tryig to put over. For one thing, the view will have a blind spot where the optic nerve attaches to the retina. Moreover, the only part of our field of vision with good resolution is a narrow area of about 1 degree of visual angle around the retina’s center, an area the width of our thumb as it looks when held at arm’s length. Outside that region, resolution drops off sharply. To compensate, we constantly move our eyes to bring the sharper region to bear on different portions of the scene we wish to observe. And so the pattern of raw data sent to the brain is a shaky, badly pixilated picture with a hole in it. Fortunately the brain processes the data, combining input from both eyes, filling in gaps on the assumption that the visual properties of neighboring locations are similar and interpolating. The result - at least until age, injury, disease, or an excess of mai tais takes its toll - is a happy human being suffering from the compelling illusion that his or her vision is sharp and clear. We also use our imagination and take shortcuts to fill gaps in patterns of nonvisual data. As with visual input, we draw conclusions and make judgments based on uncertain and incomplete information, and we conclude, when we are done analyzing the patterns, that out “picture” is clear and accurate. But is it?
Leonard Mlodinow (The Drunkard's Walk: How Randomness Rules Our Lives)
Evolution is central to the understanding of life, including human life. Like all living things, we are outcomes of natural selection; we got here because we inherited traits that allowed our ancestors to survive, find mates, and reproduce. This momentous fact explains our deepest strivings: why having a thankless child is sharper than a serpent's tooth, why it is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife, why we do not go gentle into that good night but rage, rage against the dying of the light
Steven Pinker
He had gone in late to see her, but evening hadn't settled and she was presented to him in that long fresh light of waning April days which affects us often with a sadness sharper than the greyest hours of autumn.
Henry James (The Beast in the Jungle)
Dovewing felt bone-weary from her ears to the tip of her tail. Just because she had better hearing, sharper senses than any cat didn't seem to give her more strength. She needed to rest, eat, talk with Jayfeather and Lionblaze about the challenge that sol had left them with, of hostile Clans that would be crushed by the dark forest if they tried to fight alone. Starclan, light my path, please. "Come on," she meowed to Hollyleaf. "It's time we went home. Our Clnmates are waitning for us" P. 315
Erin Hunter
Her gaze turned distant. 'Have you ever heard of the arsenic eaters?' Alex blinked, confused. 'No?' 'They would ingest a little bit of arsenic every day. It made their skin clear and their eyes bright and they felt wonderful. And all the while they were just drinking poison.' When Mira turned her eyes back to Alex, they were sharper and steadier than Alex ever remembered them being, free of the usual determined cheer. 'That's what being with your father was like.
Leigh Bardugo (Ninth House (Alex Stern, #1))
Sometimes there’s nothing worse than the truth. It can be harder and sharper and hurt more than a knife. The truth can clear a room faster than tear gas.
Richard Kadrey (Kill the Dead (Sandman Slim, #2))
Mr. Trask, do you think the thoughts of people suddenly become important at a given age? Do you have sharper feelings or clearer thoughts now than when you were ten? Do you see as well, hear as well, taste as vitally?
John Steinbeck
To keep something, you must take care of it. More, you must understand just what sort of care it requires. You must know the rules and abide by them. She could do that. She had been doing it all the months, in the writing of her letters to him. There had been rules to be learned in that matter, and the first of them was the hardest: never say to him what you want him to say to you. Never tell him how sadly you miss him, how it grows no better, how each day without him is sharper than the day before. Set down for him the gay happenings about you, bright little anecdotes, not invented, necessarily, but attractively embellished. Do not bedevil him with the pinings of your faithful heart because he is your husband, your man, your love. For you are writing to none of these. You are writing to a soldier.
Dorothy Parker (Complete Stories (Penguin Classics))
It is difficult to begin without borrowing, but perhaps it is the most generous course thus to permit your fellow-men to have an interest in your enterprise. The owner of the axe, as he released his hold on it, said that it was the apple of his eye; but I returned it sharper than I received it.
Henry David Thoreau (Walden)
But women were complicated, subtle, and so much stronger than men always wanted to give them credit. They could swallow hurt whole and let it eat them from the inside out in a way none of his brothers ever could. And when they fought, their claws were sharper.
Lauren Gilley (The Skeleton King (Dartmoor, #3))
Hear, nature, hear; dear goddess, hear! Suspend thy purpose, if thou didst intend To make this creature fruitful! Into her womb convey sterility! Dry up in her the organs of increase; And from her derogate body never spring A babe to honour her! If she must teem, Create her child of spleen; that it may live, And be a thwart disnatured torment to her! Let it stamp wrinkles in her brow of youth; With cadent tears fret channels in her cheeks; Turn all her mother's pains and benefits To laughter and contempt; that she may feel How sharper than a serpent's tooth it is To have a thankless child! Away, away!
William Shakespeare
Dovewing felt bone-weary from her ears to the tip of her tail. Just because she had better hearing, sharper senses than any cat didn't seem to give her more strength. She needed to rest, eat, talk with Jayfeather and Lionblaze about the challenge that sol had left them with, of hostile Clans that would be crushed by the dark forest if they tried to fight alone. Starclan, light my path, please. "Come on," she meowed to Hollyleaf. "It's time we went home. Our Clnmates are waitning for us P. 315
Erin Hunter
Let me rephrase,” he added, sharper than barbed steel. “I’m coming with you.” “Excuse me?” Solara came to a sudden stop, forcing him to do the same. “You’ll go wherever I send you.” “I’m not—” “Don’t interrupt.” He sealed his lips shut. “Our relationship is simple,” she told him. “I say ‘Jump,’ and you say ‘Through which window, Miss Brooks?’ You don’t make demands of me. Are we clear?
Melissa Landers (Starflight (Starflight, #1))
The distinction between sanity and insanity is narrower than the razor's edge, sharper than a hound's tooth, more agile than a mule deer. It is more elusive than the merest phantom. Perhaps it does not even exist; perhaps it is a phantom.
Philip K. Dick (The Valis Trilogy)
A life without books is a life not lived, Dior. There’s a magik like no other to be found in them. To open a book is to open a door—to another place, another time, another mind. And usually, mademoiselle, it’s a mind far sharper than your own.
Jay Kristoff (Empire of the Damned (Empire of the Vampire, #2))
The issue of race, however, has been with us since our earliest beginnings as a nation. I believe it is even deeper and sharper than the other points of contention. It has bred fears, myths, and violence over centuries. It is the source of dark and dangerous irrationality, a current of social pathology running through our history and dimming our brighter achievements. Most of the time the reservoir of racism remains stagnant. But--and this has been true historically for most societies--when major economic, social, or political crises arise, the backwaters are stirred and latent racial hostility comes to the surface. Scapegoats must be found, simple targets substituted for complex problems. The frustration and insecurity generated by these problems find an outlet in notions of racial superiority and inferiority.
Bayard Rustin (Down the Line: The Collected Writings of Bayard Rustin)
Love is the most powerful force on this world. You can't touch it but feel it. You can bind together the whole world with it, you can win the war with it. It is faster than light, sharper than laser knife. It is softer than puffer candy but can melt your heart.
Debasish Mridha
Wise words are sharper than any sword
Elena Toledo
There's no such thing as a superhuman. But the only thing I got to tell you, if you take a dog and kick him around he's got to be alert, he's got to be more sharper than you. Well, we've been kicked around for two thousand years. We're not more smarter, we're more alert.
Mordecai Richler (Barney's Version)
Is it not curious, that so vast a being as the whale should see the world through so small an eye, and hear the thunder through an ear which is smaller than a hare's? But if his eyes were broad as the lens of Herschel's great telescope; and his ears capacious as the porches of cathedrals; would that make him any longer of sight, or sharper of hearing? Not at all.-Why then do you try to 'enlarge' your mind? Subtilize it.
Herman Melville
Nigger...It felt sharper than normal. It wasn't friendly from a friend. The laughable part is that's all he had. The moniker passed down from his great, great grandfather and them. It had made its way to another generation of limited thinkers. Limited speakers. Limited young men. Limited. That's all he had. He didn't have the words. He didn't have the power. He didn't have the control.
Razel Jones (Wounds)
Seems to me you put too much stock in the affairs of children. It probably didn’t mean anything.” “Yes, it meant something.” Then he said, “Mr. Trask, do you think the thoughts of people suddenly become important at a given age? Do you have sharper feelings or clearer thoughts now than when you were ten? Do you see as well, hear as well, taste as vitally?” “Maybe you’re right,” said Adam. “It’s one of the great fallacies, it seems to me,” said Lee, “that time gives much of anything but years and sadness to a man.” “And memory.” “Yes, memory. Without that, time would be unarmed against us.
John Steinbeck (East of Eden)
Mr. Trask, do you think the thoughts of people suddenly become important at a given age? Do you have sharper feelings or clearer thoughts now than when you were ten? Do you see as well, hear as well, taste as vitally?” “Maybe you’re right,” said Adam. “It’s one of the great fallacies, it seems to me,” said Lee, “that time gives much of anything but years and sadness to a man.” “And memory.” “Yes, memory. Without that, time would be unarmed against us.
John Steinbeck (East of Eden)
Sharper than any double-edged sword." A sword with two edges has no blunt side; it cuts both this way and that. The Word of God is edge all over. It is alive in every part, and in every part keen to cut the conscience and wound the heart. Depend on it: not a verse in the Bible is superfluous or a chapter that is useless.
Charles Haddon Spurgeon
Lust dazzles, sure, at least for the short term. But love clears the vision. You see better, sharper, because you feel more than you did before.
J.D. Robb (Memory in Death (In Death, #22))
if all else fails, i'll chew up the remaining shards. (i've swallowed much sharper words than this.)
Amanda Lovelace (To Make Monsters Out of Girls (Things that Haunt, #1))
Democritus and Heraclitus were two philosophers, of whom the first, finding the condition of man vain and ridiculous, never went out in public but with a mocking and laughing face; whereas Heraclitus, having pity and compassion on this same condition of ours, wore a face perpetually sad, and eyes filled with tears. I prefer the first humor; not because it is pleasanter to laugh than to weep, but because it is more disdainful, and condemns us more than the other; and it seems to me that we can never be despised as much as we deserve. Pity and commiseration are mingled with some esteem for the thing we pity; the things we laugh at we consider worthless. I do not think there is as much unhappiness in us as vanity, nor as much malice as stupidity. We are not so full of evil as of inanity; we are not as wretched as we are worthless. Thus Diogenes, who pottered about by himself, rolling his tub and turning up his nose at the great Alexander, considering us as flies or bags of wind, was really a sharper and more stinging judge, to my taste, than Timon, who was surnamed the hater of men. For what we hate we take seriously. Timon wished us ill, passionately desired our ruin, shunned association with us as dangerous, as with wicked men depraved by nature. Diogenes esteemed us so little that contact with us could neither disturb him nor affect him, and avoided our company, not through fear of association with us, but through disdain of it; he considered us incapable of doing either good or evil.... Our own peculiar condition is that we are as fit to be laughed at as able to laugh.
Michel de Montaigne (The Complete Works: Essays, Travel Journal, Letters)
There is no priest purer than virtue, no prophet greater than faith, no preacher louder than prudence, no principality higher than goodness, and no power larger than love. There is no saint warmer than mercy, no angel swifter than joy, no nurse gentler than compassion, no pleasure sweeter than excitement, and no breeze cooler than peace. There is no student brighter than knowledge, no scholar sharper than intelligence, no teacher wiser than understanding, no disciple cleverer than humility, and no master loftier than wisdom.
Matshona Dhliwayo
Nothing is more dangerous than to stop working. It is a habit that can soon be lost, one that is easily neglected and hard to resume. A measure of day-dreaming is a good thing, like a drug prudently used; it allays the sometimes virulent fever of the over-active mind, like a cool wind blowing through the brain to smooth the harshness of untrammelled thought; it bridges here and there the gaps, brings things into proportion and blunts the sharper angles. But too much submerges and drowns. Woe to the intellectual worker who allows himself to lapse wholly from positive thinking into day-dreaming. He thinks he can easily change back, and tells himself that it is all one. He is wrong! Thought is the work of the intellect, reverie is its self-indulgence. To substitute day-dreaming for thought is to confuse poison with a source of nourishment.
Victor Hugo
Algol is the name of the winking demon star, Medusa of the skies; fair but deadly to look on, even for one who is already dying. Ah, the bright stars of the night. Almost they obliterate the clear white pain. A thousand stars shining in the ether; but no dazzling newcomer. And so little time left, so little time... Yet still two-faced Medusa laughs from behind the clouds, demanding homage. Homage, Medusa, or a sword, a blade sharper than death itself. The wind stirs. Night clouds obscure the universe. A lower music now, a different kind of death. No stars tonight, my love. No Selene.
Elizabeth Redfern (The Music of the Spheres)
Love. How did one show it? How could God Himself show truth and love at the same time in a world like this? By dying. The answer stood out for me sharper and chillier than it ever had before that night: the shape of a Cross etched on the history of the world.
Corrie ten Boom (The Hiding Place)
English majors want the joy of seeing the world through the eyes of people who—let us admit it—are more sensitive, more articulate, shrewder, sharper, more alive than they themselves are. The experience of merging minds and hearts with Proust or James or Austen makes you see that there is more to the world than you had ever imagined. You see that life is bigger, sweeter, more tragic and intense—more alive with meaning than you had thought. Real reading is reincarnation. There is no other way to put it. It is being born again into a higher form of consciousness than we ourselves possess. When we walk the streets of Manhattan with Walt Whitman or contemplate our hopes for eternity with Emily Dickinson, we are reborn into more ample and generous minds. "Life piled on life / Were all too little," says Tennyson's "Ulysses," and he is right. Given the ragged magnificence of the world, who would wish to live only once? The English major lives many times through the astounding transportive magic of words and the welcoming power of his receptive imagination. The economics major? In all probability he lives but once. If the English major has enough energy and openness of heart, he lives not once but hundreds of times. Not all books are worth being reincarnated into, to be sure—but those that are win Keats's sweet phrase: "a joy forever.
Mark Edmundson
I didn't have a choice." "Are you saying...What are you saying?" Is he...could he be talking about me? He runs a hand through his hair. I've never seen him this emotional before. He's always so controlled, so sure of himself. "I'm saying you're what I want, Emma. I'm saying I'm in love with you." He steps forward and lifts his hand to my cheek, blazing a line of fire with his fingertips as they trace down to my mouth. "How do you think it would make me feel to see you with Grom?" he whispers. "Like someone ripped my heart out and put it through Rachel's meat grinder, that's how. Probably worse. It would probably kill me. Emma, please don't cry." I throw my hands in the air. "Don't cry? Are you serious? Why did you come here, Galen? Did you think it would make me feel better to know that you do love me, but that it still won't work out? That I still have to mate with Grom for the greater good? Don't you tell me not to cry, Galen! I...c...c...can't h...h...help-" The waterworks soak me. Galen looks at me, hands by his side, helpless as a trapped crab. I'm bordering on hyperventilation, and pretty soon I'll start hiccupping. This is too much. His expression is so severe, it looks like he's in physical pain. "Emma," he breathes. "Emma, does this mean you feel the same way? Do you care for me at all?" I laugh, but it sounds sharper than I intended, because of a hiccup. "What does it matter how I feel, Galen? I think we pretty much covered why. No need to rehash things, right?" "It matters, Emma." He grabs my hand and pulls me to him again. "Tell me right now. Do you care for me?" "If you can't tell that I'm stupid in love with you, Galen, then you aren't a very good ambassador for the hum-" His mouth covers mine, cutting me off. This kiss isn't gentle like the first one. It's definitely not sweet. It's rough, demanding, searching. And disorienting. There's not a part of me that isn't melting against Galen, not a part that isn't combusting with his fevered touch. I accidentally moan into his lips. He takes it for his cue to lift me off my feet, to pull me up to his height for more leverage. I take his groan for my cue to kiss him harder. He ignores his cell phone ringing in his pocket. I ignore the rest of the universe. Even when headlights approach, I'm willing to overlook their intrusion and keep kissing. But, prince that he is, Galen is a little more refined than me at this moment. He gently pries his lips from mine and sets me down. His smile is both intoxicated and intoxicating. "We still need to talk." "Right," I say, but I'm shaking my head. He laughs. "I didn't come all the way to Atlantic City to make you cry." "I'm not crying." I lean into him again. He doesn't refuse my lips, but he doesn't do them justice either, planting a measly little kiss on them before stepping back.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
When thinking over one's life, it's the extreme moments that stand out. The peaks and the valleys. He was one of the highest peaks. In some ways looming larger than James. If James was a central mountain in the landscape of my life, then this other was a pinnacle of a different sort. Higher, sharper. You couldn't build upon its fragile precipices. But the view was spectacular.
Alice LaPlante (Turn of Mind)
As he lay there, fragments of past states of emotion, fugitive felicities of thought and sensation, rose and floated on the surface of his thoughts. It was one of those moments when the accumulated impressions of life converge on heart and brain, elucidating, enlacing each other, in a mysterious confusion of beauty. He had had glimpses of such a state before, of such mergings of the personal with the general life that one felt one's self a mere wave on the wild stream of being, yet thrilled with a sharper sense of individuality than can be known within the mere bounds of the actual. But now he knew the sensation in its fulness, and with it came the releasing power of language. Words were flashing like brilliant birds through the boughs overhead; he had but to wave his magic wand to have them flutter down to him. Only they were so beautiful up there, weaving their fantastic flights against the blue, that it was pleasanter, for the moment, to watch them and let the wand lie.
Edith Wharton (The Custom of the Country)
He moved around the wide counter, silent as always. She was sitting on the floor, her arms wrapped around her knees, her fist in her mouth to try to quiet her sobs, and he realized he hadn’t actually seen her cry before. [..] She must have felt his eyes on her, for she suddenly swallowed her sob on a choked gasp and looked up at him, her huge, sorrow-filled eyes a sharper pain than the knife slash. He moved slow enough, so as not to spook her, to give her plenty of time to move, but she stayed where she was, her huge eyes looking into his, and she fucking broke his heart, if he still possessed such a useless organ.
Anne Stuart (On Thin Ice (Ice, #6))
She didn’t remember what airplanes had looked like in flight but she did remember being inside one. The memory was sharper than most of her other memories from the time before, which she thought must mean that this had been very close to the end. She would have been seven or eight years old, and she’d gone to New York City with her mother, though she didn’t remember why. She remembered flying back to Toronto at night, her mother drinking a glass of something with ice cubes that clinked and caught the light. She remembered the drink but not her mother’s face. She’d pressed her forehead to the window and saw clusters and pinpoints of light in the darkness, scattered constellations linked by roads or alone. The beauty of it, the loneliness, the thought of all those people living out their lives, each porch light marking another house, another family.
Emily St. John Mandel (Station Eleven)
I came at her like a snake. "I am fully done with other people telling me what to do with my history," I said. "My past made me who I am. There is no way to wipe it clean. I am the evidence. If you look at me and see track marks and too-skinny arms and hands that know how to hold a gun and a brain that is sharper and faster than yours, then that is not my problem. Do you hear me? I have regrets, and I have made mistakes, but I am who I am. I'm done pretending that I've wholly remade myself, that I'm going to ... to hie myself away in some lecture hall for the next four years to make you all comfortable." She was backed up against the door, now, her arms wrapped around herself, and I didn't care. "If you want to stop seeing it, you'll have to stop seeing me, and I am not going to disappear.
Brittany Cavallaro (A Question of Holmes (Charlotte Holmes, #4))
We take it for granted that life moves forward. You build memories; you build momentum.You move as a rower moves: facing backwards. You can see where you've been, but not where you’re going. And your boat is steered by a younger version of you. It's hard not to wonder what life would be like facing the other way. Avenoir. You'd see your memories approaching for years, and watch as they slowly become real. You’d know which friendships will last, which days are important, and prepare for upcoming mistakes. You'd go to school, and learn to forget. One by one you'd patch things up with old friends, enjoying one last conversation before you meet and go your separate ways. And then your life would expand into epic drama. The colors would get sharper, the world would feel bigger. You'd become nothing other than yourself, reveling in your own weirdness. You'd fall out of old habits until you could picture yourself becoming almost anything. Your family would drift slowly together, finding each other again. You wouldn't have to wonder how much time you had left with people, or how their lives would turn out. You'd know from the start which week was the happiest you’ll ever be, so you could relive it again and again. You'd remember what home feels like, and decide to move there for good. You'd grow smaller as the years pass, as if trying to give away everything you had before leaving. You'd try everything one last time, until it all felt new again. And then the world would finally earn your trust, until you’d think nothing of jumping freely into things, into the arms of other people. You'd start to notice that each summer feels longer than the last. Until you reach the long coasting retirement of childhood. You'd become generous, and give everything back. Pretty soon you’d run out of things to give, things to say, things to see. By then you'll have found someone perfect; and she'll become your world. And you will have left this world just as you found it. Nothing left to remember, nothing left to regret, with your whole life laid out in front of you, and your whole life left behind.
Sébastien Japrisot
The question, then, is not about changing people; it's about reaching people. I'm not speaking simply of better information, a sharper and clearer factual presentation to disperse the thick fogs generated by today's spin machines. Of course, we always need stronger empirical arguments to back up our case. It would certainly help if at least as many people who believe, say, in a "literal devil" or that God sent George W. Bush to the White House also knew that the top 1 percent of households now have more wealth than the bottom 90 percent combined. Yes, people need more information than they get from the media conglomerates with their obsession for nonsense, violence and pap. And we need, as we keep hearing, "new ideas." But we are at an extraordinary moment. The conservative movement stands intellectually and morally bankrupt while Democrats talk about a "new direction" without convincing us they know the difference between a weather vane and a compass. The right story will set our course for a generation to come.
Bill Moyers
Is it not curious, that so vast a being as the whale should see the world through so small an eye, and hear the thunder through an ear which is smaller than a hare's? But if his eyes were broad as the lens of Herschel's great telescope; and his ears capacious as the porches of cathedrals; would that make him any longer of sight, or sharper of hearing? Not at all.—Why then do you try to "enlarge" your mind? Subtilize it.
Herman Melville (Moby Dick: or, the White Whale)
Is it not curious, that so vast a being as the whale should see the world through so small an eye, and hear the thunder through an ear which is smaller than a hare's? But if his eyes were broad as the lens of Herschel's great telescope; and his ears capacious as the porches of cathedrals; would that make him any longer of sight, or sharper of hearing? Not at all.—Why then do you try to “enlarge” your mind? Subtilize it.
Herman Melville (Moby Dick)
Did you bite someone?' Jack enquired. 'I laughed at people, which is much worse. My laughter has sharper teeth than any dog. It tears people apart who wish to be taken seriously, but I could not help myself. There were many complaints and finally a man in a brown suit came and looked at me. He was very important and not used to being laughed at, but I could see he had dandruff on his collar, and there was a spot of his breakfast egg on his lapel. You should have seen him - so puffed up and proud of himself. I couldn't help but laugh and that made people see him as I did, and so they laughed too. All of a sudden everyone realised that for all his status in official matters, he was a man who lived alone and was loveless.
Isobelle Carmody (Greylands)
Darwin, with his Origin of Species, his theories about Natural Selection, the Survival of the Fittest, and the influence of environment, shed a flood of light upon the great problems of plant and animal life. These things had been guessed, prophesied, asserted, hinted by many others, but Darwin, with infinite patience, with perfect care and candor, found the facts, fulfilled the prophecies, and demonstrated the truth of the guesses, hints and assertions. He was, in my judgment, the keenest observer, the best judge of the meaning and value of a fact, the greatest Naturalist the world has produced. The theological view began to look small and mean. Spencer gave his theory of evolution and sustained it by countless facts. He stood at a great height, and with the eyes of a philosopher, a profound thinker, surveyed the world. He has influenced the thought of the wisest. Theology looked more absurd than ever. Huxley entered the lists for Darwin. No man ever had a sharper sword -- a better shield. He challenged the world. The great theologians and the small scientists -- those who had more courage than sense, accepted the challenge. Their poor bodies were carried away by their friends. Huxley had intelligence, industry, genius, and the courage to express his thought. He was absolutely loyal to what he thought was truth. Without prejudice and without fear, he followed the footsteps of life from the lowest to the highest forms. Theology looked smaller still. Haeckel began at the simplest cell, went from change to change -- from form to form -- followed the line of development, the path of life, until he reached the human race. It was all natural. There had been no interference from without. I read the works of these great men -- of many others – and became convinced that they were right, and that all the theologians -- all the believers in "special creation" were absolutely wrong. The Garden of Eden faded away, Adam and Eve fell back to dust, the snake crawled into the grass, and Jehovah became a miserable myth.
Robert G. Ingersoll
The Goober was beautiful when he ran. His long arms and legs moved flowingly and flawlessly, his body floating as if his feet weren’t touching the ground. When he ran, he forgot about his acne and his awkwardness and the shyness that paralyzed him when a girl looked his way. Even his thoughts became sharper, and things were simple and uncomplicated—he could solve math problems when he ran or memorize football play patterns. Often he rose early in the morning, before anyone else, and poured himself liquid through the sunrise streets, and everything seemed beautiful, everything in its proper orbit, nothing impossible, the entire world attainable. When he ran, he even loved the pain, the hurt of the running, the burning in his lungs and the spasms that sometimes gripped his calves. He loved it because he knew he could endure the pain, and even go beyond it. He had never pushed himself to the limit but he felt all this reserve strength inside of him: more than strength actually—determination. And it sang in him as he ran, his heart pumping blood joyfully through his body.
Robert Cormier (The Chocolate War (Chocolate War, #1))
I am fully done with other people telling me what to do with my history. My past made me who I am. There is no way to wipe it clean. I am the evidence. If you look at me and see track marks and too-skinny arms and hands that know how to hold a gun and a brain that is sharper and faster than yours, then that is not my problem. Do you hear me? I have regrets, and I have made mistakes, but I am who I am. I’m done pretending that I’ve wholly remade myself, that I’m going to…to hide myself away in some lecture hall for the next four years to make you all comfortable. If you want to stop seeing it, you’ll have to stop seeing me, and I am not going to disappear.
Brittany Cavallaro (A Question of Holmes (Charlotte Holmes, #4))
If an eagle gives you a feather, keep it safe. Remember: that giants sleep too soundly; that witches are often betrayed by their appetites; dragons have one soft spot, somewhere, always; hearts can be well-hidden, and you betray them with your tongue. Do not be jealous of your sister. Know that diamonds and roses are as uncomfortable when they tumble from one's lips as toads and frogs: colder, too, and sharper, and they cut. Remember your name. Do not lose hope -- what you seek will be found. Trust ghosts. Trust those that you have helped to help you in their turn. Trust dreams. Trust your heart, and trust your story. When you come back, return the way you came. Favors will be returned, debts be repaid. Do not forget your manners. Do not look back. Ride the wise eagle (you shall not fall). Ride the silver fish (you will not drown). Ride the grey wolf (hold tightly to his fur). There is a worm at the heart of the tower; that is why it will not stand. When you reach the little house, the place your journey started, you will recognize it, although it will seem much smaller than you remember. Walk up the path, and through the garden gate you never saw before but once. And then go home. Or make a home. Or rest.
Neil Gaiman
All great, simple images reveal a psychic state. The house, even more than the landscape, is a "psychic state," and even when reproduced as it appears from the outside, it bespeaks intimacy. Psychologists generally, and Francoise Minkowska in particular, together with those whom she has succeeded interesting in the subject, have studied the drawing of houses made by children, and even used them for testing. Indeed, the house-test has the advantage of welcoming spontaneity, for many children draw a house spontaneously while dreaming over their paper and pencil. To quote Anne Balif: "Asking a child to draw his house is asking him to reveal the deepest dream shelter he has found for his happiness. If he is happy, he will succeed in drawing a snug, protected house which is well built on deeply-rooted foundations." It will have the right shape, and nearly always there will be some indication of its inner strength. In certain drawings, quite obviously, to quote Mme. Balif, "it is warm indoors, and there is a fire burning, such a big fire, in fact, that it can be seen coming out of the chimney." When the house is happy, soft smoke rises in gay rings above the roof. If the child is unhappy, however, the house bears traces of his distress. In this connection, I recall that Francoise Minkowska organized an unusually moving exhibition of drawings by Polish and Jewish children who had suffered the cruelties of the German occupation during the last war. One child, who had been hidden in a closet every time there was an alert, continued to draw narrow, cold, closed houses long after those evil times were over. These are what Mme. Minkowska calls "motionless" houses, houses that have become motionless in their rigidity. "This rigidity and motionlessness are present in the smoke as well as in the window curtains. The surrounding trees are quite straight and give the impression of standing guard over the house". Mme. Minkowska knows that a live house is not really "motionless," that, particularly, it integrates the movements by means of which one accedes to the door. Thus the path that leads to the house is often a climbing one. At times, even, it is inviting. In any case, it always possesses certain kinesthetic features. If we were making a Rorschach test, we should say that the house has "K." Often a simple detail suffices for Mme. Minkowska, a distinguished psychologist, to recognize the way the house functions. In one house, drawn by an eight-year-old child, she notes that there is " a knob on the door; people go in the house, they live there." It is not merely a constructed house, it is also a house that is "lived-in." Quite obviously the door-knob has a functional significance. This is the kinesthetic sign, so frequently forgotten in the drawings of "tense" children. Naturally, too, the door-knob could hardly be drawn in scale with the house, its function taking precedence over any question of size. For it expresses the function of opening, and only a logical mind could object that it is used to close as well as to open the door. In the domain of values, on the other hand, a key closes more often than it opens, whereas the door-knob opens more often than it closes. And the gesture of closing is always sharper, firmer, and briefer than that of opening. It is by weighing such fine points as these that, like Francoise Minkowska, one becomes a psychologist of houses.
Gaston Bachelard (The Poetics of Space)
Now that is a sword,” Freddy said in awe as he went to look at an impressive saber hanging from the hat rack near the door. “Stay away from it,” she cautioned. “I’m sure it’s sharper than yours.” As usual, Freddy ignored her. “Just think what I could do with this,” he said as he lifted it off its hook. “So far I haven’t seen you do anything with a sword, my boy,” Oliver remarked dryly. “Though I shudder to think what your cousin would attempt.” Maria glared at Oliver, which only made him laugh. Meanwhile, Freddy unsheathed the saber with a flourish. “Curse it, Freddy, put it back,” Maria ordered. “What a fine piece of steel.” Freddy swished it through the air. “Even the one Uncle Adam gave me isn’t near so impressive.” Maria appealed to Oliver. “Do something, for pity’s sake. Make him stop.” “And get myself skewered for the effort? No, thank you. Let the pup have his fun.” Freddy cast him a belligerent glance. “You wouldn’t call me a pup if I came at you with this.” “No, I’d call you insane,” Oliver drawled. “But you’re welcome to try and see what happens.” Don’t encourage him,” Maria told Oliver. The door opened suddenly, and Freddy whirled with the sword in hand, knocking a lamp off the desk. As the glass chimney shattered, spilling oil in a wide arc, the wick lit the lot, and fire sprang to life. Maria jumped back with a cry of alarm while Oliver leaped out of his chair to stamp it out, first with his boots and then with his coat. A string of curses filled the air, most of them Oliver’s, though Freddy got in a few choice ones as the fire licked at his favorite trousers. When at last Oliver put the flames out and nothing was left but a charred circle on the wood floor, dotted with shards of glass, the three of them turned to the door to find a dark-haired man observing the scene with an expression that gave nothing away. “If you hoped to catch my attention,” he remarked, “you’ve succeeded.” “Mr. Pinter, I presume?” Oliver said, tossing his now ruined coat and singed gloves into a nearby rubbish pail. “I hope you’ll forgive us for the dramatic intrusion. I’m Stonevi-“ “I know who you are, my lord,” he interrupted. “It’s what you’re doing here setting fire to my office that I’m not certain of.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Once there were three tribes. The Optimists, whose patron saints were Drake and Sagan, believed in a universe crawling with gentle intelligence—spiritual brethren vaster and more enlightened than we, a great galactic siblinghood into whose ranks we would someday ascend. Surely, said the Optimists, space travel implies enlightenment, for it requires the control of great destructive energies. Any race which can't rise above its own brutal instincts will wipe itself out long before it learns to bridge the interstellar gulf. Across from the Optimists sat the Pessimists, who genuflected before graven images of Saint Fermi and a host of lesser lightweights. The Pessimists envisioned a lonely universe full of dead rocks and prokaryotic slime. The odds are just too low, they insisted. Too many rogues, too much radiation, too much eccentricity in too many orbits. It is a surpassing miracle that even one Earth exists; to hope for many is to abandon reason and embrace religious mania. After all, the universe is fourteen billion years old: if the galaxy were alive with intelligence, wouldn't it be here by now? Equidistant to the other two tribes sat the Historians. They didn't have too many thoughts on the probable prevalence of intelligent, spacefaring extraterrestrials— but if there are any, they said, they're not just going to be smart. They're going to be mean. It might seem almost too obvious a conclusion. What is Human history, if not an ongoing succession of greater technologies grinding lesser ones beneath their boots? But the subject wasn't merely Human history, or the unfair advantage that tools gave to any given side; the oppressed snatch up advanced weaponry as readily as the oppressor, given half a chance. No, the real issue was how those tools got there in the first place. The real issue was what tools are for. To the Historians, tools existed for only one reason: to force the universe into unnatural shapes. They treated nature as an enemy, they were by definition a rebellion against the way things were. Technology is a stunted thing in benign environments, it never thrived in any culture gripped by belief in natural harmony. Why invent fusion reactors if your climate is comfortable, if your food is abundant? Why build fortresses if you have no enemies? Why force change upon a world which poses no threat? Human civilization had a lot of branches, not so long ago. Even into the twenty-first century, a few isolated tribes had barely developed stone tools. Some settled down with agriculture. Others weren't content until they had ended nature itself, still others until they'd built cities in space. We all rested eventually, though. Each new technology trampled lesser ones, climbed to some complacent asymptote, and stopped—until my own mother packed herself away like a larva in honeycomb, softened by machinery, robbed of incentive by her own contentment. But history never said that everyone had to stop where we did. It only suggested that those who had stopped no longer struggled for existence. There could be other, more hellish worlds where the best Human technology would crumble, where the environment was still the enemy, where the only survivors were those who fought back with sharper tools and stronger empires. The threats contained in those environments would not be simple ones. Harsh weather and natural disasters either kill you or they don't, and once conquered—or adapted to— they lose their relevance. No, the only environmental factors that continued to matter were those that fought back, that countered new strategies with newer ones, that forced their enemies to scale ever-greater heights just to stay alive. Ultimately, the only enemy that mattered was an intelligent one. And if the best toys do end up in the hands of those who've never forgotten that life itself is an act of war against intelligent opponents, what does that say about a race whose machines travel between the stars?
Peter Watts (Blindsight (Firefall, #1))
That was the night he got up and went to the boys' division; perhaps he was looking for his history in the big room where all the boys slept, but what he found instead was Dr. Larch kissing every boy a late good night. Homer imagined then that Dr. Larch had kissed him like that, when he'd been small; Homer could not have imagined how those kisses, even now, were still kisses meant for him. They were kisses seeking Homer Wells. That was the same night that he saw the lynx on the barren, unplanted hillside—glazed with snow that had thawed and then refrozen into a thick crust. Homer had stepped outside for just a minute; after witnessing the kisses, he desired the bracing air. It was a Canada lynx—a dark, gunmetal gray against the lighter gray of the moonlit snow, its wildcat stench so strong Homer gagged to srnell the thing. Its wildcat sense was keen enough to keep it treading within a single leap's distance of the safety of the woods. The lynx was crossing the brow of the hill when it began to slide; its claws couldn't grip the crust of the snow, and the hill had suddenly grown steeper. The cat moved from the dull moonlight into the sharper light from Nurse Angela's office window; it could not help its sideways descent. It traveled closer to the orphanage than it would ever have chosen to come, its ferocious death smell clashing with the freezing cold. The lynx's helplessness on the ice had rendered its expression both terrified; and resigned; both madness and fatalism were caught in the cat's fierce, yellow eyes and in its involuntary, spitting cough as it slid on, actually bumping against the hospital before its claws could find a purchase on the crusted snow. It spit its rage at Homer Wells, as if Homer had caused its unwilling descent. Its breath had frozen on its chin whiskers and its tufted ears were beaded with ice. The panicked animal tried to dash up the hill; it was less than halfway up when it began to slide down again, drawn toward the orphanage against its will. When it set out from the bottom of the hill a second time, the lynx was panting; it ran diagonally uphill, slipping but catching itself, and slipping again, finally escaping into the softer snow in the woods— nowhere near where it had meant to go; yet the lynx would accept any route of escape from the dark hospital. Homer Wells, staring into the woods after the departed lynx, did not imagine that he would ever leave St. Cloud's more easily.
John Irving (The Cider House Rules)
I did say that to deny the existence of evil spirits, or to deny the existence of the devil, is to deny the truth of the New Testament; and that to deny the existence of these imps of darkness is to contradict the words of Jesus Christ. I did say that if we give up the belief in devils we must give up the inspiration of the Old and New Testaments, and we must give up the divinity of Christ. Upon that declaration I stand, because if devils do not exist, then Jesus Christ was mistaken, or we have not in the New Testament a true account of what he said and of what he pretended to do. If the New Testament gives a true account of his words and pretended actions, then he did claim to cast out devils. That was his principal business. That was his certificate of divinity, casting out devils. That authenticated his mission and proved that he was superior to the hosts of darkness. Now, take the devil out of the New Testament, and you also take the veracity of Christ; with that veracity you take the divinity; with that divinity you take the atonement, and when you take the atonement, the great fabric known as Christianity becomes a shapeless ruin. The Christians now claim that Jesus was God. If he was God, of course the devil knew that fact, and yet, according to this account, the devil took the omnipotent God and placed him upon a pinnacle of the temple, and endeavored to induce him to dash himself against the earth… Think of it! The devil – the prince of sharpers – the king of cunning – the master of finesse, trying to bribe God with a grain of sand that belonged to God! Casting out devils was a certificate of divinity. Is there in all the religious literature of the world anything more grossly absurd than this? These devils, according to the Bible, were of various kinds – some could speak and hear, others were deaf and dumb. All could not be cast out in the same way. The deaf and dumb spirits were quite difficult to deal with. St. Mark tells of a gentleman who brought his son to Christ. The boy, it seems, was possessed of a dumb spirit, over which the disciples had no control. “Jesus said unto the spirit: ‘Thou dumb and deaf spirit, I charge thee come out of him, and enter no more into him.’” Whereupon, the deaf spirit (having heard what was said) cried out (being dumb) and immediately vacated the premises. The ease with which Christ controlled this deaf and dumb spirit excited the wonder of his disciples, and they asked him privately why they could not cast that spirit out. To whom he replied: “This kind can come forth by nothing but prayer and fasting.” Is there a Christian in the whole world who would believe such a story if found in any other book? The trouble is, these pious people shut up their reason, and then open their Bible.
Robert G. Ingersoll
Lady Rose, you grow lovelier every time I see you.” Had it been a stranger who spoke she might have been flustered, but since it was Archer, Grey’s younger brother, she merely grinned in response and offered her hand. “And your eyesight grows poorer every time you see me, sir.” He bowed over her fingers. “If I am blind it is only by your beauty.” She laughed at that, enjoying the good-natured sparkle in his bright blue eyes. He was so much more easy-natured than Grey, so much more full of life and flirtation. And yet, the family resemblance could not be denied even if Archer’s features were a little thinner, a little sharper. How would Grey feel if she found a replacement for him in his own brother? It was too low, even in jest. “Careful with your flattery, sir,” she warned teasingly. “I am trolling for a husband you know.” Archer’s dark brows shot up in mock horror. “Never say!” Then he leaned closer to whisper. “Is my brother actually fool enough to let you get away?” Rose’s heart lurched at the note of seriousness in his voice. When she raised her gaze to his she saw only concern and genuine affection there. “He’s packing my bags as we speak.” He laughed then, a deep, rich sound that drew the attention of everyone on the terrace, including his older brother. “Will you by chance be at the Devane musicale next week, Lord Archer?” “I will,” he remarked, suddenly sober. “As much as it pains me to enter that viper’s pit. I’m accompanying Mama and Bronte. Since there’s never been any proof of what she did to Grey, Mama refuses to cut the woman. She’s better than that.” Archer’s use of the word “cut” might have been ironic, but what a relief knowing he would be there. “Would you care to accompany Mama and myself as well?” He regarded her with a sly smile. “My dear, Lady Rose. Do you plan to use me to make my brother jealous?” “Of course not!” And she was honest to a point. “I wish to use your knowledge of eligible beaux and have you buoy my spirits. If that happens to annoy your brother, then so much the better.” He laughed again. This time Grey scowled at the pair of them. Rose smiled and waved. Archer tucked her hand around his arm and guided her toward the chairs where the others sat enjoying the day, the table before them laden with sandwiches, cakes, scones, and all kinds of preserves, cream, and biscuits. A large pot of tea sat in the center. “What are you grinning at?” Grey demanded as they approached. Archer gave his brother an easy smile, not the least bit intimidated. “Lady Rose has just accepted my invitation for both she and her dear mama to accompany us to the Devane musicale next week.” Grey stiffened. It was the slightest movement, like a blade of grass fighting the breeze, but Rose noticed. She’d wager Archer did too. “How nice,” he replied civilly, but Rose mentally winced at the coolness of his tone. He turned to his mother. “I’m parched. Mama, will you pour?” And he didn’t look at her again.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))