Shark Quotes

We've searched our database for all the quotes and captions related to Shark. Here they are! All 30 of them:

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He glared at her. "Aye, and you shall be the best cabin boy I have ever had or I will feed you to the sharks. Savvy?" He turned and stomped back to the ship
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Bev Stout (Secrets of the Realm)
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I always read. You know how sharks have to keep swimming or they die? I’m like that. If I stop reading, I die.
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Patrick Rothfuss
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I am a shark, Cassie," he says slowly, drawing the words out, as if he might be speaking to me for the last time. Looking into my eyes with tears in his, as if he's seeing me for the last time. "A shark who dreamed he was a man.
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Rick Yancey (The 5th Wave (The 5th Wave, #1))
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There is no fire like passion, there is no shark like hatred, there is no snare like folly, there is no torrent like greed.
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Gautama Buddha
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I could tell by their audible gasps that the people on the beach were jealous of me when I found five shark's teeth. Locating them wasn't really the problem, but pulling them out of my leg was.
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Jarod Kintz (It Occurred to Me)
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No one leaves home unless home is the mouth of a shark.
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Warsan Shire (Bless the Daughter Raised by a Voice in Her Head)
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The main courtyard was filled with warriors - mermen with fish tails from the waist down and human bodies from the waist up, except their skin was blue, which I'd never known before.Some were tending the wounded. Some were sharpening spears and swords. One passed us, swimming in a hurry. His eyes were bright green, like that stuff they put in glo-sticks, and his teeth were shark teeth. They don't show you stuff like that in "The Little Mermaid.
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Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
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Aurelia, not all those women are uppity aristocratic bitches. Most of them are normal nice girls trying to survive in shark-infested waters, so if you want to make a difference, why not go in there and change the way things work?" "How?" Marcus smiled deviously. "By unseating the queen bee and changing the rules." "That sounds like a great idea, Colonel. Lead me to the beehive.
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Therisa Peimer (Taming Flame)
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How sad. A leader bereft of followers. An angel with severed wings. A warrior without a sword.” Beliel circles Raffe like a shark as he taunts him. β€œYou have nothing left." "He has me," I say.
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Susan Ee (Angelfall (Penryn & the End of Days, #1))
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Forgetting isn't enough. You can paddle away from the memories and think they are gone. But they will keep floating back, again and again and agian. They circle you, like sharks. Until, unless, something, someone? Can do more than just cover the wound.
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Sara Zarr (Story of a Girl)
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I’ve often wondered why more science textbooks don’t tell teenagers that the only thing sharks like to eat more than fish, are dead prostitutes.
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Jarod Kintz (There are Two Typos of People in This World: Those Who Can Edit and Those Who Can't)
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Throwing blondes at Locke Lamora was not unlike throwing lettuce at sharks.
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Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
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Personally, I say, "Out of the frying pan and into the deadly pit filled with sharks who are wielding chainsaws with killer kittens stapled to them." However, that one's having a rough time catching on.
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Brandon Sanderson (Alcatraz Versus the Scrivener's Bones (Alcatraz vs. the Evil Librarians, #2))
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Here is a list of terrible things, The jaws of sharks, a vultures wings The rabid bite of the dogs of war, The voice of one who went before, But most of all the mirror's gaze, Which counts us out our numbered days.
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Clive Barker (Abarat: Days of Magic, Nights of War)
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What we share may be a lot like a traffic accident but we get one another. We are survivors of each other. We have been shark to one another, but also lifeboat. That counts for something.
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Margaret Atwood (Cat’s Eye)
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Just stay still, if you stay still it can't find you. That's sharks, you idiot. Sharks and dinosaurs. This isn't Jurassic Park.
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Kelley Armstrong (The Summoning (Darkest Powers #1))
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I've always considered writing the most hateful kind of work. I suspect it's a bit like fucking, which is only fun for amateurs. Old whores don't do much giggling.
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Hunter S. Thompson (The Great Shark Hunt: Strange Tales from a Strange Time (The Gonzo Papers, #1))
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He [Riptide] sighed. "I said, 'What are you doing all the way out here?' and you said, 'Hey, sparkling teeth, I totally love three of your claws but not the others, and I wish your nose was a herrig so I could eat it, and also your wings sound like sharks snoring.'" Tsunami burst out laughing.
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Tui T. Sutherland (The Lost Heir (Wings of Fire, #2))
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You always hear a headline like this, 'Man Killed By Shark', you never hear it from the other perspective, 'Man Swims in Shark Infested Waters, Forgets He's Shark Food'.
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Gary Larson
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He was sweet and charming and smart... but my feelings for Wesley were way beyond that. I'd skipped the crush kiddie pool and jumped right into the deep, shark-infested ocean of emotions. And, if you'll forgive the dramatic metaphor, I was a lousy swimmer.
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Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
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In a nation run by swine, all pigs are upward-mobile and the rest of us are fucked until we can put our acts together: not necessarily to win, but mainly to keep from losing completely.
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Hunter S. Thompson (The Great Shark Hunt: Strange Tales from a Strange Time (The Gonzo Papers, #1))
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All right, you got that out of your system. Can I get back in the boat without you striking me again? Or should I stay out here enjoying the marine life?" "Why don't you swim around until you find a shark? Then you can discuss how much the two of you have in common
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Jeaniene Frost (First Drop of Crimson (Night Huntress World, #1))
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He always thought of the sea as 'la mar' which is what people call her in Spanish when they love her. Sometimes those who love her say bad things of her but they are always said as though she were a woman. Some of the younger fishermen, those who used buoys as floats for their lines and had motorboats, bought when the shark livers had brought much money, spoke of her as 'el mar' which is masculine.They spoke of her as a contestant or a place or even an enemy. But the old man always thought of her as feminine and as something that gave or withheld great favours, and if she did wild or wicked things it was because she could not help them. The moon affects her as it does a woman, he thought.
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Ernest Hemingway (The Old Man and the Sea)
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When you drop a glass or a plate to the ground it makes a loud crashing sound. When a window shatters a table leg breaks or when a picture falls off the wall it makes a noise. But as for your heart when that breaks it s completely silent. You would think as it s so important it would make the loudest noise in the whole world or even have some ... Read Moresort of ceremonious sound like the gong of a cymbal or the ringing of a bell. But it s silent and you almost wish there was a noise to distract you from the pain. If there is a noise it s internal. It screams and no one can hear it but you. It screams so loud your ears ring and your head aches. It trashes around in your chest like a great white shark caught in the sea it roars like a mother bear whose cub has been taken. That s what it looks like and that s what it sounds like a trashing panicking trapped great big beast roaring like a prisoner to its own emotions. But that s the thing about love no one is untouchable.
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Cecelia Ahern (If You Could See Me Now)
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Then there is the other secret. There isn't any symbolysm [sic]. The sea is the sea. The old man is an old man. The boy is a boy and the fish is a fish. The shark are all sharks no better and no worse. All the symbolism that people say is shit. What goes beyond is what you see beyond when you know.
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Ernest Hemingway (Ernest Hemingway Selected Letters 1917-1961 (Scribner Classics))
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Consider the subtleness of the sea; how its most dreaded creatures glide under water, unapparent for the most part, and treacherously hidden beneath the loveliest tints of azure. Consider also the devilish brilliance and beauty of many of its most remorseless tribes, as the dainty embellished shape of many species of sharks. Consider, once more, the universal cannibalism of the sea; all whose creatures prey upon each other, carrying on eternal war since the world began. Consider all this; and then turn to the green, gentle, and most docile earth; consider them both, the sea and the land; and do you not find a strange analogy to something in yourself? For as this appalling ocean surrounds the verdant land, so in the soul of man there lies one insular Tahiti, full of peace and joy, but encompassed by all the horrors of the half-known life. God keep thee! Push not off from that isle, thou canst never return!
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Herman Melville (Moby Dick)
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I felt a little guilty about jangling the poor bugger's brains with that evil fantasy. But what the hell? Anybody who wanders around the world saying, "Hell yes, I'm from Texas," deserves whatever happens to him.
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Hunter S. Thompson (The Great Shark Hunt: Strange Tales from a Strange Time (The Gonzo Papers, #1))
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I have never seen much point in getting heavy with stupid people or Jesus freaks, just as long as they don't bother me. In a world as weird and cruel as this one we have made for ourselves, I figure anybody who can find peace and personal happiness without ripping off somebody else deserves to be left alone. They will not inherit the earth, but then neither will I... And I have learned to live, as it were, with the idea that I will never find peace and happiness, either. But as long as I know there's a pretty good chance I can get my hands on either one of them every once in a while, I do the best I can between high spots.
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Hunter S. Thompson (The Great Shark Hunt: Strange Tales from a Strange Time (The Gonzo Papers, #1))
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Once upon a time, there was Candy and Dan. Things were very hot that year. All the wax was melting in the trees. He would climb balconies, climb everywhere, do anything for her, oh Danny boy. Thousands of birds, the tiniest birds, adorned her hair. Everything was gold. One night the bed caught fire. He was handsome and a very good criminal. We lived on sunlight and chocolate bars. It was the afternoon of extravagant delight. Danny the daredevil. Candy went missing. The days last rays of sunshine cruise like sharks. I want to try it your way this time. You came into my life really fast and I liked it. We squelched in the mud of our joy. I was wet-thighed with surrender. Then there was a gap in things and the whole earth tilted. This is the business. This, is what we're after. With you inside me comes the hatch of death. And perhaps I'll simply never sleep again. The monster in the pool. We are a proper family now with cats and chickens and runner beans. Everywhere I looked. And sometimes I hate you. Friday -- I didn't mean that, mother of the blueness. Angel of the storm. Remember me in my opaqueness. You pointed at the sky, that one called Sirius or dog star, but on here on earth. Fly away sun. Ha ha fucking ha you are so funny Dan. A vase of flowers by the bed. My bare blue knees at dawn. These ruffled sheets and you are gone and I am going to. I broke your head on the back of the bed but the baby he died in the morning. I gave him a name. His name was Thomas. Poor little god. His heart pounds like a voodoo drum.
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Luke Davies (Candy)
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That dead-eyed anhedonia is but a remora on the ventral flank of the true predator, the Great White Shark of pain. Authorities term this condition clinical depression or involutional depression or unipolar dysphoria. Instead of just an incapacity for feeling, a deadening of soul, the predator-grade depression Kate Gompert always feels as she Withdraws from secret marijuana is itself a feeling. It goes by many names β€” anguish, despair, torment, or q.v. Burton's melancholia or Yevtuschenko's more authoritative psychotic depression β€” but Kate Gompert, down in the trenches with the thing itself, knows it simply as It. It is a level of psychic pain wholly incompatible with human life as we know it. It is a sense of radical and thoroughgoing evil not just as a feature but as the essence of conscious existence. It is a sense of poisoning that pervades the self at the self's most elementary levels. It is a nausea of the cells and soul. It is an unnumb intuition in which the world is fully rich and animate and un-map-like and also thoroughly painful and malignant and antagonistic to the self, which depressed self It billows on and coagulates around and wraps in Its black folds and absorbs into Itself, so that an almost mystical unity is achieved with a world every constituent of which means painful harm to the self. Its emotional character, the feeling Gompert describes It as, is probably mostly indescribable except as a sort of double bind in which any/all of the alternatives we associate with human agency β€” sitting or standing, doing or resting, speaking or keeping silent, living or dying β€” are not just unpleasant but literally horrible. It is also lonely on a level that cannot be conveyed. There is no way Kate Gompert could ever even begin to make someone else understand what clinical depression feels like, not even another person who is herself clinically depressed, because a person in such a state is incapable of empathy with any other living thing. This anhedonic Inability To Identify is also an integral part of It. If a person in physical pain has a hard time attending to anything except that pain, a clinically depressed person cannot even perceive any other person or thing as independent of the universal pain that is digesting her cell by cell. Everything is part of the problem, and there is no solution. It is a hell for one. The authoritative term psychotic depression makes Kate Gompert feel especially lonely. Specifically the psychotic part. Think of it this way. Two people are screaming in pain. One of them is being tortured with electric current. The other is not. The screamer who's being tortured with electric current is not psychotic: her screams are circumstantially appropriate. The screaming person who's not being tortured, however, is psychotic, since the outside parties making the diagnoses can see no electrodes or measurable amperage. One of the least pleasant things about being psychotically depressed on a ward full of psychotically depressed patients is coming to see that none of them is really psychotic, that their screams are entirely appropriate to certain circumstances part of whose special charm is that they are undetectable by any outside party. Thus the loneliness: it's a closed circuit: the current is both applied and received from within.
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David Foster Wallace (Infinite Jest)