Shark Heart Quotes

We've searched our database for all the quotes and captions related to Shark Heart. Here they are! All 100 of them:

When you drop a glass or a plate to the ground it makes a loud crashing sound. When a window shatters a table leg breaks or when a picture falls off the wall it makes a noise. But as for your heart when that breaks it s completely silent. You would think as it s so important it would make the loudest noise in the whole world or even have some ... Read Moresort of ceremonious sound like the gong of a cymbal or the ringing of a bell. But it s silent and you almost wish there was a noise to distract you from the pain. If there is a noise it s internal. It screams and no one can hear it but you. It screams so loud your ears ring and your head aches. It trashes around in your chest like a great white shark caught in the sea it roars like a mother bear whose cub has been taken. That s what it looks like and that s what it sounds like a trashing panicking trapped great big beast roaring like a prisoner to its own emotions. But that s the thing about love no one is untouchable.
Cecelia Ahern (If You Could See Me Now)
Go 'head." Those freaky-ass black eyes had stared at Butch with the intensity of a shark. "Crack open that door. Run your little heart out. Run fast, run smart, call for help. Just know that I'll come after you. Like a hearse." - Zsadist
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
No rescue boat can save the touches I left bobbing in the wild ocean of your flesh, but if they cut open your heart, like the belly of a shark, dumped its contents on a table—would there be any trace of me?
Jeffrey McDaniel (The Splinter Factory)
This is what it means to be alone: everyone is connected to everyone else, their bodies are a bright liquid life flowing around you, sharing a single heart that drives them to move all together. If the shark comes they will all escape, and leave you to be eaten.
Barbara Kingsolver (The Lacuna)
Guys can smell desperation. It triggers an instinct in them to run far and fast so they aren't around when a woman starts peeling apart her heart. They know she'll ask for help in putting it back together the right way - intact and beating correctly - and they dread the thought of puzzling over layers that they can't understand, let alone rebuild. They'd rather just not get blood on their hands. But sharks are different. They smell the blood of desperation and circle in. They whisper into a girl's ear, "I'll make it better. I'll make you forget all about your pain." Sharks do this by eating your heart, but they never mention this beforehand. That is the thing about sharks.
Janette Rallison (My Fair Godmother (My Fair Godmother, #1))
Once upon a time, there was Candy and Dan. Things were very hot that year. All the wax was melting in the trees. He would climb balconies, climb everywhere, do anything for her, oh Danny boy. Thousands of birds, the tiniest birds, adorned her hair. Everything was gold. One night the bed caught fire. He was handsome and a very good criminal. We lived on sunlight and chocolate bars. It was the afternoon of extravagant delight. Danny the daredevil. Candy went missing. The days last rays of sunshine cruise like sharks. I want to try it your way this time. You came into my life really fast and I liked it. We squelched in the mud of our joy. I was wet-thighed with surrender. Then there was a gap in things and the whole earth tilted. This is the business. This, is what we're after. With you inside me comes the hatch of death. And perhaps I'll simply never sleep again. The monster in the pool. We are a proper family now with cats and chickens and runner beans. Everywhere I looked. And sometimes I hate you. Friday -- I didn't mean that, mother of the blueness. Angel of the storm. Remember me in my opaqueness. You pointed at the sky, that one called Sirius or dog star, but on here on earth. Fly away sun. Ha ha fucking ha you are so funny Dan. A vase of flowers by the bed. My bare blue knees at dawn. These ruffled sheets and you are gone and I am going to. I broke your head on the back of the bed but the baby he died in the morning. I gave him a name. His name was Thomas. Poor little god. His heart pounds like a voodoo drum.
Luke Davies (Candy)
He glances over his shoulder, no doubt hearing my insanely loud shoes stop in their tracks. Then he looks again. It’s a double take for the record books. “I’m out stalking,” I call. It doesn’t come out the way I’d intended. It’s not lighthearted or funny. It comes out like a warning. I’m one scary bitch right now. I hold my hands up to show I’m not armed. My heart is racing. “Me too,” he replies. Another cab cruises past like a shark. “Where are you actually going?” My voice rings down the empty street. “I just told you. I’m going out stalking.” “What, on foot?” I come closer by another six paces. “You were going to walk?” “I was going to run down the middle of the street like the Terminator.” The laugh blasts out of me like bah.I’m breaking one of my rules by grinning at him, but I can’t seem to stop. “You’re on foot, after all. Stilts.” He gestures at my sky-high shoes. “It gives me a few extra inches of height to look through your garbage.” “Find anything of interest?” He strolls closer and stops until we have maybe ten paces between us. I can almost pick up the scent of his skin. “Pretty much what I was expecting. Vegetable scraps, coffee grounds, adult diapers.
Sally Thorne (The Hating Game)
He was an aimless kite in search of a string to ground him to the world, but instead, he’d found Wren, a great, strong wind who’d supported his exploration of the sky
Emily Habeck (Shark Heart: A Love Story)
When your heart is broken you plant seeds in the cracks and you pray for rain. And you teach your sons and daughters there are sharks in the water but the only way to survive is to breathe deep and dive.
Andrea Gibson (Pole Dancing to Gospel Hymns)
All the hours he spent theorizing about magic seemed so naive now. The main ingredient in transformation was not magic, it was pain.
Emily Habeck (Shark Heart: A Love Story)
...he did not fear death but grief, the ache of being alone and mangled by change. Yet he was not ready to make peace with the end.
Emily Habeck (Shark Heart: A Love Story)
Art is ment to travel from your heart to your head and out through your fingers...
Kelly Bingham (Shark Girl (Shark Girl #1))
Wren saw now how passion was delicate and temporary, a visitor, a feeling that would come and go. Feelings fled under pressure; feelings did not light the darkness. What remained strong in the deep, the hard times, was love as an effort, a doing, a conscious act of will. Soulmates, like her and Lewis, were not theoretical and found. They were tangible, built.
Emily Habeck (Shark Heart: A Love Story)
It is as if the Photograph always carries its referent with itself, both affected by the same amorous or funereal immobility, at the very heart of the moving world: they are glued together, limb by limb, like the condemned man and the corpse in certain tortures; or even like those pairs of fish (sharks, I think, according to Michelet) which navigate in convoy, as though united by an eternal coitus.
Roland Barthes (Camera Lucida: Reflections on Photography)
He said after a little while, 'I see why you say that only men do evil, I think. Even sharks are innocent, they kill because they must.' 'That is why nothing can resist us. Only one thing in the worl can resist an evil-hearted man. And that is another man. In our shame is our glory. Only our spirit, which is capable of evil, is capable of overcoming it.
Ursula K. Le Guin (The Farthest Shore (Earthsea Cycle, #3))
But I think it’s the quiet way you settle into the crook of a tree trunk, the still and slowdown of your heart in a world that wants us to be quick and to move onto the next thing.
Aimee Nezhukumatathil (World of Wonders: In Praise of Fireflies, Whale Sharks, and Other Astonishments)
Love is like going snorkeling... You go along looking at pretty fish and cool plants until a wave rolls you over a coral reef... then the sharks come.
Julie Wright (Cross My Heart)
It was him—plain and simple. It was having my best friend become my lover, my heart, and the center of my world.
Cambria Hebert (#Junkie (GearShark, #1))
Crushes weren’t a precursor to love, they were a precursor to having your heart chewed up like Shark Week.
Koren Zailckas (Mother, Mother)
The High Mariner says Pontus created our islands and the people on them. He scooped salt from the ocean tides for strength. Into that was mixed the cunning of a bull shark and the beauty of the moon jellyfish. He added the seahorse’s fidelity and the curiosity of a porpoise. When his creation was molded just so—two arms, two legs, a head, and a heart—Pontus breathed some of his own life into it, making the first People of the Salt. So when we die, we can’t be buried in the ground. We slip back into the water and are home.
Erin A. Craig (House of Salt and Sorrows (Sisters of the Salt #1))
In their innocence, they failed to grasp the labor of losing a partner, how the tasks of simple existence would become logistical feats and one person’s burden.
Emily Habeck (Shark Heart)
Plants were probably the most sentient of all living things: rational, bloodless bystanders, witnessing the great horror of it all.
Emily Habeck (Shark Heart: A Love Story)
As Lewis held Wren's hands, he thought of her kindness, her intelligence, her inner beauty. Yet, just as he married these known qualities, he also married her vast unknowns. And she, his.
Emily Habeck (Shark Heart: A Love Story)
I used to think love was two people sucking on the same straw to see whose thirst was stronger, but then I whiffed the crushed walnuts of your nape, traced jackals in the snow-covered tombstones of your teeth. I used to think love was a non-stop saxophone solo in the lungs, till I hung with you like a pair of sneakers from a phone line, and you promised to always smell the rose in my kerosene. I used to think love was terminal pelvic ballet, till you let me jog beside while you pedaled all over hell on the menstrual bicycle, your tongue ripping through my prairie like a tornado of paper cuts. I used to think love was an old man smashing a mirror over his knee, till you helped me carry the barbell of my spirit back up the stairs after my car pirouetted in the desert. You are my history book. I used to not believe in fairy tales till I played the dunce in sheep’s clothing and felt how perfectly your foot fit in the glass slipper of my ass. But then duty wrapped its phone cord around my ankle and yanked me across the continent. And now there are three thousand miles between the u and s in esophagus. And being without you is like standing at a cement-filled wall with a roll of Yugoslavian nickels and making a wish. Some days I miss you so much I’d jump off the roof of your office building just to catch a glimpse of you on the way down. I wish we could trade left eyeballs, so we could always see what the other sees. But you’re here, I’m there, and we have only words, a nightly phone call - one chance to mix feelings into syllables and pour into the receiver, hope they don’t disassemble in that calculus of wire. And lately - with this whole war thing - the language machine supporting it - I feel betrayed by the alphabet, like they’re injecting strychnine into my vowels, infecting my consonants, naming attack helicopters after shattered Indian tribes: Apache, Blackhawk; and West Bank colonizers are settlers, so Sharon is Davey Crockett, and Arafat: Geronimo, and it’s the Wild West all over again. And I imagine Picasso looking in a mirror, decorating his face in war paint, washing his brushes in venom. And I think of Jenin in all that rubble, and I feel like a Cyclops with two eyes, like an anorexic with three mouths, like a scuba diver in quicksand, like a shark with plastic vampire teeth, like I’m the executioner’s fingernail trying to reason with the hand. And I don’t know how to speak love when the heart is a busted cup filling with spit and paste, and the only sexual fantasy I have is busting into the Pentagon with a bazooka-sized pen and blowing open the minds of generals. And I comfort myself with the thought that we’ll name our first child Jenin, and her middle name will be Terezin, and we’ll teach her how to glow in the dark, and how to swallow firecrackers, and to never neglect the first straw; because no one ever talks about the first straw, it’s always the last straw that gets all the attention, but by then it’s way too late.
Jeffrey McDaniel
Bullies are all the same, whether they are in the schoolyard, in the workplace, or ruling a country through terror. They thrive on fear and intimidation. Bullies gain their strength through the timid and faint of heart. They are like sharks who sense fear in the water. They will circle to see if their prey is struggling. They will probe to see if their victim is weak. If you don't find the courage to stand your ground, they will strike. In life, to achieve your goals, to complete the night swim, you will have to be men and women of great courage. That courage is within all of us. Dig deep and you will find it in abundance.
William H. McRaven (Make Your Bed: Little Things That Can Change Your Life...And Maybe the World)
Will you let me stand beside you on your plot of earth? We'll tell the weeds to grow tall around our ankles, and when the wind gives us sycamore seeds, we'll raise them as sprouts, seedlings, saplings until they overpower, shade, and nurture us. Our trees will grow for two hand years or more as our union becomes even more unquestionable and strong.
Emily Habeck (Shark Heart: A Love Story)
...she realized she didn't want food at all but rather, the feeling of emotional fullness, a hunger that could only be satiated by home, family, and familiarity.
Emily Habeck (Shark Heart: A Love Story)
How in the hell could you have given me your heart?” I wondered aloud. “Because you’re the one who taught it to beat again.
Cambria Hebert (#Blur (GearShark #4))
...maybe we do get new performances of the same day, opportunities to be more accepting and loving. Maybe practice, rehearsal, is also the way to freedom. We can start over.
Emily Habeck (Shark Heart: A Love Story)
As they say in the theater, suspend your disbelief. Otherwise, the reality of this world is very much like yours and mine.
Emily Habeck (Shark Heart: A Love Story)
In the rare hopeful hour, I tell myself this darkness has a purpose: to help me recognize light if I ever find it again.
Emily Habeck (Shark Heart: A Love Story)
Imagine that while scuba diving, you suddenly see a shark glide into view. Your heart starts to pound and your anxiety skyrockets. You’re terrified, which is a perfectly rational and understandable feeling. Now imagine that your marine biology training enables you to identify it as a Reef Shark, which you know doesn’t prey on anything as large as you. Your anxiety disappears. Instead you feel excited and curious to observe the shark’s behavior.
Douglas Stone (Difficult Conversations: How to Discuss What Matters Most)
About the way he made me feel. The way he’d always made me feel. Safe. Loved. Cherished. And with just enough danger in his actions to keep every day exciting. My best friend—once. That is what my heart missed.
Samantha Whiskey (Rookie (Seattle Sharks #4))
Once we turn pro, we're like sharks who have tasted blood, or renunciants who have glimpsed the face of God. For us, there is no finish line. No bell ends the bout. Life is the pursuit. Life is the hunt. When our hearts burst... then we'll go out, and no sooner.
Steven Pressfield (Turning Pro)
Are you going to hurt me?" She raised her voice this time. The vampire just grinned. She felt a pain in her chest again as her heart rate accelerated. The corners of his mouth lifted to reveal a toothy grin; it was terrifying, like a shark about to sink its teeth into her. "Yes." His answer seemed to inhabit the room. "But you'll thank me for it.
Edith Warner (Sire Bound: Part 1)
Look, I can appreciate this. I was young too, I felt just like you. Hated authority, hated all my bosses, thought they were full of shit. Look, it's like they say, if you're not a rebel by the age of 20, you got no heart, but if you haven't turned establishment by 30, you've got no brains. Because there are no story-book romances, no fairy-tale endings. So before you run out and change the world, ask yourself, "What do you really want?
George Huang (Swimming with Sharks (Modern Plays))
The end of the play will ask a real question. Like, is it ever possible to rebuild? Or, after time, is every relationship just a little bit broken?
Emily Habeck (Shark Heart: A Love Story)
Into the sea I’d love to sink When with both eyes a shark can blink Is he a brave fish or a marine man? Through those closed eyelids my heart will he scan?
Munia Khan
Lewis, you've told me so much about Wren, sometimes I think I miss her, too.
Emily Habeck (Shark Heart: A Love Story)
What a tragedy it is, being a woman. I would rather be a million other things.
Emily Habeck (Shark Heart: A Love Story)
What a privilege it was to mark time with the sun.
Emily Habeck (Shark Heart: A Love Story)
The theater hums with presence as everyone in the audience and cast alike remembers that joy and grief are human birthrights, but mostly, being alive, is everything in between.
Emily Habeck (Shark Heart: A Love Story)
Wren and the Tiny Pregnant Woman shared practical, applied interests like oncoming personal devastation, terrifying sadness, and the experience of free-falling into grief and the unknown.
Emily Habeck (Shark Heart)
Okay, let's recap. So I lost a few good things, but wait; There's other fish in the sea. And my heart's still here: the bait. It has a few cracks And a couple of shark bites, But it's alright. A bleeding heart is never one to wait in the water for long. I wonder what my next catch will be..
Innocent Mwatsikesimbe (Live & Remember (What Is Love? #4))
It is not the known danger that we most fear, the shark that patrols the bay, the lion that rules the savannah. It is the betrayal of what we trust and hold close to our hearts that is our undoing: the captain who staves in the boat, the king who sells his subjects into slavey, the child who murders the parent.
Karen Lord (Redemption in Indigo)
But all was fair in love and war. If I had to fight dirty to keep him, then I’d be the dirtiest motherfucker there ever was. “So what’s it going to be, Trent?” I pressed. “Are you going to protect my heart and the love it holds for you, or are you going to walk away?
Cambria Hebert (#Rev (GearShark, #2))
Bullock, Sam, died at the age of one-twelve. They’d been married five years. She was forty-six.” “Isn’t that romantic?” “Heart-tugging. First husband was younger, a callow seventy-three to her twenty-two.” “Wealthy?” “Was—not Sam Bullock wealthy, but well-stocked. Got eaten by a shark.” “Step off.” “Seriously. Scuba diving out in the Great Barrier Reef. He was eighty-eight. And this shark cruises along and chomp, chomp.” She gave Eve a thoughtful look. “Ending as shark snacks is in my top-ten list of ways I don’t want to go out. How about you?” “It may rank as number one, now that I’ve considered it a possibility. Any hint of foul play?” “They weren’t able to interview the shark, but it was put down as death by misadventure.
J.D. Robb
The Spartan king Agesilaus was still fighting in armor when he was eighty-two. Picasso was painting past ninety, and Henry Miller was chasing women (I'm sure Picasso was too) at eighty-nine. Once we turn pro, we're like sharks who have tasted blood, or renunciants who have glimpsed the face of God. For us, there is no finish line. No bell ends the bout. Life is the pursuit. Life is the hunt. When our hearts burst... then we'll go out, and no sooner.
Steven Pressfield (Turning Pro)
Wren no longer sees life as a long, linear ladder with a beginning, middle, and end. Instead, she considers how life is like a spiraling trail up a mountain. Each circling lap represents a learning cycle, the same lesson at a slightly higher elevation. Wren realizes she likes to rest as much as she likes to climb. She begins to enjoy the view.
Emily Habeck (Shark Heart)
We must have heart and overcome if we are to thrive in life and not merely survive.
Drenda Keesee (Shark Proof: How to Deal with Difficult People)
Lewis's mutation was like the weather; they could prepare, but they could not control a thing.
Emily Habeck (Shark Heart: A Love Story)
Owen’s mom is here, and he had no idea. She’s cut two jerseys in half, one for the Foxes and one for the Sharks with Connery on the back.
Sarah Blue (Don't Puck With My Heart (Pucked Up Omegaverse, #2))
But most people were not born with the privilege of being elite. She had wasted it.
Emily Habeck (Shark Heart: A Love Story)
Lewis," Wren said, deliberately letting the letter S at the end of his name drag for a second longer than she normally would. "Did you know your shirt matches the flower beds?
Emily Habeck (Shark Heart: A Love Story)
Lewis watched her flutter away, recalling the last time a woman left him alone in the ocean. Both times he was passive. Both times he felt euphoric and then promptly forlorn.
Emily Habeck (Shark Heart: A Love Story)
Who could forget that brave little goldfish standing up to sharks?
Sierra Knoxly (Tears of Salt (Tears of the Heart #3))
What if magic is just mislabeled peace?
Emily Habeck (Shark Heart: A Love Story)
She missed the evenings most of all: the grapefruit sun hovering above the prairie, dismissing the day with unpredictable strokes of cantaloupe, fuchsia, and violet.
Emily Habeck (Shark Heart: A Love Story)
Sometimes I wonder if you might not be a person at all, but a spirit, or a fairy, or a memory.
Emily Habeck (Shark Heart: A Love Story)
Angela wasn't old enough to get a driver's license, buy cigarettes, or vote, but she was the perfect age to worship the first guy who said she was important.
Emily Habeck (Shark Heart: A Love Story)
The strident emotional belief that children made you happy, even when all the data pointed to misery. The high-amplitude fear of sharks and dark-skinned snipers who would never kill you; indifference to all the toxins and pesticides that could. The mind was so rotten with misrepresentation that in some cases it literally had to be damaged before it could make a truly rational decision—and should some brain-lesioned mother abandon her baby in a burning house in order to save two strangers from the same fire, the rest of the world would be more likely to call her a monster than laud the rationality of her lifeboat ethics. Hell, rationality itself—the exalted Human ability to reason—hadn’t evolved in the pursuit of truth but simply to win arguments, to gain control: to bend others, by means logical or sophistic, to your will. Truth had never been a priority. If believing a lie kept the genes proliferating, the system would believe that lie with all its heart. Fossil feelings. Better off without them, once you’d outgrown the savanna and decided that Truth mattered after all. But Humanity wasn’t defined by arms and legs and upright posture. Humanity had evolved at the synapse as well as at the opposable thumb—and those misleading gut feelings were the very groundwork on which the whole damn clade had been built. Capuchins felt empathy. Chimps had an innate sense of fair play. You could look into the eyes of any cat or dog and see a connection there, a legacy of common subroutines and shared emotions.
Peter Watts (Firefall (Firefall #1-2))
She missed the illusion of grass and sky kissing at the end of the world. She missed standing amid a rustling chorus of wind-waving grasses, the four horsemen of the tallgrass prairie--little bluestem, big bluestem, Indian grass, and switchgrass. She missed May fields dotted with black-eyed Susans, Indian blanket, and coreopsis. She missed bursts of red clay topsoil along dirt roads.
Emily Habeck (Shark Heart: A Love Story)
Loan sharking may mean investment and immediate solutions but desperate loan sharks, who are short of cash, abuse your rights and attack other people's home. ~ Odyssey of a Heart, Home of a Soul
Angelica Hopes
Velma eyed Kate assessingly. She swiped at her hairline with fingers decorated with several diamond-studded gold rings and long nails shellacked with opalescent pearl polish. "Kate," she said in a ominous tone, "how old are you now?" Ah, Kate thought. Here it comes. Though Velma and Peg had spent their entire lives in Redbud, Kate knew them well from their annual trips to Dallas to see Gran, "I'm thirty-one." "Why in the world haven't you married anyone yet?" "Well..." I'm holding out for Prince Harry. I have cooties, so that makes it hard. Shark attack killed the last prospect.
Becky Wade (My Stubborn Heart)
Our trees will grow for two hundred years or more as our union becomes even more unquestionable and strong. Unquestionable because no one will remember a time when we were not creating our universe.
Emily Habeck (Shark Heart: A Love Story)
When your heart is broken you plant seeds in the cracks and you pray for rain. And you teach your sons and daughters there are sharks in the water but the only way to survive is to breathe deep and dive.
Andrea Gibson, Pole Dancing to Gospel Hymns
One of the strangest things about these five downhill years of the Nixon presidency is that despite all the savage excesses committed by the people he chose to run the country, no real opposition or realistic alternative to Richard Nixon’s cheap and mean-hearted view of the American Dream has ever developed. It is almost as if that sour 1968 election rang down the curtain on career politicians. This is the horror of American politics today - not that Richard Nixon and his fixers have been crippled, convicted, indicted, disgraced and even jailed - but that the only available alternatives are not much better; the same dim collection of burned-out hacks who have been fouling our air with their gibberish for the last tenty years. How long, oh Lord, how long? And how much longer will we have to wait before some high-powered shark with a fistful of answers will finally bring us face-to-face with the ugly question that is already so close to the surface in this country, that sooner or later even politicians will have to cope with it? Is this democracy worth all the risks and problems that necessarily go with it? Or, would we all be happier by admitting that the whole thing was a lark from the start and now that it hasn’t worked out, to hell with it.
Hunter S. Thompson (The Great Shark Hunt: Strange Tales from a Strange Time (The Gonzo Papers, #1))
When your heart is broken you plant seeds in the cracks and you pray for rain. And you teach your sons and daughters   .there are sharks in the water but the only way to survive is to breathe deep and dive.  
Andrea Gibson (Pole Dancing to Gospel Hymns)
At least there's nothing traditional about an engagement dinner, so we'll be spared having to prepare a twelve-course wedding banquet loaded with meaning. There will be no roasted pig to symbolize purity. No bright red lobster for luck. No shark fin soup for wealth.
Elsie Chapman (Hungry Hearts: 13 Tales of Food & Love)
The rule of fishes is the same as the rule of people: if the shark comes, they will all escape, and leave you to be eaten. They share a single jumpy heart that drives them to move all together, running away from danger just before it arrives. Somehow they know. Underneath
Barbara Kingsolver (The Lacuna)
As their saltwater tears combined with the sea, Lewis finally understood the log line of their love story: He was an aimless kite in search of a string to ground him to the world, but instead, he'd found Wren, a great, strong wind who supported his exploration of the sky.
Emily Habeck (Shark Heart: A Love Story)
Sometimes people will misjudge your heart or what God has called you to do, but it’s not between you and them, it’s between you and God. When we stay focused on the call of God for our lives, He is able to create a legacy for us beyond anything we could have hoped or imagined!
Drenda Keesee (Shark Proof: How to Deal with Difficult People)
It is deeps such as these that we have beneath our keel after putting out to sea from the Philippines: the world of mystery, of the fathomless, the irrational. If the ocean surface, in savagery and rebellion, in calm and storm, resembles human feelings—that sea on which we sail our little ships of reason and consciousness, in the violent but known world of the emotions — then the great deeps, the ocean's dark abysses, resemble the human heart's unknown, never-visited worlds: the inscrutable, inaccessible, night-dark, soundless underworld of the soul.
Jens Bjørneboe (The Sharks)
what if the whole world was an ocean, do you need a horse to transport you above the water? or you have find a tree grown onto water to stand onto it! no, you have to get all you weapons, learn to swim and become a shark under water! thats when storms of the ocean will never bother you.
Anath Lee Wales (your life can be changed.: the true guide to become a change maker!)
Here is the point.” She stepped into his path, forcing him to meet her eyes. Man-eating sharks and all. “No one can be reduced to numbers in a ledger, or a stack of banknotes, or a single silver coin. We are humans, with souls and hearts and passion and love. Every last one of us is priceless. Even you.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
Not bad, not bad. That's one down. Only a million to go.' 'Right. Thanks, Shark.' I should have known to expect something like that from him. 'Now that you've proven yourself I reckon you've earned a go at a very important assignment.' 'Making tea?' 'No, I said important. You want to have a crack at it?' 'All right. That'd be good.' 'That's the way. Run down the post office and get the mail for us. Key's hanging up in the front office. When you come back, I want you to open it up and sort it into three piles: good stuff, bad stuff, and shit. Off you go.' You bastard, Shark. You bastard. I say that to myself as I trudge away.
Bill Condon (A Straight Line to My Heart)
At three hundred feet, we are profoundly changed. The pressure at these depths is nine times that of the surface. The organs collapse. The heart beats at a quarter of its normal rate, slower than the rate of a person in a coma. Senses disappear. The brain enters a dream state. At six hundred feet down, the ocean’s pressure—some eighteen times that of the surface—is too extreme for most human bodies to withstand. Few freedivers have ever attempted dives to this depth; fewer have survived. Where humans can’t go, other animals can. Sharks, which can dive below six hundred and fifty feet, and much deeper, rely on senses beyond the ones we know. Among them is magnetoreception, an attunement to the magnetic pulses of the Earth’s molten core. Research suggests that humans have this ability and likely used it to navigate across the oceans and trackless deserts for thousands of years. Eight hundred feet down appears to be the absolute limit of the human body.
James Nestor (Deep: Freediving, Renegade Science, and What the Ocean Tells Us About Ourselves)
This is the real, hard work of faith for most of us--not jumping of cliffs or swimming in shark-infested waters, but being willing to lay our hearts and souls before God without protection or pretense. And it's risky business. It's risky to continue to open our hearts to the Lord when our dreams and desires don't line up with reality. Don't let anyone tell you differently. Don't let anyone make you feel like coming to the Lord should always feel warm and easy and clear-cut. It won't. It doesn't. ...He isn't bound by our ways, our timelines, our demands. He is bound by truth and love and justice and mercy--by the things he is and contains within himself.
Ann Swindell (Still Waiting: Hope for When God Doesn't Give You What You Want)
Some men die at ebb tide; some at low water; some at the full of the flood;—and I feel now like a billow that’s all one crested comb, Starbuck. I am old;—shake hands with me, man.” Their hands met; their eyes fastened; Starbuck’s tears the glue. “Oh, my captain, my captain!—noble heart—go not—go not!—see, it’s a brave man that weeps; how great the agony of the persuasion then!” “Lower away!”—cried Ahab, tossing the mate’s arm from him. “Stand by the crew!” In an instant the boat was pulling round close under the stern. “The sharks! the sharks!” cried a voice from the low cabin-window there; “O master, my master, come back!” But Ahab heard nothing; for his own voice was high-lifted then; and the boat leaped on.
Herman Melville (Moby - Dick: or the Whale (136))
What are your thoughts about Mac, who panicked and ate all the chocolate on the raft on the first night but later tried hard to help out? At first, I thought, wow, I’ve got a real problem with him. But every time he did something right I knew I had to compliment him, and he just kept changing and changing. One day the sharks were jumping on the raft trying to take me out, two of them, one right after the other. I’m pushing them back into the water with my hand on the ends of their noses. And then Mac grabs an oar and the two of us were punching them out with the oars, and they finally gave up. Well, boy, I really complimented Mac, and he kept getting better and better. He just turned out beautifully, and it was breaking my heart to see him dying.
Laura Hillenbrand (Unbroken: An Olympian's Journey from Airman to Castaway to Captive)
The herb ephedra has been used in China and India for five thousand years as a stimulant for cold and flu sufferers. Later known as Mormon tea, ephedra is now synthesized as pseudoephedrine and is found in many marketed cold remedies. (Unfortunately, it's also a key ingredient in the illicit manufacture of highly addictive and destructive methamphetamine.) Quinine, from the bark of the rain forest tree, Cinchona ledgeriana, is an effective preventive to malaria, one of the greatest killers of humanity, with up to one million deaths per year. The heart drug, dioxin, is synthesized from the foxglove flower. Aspirin's principle ingredients were recognized in willow bark by Hippocrates around 400 BCE. It was named and marketed by Bayer in 1899 and is still one of the biggest selling drugs in the world.
Jay Harman (The Shark's Paintbrush: Biomimicry and How Nature is Inspiring Innovation)
For me, what a single firefly can do is this: it can light a memory I thought was long lost in roadsides overrun with Queen Anne’s lace and goldenrod, a peach pie cooling in the window of a distant house. It might make me feel like I’m traveling again to a gathering of loved ones dining seaside on a Greek island, listening to cicada song and a light wind rustling the mimosa trees. A single firefly might be the spark that sends us back to our grandmother’s backyard to listen for whip-poor-wills; the spark that sends us back to splashing in an ice-cold creek bed, with our jeans rolled up to our knees, until we shudder and gasp, our toes fully wrinkled. In that spark is a slowdown and tenderness. Listen: Boom. Can you hear that? The cassowary is trying to tell us something. Boom. Did you see that? A single firefly is, too. Such a tiny light, for such a considerable task. Its luminescence could very well be the spark that reminds us to make a most necessary turn- a shift and a swing and a switch- toward cherishing this magnificent and wondrous planet. Boom. Boom. You might think of a heartbeat- your own. A child’s. Someone else’s. Or some thing’s heart. And in that slowdown, you might think it’s a kind of love. And you’d be right.
Aimee Nezhukumatathil (World of Wonders: In Praise of Fireflies, Whale Sharks, and Other Astonishments)
WE DO OUR TWENTY minutes of meditation a day in the hope that, properly stilled, our minds will stop just reflecting back to us the confusion and multiplicity of our world but will turn to a silvery mist like Alice’s looking glass that we can step through into a world where the beauty that sleeps in us will come awake at last. We send scientific expeditions to Loch Ness because if the dark and monstrous side of fairy tales can be proved to exist, who can be sure that the blessed side doesn’t exist, too? I suspect that the whole obsession of our time with the monstrous in general—with the occult and the demonic, with exorcism and black magic and the great white shark—is at its heart only the shadow side of our longing for the beatific, and we are like the knight in Ingmar Bergman’s film The Seventh Seal, who tells the young witch about to be burned at the stake that he wants to meet the devil her master, and when she asks him why, he says, “I want to ask him about God. He, if anyone, must know.
Frederick Buechner (Listening to Your Life: Daily Meditations with Frederick Buechne)
Slava, working in concert with the philosophy of the nation that had taken them in—good works as the by-product of self-interest—was able to give the descendants at the table, the children and grandchildren, the gift of knowing, at last, the unknown corners of their forebears, all because the forebears stood to make money. How cheaply they fell—the heart’s greatest terrors for a bushel of euros. Slava wasn’t a judge: He was a middleman, a loan shark, an alchemist—he turned lies into facts, words into money, silence into knowledge at last.
Boris Fishman (A Replacement Life)
Do you know why I always keep a shilling in my pocket? Because everything I am today, everything I've earned- it all started there. I was once worth a single shilling. Now I'm worth hundreds of thousands of pounds." "No, you aren't." "Shall I produce the bank ledgers to prove it?" "Ledgers are meaningless. I have a sum placed on me, you know. A dowry of forty thousand. And yet if I were to lose my virtue, some would deem me worthless." "You could never be worthless." "I could certainly drive down the price of your house. You never miss a chance to remind me." He shook his head. "That's not the point." "Here is the point." She stepped into his path, forcing him to meet her eyes. Man-eating sharks and all. "No one can be reduced to numbers in a ledger, or a stack of banknotes, or a single silver coin. We are humans, with souls and hearts and passion and love. Every last one of us is priceless. Even you." She set her frustration aside and took his face in her hands. He needed to hear this. Everyone needed to hear it, including her. Perhaps that was why she spoke the words so often, to so many creatures. Simply to hear them echo back. "Gabriel Duke. You are priceless.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
The forest reveals what was in the seed. The hen reveals what was in the egg. The storm reveals what was in the clouds. The light reveals what was in the star. The perfume reveals what was in the flower. The honey reveals what was in the bee. The fruit reveals what was in the tree. The rose reveals what was in the thorn. The web reveals what was in the spider. The butterfly reveals what was in the caterpillar. The venom reveals what was in the serpent. The pearl reveals what was in the oyster. The diamond reveals what was in the rock. The flame reveals what was in the spark. The nest reveals what was in the bird. The roar reveals what was in the lion. The leaf reveals what was in the plant. The fire reveals what was in the wood. The droplet reveals what was in the ocean. The rainbow reveals what was in the storm. The ocean reveals what was in the shark. The desert reveals what was in the camel. The sky reveals what was in the eagle. The jungle reveals what was in the elephant. The team reveals what was in the coach. The flock reveals what was in the shepherd. The crew reveals what was in the captain. The army reveals what was in the general. The tower reveals what was in the architect. The sculpture reveals what was in the sculptor. The painting reveals what was in the painter. The symphony reveals what was in the composer. The sensation reveals what was in the body. The tongue reveals what was in the mind. The action reveals what was in the heart. The character reveals what was in the soul. Spring reveals what was in winter. Summer reveals what was in spring. Autumn reveals what was in summer. Summer reveals what was in spring. The past reveals what was in the beginning. The present reveals what was in the past. The future reveals what was in the present. The afterlife reveals what was in the future.
Matshona Dhliwayo
Subject: Some boat Alex, I know Fox Mulder. My mom watched The X-Files. She says it was because she liked the creepy store lines. I think she liked David Duchovny. She tried Californication, but I don't think her heart was in it. I think she was just sticking it to my grandmother, who has decided it's the work of the devil. She says that about most current music,too, but God help anyone who gets between her and American Idol. The fuzzy whale was very nice, it a little hard to identify. The profile of the guy between you and the whale in the third pic was very familiar, if a little fuzzy. I won't ask. No,no. I have to ask. I won't ask. My mother loves his wife's suits. I Googled. There are sharks off the coast of the Vineyard. Great big white ones. I believe you about the turtle. Did I mention that there are sharks there? I go to Surf City for a week every summer with my cousins. I eat too much ice cream. I play miniature golf-badly. I don't complain about sand in my hot dog buns or sheets. I even spend enough time on the beach to get sand in more uncomfortable places. I do not swim. I mean, I could if I wanted to but I figure that if we were meant to share the water with sharks, we would have a few extra rows of teeth, too. I'll save you some cannoli. -Ella Subject: Shh Fiorella, Yes,Fiorella. I looked it up. It means Flower. Which, when paired with MArino, means Flower of the Sea. What shark would dare to touch you? I won't touch the uncomfortable sand mention, hard as it is to resist. I also will not think of you in a bikini (Note to self: Do not think of Ella in a bikini under any circumstanes. Note from self: Are you f-ing kidding me?). Okay. Two pieces of info for you. One: Our host has an excellent wine cellar and my mother is European. Meaning she doesn't begrudge me the occasional glass. Or four. Two: Our hostess says to thank yur mother very much. Most people say nasty things about her suits. Three: We have a house kinda near Surf City. Maybe I'll be there when your there. You'd better burn this after reading. -Alexai Subect: Happy Thanksgiving Alexei, Consider it burned. Don't worry. I'm not showing your e-mails to anybody. Matter of national security, of course. Well,I got to sit at the adult table. In between my great-great-aunt Jo, who is ninety-three and deaf, and her daughter, JoJo, who had to repeat everyone's conversations across me. Loudly. The food was great,even my uncle Ricky's cranberry lasagna. In fact, it would have been a perfectly good TG if the Eagles han't been playing the Jets.My cousin Joey (other side of the family) lives in Hoboken. His sister married a Philly guy. It started out as a lively across-the-table debate: Jets v. Iggles. It ended up with Joey flinging himself across the table at his brother-in-law and my grandmother saying loud prayers to Saint Bridget. At least I think it was Saint Bridget. Hard to tell. She was speaking Italian. She caught me trying to freeze a half-dozen cannoli. She yelled at me. Apparently, the shells get really soggy when they defrost. I guess you'll have to come have a fresh one when you get back. -F/E
Melissa Jensen (The Fine Art of Truth or Dare)
They’d been eaten! Chet was the only one left! He was about to run up to Main Street for help, but then Dewey came up sputtering. “You idiot,” Dewey said, looking around. “You kept me under too long! That wasn’t the plan!” Who was Dewey talking to? And what did he mean about a plan? Sid came up out of the water, gasping for breath. Where was the shark? And why was Sid laughing? “We got you!” Sid shouted at Chet. He held something up. A chipped gray tile. The fin. Chet’s head started to spin. He felt like he might throw up. They’d tricked him! Monty was standing on the bank on the other side of the creek. “I can’t believe you fell for that!” he laughed. Chet couldn’t talk. His heart seemed to be
Lauren Tarshis (The Shark Attacks of 1916 (I Survived, #2))
If your taste, and therefore the taste buds of your soul, have grown accustomed to the flavor of bitterness—and consuming it to the last drop, your playful spirit has run completely dry—do this, and you’ll discover the highly sought but rarely found fountain of youth. Push far out from the populated shore, then stretch out over the side of your canoe, and peer down into the deep deep waters. When the shark begins to emerge within your reflection, don’t be afraid, let it completely devour your big head, as you have also taught the beast to consume others. Fear not! You will no longer need it on your odyssey. The humiliating disfiguration will kill you but it won’t hurt you. Rather, it will make space for your heart to turtlehead as an old, wise, and happy sage with an insatiable thirst for the drunkenness of good spirits, that can be found in every home, temple, and tavern that litters the shore, and brings cheer and love of life to the rigid bitter bones.
Curtis Tyrone Jones (Giants At Play: Finding Wisdom, Courage, And Acceptance To Encounter Your Destiny)
Are you sure you can’t just…maroon him on a remote island with a bottle of rum?” Etta asked, only half kidding. “Make him walk the plank straight into a shark’s mouth?” “Maroon him? Walk the plank?” To her surprise, he actually laughed. It felt like a reward to hear it. “Why, Miss Spencer, I believe there’s a pirate’s heart in you. I wish Captain Hall had stayed, if only so he could have told you some of his stories over dinner.” “Too bad,” she agreed, relieved that a small bit of the tension had finally eased. “Do you know any good ones?” “I’m not as good in the telling as he is,” Nicholas said. “Perhaps you’d be interested in hearing the charming tale of pirates who disemboweled and cut out the heart of a British officer, soaked it in spirits, and ate it?” Her jaw dropped. “Spirits? As in, alcohol? Was that supposed to make it taste better?” “I’d imagine few things could improve the experience,” he said. “But anything is possible with enough rum and courage, I suppose
Alexandra Bracken (Passenger (Passenger, #1))
Sailboat Table (table by Quint Hankle) The Voyage of the Narwhal, by Andrea Barrett Complete Stories, by Clarice Lispector Boy Kings of Texas, by Domingo Martinez The Marrow Thieves, by Cherie Dimaline A Brief History of Seven Killings, by Marlon James There There, by Tommy Orange Citizen: An American Lyric, by Claudia Rankine Underland, by Robert Macfarlane The Undocumented Americans, by Karla Cornejo Villavicencio Deacon King Kong, by James McBride The Dutch House, by Ann Patchett Will and Testament, by Vigdis Hjorth Every Man Dies Alone, by Hans Fallada The Door, by Magda Svabo The Plot Against America, by Philip Roth Fates and Furies, by Lauren Groff The Overstory, by Richard Power Night Train, by Lise Erdrich Her Body and Other Parties, by Carmen Maria Machado The Penguin Book of the Modern American Short Story, edited by John Freeman Between the World and Me, by Ta-Nehisi Coates Birds of America, by Lorrie Moore Mongrels, by Stephen Graham Jones The Office of Historical Corrections, by Danielle Evans Tenth of December, by George Saunders Murder on the Red River, by Marcie R. Rendon Leave the World Behind, by Rumaan Alam Ceremony, by Leslie Marmon Silko On Earth We’re Briefly Gorgeous, by Ocean Vuong The Unwomanly Face of War, by Svetlana Alexievich Standard Deviation, by Katherine Heiny All My Puny Sorrows, by Miriam Toews The Death of the Heart, by Elizabeth Bowen Mean Spirit, by Linda Hogan NW, by Zadie Smith Being Mortal, by Atul Gawande Americanah, by Chimamanda Ngozi Adichie Firekeeper’s Daughter, by Angeline Boulley Erasure, by Percival Everett Sharks in the Time of Saviors, by Kawai Strong Washburn Heaven, by Mieko Kawakami Books for Banned Love Sea of Poppies, by Amitav Ghosh The English Patient, by Michael Ondaatje Euphoria, by Lily King The Red and the Black, by Stendahl Luster, by Raven Leilani Asymmetry, by Lisa Halliday All the Pretty Horses, by Cormac McCarthy Middlesex, by Jeffrey Eugenides The Vixen, by Francine Prose Legends of the Fall, by Jim Harrison The Winter Soldier, by Daniel Mason
Louise Erdrich (The Sentence)
The candy-colored pavillions and exhibit halls, fitted out with Saturn rings, lightning bolts, shark's fins, golden grilles and honeycombs, the Italian pavillion with its entire facade dissolving in a perpetual cascade of water, the gigantic cash register, the austere and sinuous temples of the Detroit gods, the fountains, the pylons and sundials, the statues of George Washington and Freedom of Speech and Truth Showing the Way to Freedom had been peeled, stripped, prized apart, knocked down, bulldozed into piles, loaded onto truck beds, dumped into barges, towed out past the mouth of the harbor, and sent to the bottom of the sea. It made him sad, not because he saw some instructive allegory or harsh sermon on the vanity of all human hopes and Utopian imaginings in this translation of a bright summer dream into an immense mud puddle freezing over at the end of a September afternoon - he was too young to have such inklings - but because he had so loved the Fair, and seeing it this way, he felt in his heart what he had known all along, that, like childhood, the Fair was over, and he would never be able to visit again.
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
When you drop a glass or a plate to the ground it makes a loud crashing sound. When a window shatters a table leg breaks or when a picture falls off the wall it makes a noise. But as for your heart when that breaks it's completely silent. You would think as it's so important, it would make the loudest noise in the whole world or even have some sort of ceremonious sound like the gong of a cymbal or the ringing of a bell. But it's silent and you almost wish there was a noise to distract you from the pain. If there is a noise it's internal. It screams and no one can hear it but you. It screams so loud your ears ring and your head aches. It trashes around in your chest like a great white shark caught in the sea, it roars like a mother bear whose cub has been taken. That is what it looks like and that is what it sounds like a trashing panicking trapped great big beast roaring like a prisoner to its own emotions. But that is the thing about love - no one is untouchable. It's as wild as that, as raw as an open flesh wound exposed to salty water, but when it breaks, it's silent. You're just screaming on the inside and no one can hear it.
Cecelia Ahern
At the bottom of the passage, behind thick steel doors, I witnessed the true wealth of that country. Others have estimated the value in those rooms of grains, of nuts, of beans; of the millions in canned foie and white asparagus; of the greenhouses under their orange lights, and the vast spice grottos. I can't quote numbers. I can only say what happened when I pressed my face to a wheel of ten-year Parmigiano, how in a burst of grass and ripe pineapple I stood in some green meadow that existed only in the resonance, like a bell's fading peal, of that aroma. I can tell you how it was to cradle wines and vinegars older than myself, their labels crying out the names of lost traditions. And I can tell you of the ferocious crack in my heart when I walked into the deep freezer to see chickens, pigs, rabbits, cows, pheasants, tunas, sturgeon, boars hung two by two. No more boars roamed the world above, no Öland geese, no sharks; the day I climbed the mountain, there vanished wild larks. I knew, then, why the storerooms were guarded as if they held gold, or nuclear armaments. They hid something rarer still: a passage back through time. The animal carcasses were left unskinned. In the circulating air, the extinct revolved on their hooks to greet me.
C Pam Zhang (Land of Milk and Honey)
There is no silence upon the earth or under the earth like the silence under the sea; No cries announcing birth, No sounds declaring death. There is silence when the milt is laid on the spawn in the weeds and fungus of the rock-clefts; And silence in the growth and struggle for life. The bonitoes pounce upon the mackerel, And are themselves caught by the barracudas, The sharks kill the barracudas And the great molluscs rend the sharks, And all noiselessly-- Though swift be the action and final the conflict, The drama is silent. There is no fury upon the earth like the fury under the sea. For growl and cough and snarl are the tokens of spendthrifts who know not the ultimate economy of rage. Moreover, the pace of the blood is too fast. But under the waves the blood is sluggard and has the same temperature as that of the sea. There is something pre-reptilian about a silent kill. Two men may end their hostilities just with their battle-cries, 'The devil take you,' says one. 'I'll see you in hell,' says the other. And these introductory salutes followed by a hail of gutturals and sibilants are often the beginning of friendship, for who would not prefer to be lustily damned than to be half-heartedly blessed? No one need fear oaths that are properly enunciated, for they belong to the inheritance of just men made perfect, and, for all we know, of such may be the Kingdom of Heaven. But let silent hate be put away for it feeds upon the heart of the hater. Today I watched two pairs of eyes. One pair was black and the other grey. And while the owners thereof, for the space of five seconds, walked past each other, the grey snapped at the black and the black riddled the grey. One looked to say--'The cat,' And the other--'The cur.' But no words were spoken; Not so much as a hiss or a murmur came through the perfect enamel of the teeth; not so much as a gesture of enmity. If the right upper lip curled over the canine, it went unnoticed. The lashes veiled the eyes not for an instant in the passing. And as between the two in respect to candour of intention or eternity of wish, there was no choice, for the stare was mutual and absolute. A word would have dulled the exquisite edge of the feeling. An oath would have flawed the crystallization of the hate. For only such culture could grow in a climate of silence-- Away back before emergence of fur or feather, back to the unvocal sea and down deep where the darkness spills its wash on the threshold of light, where the lids never close upon the eyes, where the inhabitants slay in silence and are as silently slain.
E.J. Pratt
I shoot up out of my chair. “It’s Bree. Hide the board!” Everyone hops out of their chairs and starts scrambling around and bumping into each other like a classic cartoon. We hear the door shut behind her, and the whiteboard is still standing in the middle of the kitchen like a lit-up marquee. I hiss at Jamal, “Get rid of it!” His eyes are wide orbs, head whipping around in all directions. “Where? In the utensil drawer? Up my shirt?! There’s nowhere! That thing is huge!” “LADY IN THE HOUSE!” Bree shouts from the entryway. The sound of her tennis shoes getting kicked off echoes around the room, and my heart races up my throat. Her name is pasted all over that whiteboard along with phrases like “first kiss—keep it light” and “entwined hand-holding” and “dirty talk about her hair”. Yeah…I’m not sure about that last one, but we’ll see. Basically, it’s all laid out there—the most incriminating board in the world. If Bree sees this thing, it’s all over for me. “Erase it!” Price whispers frantically. “No, we didn’t write it down anywhere else! We’ll lose all the ideas.” I can hear Bree’s footsteps getting closer. “Nathan? Are you home?” “Uh—yeah! In the kitchen.” Jamal tosses me a look like I’m an idiot for announcing our location, but what am I supposed to do? Stand very still and pretend we’re not all huddled in here having a Baby-Sitter’s Club re-enactment? She would find us, and that would look even worse after keeping quiet. “Just flip it over!” I tell anyone who’s not running in a circle chasing his tail. As Lawrence flips the whiteboard, Price tells us all to act natural. So of course, the second Bree rounds the corner, I hop up on the table, Jamal rests his elbow on the wall and leans his head on his hand, and Lawrence just plops down on the floor and pretends to stretch. Derek can’t decide what to do so he’s caught mid-circle. We all have fake smiles plastered on. Our acting is shit. Bree freezes, blinking at the sight of each of us not acting at all natural. “Whatcha guys doing?” Her hair is a cute messy bun of curls on the top of her head and she’s wearing her favorite joggers with one of my old LA Sharks hoodies, which she stole from my closet a long time ago. It swallows her whole, but since she just came from the studio, I know there is a tight leotard under it. I can barely find her in all that material, and yet she’s still the sexiest woman I’ve ever seen. Just her presence in this room feels like finally getting hooked up to oxygen after days of not being able to breathe deeply. We all respond to Bree’s question at the same time but with different answers. It’s highly suspicious and likely what makes her eyes dart to the whiteboard. Sweat gathers on my spine. “What’s with the whiteboard?” she asks, taking a step toward it. I hop off the table and get in her path. “Huh? Oh, it’s…nothing.” She laughs and tries to look around me. I pretend to stretch so she can’t see. “It doesn’t look like nothing. What? Are you guys drawing boobies on that board or something? You look so guilty.” “Ah—you caught us! Lots of illustrated boobs drawn on that board. You don’t want to see it.” She pauses, a fading smile hovering on her lips, and her eyes look up to meet mine. “For real—what’s going on? Why can’t I see it?” She doesn’t believe my boob explanation. I guess we should take that as a compliment? My eyes catch over Bree’s shoulder as Price puts himself out of her line of sight and begins miming the action of getting his phone out and taking a picture of the whiteboard. This little show is directed at Derek, who is standing somewhere behind me. Bree sees me watching Price and whips her head around to catch him. He freezes—hands extended looking like he’s holding an imaginary camera. He then transforms that into a forearm stretch. “So tight after our workout today.” Her eyes narrow.
Sarah Adams (The Cheat Sheet)
I don’t believe in love that never ends,” said Aiden, his whisper clear and distinct. “I don’t believe in being true until death or finding the other half of your soul.” Harvard raised an eyebrow but didn’t comment. Privately, he considered that it might be good that Aiden hadn’t delivered this speech to this guy he apparently liked so much—whom Aiden had never even mentioned to his best friend before now. This speech was not romantic. Once again, Harvard had to wonder if what he’d been assuming was Aiden’s romantic prowess had actually been many guys letting Aiden get away with murder because he was awfully cute. But Aiden sounded upset, and that spoke to an instinct in Harvard natural as breath. He put his arm around Aiden, and drew his best friend close against him, warm skin and soft hair and barely there shirt and all, and tried to make a sound that was more soothing than fraught. “I don’t believe in songs or promises. I don’t believe in hearts or flowers or lightning strikes.” Aiden snatched a breath as though it was his last before drowning. “I never believed in anything but you.” “Aiden,” said Harvard, bewildered and on the verge of distress. He felt as if there was something he wasn’t getting here. Even more urgently, he felt he should cut off Aiden. It had been a mistake to ask. This wasn’t meant for Harvard, but for someone else, and worse than anything, there was pain in Aiden’s voice. That must be stopped now. Aiden kissed him, startling and fierce, and said against Harvard’s mouth, “Shut up. Let me… let me.” Harvard nodded involuntarily, because of the way Aiden had asked, unable to deny Aiden even things Harvard should refuse to give. Aiden’s warm breath was running down into the small shivery space between the fabric of Harvard’s shirt and his skin. It was panic-inducing, feeling all the impulses of Harvard’s body and his heart like wires that were not only crossed but also impossibly tangled. Disentangling them felt potentially deadly. Everything inside him was in electric knots. “I’ll let you do anything you want,” Harvard told him, “but don’t—don’t—” Hurt yourself. Seeing Aiden sad was unbearable. Harvard didn’t know what to do to fix it. The kiss had turned the air between them into dry grass or kindling, a space where there might be smoke or fire at any moment. Aiden was focused on toying with the collar of Harvard’s shirt, Aiden’s brows drawn together in concentration. Aiden’s fingertips glancing against his skin burned. “You’re so warm,” Aiden said. “Nothing else ever was. I only knew goodness existed because you were the best. You’re the best of everything to me.” Harvard made a wretched sound, leaning in to press his forehead against Aiden’s. He’d known Aiden was lonely, that the long line of guys wasn’t just to have fun but tied up in the cold, huge manor where Aiden had spent his whole childhood, in Aiden’s father with his flat shark eyes and sharp shark smile, and in the long line of stepmothers who Aiden’s father chose because he had no use for people with hearts. Harvard had always known Aiden’s father wanted to crush the heart out of Aiden. He’d always worried Aiden’s father would succeed. Aiden said, his voice distant even though he was so close, “I always knew all of you was too much to ask for.” Harvard didn’t know what to say, so he obeyed a wild foolish impulse, turned his face the crucial fraction toward Aiden’s, and kissed him. Aiden sank into the kiss with a faint sweet noise, as though he’d finally heard Harvard’s wordless cry of distress and was answering it with belated reassurance: No, I’ll be all right. We’re not lost. The idea of anyone not loving Aiden back was unimaginable, but it had clearly happened. Harvard couldn’t think of how to say it, so he tried to make the kiss say it. I’m so sorry you were in pain. I never guessed. I’m sorry I can’t fix this, but I would if I could. He didn’t love you, but I do.
Sarah Rees Brennan (Striking Distance (Fence, #1))
Cochise Jones always liked to play against your expectations of a song, to light the gloomy heart of a ballad with a Latin tempo and a sheen of vibrato, root out the hidden mournfulness, the ache of longing, in an up-tempo pop tune. Cochise’s six-minute outing on the opening track of Redbonin’ was a classic exercise in B-3 revisionism, turning a song inside out. It opened with big Gary King playing a fat, choogling bass line, sounding like the funky intro to some ghetto-themed sitcom of the seventies, and then Cochise Jones came in, the first four drawbars pulled all the way out, giving the Lloyd Webber melody a treatment that was not cheery so much as jittery, playing up the anxiety inherent in the song’s title, there being so many thousand possible ways to Love Him, so little time to choose among them. Cochise’s fingers skipped and darted as if the keys of the organ were the wicks of candles and he was trying to light all of them with a single match. Then, as Idris Muhammad settled into a rolling burlesque-hall bump and grind, and King fell into step beside him, Cochise began his vandalism in earnest, snapping off bright bunches of the melody and scattering it in handfuls, packing it with extra notes in giddy runs. He was ruining the song, rifling it, mocking it with an antic edge of joy. You might have thought, some critics felt, that the meaning or spirit of the original song meant no more to Cochise Jones than a poem means to a shark that is eating the poet. But somewhere around the three-minute mark, Cochise began to build, in ragged layers, out of a few repeated notes on top of a left-hand walking blues, a solo at once dense and rudimentary, hammering at it, the organ taking on a raw, vox humana hoarseness, the tune getting bluer and harder and nastier. Inside the perfectly miked Leslie amplifier, the treble horn whirled, and the drivers fired, and you heard the song as the admission of failure it truly was, a confession of ignorance and helplessness. And then in the last measures of the song, without warning, the patented Creed Taylor strings came in, mannered and restrained but not quite tasteful. A hint of syrup, a throb of the pathetic, in the face of which the drums and bass fell silent, so that in the end it was Cochise Jones and some rented violins, half a dozen mournful studio Jews, and then the strings fell silent, too, and it was just Mr. Jones, fading away, ending the track with the startling revelation that the song was an apology, an expression, such as only the blues could ever tender, of limitless regret.
Michael Chabon (Telegraph Avenue)
the French fries were fantastic, they weren’t enough, not even close, to forget about the man she couldn’t have. The problem was she didn’t have any room in her life for him, and if she let him linger any more in her heart, she’d surely lose the game tonight. Tonight was for winning. CHAPTER TWO The venture capitalist with the laughing tell was back, and he spent most of the game staring at Julia. But Hunter must have gotten a tip to strike that laugh from his repertoire because the first time he chuckled Julia went all in, and lost a cool grand. He’d really had three kings. No bluffing. He’d likely snagged himself a poker tutor, some former pro player who now trained eager wannabe card sharks in the ways of the game, or a grizzled old veteran needing to earn a dime or two after he’d retired. She’d seen it before among the hotshots. A pivot here, a change-up there–all
Lauren Blakely (Seductive Nights Trilogy Bundle (Seductive Nights, #0.5-2))
As a Shark, I’ve been in the tank with these entrepreneurs and I can tell you Rachel gets right to the heart of how they succeeded,” said Barbara Corcoran in her endorsement of the book. “‘Shark Tank MOMpreneurs’ is a must read for anyone looking to learn the inside secrets of getting on ‘Shark Tank’ and landing a deal, or getting the publicity that’s essential for any successful business.
Rachel A. Olsen (Shark Tank MOMpreneurs Take A Bite Out of Publicity: How 5 Inventors Leveraged Media to Build their Business + How YOU Can, Too)