Shanghai Quotes

We've searched our database for all the quotes and captions related to Shanghai. Here they are! All 100 of them:

Crazy people are considered mad by the rest of the society only because their intelligence isn't understood.
Wei Hui
You’re fluent in Russian and that’s the best you could come up with?” Roma asked, flabbergasted. “What is a Montague? It sounds Italian.” “There are Italian Communists!” “Not in Shanghai!
Chloe Gong (These Violent Delights (These Violent Delights, #1))
May and I are sisters. We'll always fight, but we'll always make up as well. That's what sisters do: we argue, we point out each other's frailties, mistakes, and bad judgment, we flash the insecurities we've had since childhood, and then we come back together. Until the next time.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
We hug, but there are no tears. For every awful thing that's been said and done, she is my sister. Parents die, daughters grow up and marry out, but sisters are for life. She is the only person left in the world who shares my memories of our childhood, our parents, our Shanghai, our struggles, our sorrows, and, yes, even our moments of happiness and triumph. My sister is the one person who truly knows me, as I know her. The last thing May says to me is 'When our hair is white, we'll still have our sister love.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
Will: 'Singing the praises of our fair city? We treat you well here, don't we, James? I doubt I'd have that kind of luck in Shanghai. What do you call us there again?' Jem: 'Yang guizi ... foreign devils.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
Maybe we're all like that with our mothers. They seem ordinary until one day they're extraordinary.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
We're told that men are strong & brave, but I think women know how to endure, accept defeat & bear physical & mental agony much better than men.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
Entitlement that encouraged their wives to place a delicate handkerchief to their nose and sniff, wholeheartedly believing the tirade was deserved. They believed themselves the rulers of the world—on stolen land in America, on stolen land in Shanghai. Everywhere they went—entitlement. And Juliette was so tired.
Chloe Gong (These Violent Delights (These Violent Delights, #1))
There will be hatred. There will be war. The country will fight itself to pieces. It will starve its people, ravage its land, poison its breath. Shanghai will fall and break and cry. But alongside everything, there has to be love - eternal, undying, enduring. Burn through vengeance and terror and warfare. Burn through everything that fuels the human heart and Sears it red, burn through everything that covers the outside with hard muscle and tough sinew. Cut down deep and grab what beats beneath, and it is love that will survive after everything else has perished.
Chloe Gong (Our Violent Ends (These Violent Delights, #2))
Seeing something once is better than hearing about it a hundred times. Doing something once is better than seeing it a hundred times.
Lisa See (Dreams of Joy (Shanghai Girls, #2))
Having a baby is painful in order to show how serious a thing life is.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
Ms. McMartin had no close family. Her nearest relative was a distant cousin who had recently died in Shanghai, after a severe allergic reaction to a bowl of turtle and arsenic soup.
Jacqueline West (The Shadows (The Books of Elsewhere, #1))
Juliette scowled. “Just as they call Shanghai the Paris of the East,” she said. “When are we going to stop letting the colonizers pick the comparisons? Why don’t we ever call Paris the Shanghai of the West?
Chloe Gong (Our Violent Ends (These Violent Delights, #2))
As she spoke, I wanted to cry, because sometimes it's just so damn hard to be a mother. We have to wait and wait and wait for our children to open their hearts to us. And if that doesn't work, we have to bide our time and look for the moment of weakness when we can sneak back into their lives and they will see us and remember us for the people who love them unconditionally.
Lisa See (Dreams of Joy (Shanghai Girls, #2))
Her life was like a burst of wild, flowing Chinese calligraphy, written under the influence of alcohol.
Wei Hui (Shanghai Baby)
When you don’t have much, having less isn’t so bad.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
i would rather be married to broken jade than flawless clay
Lisa See (Shanghai Girls (Shanghai Girls, #1))
What stays with me most is a general sense of loss, unease, and longing for the past that cannot be relieved.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
I wonder if there was anything I would have done differently. I hope I would have done everything differently, except I know everything would have turned out the same. That's the meaning of fate.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
When the sun is shining, think of the time it won't be, because even when you're sitting in your house with the doors shut, misfortune can fall from above.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
Kissing with the tip of the tongue is like ice-cream melting. It was he who taught me that a kiss has a soul and colour of its own.
Wei Hui (Shanghai Baby)
Science could tell him that the ground was below his feet and the sky was above his head and the early light of day was upon his back. Roma wouldn't listen. To him, Juliette was the sun.
Chloe Gong (Last Violent Call (Secret Shanghai, #3.5))
Parents die, daughters grow up and marry out, but sisters are for life.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
He took her hand again, enjoying the spark of fire that lit through his bloodstream and led her through the fog toward River Street. Seeing the usually bustling area empty was equally beautiful and haunting. It brought back memories of earlier days. Centuries before cell phones and email. Back when his crew would drop anchor in the cloak of night and shanghai new crew members out of the pubs. Lifetimes ago.
Lisa Kessler (Magnolia Mystic (Sentinels of Savannah, #1))
The answer was: yes. But it wasn’t entirely their fault. The Chinese had built the pit, gathered the wood, and lit the match, but it was the foreigners who had come in and poured gasoline upon every surface, letting Shanghai rage into an untamable forest fire of debauchery.
Chloe Gong (These Violent Delights (These Violent Delights, #1))
A brave heart? It feels like a swollen and aching thing in my chest.
Lisa See (Dreams of Joy (Shanghai Girls, #2))
Her heart was like a great road with room for everyone.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
They have always said that Shanghai is an ugly daughter, but as the years grow on, it isn’t enough anymore to characterize this city as merely one entity. This place rumbles on Western idealism and Eastern labor, hateful of its split and unable to function without it, multiple facets fighting and grappling
Chloe Gong (These Violent Delights (These Violent Delights, #1))
Will told me you came from very far away. Where did you live before?’ ‘Shanghai,’ Jem said. ‘You know where that is?’ ‘Chine,’ said Tessa with some indignation. ‘Doesn’t everyone know that?’ Jem grinned. ‘You’d be surprised.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
Justice? What is justice? It's a mere word. It's an abstract word with no universal meaning. To different classes of people, justice means different things.
Nien Cheng (Life and Death in Shanghai)
In 1924 Mao took a Chinese friend, newly arrived from Europe, to see the notorious sign in the Shanghai park, 'Chinese and Dogs Not Allowed'.
Paul Johnson (Modern Times : A History of the World from the 1920s to the Year 2000)
At least, not in this country,' she added after a moment's thought. 'In China it's a little different. Once I saw a Chinaman in Shanghai. His ears were so big he could use them for a raincoat. When it rained, he just crept in under his ears and was warm and snug as could be. Not that the ears had such a rattling good time of it, you understand. If it was specially bad weather, he'd invite friends and acquaintances to pitch camp under his ears too. There they sat, singing their sorrowful songs while it poured down outside.
Astrid Lindgren (Pippi Longstocking (Pippi Långstrump, #1))
I have to do this, as long as it is at all possible; for if those who are obliged to look after commas had always made sure they were in the right place, then Shanghai would not be burning.
Karl Kraus
My mother used to tell me that Heaven never seals off all exits.
Lisa See (Dreams of Joy (Shanghai Girls, #2))
I came here to be happy, and I’m going to be happy. If I smile, then maybe I can convince my body just how happy I am.
Lisa See (Dreams of Joy (Shanghai Girls, #2))
If this constant bitter disappointment was love, then I was perfectly fine not to have anything to do with it.
Vann Chow (Shanghai Nobody (Master Shanghai, #1))
When you're held underwater, you think only of air.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
People say you need to be strong, smart, and lucky to survive hard times, war, a natural disaster, or physical torture. But I say emotional abuse—anxiety, fear, guilt, and degradation—is far worse and much harder to survive.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
It's always best to look ahead and not backwards. Possessions are not important. Think of those beautiful porcelain pieces I had. Before they came to me, they had all passed through the hands of many people, surviving wars and natural disasters. I got them only because someone else lost them. While I had them, I enjoyed them; now some other people will enjoy them. Life itself is transitory. Possessions are not important.
Nien Cheng (Life and Death in Shanghai)
Don't ever feel that you have to hide who you are. Nothing good ever comes from keeping secrets like that.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
The colonel dwelt in a vortex of specialists who were still specializing in trying to determine what was troubling him. They hurled lights in his eyes to see if he could see, rammed needles into nerves to hear if he could feel. There was a urologist for his urine, a lymphologist for his lymph, an endocrinologist for his endocrines, a psychologist for his psyche, a dermatologist for his derma; there was a pathologist for his pathos, a cystologist for his cysts, and a bald and pendantic cetologist from the zoology department at Harvard who had been shanghaied ruthlessly into the Medical Corps by a faulty anode in an I.B.M. machine and spent his sessions with the dying colonel trying to discuss Moby Dick with him.
Joseph Heller (Catch-22)
But do not look down on even the most minute of things; for with the coming of daybreak, even the tiniest particles of dust in this world sing and dance in the sunlight.
Wang Anyi (The Song of Everlasting Sorrow: A Novel of Shanghai)
A dragon doesn't surrender. A dragon fights fate. This is not some loud, roaring feeling. It feels more like someone blew on an ember and found a slight orange glow.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
Already a sizable traffic jam blocked the Bund. Once again the crush and clutter of Shanghai had engulfed its invaders.
J.G. Ballard (Empire of the Sun)
The Scarlet Gang was, first and foremost, a network of gangsters, and there was seldom a time when gangsters weren’t heavily involved with the black market. If the Scarlets dominated Shanghai, it was hardly surprising that they dominated the black market, too—decided the comings and goings, decided the men who were allowed to thrive and the men who needed to drop dead.
Chloe Gong (These Violent Delights (These Violent Delights, #1))
As I speak, I’m reminded of the old saying that diseases go in through the mouth, disasters come out of the mouth, meaning that words can be like bombs themselves.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
إنني و ماي أختان ، ولطالما تشاجرنا ، ولكننا تصالحنا أيضاً . فهذا ماتفعله الأخوات . سنتشاجر ، و ستنتقد إحدانا عيوب الأخرى و أخطائها ، و ستحكم إحدانا على الأخرى ، وسننفّس عن كل القلق الذي شعرنا به منذ الطفولة ثم نعود لنتصالح مجدداً إلى أن تحين المره القادمة .
ليزا سي (Shanghai Girls (Shanghai Girls, #1))
She doesn't need your money. Even a penniless fool like you can make her fall in love with you. That's just miracle.
Vann Chow (Shanghai Nobody (Master Shanghai, #1))
Bad experience is more bearable when you are not the only sufferer.
Nien Cheng (Life and Death in Shanghai)
But then this is how it is for women everywhere. You experience one lapse in conscience, in how low you think you'll go, in what you'll accept, and pretty soon you're at the bottom
Lisa See (Shanghai Girls (Shanghai Girls, #1))
Model communes are the ones where the leaders lie the best and the biggest.
Lisa See (Dreams of Joy (Shanghai Girls, #2))
...don't kid yourself. Keep the baby - I have no other advice for you. Children are the best thing in the world.
Elvira Baryakina (White Shanghai (Russian Treasures #2))
All suburban housing developments look alike, and besides, every Yankee who ever crossed the Potomac except Ulysses S. Grant got lost as soon as he reached the Virginia side.
Charles McCarry (The Shanghai Factor)
I think too much, and 99.9 per cent of men don’t want to get involved with a woman who thinks too much.
Wei Hui (Shanghai Baby)
Maybe it's impossible to recreate the exact weight of a memory, but we keep trying.
Nina Mingya Powles (Tiny Moons: A Year of Eating in Shanghai)
Love was a miracle the flesh couldn’t copy.
Wei Hui (Shanghai Baby)
No matter what you’re feeling or how desperate you become, always take a moral position. If you do that, God will watch over you.
Lisa See (Dreams of Joy (Shanghai Girls, #2))
The old woman remembered a swan she had bought many years ago in Shanghai for a foolish sum. This bird, boasted the market vendor, was once a duck that stretched its neck in hopes of becoming a goose, and now look!--it is too beautiful to eat.
Amy Tan (The Joy Luck Club)
Rosette disappeared onto the dance floor. Wells sat in silence for a minute, watching the dancers. The worldwide cult of fast money spent stupidly. The worldwide cult of trying too hard. Moscow, Rio, Los Angeles, Tokyo, New York, London, Shanghai--the story was the same everywhere. The same overloud music, the same overpromoted brand names, the same fake tits, about as erotic as helium balloons. Everywhere an orgy of empty consumption and bad sex. Las Vegas was the cult's world headquarters, Donald Trump its patron saint. Wells had spent ten years in the barren mountains of Afghanistan and Pakistan. He never wanted to live there again. But if he had to choose between an eternity there or in the supposed luxury of this club, he'd go back without a second thought.
Alex Berenson (The Silent Man (John Wells, #3))
Maybe stories and memories are destined to be incomplete...
Lisa See (Dreams of Joy (Shanghai Girls, #2))
sisters,
Lisa See (Dreams of Joy (Shanghai Girls, #2))
It’s big, and it’s so hard. You must come sit on it. It’s not my chair.
Weina Dai Randel (The Last Rose of Shanghai)
An inch of gold can't buy an inch of time
Nicole Mones (Night in Shanghai)
Large portraits of Mao on wooden boards several feet high stood at main street corners. Painted to make the old man look extremely youthful, healthy, and fat (a sign of well-being in China), these pictures provided a mocking contrast to the thin, pale-faced pedestrians walking listlessly below them.
Nien Cheng (Life and Death in Shanghai)
There is nothing innate, immutable or inevitable about boys or girls doing particularly well or badly in different subjects. Girls in Shanghai outperform western boys in math, the same boys that outshine the girls in the US. The variable factor is the educational system, the society and the parents.
Jamie Le Fay (Beginnings (Ahe'ey, #1))
This is the kind of China you Americans always see in the movies - the poor countryside, people wearing big hats to protect themselves from the sun. No, I never wore a hat like that! I was from Shanghai. That's like thinking someone from San Francisco wears a cowboy hat and rides a horse. Ridiculous!
Amy Tan (The Kitchen God's Wife)
It is tiring to be a woman who loves to eat in a society where hunger is something not to be satisfied but controlled. Where a long history of female hunger is associated with shame and madness. The body must be punished for every misstep; for every "indulgence" the balance of control must be restored. To enjoy food as a young woman, to opt out every day from the guilt expected of me, is a radical act, of love.
Nina Mingya Powles (Tiny Moons: A Year of Eating in Shanghai)
We view the world very much as peasants in the countryside have for millennia. they've alsways said that the mountains are high and the emperor is far away, meaning palace intrigues and imperial threats have no impact on their lives.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
Miracles are everywhere, and as I watch my sister--forever, beautiful, forever my little sister--staring into the eyes of the one man she ever loved, I know that indeed things do return to the beginning. The world opens again, and I see a life of happiness without fear. I gaze at my family--complicated though it may be--and know that fate smiles on us.
Lisa See (Dreams of Joy (Shanghai Girls, #2))
It's funny how in that moment I see things clearly. Am I beaten down? Yes. Have I allowed myself to become a victim? Somewhat. Am I afraid? Always. Does some part of me still long to fly away from this place? Absolutely. But I can't leave. Sam and I have built a life for Joy. It isn't perfect, but it's a life. My family's happiness means more to me that starting over again.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
So often, we're told that women's stories are unimportant. After all, what does it matter what happens in the main room, in the kitchen, or in the bedroom? Who cares about the relationships between mother, daughter, and sister? A baby's illness, the sorrows and pains of childbirth, keeping the family together during war, poverty, or even in the best of days are considered small and insignificant compared with the stories of men, who fight against nature to grow their crops, who wage battles to secure their homelands, who struggle to look inward in search of the perfect man. We're told that men are strong and brave, but I think women know how to endure, accept defeat, and bear physical and mental agony much better than men. The men in my life—my father, Z.G., my husband, my father-in-law, my brother-in-law, and my son—faced, to one degree or another, those great male battles, but their hearts—so fragile—wilted, buckled, crippled, corrupted, broke, or shattered when confronted with the losses women face every day...Our men try to act strong, but it is May, Yen-yen, Joy, and I who must steady them and help them bear their pain, anguish, and shame.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
Guess I am going to take a man-nap. Wake me up when there is food.
Vann Chow (Shanghai Nobody (Master Shanghai, #1))
Understandably she had a lot of suitors, just like any other girls in China with two arms and legs.
Vann Chow (Shanghai Nobody (Master Shanghai, #1))
It’s fair to say I don’t know what I’m doing. I like to plot my life and proceed carefully, but life doesn’t always follow a plan.
Lisa See (Dreams of Joy (Shanghai Girls, #2))
When you lose your home country, what do you preserve and what do you abandon?
Lisa See (Dreams of Joy (Shanghai Girls, #2))
La felicità nasce dalla sofferenza, è questo ho intuito.
Lisa See (Dreams of Joy (Shanghai Girls, #2))
In her head, she still liked the sound of Juliette Montagova.
Chloe Gong (Last Violent Call (Secret Shanghai, #3.5))
Death’s shadow only fades little by little as time passes. There will never be more than a thin glass barrier between your present and the wreckage of your past
Wei Hui (Shanghai Baby)
I supposed the Red Guards had enjoyed themselves. Is it not true that we all possess some destructive tendencies in our nature? The veneer of civilization is very thin. Underneath lurks the animal in each of us. If I were young and had had a working class background, if I had been brought up to worship Mao and taught to believe him infalliable, would I not have behaved exactly as the Red Guards had done?
Nien Cheng (Life and Death in Shanghai)
love that couldn’t accept a lover’s flaws was a selfish love. He wouldn’t be selfish. He would love her, all of her, her beauty, her smiles, her secrets, her mistakes, and her faults.
Weina Dai Randel (The Last Rose of Shanghai)
But it held a deeper meaning for me, the sense that reality itself was a stage set that could be dismantled at any moment, and that no matter how magnificent anything appeared, it could be swept aside into the debris of the past.
J.G. Ballard (Miracles of Life: Shanghai to Shepperton: An Autobiography)
It’s hard to deny life’s little ironies. Wrong place, wrong roles, but united in our commitment to life’s young dream. And yet, our bodies were already tarnished and our minds beyond yelp.
Wei Hui (Shanghai Baby)
In Shanghai, there were several pro-right circles of former officers. They realized that the Great War and European revolutions were a direct consequence of rotten liberalism. Words like order, family, discipline and duty didn't mean anything anymore. Civil liberties, so dear to Nina Kupina and people like her, resulted in monstrous egotism and total moral degradation: I do what I want and don't give a damn about others.
Elvira Baryakina (White Shanghai (Russian Treasures #2))
The twentieth century will be American. American thought will dominate it. American progress will give it color and direction. American deeds will make it illustrious. Civilization will never lose its hold on Shanghai. Civilization will never depart from Hongkong. The gates of Peking will never again be closed to the methods of modern man. The regeneration of the world, physical as well as moral, has begun, and revolutions never move backwards.
John Dos Passos (The 42nd Parallel (The U.S.A. Trilogy, #1))
My own outlook and my values had been formed long ago. I did not believe in dividing people into rigid classes, and I did not believe in class struggle as a means to promote progress. I believed that to rebuild after so many years of war, China needed a peaceful enviroment and the unity of all sections of society, not perpetual revolution.
Nien Cheng (Life and Death in Shanghai)
Understand that I am even ignored by the opposite sex on the internet.
Vann Chow (Shanghai Nobody (Master Shanghai, #1))
I barely took a moment to appreciate nature. Come to think of it, the only time I did it was when I was so upset I wanted to commit suicide in the Huang Pu river.
Vann Chow (Shanghai Nobody (Master Shanghai, #1))
The realization that truth, forgiveness, and goodness are more important than revenge, condemnation, and cruelty gives me courage and certainty.
Lisa See (Dreams of Joy (Shanghai Girls, #2))
Everything always returns to the beginning.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
In fact, after living in Communist China for so many years, I realized that one of the advantages enjoyed by a democratic government that allows freedom of speech is that the government knows exactly who supports it and who is against it, while a totalitarian government knows nothing of what the people really think.
Nien Cheng (Life and Death in Shanghai)
One of the most ugly aspects of life in Communist China during the Mao Zedong era was the Party’s demand that people inform on each other routinely and denounce each other during political campaigns. This practice had a profoundly destructive effect on human relationships. Husbands and wives became guarded with each other, and parents were alienated from their children. The practice inhibited all forms of human contact, so that people no longer wanted to have friends. It also encouraged secretiveness and hypocrisy. To protect himself, a man had to keep his thoughts to himself. When he was compelled to speak, often lying was the only way to protect himself and his family.
Nien Cheng (Life and Death in Shanghai)
As I gazed at Mao’s face wearing what was intended as a benign expression but was in fact a smirk of self-satisfaction, I wondered how one single person could have caused the extent of misery that was prevailing in China. There must be something lacking in our own character, I thought, that had made it possible for his evil genius to dominate.
Nien Cheng (Life and Death in Shanghai)
So where did you go, Holly?” Rafiq never tires of this conversation, no matter how often we do it. “Everywhere,” says Lorelei, being brave and selfless. “Colombia, Australia, China, Iceland, Old New York. Didn’t you, Gran?” “I did, yes.” I wonder what life in Cartagena, in Perth, in Shanghai is like now. Ten years ago I could have streetviewed the cities, but the Net’s so torn and ragged now that even when we have reception it runs at prebroadband speed. My tab’s getting old, too, and I only have one more in storage. If any arrive via Ringaskiddy Concession, they never make it out of Cork City. I remember the pictures of seawater flooding Fremantle during the deluge of ’33. Or was it the deluge of ’37? Or am I confusing it with pictures of the sea sluicing into the New York subway, when five thousand people drowned underground? Or was that Athens? Or Mumbai? Footage of catastrophes flowed so thick and fast through the thirties that it was hard to keep track of which coastal region had been devastated this week, or which city had been decimated by Ebola or Ratflu. The news turned into a plotless never-ending disaster movie I could hardly bring myself to watch.
David Mitchell (The Bone Clocks)
It has occurred to me that I should try and view in a similar spirit something which, over these three weeks I have been here in Shanghai, has come to be a perennial source of irritation: namely, the way people here seem determined at every opportunity to block one’s view. No sooner has one entered a room or stepped out from a car than someone or other will have smilingly placed himself right within one’s line of vision, preventing the most basic perusal of one’s surroundings. Often as not, the offending person is one’s very host or guide of that moment; but should there be any lapse in this quarter, there is never a shortage of bystanders eager to make good the shortcoming. As far as I can ascertain, all the national groups that make up the community here—English, Chinese, French, American, Japanese, Russian—subscribe to this practice with equal zeal, and the inescapable conclusion is that this custom is one that has grown up uniquely here within Shanghai’s International Settlement, cutting across all barriers of race and class.
Kazuo Ishiguro (When We Were Orphans)
I focus my eyes on my jade bracelet. All these years and for all the years after I die, it will remain unchanged. It will always be hard and cold- just a piece of stone. Yet for me it is an object that ties me to the past, to people and places that are gone forever. Its continued perfection serves as a physical reminder to keep living, to look to the future, to cherish what I have. It reminds me to endure. I'll live one morning after another.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
Nothing happens while you live. The scenery changes, people come in and go out, that's all. There are no beginnings. Days are tacked on to days without rhyme or reason, an interminable, monotonous addition. From time to time you make a semi-total: you say: I've been travelling for three years, I've been in Bouville for three years. Neither is there any end: you never leave a woman, a friend, a city in one go. And then everything looks alike: Shanghai, Moscow, Algiers, everything is the same after two weeks. There are moments—rarely—when you make a landmark, you realize that you're going with a woman, in some messy business. The time of a flash. After that, the procession starts again, you begin to add up hours and days: Monday, Tuesday, Wednesday. April, May, June. 1924, 1925, 1926. That's living. But everything changes when you tell about life; it's a change no one notices: the proof is that people talk about true stories. As if there could possibly be true stories; things happen one way and we tell about them in the opposite sense. You seem to start at the beginning: "It was a fine autumn evening...
Jean-Paul Sartre (Nausea)
Mama used to tell us a story about a cicada sitting high in a tree. It chirps and drinks in dew, oblivious to the praying mantis behind it. The mantis arches up its front leg to stab the cicada, but it doesn't know an oriole perches behind it. The bird stretches out its neck to snap up the mantis for a midday meal, but its unaware of the boy who's come into the garden with a net. Three creatures—the cicada, the mantis and the oriole—all coveted gains without being aware of the greater and inescapable danger that was coming.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
In an aggressive culture, non-HSPs are favored, and that fact will be obvious everywhere. Even in the study of pumpkinseed sunfish described above, the U.S. biologists writing the article described the sunfish that went into the traps as the “bold” fish, who behaved “normally.” The others were “shy.” But were the untrapped fish really feeling shy? Why not smug? After all, one could as easily describe them as the smart sunfish, the others as the stupid ones. No one knows what the sunfish felt, but the biologists were certain because their culture had taught them to be. Those who hesitate are afraid; those who do not are normal. (Science is always filtered through culture—the true image is not lost but sure can be tinted.) Here’s a good study to remember: Research comparing elementary school children in Shanghai to those in Canada found that sensitive, quiet children in China were among the most respected by their peers, and in Canada they were among the least respected. HSPs growing up in cultures in which they are not respected have to be affected by this lack of respect.
Elaine N. Aron (The Highly Sensitive Person in Love: Understanding and Managing Relationships When the World Overwhelms You)
But after living in Communist China for the past seventeen years, I knew that such a society was only a dream because those who seized power would invariably become the new ruling class. They would have the power to control the people’s lives and bend the people’s will. Because they controlled the production and distribution of goods and services in the name of the state, they would also enjoy material luxuries beyond the reach of the common people. In Communist China, details of the private lives of the leaders were guarded as state secrets. But every Chinese knew that the Party leaders lived in spacious mansions with many servants, obtained their provisions from special shops where luxury goods were made available to their household at nominal prices, and send their children in chauffeur-driven cars to exclusive schools to be taught by specially selected teachers. Even though every Chinese knew how these leaders lived, no one dared to talk about it. If we had to pass by a special shop for the military or high officials, we carefully looked the other way to avoid giving the impression we knew it was there.
Nien Cheng (Life and Death in Shanghai)
Since the very beginning of the Communist regime, I had carefully studied books on Marxism and pronouncements by Chinese Communist Party leaders. It seemed to me that socialism in China was still very much an experiment nad had no fixed course of development for the country had yet been decided upon. This, I thought, was why the government's policy was always changing, like a pendulum swinging from left to right and back again. When things went to extremes and problems emerged. Beijing would take corrective measures. Then these very corrective measures went too far and had to be corrected. The real difficulty was, of course, that a state-controlled economy only stifled productivity, and economic planning from Beijing ignored local conditions and killed incentive. When a policy changed from above, the standards of values changed with it. What was right yesterday became wrong today, and visa versa. Thus the words and actions of a Communist Party official at the lower level were valid for a limited time only... The Cultural Revolution seemed to me to be a swing to the left. Sooner or later, when it had gone too far, corrective measures would be taken. The people would have a few months or a few years of respite until the next political campaign. Mao Zedong believed that political campaigns were the motivating force for progress. So I thought the Proletarian Cultural Revolution was just one of an endless series of upheavals the Chinese people must learn to put up with.
Nien Cheng (Life and Death in Shanghai)