Shallow Grave Quotes

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All our lives we sweat and save, Building for a shallow grave.
Jim Morrison
She knows that history digs a shallow grave, and that the past is always waiting to rise again.
Alix E. Harrow (The Once and Future Witches)
If Cameron kidnaps you, kills you, then buries your lifeless body in a shallow grave in the desert where your remains lay decomposing for several decades until they're accidentally discovered by some guy on a journey to awaken his spirit at the Salinas Pueblo Missions, can I have your iMac?" I gaped at her. "You've really thought this out. "I love your iMac." "I love my iMac too, and you're not getting her." "But you'll be decomposing.
Darynda Jones (Death and the Girl Next Door (Darklight, #1))
I must make two honest confessions to you, my Christian and Jewish brothers. First, I must confess that over the past few years I have been gravely disappointed with the white moderate. I have almost reached the regrettable conclusion that the Negro's great stumbling block in his stride toward freedom is not the White Citizen's Counciler or the Ku Klux Klanner, but the white moderate, who is more devoted to "order" than to justice; who prefers a negative peace which is the absence of tension to a positive peace which is the presence of justice; who constantly says: "I agree with you in the goal you seek, but I cannot agree with your methods of direct action"; who paternalistically believes he can set the timetable for another man's freedom; who lives by a mythical concept of time and who constantly advises the Negro to wait for a "more convenient season." Shallow understanding from people of good will is more frustrating than absolute misunderstanding from people of ill will. Lukewarm acceptance is much more bewildering than outright rejection.
Martin Luther King Jr. (Letter from the Birmingham Jail)
That was what people did when they wanted to stop a girl from doing something—they shamed her.
Jennifer Donnelly (These Shallow Graves)
You, on the other hand, wish to know things. And no one can forgive a girl for that.
Jennifer Donnelly (These Shallow Graves)
Why is it, she wondered now, that boys get to do things and be things and girls only get to watch?
Jennifer Donnelly (These Shallow Graves)
All our lives we sweat and save Building for a shallow grave Must be something else we say Somehow to defend this place Everything must be this way.
Jim Morrison
Sir, no amount of money, no matter how vast, could induce me to stroll, perambulate, promenade, or engage in any form of locomotion with you whatsoever. Good evening.
Jennifer Donnelly (These Shallow Graves)
Headstrong is just a word, Katie - a word others call you when you don't do what they want.
Jennifer Donnelly (These Shallow Graves)
We who have means and a voice must use them to help those who have neither. Yet how can we help them if we don't even know about them? And how can we know about them if no one writes about them? Is it so wrong to want to know things?
Jennifer Donnelly (These Shallow Graves)
Annabelle gnawed her bottom lip. “I know I have to tell him the truth. I just need to find the right moment.” Krystal cocked her hip. “Girl, there is no right moment to die.” Charmaine clucked her tongue. “You are going straight on the top of my prayer list.” Only Phoebe looked pleased, and her amber eyes glowed like a cat’s. “I love this. Not the fact that you’ll end up in a shallow grave – I’m really sorry about that, and I’ll make sure he’s prosecuted to the fullest extent of the law. But I love knowing that a mere slip of a female put one over on the great Python.” Molly glared at her sister. “This is the exact reason why Christine Jeffreys won’t let her daughters have a sleepover with the twins. You frighten people.
Susan Elizabeth Phillips (Match Me If You Can (Chicago Stars, #6))
The truth costs. Lies cost more.
Jennifer Donnelly (These Shallow Graves)
I’d wish you good luck, but you won’t need it. You get to write your own story now. Nothing’s luckier than that.
Jennifer Donnelly (These Shallow Graves)
Since the adventure some of those who worked with me have buried themselves in the shallow grave of public duty.
T.E. Lawrence (Seven Pillars of Wisdom [Illustrated]: Lawrence of Arabia’s Firsthand Account of the Arab Revolt and Guerrilla Warfare in World War One)
If you're going to bury the past, bury it deep, girl. Shallow Graves always give up their dead.
Jennifer Donnelly (These Shallow Graves)
I don’t have good processing skills—at least I don’t think I do, because I turn everything into a fucking joke and then bury it in a shallow grave in whatever part of the mind something you never want to think about ever again goes…until its decomposing hand emerges from the dirt on a random Tuesday at 3 a.m. to remind you of that embarrassing thing you thought you’d forgotten.
Samantha Irby (Wow, No Thank You.)
A hero without faults is like an omelet without little bits of eggshell in it.
Colin Cotterill (Love Songs from a Shallow Grave (Dr. Siri Paiboun, #7))
No. I meant stay with me today. And tomorrow. And every day after.
Jennifer Donnelly (These Shallow Graves)
And besides, I couldn't stay at the party. It was too dangerous. I nearly died." "From what?" "Boredom.
Jennifer Donnelly (These Shallow Graves)
As a child, she’d thought all the noise and commotion was the most wild, wonderful game, but as she’d grown older, she understood why everyone rushed around so: they were chasing a story.
Jennifer Donnelly (These Shallow Graves)
Fac quod faciendum est,' " Jo read aloud. "Do what must be done.
Jennifer Donnelly (These Shallow Graves)
The truth is usually inappropriate.
Jennifer Donnelly (These Shallow Graves)
I'm not crazy; I'm curious.
Jennifer Donnelly (These Shallow Graves)
The thing is, you can't ever really know how rotten someone will turn out to be.
Jennifer Donnelly (These Shallow Graves)
She knows what’s coming better than her sisters. She knows that history digs a shallow grave, and that the past is always waiting to rise again.
Alix E. Harrow (The Once and Future Witches)
untold histories live in shallow graves.
Nadia Hashimi (Sparks Like Stars)
Your kids—and I imagine they had more help—dug a wide but shallow grave on Weston’s football field. They stole the kid’s car, drove it into the hole, and buried it. They even made a nice little tombstone for it.” Snorts
Penelope Douglas (Next to Never (Fall Away, #4.5))
It was too lonely to be heaven, and there wouldn't be stars in hell.
Kali Wallace (Shallow Graves)
Sometimes you have to do wrong to do right.
Jennifer Donnelly (These Shallow Graves)
Her fear was strong, but her need for the truth was stronger.
Jennifer Donnelly (These Shallow Graves)
The first rule of cannibal mermaid fight club is don't talk about cannibal mermaid fight club.
Kali Wallace (Shallow Graves)
I’m here with Eggie.” All eyes focused on Ric and he suddenly felt like he’d just been handed a speedy death sentence. “Not for that!” Miss Darla gasped, then added with a firm nod. “Don’t you worry one bit, Ulrich. I made Eggie fill in that shallow grave before we drove up here.” Lock grimaced and Ric swallowed. “Thank you?
Shelly Laurenston
If only she could be bold enough, and brave enough, to claim the things she wanted: love, a purpose, a life. But could she be?
Jennifer Donnelly (These Shallow Graves)
I don't like seeing myself on camera." But that's not it--that sounds shallow, like I'm worried I'll look fat or something. "It's like somebody is walking on my grave. TV immortalizes you. The episodes are what my family would watch if I died.
Heather Demetrios (Something Real (Something Real, #1))
We who have means and a voice must use them to help those who have neither.
Jennifer Donnelly (These Shallow Graves)
A myth finds a way to remember itself. It makes a new shape, rising out of a shallow grave in glory.
Jessie Burton (Medusa)
Asking questions, demanding explanations—these things always led to trouble
Jennifer Donnelly (These Shallow Graves)
He was a flame and she’d gotten burned, and the pain was terrible, yet it didn’t make the fire any less alluring.
Jennifer Donnelly (These Shallow Graves)
But you are a different sort of girl. Not at all what I expected you to be. And this is a different sort of time. And so I am hopeful for all the things you may yet find.
Jennifer Donnelly (These Shallow Graves)
His hope wasn't lost, it was buried, and somehow Prudence Ryland made that old grave seem much more shallow than it once was.
Kathryn Smith
We've dug our holes and hallowed caves Put goblin foes in shallow graves This day our work is just begun In the mines where silver rivers run Beneath the stone the metal gleams Torches shine on silver streams Beyond the eyes of he spying sun In the mines where silver rivers run The hammers chime on Mithral pure As dwarven mines in days of yore A craftsman's work is never done In the mines where silver rivers run To dwarven gods we sing or praise Put another orc in a shallow grave We know our work has just began In the mines where silver rivers run
R.A. Salvatore (Streams of Silver (Forgotten Realms: Icewind Dale, #2; Legend of Drizzt, #5))
When the owner of the pig arrived he found a scrawny and bloodcovered white boychild standing on what was left of his property sawing at it with a knife and hauling on the skin and cursing. The dirty half flayed pig looked like something recovered from a shallow grave.
Cormac McCarthy (Suttree)
Oh my god,” I said, but I couldn’t help but laugh. “You can’t make jokes about eating dead people if you actually eat dead people.
Kali Wallace (Shallow Graves)
Murder is not a suitable topic of conversation for a young lady.
Jennifer Donnelly (These Shallow Graves)
But let the slave who sees another cast into a shallow grave know that he will be buried in the same way when his day comes.
Chinua Achebe (Arrow of God (The African Trilogy, #3))
Now this girl was about twenty-one years old. A sweet little coed. Spends a night with a married man. Goes home the next day and tells her mama and daddy. Don’t ask me why. Maybe just to rub their faces in it. They decide she needs a lesson. Whole family drives out into the desert, right out to that spot we just passed. All three of them plus the girl’s pet dog. Papa tells the girl to dig a shallow grave. Mama gets down on her hands and knees and holds the dog by the collar. When the girl is all through digging, papa gives her a .22 caliber revolver and tells her to shoot the dog. A real touching family scene. Make a good calendar for some religious group to give away. The girl puts the weapon to her temple and kills herself. Now isn’t that a heartwarming story? Restores my faith in just about everything.
Don DeLillo (Américana)
I must confess that over the past few years I have been gravely disappointed with the white moderate. I have almost reached the regrettable conclusion that the Negro's great stumbling block in his stride toward freedom is not the White Citizen's Counciler or the Ku Klux Klanner, but the white moderate, who is more devoted to "order" than to justice; who prefers a negative peace which is the absence of tension to a positive peace which is the presence of justice; who constantly says: "I agree with you in the goal you seek, but I cannot agree with your methods of direct action"; who paternalistically believes he can set the timetable for another man's freedom; who lives by a mythical concept of time and who constantly advises the Negro to wait for a "more convenient season." Shallow understanding from people of good will is more frustrating than absolute misunderstanding from people of ill will. Lukewarm acceptance is much more bewildering than outright rejection.
Martin Luther King Jr. (Letter from the Birmingham Jail)
And my heart is a handful of dust, / And the wheels go over my head, / And my bones are shaken with pain, / For into a shallow grave they are thrust, / Only a yard beneath the street,’ something, something, ‘enough to drive one mad.
Edward St. Aubyn (The Complete Patrick Melrose Novels)
The truth can be a hard thing, Jo. It's often best left hidden.
Jennifer Donnelly (These Shallow Graves)
To have a purpose in life--what does that feel like?
Jennifer Donnelly (These Shallow Graves)
I was holding his wrists, but it wasn’t his flesh and bone I was feeling. It was the sick slippery guilt inside the meat shell.
Kali Wallace (Shallow Graves)
For a man on a mission, a hundred years can pass in the blinking of an eye. Oh, it helps to have access to the philosopher’s stone, to have the fruits of a thousand years of alchemical progress at one’s fingertips, but really, it was always the mission that mattered. James Reed was born knowing his purpose, left his master in a shallow grave knowing his purpose, and fully intends to ascend to the heights of human knowledge with the fruits of his labors clutched firmly in hand. Damn anyone who dares to get in his way.
Seanan McGuire (Middlegame (Alchemical Journeys, #1))
«Ένα ποτό, ένα τσιγάρο, καμία υποχρέωση να ευχαριστήσεις οποιονδήποτε άλλον εκτός από τον εαυτό σου. Ελευθερία. Αυτή είναι η απάντησή μου. Η ελευθερία να είσαι εσύ το καλύτερο πράγμα που σου συνέβη».
Jennifer Donnelly (These Shallow Graves)
I gasp. All around me, the dead are risin. Another leg bone bobs to the muddy surface. Then a skull. A arm bone. They swing lazily. The current grabs 'em an carries 'em away. Wreckers must of used the dry riverbed as a mass grave an now the heavy rain's churnin it all up. I snatch my hands from the water, hold my arms high, outta the way. Slowly I turn in a circle, blinkin the rain away from my eyes. Ohmigawd, I says. Ohmigawd ohmigawd ohmigawd. The river's alive with dead men's bones. It's thick with 'em. My breath's comin shallow an fast. I feel somethin touch me. I make myself look down. A skellenton's wrapped itself around my chest. The skull grins up at me. I shove it away. But when I pull my hands up agin, the whole top half of the skellenton comes with 'em. I'm stuck in the ribcage. The skull's right in my face. I scream. Shake myself loose. Scramble to git away. Lose my footin. I fall. I go unner. An the current sweeps me away.
Moira Young (Blood Red Road (Dust Lands, #1))
She is very wonderful, Bertie. She is not one of these flippant, shallow-minded, modern girls. She is sweetly grave and beautifully earnest. She reminds me of - what is the name I want?" "Marie Lloyd?" "Saint Cecilia," said young Bingo, eyeing me with a good deal of loathing. "She reminds me of Saint Cecilia. She makes me yearn to be a better, nobler, deeper, broader man.
P.G. Wodehouse
As the last human lay dying in their shallow grave, they fashioned a crude grave marker from wood. It read: "Man - Terroriser of Fish and Great Destroyer of all he made, found or was gifted." They then covered themselves with earth and quietly passed away. Seeing this, God left the Universe and took the Sun with him.
Stewart Stafford
Shallow graves took on a life of their own. And eventually, all bodies did what they were meant to do. Decay. Ashes to ashes, dust to dust. Disappearing back into the earth, until months later, a uniquely shaped depression was formed. The kind of hollow that any experienced homicide detective could look at and say, hey, betcha a body is buried there. The
Lisa Gardner (Find Her (Detective D.D. Warren, #8))
I dreamed the world was an awful place,” he said. “It wasn’t a dream,” she told him.
Colin Cotterill (Love Songs from a Shallow Grave (Dr. Siri Paiboun, #7))
Fa quod faciendum est.
Jennifer Donnelly (These Shallow Graves)
Headstrong is just a word--a word others call you when you don't do what they want.
Jennifer Donnelly (These Shallow Graves)
I'd wish you good luck, but you won't need it. You get to write your own story now. Nothing's luckier than that.
Jennifer Donnelly (These Shallow Graves)
Turning your back on the darkness didn't mean the darkness would turn it's back on you.
Jennifer Donnelly (These Shallow Graves)
We deceive ourselves if we believe we can hold on to old models as ideologies whimper off to a shallow grave in prolonged agony of people, institutions and cultures.
Said Elias Dawlabani (MEMEnomics: The Next Generation Economic System)
I follow the scent of fading life like hounds rushing toward bodies in shallow graves.
Heather Dearly (Prom Dates to Die for)
memory is a shallow grave
Jenny Toune
He's dead, Walt. Like you always say, 'Buried in a shallow grave and shit off a cliff by a coyote.
Craig Johnson (Land of Wolves (Walt Longmire, #15))
A disconcerting image of the cameraman thrown in a shallow grave passed through my sights; he sat up in the dark and noticed the blanket of his bed was made of sod.
Patti Smith (M Train)
I was walking around in an almost blind, crazy rage of madness. There was a story burning a hole in my brain, and it was dying to come out on paper. It was begging of me to create it, but I didn’t know where to begin. A month after giving birth to the idea, I felt like I was losing my mind. Ideas would pop into my head in the middle of the night, or during a midterm, and I missed them, quite narrowly, almost every time. Every time an idea left my mind without taking the shape of a word on paper, my mind would automatically begin to churn something just as impressive, or at least close to it. I was digging myself into a shallow grave, and I was getting nowhere. And this was even before the thoughts were committed to paper.
Leigh Hershkovich
No, Pasha,” whispered Alexander. “No.” He felt Pasha’s head. He closed Pasha’s eyes. For a few moments he stood over Pasha, and then he sank to the ground. Wrapping him tightly with the trench coat, Alexander took Pasha’s body into his arms and, cradling him from the cold, closed his own eyes. For the rest of the night Alexander sat on an empty road, his back against the tree, not moving, not opening his eyes, not speaking, holding Tatiana’s brother in his arms. If Ouspensky spoke to him, he did not hear. If he slept, he did not feel it, not the cold air, nor the hard ground, nor the rough bark of the tree against his back, against his head. When morning broke, and gray close light rose over Saxony, Alexander opened his eyes. Ouspensky was sleeping on his side, wrapped in his trench coat next to them. Pasha’s body was rigid, very cold. Alexander got up from under Pasha, washed his own face with whisky, rinsed out his mouth with whisky, and then got his titanium trench tool and started to carve a hole in the ground. Ouspensky woke up, helped him. It took them three hours of scraping at the earth, to make a hole a meter deep. Not deep enough, but it would have to do. Alexander covered Pasha’s face with the trench coat so the earth wouldn’t fall on it. With two small branches and a piece of string, Alexander made a cross and laid it on top of Pasha’s chest, and then they lifted him and lowered him into the hole, and Alexander, his teeth grit the entire time, filled the shallow grave with fresh dirt. On a wide thick branch, he carved out the name PASHA METANOV, and the date, Feb 25, 1945, and tying it to another longer branch made another cross and staked it into the ground. Alexander and Ouspensky
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
can still hear the contempt in her voice. At times everyone wonders how deeply buried contempt is beneath the surface of their friends’ and lovers’ smiles; most of us suspect—accurately, I believe—that it lies in a shallow grave, gasping for breath beneath a damp mulch of manners and restraint.
Adrian Barnes (Nod)
Most autumns, the water is low from the long dry summer, and you have to get out from time to time and wade, leading or dragging your boat through trickling shallows from one pool to the long channel-twisted pool below, hanging up occasionally on shuddering bars of quicksand, making six or eight miles in a day's lazy work, but if you go to the river at all, you tend not to mind. You are not in a hurry there; you learned long since not to be.
John Graves (Goodbye to a River: A Narrative)
Sorry My Love The more you think you know me, I hope the less you'll understand, for once you fathom I'm a made man, death will take you by the hand. In a shallow grave you'll be buried, my shovel piercing frozen ground. Sorry, I can neither leave loose ends untied, Nor can I leave witnesses around.
Beryl Dov
I'm safer with the Tailor and Pretty Will and every thief and cutthroat in the bend than I am with Miss Josephine Montfort of Gramecy Park.
Jennifer Donnelly (These Shallow Graves)
Gravedigger, when you dig my grave, could you make it shallow so that I can feel the rain.
Dave Matthews
Some days it’s not worth crawling out of the shallow woodland grave, I swear. “Be
Seanan McGuire (Once Broken Faith (October Daye #10))
Landon cut out early, had some business to attend to.” The man gnashed the gum obnoxiously. “You finish the Butternut file?
Patrick Logan (Shallow Graves (The Haunted #1))
There's always an assumption of selflessness in planting a tree. You're supposed to think, while digging the hole, how far into the future the tree will grow and what shallow, unconvincing weeds we humans are in comparison. Standing by the young sprout, you're supposed to wonder who will see this tree when it's full-grown, and you're bound in duty to consider the serenity of your own grave.
Verlyn Klinkenborg (More Scenes from the Rural Life)
And decay is highly dependent on environmental and situational factors. What’s the weather been like? Was the body buried? In what? Seeking better understanding of the effects of these factors, the University of Tennessee (UT) Anthropological Research Facility, as it is blandly and vaguely called, has buried bodies in shallow graves, encased them in concrete, left them in car trunks and manmade ponds, and wrapped them in plastic bags. Pretty much anything a killer might do to dispose of a dead body the researchers at UT have done also.
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
Don't let the darkness that's been visited upon this family pull you in so deeply, you cannot get out. Turn back from it, darling Jo... he'd warned her. He didn't seem to understand that turning your back on the darkness didn't mean the darkness would turn its back on you.
Jennifer Donnelly (These Shallow Graves)
As Siri walked along that oh-so-noisy riverbank on his way to work, he saw a pelican gliding above the surface of the water. It was a marvelous bird, proud and resourceful, and he imagined how it would taste with a little chili paste and fresh yams. Hungry people made poor environmentalists.
Colin Cotterill (Love Songs From A Shallow Grave (Dr. Siri Paiboun, #7))
Say yes to that thing. Work with a mentor. Stop minimizing what you are good at and throw yourself into it with no apologies. Do you know who will do this for you? No one. You are it. Don’t bury that talent, because the only thing fear yields is one dormant gift in a shallow grave. How many trot out that tired cliché—“I’m waiting for God to open a door”—and He is all, “I love you, but get going, pumpkin, because usually chasing the dream in your heart looks surprisingly like work. Don’t just stand there, bust a move.” (God often sounds like Young MC.) You are good at something for a reason. God designed you this way, on purpose.
Jen Hatmaker (For the Love: Fighting for Grace in a World of Impossible Standards)
May Delano looked up from her book. “What’s a wayward girl?” she asked. Jo groaned. “Never mind,” Trudy said. “Tell me,” May whined. “Very well,” Trudy replied, turning to look at May. “A girl who is with child but without a husband.” May laughed. “Shows what you know, Trudy Van Eyck. The stork brings babies after you’re married, not before.
Jennifer Donnelly (These Shallow Graves)
...published in the June 1963 issue of Liberation Magazine and written from a prison cell in Birmingham, Alabama, Martin Luther King, Jr also mused: 'First, I must confess that over the last few years I have been gravely disappointed with the white moderate. I have almost reached the regrettable conclusion that the Negro's great stumbling block in the stride toward freedom is not the White Citizen's Counciler or the Ku Klux Klanner, but the white moderate who is more devoted to "order" than to justice; who prefers a negative peace which is the absence of tension to a positive peace which is the presence of justice; who constantly says "I agree with you in the goal you seek, but I can't agree with your methods of direct action"; who paternalistically feels he can set the timetable for another man's freedom; who lives by the myth of time and who constantly advises the Negro to wait until a "more convenient season". Shallow understanding from people of goodwill ismore frustrating than absolute misunderstandingfrom people of ill will. Lukewarm acceptance is much more bewildering than outright rejection.
Reni Eddo-Lodge (Why I'm No Longer Talking to White People About Race)
Give a man entertainment and comfort and watch him throw his dreams and ambitions away like they were nothing. This world is shallow and dictated by trends and what to buy next. Always more, always another thing. It’s a rat race, that’s all it is. A rat race to the grave, and the winner has the most in his bank account and the most cybergenetic enhancements to get rid of what made him human!
Rhett Downing (Crocodile Tears)
…we know what to do with rebels here. They are dug into shallow graves, the Cornishmen who came up the country when he was a boy; but there are always more Cornishmen. And beneath Cornwall, beyond and beneath this whole realm of England, beneath the sodden marches of Wales and the rough territory of the Scots border, there is another landscape; there is a buried empire, where he fears his commissioners cannot reach. Who will swear the hobs and boggarts who live in the hedges and in hollow trees, and the wild men who hide in the woods? Who will sear the saints in their niches, and the spirits that cluster at holy wells rustling like fallen leaves, and the miscarried infants dug into unconsecrated ground: all those unseen dead who hover in winter around forges and village hearths, trying to warm their bare bones? For they too are his countrymen: the generations of the uncounted dead, breathing through the living, stealing their light from them, the bloodless ghosts of lord and knave, nun and whore, the ghosts of priest and friar who feed on living England, and suck the substance from the future.
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
wasn’t Ruth coming onto the roof to collect her daughter. There was just no way the old crone could be that nimble. Besides, this figure was larger, much larger, and had a thick brown mustache and dark pockets encircling even darker eyes. Eyes like Patricia’s. It was the man whose picture was up on the mantle beside Ruth’s; it was James Harlop. Robert was tempted to close his eyes, to will all of this nonsense away, when a thunderclap brought him back. He suddenly felt dizzy, caught between two worlds. His senses were telling him that this was real, that there really was a girl on the roof with
Patrick Logan (Shallow Graves (The Haunted #1))
I thought about the aftermath of the 1862 war, when thirty-eight hastily condemned warriors had been hung in Mankato, in the country's largest-ever mass execution. Their bodies were buried in shallow graves and then dug up for study by local doctors, including Dr. Mayo, who kept the body of Cut Nose for his personal examination. I thought about my father losing his teaching job, about his struggle with depression and drinking. About how angry he was that our history was not taught in schools. Instead, we had to battle sports mascots and stereotypes. Movie actors in brownface. Tourists with cameras. Welfare lines. Alcoholism. 'After stealing everything,' he would rage, 'now they want to blame us for it, too.' Social services broke up Native families, sending children like me to white foster parents. Every week, the newspapers ran stories about Indians who rolled their cars while drunk or the rise of crack cocaine on the reservations or somebody's arrest for gang-related crimes. No wonder so many Native kids were committing suicide. But there was so much more to the story of the run. What people didn't see because they chose never to look. Unlike the stone monument in New Ulm, built to memorialize the settlers' loss with angry pride, the Dakhota had created a living, breathing memorial that found healing in prayer and ceremony. What the two monuments shared, however, was remembering. We were all trying to find a way through grief.
Diane Wilson (The Seed Keeper)
For many years,Rides the Wind cared only for Walks the Fire. Together they read this Book she speaks of.My daughter has told me of this.Walks the Fire would tel the words in the Book. Rides the Wind repeated them,then he would tell how the words would help him in the hunt or in the council.Walks the Fire listened as he spoke. She respected him.She did as he said." As Talks a Lot spoke,the people remembered the years since Walks the Fire had come to them.Many among them recalled kindness beyond the saving of Hears Not.Many regretted the early days, when they had laughed at the white woman.They remembered Prairie Flower and Old One teaching her,and many could recall times when some new stew was shared with their family or a deerskin brought in by Rides the Wind found its way to their tepee. Prairie Flower's voice was added to the men's. "Even when no more sons or daughters came to his tepee-even then, Rides the Wind wanted only Walks the Fire." She turned to look at Running Bear, another elder, "Even when you offered your own beautiful daugher, Rides the Wind wanted only Walks the Fire.This is true. My father told me. When he walked the earth,Rides the Wind wanted only Walks the Fire.Now that he lies upon the earth,you must know that he would say, 'Do this for her.'" Jesse had continued to dig into the earth as she listened. When Prairie Flower told of the chief's having offered his daughter,she stopped for a moment.Her hand reached out to lovingly caress the dark head that lay so still under the clear sky.Rides the Wind had never told her of this.She had been afraid that he might take another wife when it became evident they would have no children.Now she knew that he had chosen her alone-even in the face of temptation. From the women's group there was movement. Prairie Flower stepped forward, her digging tool in her hand. Defiantly she sputtered, "She is my friend..." and stalked across the short distance to the shallow grave. Dropping to her knees beside Jesse, she began attacking the earth.Ferociously she dug.Jesse followed her lead, as did Old One.They began again,three women working side by side.And then there were four women,and then five, and six, until a ring of many women dug together. The men did nothing to stop them, and Running Bear decided what was to be done. "We will camp here and wait for Walks the Fire to do what she must. Tonight we will tell the life of Rides the Wind around the fire.Tomorrow, when this is done, we will move on." And so it was.Hours later Rides the Wind, Lakota hunter, became the first of his village to be laid in a grave and mourned by a white woman. Before his body was lowered into the earth, Jesse impulsively took his hunting knife, intending to cut off the two thick, red braids that hung down her back. It seemed so long ago that Rides the Wind had braided the feathers and beads in, dusting the part.Had it really been only this morning? He had kissed her,too, grumbling about the white man's crazy ways.Jesse had laughed and returned his kiss.
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
In tire world today there is a “liberal” or “enlightened” tradition which regards the combative side of man’s nature as a pure, atavistic evil, and scouts the chivalrous sentiment as part of the “false glamour” of war. And there is also a neo-heroic tradition which scouts the chivalrous sentiment as a weak sentimentality, which would raise from its grave (its shallow and unquiet grave!) the pre-Christian ferocity of Achilles by a “modern invocation”. Already in our own Kipling the heroic qualities of his favourite subalterns are dangerously removed from meekness and urbanity. One cannot quite imagine the adult Stalkey in the same room with the best of Nelson’s captains, still less with Sidney! These two tendencies between them weave the world’s shroud.
C.S. Lewis (Present Concerns)
I must confess that over the past few years I have been gravely disappointed with the white moderate. I have almost reached the regrettable conclusion that the Negro’s great stumbling block in his stride toward freedom is not the White Citizen’s Counciler or the Ku Klux Klanner, but the white moderate, who is more devoted to “order” than to justice; who prefers a negative peace which is the absence of tension to a positive peace which is the presence of justice; who constantly says: “I agree with you in the goal you seek, but I cannot agree with your methods of direct action”; who paternalistically believes he can set the timetable for another man’s freedom; who lives by a mythical concept of time and who constantly advises the Negro to wait for a “more convenient season.” Shallow understanding from people of good will is more frustrating than absolute misunderstanding from people of ill will. Lukewarm acceptance is much more bewildering than outright rejection.
Martin Luther King Jr. (The Autobiography of Martin Luther King, Jr.)
First, I must confess that over the past few years I have been gravely disappointed with the white moderate. I have almost reached the regrettable conclusion that the Negro's great stumbling block in his stride toward freedom is not the White Citizens' Councilor or the Ku Klux Klanner, but the white moderate, who is more devoted to "order" than to justice; who prefers a negative peace which is the absence of tension to a positive peace which is the presence of justice; who constantly says: "I agree with you in the goal you seek, but I cannot agree with your methods of direct action"; who paternalistically believes he can set the timetable for another man's freedom; who lives by a mythical concept of time and who constantly advises the Negro to wait for a "more convenient season." Shallow understanding from people of good will is more frustrating than absolute misunderstanding from people of ill will. Lukewarm acceptance is much more bewildering than outright rejection. I had hoped that the white moderate would understand that law and order exist for the purpose of establishing justice and that when they fail in this purpose they become the dangerously structured dams that block the flow of social progress. I had hoped that the white moderate would understand that the present tension in the South is a necessary phase of the transition from an obnoxious negative peace, in which the Negro passively accepted his unjust plight, to a substantive and positive peace, in which all men will respect the dignity and worth of human personality. Actually, we who engage in nonviolent direct action are not the creators of tension. We merely bring to the surface the hidden tension that is already alive. We bring it out in the open, where it can be seen and dealt with. Like a boil that can never be cured so long as it is covered up but must be opened with all its ugliness to the natural medicines of air and light, injustice must be exposed, with all the tension its exposure creates, to the light of human conscience and the air of national opinion before it can be cured.
Martin Luther King Jr. (Why We Can't Wait)
How will I choose?” she finally muttered. “Pick something that doesn’t make you look like a slut. That’ll narrow it down,” Bailey said, now frowning at a headless mannequin wearing a tiny wedding dress with a long train. “Oh, and stay away from too much lace. Don’t want to look like someone’s grandma.” A wide-eyed Farah looked at me as I took her hand. “This is fun. We’re going to look at them all and pick our favorites. Then, you’ll try them on and narrow them down. With so many to choose from, you’re sure to find the perfect dress.” “I just don’t want to look like I’m trying too hard.” “You’re an idiot,” Bailey snorted. “Trying too hard to what?” “Look fancy.” “You’re wearing a fucking wedding dress. You’re supposed to look fancy. It’s not like you’re ever getting married again. If things don’t work out with Coop, he’ll never let you go. Nope, you’ll be heading for a shallow grave.” While Farah rolled her eyes, I stared at Bailey who shrugged. “Too honest? “Is that a real question?” Bailey grinned. “What I meant to say was Farah and Cooper are so fucking perfect for each other that they’ll never get divorced, so she should wear the fanciest damn dress she can find. It’s what I would do if I was once dirt poor and now had money.” “Great effort, but you lost a little bit of your fake niceness at the end.” Bailey grinned. “Great effort is still something.” “Yes, it is,” I said, taking Farah’s hand. “Let’s start narrowing things down. I’ll show you a dress and you decide if it’s too poofy or not poofy enough. We’ll eventually hit the right level of poofy.” Farah laughed. “I want a good amount of poofy. It’s rare that a girl can be poofy without looking stupid.” “Maddy will be poofy no matter what she wears,” Bailey said as Maddy entered with Jodi and Sawyer. “I don’t even know how she can get a bridesmaid dress if she’s going to swell up more before the wedding.” Everyone frowned at Bailey who glanced at me then back at Maddy and added, “You’re swelling with the gift of life.” Maddy laughed. “Was that you being nice?” “That was me trying, yes.
Bijou Hunter (Damaged and the Knight (Damaged, #2))
Evie.” She glanced at Sebastian. Whatever she saw in his face caused her to walk around the bed to him. “Yes,” she said with a concerned frown. “Dearest, this is going to help you—” “No.” It would kill him. It was difficult enough already to fight the fever and the pain. If he was further weakened by a long bloodletting he wouldn’t be able to hold on any longer. Frantically Sebastian tugged at his tautly stretched arm, but the binding held fast and the chair didn’t even wobble. Bloody hell. He stared up at his wife wretchedly, battling a wave of light-headedness. “No,” he rasped. “Don’t…let him…” “Darling,” Evie whispered, bending over to kiss his shaking mouth. Her eyes were suddenly shiny with unshed tears. “This may be your best chance—your only chance—” “I’ll die. Evie…” Rising fear caused blackness to streak across his vision, but he forced his eyes to stay open. Her face became a blur. “I’ll die,” he whispered again. “Lady St. Vincent,” came Dr. Hammond’s steady, kind voice, “your husband’s anxiety is quite understandable. However, his judgment is impaired by illness. At this time, you are the one who is best able to make decisions for his benefit. I would not recommend this procedure if I did not believe in its efficacy. You must allow me to proceed. I doubt Lord St. Vincent will even remember this conversation.” Sebastian closed his eyes and let out a groan of despair. If only Hammond were some obvious lunatic with a maniacal laugh…someone Evie would instinctively mistrust. But Hammond was a respectable man, with all the conviction of someone who believed he was doing the right thing. The executioner, it seemed, could come in many guises. Evie was his only hope, his only champion. Sebastian would never have believed it would come to this…his life depending on the decision of an unworldly young woman who would probably allow herself to be persuaded by the Hammond’s authority. There was no one else for Sebastian to appeal to. He felt her gentle fingers at the side of his fevered face, and he stared up at her pleadingly, unable to form a word. Oh God, Evie, don’t let him— “All right,” Evie said softly, staring at him. Sebastian’s heart stopped as he thought she was speaking to the doctor…giving permission to bleed him. But she moved to the chair and deftly untied Sebastian’s wrist, and began to massage the reddened skin with her fingertips. She stammered a little as she spoke. “Dr. H-Hammond…Lord St. Vincent does not w-want the procedure. I must defer to his wishes.” To Sebastian’s eternal humiliation, his breath caught in a shallow sob of relief. “My lady,” Hammond countered with grave anxiety, “I beg you to reconsider. Your deference to the wishes of a man who is out of his head with fever may prove to be the death of him. Let me help him. You must trust my judgment, as I have infinitely more experience in such matters.” Evie sat carefully on the side of the bed and rested Sebastian’s hand in her lap. “I do respect your j-j—” She stopped and shook her head impatiently at the sound of her own stammer. “My husband has the right to make the decision for himself.” Sebastian curled his fingers into the folds of her skirts. The stammer was a clear sign of her inner anxiety, but she would not yield. She would stand by him. He sighed unsteadily and relaxed, feeling as if his tarnished soul had been delivered into her keeping.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Lark wrapped an arm around me and started to speak until Bailey’s startled voice interrupted us. A huge football player had her pinned against the wall and she was yelling for him to back off. Instead, he crowded her more while playing with her blonde hair. “Hey!” I yelled as Lark and I rushed over. Six four and wide shouldered, the guy was wasted and angry at the interruption. “Fuck off, bitches,” he muttered. Bailey clawed at his neck, but he had her pinned in a weird way, so she couldn’t get any leverage. While I was ready to jump on him in a weak attempt to save my friend, someone shoved the football player off Bailey. I hadn’t even seen the guy appear, but he stood between Bailey and the pissed jerk. “Fuck off, man,” the asshole said. “She’s mine.” “Nick,” Bailey mumbled, looking ready to cry. “He humped my leg. Crush his skull, will ya?” Nick frowned at Bailey who was leaning on him now. The football player was an inch or two bigger than Nick and outweighed him by probably fifty pounds. Feeling the fight would be short, the asshole reached for Bailey’s arm and Nick nailed the guy in the face. To my shock, the giant asshole collapsed on the ground. “My hero,” Bailey said, looking ready to puke. She caressed Nick’s biceps and asked, “Do you work out?” Running his hands through his dark wavy hair, Nick laughed. “You’re so wasted.” “And you’re like the Energizer Bunny,” she cooed. “My bro said you took a punch, yet kept on ticking.” Nick started to speak then heard the asshole’s friends riled up. I was too drunk to know if everything happened really quickly or if my brain just took awhile to catch up. The guys rushed Nick who dodged most of them and hit another. The room emptied out except for Nick, the guys, and us. I grabbed a beer bottle and threw it at one of the guys shoving Nick. When the bottle hit him in the back, the bastard glared at me. “You want to fight, bitch?” “Leave her alone,” Nick said, kicking one guy into the jerk looking to hit me. As impressive as Nick was against six guys, he was just one guy against six. A losing bet, he took a shot to the face then the gut. Lark grabbed a folding chair and went WWE on one guy. I was tossing beers in the roundabout direction of the other guys. Yet, Bailey was the one who ended the fight by pulling out a gun. “Back the fuck off or I’ll burn this motherfucking house to the ground!” she screamed then fired at a lamp. Everyone stopped and stared at her. When she noticed me wide-eyed, Bailey frowned. “Too much?” Grinning, I followed Lark to the door. Nick followed us while the assholes seemed ready to piss themselves. Well, except for an idiot who looked ready to go for Bailey’s gun. "Dude,” Nick muttered, “that’s Bailey Fucking Johansson. Unless you want to end up in a shallow grave, back the fuck off.” “What he said!” Bailey yelled, waving her gun around before I hurried her out of the door. The cold air sobered up Bailey enough for her to return the gun to her purse. She was still drunk enough to laugh hysterically as we reached the SUV. “Did you see me kill that lamp?” “You did good,” I said, groggy as my adrenaline shifted to nausea and the alcohol threatened to come back up on me. Nick walked us to the SUV. “Next time, you might want to wave the gun around before you get drunk and dance.” “Don’t tell me what to do,” Bailey growled, crawling into the backseat. Then, realizing he saved her, she crawled back to face him. “You were so brave. I should totally get you off as a thank you." “Maybe another time,” he said, laughing as she batted her eyes at him. “Are you guys safe to drive?” Lark nodded. “I’m sober enough to remember everything tomorrow. Trust me that there’ll be mocking.
Bijou Hunter (Damaged and the Knight (Damaged, #2))
Summer spirit, now she closes book’s end, Days of youth spent, carefree with friends. Kari plays now to that what she does not wish, Lost summers days and angelic youth a’ missed. Seasons do change and children grow up, Passing through lives, life never stops. Endless years, bleak they the mind, Adventures of youth, throttle in time. Desires entwine, one grows old, Love loses her grasp, love slips from her hold. Bygone dreams, sleep they soundly by, Hopes for another child, not her soul-self I. Grasped for never, dreams never learn to fly (Within one’s dungeon, the darkest place to die). And Winter’s chill, lays she to rest, Dreams unobtained, fallen in the quest. Kari knew she was but a dream, solo in its flight, Ne’er taking wing again to caress innocence’s light. And to live and live as she once is and now, Stands she forever, stranded on time’s fallowed ground. The love she lost she can never now have, Graspless eternity plucked burning from her hands. Love forsaken, the summer, silent and high, Tears shed for what was once and not now, I. Dreamless hopes far long spent, Lie shallow within, deep strength relents. A hollow traverse of endless life, Lives she the knowing of eternalness light. Aye, silent dreams slip they the day’s long night, To tell of loves once beholden now lost in her sight. In love’s abandonment, Kari, spills she away, To dream upon those clouds again on some somber, summer day. Thus, before evening rusts corrode the golden days, Before innocence is raped and youth spirited away, Before night blossoms forth, and day forgets day, Summer’s love requests of us that we all do stay– To hear a tale one has long since heard before, To tell our souls twice over now and forevermore– Graves are full of those who never lived but could, Heaven and Hell are packed with those who knew they should, And eternity, relentless eternity, brims with those that would. --Garden of the Dragons c h. 23
Douglas M. Laurent
It may be cheap, but it should also be sturdy. What must be avoided at all costs is dishonest, distorted and ornate work. What must be sought is the natural, direct, simple, sturdy and safe. Confining beauty to visual appreciation and excluding the beauty of practical objects has proven to be a grave error on the part of modern man. A true appreciation of beauty cannot be fostered by ignoring practical handicrafts. After all, there is no greater opportunity for appreciating beauty than through its use in our daily lives, no greater opportunity for coming into direct contact with the beautiful. It was the tea masters who first recognized this fact. Their profound aesthetic insight came as a result of their experience with utilitarian objects. If life and beauty are treated as belonging to different realms, our aesthetic sensibilities will gradually wither and decline. It is said that someone living in proximity to a flowering garden grows insensitive to its fragrance. Likewise, when one becomes too familiar with a sight, one loses the ability to truly see it. Habit robs us of the power to perceive anew, much less the power to be moved. Thus it has taken us all these years, all these ages, to detect the beauty in common objects. The world of utility and the world of beauty are not separate realms. Users and the used have exchanged a vow: the more an object is used the more beautiful it will become and the more the user uses an object, the more the object will be used. When machines are in control, the beauty they produce is cold and shallow. It is the human hand that creates subtlety and warmth. Weakness cannot withstand the rigors of daily use. The true meaning of the tea ceremony is being forgotten. The beauty of the way of tea should be the beauty of the ordinary, the beauty of honest poverty. Equating the expensive with the beautiful cannot be a point of pride. Under the snow's reflected light creeping into the houses, beneath the dim lamplight, various types of manual work are taken up. This is how time is forgotten; this is how work absorbs the hours and days. yet there is work to do, work to be done with the hands. Once this work begins, the clock no longer measures the passage of time. The history of kogin is the history of utility being transformed into beauty. Through their own efforts, these people made their daily lives more beautiful. This is the true calling, the mission, of handicrafts. We are drawn by that beauty and we have much to learn from it. As rich as it is, America is perhaps unrivalled for its vulgar lack of propriety and decorum, which may account for its having the world's highest crime rate. The art of empty space seen in the Nanga school of monochrome painting and the abstract, free-flowing art of calligraphy have already begun to exert considerable influence on the West. Asian art represents a latent treasure trove of immense and wide-reaching value for the future and that is precisely because it presents a sharp contrast to Western art. No other country has pursued the art of imperfection as eagerly as Japan. Just as Western art and architecture owe much to the sponsorship of the House of Medici during the Reformation, tea and Noh owe much to the protection of the shogun Ashikaga Yoshimasa ( 1436-1490 ). The most brilliant era of Japanese culture, the Higashiyama period ( 1443-1490 ). Literally, sabi commonly means "loneliness" but as a Buddhist term it originally referred to the cessation of attachment. The beauty of tea is the beauty of sabi. It might also be called the beauty of poverty or in our day it might be simply be called the beauty of simplicity. The tea masters familiar with this beauty were called sukisha-ki meaning "lacking". The sukisha were masters of enjoying what was lacking.
Soetsu Yanagi (The Beauty of Everyday Things)
we deceive ourselves if we believe we can hold on to old models as "ideologies whimper off to a shallow grave in prolonged agony of people, institutions and cultures.
Said E. Dawlabani
A third army entered the fray. They came from below, from the shallow graves that littered the vast ridge. Rotting skeletal arms burst through the dirt and clawed for the surface. The Earth's spat up a dread legion of the undead. Fucking necromancy. Summoning zombies, the soulless, walkers, politicians, the undead – call them what you will – was a desecration against everything I knew to be true and right.
Joe Ducie (Distant Star (The Reminiscent Exile, #1))
Dead men’s fingernails make lovely shallow-grave shovels.
Jarod Kintz (Seriously delirious, but not at all serious)