Shaking Hands Friendship Quotes

The other Dons in the room applauded and rose to shake hands with everybody in sight and to congratulate Don Corleone and Don Tattaglia on their new friendship. It was not perhaps the warmest friendship in the world, they would not send each other Christmas gift greetings, but they would not murder each other. That was friendship enough in this world, all that was needed.

I felt Holmes's hand steal into mine and give me a reassuring shake. - Watson

1. WE'VE LEFT SHORE SOMEHOW BECOME THE FRIENDS OF EARLY THEORY CLOSE ENOUGH TO SPEAK DESIRE AND PAIN OF ABSENCE OF MISTAKES WE'D MAKE GIVEN THE CHANCE. EACH SMILE RETURNED MAKES HARDER AVOIDING DREAMS THAT SEE US LYING IN EARLY EVENING CURTAIN SHADOWS, SKIN SAFE AGAINST SKIN. BLOOM OF COMPASSION RESPECT FOR MOMENTS EYES LOCK TURNS FOREVER INTO ONE MORE VEIL THAT FALLS AWAY. 2. THIS AFTER SEEING YOU LAST NIGHT, FIRST TIME SMELLING YOU WITH PERMISSION: SHOULDERS TO WONDER OPENLY AT AS CAREFULLY KISSED AS THOSE ARMS WAITED IMPOSSIBLY ON. THEY'VE HELD ME NOW AND YOUR BREATH DOWN MY BACK SENT AWAY NIGHT AIR THAT HAD ME SHAKING IN THE UNLIT ANGLICAN DOORWAY. 3. ARE WE RUINED FOR FINDING OUR FACES FIT AND WANT TO KNOW MORE ABOUT MORNING? IS FRIENDSHIP CANCELLED IF WE CAN'T CALL EACH OTHER ANYMORE IN AMNESIA, INVITE OURSELVES TO LAST GLANCES UNDER SUSPICIOUS CLOCKS TELLING US WHEN WE'VE HAD ENOUGH? 4. YOUR STEADY HANDS CRADLING MY GRATEFUL SKULL: WERE YOU TAKING IN MY FACE TO SAVE AN IMAGE YOU'VE RARELY ALLOWED YOURSELF AFTER LEAVING THAT COLD ALCOVE? AM I A PHOTOGRAPH YOU GAZE AT IN MOMENTS OF WEAKNESS? YOU ORDERED ME OFF MY KNEES INTO YOUR ARMS. WASN'T TO BEG THAT I KNELT; ONLY TO SEE YOU ONCE FROM BELOW. TRIED TO SAY SOMETHING THAT FILLED MY MOUTH AND LONGED TO REST IN YOUR EAR. DON'T DARE WRITE IT DOWN FOR FEAR IT'LL BECOME WORDS, JUST WORDS.

We are often let down by the most trusted people and loved by the most unexpected ones. Some make us cry for things that we haven't done, while others ignore our faults and just see our smile. Some leave us when we need them the most, while some stay with us even when ask them to leave. The world is a mixture of people. We just need to know which hand to shake and which hand to hold! After all that's life, learning to hold on and learning to let go.

The cult of friendship disturbs me. It's like our quality is supposed to be measured by the number of friends we have. For me, it's quite the inverse. When somebody says "I'm friends with everyone" I just assume they have the spine of your average jellyfish and the integrity of your average soap dish. "I have tons of close friends!" Ok, then you obviously have no standards. "I've slept with lots of people!" Good, I will shake your hand from inside this Hazmat suit. It's like you have to have friends or you're nothing, and you gotta have lots of friends, and the more friends you have the more value you have. This Is a way of lowering our standards to fit in. I'm a big fan of quality over quantity. Everyone wants to look at their life like it's a beer commercial they can just climb into. The larger the circle of friends the more alcohol is involved to blind yourself to the fact that you cant stand most of these assholes.

It was in America that horses first roamed. A million years before the birth of man, they grazed the vast plains of wiry grass and crossed to other continents over bridges of rock soon severed by retreating ice. They first knew man as the hunted knows the hunter, for long before he saw them as a means to killing other beasts, man killed them for their meat. Paintings on the walls of caves showed how. Lions and bears would turn and fight and that was the moment men speared them. But the horse was a creature of flight not fight and, with a simple deadly logic, the hunter used flight to destroy it. Whole herds were driven hurtling headlong to their deaths from the tops of cliffs. Deposits of their broken bones bore testimony. And though later he came pretending friendship, the alliance with man would ever be but fragile, for the fear he'd struck into their hearts was too deep to be dislodged. Since that neolithic moment when first a horse was haltered, there were those among men who understood this. They could see into the creature's soul and soothe the wounds they found there. Often they were seen as witches and perhaps they were. Some wrought their magic with the bleached bones of toads, plucked from moonlit streams. Others, it was said, could with but a glance root the hooves of a working team to the earth they plowed. There were gypsies and showmen, shamans and charlatans. And those who truly had the gift were wont to guard it wisely, for it was said that he who drove the devil out, might also drive him in. The owner of a horse you calmed might shake your hand then dance around the flames while they burned you in the village square. For secrets uttered softly into pricked and troubles ears, these men were known as Whisperers.

And then to my surprise in one of them I discovered the original manuscript of On Friendship. Puzzled, I unrolled it, thinking I must have brought it with me by mistake. But when I saw that Cicero had copied out at the top of the roll in his shaking hand a quotation from the text, on the importance of having friends, I realised it was a parting gift: If a man ascended into heaven and gazed upon the whole workings of the universe and the beauty of the stars, the marvellous sight would give him no joy if he had to keep it to himself. And yet, if only there had been someone to describe the spectacle to, it would have filled him with delight. Nature abhors solitude.

He slouches,' DeeDee contributes. 'True--he needs to work on his posture,' Thelma says. 'You guys,' I say. 'I'm serious,' Thelma says. 'What if you get married? Don't you want to go to fancy dinners with him and be proud?' 'You guys. We are not getting married!' 'I love his eyes,' Jolene says. 'If your kids get his blue eyes and your dark hair--wouldn't that be fabulous?' 'The thing is,' Thelma says, 'and yes, I know, this is the tricky part--but I'm thinking Bliss has to actually talk to him. Am I right? Before they have their brood of brown-haired, blue-eyed children?' I swat her. "I'm not having Mitchell's children!' 'I'm sorry--what?' Thelma says. Jolene is shaking her head and pressing back laughter. Her expressing says, Shhh, you crazy girl! But I don't care. If they're going to embarrass me, then I'll embarrass them right back. 'I said'--I raise my voice--'I am not having Mitchell Truman's children!' Jolene turns beet red, and she and DeeDee dissolve into mad giggles. 'Um, Bliss?' Thelma says. Her gaze travels upward to someone behind me. The way she sucks on her lip makes me nervous. 'Okaaay, I think maybe I won't turn around,' I announce. A person of the male persuasion clears his throat. 'Definitely not turning around,' I say. My cheeks are burning. It's freaky and alarming how much heat is radiating from one little me. 'If you change your mind, we might be able to work something out,' the person of the male persuasion says. 'About the children?' DeeDee asks. 'Or the turning around?' 'DeeDee!' Jolene says. 'Both,' says the male-persuasion person. I shrink in my chair, but I raise my hand over my head and wave. 'Um, hi,' I say to the person behind me whom I'm still not looking at. 'I'm Bliss.' Warm fingers clasp my own. 'Pleased to meet you,' says the male-persuasion person. 'I'm Mitchell.' 'Hi, Mitchell.' I try to pull my hand from his grasp, but he won't let go. 'Um, bye now!' I tug harder. No luck. Thelma, DeeDee, and Jolene are close to peeing their pants. Fine. I twist around and give Mitchell the quickest of glances. His expressions is amused, and I grow even hotter. He squeezes my hand, then lets go. 'Just keep me in the loop if you do decide to bear my children. I'm happy to help out.' With that, he stride jauntily to the food line. Once he's gone, we lost it. Peals of laughter resound from our table, and the others in the cafeteria look at us funny. We laugh harder. 'Did you see!' Thelma gasps. 'Did you see how proud he was?' 'You improve his posture!' Jolene says. 'I'm so glad, since that was my deepest desire,' I say. 'Oh my God, I'm going to have to quit school and become a nun.' 'I can't believe you waved at him,' DeeDee says. 'Your hand was like a little periscope,' Jolene says. 'Or, no--like a white surrender flag.' 'It was a surrender flag. I was surrendering myself to abject humiliation.' 'Oh, please,' Thelma says, pulling me into a sideways hug. 'Think of it this way: Now you've officially talked to him.

Time hath, my lord, a wallet at his back, Wherein he puts alms for oblivion, A great-sized monster of ingratitudes: Those scraps are good deeds past; which are devour'd As fast as they are made, forgot as soon As done: perseverance, dear my lord, Keeps honour bright: to have done is to hang Quite out of fashion, like a rusty mail In monumental mockery. Take the instant way; For honour travels in a strait so narrow, Where one but goes abreast: keep then the path; For emulation hath a thousand sons That one by one pursue: if you give way, Or hedge aside from the direct forthright, Like to an enter'd tide, they all rush by And leave you hindmost; Or like a gallant horse fall'n in first rank, Lie there for pavement to the abject rear, O'er-run and trampled on: then what they do in present, Though less than yours in past, must o'ertop yours; For time is like a fashionable host That slightly shakes his parting guest by the hand, And with his arms outstretch'd, as he would fly, Grasps in the comer: welcome ever smiles, And farewell goes out sighing. O, let not virtue seek Remuneration for the thing it was; For beauty, wit, High birth, vigour of bone, desert in service, Love, friendship, charity, are subjects all To envious and calumniating time.

Song of myself Now I will do nothing but listen, To accrue what I hear into this song, to let sounds contribute toward it. I hear bravuras of birds, bustle of growing wheat, gossip of flames, clack of sticks cooking my meals, I hear the sound I love, the sound of the human voice, I hear all sounds running together, combined, fused or following, Sounds of the city and sounds out of the city, sounds of the day and night, Talkative young ones to those that like them, the loud laugh of work-people at their meals, The angry base of disjointed friendship, the faint tones of the sick, The judge with hands tight to the desk, his pallid lips pronouncing a death-sentence, The heave'e'yo of stevedores unlading ships by the wharves, the refrain of the anchor-lifters, The ring of alarm-bells, the cry of fire, the whirr of swift-streaking engines and hose-carts with premonitory tinkles and color'd lights, The steam-whistle, the solid roll of the train of approaching cars, The slow march play'd at the head of the association marching two and two, (They go to guard some corpse, the flag-tops are draped with black muslin.) I hear the violoncello, ('tis the young man's heart's complaint,) I hear the key'd cornet, it glides quickly in through my ears, It shakes mad-sweet pangs through my belly and breast. I hear the chorus, it is a grand opera, Ah this indeed is music--this suits me.

You’re my best friend; I notice when your hands shake. I notice when your big mouth goes quiet!

How you feel at the time affects how you receive and react to communication from others. You have to put on your objective eyes and ears in order to be consistently fair. - Charmainsim

When I’m sitting by my gay friends in church, I hear everything through their ears. When I’m with my recently divorced friend, I hear it through hers. This is good practice. It helps uncenter us (which is, you know, the whole counsel of the New Testament) and sharpens our eye for our sisters and brothers. It trains us to think critically about community, language, felt needs, and inclusion, shaking off autopilot and setting a wider table. We must examine who is invited, who is asked to teach, who is asked to contribute, who is called into leadership. It is one thing to “feel nice feelings” toward the minority voice; it is something else entirely to challenge existing power structures to include the whole variety of God’s people. This is not hard or fancy work. It looks like diversifying small groups and leadership, not defaulting to homogeny as the standard operating procedure. Closer in, it looks like coffee dates, dinner invites, the warm hand of friendship extended to women or families outside your demographic. It means considering the stories around the table before launching into an assumed shared narrative. It includes the old biblical wisdom on being slow to speak and quick to listen, because as much as we love to talk, share, and talk-share some more, there is a special holiness reserved for the practice of listening and deferring.

Here. Build something now, Mateo." I don't know if he also believes we're about to die and wants me to create something before I do, but I follow his lead. My heart is still pounding pretty badly, but I stop shaking when I reach for the first brick. I have no clue what I'm building, but I allow my hands to keep aimlessly laying down the foundation with the bigger bricks because there's a literal spotlight on me in an otherwise completely dark train car.

My life began by flickering out. It may sound strange but it is so. From the very first moment I became conscious of myself, I felt that I was already flickering out. I began to flicker out over the writing of official papers at the office; I went on flickering out when I read truths in books which I did not know how to apply in life, when I sat with friends listening to rumours, gossip, jeering, spiteful, cold, and empty chatter, and watching friendships kept up by meetings that were without aim or affection; I was flickering out and wasting my energies with Minna on whom I spent more than half of my income, imagining that I loved her; I was flickering out when I walked idly and dejectedly along Nevsky Avenue among people in raccoon coats and beaver collars – at parties, on reception days, where I was welcomed with open arms as a fairly eligible young man; I was flickering out and wasting my life and mind on trifles moving from town to some country house, and from the country house to Gorokhovaya, fixing the arrival of spring by the fact that lobsters and oysters had appeared in the shops, of autumn and winter by the special visiting days, of summer by the fêtes, and life in general by lazy and comfortable somnolence like the rest. ... Even ambition – what was it wasted on? To order clothes at a famous tailor's? To get an invitation to a famous house? To shake hands with Prince P.? And ambition is the salt of life! Where has it gone to? Either I have not understood this sort of life or it is utterly worthless; but I did not know of a better one. No one showed it to me.

All too easily we forget that the other guy, a hundred yards away, is just like us. Time and again, we fire at one another from a distance -- through social media or online forums, from the safety of wherever we're holed up. We let fear, ignorance, suspicion and stereotypes be our guides, making generalisations about people we've never met. But there's an alternative. Hatred can be transformed into friendship and bitter foes can shake hands. That's something we can believe in -- not because we're entitled to be naive, but because it actually happened.

Anything Bunny wrote was bound to be alarmingly original, since he began with such odd working materials and managed to alter them further by his befuddled scrutiny, but the John Donne paper must have been the worst of all the bad papers he ever wrote (ironic, given that it was the only thing he ever wrote that saw print. After he disappeared, a journalist asked for an excerpt from the missing young scholar's work and Marion gave him a copy of it, a laboriously edited paragraph of which eventually found its way into People magazine). Somewhere, Bunny had heard that John Donne had been acquainted with Izaak Walton, and in some dim corridor of his mind this friendship grew larger and larger, until in his mind the two men were practically interchangeable. We never understood how this fatal connection had established itself: Henry blamed it on Men of Thought and Deed, but no one knew for sure. A week or two before the paper was due, he had started showing up in my room about two or three in the morning, looking as if he had just narrowly escaped some natural disaster, his tie askew and his eyes wild and rolling. 'Hello, hello,' he would say, stepping in, running both hands through his disordered hair. 'Hope I didn't wake you, don't mind if I cut on the lights, do you, ah, here we go, yes, yes…' He would turn on the lights and then pace back and forth for a while without taking off his coat, hands clasped behind his back, shaking his head. Finally he would stop dead in his tracks and say, with a desperate look in his eye: 'Metahemeralism. Tell me about it. Everything you know. I gotta know something about metahemeralism.' 'I'm sorry. I don't know what that is.' 'I don't either,' Bunny would say brokenly. 'Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see.' He would resume pacing. 'Donne. Walton. Metahemeralism. That's the problem as I see it.' 'Bunny, I don't think "metahemeralism" is even a word.' 'Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe.' 'Is it in the dictionary?' 'Dunno. Don't know how to spell it. I mean' – he made a picture frame with his hands – 'the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?' And so it would go, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended. He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in. 'This is a nice paper, Bun -,' Charles said cautiously. 'Thanks, thanks.' 'But don't you think you ought to mention John Donne more often? Wasn't that your assignment?' 'Oh, Donne,' Bunny had said scoffingly. 'I don't want to drag him into this.' Henry refused to read it. 'I'm sure it's over my head, Bunny, really,' he said, glancing over the first page. 'Say, what's wrong with this type?' 'Triple-spaced it,' said Bunny proudly. 'These lines are about an inch apart.' 'Looks kind of like free verse, doesn't it?' Henry made a funny little snorting noise through his nose. 'Looks kind of like a menu,' he said. All I remember about the paper was that it ended with the sentence 'And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.' We wondered if he would fail.

Catti-brie had to believe that now, recalling the scene in light of the drow's words. She had to believe that her love for Wulfgar had been real, very real, and not misplaced, that he was all she had thought him to be. Now she could. For the first time since Wulfgar's death, Cattie-brie could remember him without pangs of guilt, without the fears that, had he lived, she would not have married him. Because Drizzt was right; Wulfgar would have admitted the error despite his pride, and he would have grown, as he always had before. That was the finest quality of the man, an almost childlike quality, that viewed the world and his own life as getting better, as moving toward a better way in a better place. What followed was the most sincere smile on Cattie-brie's face in many, many months. She felt suddenly free, suddenly complete with her past, reconciled and able to move forward with her life. She looked at the drow, wide-eyed, with a curiosity that seemed to surprise Drizzt. She could go on, but what exactly did that mean? Slowly, Cattie-brie began shaking her head, and Drizzt came to understand that the movement had something to do with him. He lifted a slender hand and brushed some stray hair back from her cheek, his ebony skin contrasting starkly with her light skin, even in the quiet light of night. "I do love you," the drow admitted. The blunt statement did not catch Catti-brie by surprise, not at all. "As you love me," Drizzt went on, easily, confident that his words were on the mark. "And I, too, must look ahead now, must find my place among my friends, beside you, without Wulfgar." "Perhaps in the future," Catti-brie said, her voice barely a whisper. "Perhaps," Drizzt agreed. "But for now..." "Friends," Catti-brie finished. Drizzt moved his hand back from her cheek, held it in the air before her face, and she reached up and clasped it firmly. Friends

I’ve been trying not to ask you, but I’m giving up,” I say. “What’s going on with you and Uriah?” Christina, sprawled across her cot with one long leg dangling over the edge, gives me a look. “What? You’ve been spending a lot of time together,” I say. “Like a lot.” “You may not believe me, but it’s not like that.” Christina props herself up on her elbows. “He’s grieving. We’re both bored. Also, he’s Uriah.” “So? He’s good-looking.” “Good-looking, but he can’t have a serious conversation to save his life.” Christina shakes her head. “Don’t get me wrong, I like to laugh, but I also want a relationship to mean something, you know?” I nod. I do know--better than most people, maybe, because Tobias and I aren’t really the joking type. “Besides,” she says, “not every friendship turns into a romance. I haven’t tried to kiss you yet.” I laugh. “True.” “Where have you been lately?” Christina says. She wiggles her eyebrows. “With Four? Doing a little…addition? Multiplication?” I cover my face with my hands. “That was the worst joke I’ve ever heard.” “Don’t dodge the question.” “No ‘addition’ for us,” I say. “Not yet, anyway.

I’ve been trying not to ask you, but I’m giving up,” I say. “What’s going on with you and Uriah?” Christina, sprawled across her cot with one long leg dangling over the edge, gives me a look. “What? You’ve been spending a lot of time together,” I say. “Like a lot.” “You may not believe me, but it’s not like that.” Christina props herself up on her elbows. “He’s grieving. We’re both bored. Also, he’s Uriah.” “So? He’s good-looking.” “Good-looking, but he can’t have a serious conversation to save his life.” Christina shakes her head. “Don’t get me wrong, I like to laugh, but I also want a relationship to mean something, you know?” I nod. I do know--better than most people, maybe, because Tobias and I aren’t really the joking type. “Besides,” she says, “not every friendship turns into a romance. I haven’t tried to kiss you yet.” I laugh. “True.” “Where have you been lately?” Christina says. She wiggles her eyebrows. “With Four? Doing a little…addition? Multiplication?” I cover my face with my hands. “That was the worst joke I’ve ever heard.” “Don’t dodge the question.” “No ‘addition’ for us,” I say. “Not yet, anyway. He’s been a little preoccupied with the whole ‘genetic damage’ thing.” “Ah. That thing.

Love, genuine passionate love, was his for the first time. This he had never experienced at Judge Miller’s down in the sun-kissed Santa Clara Valley. With the Judge’s sons, hunting and tramping, it had been a working partnership; with the Judge’s grandsons, a sort of pompous guardianship; and with the Judge himself, a stately and dignified friendship. But love that was feverish and burning, that was adoration, that was madness, it had taken John Thornton to arouse. This man had saved his life, which was something; but, further, he was the ideal master. Other men saw to the welfare of their dogs from a sense of duty and business expediency; he saw to the welfare of his as if they were his own children, because he could not help it. And he saw further. He never forgot a kindly greeting or a cheering word, and to sit down for a long talk with them (“gas” he called it) was as much his delight as theirs. He had a way of taking Buck’s head roughly between his hands, and resting his own head upon Buck’s, of shaking him back and forth, the while calling him ill names that to Buck were love names. Buck knew no greater joy than that rough embrace and the sound of murmured oaths, and at each jerk back and forth it seemed that his heart would be shaken out of his body so great was its ecstasy. And when, released, he sprang to his feet, his mouth laughing, his eyes eloquent, his throat vibrant with unuttered sound, and in that fashion remained without movement, John Thornton would reverently exclaim, “God! you can all but speak!

Alright, alright," Aberforth grunts, grimacing at the truly ridiculous amount of warm-and-fuzzies implied with all of that. The boy is usually better about keeping that shit to himself, unlike his over-emotional brother. Makes sense why Aberforth prefers him. "Fine, I'll—stop in to officiate your wedding, but I'm doing that and nothing else. I'm doing it on one condition, you hear me?" "Okay," Regulus says, eyes narrowing again. "I'm old. I'm probably gonna die in the next fifteen years or so, if I'm lucky," Aberforth announces with a grunt, and he appreciates that the boy doesn't protest, or try to deny it, or even seem to care very much. He only blinks and, after a moment of hesitation, nods. "I don't have kids, never cared to have a spouse, and all my family is dead. I don't much care what happens to my property or possessions after I'm gone, but I need someone to carry out my last wishes for my burial." "The tree," Regulus murmurs. Aberforth nods. "I want to be cremated, then buried with Albus and Ariana. Think you can handle that?" "You—me?" Regulus blinks again, this time with mild alarm, visibly startled. "Wait, you're putting me in your will? No, that's too much. I don't want your stuff, or to deal with all that shit. It's stressful. Pick someone else." "How bad do you want me to officiate your wedding?" Aberforth asks, eyebrows raised. Regulus holds his hand out immediately. "I'd be happy to bury you. You have yourself a deal." Aberforth chuckles, helplessly, and reaches out to shake his hand.

What’s going on, chick?” she asks, taking a drink. She knows that when Johnnie comes out, something bad has happened. I suck on my teeth and shake my head. She cringes at the burn of whiskey, waiting for me to say more. I glance down at my bracelet. “My past caught up with me.” She slides the bottle back my way. “Need me to hurt someone?” she asks, dead serious. She and I are as close as friends come, and we have been since senior year of high school. And at the core of our friendship is a pact of sorts: nothing’s going to drag her towards the future she doesn’t want, and nothing’s going drag me back into the past I’ve worked to forget. Nothing. I huff out a laugh. “Eli’s already beaten you to it.” “Eli?” she says, raising an eyebrow. “Girl, I’m hurt. Hoes before bros, remember?” “I didn’t ask him to get involved. I broke up with him, and then he got involve—” “What!” She grabs the table. “You broke up with him? When were you going to tell me?” “Today. I was going to tell you today.” She’s shaking her head. “Bitch, you should’ve called me.” “I was busy ending a relationship.” She falls back into her seat. “Shit girl, Eli’s going to stop giving us a discount.” “That’s what your most upset by?” I say, taking another swig of whiskey. “No,” she says. “I’m happy you grew a vagina and broke up with him. He deserves better.” “I’m going to throw this bottle of whiskey at you.” She holds her hands up to placate me. “I’m kidding. But seriously, are you okay?” I barely stop myself from looking at my computer screen again. I exhale. “Honestly? I have no fucking clue.

She's my mother. How do you say no to family?" Marie gets a dark look on her face. "There's a difference between relatives and family. You can be related to someone; that is an accident of genetics. Relatives are pure biology. But family is action. Family is attitude. That woman..." Marie's voice drips with venom. "Is NOT your family. WE are your family. That woman is just your relative." Hedy's mouth drops, and Caroline's eyes fly open so wide I think they might get stuck. "Don't hold back there, Marie," Hedy says, finding her voice. "I'm sorry, but..." Marie's eyes fill with tears. "Oh no!" Caroline leans over and takes Marie's hand. Marie shakes it off. "I hate her. I hate that she had the best daughter on the planet and never appreciated her and wasn't ever there for her and never once did anything for her. You guys don't know. She was the most self-absorbed narcissistic cold person..." "She gave me Joe." "But..." she says. I raise my hand. "She. Gave. Me. JOE. Whatever other bullshit happened, the most important thing in my life growing up was Joe. He made me who I am, he helped me find my calling, he was a gift, and everything else is just beyond my ability to get upset about." "You could get a little upset," Caroline says. "It takes nothing away from Joe, and how important he was to you, to acknowledge that your mother failed you in almost every way," Hedy says. "I think you should tell her to go fuck herself," Marie says, leaning back in her chair and crossing her arms like a petulant child. I don't know that I've ever seen her so furious. "You guys don't get it, I was THERE. I MET HER. Wanna know how she screws in a lightbulb? Holds it up in the air and lets the universe just revolve around her." This makes the three of us bust out laughing. "Oh, Marie, I love you. Thank you for being so on my side." It does mean the world to me that my oldest friend is so protective.

hank you." These two magic words are perhaps the most neglected in our vocabulary. When I thank someone for doing something nice for me-sending me a present, cooking dinner for me, or doing me a special favor, they feel appreciated. There's something special about hand-written notes. For one thing, the recipient can read them over and over again, enjoying the friendship represented and the sentiment. The flip side is that saying "thank you" also makes me feel better. It reminds me of the nice thing the other person did for me. y friend, you don't have to travel life alone. I don't know what your personal journey has been or what earthquakes are shaking your foundations. I don't know what worries keep you up at night, what pains sap your strength, or what drags down your spirit. But no matter what road you're traveling, I do know the Lord is beside you every step of the way. Sometimes you'll see Him when you look back at your path and see what He's been doing. When you suffer, He'll wrap you in His arms. When your strength gives out, He'll carry you or give you strength. And when the ground beneath you seems to give way, He will steady your feet and put you on solid ground. God is with you! ake up and smell the roses!" I love a garden, don't you? What a relief to have a place where the trees and plants clean and refresh the air. A garden is also a place where

Earth’s not so bad—” “How would you know?” Tan’elKoth said acidly. “It is only in these past few days that you have had contact with the actual realities of Earth. Are you having fun?” He waved toward the window, where Kollberg now had one hand openly kneading his groin while he leaned one cheek and the side of his open mouth against the glass. Avery flinched and looked away. She hugged herself more tightly. “I don’t understand. If you hate what they’re going to do, why are you helping them?” “I am not helping them!” Suddenly he was on his feet, towering over her, shaking an enormous fist. “I am helping you. I am helping Faith. I am . . .” The passion drained out of him as swiftly as it had arisen. He let his fist open and fall limp against his thigh. “I am trying to go home.” Outside the window, Kollberg panted like an overheated dog. “Well,” Avery said finally. “I’m afraid you’re out of luck.” “How do you mean?” She shook her head. “You’re such a man, Professional. That’s why you can’t find this link of yours.” “I do not understand.” “Of course you don’t. That’s what I mean: You’re a man. You think this link is with the river. It wasn’t. Faith spoke of it, in the car on our way back to Boston when I first picked her up. She was quite clear about it. Her link was never with the river. It was with her mother.” “Her mother—?” “Her dead mother, now.” Tan’elKoth’s eyes narrowed. “I have been a fool,” he said. He spun and seated himself once again at Faith’s side, bending over her with redoubled energy. “Power,” he murmured. “All that is required is a usable source of power—” “What are you doing? She’s dead, Tan’elKoth. There is no link.” “Dead, yes—but the pattern of her consciousness persists, even as your son’s does within me. It was trapped at the instant of her passing. It is powerless, yes—having no body to inform it with will. It is analogous to a computer program stored on disk, you might say: a structure of information that requires only a computer on which to run, and the necessary power to activate.” “What kind of power?” From the doorway behind her, the soulless rasp of Arturo Kollberg said, “My kind of power.” DURING HIS YEARS of walking the world, the crooked knight came to find himself bemazed within a dark and trackless wood. In this wood, all paths led equally to death. The crooked knight did not lose hope; he turned to various guides for help and direction. His first guide was Youthful Dream. Later, he turned to Friendship, then Duty, and finally Reason, but each left him more lost than had the one before. So the crooked knight gave himself up for dead, and simply sat. He would be sitting there still, but for a breeze that came upon him then: a breeze that smelled of wide-open spaces, of limitless skies and bright sun, of ice and high mountains. It was the wind from the dark angel’s wings.

She says ye never left me side?”she asked. He felt his cheeks grow warm. Clearing his throat once, he finally answered. “Aye.” “Why?”she asked. Why? For the past four days, he’d imagined everything he would say to her as soon as he found her. Her illness delayed the heartfelt words he had wanted to have with her. Now, when the moment finally arrived, his mind turned blank. All the sweet words he’d planned to tell her fled on the wings of a frantically beating heart. “Ye came fer me,”she whispered. “Ye came fer me and ye killed Helmert. And ye never left me side.”Her voice was filled with disbelief. “Why?” He stammered for a moment, tripping over his own tongue. “I,”he paused, searching for the right words, the words he hoped would not terrify her. “Ye be a fine woman, Laurin. I’ve grown quite fond of ye these past weeks.” She studied him closely for a moment. “So fond of me that ye were willin’to risk yer life to save mine?”Her tone said his answer made little sense. “Aye,”he whispered. Suddenly his mouth felt dry, his tongue thick. “Fond enough to risk my own life for yours.” “Fond, like ye’d be fond of a dear friend, or somethin’more?” He could not understand why she asked that particular question. Refusing to read anything into her question, he replied. “Somethin’more, lass. Far more than friendship.” Tears welled in her eyes as she stared at him. It made his gut wrench, thinking he’d brought her a moment of discomfort or sorrow. Leaning over, he took her hand in his. “Laurin, I ken ye do no’have the same feelin’s for me as I do for ye. I ken ye may never have them, but it matters no’to me. I would be willin’to wait an entire lifetime on nothin’more than a wish and a prayer, in case, just in case some day ye might be able to return those feelins.” He’d not pressure her into anything, would not beg her for her hand or her heart. “How can ye say that?”she asked, swiping away an errant tear. “How could ye wait a lifetime for me?” With a slow shake of his head, he smiled. “Och! Lass, ye’d be well worth the wait.

As Father Christmas made his way around the hall, handing out presents and shaking hands, Rachel turned to Kirsty and gave her a hug. "Thank you for inviting me to spend Christmas with you," she said. "I love the adventures we have together!" "Me too," said Kirsty, hugging her in return. "And I'm so lucky to have such an amazing best friend. Today has been the best Christmas Eve ever!

She was close, almost there. I could tell by her frenzied movements and erratic breathing. Her pussy pulsated, aching, throbbing against my fingers and I didn’t let up until she couldn’t take it anymore. She couldn’t wait any longer. Within seconds, her legs started to shake, and she couldn’t keep her eyes open. Her hands immediately gripped onto my hair, and I grunted in pleasure. “Hmm … ah … mmm…” she exhaled, coming hard. Fast. All the way down my face and neck. “And she’s a squirter. That’s a nice unexpected surprise. I’m just learning all these new things about my girl.” “That’s never happened before.” I smiled, feeling damn proud of myself. Tugging off my shirt over my head, I wiped my face and neck and tossed it on the floor next to her clothes. Unbuckling my belt and jeans next, I slid them off, along with my boxer briefs. She opened her eyes and glanced down my body. “Huh, imagine that.” I crawled my way back up to her face. “Imagine what?” “You weren’t lying about your big main man.” “My cock?” “You just want to hear me say it.” I scoffed out a chuckle, now hovering above her. “Fuck.” “What?” “I need to get a condom and I’m honestly terrified what will happen if I go down that ladder with how hard I am right now.” She kissed my lips. “I’m on the pill.” “I’ve never gone bareback before.” “Me either.” For the first time in my life, I turned into a wild animal. Growling like I was a fucking lion and king of the jungle, I claimed her mouth, aggressively kissing her. Positioning my cock at her entrance, I held it there. In between kissing her, I muttered, “If I thrust balls deep inside of you, Mila, everything will change, and I don’t want to fuck up our friendship. It’s too important to me.” “Are you saying that you don’t want to do this with me?

Is there anything in your life trying to slip off? Is your health threatening to leave you? Is your joy threatening to go? Is your job in jeopardy? Is your marriage shaking? Is there anything that you have been looking for in life? Is there anything near you that is about leaving you? Is there anything that you ever lost that was so dear to you? Jesus asked me to tell you that whatever that is gone out of your hand will come back again. Whatever that has gone out of your hand that you need to stay back with you will come back again.

Get out,” Evan Williams said to the woman standing in his office doorway. “I’m going to throw up.” She stepped backward, pulling the door closed, a metal clicking sound reverberating through the room as he grabbed the black wastebasket in the corner of his office, his hands now shaking and clammy. This was it. His last act as the CEO of Twitter would be throwing up into a garbage can.

A loud clunk resounded behind her. She glanced over her shoulder, expecting to see her husband. Instead she looked straight into Red Buffalo’s black eyes. For an instant her heart stopped beating. She stared at him. He stared back. His arms were laden with firewood. One piece lay at his feet. Very slowly he hunkered down and began unloading the rest. At last Loretta found her voice. “Get out of here!” “I bring you wood,” he replied softly in English. Even Loretta knew warriors didn’t demean themselves by gathering firewood; it was woman’s work. Red Buffalo was humbling himself, making her a peace offering. She didn’t care. “I don’t want your filthy wood. Take it and leave.” He continued his task as if she hadn’t spoken. Rage bubbled up Loretta’s throat. She leaped to her feet and strode toward him. “I said get out of here! Take your damned wood with you!” Just as she reached him, Red Buffalo finished emptying his arms and rose. He was a good head shorter than Hunter, but he dwarfed Loretta. She fell back, startled, wondering if he could smell her fear. Lifting her chin, she cut him dead with her eyes. He inclined his head in a polite nod and turned to walk away. “I said take your wood with you!” she called after him. “I don’t want it!” Picking up a log, she chucked it at him. It landed on end and bounced, hitting Red Buffalo’s calf. He stopped and turned, his face expressionless as he watched her throw the remainder of the firewood in his direction. Saying nothing, he began to pick up the firewood. To Loretta’s dismay, he returned to her firepit and began unloading the logs there in a neat pile. From the corner of her eye, she could see neighbors gathering to find out what all the commotion was about. Heat scalded her cheeks. She couldn’t believe Red Buffalo was humiliating himself like this. “Don’t,” she said raggedly. “Go away, Red Buffalo! Go away!” He tipped his head back. Tears glistened on his scarred cheeks. “Hunter has cut me from his heart.” “Good! You’re an animal!” Red Buffalo winced as if she had struck him. “He has forbidden me to enter his lodge until you take my hand in friendship.” “Never!” Appalled, Loretta retreated a step. “Never, do you hear me?” Red Buffalo slowly rose, brushing his palms clean on his breeches. “He is my brother--my only brother.” “You expect me to feel sorry for you? How dare you come near me? How dare--” Her voice broke, and she spun away, running inside the lodge. Heedless of Amy, who was sitting up on her pallet, Loretta threw herself onto the bed. Knotting her fists, she stifled her sobs against the fur. Hatred coursed through her, hot, ugly, and venomous, making her shake. Take his hand in friendship? Never, not as long as she lived.

I love you.” The words come out almost in a panic, as if there’s no time. As if he’s about to walk into Eden again, and I’ve got to say it before he disappears behind the door. “I love you too.” Jimmy’ response startles me back to the room, the tobacco tin forgotten in my hand. I close it and set it on the counter, afraid of whatever drug it is inside that has me hallucinating. “I must be losing my mind,” I say, shaking my head. “I thought I just heard you say that you loved me.” “I did,” Jimmy replies. “You did?” “Of course. You said it to me first. It woulda been rude to leave ya hangin’ there, wouldn’t it?

I had a sudden premonition that this might be the night he drank himself to death. After he finished one bottle, he fumbled the porcelain decanter of single malt out of its velvet-lined box, hands shaking, fingers trembling. He barely managed to peel off the foil, then couldn’t unscrew the cap. I didn’t offer to help. I hoped he’d give up. In frustration, he bashed the bottle against the fireplace, cracking off the cap, and drank straight from its jagged neck. All this time he continued talking. Or tried to. He sounded strangely maudlin—strange, that is, for a man who, even in his cups, usually avoided self-pity. He conceded that he was lonely and grateful I had kept him company. A forlorn figure in his chair, the bottle tucked between his thighs, he reminded me of Gustave von Aschenbach in Thomas Mann’s Death in Venice. Tomorrow, I thought, he’ll be dead, and word will go out around the world. There’s no way he can survive this. Perhaps

Is there a problem, ma’am?” Mitch slanted a glance in her direction. She stood military straight, vehemently shaking her head. “Everything’s fine, Officer.” “Sheriff. You sure about that?” Charlie said, sounding like a complete hard-ass. “Looked to me like you were being accosted.” “N-no—” Mitch cut her off. “Would you get the hell out of here?” “Mitch,” Maddie said, with a low hiss. Evidently in a devious mood, Charlie stalked forward, placing a hand menacingly over his baton. “What did you say?” “Fuck. Off.” Mitch fired each word like a bullet. “Mitch, please,” Maddie said, tone pleading. “Do I have to take you in?” Charlie’s attention shifted in Maddie’s direction and his mouth twisted into a smile that Mitch had seen him use on hundreds of women during their fifteen-year friendship. “I’ll be happy to look after her for you, Mitch.” A stab of something suspiciously close to possessiveness jabbed at his rib cage. Mitch shot Charlie a droll glare. “Over my dead body.” One black brow rose over his sunglasses. “That can be arranged.” “Please, don’t take him to jail,” Maddie said, sounding alarmed. Both Charlie’s and Mitch’s attention snapped to her. “Now, why would you be thinking that?” Charlie asked, in an amused voice. Maddie’s gaze darted back and forth. “He threatened you.” Mitch laughed and Charlie scoffed. “Honey, he’s nothing but a pesky little fly I’d have to bat away.” Comprehension dawned and her worried expression cleared. “Oh, I see. You know, you should tell someone this is some macho-guy act before you get rolling.” “And what fun would that be?” Charlie rocked back on his heels. Even with his eyes hidden behind the mirrored frames, it was damn clear he was scoping Maddie out from head to toe. Under his scrutiny, she started to fidget. She pressed closer to Mitch, almost as if by instinct, pleasing him immensely. “Don’t mind him, Princess.” He slid his arm around her waist, pulling her tighter against him. “He likes to abuse his power over unsuspecting women.” “Um,” Maddie said, fitting under the crook his arm as though she were made for him, which was odd considering he towered over her by a foot. “I bet it’s quite effective.” Charlie laughed. “Maddie Donovan, you’re everything I’ve heard and then some.” Maddie stiffened, pulling out of Mitch’s embrace and cocking her head to the side. “How do you know my name?” “Honey,” Charlie drawled, the endearment scraping a dull blade over Mitch’s nerves. “This is a small town. People don’t have anything else to do but talk. Give me time and I’ll know your whole life story.” That strawberry-stained mouth pulled into a frown, and two little lines formed between auburn brows. She studied the cracked concrete at her feet. Suddenly, she looked up, her cheeks flushing when she realized they were watching her. She smiled brightly. “Oh well, I guess this is what I get for making an entrance.” Charlie

Now you are ready to greet the client. This moment is important. Although it may vary slightly depending on how many people are involved and the circumstances under which you are seeing the client, there are a few basic principles intended to transmit courtesy, interest, and a clear message that this is a professional rather than a social relationship. If at all possible, you should always go out and meet the client rather than having her sent to your office by a receptionist. Opinions vary on whether you should introduce yourself more or less formally, e.g., “I’m Ms. Lukas” versus “I’m Susan Lukas” versus “I’m Susan.” They also vary on the issue of whether or not to shake hands with clients. Depending on her clinical outlook and the circumstances under which a client is coming for therapy, your supervisor may feel that any physical contact might transmit a misleading or potentially threatening notion about therapy. Therefore, all these questions should be discussed before the first interview. Having greeted the client, and while leading the way to your office, you should remember that the interview has already started. Listen very carefully to what the client is saying and make a mental note of your overall first impression. When you have ushered her in, pay attention to how the client reacts to your office. What does she say? Where and how does she choose to sit? (If possible, you should arrange seating so the client can sit facing you at a distance that permits her to speak in a normal voice, but is far enough away so that she does not feel you could reach out and touch her. If the client comes from a culture in which reaching out and touching another person’s arm is a sign of friendship or interest, then she can move the chair closer to you if she chooses to.) Does she wait for you to suggest that she sit down? Does she sit on the edge of the chair? Does she seem disorganized? Try to help the client to feel more comfortable. Show her where she can hang her coat if she wants to. Suggest that she might feel more comfortable in another seat. But remember: If the client chooses not to do any of these things, do not urge her to. The goal is to “start where the client is,” rather than expecting her to do it your way. You are concerned with her feeling of what is comfortable, not yours.

She looked at me tiredly. “I bet you wish you would have kicked the tires before falling for this hot mess.” She smiled weakly. “Aren’t you glad I saved you from yourself?” I shook my head. “No, that’s not how that works, Kristen. Love is for better or worse. It’s always and no matter what. The no-matter-what just happened first for us.” Her eyes teared up and she pressed her lips together. “I miss you.” My throat got tight. “Then be with me, Kristen. Right now. We can move in together, today. Sleep in the same bed. Just say okay. That’s all you have to say. Just say okay.” I wanted it so badly my heart felt like it was screaming. I wanted to shake her, kidnap her and hold her hostage until she stopped this crap. But she shook her head. “No.” I let go of her hand and leaned away from her against the door, my fingers to the bridge of my nose. “You’re killing both of us.” “One day—” “Stop talking to me about one day.” I turned to her. “I’m never going to feel differently about this.” She waited a beat. “Neither am I.” We sat in silence for a moment, and I closed my eyes. I felt her move across the seat, and then her body was pressed against my side. I wrapped an arm around her and let her tuck her head under my chin. The feel of her was therapeutic. I think it was for both of us. A warm compress for my soul. I’d never had all of her at once. I’d only ever gotten pieces. Her friendship without her body. Her body without her love. And now her love without any of the rest of it. But even with what little fragments I’d had, it was enough to tell me I would never stop chasing all of her. Never. Not if I lived to be a hundred. She was it. She just was. “Kristen, you’re the woman I’m supposed to spend the rest of my life with,” I whispered. “I know it in my fucking soul.” She sniffed. “I know it too, Josh. But that was before.” “Before what?” I wrapped my arms around her tighter, tears pricking my eyes. “Before I broke inside. Before my body made me wrong for you. Sometimes soul mates don’t end up together, Josh. They marry other people. They never meet. Or one of them dies.” I squeezed my eyes shut and felt the lump in my throat get bigger. Just to have her admit it, to have her acknowledge that’s what we were to each other, was the most validating thing she’d ever given me.

Oh, Matthew," she whispered, moved to tears. "I called it Grace. I hope you don't mind." For the first time, his manner held a hint of shyness, disconcerting in a man who had just made love to her without hesitation or reticence. Gently, she curled her hand around what was inside the box and lifted it to the light. "It's your rose." "No, it's your rose." A heady fragrance filled the air. With one shaking finger, Grace touched a flawless pink petal. The color was unforgettable. It was the most beautiful rose she'd ever seen. Impossible to credit that those unpromising stalks in his courtyard had produced this exquisite bloom. "It's perfect," she whispered. "It's a miracle." He was a miracle. How could she not love the man who conjured this beauty with hands and imagination? The faint smile broadened. Had he worried that she'd reject his gift? Foolish, darling Matthew. The question was whether the rose was a promise of a future or a token of parting. "I worked on it whenever I could. This last year has been busy." An understatement, she knew. The Marquess of Sheene had been a ubiquitous presence in London since his release. Everywhere he went, society feted him as a hero. She'd read of the string of honors he'd received, the friendship with the king, the invitations to join scientific boards and societies. Echoing her gesture, he reached out to touch the petals. The sensitivity of his fingers on the flower reminded her of his hands on her skin. "I did most of the basic experiments when I was a prisoner, but I couldn't get it right." He glanced up with an expression that combined pride and diffidence in a breathtakingly attractive mixture. "This is the first bud, Grace. It appeared almost a year to the day after I promised to wait. It seemed a sign." "And you brought it to me," she said softly, staring at the flower. The anniversary of his release didn't occur for two more days. That date was etched on her longing heart. Then she noticed something else. "My glove," she said blankly. With unsteady hands, she reached in and withdrew a light green kidskin glove from a recess carved away from the damp. The buttery leather was crushed and worn from incessant handling. "Have you kept it all this time?" "Of course." He wasn't smiling anymore and his eyes deepened to a rich, rare gold. Beautiful, unwavering, somber. "You make me want to cry." Her voice emerged so thickly, she didn't sound like herself. She laid the box on the bench and tightened her grip on the soft leather until her knuckles whitened. What was he trying to tell her? What did the rose mean? The glove? Had he carried her glove into his new life like a knight wore his lady's favor into battle? The thought sent choking emotion to her throat.

again. But I firmly believe you’ve been betrayed, and I’m willing to risk our friendship to warn you.” Steele took a deep breath and exhaled, forcing herself to think about the lunacy he’d just shared with her, rather than simply ending the call. Based on her numerous interactions with Reeves, she believed that he wouldn’t do something like this to her unless he felt sure he had enough evidence to support his allegations. She’d give him a chance to explain himself. “Joe. You have five minutes.” Forty minutes later, she ended the call—her hands shaking. Senator Steele felt her world collapsing again. She didn’t want to believe anything Reeves had told her, but deep down, she knew it was true. Despite the rage building inside, she had no intention of accepting his allegations without concrete proof, which he admittedly did not possess. She’d sift through the documents he’d emailed to her government account and decide how far she was willing to go along with Reeves’s plan to learn the truth. Steele wiped the tears from her face and dialed Julie Ragan, her chief of staff. “I was just about to call you,” said Julie. “The car is ready.