Shakespeare Romeo And Juliet Quotes

When he shall die, Take him and cut him out in little stars, And he will make the face of heaven so fine That all the world will be in love with night And pay no worship to the garish sun.

My bounty is as boundless as the sea, My love as deep; the more I give to thee, The more I have, for both are infinite.

Don't waste your love on somebody, who doesn't value it.

These violent delights have violent ends And in their triumph die, like fire and powder, Which as they kiss consume. The sweetest honey Is loathsome in his own deliciousness And in the taste confounds the appetite. Therefore love moderately; long love doth so; Too swift arrives as tardy as too slow.

My only love sprung from my only hate! Too early seen unknown, and known too late! Prodigious birth of love it is to me, That I must love a loathed enemy.

thus with a kiss I die

Good night, good night! parting is such sweet sorrow, That I shall say good night till it be morrow.

Did my heart love till now? forswear it, sight! For I ne'er saw true beauty till this night.

For never was a story of more woe than this of Juliet and her Romeo.

Do not swear by the moon, for she changes constantly. then your love would also change.

Love is heavy and light, bright and dark, hot and cold, sick and healthy, asleep and awake- its everything except what it is! (Act 1, scene 1)

What's in a name? that which we call a rose By any other name would smell as sweet.

O teach me how I should forget to think (1.1.224)

Wisely and slow; they stumble that run fast.

O Romeo, Romeo, wherefore art thou Romeo? Deny thy father refuse thy name, thou art thyself thou not a montegue, what is montegue? tis nor hand nor foot nor any other part belonging to a man What is in a name? That which we call a rose by any other name would smell as sweet, So Romeo would were he not Romeo called retain such dear perfection to which he owes without that title, Romeo, Doth thy name! And for that name which is no part of thee, take all thyself.

Parting is such sweet sorrow that I shall say goodnight till it be morrow.

Do you bite your thumb at us, sir? SAMPSON [Aside to Gregory]: Is the law of our side, if I say ay? GREGORY [Aside to Sampson]: No. SAMPSON: No, sir, I do not bite my thumb at you, sir, but I bite my thumb, sir.

See how she leans her cheek upon her hand. O, that I were a glove upon that hand That I might touch that cheek!

Love is a smoke made with the fume of sighs; Being purg'd, a fire sparkling in lovers' eyes; Being vex'd, a sea nourish'd with lovers' tears; What is it else? A madness most discreet, A choking gall, and a preserving sweet.

Come, gentle night; come, loving, black-browed night; Give me my Romeo; and, when I shall die, Take him and cut him out in little stars, And he will make the face of heaven so fine That all the world will be in love with night...

I defy you, stars.

Go wisely and slowly. Those who rush stumble and fall.

Women may fall when there's no strength in men. Act II

There's an old saying that applies to me: you can't lose a game if you don't play the game. (Act 1, scene 4)

Oh, I am fortune's fool!

You are a lover. Borrow Cupid's wings and soar with them above a common bound.

O serpent heart, hid with a flowering face! Did ever dragon keep so fair a cave? Beautiful tyrant! fiend angelical! Dove-feather'd raven! wolvish-ravening lamb! Despised substance of divinest show! Just opposite to what thou justly seem'st, A damned saint, an honourable villain! O nature, what hadst thou to do in hell; When thou didst bower the spirit of a fiend In mortal paradise of such sweet flesh? Was ever book containing such vile matter So fairly bound? O that deceit should dwell In such a gorgeous palace!

O, here Will I set up my everlasting rest, And shake the yoke of inauspicious stars From this world-wearied flesh. Eyes, look your last! Arms, take your last embrace! and, lips, O you The doors of breath, seal with a righteous kiss A dateless bargain to engrossing death!

I dreamt a dream tonight. Mercutio: And so did I. Romeo: Well, what was yours? Mercutio: That dreamers often lie. Romeo: In bed asleep while they do dream things true.

Love moderately. Long love doth so. Too swift arrives as tardy as too slow. *Love each other in moderation. That is the key to long-lasting love. Too fast is as bad as too slow.*

turn him into stars and form a constellation in his image. His face will make the heavens so beautiful that the world will fall in love with the night and forget about the garish sun.

Two households, both alike in dignity, In fair Verona, where we lay our scene, From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean. From forth the fatal loins of these two foes A pair of star-cross'd lovers take their life; Whole misadventured piteous overthrows Do with their death bury their parents' strife. The fearful passage of their death-mark'd love, And the continuance of their parents' rage, Which, but their children's end, nought could remove, Is now the two hours' traffic of our stage; The which if you with patient ears attend, What here shall miss, our toil shall strive to mend.

A glooming peace this morning with it brings; The sun, for sorrow, will not show his head: Go hence, to have more talk of these sad things; Some shall be pardon'd, and some punished: For never was a story of more woe Than this of Juliet and her Romeo.

Peace? I hate the word as I hate hell and all Montagues.

A rose by any other name would smell as sweet.

Why then, O brawling love! O loving hate! O any thing, of nothing first create! O heavy lightness, serious vanity, Misshapen chaos of well-seeming forms, Feather of lead, bright smoke, cold fire, sick health, Still-waking sleep, that is not what it is! This love feel I, that feel no love in this.

Under love’s heavy burden do I sink. And, to sink in it, should you burden love; Too great oppression for a tender thing. Is love a tender thing? it is too rough, Too rude, too boisterous, and it pricks like thorn. If love be rough with you, be rough with love; Prick love for pricking, and you beat love down.

Tis an ill cook that cannot lick his own fingers.

If I profane with my unworthiest hand This holy shrine, the gentle fine is this: My lips, two blushing pilgrims, ready stand To smooth that rough touch with a tender kiss. Juliet: Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers' kiss. Romeo: Have not saints lips, and holy palmers too? Juliet: Ay, pilgrim, lips that they must use in prayer. Romeo: O, then, dear saint, let lips do what hands do; They pray, grant thou, lest faith turn to despair. Juliet: Saints do not move, though grant for prayers' sake. Romeo: Then move not, while my prayer's effect I take. Thus from my lips, by yours, my sin is purged. Juliet: Then have my lips the sin that they have took. Romeo: Sin from thy lips? O trespass sweetly urged! Give me my sin again. Juliet: You kiss by the book.

Eyes, look your last! Arms, take your last embrace! And, lips, oh you the doors of breath, seal with a righteous kiss a dateless bargain to engrossing death!

What's in a name, anyway? That which we call a nose by any other name would still smell.

One fire burns out another's burning, One pain is lessen'd by another's anguish.

O! she doth teach the torches to burn bright It seems she hangs upon the cheek of night Like a rich jewel in an Ethiop's ear; Beauty too rich for use, for earth too dear. - Romeo -

How art thou out of breath when thou hast breath To say to me that thou art out of breath?

It’s easy for someone to joke about scars if they’ve never been cut.

Is love a tender thing? It is too rough, too rude, too boisterous, and it pricks like thorn.

We burn daylight.

Out of her favour, where I am in love.

The sweetest honey is loathsome in its own deliciousness. And in the taste destroys the appetite. Therefore, love moderately.

I must be gone and live, or stay and die.

Educated men are so impressive!

Death, that hath suck'd the honey of thy breath hath had no power yet upon thy beauty.

He jests at scars that never felt a wound. But soft! What light through yonder window breaks? It is the east, and Juliet is the sun. Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou, her maid, art far more fair than she. Be not her maid since she is envious. Her vestal livery is but sick and green, And none but fools do wear it. Cast it off! It is my lady. Oh, it is my love. Oh, that she knew she were! She speaks, yet she says nothing. What of that? Her eye discourses. I will answer it.— I am too bold. 'Tis not to me she speaks. Two of the fairest stars in all the heaven, Having some business, do entreat her eyes To twinkle in their spheres till they return. What if her eyes were there, they in her head? The brightness of her cheek would shame those stars As daylight doth a lamp. Her eye in heaven Would through the airy region stream so bright That birds would sing and think it were not night. See how she leans her cheek upon her hand. Oh, that I were a glove upon that hand That I might touch that cheek!

Give me my sin again.

Alas, that love, so gentle in his view, Should be so tyrannous and rough in proof! *It’s sad. Love looks like a nice thing, but it’s actually very rough when you experience it.*

O, swear not by the moon, th’ inconstant moon, That monthly changes in her circle orb, Lest that thy love prove likewise variable.

What sadness lengthens Romeo's hours? Romeo: Not having that, which, having, makes them short.

Romeo, Romeo. Wherefore art thou Romeo? Deny thy father and refuse thy name.

Love goes toward love as schoolboys from their books, But love from love, toward school with heavy looks.

Take it in what sense thou wilt.

True, I talk of dreams, Which are the children of an idle brain, Begot of nothing but vain fantasy, Which is as thin of substance as the air, And more inconstant than the wind, who woos Even now the frozen bosom of the north, And, being anger'd, puffs away from thence, Turning his side to the dew-dropping south.

One pain is lessened by another’s anguish. ... Take thou some new infection to thy eye, And the rank poison of the old will die.

He that is strucken blind can not forget the precious treasure of his eyesight lost.

Virtue itself turns vice, being misapplied, And vice sometime by action dignified.

Ay me! sad hours seem long.

And where two raging fires meet together, they do consume the thing that feeds their fury.

true apothecary thy drugs art quick

If Romeo had never met Juliet, maybe they both would have still been alive, but what they would have been alive for is the question Shakespeare wants us to answer.

I’ll look to like, if looking liking move; But no more deep will I endart mine eye than your consent gives strength to make it fly.

These sudden joys have sudden endings. They burn up in victory like fire and gunpowder.

A plague on both your houses.

Care keeps his watch in every old man’s eye, And where care lodges, sleep will never lie.

To move is to stir, and to be valiant is to stand; therefore, if tou art mov'd, thou runst away. (To be angry is to move, to be brave is to stand still. Therefore, if you're angry, you'll run away.)

Well, in that hit you miss. She'll not be hit With Cupid's arrow. She hath Dian's wit, And, in strong proff of chastity well armed, From Love's weak childish bow she lives uncharmed. She will not stay the siege of loving terms, Nor bide th' encounter of assailing eyes, Nor ope her lap to saint-seducing gold. O, she is rich in beauty; only poor That, when she dies, with dies her store. Act 1,Scene 1, lines 180-197

Not proud you have, but thankful that you have. Proud can I never be of what I hate, but thankful even for hate that is meant love.

Her blood is settled, and her joints are stiff; Life and these lips have long been separated: Death lies on her like an untimely frost Upon the sweetest flower of all the field.

It were a grief so brief to part with thee. Farewell.

I have a soul of lead So stakes me to the ground I cannot move.

You're in love? Out Out of love? I love someone. She doesn't love me.

I dreamt my lady came and found me dead . . . . . . . . . . . . And breathed such life with kisses in my lips That I revived and was an emperor.

I take thee at thy word: Call me but love, and I'll be new baptized; Henceforth I never will be Romeo.

O my love, my wife! Death, that hath suck'd the honey of thy breath Hath had no power yet upon thy beauty.

I will make thee think thy swan a crow.

Shakespeare had it right all along: Love will kill you in the end.

Blind is his love and best befits the dark- Benvolio

Courage, man; the hurt cannot be much. Mercutio: No, 'tis not so deep as a well, nor so wide as a church-door; but 'tis enough, 'twill serve. Ask for me tomorrow, and you shall find me a grave man.

The Brightness of her cheek would shame those stars as daylight doth a lamp; her eyes in heaven would through the airy region stream so bright that birds would sing, and think it were not night.

It is my lady. O, it is my love! O, that she knew she were! She speaks, yet she says nothing. What of that? Her eye discourses; I will answer it. I am too bold. ’Tis not to me she speaks. Two of the fairest stars in all the heaven, Having some business, do entreat her eyes To twinkle in their spheres till they return. What if her eyes were there, they in her head? The brightness of her cheek would shame those stars

Alack, there lies more peril in thine eye Than twenty of their swords: look thou but sweet, And I am proof against their enmity.

One fairer than my love? The all-seeing sun Ne'er saw her match since first the world begun.

Thou shalt not stir one foot to seek a foe.

Some grief shows much of love, But much of grief shows still some want of wit.

It is my soul that calls upon my name; How silver-sweet sound lovers' tongues by night, like softest music to attending ears! -Romeo

I said ”I love you so much it’s killing me” and you kept saying sorry so I stopped explaining for it never made sense to you what always did to me to let what you love kill you and never regret. As Romeo is dying Juliet says ”I am willing to die to remain by your side” and love was never a static place of rest but the last second of euphoria while throwing yourself out from a 20 store window to be able to say ”I flew before I hit the ground”, and it was glorious. Don’t be sorry. The fall was beautiful, dear. The crash was beautiful.

You've never heard of the Trickster King?" Puck asked, shocked. The girls shook their heads. "The Prince of Fairies? Robin Goodfellow? The Imp?" "Do you work for Santa?" Daphne asked. "I'm a fairy, not an elf!" Puck roared. "You really don't know who I am! Doesn't anyone read the classics anymore? Dozens of writers have warned about me. I'm in the most famous of all of William Shakespeare's plays." "I don't remember any Puck in Romeo and Juliet," Sabrina muttered, feeling a little amused at how the boy was reacting to his non-celebrity. "Besides Romeo and Juliet!" Puck shouted. "I'm the star of a Midsummer Night's Dream!" "Congratulation," Sabrina said flatly. "Never read it.

whats here a cup closed in my true loves hand poisin i see hath been his timeless end. oh churl drunk all and left no friendly drop to help me after. i will kiss thy lips some poisin doth hang on them, to help me die with a restorative. thy lips are warm. yea noise then ill be brief oh happy dagger this is thy sheath. there rust and let me die.

Alas, that love, whose view is muffled still, Should, without eyes, see pathways to his will! Where shall we dine? O me! What fray was here? Yet tell me not, for I have heard it all. Here’s much to do with hate, but more with love. Why, then, O brawling love! O loving hate! O any thing, of nothing first create! O heavy lightness! Serious vanity! Mis-shapen chaos of well-seeming forms! Feather of lead, bright smoke, cold fire, sick health! Still-waking sleep, that is not what it is! This love feel I, that feel no love in this. Dost thou not laugh?

Oh, she doth teach the torches to burn bright! It seems she hangs upon the cheek of night Like a rich jewel in an Ethiope’s ear, Beauty too rich for use, for earth too dear. So shows a snowy dove trooping with crows As yonder lady o'er her fellows shows. The measure done, I’ll watch her place of stand, And, touching hers, make blessèd my rude hand. Did my heart love till now? Forswear it, sight! For I ne'er saw true beauty till this night.

Wilt thou be gone? it is not yet near day: It was the nightingale, and not the lark, That pierc'd the fearful hollow of thine ear; Nightly she sings on yon pomegranate tree: Believe me, love, it was the nightingale. Rom. It was the lark, the herald of the morn, No nightingale: look, love, what envious streaks Do lace the severing clouds in yonder east: Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops: I must be gone and live, or stay and die. Jul. Yon light is not daylight, I know it, I: It is some meteor that the sun exhales, To be to thee this night a torch-bearer, And light thee on thy way to Mantua: Therefore stay yet; thou need'st not to be gone, Rom. Let me be ta'en,, let me be put to death; I am content, so thou wilt have it so. I'll say yon grey is not the morning's eye, 'T is but the pale reflex of Cynthia's brow; Nor that is not the lark, whose notes do beat The vaulty heaven so high above our heads: I have more care to stay than will to go: Come, death, and welcome! Juliet wills it so, How is't my soul? let's talk; it is not day. Jul. It is, it is; hie hence, be gone, away! It is the lark that sings so out of tune, Straining harsh discords and unpleasing sharps. Some say the lark makes sweet division; This doth not so, for she divideth us: Some say the lark and loathed toad change eyes; O! now I would they had changed voices too, Since arm from arm that voice doth us affray, Hunting thee hence with hunt's up to the day. O! now be gone; more light and light it grows. Rom. More light and light; more dark and dark our woes.

William Shakespeare (baptised 26 April 1564 – died 23 April 1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "The Bard"). His surviving works consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language, and are performed more often than those of any other playwright. Shakespeare was born and raised in Stratford-upon-Avon. At the age of 18 he married Anne Hathaway, who bore him three children: Susanna, and twins Hamnet and Judith. Between 1585 and 1592 he began a successful career in London as an actor, writer, and part owner of the playing company the Lord Chamberlain's Men, later known as the King's Men. He appears to have retired to Stratford around 1613, where he died three years later. Few records of Shakespeare's private life survive, and there has been considerable speculation about such matters as his sexuality, religious beliefs, and whether the works attributed to him were written by others. Shakespeare produced most of his known work between 1590 and 1613. His early plays were mainly comedies and histories, genres he raised to the peak of sophistication and artistry by the end of the sixteenth century. Next he wrote mainly tragedies until about 1608, including Hamlet, King Lear, and Macbeth, considered some of the finest examples in the English language. In his last phase, he wrote tragicomedies, also known as romances, and collaborated with other playwrights. Many of his plays were published in editions of varying quality and accuracy during his lifetime, and in 1623 two of his former theatrical colleagues published the First Folio, a collected edition of his dramatic works that included all but two of the plays now recognised as Shakespeare's. Shakespeare was a respected poet and playwright in his own day, but his reputation did not rise to its present heights until the nineteenth century. The Romantics, in particular, acclaimed Shakespeare's genius, and the Victorians hero-worshipped Shakespeare with a reverence that George Bernard Shaw called "bardolatry". In the twentieth century, his work was repeatedly adopted and rediscovered by new movements in scholarship and performance. His plays remain highly popular today and are consistently performed and reinterpreted in diverse cultural and political contexts throughout the world. Source: Wikipedia