Shake Love Is Blind Quotes

We've searched our database for all the quotes and captions related to Shake Love Is Blind. Here they are! All 39 of them:

I love you,' Buttercup said. 'I know this must come as something of a surprise to you, since all I've ever done is scorn you and degrade you and taunt you, but I have loved you for several hours now, and every second, more. I thought an hour ago that I loved you more than any woman has ever loved a man, but a half hour after that I knew that what I felt before was nothing compared to what I felt then. But ten minutes after that, I understood that my previous love was a puddle compared to the high seas before a storm. Your eyes are like that, did you know? Well they are. How many minutes ago was I? Twenty? Had I brought my feelings up to then? It doesn't matter.' Buttercup still could not look at him. The sun was rising behind her now; she could feel the heat on her back, and it gave her courage. 'I love you so much more now than twenty minutes ago that there cannot be comparison. I love you so much more now then when you opened your hovel door, there cannot be comparison. There is no room in my body for anything but you. My arms love you, my ears adore you, my knees shake with blind affection. My mind begs you to ask it something so it can obey. Do you want me to follow you for the rest of your days? I will do that. Do you want me to crawl? I will crawl. I will be quiet for you or sing for you, or if you are hungry, let me bring you food, or if you have thirst and nothing will quench it but Arabian wine, I will go to Araby, even though it is across the world, and bring a bottle back for your lunch. Anything there is that I can do for you, I will do for you; anything there is that I cannot do, I will learn to do. I know I cannot compete with the Countess in skills or wisdom or appeal, and I saw the way she looked at you. And I saw the way you looked at her. But remember, please, that she is old and has other interests, while I am seventeen and for me there is only you. Dearest Westley--I've never called you that before, have I?--Westley, Westley, Westley, Westley, Westley,--darling Westley, adored Westley, sweet perfect Westley, whisper that I have a chance to win your love.' And with that, she dared the bravest thing she'd ever done; she looked right into his eyes.
William Goldman (The Princess Bride)
There’s power in the touch of another person’s hand. We acknowledge it in little ways, all the time. There’s a reason human beings shake hands, hold hands, slap hands, bump hands. “It comes from our very earliest memories, when we all come into the world blinded by light and color, deafened by riotous sound, flailing in a suddenly cavernous space without any way of orienting ourselves, shuddering with cold, emptied with hunger, and justifiably frightened and confused. And what changes that first horror, that original state of terror? “The touch of another person’s hands. “Hands that wrap us in warmth, that hold us close. Hands that guide us to shelter, to comfort, to food. Hands that hold and touch and reassure us through our very first crisis, and guide us into our very first shelter from pain. The first thing we ever learn is that the touch of someone else’s hand can ease pain and make things better. “That’s power. That’s power so fundamental that most people never even realize it exists.
Jim Butcher (Skin Game (The Dresden Files, #15))
There is no room in my body for anything but you. My arms love you, my ears adore you, my knees shake with blind affection. My mind begs you to ask it something so it can obey. Do you want me to follow you for the rest of your days? I will do that. Do you want me to crawl? I will crawl. I will be quiet for you or sing for you, or if you are hungry, let me bring you food, or if you have thirst and nothing will quench it but Arabian wine, I will go to Araby, even though it is across the world, and bring a bottle back for your lunch. Anything there is that I can do for you, I will do for you; anything there is that I cannot do, I will learn to do.
William Goldman
I love you," I whisper. "I love you exactly as you are." Warner is looking at me like he might be going deaf and blind at the same time. "No," he gasps. One broken, broken word. Barely even a sound. He's shaking his head and he's looking away from me and his hand is caught in his hair, his body turned toward the table and he says "No. No, no-" "Aaron-" "No," he says, backing away. "No, you don't know what you're saying-" "I love you," I tell him again. "I love you and I want you and I wanted you then," I say to him, "I wanted you so much and I still want you, I want you right now-" Stop. Stop time. Stop the world. Stop everything for the moment he crosses the room and pulls me into his arms and pins me against the wall and I'm spinning and standing and not even breathing but I'm alive so alive so very very alive and he's kissing me.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
Do you know how long I’ve been telling myself you hated me? Or how hard it’s been to keep believing it? You’d do things, these amazing, insane things, like stealing me back from Blind Michael or breaking me out of jail, and I’d say, ‘Oh, he just wants to pay his debts,’ or, ‘Oh, who knows what a cat is thinking?’” My voice broke a little on the last word. Dammit. Tybalt’s eyes widened, hope kindling in their depths. “What are you saying?” “I’m saying— oak and ash, Tybalt, I’m saying I’m in love with you, I’ve been in love with you for a while, and the only way I was dealing with it was by not dealing with it, ever.” I shook my head. “I knew I’d never have you, so I told myself I didn’t want you, and if you don’t really want me, if you want some idea of me, or just want to chase and not catch, I’ll understand, but this has been a hard week, Tybalt, this has been such a hard week. I’ve been waiting for you to come here, because I need you to tell me. Okay? Just tell me what you want.” “Oh, October. Toby. My Toby.” He pulled one hand from mine, reaching up to tuck my hair behind my ear. His fingers were shaking. That was what I focused on, more than anything else. His fingers were shaking. “Do you think I’m cruel enough to do that to you?” I sniffled. “No,” I admitted. “Thank Oberon,” he said, and pulled me close, and kissed me.
Seanan McGuire (Ashes of Honor (October Daye, #6))
Although people call love a capricious and unaccountable emotion that arises like an illness, nonetheless it has its own laws and reasons, like everything else. If these laws have been little studied so far, that is because a person struck down by love is in no condition to observe with a scholar's eye as the impression steals into his soul and shackles his emotions like a dream, as first his eyes go blind, at which moment his pulse and then his heart begin beating harder, all of a sudden there arises as of yesterday an undying devotion, the desire to sacrifice oneself; one's I gradually vanishes and crosses over into him or her; the mind becomes wither unusually dull or unusually sharp; the will surrenders to the will of another; and the head bows, the knees shake and the tears and fever come.
Ivan Goncharov (Oblomov)
The sentiment may perceive and love the universe, but the universe cannot perceive and love the sentiment. The universe sees no distinction between the multitude of creatures and elements which comprise it. All are equal. None is favoured. The universe, equipped with nothing but the materials and the power of creation, continues to create: something of this, something of that. It cannot control what it creates and it cannot, it seems, be controlled by its creations (though a few might deceive themselves otherwise). Those who curse the workings of the universe curse that which is deaf. Those who strike out at those workings fight that which is inviolate. Those who shake their fists, shake their fists at blind stars.
Michael Moorcock (The Knight of the Swords (Corum, #1))
There is no room in my body for anything but you. My arms love you, my ears adore you, my knees shake with blind affection. My mind begs you to ask it something so it can obey.
William Goldman (The Princess Bride)
“What kind of a snake would marry a woman and not bother to tell her about it? His anguish touched her, and she felt another stabbing pain in her heart, but she tried to overlook it. “Well?” she demanded. “What kind of a lying snake would do such a thing?" He closed his eyes, shaking his head. When he met her gaze again, Lucy saw bleak frustration and pain in his eyes, his vulnerability laid bare. “ snake so blindly in love he could not help himself,” he admitted in a rusty whisper
Renee Roszel (Married By Mistake!)
Lottie stared blindly at the dark canopy overhead. “Nick,” she asked raggedly, “is this the usual way that people h-have relations?” His voice was muffled. “What is the usual way?” She inhaled sharply as he nipped at the inner curve of her thigh. “I’m not entirely certain. But I don’t think this is it.” His voice thickened with amusement. “I know what I’m doing, Lottie.” “I was not implying that you didn’t… oh, please don’t kiss me there!” Then she felt him shake with suppressed laughter. “For someone who has never done this before, you’re rather opinionated. Let me make love to you the way I want, hmmn? The first time, at least.” He grasped both her wrists and pinned them at her sides. “Lie still.
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
I want to apologize to you,” she says calmly. “Oh yeah? For what?” I don’t have time for this. We don’t have time for this. I push away thoughts of what will happen to Hana even if I manage to escape. She’ll be here, in the house . . . My stomach is clenching and unclenching. I’m worried the bread will come straight back up. I have to stay focused. What happens to Hana isn’t my concern, and it isn’t my fault, either. “For telling the regulators about 37 Brooks,” she says. “For telling them about you and Alex.” Just like that, my brain powers down. “What?" “I told them.” She lets out a tiny exhalation, as though saying the words has given her relief. “I’m sorry. I was jealous.” I can’t speak. I’m swimming through a fog. “Jealous?” I manage to spit out. “I—I wanted what you had with Alex. I was confused. I didn’t understand what I was doing.” She shakes her head again. I have a swinging, seasick feeling. It doesn’t make any sense. Hana—golden girl Hana, my best friend, fearless and reckless. I trusted her. I loved her. “You were my best friend.” “I know.” Again she looks troubled, as though trying to recall the meaning of the words. “You had everything.” I can’t stop my voice from rising. The anger is vibrating, ripping through me like a live current. “Perfect life. Perfect grades. Everything.” I gesture to the spotless kitchen, to the sunshine pouring over the marble counters like drizzled butter. “I had nothing. He was my one thing. My only—” The sickness surges up and I take a step forward, clenching my fists, blind with rage. “Why couldn’t you let me have it? Why did you have to take it? Why did you always take everything?
Lauren Oliver (Requiem (Delirium, #3))
And so I make my way across the room steadily, carefully. Hands shaking, I pull the string, lifting my blinds. They rise slowly, drawing more moonlight into the room with every inch And there he is, crouched low on the roof. Same leather jacket. The hair is his, the cheekbones, the perfect nose . . . the eyes: dark and mysterious . . . full of secrets. . . . My heart flutters, body light. I reach out to touch him, thinking he might disappear, my fingers disrupted by the windowpane. On the other side, Parker lifts his hand and mouths: “Hi.” I mouth “Hi” back. He holds up a single finger, signalling me to hold on. He picks up a spiral-bound notebook and flips open the cover, turning the first page to me. I recognize his neat, block print instantly: bold, black Sharpie. I know this is unexpected . . . , I read. He flips the page. . . . and strange . . . I lift an eyebrow. . . . but please hear read me out. He flips to the next page. I know I told you I never lied . . . . . . but that was (obviously) the biggest lie of all. The truth is: I’m a liar. I lied. I lied to myself . . . . . . and to you. Parker watches as I read. Our eyes meet, and he flips the page. But only because I had to. I wasn’t supposed to fall in love with you, Jaden . . . . . . but it happened anyway. I clear my throat, and swallow hard, but it’s squeezed shut again, tight. And it gets worse. Not only am I a liar . . . I’m selfish. Selfish enough to want it all. And I know if I don’t have you . . . I hold my breath, waiting. . . . I don’t have anything. He turns another page, and I read: I’m not Parker . . . . . . and I’m not going to give up . . . . . . until I can prove to you . . . . . . that you are the only thing that matters. He flips to the next page. So keep sending me away . . . . . . but I’ll just keep coming back to you. Again . . . He flips to the next page. . . . and again . . . And the next: . . . and again. Goose bumps rise to the surface of my skin. I shiver, hugging myself tightly. And if you can ever find it in your (heart) to forgive me . . . There’s a big, black “heart” symbol where the word should be. I will do everything it takes to make it up to you. He closes the notebook and tosses it beside him. It lands on the roof with a dull thwack. Then, lifting his index finger, he draws an X across his chest. Cross my heart. I stifle the happy laugh welling inside, hiding the smile as I reach for the metal latch to unlock my window. I slowly, carefully, raise the sash. A burst of fresh honeysuckles saturates the balmy, midnight air, sickeningly sweet, filling the room. I close my eyes, breathing it in, as a thousand sleepless nights melt, slipping away. I gather the lavender satin of my dress in my hand, climb through the open window, and stand tall on the roof, feeling the height, the warmth of the shingles beneath my bare feet, facing Parker. He touches the length of the scar on my forehead with his cool finger, tucks my hair behind my ear, traces the edge of my face with the back of his hand. My eyes close. “You know you’re beautiful? Even when you cry?” He smiles, holding my face in his hands, smearing the tears away with his thumbs. I breathe in, lungs shuddering. “I’m sorry,” he whispers, black eyes sincere. I swallow. “I know why you had to.” “Doesn’t make it right.” “Doesn’t matter anymore,” I say, shaking my head. The moon hangs suspended in the sky, stars twinkling overhead, as he leans down and kisses me softly, lips meeting mine, familiar—lips I imagined, dreamed about, memorized a mil ion hours ago. Then he wraps his arms around me, pulling me into him, quelling every doubt and fear and uncertainty in this one, perfect moment.
Katie Klein (Cross My Heart (Cross My Heart, #1))
Danny . . . dearest man who serves me booze. Do you see the way my eyes are flitting back and forth? Can you feel the crazy exuding from them?” He nods, swallowing hard. “This is my third date here, okay? This is my third time trying to find somebody to love me after two failed attempts from this supposedly perfect matchmaking system. I’m feeling a little out of control, mildly psychotic, and you know what, I will just say it, slightly turned on.” Shit, I didn’t want to say that to Danny. Shaking that thought, I continue, “So please be a gent, and scamper behind your little bar and give me more whiskey. Got it?
Meghan Quinn (Three Blind Dates (Dating by Numbers, #1))
Can I say something?” he says. “I know you love your sister, but…” He shakes his head, sighs. “Something isn’t right about her. It’s like she doesn’t know where she ends and you begin. It’s like she thinks … you belong to her or something.” I frown. “And you don’t have great boundaries with her either. You blindly believe things that she tells you. You don’t question anything she says.
Sally Hepworth (The Good Sister)
I was on the first one when I felt his fingers encircle my wrist. “Sophie, come on. I don’t want to fight with you.” Turning, I opened my mouth to say I didn’t want to fight with him either. But before I could, I saw the telltale flash out of the corner of my eye, and the next thing I knew, my arm was jerking out of his grasp. “If you don’t want to fight with her, maybe you shouldn’t suggest she team up with people who want to kill her,” my voice snarled. Archer backed up so fast he nearly stumbled, and I wasn’t sure I’d ever seen him look so freaked out. But he recovered quickly. “Elodie, if I wanted to talk to you, I’d do a séance or something. Maybe go on an episode of Ghost Hunters. But right now, I want to talk to Sophie. So clear out.” Elodie had no intention of doing that. “You always were a crappy boyfriend,” she said. “Once you left, I chalked that up to you, you know, not actually liking me. But unless I’m blind as well as dead, you really like Sophie. In fact, hard as it is for me to fathom, I think you love her.” Shut up, shut up, shut up! Screw that, she retorted. You two spend all your time making stupid jokes and being all witty. Someone has to get real. “What’s your point?” Archer asked, narrowing his eyes at me. Her. Whatever. God, this was getting confusing. “Cal loves her, too, you know. And the last time I checked, he wasn’t part of a cult of monster killers. I’m just saying that if you’re going have loyalties that divided, maybe it’s time to bow out gracefully.” You couldn’t say Elodie didn’t know how to make a dramatic exit. The next thing I knew, I was pitching forward into Archer’s arms, my head swimming. Archer clutched my waist and then abruptly shoved me at arm’s length. “Sophie?” he asked, looking intently into my eyes. “Yeah,” I said, my voice shaking. “I’m back.” His fingers loosened, becoming more of a caress than a grip. “So you can’t control when she swoops in like that? She can just take you over…whenever?” I tried to laugh, but it came out more of a cough. “You know Elodie. I don’t think anyone has ever controlled her.” Frowning, Archer pulled his hands back and shoved them in his pockets. “Well, that’s awesome.” I grabbed the railing to steady myself. “Archer…that stuff she said. You know it’s not true.” He shrugged and moved past me onto the steps. “Saying the most hateful things possible is like Elodie’s superpower. Don’t worry about it.” He paused and looked over his shoulder. “We should probably go tell Jenna what we found down here.” Oh, right. We’d just unearthed a whole bunch of demons. That probably trumped over relationship issues. Another few seconds passed. “Come on, Mercer,” Archer said, holding his hand out to me. This time, I took it.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
One evening he appeared with an infant in his arms at the door of his ex-wife, Martha. Because Briony, his lovely young wife after Martha, had died. Of what? We’ll get to that. I can’t do this alone, Andrew said, as Martha stared at him from the open doorway. It happened to have been snowing that night, and Martha was transfixed by the soft creature-like snowflakes alighting on Andrew’s NY Yankees hat brim. Martha was like that, enrapt by the peripheral things as if setting them to music. Even in ordinary times, she was slow to respond, looking at you with her large dark rolling protuberant eyes. Then the smile would come, or the nod, or the shake of the head. Meanwhile the heat from her home drifted through the open door and fogged up Andrew’s eyeglasses. He stood there behind his foggy lenses like a blind man in the snowfall and was without volition when at last she reached out, gently took the swaddled infant from him, stepped back, and closed the door in his face.
E.L. Doctorow (Andrew's Brain)
Do you know why I call you sunshine?" He suddenly asks, serious. I shake my head, raising my eyebrows in question. "Because the first time I saw you, you were like the sun. The brightest fucking star, and I felt myself blinded by your light. You shine brighter than anyone I've ever seen, Gianna, and I can only say I'm the luckiest motherfucker that you choose to share your light with me." "Bass," I smile, his words touching me. "You can be very sweet sometimes." "I love you, Gianna. I may not have told you before, but I've loved you for so long it feels like forever.
Veronica Lancet (Frivolous)
A man once made it a reproach that I should be so happy, and told me everybody has crosses, and that we live in a vale of woe. I mentioned moles as my principal cross, and pointed to the huge black mounds with which they had decorated the tennis–court, but I could not agree to the vale of woe, and could not be shaken in my belief that the world is a dear and lovely place, with everything in it to make us happy so long as we walk humbly and diet ourselves. He pointed out that sorrow and sickness were sure to come, and seemed quite angry with me when I suggested that they too could be borne perhaps with cheerfulness. ‘And have not even such things their sunny side?’ I exclaimed. ‘When I am steeped to the lips in diseases and doctors, I shall at least have something to talk about that interests my women friends, and need not sit as I do now wondering what I shall say next and wishing they would go.’ He replied that all around me lay misery, sin, and suffering, and that every person not absolutely blinded by selfishness must be aware of it and must realise the seriousness and tragedy of existence. I asked him whether my being miserable and discontented would help any one or make him less wretched; and he said that we all had to take up our burdens. I assured him I would not shrink from mine, though I felt secretly ashamed of it when I remembered that it was only moles, and he went away with a grave face and a shaking head, back to his wife and his eleven children. I heard soon afterwards that a twelfth baby had been born and his wife had died, and in dying had turned her face with a quite unaccountable impatience away from him and to the wall; and the rumour of his piety reached even into my garden, and how he had said, as he closed her eyes, ‘It is the Will of God.’ He was a missionary.
Elizabeth von Arnim (The Solitary Summer)
Ode to the Beloved’s Hips" Bells are they—shaped on the eighth day—silvered percussion in the morning—are the morning. Swing switch sway. Hold the day away a little longer, a little slower, a little easy. Call to me— I wanna rock, I-I wanna rock, I-I wanna rock right now—so to them I come—struck-dumb chime-blind, tolling with a throat full of Hosanna. How many hours bowed against this Infinity of Blessed Trinity? Communion of Pelvis, Sacrum, Femur. My mouth—terrible angel, ever-lasting novena, ecstatic devourer. O, the places I have laid them, knelt and scooped the amber—fast honey—from their openness— Ah Muzen Cab’s hidden Temple of Tulúm—licked smooth the sticky of her hip—heat-thrummed ossa coxae. Lambent slave to ilium and ischium—I never tire to shake this wild hive, split with thumb the sweet- dripped comb—hot hexagonal hole—dark diamond— to its nectar-dervished queen. Meanad tongue— come-drunk hum-tranced honey-puller—for her hips, I am—strummed-song and succubus. They are the sign: hip. And the cosign: a great book— the body’s Bible opened up to its Good News Gospel. Alleluias, Ave Marías, madre mías, ay yay yays, Ay Dios míos, and hip-hip-hooray. Cult of Coccyx. Culto de cadera. Oracle of Orgasm. Rorschach’s riddle: What do I see? Hips: Innominate bone. Wish bone. Orpheus bone. Transubstantiation bone—hips of bread, wine-whet thighs. Say the word and healed I shall be: Bone butterfly. Bone wings. Bone Ferris wheel. Bone basin bone throne bone lamp. Apparition in the bone grotto—6th mystery— slick rosary bead—Déme la gracia of a decade in this garden of carmine flower. Exile me to the enormous orchard of Alcinous—spiced fruit, laden-tree—Imparadise me. Because, God, I am guilty. I am sin-frenzied and full of teeth for pear upon apple upon fig. More than all that are your hips. They are a city. They are Kingdom— Troy, the hollowed horse, an army of desire— thirty soldiers in the belly, two in the mouth. Beloved, your hips are the war. At night your legs, love, are boulevards leading me beggared and hungry to your candy house, your baroque mansion. Even when I am late and the tables have been cleared, in the kitchen of your hips, let me eat cake. O, constellation of pelvic glide—every curve, a luster, a star. More infinite still, your hips are kosmic, are universe—galactic carousel of burning comets and Big Big Bangs. Millennium Falcon, let me be your Solo. O, hot planet, let me circumambulate. O, spiral galaxy, I am coming for your dark matter. Along las calles de tus muslos I wander— follow the parade of pulse like a drum line— descend into your Plaza del Toros— hands throbbing Miura bulls, dark Isleros. Your arched hips—ay, mi torera. Down the long corridor, your wet walls lead me like a traje de luces—all glitter, glowed. I am the animal born to rush your rich red muletas—each breath, each sigh, each groan, a hooked horn of want. My mouth at your inner thigh—here I must enter you—mi pobre Manolete—press and part you like a wound— make the crowd pounding in the grandstand of your iliac crest rise up in you and cheer.
Natalie Díaz
Sometimes you must do things out of love that devastate the senses. This wasn't easy, Elymas. I know blindness. I know how suddenly the specks in the stones you can't see become something you would die for. From the way you grope this cloud of mist I know you're trying to imagine the color of the stars right now, the blue-white shine that once ignited your hands with power, but can conjur only the upturned bellies of poisoned frogs, your mother's dying lips. Don't you know how small this life is? Even the stars are just the sweat Christ shakes from his brow. When you make crooked the path to eternity, you send your brother to oblivion, to the buried speck in the midnight desert stone. This time, no magic will save you. You will have to find your life in the dark. Today you will have to be led by the hand.
Tania Runyan
Rhys lunged against his hold, but Amren stepped to their side and hissed, 'Listen.' Nesta whispered, 'I give it all back.' Her shoulders heaved as she wept. Rhys began shaking his head, his power a palpable, rising wave that would destroy them all, destroy the world if it meant Feyre was no longer in it, even if he only had seconds to live beyond her, but Amren grabbed the nape of his neck. Her red nails dug into his golden skin. 'Look at the light.' Iridescent light began flowing from Nesta's body. Into Feyre. Nesta kept holding her sister. 'I give it back. I give it back. I give it back.' Even Rhys stopped fighting. No one moved. The lights glimmered down Feyre's arm. Her legs. It suffused her ashen face. Began to fill the room. Cassian's Siphons guttered, as if sensing a power far beyond his own, beyond any of theirs. Tendrils of light drifted between the sisters. And one, delicate and loving, flowed towards Mor. To the bundle in her arms, setting the silent babe within glowing bright as the sun. And Nesta kept whispering, 'I give it back. I give it all back.' The iridescence filled her, filled Feyre, filled the bundle in Mor's arms, lighting his friend's face so the shock on it was etched in stark relief. 'I give it back,' Nesta said, one more time, and Mask and Crown tumbled from her head. The light exploded, blinding and warm, a wind sweeping past them, as if gathering every shard of itself out of the room. Ans as it faded, dark ink splashed upon Nesta's back, visible through her half-shredded shirt, as if it were a wave crashing upon the shore. A bargain. With the Cauldron itself. Yet Cassian could have sworn a luminescent, gentle hand prevented the light from leaving her body altogether. Cassian didn't fight Rhys this time as he raced to the bed. To where Feyre lay, flush with colour. No more blood spilling between her legs. Feyre opened her eyes. She blinked at Rhys, and then turned to Nesta. 'I love you, too,' Feyre whispered to her sister, and smiled. Nesta didn't stop her sob as she launched herself onto Feyre and embraced her.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
What kind of dog do you want?” Peter asks her. “Don’t get her hopes up,” I tell him, but he waves me off. Immediately Kitty says, “An Akita. Red fur with a cinnamon-bun tail. Or a German shepherd I can train to be a seeing-eye dog.” “But you’re not blind,” Peter says. “But I could be one day.” Grinning, Peter shakes his head. He nudges me again and in an admiring voice he says, “Can’t argue with the kid." “It’s pretty much futile,” I agree. I hold up a magazine to show Kitty. “What do you think? Creamsicle cookies?” Kitty writes them down as a maybe. “Hey, what about these?” Peter pushes a cookbook in my lap. It’s opened up to a fruitcake cookie recipe. I gag. “Are you kidding? You’re kidding, right? Fruitcake cookies? That’s disgusting.” “When done right, fruitcake can be really good,” Peter defends. “My great-aunt Trish used to make fruitcake, and she’d put ice cream on top and it was awesome.” “If you put ice cream on anything, it’s good,” Kitty says. “Can’t argue with the kid,” I say, and Peter and I exchange smiles over Kitty’s head.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Rebel [Verse 1] I don't give a fuck my brudda, I never have I'm straight from the gutter my brudda, we never had We living on a budget - holes in the rooftop Room full of buckets, it's getting bad Things could be worse I suppose, school trips, school kids Cursing my clothes, is it the same in every house When the curtains are closed? (daydreamin') I'm in a world of my own (I ain't leavin') It must be because I hate my reality That's why I'm on the verge of embracing insanity Put me in a padded room Throw away the key and let me escape the anarchy I can't take it, I turn my back on the world I can't face it, Ray-Ban gang fam Can't see my eyes cause I'm on my dark shades shit (Ray Charles) [Bridge] Black everything, you can ask David Cameron if we're living in the dark ages Black everything, you can ask David Black everything, you can ask David Black everything, you can ask David Cameron if we're living in the dark ages [Hook] (It's a living hell) I'm a rebel Always have been Where I'm come from it's a mad ting (It's a living hell) Standing in my Stan Smiths Stamping on the canvas for action (It's a living hell) All I acquired from the riot Is people are sick and tired of being quiet (It's a living hell) Dying to be heard That's why there's fire in my words [Verse 2] I don't give a fuck my brudda, I never will Straight from the gutter my brudda, rare real We been living life like "fuck it", living life like there's nothing To live for but the money, I'mma keep it 100 The hunger inside is what drives us That's why there's youngers inside who are lifers They say love is blind so you might just Fall in love with them crimes that'll blind us And I'd be lying if I said I wasn't out late Around H, scales out, another ounce weighed More pounds made, sounds great Salts under my tongue, my mouth's laced So many feds chasing me down, the ground shakes Helicopters, bikes and cars chasing So many officers behind, my heart's racing [Bridge] [Hook x2]
Ghetts
Sometimes Marlboro Man and I would venture out into the world--go to the city, see a movie, eat a good meal, be among other humans. But what we did best was stay in together, cooking dinner and washing dishes and retiring to the chairs on his front porch or the couch in his living room, watching action movies and finding new and inventive ways to wrap ourselves in each other’s arms so not a centimeter of space existed between us. It was our hobby. And we were good at it. It was getting more serious. We were getting closer. Each passing day brought deeper feelings, more intense passion, love like I’d never known it before. To be with a man who, despite his obvious masculinity, wasn’t at all afraid to reveal his soft, affectionate side, who had no fears or hang-ups about declaring his feelings plainly and often, who, it seemed, had never played a head game in his life…this was the romance I was meant to have. Occasionally, though, after returning to my house at night, I’d lie awake in my own bed, wrestling with the turn my life had taken. Though my feelings for Marlboro Man were never in question, I sometimes wondered where “all this” would lead. We weren’t engaged--it was way too soon for that--but how would that even work, anyway? It’s not like I could ever live out here. I tried to squint and see through all the blinding passion I felt and envision what such a life would mean. Gravel? Manure? Overalls? Isolation? Then, almost without fail, just about the time my mind reached full capacity and my what-ifs threatened to disrupt my sleep, my phone would ring again. And it would be Marlboro Man, whose mind was anything but scattered. Who had a thought and acted on it without wasting even a moment calculating the pros and cons and risks and rewards. Who’d whisper words that might as well never have existed before he spoke them: “I miss you already…” “I’m thinking about you…” “I love you…” And then I’d smell his scent in the air and drift right off to Dreamland. This was the pattern that defined my early days with Marlboro Man. I was so happy, so utterly content--as far as I was concerned, it could have gone on like that forever. But inevitably, the day would come when reality would appear and shake me violently by the shoulders. And, as usual, I wasn’t the least bit ready for it.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
You surprise me, she says. Do I? he says. Why? Though I like to surprise you. He lights a cigarette, offers her one; she shakes her head for no. He’s smoking too much. It’s nerves, despite his steady hands. Because you said they fell in love, she says. You’ve sneered at that notion often enough—not realistic, bourgeois superstition, rotten at the core. Sickly sentiment, a high-flown Victorian excuse for honest carnality. Going soft on yourself? Don’t blame me, blame history, he says, smiling. Such things happen. Falling in love has been recorded, or at least those words have. Anyway, I said he was lying. You can’t wiggle out of it that way. The lying was only at first. Then you changed it. Point granted. But there could be a more callous way of looking at it. Looking at what? This falling in love business. Since when is it a business? she says angrily. He smiles. That notion bother you? Too commercial? Your own conscience would flinch, is that what you’re saying? But there’s always a tradeoff, isn’t there? No, she says. There isn’t. Not always. You might say he grabbed what he could get. Why wouldn’t he? He had no scruples, his life was dog eat dog and it always had been. Or you could say they were both young so they didn’t know any better. The young habitually mistake lust for love, they’re infested with idealism of all kinds. And I haven’t said he didn’t kill her afterwards. As I’ve pointed out, he was nothing if not self-interested. So you’ve got cold feet, she says. You’re backing down, you’re chicken. You won’t go all the way. You’re to love as a cock-teaser is to fucking. He laughs, a startled laugh. Is it the coarseness of the words, is he taken aback, has she finally managed that? Restrain your language, young lady. Why should I? You don’t. I’m a bad example. Let’s just say they could indulge themselves—their emotions, if you want to call it that. They could roll around in their emotions—live for the moment, spout poetry out of both ends, burn the candle, drain the cup, howl at the moon. Time was running out on them. They had nothing to lose. He did. Or he certainly thought he did! All right then.She had nothing to lose. He blows out a cloud of smoke. Not like me, she says, I guess you mean. Not like you, darling, he says. Like me. I’m the one with nothing to lose. She says, But you’ve got me. I’m not nothing.
Margaret Atwood (The Blind Assassin)
They could not speak. To be in Alexander’s arms, to smell him, to hear his breathing, his voice again… Shh, shh, he was still whispering and holding her, pulling off her hat, her hairnet, her hairpins, letting her black hair fall down. His hands were in it. His eyes were closed. Perhaps he was imagining her hair was not black but blonde again. The way Alexander was touching her now, she could tell that he was blind and had not yet learned to see—he was holding her in that impossible choke that had to do not quite with love or passion, but somehow with both and with neither. The embrace wasn’t an alloy, it was a conflagration of anguish and bitter relief and fear. Tatiana could tell Alexander would like to have spoken more, but he couldn’t, and so he sat on the hay with his legs open, while she kneeled in front of him, folded into his arms, and every once in a while from his shuddering body would come a Shh, shh… Not for her. Not for Tatiana. For himself. Continuing to hold her, Alexander lowered her onto the straw. His trembling limbs surrounded her. Tatiana was barely breathing, her own body convulsing. To rage, to quell— They didn’t know what to do—to undress? To stay clothed? She couldn’t move, nor want to. His lips were on her neck, her clavicles, he was clawing at her, ripping open her tunic, baring her breasts to his desperate gasping mouth. She wanted to whisper his name, to moan maybe. Tears kept trickling down her temples. He removed from himself and her only what was necessary. He didn’t so much enter her as break her open. Her mouth remained in a mute screaming O, her hands clutched him, not close enough, and through the whisper of grief, through the cry of desire, Tatiana felt that Alexander, in his complete abandon, was making love to her as if he were being pulled from the cross to which he was still attached by nails. His gripping her, his ferocious, unremitting movement was so intense that Tatiana felt consciousness yield to— Oh my God, Shura, please…she mouthed inaudibly. But it could not be any other way. Violent release came for Alexander at the expense of Tatiana’s momentary lapse of reason, as she cried out, her pleas carrying through the barn, to the basin, to the river, to the sky. He remained on top of her without moving, without pulling away. His body was shaking. He couldn’t be any closer. She held him closer still…And then… Shh, shh. That wasn’t Alexander. That was Tatiana. They both fell asleep. Still they hadn’t spoken.
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
Mowbray! Been a while since you bothered with the season. What brings you to town?” Lord Adrian Montfort, Earl of Mowbray, shifted his gaze from the couples whirling past on the dance floor and to the man who approached: the tall, fair, eminently good-looking Reginald Greville. He and Greville, his cousin, had once been the best of friends. However, time and distance had weakened the bond—with a little help from the war with France, Adrian thought bitterly. Ignoring Reginald’s question, he offered a somewhat rusty smile in greeting, then turned his gaze back to the men and women swinging elegantly about the dance floor. He replied instead, “Enjoying the season, Greville?” “Certainly, certainly. Fresh blood. Fresh faces.” “Fresh victims,” Mowbray said dryly, and Reginald laughed. “That too.” Reginald was well-known for his success in seducing young innocents. Only his title and money kept him from being forced out of town. Shaking his head, Adrian gave that rusty smile again. “I wonder you never tire of the chase, Reg. They all look sadly similar to me. I would swear these were the very same young women who were entering their first season the last time I attended…and the time before that, and the time before that.” His cousin smiled easily, but shook his head. “It has been ten years since you bothered to come to town, Adrian. Those women are all married and bearing fruit, or well on their way to spinsterhood.” “Different faces, same ladies,” Adrian said with a shrug. “Such cynicism!” Reg chided. “You sound old, old man.” “Older,” Adrian corrected. “Older and wiser.” “No. Just old,” Reg insisted with a laugh, his own gaze turning to the mass of people moving before them. “Besides, there are a couple of real lovelies this year. That blonde, for instance, or that brunette with Chalmsly.” “Hmmm.” Adrian looked the two women over. “Correct me if I’m wrong, but my guess is that the brunette—lovely as she is—doesn’t have a thought in her head. Rather like that Lady Penelope you seduced when last I was here.” Reg’s eyes widened in surprise at the observation. “And the blonde…” Adrian continued, his gaze raking the woman in question and taking in her calculating look. “Born of parents in trade, lots of money, and looking for a title to go with it. Rather like Lily Ainsley. Another of your conquests.” “Dead-on,” Reginald admitted, looking a bit incredulous. His gaze moved between the two women and then he gave a harsh laugh. “Now you have quite ruined it for me. I was considering favoring one or both of them with my attentions. But now you have made them quite boring.” -Reg & Adrian
Lynsay Sands (Love Is Blind)
she had dark chestnut hair, a heart-shaped face, large wide eyes, full lips…and appeared about as miserable as he’d ever seen a young woman, a state he suspected had something to do with the older woman at her side. His gaze slid over the matron. Well-rounded with dark hair, she was pretty despite the bloom of youth being gone—or she would be if she weren’t wearing a pursed, dissatisfied expression as she surveyed the activity in the ballroom. Adrian glanced back to the girl. “First season?” he queried, his curiosity piqued. “Yes.” Reg looked amused. “Why is no one dancing with her?” A beauty such as this should have had a full card. “No one dares ask her—and you will not either, if you value your feet.” Adrian’s eyebrows rose, his gaze turning reluctantly from the young woman to the man at his side. “She is blind as a bat and dangerous to boot,” Reg announced, nodding when Adrian looked disbelieving. “Truly, she cannot dance a step without stomping on your toes and falling about. She cannot even walk without bumping into things.” He paused, cocking one eyebrow in response to Adrian’s expression. “I know you do not believe it. I did not either…much to my own folly.” Reginald turned to glare at the girl and continued: “I was warned, but ignored it and took her in to dinner….” He glanced back at Adrian. “I was wearing dark brown trousers that night, unfortunately. She mistook my lap for a table, and set her tea on me. Or rather, she tried to. It overset and…” Reg paused, shifting uncomfortably at the memory. “Damn me if she did not burn my piffle.” Adrian stared at his cousin and then burst into laughter. Reginald looked startled, then smiled wryly. “Yes, laugh. But if I never sire another child—legitimate or not—I shall blame it solely on Lady Clarissa Crambray.” Shaking his head, Adrian laughed even harder, and it felt so good. It had been many years since he’d found anything the least bit funny. But the image of the delicate little flower along the wall mistaking Reg’s lap for a table and oversetting a cup of tea on him was priceless. “What did you do?” he got out at last. Reg shook his head and raised his hands helplessly. “What could I do? I pretended it had not happened, stayed where I was, and tried not to cry with the pain. ‘A gentleman never deigns to notice, or draw attention in any way to, a lady’s public faux pas,’” he quoted dryly, then glanced back at the girl with a sigh. “Truth to tell, I do not think she even realized what she’d done. Rumor has it she can see fine with spectacles, but she is too vain to wear them.” Still smiling, Adrian followed Reg’s gaze to the girl. Carefully taking in her wretched expression, he shook his head. “No. Not vain,” he announced, watching as the older woman beside Lady Clarissa murmured something, stood, and moved away. “Well,” Reg began, but paused when, ignoring him, Adrian moved toward the girl. Shaking his head, he muttered, “I warned you.” -Adrian & Reg
Lynsay Sands (Love Is Blind)
Now that you’re my wife, I only need one more thing to be complete.” “What’s that?” she asked breathlessly. He pulled back, and began plucking pins from her hair, releasing the waves from the chignon. “What the hell does A.J. stand for?” Laughter filled the room. “Didn’t you look at the marriage license?” “I was too blinded by love. So?” “You aren’t going to believe it.” “Try me,” he said, as the last pin fell to the floor. He buried his hands in her hair, shaking it out around her shoulders. “The first is Arlington.” “Not bad. Better than a lot of other words that start with A.” His smile was warm. She cast him a dry look. “It was the city I was born in.” “Makes it easy to remember.” “The other is Juniper.” He froze in disbelief. “You’re named after a bush?” “It’s a damn nice planting, a hearty shrub.” Devlin was laughing as he said, “And the connection is . . .” “I think I might have been conceived under one.” “That’s adventurous.” “I haven’t asked a lot of questions.” “I can see why.
J.R. Ward (Leaping Hearts)
Meri,” he said, pulling back, a breath away. But this time, the hands framing her face held her in place. Her heart was rapid staccato, stealing her breath. She gulped in air. “I love you,” he whispered. His voice registered, but the meaning didn’t sink through her foggy thoughts. He gave her a little shake. “Did you hear me?” His thumb moved down her face, along the corner of her lip. “I love you.” His ardent tone cut through the fog, clearing a path for his words. She shook her head. “Yes.” She was so stupid. How had she allowed this to happen? Did she think because they were blind in the darkness that it didn’t count? That there would be no consequences? “Meridith?” Ben’s small voice called from down the hall. “Say something,” Jake whispered, and she knew he wasn’t talking about Ben. Jake’s hands, the ones she couldn’t get enough of before, now felt like a vise. She pulled them away. “Meridith,” he said. “I have to go.” She whirled into the shadows before he could stop her.
Denise Hunter (Driftwood Lane (Nantucket, #4))
make me a rilke shake with love & ovaltine when i have a sleepless night and nothing lights up i order a rilke shake and eat a toasted blake sunny side up when i am sad & lonely while love doesn't blind me i drink a rilke shake and brush a toasted blake against the epidermis of the butter
Angélica Freitas (Rilke shake)
They spend the endless hours reading in their sleeping bags. They read all the books previous sitters left in the hammock lending library. They read Shakespeare, holding the thick volumes across their twinned bellies. They read a play every afternoon, taking all the parts between them. A Midsummer Night's Dream King Lear. Macbeth. They read two fabulous novels, one three years old and the other a hundred and twenty-three. She has trouble, as they near the end of the older story, keeping her voice under control. "You love these people?" The stories have captivated him. He cares about what happens. But she - she's broken. "Love? Wow. Okay. Maybe. But they're all imprisoned in a shoe box, and they have no idea. I just want to shake them and yell, Get out of yourselves, damn it! Look around! But they can't, Nicky. Everything alive is just outside their field of view." Her face crabs up and her eyes go raw again. Crying for the blindness, even of fictional beings.
Richard Powers (The Overstory)
So the city became the material expression of a particular loss of innocence—not sexual or political innocence but somehow a shared dream of what a city might at its best prove to be—its inhabitants became, and have remained, an embittered and amnesiac race, wounded but unable to connect through memory to the moment of the injury, unable to summon the face of their violator. Out of that night and day of unconditional wrath, folks would’ve expected to see any city, if it survived, all newly reborn, purified by flame, taken clear beyond greed, real-estate speculating, local politics—instead of which, here was this weeping widow, some one-woman grievance committee in black, who would go on to save up and lovingly record and mercilessly begrudge every goddamn single tear she ever had to cry, and over the years to come would make up for them all by developing into the meanest, cruelest bitch of a city, even among cities not notable for their kindness. To all appearance resolute, adventurous, manly, the city could not shake that terrible all-night rape, when “he” was forced to submit, surrendering, inadmissably, blindly feminine, into the Hellfire embrace of “her” beloved. He spent the years afterward forgetting and fabulating and trying to get back some self-respect. But inwardly, deep inside, “he” remained the catamite of Hell, the punk at the disposal of all the denizens thereof, the bitch in men’s clothing. So,
Thomas Pynchon (Against the Day)
You stole my heart, my soul and my mind. You rob my sleep, my content and my peace. Just by your glance, just by your glance. You shake my belief, my conviction and my faith. You stirred my thought, my contemplation and my confidence. Just by your glance, just by your glance. You turn me insane, stunned and spellbound. You made me stormed, flamed and blazed. Just by your glance, just by your glance. Of my madness there is no cure. I am incurable. Of my thirst there is no quench. I am desert dry. Of my hunger there is no contentment. I am burning fire. Of my sickness there is no remedy. I am undiagnosed. Of my desire there is no limit. I am void. Of my faith there is no surety. I am blind. Of my religion there is no temple. I am lover. Of my insanity there is no end. I am infinite. What heals me, you do not know. It is the touch of my love. What enchants me, you do not know. It is the face of my love. What warms me, you do not know. It is the embrace of my love. What awakens me, you do not know. It is the dream of my love. I am richest among the riches. Only if I be with my love. I am powerest among the powers. Only if I be with my love. I am master among the masters. Only if I be with my love. I am king among the kings. Only if I be with my love. If world will perish, my love will remain. If my love will perish everything will annihilate. If sun will extinguish, my love will remain. If my love will extinguish everything will vanish. If heaven will fall, my love will remain. If my love will fall everything will crumble. If all will die, my love will remain. If my love dies everything will dissolve. If God is there, my love will remain. Even if God is not there, still my love will remain.
Sw. Chidananda Tirtha
You think I'm a loser!" Dagou yells. "Am I a loser for keeping us alive when all the decent places are moving to the strip? I keep your business going. You pay me almost nothing. My salary is a joke. I want an equal share of the profits." "Big man," sneers Leo. Ming knows Dagou will turn to Winnie a second before he does it. He always runs to their mother. "He grown up now," Winnie says. "Let him have his share." "You stay out of this! You gave up the business when you left it for this menstruation hut!" The table erupts. "Lay off it." "Don't talk to her like that!" "This is a Spiritual House." Leo pushes back his chair. Standing, he has the look of a beast on its hind legs: hairy, primitive, his long arms hanging almost to his knees. It isn't just the dark, unshaven hair sprouting in patches on his cheeks. There is something hungry yet remote in his close-set eyes. Everyone can see it. Some of them shrink back and turn away. Ming knows this eerie quality well. It has been there in his father for as long as he can remember. Long ago, he learned to escape its worst, to allow other members of the family to confront it. Now he climbs up into a place of refuge in his mind. A kind of hunting blind, where he can watch and wait. From above, Ming watches his brother. Dagou has the blank expression of someone who is only just becoming aware of what he's done. "'Don't talk to her like that,'" their father jeers. "Mama's boy! And you..." He grins wickedly at Winnie. Despite her vow of tranquility, she appears ready to bolt from her chair. The nuns seated on either side hold on to her arms. "You think he's still your diaper-filling lamb. You haven no idea what a dog he is. Ask him why he needs money now. Ask him. Ask him." Dagou looks around the table. "It's true I've fallen in love," he announces. "My whole life is changing." He pauses importantly. People stare at their plates. "Christ," says their father. "All this fuss over a decent fuck." The nuns gasp. Now Dagou's chair creaks, and he also rises to his feet. He is enormous and he swells with rage. His shoulders tense. He points at his father and his finger is shaking. It could be that he has decided, once and for all, to take down Big Chao. As the Sons of Liberty rose against King George. As the sons turned on Chronos, as he himself turned upon Uranus. So it will be in the family Chao.
Lan Samantha Chang (The Family Chao)
So, as I sit shaking in my boots and shitting my pants at the mere thought of all this change — of these paradigm shifts that are unseen in any lifetime before ours — I keep reminding myself, always be a beginner, always realize there is something to learn, always remember that you know far less than you think. Be a novice. Be a blank page. Be embryonic in your sense of yourself. You are just learning the steps. You are just starting out. It is okay to be stupid or blind or to not have the answers. It is okay to be wrong, to make mistakes, and to muck it all up. This is all part of the process of becoming. Of enlightenment. Of living. Love it all. The confusion. The mess. The raw, red rims of your eyes. Love the experience of being born. Love the experience of watching the old way of life die. Watch everything burn. Watch everything go. Don’t be afraid. This. This is how you find your way. You don’t notice the changes as they come. You just wake up, one bright morning — sky the color of robin’s eggs — and you realize that you are there. And you open the door and smell the restless air and say a prayer of profound thanks.
Shavawn M. Berry (The Best of Rebelle Society, Volume I)
She was the King of Hybern’s most lethal general—she fought on the front lines, slaughtering humans and any High Fae and faeries who dared defend them. But she had a younger sister, Clythia, who fought at her side, as vicious and wretched as she … until Clythia fell in love with a mortal warrior. Jurian.” Alis loosed a shaking sigh. “Jurian commanded mighty human armies, but Clythia still secretly sought him out, still loved him with an unrelenting madness. She was too blind to realize that Jurian was using her for information about Amarantha’s forces. Amarantha suspected, but could not persuade Clythia to leave him—and could not bring herself to kill him, not when it would cause her sister such pain.” Alis clicked her tongue and began opening the cabinets, scanning their ravaged insides. “Amarantha delighted in torture and killing, and yet she loved her sister enough to stay her hand.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
His back tightened, then he began to move deeply, surely, possessively. She moaned and lifted herself to meet him as the glorious rhythm reigned. She was so ready, the friction quickly pushed her over the edge. Without warning, her body convulsed on a sunbright peak. For a small eternity, rapture blasted her, turned the air around her incandescent with pleasure. She tasted the salt of her tears on her lips. Aftershocks still quivered through her. Tenderly, she ran her hands down his lean hips to knead his firm buttocks. Part of her clung to the ecstasy even as the blaze subsided to a gentle glow. The physical delight hadn't faded. If anything, it was sharper, deeper, more profound. Matured through suffering and loss and deprivation. She expected him to finish but he wasn't satisfied yet. Implacably, he tilted her hips and continued to ravish her. Shocked, she realized he hadn't found release in that shivering culmination. She'd been too lost in her own pleasure to register his responses. Before her last climax subsided, another more shattering crises ripped through her. She raised her hand to her mouth and bit down hard to muffle a scream. Uncontrollable ecstasy gripped her in claws of flame. It was as though the dragons on the doors had breathed their fire into her lover. Still he didn't relent. Almost roughly, he reached down to stroke the swollen folds between her legs and this time she did scream. She arched up to kiss him using teeth and tongue. Her touch held no tenderness. Although in her heart, she felt an endless lake of tenderness for this man she loved so dearly. Another wave hit her and she shuddered, blind with the violent onslaught of sensation. Time itself was suspended as she lost herself in ultimate pleasure. Matthew groaned from deep in his throat as he at last gave himself up. While liquid heat spilled into her womb, she clutched his shaking body. Slowly, inevitably, she made the dazzling descent from heaven. She closed her eyes and let pleasure ebb through velvety, electric darkness. He lay on top of her, heavy, beloved, welcome.
Anna Campbell (Untouched)
Rhys lunged against his hold, but Amren stepped to their side and hissed, “Listen.” Nesta whispered, “I give it all back.” Her shoulders heaved as she wept. Rhys began shaking his head, his power a palpable, rising wave that could destroy them all, destroy the world if it meant Feyre was no longer in it, even if he only had seconds to live beyond her, but Amren grabbed the nape of his neck. Her red nails dug into his golden skin. “Look at the light.” Iridescent light began flowing from Nesta’s body. Into Feyre. Nesta kept holding her sister. “I give it back. I give it back. I give it back.” Even Rhys stopped fighting. No one moved. The light glimmered down Feyre’s arms. Her legs. It suffused her ashen face. Began to fill the room. Cassian’s Siphons guttered, as if sensing a power far beyond his own, beyond any of theirs. Tendrils of light drifted between the sisters. And one, delicate and loving, floated toward Mor. To the bundle in her arms, setting the silent babe within glowing bright as the sun. And Nesta kept whispering, “I give it back. I give it all back.” The iridescence filled her, filled Feyre, filled the bundle in Mor’s arms, lighting his friend’s face so the shock on it was etched in stark relief. “I give it back,” Nesta said, one more time, and Mask and Crown tumbled from her head. The light exploded, blinding and warm, a wind sweeping past them, as if gathering every shard of itself out of the room. And as it faded, dark ink splashed upon Nesta’s back, visible through her half-shredded shirt, as if it were a wave crashing upon the shore. A bargain. With the Cauldron itself.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))