Shady Tree Quotes

When I Am Dead, My Dearest When I am dead, my dearest, Sing no sad songs for me; Plant thou no roses at my head, Nor shady cypress-tree: Be the green grass above me With showers and dewdrops wet; And if thou wilt, remember, And if thou wilt, forget. I shall not see the shadows, I shall not feel the rain; I shall not hear the nightingale Sing on, as if in pain: And dreaming through the twilight That doth not rise nor set, Haply I may remember, And haply may forget.

A man of calm is like a shady tree. People who need shelter come to it.

Why, Yrael?” it said, as the last of the dark gave way to silver, and the shining sphere of metal sank slowly to the ground. “Why?” “Life,” said Yrael, who was more Mogget than it ever knew. “Fish and fowl, warm sun and shady trees, the field mice in the wheat, under the cool light of the moon.

What if the point of life has nothing to do with the creation of an ever-expanding region of control? What if the point is not to keep at bay all those people, beings, objects and emotions that we so needlessly fear? What if the point instead is to let go of that control? What if the point of life, the primary reason for existence, is to lie naked with your lover in a shady grove of trees? What if the point is to taste each other's sweat and feel the delicate pressure of finger on chest, thigh on thigh, lip on cheek? What if the point is to stop, then, in your slow movements together, and listen to the birdsong, to watch the dragonflies hover, to look at your lover's face, then up at the undersides of leaves moving together in the breeze? What if the point is to invite these others into your movement, to bring trees, wind, grass, dragonflies into your family and in so doing abandon any attempt to control them? What if the point all along has been to get along, to relate, to experience things on their own terms? What if the point is to feel joy when joyous, love when loving, anger when angry, thoughtful when full of thought? What if the point from the beginning has been to simply be?

People encounter God under shady oak trees, on riverbanks, at the tops of mountains, and in long stretches of barren wilderness. God shows up in whirlwinds, starry skies, burning bushes, and perfect strangers. When people want to know more about God, the son of God tells them to pay attention to the lilies of the field and the birds of the air, to women kneading bread and workers lining up for their pay. Whoever wrote this stuff believed that people could learn as much about the ways of God from paying attention to the world as they could from paying attention to scripture. What is true is what happens, even if what happens is not always right. People can learn as much about the ways of God from business deals gone bad or sparrows falling to the ground as they can from reciting the books of the Bible in order. They can learn as much from a love affair or a wildflower as they can from knowing the Ten Commandments by heart.

The first place that I can well remember, was a large pleasant meadow with a pond of clear water in it. Some shady trees leaned over it, and rushes and water-lilies grew at the deep end. Over the hedge on one side we looked into a plowed field, and on the other we looked over a gate at our master's house, which stood by the roadside;

Even the bleakest, cruelest soul can have its tender spots. Even the harshest desert has its pools, its shady trees and gentle streams.

I shall always remember how the peacocks’ tails shimmered when the moon rose amongst the tall trees, and on the shady bank the emerging mermaids gleamed fresh and silvery amongst the rocks…

The wicked have weakness other than their willingness to kill and maim. Even the bleakest, cruelest soul can have its tender spots. Even the harshest desert has its pools, its shady trees and gentle streams.

Jerusalem! My Love,My Town I wept until my tears were dry I prayed until the candles flickered I knelt until the floor creaked I asked about Mohammed and Christ Oh Jerusalem, the fragrance of prophets The shortest path between earth and sky Oh Jerusalem, the citadel of laws A beautiful child with fingers charred and downcast eyes You are the shady oasis passed by the Prophet Your streets are melancholy Your minarets are mourning You, the young maiden dressed in black Who rings the bells at the Nativity Church, On sunday morning? Who brings toys for the children On Christmas eve? Oh Jerusalem, the city of sorrow A big tear wandering in the eye Who will halt the aggression On you, the pearl of religions? Who will wash your bloody walls? Who will safeguard the Bible? Who will rescue the Quran? Who will save Christ, From those who have killed Christ? Who will save man? Oh Jerusalem my town Oh Jerusalem my love Tomorrow the lemon trees will blossom And the olive trees will rejoice Your eyes will dance The migrant pigeons will return To your sacred roofs And your children will play again And fathers and sons will meet On your rosy hills My town The town of peace and olives

A thing of beauty is a joy for ever: Its loveliness increases; it will never Pass into nothingness; but still will keep A bower quiet for us, and a sleep Full of sweet dreams, and health, and quiet breathing. Therefore, on every morrow, are we wreathing A flowery band to bind us to the earth, Spite of despondence, of the inhuman dearth Of noble natures, of the gloomy days, Of all the unhealthy and o'er-darkn'd ways Made for our searching: yes, in spite of all, Some shape of beauty moves away the pall From our dark spirits. Such the sun, the moon, Trees old and young, sprouting a shady boon For simple sheep; and such are daffodils With the green world they live in; and clear rills That for themselves a cooling covert make 'Gainst the hot season; the mid-forest brake, Rich with a sprinkling of fair musk-rose blooms: And such too is the grandeur of the dooms We have imagined for the mighty dead; An endless fountain of immortal drink, Pouring unto us from the heaven's brink.

Back on the beach we dry off under a shady tree. I feel Olly’s eyes on me when he thinks I’m not noticing, but we are a mutual admiration society—I’m secretly ogling him, too.

There is nothing half so green that I know anywhere, as the grass of that churchyard; nothing half so shady as its trees; nothing half so quiet as its tombstones.

The Flowers All the names I know from nurse: Gardener's garters, Shepherd's purse, Bachelor's buttons, Lady's smock, And the Lady Hollyhock. Fairy places, fairy things, Fairy woods where the wild bee wings, Tiny trees for tiny dames-- These must all be fairy names! Tiny woods below whose boughs Shady fairies weave a house; Tiny tree-tops, rose or thyme, Where the braver fairies climb! Fair are grown-up people's trees, But the fairest woods are these; Where, if I were not so tall, I should live for good and all

I am a tree, though I’m not a shady character. I’m like a tree in winter.

This particularly unfashionable neighborhood was a shady one despite the absence of trees, and

Under a shady tree can you feel the soft cool grass? can you feel it with your toes? we can sit here while it grows. Laurie Berkner

He envisaged her in the heaven he had learned about in childhood: a grassy place with blue sky and a light breeze. He could no longer picture the inhabitants with anything as ridiculous as wings. Instead he saw Nancy strolling in a simple sheath dress, her low shoes held in her hand and a shady tree beckoning her in the distance. The rest of the time, he could not hold on to this vision and she was only gone, like Bertie, and he was left to struggle on alone in the awful empty space of unbelief.

Beyond that was a small orchard, its trees appearing to hold the first signs of apples. Cherry blossoms bloomed in the May warmth, forming neat columns of shady pathways. The manicured grass, so unlike the wild fields of the farm, was intersected by meandering pebbled walkways, where her ladies must tread when receiving finely dressed visitors. Birdsong pierced the blue sky, as did the aroma of fresh-petaled flowers.

In 1902 before the site of the steel plant was even located, Jamsetji when abroad, described his dream city of steel to his son Dorab in a letter: ‘Be sure to lay wide streets planted with shady trees, every other of a quick-growing variety. Be sure that there is plenty of space for lawns and gardens. Reserve large areas for football, hockey and parks. Earmark areas for Hindu temples, Mohammedan mosques and Christian churches.’ Two decades after Jamsetji penned these lines, J.R.D. first visited Jamshedpur. The dream had come true. In the intervening years men of steel had raised a city out of a jungle.

Then lest the people should repeat Their visit to his calm retreat, Away from Chitrakúṭa's hill Fared Ráma ever onward till [pg 005] Beneath the shady trees he stood Of Daṇḍaká's primeval wood, Virádha, giant fiend, he slew, And then Agastya's friendship knew. Counselled by him he gained the sword And bow of Indra, heavenly lord: A pair of quivers too, that bore Of arrows an exhaustless store.

Uncle Jed stopped sorcering manipulations around the time he lost himself to shine, but I remember this same awed feeling creeping over me and settling in, as I watched him conjure a lemon tree or shady oak in our yard. Creating something real from nothing, or protecting something with magic, or linking and binding things that have no business being linked: pure magic might only last a day, but its hold on you lasts far longer.

There is nothing half so green that I know anywhere, as the grass of that churchyard; nothing half so shady as its trees; nothing half so quiet as its tombstones. The sheep are feeding there, when I kneel up, early in the morning, in my little bed in a closet within my mother's room, to look out at it; and I see the red light shining on the sun-dial, and think within myself, 'Is the sun-dial glad, I wonder, that it can tell the time again?

There was once a town in the heart of America where all life seemed to live in harmony with its surroundings. The town lay in the midst of a checkerboard of prosperous farms, with fields of grain and hillsides of orchards where, in spring, white clouds of bloom drifted above the green fields. In autumn, oak and maple and birch set up a blaze of color that flamed and flickered across a backdrop of pines. Then foxes barked in the hills and deer silently crossed the fields, half hidden in the mists of the fall mornings. Along the roads, laurel, viburnum, and alder, great ferns and wildflowers delighted the traveler's eye through much of the year. Even in winter the roadsides were places of beauty, where countless birds came to feed on the berries and on the seed heads of the dried weeds rising above the snow. The countryside was, in fact, famous for the abundance and variety of its bird life, and when the flood of migrants was pouring through in spring and fall people traveled from great distances to observe them. Others came to fish the streams, which flowed clear and cold out of the hills and contained shady pools where trout lay. So it had been from the days many years ago when the first settlers raised their homes, sank their wells, and built their barns. Then a strange blight crept over the area and everything began to change. Some evil spell had settled on the community: mysterious maladies swept the flocks of chickens, the cattle, and sheep sickened and died. Everywhere was a shadow of death. The farmers spoke of much illness among their families. In the town the doctors had become more and more puzzled by new kinds of sickness appearing among their patients. There had been sudden and unexplained deaths, not only among adults but even among children whoe would be stricken suddently while at play and die within a few hours. There was a strange stillness. The birds, for example--where had they gone? Many people spoke of them, puzzled and disturbed. The feeding stations in the backyards were deserted. The few birds seen anywhere were moribund; they trembled violently and could not fly. It was a spring without voices. On the mornings that had once throbbed with the dawn chorus of robins, catbirds, doves, jays, wrens, and scores of other bird voices there was no sound; only silence lay over the fields and woods and marsh. On the farms the hens brooded, but no chicks hatched. The farmers complained that they were unable to raise any pigs--the litters were small and the young survived only a few days. The apple trees were coming into bloom but no bees droned among the blossoms, so there was no pollination and there would be no fruit. The roadsides, once so attractive, were now lined with browned and withered vegetation as though swept by fire. These, too, were silent, deserted by all living things. Even the streams were not lifeless. Anglers no longer visited them, for all the fish had died. In the gutters under the eaves and between the shingles of the roofs, a white granular powder still showed a few patches; some weeks before it had fallen like snow upon the roofs and the lawns, the fields and streams. No witchcraft, no enemy action had silenced the rebirth of life in this stricken world. The people had done it to themselves.

Puck laughed, shaking his head at the prince's expression. "Looks like you just got scolded by a gremlin, Your Magesty," he chuckled and crossed his arms. "Ah, can't say I'm not gonna miss you two. We had some fun times, right, princeling? Sadest past is, I won't ever hear ice-boy complain that I'm corrupting you again. But, I guess all good things mus come to an end." He sighe'd, gave Kierran a friendly arm punch and raised his hand. "See ya'round kid. Try not to let those Slim Shadys suck out all your fun. Ethan Chase?" Puck winked at me. "I'm sure I'll see you again, whether you like it or not." "Yeah," I deadpanned. "So looking forward to it." Puck laughed again. "Don't you forget it. Until the next adventure kiddos." Sticking his hands into his pockets, the Great Prankster sauntered off, whistling until he reached the edge of the trees and vanished into the shadows.

No alumnus of the Class of ’73 would ever forget that electric moment when Thorkjeld Svenson in his Commencement remarks clove a solid oak podium neatly in twain from top to base as he slammed down his fist to emphasize those deathless words, “Agri isn’t a business, it’s a culture!” As a farmer’s highest calling was to serve the earth, but to be merry withal in his labor, so was a hog entitled to its wallow in good, soft mud and a cow to its cud of sweet, fresh grass beneath a shady tree before each fulfilled its ultimate destiny. No fowl went from incubator to coop to stewpot without ever once getting its claws in real dirt to scratch up its own worms.

Song When I am dead, my dearest, Sing no sad songs for me; Plant thou no roses at my head, Nor shady cypress tree: Be the green grass above me With showers and dewdrops wet; And if thou wilt, remember, And if thou wilt, forget. I shall not see the shadows, I shall not feel the rain; I shall not hear the nightingale Sing on, as if in pain: And dreaming through the twilight That doth not rise nor set, Haply I may remember, And haply may forget. Sir Thomas Wyatt has been credited with introducing the Petrarchan sonnet into the English language. Wyatt's father had been one of Henry VII's Privy Councilors and remained a trusted adviser when Henry VIII came to the throne in 1509. Wyatt followed his father to court, but it seems the young poet may have fallen in love with the king’s mistress, Anne Boleyn. Their acquaintance is certain, although whether or not the two actually shared a romantic relationship remains unknown. But in his poetry, Wyatt called his mistress Anna and there do seem to be correspondences. For instance, this poem might well have been written about the King’s claim on Anne Boleyn:

It was taking too long to get Malina to Australia, so I needed to get her more permanent housing in the States. Fortunately, I had fantastic friends at Wildlife Images near Grants Pass, Oregon. This wildlife rehabilitation facility was the best in the country, run by a family totally dedicated to helping wildlife. They agreed to take Malina and house her in a beautiful enclosure, complete with shady trees and grass under her feet. Steve came with me to Oregon, and we filmed her move to the new luxury accommodations. Sadly, Malina never made it to Australia. About a year after her move to Wildlife Images, she got sick. She was taken to a vet and sedated for a complete examination. It turned out her kidneys were shutting down. It could have been a genetic problem, or just old age. Either way, she never woke up.

The Copse at Hurstbourne is one of those fancy-sounding titles for a brand-new tract of condominiums on the outskirts of town. 'Copse' as in 'a thicket of small trees.' 'Hurst' as in 'hillock, knoll, or mound.' And 'bourne' as in 'brook or stream.' All of these geological and botanical wonders did seem to conjoin within the twenty parcels of the development, but it was hard to understand why it couldn't have just been called Shady Acres, which is what it was. Apparently people aren't willing to pay a hundred and fifty thousand dollars for a home that doesn't sound like it's part of an Anglo-Saxon land grant. These often quite utilitarian dwellings are never named after Jews or Mexicans. Try marketing Rancho Feinstein if you want to lose money in a hurry. Or Paco Sanchez Park. Middle-class Americans aspire to tone, which is equated, absurdly, with the British gentry.

Happy those early days! when I Shined in my angel-infancy, Before I understood this place Appointed for my second race1, Or taught my soul to fancy ought But a white, celestial thought; When yet I had not walked above A mile or two from my first love, And looking back—at that short space— Could see a glimpse of His bright face; When on some gilded cloud, or flower, My gazing soul would dwell an hour, And in those weaker glories spy Some shadows of eternity; Before I taught my tongue to wound My conscience with a sinful sound, Or had the black art to dispense A several2 sin to every sense, But felt through all this fleshy dress Bright shoots of everlastingness. Oh how I long to travel back, And tread again that ancient track! That I might once more reach that plain, Where first I left my glorious train3; From whence the enlightened spirit sees That shady city of palm trees4. But ah! my soul with too much stay5 Is drunk, and staggers in the way. Some men a forward motion love, But I by backward steps would move And when this dust falls to the urn, In that state I came, return.

Maybe we can just park and check out the fields," said Ethan. "It doesn't look like anyone's around." I was sad to leave the playlist behind--I was worried the car was my snow globe and it would shatter without us being in this small space filled with music and sunlight. It turned out, though, that the snow globe was bigger than I'd imagined. We high-stepped through grass that hadn't been mowed all spring, where blue and yellow wildflowers were growing. When we found a shady spot near a lone tree in the middle of the field, Ethan smoothed out some grass and said, "Let's sit.

The July sun blazed in the middle of the sky and the atmosphere was gay and carefree, while in the windless air not a leaf stirred in the poplars and willows lining the banks of the river. In the distance ahead, the conspicuous bulk of Mont-Valérien loomed, rearing the ramparts of its fortifications in the glare of the sun. On the right, the gentle slopes of Louveciennes, following the curve of the river, formed a semi-circle within which could be glimpsed, through the dense and shady greenery of their spacious lawns, the white-painted walls of weekend retreats. On the land adjoining La Grenouillère strollers were sauntering under the gigantic trees which help to make this part of the island one of the most delightful parks imaginable. Busty women with peroxided hair and nipped-in waists could be seen, made up to the nines with blood red lips and black-kohled eyes. Tightly laced into their garish dresses they trailed in all their vulgar glory over the fresh green grass. They were accompanied by men whose fashion-plate accessories, light gloves, patent-leather boots, canes as slender as threads and absurd monocles made them look like complete idiots.

The car sped on past the outskirts of River Heights. Halfway to Wayland, Nancy turned into a shady road and presently drew up near a sign which read Rocky Edge. She drove slowly up a curving tree-lined lane toward the house. It was a large rambling structure, half hidden from the road by masses of high, overgrown shrubs. The driveway led to a pillared porch. “It’s creepy here, isn’t it?” Ellen remarked nervously. “Oh, not really,” Nancy replied. “No trimming has been done on the grounds, but that gives the place atmosphere.” “I could do without it,” Ellen said uneasily as they got out of the car.

Ms. Mori offered me her cheek to kiss and Sonny offered me his hand to shake. He showed me the door and I slid home through the cool sheets of night and into my own bed, Bon asleep and hovering above me in his rack. I closed my eyes and, after a spell of darkness, floated on my mattress across a black river to the foreign country that needed no passport to visit. Of its many gnomic features and shady denizens I now recall only one, my mind wiped clean except for this fatal fingerprint, an ancient kapok tree that was my final resting place and on whose arthritic bark I laid my cheek. I was almost asleep within my sleep when I gradually understood that the knot of gnarled wood on which my ear rested was actually an ear itself, curled and stiff, the wax of its auditory history encrusted in the green moss of its twisted canal. Half of the kapok tree towered above me, half was invisible below me in the rooted earth, and when I looked up I saw not just one ear but many ears swelling from the bark of its thick trunk, hundreds of ears listening and having listened to things I could not hear, the sight of those ears so horrible it hurled me back into the black river. I woke drenched and gasping, clutching the sides of my head. Only after I kicked off the damp sheets and looked under the pillow could I lie down again, trembling. My heart still beat with the force of a savage drummer, but at least my bed was not littered with amputated ears.

In the landscape of my native land, a stranger in my own fields, --I had a homeland where the Duero flows between gray cliffs and the ghosts of ancient oaks, there in Castile, mystic and warlike, graceful Castile, humble and boastful, Castile of arrogance and power, in the fields of Andalusia where I was born, I long to sing! My childhood memories are here, images of palm trees and sun against a golden brilliance, distant bell towers with storks, city streets without women under an indigo sky, deserted swuares where blazing orange trees ripen with round vermillon fruit, and in a shady garden, the dusty branches of a lemon tree, pale yellow lemons reflected in the clear water of the fountains. The scent of lilies and carnations, pungent odor of basil and mint. images of gloomy olive groves under a torrid sun that blinds and dazes, winding blue mountain ranges under the red glow of an immense afternoon; but if the thread that links memory to the heart is missing, the anchor to the shore, these memories are soulless. In their ragged dress, they are remnants of memory, castoffs the mind drags along. One day, anointed with light from below, our virginal bodies will return to their ancient shore.

As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop. My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair. Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.

Pigs eat acorns, but neither consider the sun that gave them life, nor the influence of the heavens by which they were nourished, nor the very root of the tree from whence they came. Thomas Traherne Your enjoyment of the world is never right till every morning you awake in Heaven; see yourself in your Father’s palace; and look upon the skies, the earth and the air as celestial joys; having such a reverend esteem of all, as if you were among the Angels. The bride of a monarch, in her husband’s chamber, hath no such causes of delight as you. You never enjoy the world aright till the sea itself floweth in your veins, till you are clothed with the heavens and crowned with the stars; and perceive yourself to be the sole heir of the whole world, and more than so, because men are in it who are every one sole heirs as well as you. Till you can sing and rejoice and delight in God, as misers do in gold, and kings in sceptres, you can never enjoy the world. Till your spirit filleth the whole world, and the stars are your jewels; till you are as familiar with the ways of God in all ages as with your walk and table; till you are intimately acquainted with that shady nothing out of which the world was made; till you love men so as to desire their happiness with a thirst equal to the zeal of your own; till you delight in God for being good to all; you never enjoy the world. Till you more feel it than your private estate, and are more present in the hemisphere, considering the glories and the beauties there, than in your own house; till you remember how lately you were made, and how wonderful it was when you came into it; and more rejoice in the palace of your glory than if it had been made today morning. Yet further, you never enjoyed the world aright, till you so love the beauty of enjoying it, that you are covetous and earnest to persuade others to enjoy it. And so perfectly hate the abominable corruption of men in despising it that you had rather suffer the flames of hell than willingly be guilty of their error. The world is a mirror of Infinite Beauty, yet no man sees it. It is a Temple of Majesty, yet no man regards it. It is a region of Light and Peace, did not men disquiet it. It is the Paradise of God. It is more to man since he is fallen than it was before. It is the place of Angels and the Gate of Heaven. When Jacob waked out of his dream, he said, God is here, and I wist it not. How dreadful is this place! This is none other than the House of God and the Gate of Heaven. Thomas Traherne

Oh doors of your body There are nine and I have opened them all Oh doors of your body There are nine and for me they have all closed again At the first door Clear Reason has died It was do you remember? the first day in Nice Your left eye like a snake slides Even my heart And let the door of your left gaze open again At the second door All my strength has died It was do you remember? in a hostel in Cagnes Your right eye was beating like my heart Your eyelids throbbed like flowers beat in the breeze And let the door of your right gaze open again At the third door Hear the aorta beat And all my arteries swollen from your only love And let the door of your left ear be reopened At the fourth gate They escort me every spring And listening listening to the beautiful forest Upload this song of love and nests So sad for the soldiers who are at war And let the door of your right ear reopen At the fifth gate It is my life that I bring you It was do you remember? on the train returning from Grasse And in the shade, very close, very short Your mouth told me Words of damnation so wicked and so tender What do I ask of my wounded soul How could I hear them without dying Oh words so sweet so strong that when I think about it I seem to touch them And let the door of your mouth open again At the sixth gate Your gestation of putrefaction oh War is aborting Behold all the springs with their flowers Here are the cathedrals with their incense Here are your armpits with their divine smell And your perfumed letters that I smell During hours And let the door on the left side of your nose be reopened At the seventh gate Oh perfumes of the past that the current of air carries away The saline effluvia gave your lips the taste of the sea Marine smell smell of love under our windows the sea was dying And the smell of the orange trees enveloped you with love While in my arms you cuddled Still and quiet And let the door on the right side of your nose be reopened At the eighth gate Two chubby angels care for the trembling roses they bear The exquisite sky of your elastic waist And here I am armed with a whip made of moonbeams Hyacinth-crowned loves arrive in droves. And let the door of your soul open again With the ninth gate Love itself must come out Life of my life I join you for eternity And for the perfect love without anger We will come to pure and wicked passion According to what we want To know everything to see everything to hear I gave up in the deep secret of your love Oh shady gate oh living coral gate Between two columns of perfection And let the door open again that your hands know how to open so well

A thing of beauty is a joy for ever: Its loveliness increases; it will never Pass into nothingness; but still will keep A bower quiet for us, and a sleep Full of sweet dreams, and health, and quiet breathing. …yes, in spite of all, Some shape of beauty moves away the pall From our dark spirits. Such the sun, the moon, Trees old and young, sprouting a shady boon For simple sheep; and such are daffodils With the green world they live in; Nor do we merely feel these essences For one short hour; no, even as the trees That whisper round a temple become soon Dear as the temple’s self, so does the moon, The passion poesy, glories infinite, Haunt us till they become a cheering light Unto our souls, and bound to us so fast, That, whether there be shine, or gloom o’ercast, They alway must be with us, or we die. For ‘twas the morn: Apollo’s upward fire Made every eastern cloud a silvery pyre Of brightness so unsullied, that therein A melancholy spirit well might win Oblivion, and melt out his essence fine Into the winds: rain-scented eglantine Gave temperate sweets to that well-wooing sun; Man’s voice was on the mountains; and the mass Of nature’s lives and wonders puls’d tenfold, To feel this sun-rise and its glories old. With a faint breath of music, which ev’n then Fill’d out its voice, and died away again. Within a little space again it gave Its airy swellings, with a gentle wave, To light-hung leaves, in smoothest echoes breaking Through copse-clad vallies,—ere their death, oer-taking The surgy murmurs of the lonely sea. All I beheld and felt. Methought I lay Watching the zenith, where the milky way Among the stars in virgin splendour pours; And travelling my eye, until the doors Of heaven appear’d to open for my flight, I became loth and fearful to alight From such high soaring by a downward glance: So kept me stedfast in that airy trance, Spreading imaginary pinions wide. When, presently, the stars began to glide, And lo! from opening clouds, I saw emerge The loveliest moon, that ever silver’d o’er A shell for Neptune’s goblet: she did soar So passionately bright, my dazzled soul Commingling with her argent spheres did roll Through clear and cloudy, even when she went At last into a dark and vapoury tent— Whereat, methought, the lidless-eyed train Of planets all were in the blue again. To commune with those orbs, once more I rais’d My sight right upward: but it was quite dazed By a bright something, sailing down apace, Making me quickly veil my eyes and face: What I know not: but who, of men, can tell That flowers would bloom, or that green fruit would swell To melting pulp, that fish would have bright mail, The earth its dower of river, wood, and vale, The meadows runnels, runnels pebble-stones, The seed its harvest, or the lute its tones, Tones ravishment, or ravishment its sweet, If human souls did never kiss and greet?

From an essay on early reading by Robert Pinsky: My favorite reading for many years was the "Alice" books. The sentences had the same somber, drugged conviction as Sir John Tenniel's illustrations, an inexplicable, shadowy dignity that reminded me of the portraits and symbols engraved on paper money. The books were not made of words and sentences but of that smoky assurance, the insistent solidity of folded, textured, Victorian interiors elaborately barricaded against the doubt and ennui of a dreadfully God-forsaken vision. The drama of resisting some corrosive, enervating loss, some menacing boredom, made itself clear in the matter-of-fact reality of the story. Behind the drawings I felt not merely a tissue of words and sentences but an unquestioned, definite reality. I read the books over and over. Inevitably, at some point, I began trying to see how it was done, to unravel the making--to read the words as words, to peek behind the reality. The loss entailed by such knowledge is immense. Is the romance of "being a writer"--a romance perhaps even created to compensate for this catastrophic loss--worth the price? The process can be epitomized by the episode that goes with one of my favorite illustrations. Alice has entered a dark wood--"much darker than the last wood": [S]he reached the wood: It looked very cool and shady. "Well, at any rate it's a great comfort," she said as she stepped under the trees, "after being so hot, to get into the--into the--into what?" she went on, rather surprised at not being able to think of the word. "I mean to get under the--under the--under this, you know!" putting her hand on the trunk of the tree. "What does it call itself, I wonder? I do believe it's got no name--why to be sure it hasn't!" This is the wood where things have no names, which Alice has been warned about. As she tries to remember her own name ("I know it begins with L!"), a Fawn comes wandering by. In its soft, sweet voice, the Fawn asks Alice, "What do you call yourself?" Alice returns the question, the creature replies, "I'll tell you, if you'll come a little further on . . . . I can't remember here". The Tenniel picture that I still find affecting illustrates the first part of the next sentence: So they walked on together through the wood, Alice with her arms clasped lovingly round the soft neck of the Fawn, till they came out into another open field, and here the Fawn gave a sudden bound into the air, and shook itself free from Alice's arm. "I'm a Fawn!" it cried out in a voice of delight. "And dear me! you're a human child!" A sudden look of alarm came into its beautiful brown eyes, and in another moment it had darted away at full speed. In the illustration, the little girl and the animal walk together with a slightly awkward intimacy, Alice's right arm circled over the Fawn's neck and back so that the fingers of her two hands meet in front of her waist, barely close enough to mesh a little, a space between the thumbs. They both look forward, and the affecting clumsiness of the pose suggests that they are tripping one another. The great-eyed Fawn's legs are breathtakingly thin. Alice's expression is calm, a little melancholy or spaced-out. What an allegory of the fall into language. To imagine a child crossing over from the jubilant, passive experience of such a passage in its physical reality, over into the phrase-by-phrase, conscious analysis of how it is done--all that movement and reversal and feeling and texture in a handful of sentences--is somewhat like imagining a parallel masking of life itself, as if I were to discover, on reflection, that this room where I am writing, the keyboard, the jar of pens, the lamp, the rain outside, were all made out of words. From "Some Notes on Reading," in The Most Wonderful Books (Milkweed Editions)

The exhausted earth groaned and quivered under the monotonous glare of the sun. Spirals of heat rose from the ground as if from molten lava. A panting lizard crawled painfully over the fevered rock in search of a shady crevice. Cattle and dogs cringed under the scanty shade of the trees and waited for the rain to deliver them from the heat and thirst. Instead the heat grew more intense and oppressive each day, singeing and stifling all living things with an invisible sheet of fire, which only the rain could put out. The drought had persisted for over a month.

Billy and the rest wandered out onto the shady street. The trees were leafing out. There was nothing going on out there, no traffic of any kind. There was only one vehicle, an abandoned wagon drawn by two horses. The wagon was green and coffin-shaped. Birds were talking. One bird said to Billy Pilgrim, “Poo-tee-weet?

Consider Jesus’s genealogy in Matthew 1:1–17. In the ancient world, genealogies determined a person’s status—whether you came from an honorable family or a shameful one. A person’s family line says something about that person. Their character, their social status, the types of people they would hang out with. And Jesus’s genealogy says one thing loud and clear: Jesus is right at home with sinners, thugs, and outcasts. Most genealogies list only the male descendants. Remember, the ancient world was patriarchal. Men were more valued than women, so there was no need to list women—thanks for bearing our children, but we’ll take it from here. But Jesus’s genealogy lists five women, most of whom have some shady event attached to their name, all of whom we’ve already met. The first woman is Tamar, the Canaanite woman who dressed up as a prostitute in order to have sex with her father-in-law, Judah. Her plan succeeded, and she became pregnant with Perez, the one whom God would weave into Jesus’s family line. Next is Rahab, Jericho’s down-and-out prostitute, who was the first Canaanite to receive God’s grace. Among all the Canaanite leaders, among all the skilled warriors, Rahab was the only one who savored the majesty of Israel’s God. Then there’s Ruth, the foreign widow burdening a famished society. A social outcast, a perceived stigma of God’s judgment, Ruth was grafted into the messianic line. Then there’s “the wife of Uriah,” Bathsheba, who was entangled in the sinful affair with King David—the man who murdered her husband. Finally, there’s Mary, the teenage girl who got pregnant out of wedlock. Though she would become an icon in church tradition, her name was synonymous with shame and scandal in the beginning of the first century. You thought your family was messed up. All of these women were social outcasts. They belonged under a bridge. Whether it was their gender, ethnicity, or some sort of sexual debacle, they were rejected by society yet were part of Jesus’s genealogy—a tapestry of grace. Not only was God born in a feeding trough to enter our pain, but He chose to be born into a family tree filled with lust, perversion, murder, and deceit. This tells us a lot about the types of people Jesus wants to hang out with. It tells us that Jesus loves Tamars, Judahs, Gomers, and you.

And so, the four of them got friendly and, from that time onward, would meet everyday at noon, under the shady trees on the bank of the lake and discuss morals and philosophy. In this way, they spent their time very happily. One

West Bay Beach is located on the Islands north west coast and features some of the finest hotels on the Island. Fringed with large shady, palm trees and stunning views in every direction.

I have visions of hilly Pavlovsk, Meadow circular, water dead, With most heavy and most shady, All of this I will never forget. In the cast-iron gates you will enter, Blissful tremor the flesh does rile, You don't live, but you're screaming and ranting Or you live in another style. In late autumn fresh and biting Wanders wind, for its loneliness glad. In white gowns dressed the black fir trees On the molten snow stand. And, filled up with a burning fever, Dear voice sounds like song without word, And on copper shoulder of Cytharus Sits the red-chested bird.

Independently of their market price in dollars and cents, the trees have other values: they are connected in many ways with the civilization of a country; they have their importance in an intellectual and in a moral sense. After the first rude stage of progress is past in a new country—when shelter and food have been provided—people begin to collect the conveniences and pleasures of a permanent home about their dwellings, and then the farmer generally sets out a few trees before his door. This is very desirable, but it is only the first step in the track; something more is needed; the preservation of fine trees, already standing, marks a farther progress, and this point we have not yet reached. It frequently happens that the same man who yesterday planted some half dozen branchless saplings before his door, will to-day cut down a noble elm, or oak, only a few rods from his house, an object which was in itself a hundred-fold more beautiful than any other in his possession. In very truth, a fine tree near a house is a much greater embellishment than the thickest coat of paint that could be put on its walls, or a whole row of wooden columns to adorn its front; nay, a large shady tree in a door-yard is much more desirable than the most expensive mahogany and velvet sofa in the parlor.

Puck laughed, shaking his head at the prince's expression. "Looks like you just got scolded by a gremlin, Your Magesty," he chuckled and crossed his arms. "Ah, can't say I'm not gonna miss you two. We had some fun times, right, princeling? Sadest past is, I won't ever hear ice-boy complain that I'm corrupting you again. But, I guess all good things must come to an end." He sighed, gave Kierran a friendly arm punch and raised his hand. "See ya'round kid. Try not to let those Slim Shadys suck out all your fun. Ethan Chase?" Puck winked at me. "I'm sure I'll see you again, whether you like it or not." "Yeah," I deadpanned. "So looking forward to it." Puck laughed again. "Don't you forget it. Until the next adventure, kiddos." Sticking his hands into his pockets, the Great Prankster sauntered off, whistling until he reached the edge of the trees and vanished into the shadows.

Puck laughed, shaking his head at the prince's expression. "Looks like you just got scolded by a gremlin, Your Magesty," he chuckled and crossed his arms. "Ah, can't say I'm not gonna miss you two. We had some fun times, right, princeling? Sadest part is, I won't ever hear ice-boy complain that I'm corrupting you again. But, I guess all good things must come to an end." He sighed, gave Kierran a friendly arm punch and raised his hand. "See ya'round kid. Try not to let those Slim Shadys suck out all your fun. Ethan Chase?" Puck winked at me. "I'm sure I'll see you again, whether you like it or not." "Yeah," I deadpanned. "So looking forward to it." Puck laughed again. "Don't you forget it. Until the next adventure, kiddos." Sticking his hands into his pockets, the Great Prankster sauntered off, whistling until he reached the edge of the trees and vanished into the shadows.

So you’re going to Las Vegas,’ said Bond. ‘Funny coincidence department.’ He told Leiter about his conversation with Shady Tree. ‘Sure,’ said Leiter. ‘No coincidence about it. We’re both travelling bad roads and all bad roads lead to the bad town. I

Anna, did you just indirectly admit to liking me?” She drew in a swift breath and saw from his expression that while he was teasing, he was also… fishing. “Of course I like you. I like you entirely too well, and it is badly done of you to make me admit it.” “Well, let’s go from bad to worse, then, and you can tell me precisely why you like me.” “You are serious?” “I am. If you want, I will return the favor, though we have only several hours, and my list might take much longer than that.” He is flirting with me, Anna thought, incredulous. In his high-handed, serious way, the Earl of Westhaven had just paid her a flirtatious compliment. A lightness spread out from her middle, something of warmth and humor and guilty pleasure in it. “All right.” Anna nodded briskly. “I like that you are shy and honorable in the ways that count. I like that you are kind to Morgan, and to your animals, and old Nanny Fran. You are as patient with His Grace as a human can be, and you adore your brother. You are fierce, too, though, and can be decisive when needs must. You are also, I think, a romantic, and this is no mean feat for a man who spends half his days with commercial documents. Mostly, I like that you are good; you look after those who depend on you, you have gratitude for your blessings, and you don’t think enough of yourself.” Beside her, the earl was again silent. “Shall I go on?” Anna asked, feeling a sudden awkwardness. “You could not possibly pay me any greater series of compliments than you just have,” he said. “The man you describe is a paragon, a fellow I’d very much like to meet.” “See?” Anna nudged him with her shoulder. “You do not think enough of yourself. But I can also tell you the parts of you that irritate me—if that will make you feel better?” “I irritate you?” The earl’s eyebrows rose. “This should be interesting. You gave me the good news first, fortifying me for more burdensome truths, so let fly.” “You are proud,” Anna began, her tone thoughtful. “You don’t think your papa can manage anything correctly, and you won’t ask your brothers nor mother nor sisters even, for help with things directly affecting them. I wonder, in fact, if you have anybody you would call a friend.” “Ouch. A very definite ouch, Anna. Go on.” “You have forgotten how to play,” Anna said, “how to frolic, though I cannot fault you for a lack of appreciation for what’s around you. You appreciate; you just don’t seem to… indulge yourself.” “I see. And in what should I indulge myself?” “That is for you to determine,” she replied. “Marzipan has gone over well, I think, and sweets in general. You have indulged your love of music by having Val underfoot. As to what else brings you pleasure, you would be the best judge of that.” The earl turned down a shady lane lined with towering oaks and an understory of rhododendrons in vigorous bloom. “It was you,” he said. “Before Val moved in, I thought it was a neighbor playing the piano late in the evenings, but it was you. Were you playing for me?” Anna glanced off to the park beyond the trees and nodded.

The travelers after leaving Tlou’s village, where De Villers and his friends were hiding, took a rest under a shady tree at the foot of a hill, where they fell asleep. On awakening they beheld half a dozen Matebele emerging from a thicket in the depression below their hiding place. Naturally, the sight struck terror in them. For a moment they knew not what to do. But the younger man, more resourceful than Lepane, suggested to the elder that they were less likely to be seen if they hid in separate places. So advising Lepane to press close up to the tree-trunk he crawled through the grass and the bushes to find another hiding place. This plan might have worked very well had not Lepane’s nerves unfortunately given way at the near approach of the foe. Terror-stricken, Lepane before being bescried shrieked aloud. ‘Oh, spare me!’ he cried. ‘I will tell you of some undesireable persons in King Mzilikazi’s country. Just let me live, I tell you, I am not alone.’ ‘He’s a liar!’ shouted his astonished companion from the bush hard by: ‘Kill him, he’s alone.’ [128 – 129]

She was thinking of Mobile, where her mother—her “sainted American mother,” as she called her—had spent her childhood. That was a place of shady streets; of moss that hung from the boughs of trees, as if draped there for adornment by some enthusiastic exterior decorator; of sultry, velvet evenings. Things moved slowly in Mobile, as they did, traditionally, throughout the South. And why should they not? If you walked quickly, then all you did was to reach your destination early; nothing had been gained. And if you spoke quickly, you got more words out, but were those words any better for that?

London’s most famous burial ground, Highgate Cemetery, is renowned for its many famous permanent residents—such as Karl Marx and George Eliot—and for its elaborate nineteenth-century tombstones. Opened in 1839 to deal with a shortage of burial plots in the city, Highgate Cemetery is an atmospheric place that attracts many visitors for its peaceful greenery, its ornate statues of weeping angels, and its busts of prominent historical figures. In the cemetery, one can see foxes darting amidst the bushes and hear lively birdsong in the branches of shady trees.

Pump changed my own umwelt. Walking through the world with her, watching her reactions, I began to imagine her experience. My enjoyment of a narrow winding path in a shady forest, lined with low bushes and grasses, comes in part from seeing how Pump enjoyed it: the cool of the shade, of course, but also the pathiness, allowing her to zoom along unchecked, stopping only for rousing scents along the sides. I now see city blocks, and their sidewalks and buildings, with their investigatory sniffing possibilities in mind: a sidewalk along an uninterrupted wall without fences, trees, or variation, is a block I'd never want to walk down. Where I'll choose to sit in the park--which bench, what rock--is based on where a dog at my side would have the best panoramic olfactory view. Pump loved large open lawns--to plop down in, to roll repeatedly in, to sniff endlessly--and high grass or brush--to lope regally through. I came to love large open laws and high grass and brush in anticipation of her enjoyment. (The interest in rolling in unseen smells remains elusive...) I smell the world more. I love to sit outside on a breezy day. My day is tilted toward morning. The importance of mornings has always been that if I awoke early enough, we could have a long, off-leash walk together in a relatively unpeopled park or beach. I still have trouble sleeping in. It is a very small bit comforting to realise how deeply she is in me, even over a year from the day when she was also aside me, willing to submit to a tickle of the dense curls under her chin as she rested it on the ground for the last time.

T1 consisted of nineteen settlements distributed throughout the valley. It was an immense human-engineered environment, in which the ancient Mosquitia people transformed the rainforest into a lush, curated landscape. They leveled terraces, reshaped hills, and built roads, reservoirs, and irrigation canals. In its heyday T1 probably looked like an unkempt English garden, with plots of food crops and medicinal plants mingled with stands of valuable trees such as cacao and fruit, alongside large open areas for public ceremonies, games, and group activities, and shady patches for work and socializing. There were extensive flower beds, because flowers were an important crop used in religious ceremonies. All these growing areas were mixed in with residential houses, many on raised earthen platforms to avoid seasonal flooding, connected by paths. “Having these garden spaces embedded within urban areas,” said Fisher, “is one characteristic of New World cities that made them sustainable and livable.

We got the tree back,” Orville said solemnly, “but the solstice comes every year no matter what. It’s the longest night, but it’s the turning point. From here on out, things get brighter.

After lunch Nancy, Bess, and George drove to the eastern outskirts of River Heights to search for the larkspur house. They were riding along a shady country road. Nancy stopped in front of a small home where a woman was trimming the hedge. Under a nearby tree sat an old lady, shelling peas. “Excuse me,” said Nancy, “we’re trying to find a large house in this area that has lots of larkspur or bluebells around it. Do you know of such a place?” “Can’t say I do,” the woman replied. “What’d she say?” the old lady asked loudly. “Nothing, Mother. Just some house they’re looking for. She’s deaf,” the woman added to Nancy. “I heard that!” the mother said tartly. “And I heard ‘house’ and ‘bluebells.’ They’re lookin’ for the bluebell house. And I know just where it is!

That is why I opened Santiniketan under the shady trees and the glories of the sky.” He motioned eloquently to a little group studying in the beautiful garden. “A child is in his natural setting amidst the flowers and songbirds. Only thus may he fully express the hidden wealth of his individual endowment. True education can never be crammed and pumped from without; rather, it must aid in bringing spontaneously to the surface the infinite hoards of wisdom within.

26 March 1958 Nehru reiterated: Let us remember that a school is essentially the teacher, not the building. The teacher, without any apparatus or building, can function as a school. This is an obvious proposition and yet it is ignored. I think the time has come, indeed it came long ago, for us to decide, definitely and positively, to have schools in our village without buildings, and to spend more on the teacher and on equipment. I think we can do without buildings completely for the primary schools, though, of course, a building is desirable where possible. But let us compromise on this issue and have the smallest structure, just to keep books and equipment, the classes being held in the open… Our climate is such that, for the great part of the year, it is easy and indeed healthier to sit in the open or under some shady tree. Perhaps the monsoon period is the only time when it is difficult to sit in the open. Let us have our school holidays during the monsoons. The main thing is the teacher. Let us train him better and give him a higher salary and some amenities. The rest will follow. (JNMF 2010; pp.822–3)

Plant thou no roses at my head, Nor shady cypress tree; Be the green grass above me With showers and dew drops wet; And if thou wilt, remember, And if thou wilt, forget. I shall not see the shadows, I shall not feel the rain; I shall not hear the nightingale