“
How could he be so cruel and still so human?
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
Hades allowed himself the faintest smile, but there was nothing cruel in his eyes.
‘I can entertain the possibility that you acted for multiple reasons. My point is this: you and I rose to the aid of Olympus because you convinced me to let go of my anger. I would encourage you to do likewise. My children are so rarely happy. I … I would like to see you be an exception.’
Nico stared at his father. He didn’t know what to do with that statement. He could accept many unreal things – hordes of ghosts, magical labyrinths, travel through shadows, chapels made of bones. But tender words from the Lord of the Underworld?
No. That made no sense.
”
”
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
“
How did you make Shade into your shadow?" I asked. "Do you remember?"
The question broke the mood; in a moment Ignifex was back on his feet, all grace and half smiles and narrowed eyes.
"I didn't make him. I've always had a shadow, like everyone else. And I hate him because he's a fool and a coward and he tries to steal my wives."
Those last words were so unexpected that I laughed. Then Ignifex raised an eyebrow and I realized that he was serious, at least as much as he ever was.
”
”
Rosamund Hodge (Cruel Beauty)
“
Life is Beautiful?
Beyond all the vicissitudes that are presented to us on this short path
within this wild planet, we can say that life is beautiful.
No one can ever deny that experiencing the whirlwind of emotions
inside this body is a marvel,
we grow with these life experiences,
we strengthen ourselves and stimulate our feelings every day,
in this race where the goal is imminent death
sometimes we are winners and many other times we lose and the darkness surprises us
and our heart is disconnected from this reality halfway
and connects us to the server of the matrix once more,
debugging and updating our database,
erasing all those experiences within this caracara of flesh and blood,
waiting to return to earth again.
"Life is beautiful gentlemen" is cruel and has unfair behavior
about people who looked like a bundle of light
and left this platform for no apparent reason,
but its nature is not similar to our consciousness and feelings,
she has a script for each of us
because it was programmed that way, the architects of the game of life
they know perfectly well that you must experiment with all the feelings, all the emotions and evolve to go to the next levels.
You can't take a quantum leap and get through the game on your own.
inventing a heaven and a hell in order to transcend,
that comes from our fears of our imagination
not knowing what life has in store for us after life is a dilemma
"rather said" the best kept secret of those who control us day by day.
We are born, we grow up, we are indoctrinated in the classrooms
and in the jobs, we pay our taxes,
we reproduce, we enjoy the material goods that it offers us
the system the marketing of disinformation,
Then we get old, get sick and die. I don't like this story!
It looks like a parody of Noam Chomsky,
Let's go back to the beautiful description of beautiful life, it sounds better!
Let's find meaning in all the nonsense that life offers us,
'Cause one way or another we're doomed
to imagine that everything will be fine until the end of matter.
It is almost always like that.
Sometimes life becomes a real nightmare.
A heartbreaking horror that we find impossible to overcome.
As we grow up, we learn to know the dark side of life.
The terrors that lurk in the shadows,
the dangers lurking around every corner.
We realize that reality is much harsher
and ruthless than we ever imagined.
And in those moments, when life becomes a real hell,
we can do nothing but cling to our own existence,
summon all our might and fight with all our might
so as not to be dragged into the abyss.
But sometimes, even fighting with all our might is not enough.
Sometimes fate is cruel and takes away everything we care about,
leaving us with nothing but pain and hopelessness.
And in that moment, when all seems lost,
we realize the terrible truth: life is a death trap,
a macabre game in which we are doomed to lose.
And so, as we sink deeper and deeper into the abyss,
while the shadows envelop us and terror paralyzes us,
we remember the words that once seemed to us
so hopeful: life is beautiful. A cruel and heartless lie,
that leads us directly to the tragic end that death always awaits us.
”
”
Marcos Orowitz (THE MAELSTROM OF EMOTIONS: A selection of poems and thoughts About us humans and their nature)
“
I saw cities, and roads of marvelous construction. I saw cruelty and greed, but I've seen them here too. I saw a people live a life that was strange in many ways, but also much the same as anywhere else."
"Then why are they so cruel?" There was an earnestness to the girl's face, an honest desire to know.
"Cruelty is in all of us," he said. "But they made it a virtue.
”
”
Anthony Ryan (Queen of Fire (Raven's Shadow, #3))
“
It is a cruel thing to do, to cage such a beautiful, passionate animal as if it was only a dumb beast, but humans do so all too often. They even cage themselves, though their bars are made of society, not of steel.
”
”
Amelia Atwater-Rhodes (In the Forests of the Night (Den of Shadows, #1))
“
It took a good man to take care of a woman, but only the best would recognize what she truly needed, even if it meant embracing what he couldn’t provide.
”
”
Liv Zander (Shadows So Cruel (Court of Ravens, #2))
“
Fly, brother. We’ll meet again among the stars.
”
”
Liv Zander (Shadows So Cruel (Court of Ravens, #2))
“
There are many things I am forbidden from telling you, for I am bound by both promises and strictures. Three times I will warn you, and that’s all I am permitted, so heed me. Something even more dangerous than your prince walks in his shadow. Do not seek him out.
”
”
Holly Black (The Darkest Part of the Forest)
“
They are approaching now a lengthy brick improvisation, a Victorian paraphrase of what once, long ago, resulted in Gothic cathedrals—but which, in its own time, arose not from any need to climb through the fashioning of suitable confusions toward any apical God, but more in a derangement of aim, a doubt as to the God’s actual locus (or, in some, as to its very existence), out of a cruel network of sensuous moments that could not be transcended and so bent the intentions of the builders not on any zenith, but back to fright, to simple escape, in whatever direction, from what the industrial smoke, street excrement, windowless warrens, shrugging leather forests of drive belts, flowing and patient shadow states of the rats and flies, were saying about the chances for mercy that year.
”
”
Thomas Pynchon (Gravity’s Rainbow)
“
Listen carefully. Listen and you'll hear everything you need to know.
a nightmare is a different case entirely, it's a box of black shadows and vicious red stars, something to keep carefully closed, lest the ground below be broken in two
now it's a time like any other, long minutes, tedious seconds, nothing more than flat time moving forward, like it or not
it is impossible to stop some things, rainfall, for instance, and love at first sight, and the slow and steady path of sorrow
the cruel and desperate variety that always accompanies yearning for someone you're bound to lose
when you lose somebody you think you've lost the whole world as well, but that's not the way things turn out in the end. eventually, you pick yourself up and look out the window, and once you do you see everything that was there before the world ended is out there still. there are the same apple trees and the same songbirds, and over our heads, the very same sky that shine like heaven, so far above us qw can never hope to reach such heights
sometimes those who love you best are the ones who leave you behind
hearts were made for being broken. there's really no way around it if you want to be a human being.
...consider what people are capable of going through in this world and how much courage it's possible to have
when someone kisses you with everything they feel, you don't stop thinking about it for a very long time.
you didn't think you were going to get married and live happily ever after did you? you're not that stupid...
a book of hope that has never been finished, a list of dreams left undone.
”
”
Alice Hoffman (Blue Diary)
“
And there, right beside her, sat Malyr’s anoa… … preening her damaged feathers.
”
”
Liv Zander (Shadows So Cruel (Court of Ravens, #2))
“
My love is not gentle, or tender, or easy. But it is real, grown from hate and pain deep inside a chest sullied by shadows. It is cutting and biting, leaving behind scars as unfading as my love for you.” His warm lips scathed my jawline. “And once we are gone from this earth, I will continue to love you among the stars. I will be the night, the darkest patch of sky around you, just to ensure that everyone can see how you sparkle. And once your light starts fading, I will take you into my black embrace, and that is where I will love you beyond death.
”
”
Liv Zander (Shadows So Cruel (Court of Ravens, #2))
“
Quinn wasn’t sunshine and flowers. She was moonlight and shadows. Blood and bone. The edge of a knife, so beautiful and yet so sharp it would cut should you touch it without knowing how to handle its edge.
”
”
Kel Carpenter (Fortune Favors the Cruel (Dark Maji, #1))
“
I’m not going to Lanai this summer, am I?” Would never show Galantia where I’d grown up. Would never touch her growing belly. Would never watch her hair turn gray. “Neither am I going to hold their child. Ever.
”
”
Liv Zander (Shadows So Cruel (Court of Ravens, #2))
“
I will be the night, the darkest patch of sky around you, just to ensure that everyone can see how you sparkle. And once your light starts fading, I will take you into my black embrace, and that is where I will love you beyond death.
”
”
Liv Zander (Shadows So Cruel (Court of Ravens, #2))
“
Baghra,” Nikolai said, “how are you this evening?”
“Still old and blind,” she snarled.
“And charming,” Nikolai drawled. “Never forget charming.”
“Whelp.”
“Hag.”
“What do you want, pest?”
“I’ve brought someone to visit,” Nikolai said, giving me a push.
Why was I so nervous?
“Hello, Baghra,” I managed.
She paused, motionless. “The little Saint,” she murmured, “returned to save us all.”
“Well, she did almost die trying to rid us of your cursed spawn,” Nikolai said lightly. I blinked. So Nikolai knew Baghra was the Darkling’s mother.
“Couldn’t even manage martyrdom right, could you?” Baghra waved me in. “Come in and shut the door, girl. You’re letting the heat out.” I grinned at this familiar refrain. “And you,” she spat in Nikolai’s direction. “Go somewhere you’re wanted.”
“That’s hardly limiting,” he said. “Alina, I’ll be back to fetch you for dinner, but should you grow restless, do feel free to run screaming from the room or take a dagger to her. Whatever seems most fitting at the time.”
“Are you still here?” snapped Baghra.
“I go but hope to remain in your heart,” he said solemnly. Then he winked and disappeared.
“Wretched boy.”
“You like him,” I said in disbelief.
Baghra scowled. “Greedy. Arrogant. Takes too many risks.”
“You almost sound concerned.”
“You like him too, little Saint,” she said with a leer in her voice.
“I do,” I admitted. “He’s been kind when he might have been cruel. It’s refreshing.”
“He laughs too much.”
“There are worse traits.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
AS the falling rain prepares the earth for the future crops of grain and fruit, so the rains of many sorrows showering upon the heart prepare and mellow it for the coming of that wisdom that perfects the mind and gladdens the heart. As the clouds darken the earth but to cool and fructify it, so the clouds of grief cast a shadow over the heart to prepare it for nobler things. The hour of sorrow is the hour of reverence. It puts an end to the shallow sneer, the ribald jest, the cruel calumny; it softens the heart with sympathy, and enriches the mind with thoughtfulness. Wisdom is mainly recollection of all that was learned by sorrow. Do not think that your sorrow will remain; it will pass away like a cloud. Where self ends, grief passes away.
”
”
James Allen (JAMES ALLEN'S BOOK OF MEDITATIONS FOR EVERY DAY IN THE YEAR)
“
On this sad shadow Lucrece spends her eyes,
And shapes her sorrow to the beldam's woes,
Who nothing wants to answer her but cries,
And bitter words to ban her cruel foes:
The painter was no god to lend her those;
And therefore Lucrece swears he did her wrong,
To give her so much grief and not a tongue.
”
”
William Shakespeare (The Rape of Lucrece)
“
I love memories. They are our ballads, our personal foundation myths. But I must acknowledge that memory can be cruel if left unchallenged. Memory is often our only connection to who we used to be. Memories are fossils, the bones left by dead versions of ourselves. More potently, our minds are a hungry audience, craving only the peaks and valleys of experience. The bland erodes, leaving behind the distinctive bits to be remembered again and again. Painful or passionate, surreal or sublime, we cherish those little rocks of peak experience, polishing them with the ever-smoothing touch of recycled proxy living. In so doing—like pagans praying to a sculpted mud figure—we make of our memories the gods which judge our current lives. I love this. Memory may not be the heart of what makes us human, but it’s at least a vital organ. Nevertheless, we must take care not to let the bliss of the present fade when compared to supposedly better days. We’re happy, sure, but were we more happy then? If we let it, memory can make shadows of the now, as nothing can match the buttressed legends of our past. I think about this a great deal, for it is my job to sell legends. Package them, commodify them. For a small price, I’ll let you share my memories—which I solemnly promise are real, or will be as long as you agree not to cut them too deeply. Do not let memory chase you. Take the advice of one who has dissected the beast, then rebuilt it with a more fearsome face—which I then used to charm a few extra coins out of an inebriated audience. Enjoy memories, yes, but don’t be a slave to who you wish you once had been. Those memories aren’t alive. You are.
”
”
Brandon Sanderson (Tress of the Emerald Sea)
“
A, Black, E, white, I red, U green, O blue: vowels,
Someday I shall tell of your mysterious births:
A, black velvety corset of dazzling flies
Buzzing around cruel smells,
Gulfs of shadow; E, white innocence of vapors and of tents,
Spears of proud glaciers, white kings, shivers of Queen Anne's lace;
I, purples, spitting blood, smile of beautiful lips
In anger or in drunkin penitence;
U, waves, divine shudderings of green seas,
The calm of pastures dotted with animals, the pece of furrows
Which alchemy prints on wide, studious foreheads;
O, sublime Bugle full of strange piercing so und,
Silences crossed by Worlds nad by Angels:
- O the Omega, the violet ray of her Eyes!
”
”
Arthur Rimbaud
“
Much of what it takes to succeed in school, at work, and in one’s community consists of cultural habits acquired by adaptation to the social environment. Such cultural adaptations are known as “cultural capital.” Segregation leads social groups to form different codes of conduct and communication. Some habits that help individuals in intensely segregated, disadvantaged environments undermine their ability to succeed in integrated, more advantaged environments. At Strive, a job training organization, Gyasi Headen teaches young black and Latino men how to drop their “game face” at work. The “game face” is the angry, menacing demeanor these men adopt to ward off attacks in their crime-ridden, segregated neighborhoods. As one trainee described it, it is the face you wear “at 12 o’clock at night, you’re in the ‘hood and they’re going to try to get you.”102 But the habit may freeze it into place, frightening people from outside the ghetto, who mistake the defensive posture for an aggressive one. It may be so entrenched that black men may be unaware that they are glowering at others. This reduces their chance of getting hired. The “game face” is a form of cultural capital that circulates in segregated underclass communities, helping its members survive. Outside these communities, it burdens its possessors with severe disadvantages. Urban ethnographer Elijah Anderson highlights the cruel dilemma this poses for ghetto residents who aspire to mainstream values and seek responsible positions in mainstream society.103 If they manifest their “decent” values in their neighborhoods, they become targets for merciless harassment by those committed to “street” values, who win esteem from their peers by demonstrating their ability and willingness to insult and physically intimidate others with impunity. To protect themselves against their tormentors, and to gain esteem among their peers, they adopt the game face, wear “gangster” clothing, and engage in the posturing style that signals that they are “bad.” This survival strategy makes them pariahs in the wider community. Police target them for questioning, searches, and arrests.104 Store owners refuse to serve them, or serve them brusquely, while shadowing them to make sure they are not shoplifting. Employers refuse to employ them.105 Or they employ them in inferior, segregated jobs. A restaurant owner may hire blacks as dishwashers, but not as wait staff, where they could earn tips.
”
”
Elizabeth S. Anderson (The Imperative of Integration)
“
Destiny?” I laugh, a bitter thing. “What destiny?” Everything here is blood and violence. After I graduate tomorrow, nothing will change. The missions, the rote viciousness, will wear me down until there’s nothing left of the boy the Augurs stole fourteen years ago. Maybe that’s a type of destiny. But it’s not one I’d choose for myself. “This life is not always what we think it will be,” Cain says. “You are an ember in the ashes, Elias Veturius. You will spark and burn, ravage and destroy. You cannot change it. You cannot stop it.” “I don’t want—” “What you want doesn’t matter. Tomorrow you must make a choice. Between deserting and doing your duty. Between running from your destiny and facing it. If you desert, the Augurs will not stop you. You will escape. You will leave the Empire. You will live. But you will find no solace in doing so. Your enemies will hunt you. Shadows will bloom in your heart, and you will become everything you hate—evil, merciless, cruel. You will be chained to the darkness within yourself as surely as if chained to the walls of a prison cell.” He
”
”
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
“
Slowly crossing the deck from the scuttle, Ahab leaned over the side and watched how his shadow in the water sank and sank to his gaze, the more and the more that he strove to pierce the profundity. But the lovely aromas in that enchanted air did at last seem to dispel, for a moment, the cankerous thing in his soul. That glad, happy air, that winsome sky, did at last stroke and caress him; the step-mother world, so long cruel—forbidding—now threw affectionate arms round his stubborn neck, and did seem to joyously sob over him, as if over one, that however wilful and erring, she could yet find it in her heart to save and to bless. From beneath his slouched hat Ahab dropped a tear into the sea; nor did all the Pacific contain such wealth as that one wee drop.
”
”
Herman Melville (Moby-Dick or, The Whale)
“
I wiped the blade against my jeans and walked into the bar. It was mid-afternoon, very
hot and still. The bar was deserted. I ordered a whisky. The barman looked at the blood
and asked:
‘God?’
‘Yeah.’
‘S’pose it’s time someone finished that hypocritical little punk, always bragging about
his old man’s power…’
He smiled crookedly, insinuatingly, a slight nausea shuddered through me. I replied
weakly:
‘It was kind of sick, he didn’t fight back or anything, just kept trying to touch me and
shit, like one of those dogs that try to fuck your leg. Something in me snapped, the
whingeing had ground me down too low. I really hated that sanctimonious little creep.’
‘So you snuffed him?’
‘Yeah, I’ve killed him, knifed the life out of him, once I started I got frenzied, it was
an ecstasy, I never knew I could hate so much.’
I felt very calm, slightly light-headed. The whisky tasted good, vaporizing in my
throat. We were silent for a few moments. The barman looked at me levelly, the edge of
his eyes twitching slightly with anxiety:
There’ll be trouble though, don’tcha think?’
‘I don’t give a shit, the threats are all used up, I just don’t give a shit.’
‘You know what they say about his old man? Ruthless bastard they say. Cruel…’
‘I just hope I’ve hurt him, if he even exists.’
‘Woulden wanna cross him merself,’ he muttered.
I wanted to say ‘yeah, well that’s where we differ’, but the energy for it wasn’t there.
The fan rotated languidly, casting spidery shadows across the room. We sat in silence a
little longer. The barman broke first:
‘So God’s dead?’
‘If that’s who he was. That fucking kid lied all the time. I just hope it’s true this time.’
The barman worked at one of his teeth with his tongue, uneasily:
‘It’s kindova big crime though, isn’t it? You know how it is, when one of the cops
goes down and everything’s dropped ’til they find the guy who did it. I mean, you’re not
just breaking a law, your breaking LAW.’
I scraped my finger along my jeans, and suspended it over the bar, so that a thick clot
of blood fell down into my whisky, and dissolved. I smiled:
‘Maybe it’s a big crime,’ I mused vaguely ‘but maybe it’s nothing at all…’ ‘…and we
have killed him’ writes Nietzsche, but—destituted of community—I crave a little time
with him on my own.
In perfect communion I lick the dagger foamed with God’s blood.
”
”
Nick Land (The Thirst for Annihilation: Georges Bataille and Virulent Nihilism (An Essay in Atheistic Religion))
“
Again, this week as I walked on Broadway, in front of giant photographs of voluptuous supermodels at a Victoria Secret mega-store, who was rebuilding the sidewalks? With sweaty headbands, ripped-up jeans, and dust on their brown faces? Their muscled hands quivered as they worked the jack-hammers and lugged the concrete chunks into dump trucks. Two men from Guanajuato. Undocumented workers. They both shook my hand vigorously, as if they were relieved I wasn’t an INS officer.
I imagined how much money Victoria Secret was making off these poor bastards. I wondered why passersby didn’t see what was in front of their faces. We use these workers. We profit from them. In the shadows, they work to the bone, for pennies. And it’s so easy to blame them for everything and nothing simply because they are powerless, and dark-skinned,and speak with funny accents. Illegal is illegal. It is a phrase, shallow and cruel, that should prompt any decent American to burn with anger.
”
”
Sergio Troncoso (Crossing Borders: Personal Essays)
“
On this way, they reached the roof. Christine tripped over it as lightly as a swallow. Their eyes swept the empty space between the three domes and the triangular pediment. She breathed freely over Paris, the whole valley of which was seen at work below. She called Raoul to come quite close to her and they walked side by side along the zinc streets, in the leaden avenues; they looked at their twin shapes in the huge tanks, full of stagnant water, where, in the hot weather, the little boys of the ballet, a score or so, learn to swim and dive.
The shadow had followed behind them clinging to their steps; and the two children little suspected its presence when they at last sat down, trustingly, under the mighty protection of Apollo, who, with a great bronze gesture, lifted his huge lyre to the heart of a crimson sky.
It was a gorgeous spring evening. Clouds, which had just received their gossamer robe of gold and purple from the setting sun, drifted slowly by; and Christine said to Raoul:
“Soon we shall go farther and faster than the clouds, to the end of the world, and then you will leave me, Raoul. But, if, when the moment comes for you to take me away, I refuse to go with you—well you must carry me off by force!”
“Are you afraid that you will change your mind, Christine?”
“I don’t know,” she said, shaking her head in an odd fashion. “He is a demon!” And she shivered and nestled in his arms with a moan. “I am afraid now of going back to live with him … in the ground!”
“What compels you to go back, Christine?”
“If I do not go back to him, terrible misfortunes may happen! … But I can’t do it, I can’t do it! … I know one ought to be sorry for people who live underground … But he is too horrible! And yet the time is at hand; I have only a day left; and, if I do not go, he will come and fetch me with his voice. And he will drag me with him, underground, and go on his knees before me, with his death’s head. And he will tell me that he loves me! And he will cry! Oh, those tears, Raoul, those tears in the two black eye-sockets of the death’s head! I can not see those tears flow again!”
She wrung her hands in anguish, while Raoul pressed her to his heart.
“No, no, you shall never again hear him tell you that he loves you! You shall not see his tears! Let us fly, Christine, let us fly at once!”
And he tried to drag her away, then and there. But she stopped him.
“No, no,” she said, shaking her head sadly. “Not now! … It would be too cruel … let him hear me sing to-morrow evening … and then we will go away. You must come and fetch me in my dressing-room at midnight exactly. He will then be waiting for me in the dining-room by the lake … we shall be free and you shall take me away … You must promise me that, Raoul, even if I refuse; for I feel that, if I go back this time, I shall perhaps never return.”
And she gave a sigh to which it seemed to her that another sigh, behind her, replied.
“Didn’t you hear?”
Her teeth chattered.
“No,” said Raoul, “I heard nothing.”
- Chapter 12: Apollo’s Lyre
”
”
Gaston Leroux (The Phantom of the Opera)
“
To have been raised on the streets, you have an amazing vocabulary.” “I have my sister Tessa to thank. Unlike me and my other two sisters, she liked to insult people so that they didn’t realize she was being cruel. Hence Kasen’s favorite phrase, ‘I’m gonna break Tess on your ass and call you names you’ll have to look up in order to be offended.’ ” She laughed in spite of the danger. “Your sisters sound… interesting.” “That’s a polite way of saying they’re all effing nuts. But it’s okay. Sanity waved good-bye to me a long time ago too.” The
”
”
Sherrilyn Kenyon (Born of Shadows (The League, #4))
“
All in the wicked darkest eve
In blood and shadows alike;
We strive to live through mighty pain,
By mighty arms unite,
Oft mighty hands make plain romance,
A traveling heart's plight.
Ah, cruel Nine! In such an hour,
Beneath such dreadful weather,
To beg a tale of life so bleak
To stir bound wings of feathers!
Yet what can one lone voice avail
Against ten tongues together?
Imperious Alice tumbles forth
Her edict “we will end it”—
In wistful tones her people hope
“There will be justice in it”—
While her men carry on the tale
And also help begin it.
Shit, this sudden war's begun,
In ire giving chase
The young woman moving through a land
Of wonders dark and base,
In friendly tryst with man and beast—
The darkness she would face.
And ever, as the story changed
The wells of knowledge lie,
And hearty strove that weary one
To put her subjects by,
“I am not brave—” “True fear is fine!”
The frightened voices cry.
Thus grew the tale of Underland:
Thus slowly, one by one,
Its queer events are fucking wrote—
The tale is far from done,
And home is where, the girl may ask,
As she debates to run.
Alice! A terrifying story,
And with a skeleton hand
Lay it where graveyard's nightmares bury
The rebels no longer stand,
Like magic's withered throne of corpses
Plucked from a far-off land.
”
”
C.M. Stunich (Allison's Adventures in Underland (Harem of Hearts, #1))
“
It was all so very businesslike that one watched it fascinated. It was porkmaking by machinery, porkmaking by applied mathematics. And yet somehow the most matter-of-fact person could not help thinking of the hogs; they were so innocent, they came so very trustingly; and they were so very human in their protests—and so perfectly within their rights! They had done nothing to deserve it; and it was adding insult to injury, as the thing was done here, swinging them up in this cold-blooded, impersonal way, without a pretense of apology, without the homage of a tear. Now and then a visitor wept, to be sure; but this slaughtering machine ran on, visitors or no visitors. It was like some horrible crime committed in a dungeon, all unseen and unheeded, buried out of sight and of memory. One could not stand and watch very long without becoming philosophical, without beginning to deal in symbols and similes, and to hear the hog squeal of the universe. Was it permitted to believe that there was nowhere upon the earth, or above the earth, a heaven for hogs, where they were requited for all this suffering? Each one of these hogs was a separate creature. Some were white hogs, some were black; some were brown, some were spotted; some were old, some young; some were long and lean, some were monstrous. And each of them had an individuality of his own, a will of his own, a hope and a heart’s desire; each was full of self-confidence, of self-importance, and a sense of dignity. And trusting and strong in faith he had gone about his business, the while a black shadow hung over him and a horrid Fate waited in his pathway. Now suddenly it had swooped upon him, and had seized him by the leg. Relentless, remorseless, it was; all his protests, his screams, were nothing to it—it did its cruel will with him, as if his wishes, his feelings, had simply no existence at all; it cut his throat and watched him gasp out his life. And now was one to believe that there was nowhere a god of hogs, to whom this hog personality was precious, to whom these hog squeals and agonies had a meaning? Who would take this hog into his arms and comfort him, reward him for his work well done, and show him the meaning of his sacrifice?
”
”
Upton Sinclair (The Jungle)
“
Softly, he said, “Why are you crying?”
His words made the tears flow faster.
“Kestrel.”
She drew a shaky breath. “Because when my father comes home, I will tell him that he has won. I will join the military.”
There was a silence. “I don’t understand.”
Kestrel shrugged. She shouldn’t care whether he understood or not.
“You would give up your music?”
Yes. She would.
“But your bargain with the general was for spring.” Arin still sounded confused. “You have until spring to marry or enlist. Ronan…Ronan would ask the god of souls for you. He would ask you to marry him.”
“He has.”
Arin didn’t speak.
“But I can’t,” she said.
“Kestrel.”
“I can’t.”
“Kestrel, please don’t cry.” Tentative fingers touched her face. A thumb ran along the wet skin of her cheekbone. She suffered for it, suffered for the misery of knowing that whatever possessed him to do this could be no more than compassion. He valued her that much. But not enough.
“Why can’t you marry him?” he whispered.
She broke her word to herself and looked at him. “Because of you.”
Arin’s hand flinched against her cheek. His dark head bowed, became lost in its own shadow. Then he slipped from his seat and knelt before hers. His hands fell to the fists on her lap and gently opened them. He held them as if cupping water. He took a breath to speak.
She would have stopped him. She would have wished herself deaf, blind, made of unfeeling smoke. She would have stopped his words out of terror, longing. The way terror and longing had become indistinguishable.
Yet his hands held hers, and she could do nothing.
He said, “I want the same thing you want.”
Kestrel pulled back. It wasn’t possible his words could mean what they seemed.
“It hasn’t been easy for me to want it.” Arin lifted his face so that she could see his expression. A rich emotion played across his features, offered itself, and asked to be called by its name.
Hope.
“But you’ve already given your heart,” she said.
His brow furrowed, then smoothed. “Oh. No, not the way you think.” He laughed a little, the sound soft yet somehow wild. “Ask me why I went to the market.”
This was cruel. “We both know why.”
He shook his head. “Pretend that you’ve won a game of Bite and Sting. Why did I go? Ask me. It wasn’t to see a girl who doesn’t exist.”
“She…doesn’t?”
“I lied.”
Kestrel blinked. “Then why did you go to the market?”
“Because I wanted to feel free.” Arin raised a hand to brush the air by his temple, then awkwardly let it fall.
Kestrel suddenly understood this gesture she’d seen many times. It was an old habit. He was brushing away a ghost, hair that was no longer there because she had ordered it cut.
She leaned forward, and kissed his temple.
Arin’s hand held her lightly to him. His cheek slid against hers. Then his lips touched her brow, her closed eyes, the line where her jaw met her throat.
Kestrel’s mouth found his. His lips were salted with her tears, and the taste of that, of him, of their deepening kiss, filled her with the feeling of his quiet laugh moments ago. Of a wild softness, a soft wildness. In his hands, running up her thin dress. In his heat, burning through to her skin…and into her, sinking into him.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
He said, One of the Fathers has told us that joy always depends on pain. Pain is part of joy. We are hungry and then think how we enjoy our food at last. We are thirsty...He stopped suddenly, with his eyes glancing away into the shadows, expecting the cruel laugh that did not come. He said, We deny ourselves so that we can enjoy. You have heard of rich men in the north who eat salted foods, so that they can be thirsty—for what they call the cocktail. Before the marriage, too, there is the long betrothal... Again he stopped. He felt his own unworthiness like a weight at the back of the tongue. There was a smell of hot wax from where a candle drooped in the nocturnal heat; people shifted on the hard floor in the shadows. The smell of unwashed human beings warred with the wax. He cried out stubbornly in a voice of authority, That is why I tell you that heaven is here: this is a part of heaven just as pain is a part of pleasure. He said, Pray that you will suffer more and more and more. Never get tired of suffering. The police watching you, the soldiers gathering taxes, the beating you always get from the jefe because you are too poor to pay, smallpox and fever, hunger...that is all part of heaven—the preparation. Perhaps without them, who can tell, you wouldn't enjoy heaven so much. Heaven would not be complete. And heaven. What is heaven? Literary phrases form what seemed now to be another life altogether—the strict quiet life of the seminary—became confused on his tongue: the names of precious stones: Jerusalem the Golden. But these people had never seen gold.
”
”
Graham Greene (The Power and the Glory)
“
Passing alone to those realms
The object erst of thine exalted thought,
I would rise to infinity: then I would compass the skill
Of industries and arts equal to the objects. [18]
There would I be reborn: there on high I would foster for thee
Thy fair offspring, now that at length cruel
Destiny hath run her whole course
Against the enterprise whereby I was wont to withdraw to thee.
Fly not from me, for I yearn for a nobler refuge
That I may rejoice in thee. And I shall have as guide
A god called blind by the unseeing.
May Heaven deliver thee, and every emanation
Of the great Architect be ever gracious unto thee:
But turn thou not to me unless thou art mine.
Escaped from the narrow murky prison
Where for so many years error held me straitly,
Here I leave the chain that bound me
And the shadow of my fiercely malicious foe
Who can [19] force me no longer to the gloomy dusk of night.
For he who hath overcome the great Python [20]
With whose blood he hath dyed the waters of the sea
Hath put to flight the Fury that pursued me. [21]
To thee I turn, I soar, O my sustaining Voice;
I render thanks to thee, my Sun, my divine Light,
For thou hast summoned me from that horrible torture, [22]
Thou hast led me to a goodlier tabernacle; [23]
Thou hast brought healing to my bruised heart.
Thou art my delight and the warmth of my heart; [24]
Thou makest me without fear of Fate or of Death;
Thou breakest the chains and bars
Whence few come forth free.
Seasons, years, months, days and hours --
The children and weapons of Time -- and that Court
Where neither steel nor treasure [25] avail
Have secured me from the fury [of the foe].
Henceforth I spread confident wings to space;
I fear no barrier of crystal or of glass;
I cleave the heavens and soar to the infinite.
And while I rise from my own globe to others
And penetrate ever further through the eternal field,
That which others saw from afar, I leave far behind me. [26]
”
”
Giordano Bruno (On the Infinite, the Universe and the Worlds: Five Cosmological Dialogues (Collected Works of Giordano Bruno Book 2))
“
A grey tide, engulfing all colour and shape of things that had been or were to be, rushed across his mind, sweeping the life out of everything and leaving him all hollow inside. Once again he sat benumbed in a shadow show. Yet as ever—and this was the cruel stroke—there was something left, left to see that all the lights were being quenched, left to cry out with a tiny crazed voice in the grey wastes. This was what mattered, this was the worst, and black nights and storms and floods and crumbling hills were not to be compared with this treachery from within. It wasn’t panic nor despair, he told himself, that made so many fellows commit suicide; it was this recurring mood, draining the colour out of life and stuffing one’s mouth with ashes. One crashing bullet and there wasn’t even anything left to remember what had come and gone, to cry in the mind’s dark hollow; life could then cheat as it liked, for it did not matter; you had won the last poor trick. Having conjured the malady into a phrase or two, Penderel felt better, came out of his reverie and looked about for entertainment.
”
”
J.B. Priestley (Benighted)
“
Throughout my questioning, the Dharma Raja stood by my side, a silken shadow against all this light. I believed in myself, and with Amar supporting me, my decision was invincible.
“How could you be so cruel?” exclaimed one. “No wife in his mortal life?”
“His wife would not be reincarnated with him. I will not give him another.”
A woman with a white veil, whose skin glowed like dawn, shot me a trembling smile.
“And what about his brothers? Did they not also partake in his crime of theft?” retorted another.
“They did,” I said.
“Then why must he endure a whole life as a human when his brothers live less than a year in that realm?”
“Because they were accomplices. Not the instigators of the crime. It was he who committed the most wrong. It is he who must live the longest.”
The deva beside me stomped his feet and lightning flared behind him.
“And what say you, Dharma Raja? How will you defend your queen’s decision?”
I remembered holding my chin high, surveying the crowd with the tasteful indifference of one who knew she was impervious. And I remembered when that moment fell with his next words:
“If you doubt her, then I propose an agni pariksha. Fire will always tell.”
The devas and devis nodded approvingly to themselves. A trial by fire. Humiliation burned through me. I dropped my hand from his and the world broke between us.
”
”
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
“
What else do you want to know?’ he asked. Possessed by morbid curiosity, her eyes darted to the scar that cut just over his ear. She’d found it shortly after they met, while he lay unconscious in the grass. He didn’t need to ask what had caught her attention. ‘I got that in a fight against imperial soldiers. Ask me why.’ She shook her head, unable to bring herself to do it. The cocoon of warmth that had enveloped the entire afternoon unwound itself in an instant. ‘Are you having second thoughts about being here with me?’ He planted a hand into the grass, edging closer. ‘No. I trust you.’ He was giving her all the time in the world to shove him away, to rise, to flee. Her heartbeat quickened as she watched him. Moving ever so slowly, he braced an arm on either side of her, his fingers sinking into the moss. ‘I asked you to come with me.’ Despite her words, she dug her heels into the ground and inched backwards. ‘I feel safe with you.’ ‘I can see that.’ He affected a lazy smile as she retreated until her back pressed against the knotted roots that crawled along the ground. His boldness was so unexpected, so exciting. She held her breath and waited. Her pulse jumped when he reached for her. She’d been imagining this moment ever since their first duel and wondering whether it would take another swordfight for him to come near her again. His fingers curled gently against the back of her neck, giving her one last chance to escape. Then he lowered his mouth and kissed her.
It was as natural as breathing to wrap his arms around her and lower her to the ground. He settled his weight against her hips. The perfume of her skin mixed with the damp scent of the moss beneath them. At some point, her sense of propriety would win over. Until then he let his body flood with raw desire. It felt good to kiss her the way he wanted to. It felt damn good. He slipped his tongue past her lips to where she was warm and smooth and inviting. Her hands clutched at his shirt as she returned his kiss. A muted sound escaped from her throat. He swallowed her cry, using his hands to circle her wrists: rough enough to make her breath catch, gentle enough to have her opening her knees, cradling his hips with her long legs. He stroked himself against her, already hard beyond belief. He groaned when she responded, instinctively pressing closer. ‘I need to see you,’ he said. The sash around her waist fell aside in two urgent tugs while his other hand stole beneath her tunic. She gasped when his fingers brushed the swath of cloth at her breasts. The faint, helpless sound nearly lifted him out of the haze of desire. He didn’t want to think too hard about this. Not yet. He felt for the edge of the binding. ‘In back.’ She spoke in barely a whisper, a sigh on his soul. She peered up at him, her face in shadow as he parted her tunic. She watched him in much the same way she had when they had first met: curious, fearless, her eyes a swirl of green and gold. He pulled at the tight cloth until Ailey’s warm, feminine flesh swelled into his hands. He soothed his palms over the cruel welts left by the bindings. She bit down against her lip as blood rushed back into the tortured flesh. With great care, he stroked her nipples, teasing them until they grew tight beneath his roughened fingertips. God’s breath. Perfect. He wanted his mouth on her and still it wouldn’t be enough. Her heart beat out a chaotic rhythm. His own echoed the same restless pulse. ‘I knew it would be like this.’ His words came out hoarse with passion. At that moment he’d have given his soul to have her. But somewhere in his thick skull, he knew he had a beautiful, vulnerable girl who trusted him pressed against the bare earth. He sensed the hitch in her breathing and how her fingers dug nervously into his shoulders, even as her hips arched into him. He ran his thumb gently over the reddened mark that ran just below her collarbone and felt her shiver beneath him.
”
”
Jeannie Lin (Butterfly Swords (Tang Dynasty, #1))
“
When you lived in the human world, you had legends of the dread beasts and faeries who would slaughter you if they ever breached the wall, didn’t you? Things that slithered through open windows to drink the blood of children? Things that were so wicked, so cruel there was no hope against their evil?” The hair on her neck rose. “Yes.” Those stories had always unnerved and petrified her. “They were based on truth. Based on ancient, near-primordial beings who existed here before the High Fae split into courts, before the High Lords. Some call them the First Gods. They were beings with almost no physical form, but a keen, vicious intelligence. Humans and Fae alike were their prey. Most were hunted and driven into hiding or imprisonment ages ago. But some remained, lurking in forgotten corners of the land.” He swallowed another mouthful. “When I was nearing three hundred years old, one of them appeared again, crawling out of the roots of a mountain. Before he went into the Prison and confinement weakened him, Lanthys could turn into wind and rip the air from your lungs, or turn into rain and drown you on dry land; he could peel your skin from your body with a few movements. He never revealed his true form, but when I faced him, he chose to appear as swirling mist. He fathered a race of faeries that still plague us, who thrived under Amarantha’s reign—the Bogge. But the Bogge are lesser, mere shadows compared to Lanthys. If there is such a thing as evil incarnate, it is him. He has no mercy, no sense of right or wrong. There is him, and there is everyone else, and we are all his prey. His methods of killing are creative and slow. He feasts on fear and pain as much as the flesh itself.” Her blood chilled. “How did you trap such a thing?” Cassian tapped a spot on his neck where a scar slashed beneath his ear. “I quickly learned I could never beat him in combat or magic. Still have the scar here to prove it.” Cassian smiled faintly. “So I used his arrogance against him. Flattered and taunted him into trapping himself in a mirror bound with ash wood. I bet him the mirror would contain him—and Lanthys bet wrong. He got out of the mirror, of course, but by that time, I’d dumped his miserable self into the Prison.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
I," she told him, "can believe anything. You have no idea what I can believe."
"Really?"
"I can believe things that are true and I can believe things that aren't true and I can believe things where nobody knows if they're true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen - I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theatres from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like the Martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kinds of dead), and that there are stars in this universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of casual chaos, background noise and sheer blind luck. I believe that anyone who says that sex is overrated just hasn't done it properly. I believe that anyone who claims to know what's going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman's right to choose, a baby's right to live, that while all human life is sacred there's nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, life is a cruel joke and that life is what happens when you're alive and that you might as well lie back and enjoy it." She stopped, out of breath.
Shadow almost took his hands off the wheel to applaud.
”
”
Neil Gaiman (American Gods)
“
The Old Issue
October 9, 1899
“HERE is nothing new nor aught unproven,” say the Trumpets,
“Many feet have worn it and the road is old indeed.
“It is the King—the King we schooled aforetime !”
(Trumpets in the marshes—in the eyot at Runnymede!)
“Here is neither haste, nor hate, nor anger,” peal the Trumpets,
“Pardon for his penitence or pity for his fall.
“It is the King!”—inexorable Trumpets—
(Trumpets round the scaffold at the dawning by Whitehall!)
“He hath veiled the Crown and hid the Sceptre,” warn the Trumpets,
“He hath changed the fashion of the lies that cloak his will.
“Hard die the Kings—ah hard—dooms hard!” declare the Trumpets,
Trumpets at the gang-plank where the brawling troop-decks fill!
Ancient and Unteachable, abide—abide the Trumpets!
Once again the Trumpets, for the shuddering ground-swell brings
Clamour over ocean of the harsh, pursuing Trumpets—
Trumpets of the Vanguard that have sworn no truce with Kings!
All we have of freedom, all we use or know—
This our fathers bought for us long and long ago.
Ancient Right unnoticed as the breath we draw—
Leave to live by no man’s leave, underneath the Law.
Lance and torch and tumult, steel and grey-goose wing
Wrenched it, inch and ell and all, slowly from the King.
Till our fathers ’stablished, after bloody years,
How our King is one with us, first among his peers.
So they bought us freedom—not at little cost
Wherefore must we watch the King, lest our gain be lost,
Over all things certain, this is sure indeed,
Suffer not the old King: for we know the breed.
Give no ear to bondsmen bidding us endure.
Whining “He is weak and far”; crying “Time shall cure.”,
(Time himself is witness, till the battle joins,
Deeper strikes the rottenness in the people’s loins.)
Give no heed to bondsmen masking war with peace.
Suffer not the old King here or overseas.
They that beg us barter—wait his yielding mood—
Pledge the years we hold in trust—pawn our brother’s blood—
Howso’ great their clamour, whatsoe’er their claim,
Suffer not the old King under any name!
Here is naught unproven—here is naught to learn.
It is written what shall fall if the King return.
He shall mark our goings, question whence we came,
Set his guards about us, as in Freedom’s name.
He shall take a tribute, toll of all our ware;
He shall change our gold for arms—arms we may not bear.
He shall break his judges if they cross his word;
He shall rule above the Law calling on the Lord.
He shall peep and mutter; and the night shall bring
Watchers ’neath our window, lest we mock the King—
Hate and all division; hosts of hurrying spies;
Money poured in secret, carrion breeding flies.
Strangers of his counsel, hirelings of his pay,
These shall deal our Justice: sell—deny—delay.
We shall drink dishonour, we shall eat abuse
For the Land we look to—for the Tongue we use.
We shall take our station, dirt beneath his feet,
While his hired captains jeer us in the street.
Cruel in the shadow, crafty in the sun,
Far beyond his borders shall his teachings run.
Sloven, sullen, savage, secret, uncontrolled,
Laying on a new land evil of the old—
Long-forgotten bondage, dwarfing heart and brain—
All our fathers died to loose he shall bind again.
Here is naught at venture, random nor untrue—
Swings the wheel full-circle, brims the cup anew.
Here is naught unproven, here is nothing hid:
Step for step and word for word—so the old Kings did!
Step by step, and word by word: who is ruled may read.
Suffer not the old Kings: for we know the breed—
All the right they promise—all the wrong they bring.
Stewards of the Judgment, suffer not this King!
”
”
Rudyard Kipling
“
Slowly crossing the deck from the scuttle, Ahab leaned over the side, and watched how his shadow in the water sank and sank to his gaze, the more and the more that he strove to pierce the profundity. But the lovely aromas in that enchanted air did at last seem to dispel, for a moment, the cankerous thing in his soul. That glad, happy air, that winsome sky, did at last stroke and caress him; the step-mother world, so long cruel - forbidding - now threw affectionate arms round his stubborn neck, and did seem to joyously sob over him, as if over one, that however wilful and erring, she could yet find it in her heart to save and to bless. From beneath his slouched hat Ahab dropped a tear into the sea; nor did all the pacific contain such wealth as that one wee drop.
Starbuck saw the old man; saw him, how he heavily leaned over the side; and he seemed to hear in his own true heart the measureless sobbing that stole out of the centre of the serenity around. Careful not to touch him, or be noticed by him, he yet drew near to him, and stood there.
Ahab turned.
"Starbuck!"
"Sir."
"Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day - very much such a sweetness as this - I struck my first whale - a boy-harpooneer of eighteen! Forty - forty - forty years ago! - ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain's exclusiveness, which admits but small entrance to any sympathy from the green country without - oh, weariness! heaviness! Guinea-coast slavery of solitary command! - when I think of all this; only half-suspected, not so keenly known to me before - and how for forty years I have fed upon dry salted fare - fit emblem of the dry nourishment of my soul - when the poorest landsman has had fresh fruit to his daily hand, and broken the world's fresh bread to my mouldy crusts - away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow - wife? wife? - rather a widow with her husband alive! Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey - more a demon than a man! - aye, aye! what a forty years' fool - fool - old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God! - crack my heart! - stave my brain! - mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearth-stone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board! - lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!
”
”
Herman Melville
“
Because it's too cruel to know that life is just one time and that we have no guarantee outside our faith in shadows - because it's too cruel, so I respond with the purity of an untamable happiness. I refuse to be sad. Let us be joyful.
”
”
Clarice Lispector
“
All in the wicked darkest eve In blood and shadows alike; We strive to live through mighty pain, By mighty arms unite, Oft mighty hands make plain romance, A traveling heart's plight. Ah, cruel Nine! In such an hour, Beneath such dreadful weather, To beg a tale of life so bleak To stir bound wings of feathers! Yet what can one lone voice avail Against ten tongues together?
”
”
C.M. Stunich (Allison's Adventures in Underland (Harem of Hearts, #1))
“
I was astonished. My son was brilliant and wily, of course, but only a child. I never imagined him using his intelligence against me, even if only for a second. It was an inversion of our relationship. It was I who was supposed to clobber him at chess or embarrass him with feats of manly strength. It was my job to show him how cruel and uncaring the world could be, so that he would toughen up. Not vice versa.
”
”
Maurice Carlos Ruffin (We Cast a Shadow)
“
Death, if it came unexpectedly, might be cruel but it wasn't frightening, because you didn't have the chance to realize what was about to happen. Knowing your own fate in advance, on the other hand, was a terrifying form of torture, maybe even worse than death itself. A prelude to madness.
Fearing the shadow of death with each breath was an agonizing countdown that left you exhausted and sapped your will to fight, until its echoing whisper faded into an icy silence that deprived you of everything. It was like a deadly poison that took effect silently, draining your energy, battering your mind's defenses until you ultimately wanted to give in to its comfort, letting it shroud you in its dark mantle so the fear itself wouldn't kill you...slowly
”
”
Elisa S. Amore (Touched (Touched, #1))
“
I’ve been in the darkness—deep in shadow. Lost my way, hurt others in my wanderings. We’ve all been there, in the shadow, alone in the dark. Some of us are there every day. But tonight—just tonight—we each brought a little light with us. And when all those lights are joined—when we stand together and we look into each other’s eyes, and we smile—the light grows stronger. It becomes strong enough to carry us through, no matter what we’ve done, or who we’ve lost.” My aunt’s eyes are sparkling with tears, but my own are dry. I raise my wine glass. “To the little lights,” I say. “To us.
”
”
Rebecca F. Kenney (A Hunt So Wild and Cruel (Mythic Holidays, #1))
“
I wanted to fight for you, fight the Gelaming, the Tigron, whoever was there in the shadows. But it’s all too…big. I have no chance. I cannot lose you, because I never had you. You’ve given me so much, but if I want to share it, it must be with someone else. That’s hard. It’s cruel. Why must we suffer? If there’s a great power behind all this, why did it let me love you?
”
”
Storm Constantine (Wraeththu (Wraeththu #1-3))
“
Did I do it?” Sebian’s mouth opened and closed as if gasping for air. “Did I… did I save her?
”
”
Liv Zander (Shadows So Cruel (Court of Ravens, #2))
“
The poem: I grieve and dare not show my discontent; I love, and yet am forced to seem to hate; I do, yet dare not say I ever meant; I seem stark mute, but inwardly do prate. I am, and not; I freeze and yet am burned, Since from myself another self I turned. My care is like my shadow in the sun – Follows me flying, flies when I pursue it, Stands, and lies by me, doth what I have done; His too familiar care doth make me rue it. No means I find to rid him from my breast, Till by the end of things it be suppressed. Some gentler passion slide into my mind, For I am soft and made of melting snow; Or be more cruel, Love, and so be kind. Let me or float or sink, be high or low; Or let me live with some more sweet content, Or die, and so forget what love e’er meant.
”
”
Abigail Archer (Elizabeth I)
“
Lord, why was it his child you gave to me? Why did you send me here to this man so that I remember the things done to me? Shimei interceded and brought me to you, and you healed me. Now, I see Atretes and feel the old wounds reopened. Hold me fast, Father. Don’t let me slip; don’t let me fall. Don’t let me think as I used to think or live as I used to live. “Life is cruel, Atretes, but you have a choice. Choose forgiveness and be free.” “Forgiveness!” The word came out of the dark shadows like a curse. “There are some things in this world that can never be forgiven.” Her eyes burned with tears. “I once felt the same way, but it turns back on you and eats you alive. When Christ saved me, everything changed. The world didn’t look the same.” “The world doesn’t change.” “No. The world didn’t. I did.” He
”
”
Francine Rivers (Mark of the Lion Collection (Mark of the Lion #1-3))
“
Could life really be so cruel—to give a glimmer of hope and then take it so swiftly?
”
”
Kaitlyn Davis (The Shadow Soul (A Dance of Dragons, #1))
“
So, what did you tell him?” “I . . . I told him that I . . . I was fond of him, but I saw . . . no future in romance between us,” she coughed out. “That my heart was not invested in him.” “Well, that might explain his sudden departure,” I agreed, a few things from our brief, tense conversation becoming clearer. “You do realize that he would have quit Sevendor long ago, if he had not held out hope for your heart?” “That’s what he said!” she almost screamed. “In fact,” I continued, apologetically, “he put himself in grave danger last summer, helping Tyndal and Rondal in Enultramar, purely in an effort to attract your attention.” “I never asked him to do that!” she fumed. “Of course you didn’t. But that attempt . . . failed,” I said, as objectively as possible. “I’m sure the boy wanted the assurance that his efforts were not in vain before he made any further decisions.” I knew it was small comfort to my sobbing apprentice, but she needed to understand the truth. “When you did not return his affections after all he has done to impress you, and you told him in certain terms that it was a fruitless endeavor, what did you expect him to do?” “No just pack up and leave! He won’t respond to me, mind-to-mind, and I have no idea where he is!” “He’s the one who figured out how to use the Alkan Ways, on his own,” I reminded her. “I doubt he’s lingering near Sevendor. Or even in the Riverlands.” “So where did he go? I need to talk to him!” “And say what?” I asked. “That you’ve changed your mind? That you’ve found love in your heart in his absence that his presence could not produce?” I suggested. “That he doesn’t have to run away from me, just because I’m not in love with him!” “Clearly, he feels differently about that,” I pointed out. “Asking a man with a broken heart to be proximate to the one who broke it . . . that seems a cruel request, Dara.” “But I didn’t mean to break his heart! Now everyone thinks I drove him away! Banamor is pissed with me, Sire Cei isn’t happy that he’s lost one of his best aides, and the enchanters in town all hate me! Nattia isn’t even speaking to me! She thinks I was unfair to him!” “You may not have meant to do it, but it is done. Gareth is a very, very smart man, Dara. He’s one of the most intuitive thaumaturges I know, and a brilliant enchanter. He’s as determined as Azar when it comes to achieving what he wants. And when he learns that what he wants he cannot have, he's smart enough to know that lingering in your shadow, pining for what cannot be, is a torture he cannot bear.” “But I hold his friendship in the highest esteem!” she protested. “He was instrumental in the hawk project! He’s been a constant help to me, and come to my aid faithfully!” “Did you think he did that out of the goodness of his heart?” I felt compelled to ask. “Oh, he’s a wholesome and worthy lad, don’t mistake me. But if you don’t return his affections, then continuing to be at your call is . . . well, it’s humiliating, Dara. Especially when you have other suitors you hold in more favor, nearby.
”
”
Terry Mancour (Necromancer (The Spellmonger #10))
“
**Verse 1:**
In the quiet of the empty streets,
Where shadows dance and the cold wind greets.
A soul wanders, lost and torn,
Carrying burdens from the day they were born.
**Chorus:**
Broken, with no more tears to weep,
Lost in a world that's too steep.
Hope's a word that's hard to cope,
For a heart that's given up its rope.
**Verse 2:**
The laughter's gone, the light's burned out,
Silent screams replace the shout.
A spirit crushed by life's cruel jokes,
Drifting aimlessly, like smoke.
**Chorus:**
Broken, with no more tears to weep,
Lost in a world that's too steep.
Hope's a word that's hard to cope,
For a heart that's given up its rope.
**Bridge:**
But even in the darkest night,
There's a star that shines a faint light.
A whisper of love, a hint of grace,
A sign that time can't erase.
**Chorus:**
Still broken, but maybe tears will seep,
Through the cracks, as they begin to creep.
Hope's a word that might just slope,
Back to a heart finding its rope.
**Outro:**
So here's to the broken, the lost, the brave,
To the silent fighters, the quiet wave.
May they find hope, may they elope,
With a future where they can cope.
”
”
James Hilton-Cowboy
“
Now he was going to Shadowhunter Academy, to learn to be as great a warrior as his father, and the warrior bit was not half as worrying as the fact he was going to have to talk to people.
There were going to be a lot of people.
There was going to be a lot of talking.
James wondered why the wheels did not fall right off Uncle Gabriel’s carriage. He wondered why the world was so cruel.
”
”
Cassandra Clare (Nothing but Shadows (Tales from Shadowhunter Academy, #4))
“
If fate is so cruel as to only offer me true love with a man who could hurt me as much as you have, then I’ll go without love,” I swore. “You want my heart? I’d sooner cut it out than give it to you.
”
”
Caroline Peckham (Shadow Princess (Zodiac Academy, #4))
“
What's this? Must I be held enthralled
Again, cruel skies, to fleeting dreams
Of grandeur Time will surely mock?
Must I again be forced to glimpse
Amid the shadows and the fog
The majesty and faded pomp
That waft inconstant on the wind?
Must I again be left to face
Life's disillusion or the risks
To which man's limits are exposed
From birth and never truly end?
This cannot be. It cannot be.
Behold me here, a slave again
To fortune's whims. As I have learned
That life is really just a dream,
I say to you, false shadows, Go!
My deadened senses know your schemes,
To feign a body and a voice
When voice and body both are shams.
I've no desire for majesty
That's phony or for pompous flam,
Illusions of sheer fantasy
That can't withstand the slightest breeze
And dissipate entirely like
The blossoms on an almond tree
That bloom too early in the spring
Without a hint to anyone.
The beauty, light, and ornament
Reflecting from their rosy buds
Fade all too soon; these wilt and fall
When but the gentlest gusts blow by.
I know you all too well, I do,
To fancy you'd act otherwise
Toward other souls who likewise sleep.
So let this vain pretending cease;
I'm disabused of all I thought
And know now life is but a dream
”
”
Pedro Calderón de la Barca
“
Happy birthday, Darius,” Roxy said, her voice rough and dark like it was swimming in sin. She stepped closer to me and leaned in, brushing her lips against mine in a cruel mockery of all the kisses we’d shared before. Her lips were cold and her gaze empty. A shiver raced through me as I tasted the darkness on her. There was nothing in that kiss, not a single piece of the girl I loved and it felt like every part of me was breaking apart as I looked down at her in horror, wondering what the hell had happened to her to leave her so empty. How the shadows could have stolen so much and what else my father had been doing to her in the time that she’d been missing.
”
”
Caroline Peckham (Fated Throne (Zodiac Academy, #6))
“
Ah, My poor boy! You can't fight fate - did I neglect to teach you that? People cannot choose where, when and into what conditions they are born. From the moment of birth, each person must live on life's terms. The world is cruel. But that's only natural. We begin life as a chemical reaction... The soul non-existent... The mind merely synaptic sparks... Human existence but a shadow of memory and information. We live alone, as we must - in a godless, merciless world... and yet... we LIVE! That is the SECRET of FREE WILLl! It may be inevitable that, so young, you buckled under the burden of the world's karma. You may aspire to good! You may aspire to evil! You may grope to find your path! But, unless you are ALIVE... ...well, my boy - unless you are alive, no talent will ever bear fruit!
”
”
Yukito Kishiro (Gunnm (Issues))
“
I had never wondered where he slept, but now I half expected a dark cavern with a bloodied altar for a bed. Instead it was a crimson mirror of my room: red-and-black tapestries instead of pale wallpaper; red-and-gold damask bed curtains instead of lace; and supporting the canopy were not caryatids but eagles, cast from a slick black metal that glittered in the candlelight. All around the edges of the room burned row upon row of candles, casting golden light in every direction so that shadow barely existed.
”
”
Rosamund Hodge (Cruel Beauty)
“
And I hate him because he's a fool and a coward and he tries to steal my wives."
Those last words were so unexpected that I laughed. Then Ignifex raised an eyebrow and I realized that he was serious, at least as much as he ever was.
"What? Don't tell me he hasn't kissed you yet. You're no Helen or Aphrodite, but you aren't plain."
I remembered last night and my face went hot. Sure he could see the truth on my face, I blurted the first thing that came into my mind.
"And you would know so much about women, locked up in your castle."
"Locked up with eight wives. And sometimes I make house calls for my bargainers. There's many a lovely woman desperate enough to bargain with me."
This idea had never occurred to me before. "You touch another woman and I'll cut your hands off," I snapped.
He looked delighted. "I thought you were afraid of hurting me."
There was nothing I could say without making it worse, so I glared at him until he laughed and said, "I've never struck that kind of bargain. Though it's nice to know you're jealous."
I crossed my arms. The key hidden in the front of my dress dug into my skin, reminding me I was here for more than bickering.
"How is Shade a coward?" I asked.
"Now I'm jealous."
"Don't worry, you're still the only one I want to kill. Why do you call him a fool and a coward if he's never been anything but your obedient shadow?"
"He's plenty disobedient. Do you think I tell him to go around kissing my wives?" He caught at my chin. "They say that if you want a thing done well--"
I slapped his hand away. "If he's just your shadow, isn't it ridiculous to compete with him? And how do you know he's a coward?"
Ignifex's eyes widened a fraction. "He's a coward and a fool," he repeated distantly, as if he had learnt the words by rote. Then his gaze snapped back to me. "Why shouldn't I know my own shadow?"
"He got better than you at kissing somehow," I said. "Don't you ever wonder how?
”
”
Rosamund Hodge (Cruel Beauty)
“
Come on." I took his hand and stood, pulling him up with me. "Let's go home. Aren't you tired of being in this house?"
meant the words lightly, but he looked around the sunlit ruins with solemn eyes. "It's strange," he said softly. "I think I'll miss it."
And I realized that in every life he had lived, this was his only home and he had never left.
"I miss hating my sister," I said, pulling him toward the gateway. "She's a little bit more wicked now, so I can't even hate her for being too kind."
But when we were almost at the threshold, he paused again, and this time there was naked fear on his face.
"You do realize," he said. "I don't remember how to be anything but a demon lord and his shadow."
"I'm still not very good at being anything but a wicked sister." I took his other hand.
A handful of kindness, the sparrow had said, and now we each had two.
"We'll both be foolish," I said, "and vicious and cruel. We will never be safe with each other."
"Don't try too hard to be cheerful." His fingers threaded through mine.
"But we'll pretend we know how to love." I smiled at him. "And someday we'll learn."
And we walked out through the gateway together.
”
”
Rosamund Hodge (Cruel Beauty)
“
Shall I tell you about the girl who bargained away her mother's eyes, that she might once taste stuffed dates such as these? I can't say I was sorry when the rabid dogs attacked her."
"You aren't sorry about anything you do."
He flashed a smile at me. "So you are learning."
"I've known that fact all my life."
"Then what have you learnt since coming here?"
What it's like to kiss your shadow
”
”
Rosamund Hodge (Cruel Beauty)
“
Part of her was terrified of what Ovir would turn into without his father. Because it wasn’t the first time she’d seen the glint in Ovir’s eye as he ordered her to find Dernian’s killer that made her want to fall to her knees. The glare so similar to the one Dernian wore when he was delighting in some cruel punishment was becoming more common on Ovir, even before his father’s death.
”
”
Laura Winter (The Bones of Crystal Sand (Smoke and Shadow, #0))
“
love memories. They are our ballads, our personal foundation myths. But I must acknowledge that memory can be cruel if left unchallenged. Memory is often our only connection to who we used to be. Memories are fossils, the bones left by dead versions of ourselves. More potently, our minds are a hungry audience, craving only the peaks and valleys of experience. The bland erodes, leaving behind the distinctive bits to be remembered again and again. Painful or passionate, surreal or sublime, we cherish those little rocks of peak experience, polishing them with the ever-smoothing touch of recycled proxy living. In so doing—like pagans praying to a sculpted mud figure—we make of our memories the gods which judge our current lives. I love this. Memory may not be the heart of what makes us human, but it’s at least a vital organ. Nevertheless, we must take care not to let the bliss of the present fade when compared to supposedly better days. We’re happy, sure, but were we more happy then? If we let it, memory can make shadows of the now, as nothing can match the buttressed legends of our past. I think about this a great deal, for it is my job to sell legends. Package them, commodify them. For a small price, I’ll let you share my memories—which I solemnly promise are real, or will be as long as you agree not to cut them too deeply. Do not let memory chase you. Take the advice of one who has dissected the beast, then rebuilt it with a more fearsome face—which I then used to charm a few extra coins out of an inebriated audience. Enjoy memories, yes, but don’t be a slave to who you wish you once had been. Those memories aren’t alive. You are.
”
”
Brandon Sanderson (Tress of the Emerald Sea)
“
This one, this betrayer to our people." Gregori nodded toward the man lying so still on the rocks where he had fallen. "He sought to take her from you."
"He could not have done so," Aidan said softly.
Gregori nodded. "I believe that to be true. Still, she takes a risk that should not be permitted." A network of iridescent white veins lit up the sky, sharp, brilliant, a powerful display. The arcing lightning cast a peculiar shadow across the dark, handsome face and flashing silver eyes, making Gregori look both cruel and hungry.
The fingers around Alexandria's wrist tightened even more. Do not move, do not speak, no matter what, Aidan cautioned softly in her mind. "Thank you for your assistance, Gregori," he said aloud, his voice gentle and true. "This is my lifemate, Alexandria. She is new to our people and knows nothing of our ways. We would both consider it a great honor if you would accompany us back to our house and tell us the news of our homeland."
Are you out of your mind? Alexandria protested silently, horrified. It would be like bringing home a wild jungle cat. A tiger. Something very lethal.
Gregori inclined his head at the introduction, but the refusal to join them was clear in his silver eyes. "It would be unwise of me to join you indoors. I would be a caged tiger, untrustworthy, unpredictable." His pale eyes flickered over Alexandria, and she had the distinct impression he was laughing at her.
”
”
Christine Feehan (Dark Gold (Dark, #3))
“
I have breathed on shadows, as one breathes into a soap bubble, to give it breadth and life. I did it because I had to, because human beings cannot live without history, and I have no history or tradition that is not located in a pale, aggressive body lying in the dirt, or hanging from a tree. How cruel it is to live in a community of two. I used to crouch on the floor, with my bedroom door open a crack so that I could peer out, and watch the lamplight on his motionless shoulders as he read, just to feel that another person was alive. I stole his papers in order to feel that I was not alone. I went through his cabinet. (I found nothing there but pencils, lamp oil, and thread.) I read all his books and tried, in my clumsy way, to debate them with him. What is the difference between a genius and a monster?
”
”
Sofia Samatar (The Winged Histories)
“
In your care I will be released from my worries” (CIL 11.137). In a few brief sentences, this man’s colorful life, during which he passed from freedom to slavery to freedom and ultimately to prosperity, is memorialized. An aspect of life that these tombstones bring to light is the strong emotions that tied together spouses, family members, and friends. One grave marker records a husband’s grief for his young wife: “To the eternal memory of Blandina Martiola, a most blameless girl, who lived eighteen years, nine months, five days. Pompeius Catussa, a Sequanian citizen and a plasterer, dedicates this monument to his wife, who was incomparable and very kind to him. She lived with him five years, six months, eighteen days without any shadow of a fault. You who read this, go bathe in the baths of Apollo as I used to do with my wife. I wish I still could” (CIL 1.1983). The affection that some parents felt for their children is also reflected in these inscriptions: “Spirits who live in the underworld, lead innocent Magnilla through the groves and the Elysian Fields directly to your places of rest. She was snatched away in her eighth year by cruel fate while she was still enjoying the tender time of childhood. She was beautiful and sensitive, clever, elegant, sweet, and charming beyond her years. This poor child who was deprived of her life so quickly must be mourned with perpetual lament and tears” (CIL 6.21846). Some Romans seemed more concerned with ensuring that their bodies would lie undisturbed after death than with recording their accomplishments while alive. An inscription of this type states: “Gaius Tullius Hesper had this tomb built for himself, as a place where his bones might be laid. If anyone damages them or removes them from here, may he live in great physical pain for a long time, and when he dies, may the gods of the underworld deny entrance to his spirit” (CIL 6.36467). Some tombstones offer comments that perhaps preserve something of their authors’ temperaments. One terse inscription observes: “I was not. I was. I am not. I care not” (CIL 5.2893). Finally, a man who clearly enjoyed life left a tombstone that included the statement: “Baths, wine, and sex ruin our bodies. But what makes life worth living except baths, wine, and sex?” (CIL 6.15258). Perhaps one of the greatest values of these tombstones is the manner in which they record the actual feelings of individuals, and demonstrate the universality across time, cultures, and geography of basic emotions such as love, hate, jealousy, and pride. They also preserve one of the most complicated yet subtle characteristics of human beings—our enjoyment of humor. Many of the messages were plainly drafted to amuse and entertain the reader, and the fact that some of them can still do so after 2,000 years is one of the best testimonials to the humanity shared by the people of the ancient and the modern worlds.
”
”
Gregory S. Aldrete (The Long Shadow of Antiquity: What Have the Greeks and Romans Done for Us?)
“
But I denounce. I denounce our weakness, I denounce the maddening horror of dying—and I respond to all this infamy with—exactly this that now will be written—and I respond to all this infamy with joy. Purest and lightest joy. My only salvation is joy. An atonal joy inside the essential it. Doesn’t that make sense? Well it must. Because it’s too cruel to know that life is just one time and that we have no guarantee outside our faith in shadows—because it’s too cruel, so I respond with the purity of an untamable happiness. I refuse to be sad. Let us be joyful. Whoever isn’t afraid to be joyful and to experience even a single time the mad and profound joy will have the best part of our truth. I am—despite everything oh despite everything—am being joyful in this instant-now that passes if I don’t capture it in words. I am being joyful in this very instant because I refuse to be defeated: so I love. As an answer. Impersonal love, it love, is joy: even the love that doesn’t work out, even the love that ends. And my own death and that of those we love must be joyful, I don’t yet know how, but they must be. That is living: the joy of the it. And to settle for that not as one defeated but in an allegro con brio.
”
”
Clarice Lispector (Água Viva)
“
David Faulkner will die a slow, torturous death. One so meticulously cruel that Ted Bundy himself would take notes.
”
”
Katerina St. Clair (Forgive Me Father (The Shadows of Darkness Universe, #1))
“
And that which I needed to forget above all was the death of the lady Mariel, and the fact that I myself had slain her as surely as if I had done the deed with my own hand. For she had loved me with an affection deeper and purer and more stable than mine; and my changeable temper, my fits of cruel indifference or ferocious irritability, had broken her gentle heart. So it was that she had sought the anodyne of a lethal poison; and after she was laid to rest in the somber vaults of her ancestors, I had become a wanderer, followed and forever tortured by a belated remorse.
”
”
Clark Ashton Smith (The Double Shadow and Other Fantasies)
“
I'm saying…" She hesitates, studying my eyes, and then peels off one bloodied glove to place her hand on my jaw. "The gods are cruel, but I can't resist anymore. So fuck it all. You're stuck with me until the tragic end.
”
”
Morgan B. Lee (Shadow Heart (Cursed Legacies, #2))
“
Deception’s most profound irony is how it can make the realest truths look like the greatest deceits.
”
”
Liv Zander (Shadows So Cruel (Court of Ravens, #2))
“
My love is not gentle, or tender, or easy. But it is real, grown from hate and pain deep inside a chest sullied by shadows. It is cutting and biting, leaving behind scars as unfading as my love for you.
”
”
Liv Zander (Shadows So Cruel (Court of Ravens, #2))
“
If fate is so cruel as to only offer me true love with a man who could hurt me as much as you have, then I’ll go without love,” I swore. “You want my heart? I’d sooner cut it out than give it to you.” Darius was shaking his head, denying the words I’d thrown at him as he managed to draw me closer.
”
”
Caroline Peckham (Shadow Princess (Zodiac Academy, #4))
“
Only the deepest love is capable of bringing about the deepest pain.
”
”
Liv Zander (Shadows So Cruel (Court of Ravens, #2))
“
As the flames leapt higher, something inside me crystallized—a chilling, absolute stillness. Reality buckled and distorted, like one’s reflection when standing too close to a mirror. And I was left on the threshold between what had been and what could never be again, suspended in a moment that was too brutal to absorb fully.
”
”
Liv Zander (Shadows So Cruel (Court of Ravens, #2))
“
There was nothing wrong with me. There was nothing wrong with her. Or maybe, there was something wrong with both of us, but who cared? Even if we were both broken, then put together, her cracks matched up perfectly with mine.
”
”
Liv Zander (Shadows So Cruel (Court of Ravens, #2))
“
This is the closest your mouth will ever come to mine again.
”
”
Liv Zander (Shadows So Cruel (Court of Ravens, #2))
“
Hear me, Galantia. No matter where you go, no matter what form you take, I will find you. You cannot outrun me. You cannot outfly me. Every path you tread, be it north, east, south, or west, I will chase after because… you… are… mine.
”
”
Liv Zander (Shadows So Cruel (Court of Ravens, #2))
“
That kiss was long overdue, and there will be a lot more in the future, if you’ll have me. But just for the record, because I’m not going to risk your doubt again over three fucking words,” he tugged the back of my head, pulling my mouth back to his as he rasped, “I love you.
”
”
Liv Zander (Shadows So Cruel (Court of Ravens, #2))
“
I never said this before, but… thank you for bringing me back to life. Thank you for giving a chance to redeem myself in my own eyes. Even just a little.
”
”
Liv Zander (Shadows So Cruel (Court of Ravens, #2))
“
Whenever you look about the city, remember that it sparkles because of you and only you. Every Raven who calls Valtaris his home is in your debt, but none so more than I. Without you, I could not have given my family a proper burial. You are… a miracle, my little white dove.
”
”
Liv Zander (Shadows So Cruel (Court of Ravens, #2))
“
If there’s love in this pain, then I want it. I just don’t want there to be any pain in this love.
”
”
Liv Zander (Shadows So Cruel (Court of Ravens, #2))
“
You, Galantia, are Malyr’s fated mate. You were supposed to die together in Valtaris under boulders and shadows, with your little hand clasped inside his the way—
”
”
Liv Zander (Shadows So Cruel (Court of Ravens, #2))
“
The way I had scarred her, choked her, smacked her, struck her, and bit her made it all the more evident; each morally corrupted misdeed a reason why I’d stopped searching for my mate to begin with. I could never reconcile hurting my anoaley for my pleasure, neither could I stop liking the things I liked.
”
”
Liv Zander (Shadows So Cruel (Court of Ravens, #2))
“
And once we are gone from this earth, I will continue to love you among the stars. I will be the night, the darkest patch of sky around you, just to ensure that everyone can see how you sparkle. And once your light starts fading, I will take you into my black embrace, and that is where I will love you beyond death.
”
”
Liv Zander (Shadows So Cruel (Court of Ravens, #2))
“
I can’t promise you riches or lavish things, but I can promise that we’ll never starve so long as there are chestnut trees around.
”
”
Liv Zander (Shadows So Cruel (Court of Ravens, #2))
“
Now I’m like a beast trained on the scent of your blood, utterly, irrefutably, immutably fixed on hunting… you… down.
”
”
Liv Zander (Shadows So Cruel (Court of Ravens, #2))
“
I don’t give a shit what I am out there as long as I get to love and care for you when we’re among the people we trust,
”
”
Liv Zander (Shadows So Cruel (Court of Ravens, #2))
“
I might not be able to bond myself to you, but I want you to know that I’m yours until the end… whenever that might be. I will forever treasure you. I will forever provide for you. I will forever fly with you. I will forever care for you.
”
”
Liv Zander (Shadows So Cruel (Court of Ravens, #2))
“
You said you could handle us both. Show me. Let me fuck your ass while Malyr keeps fucking your cunt.
”
”
Liv Zander (Shadows So Cruel (Court of Ravens, #2))
“
Malyr arched a brow at the speed of a snail crossing a continent.
”
”
Liv Zander (Shadows So Cruel (Court of Ravens, #2))
“
And once we are gone from this earth, I will continue to love you among the stars. I will be the night, the darkest patch of sky around you, just to ensure that everyone can see how you sparkle.
”
”
Liv Zander (Shadows So Cruel (Court of Ravens, #2))
“
I refuse to give the perpetrators of my past any control over my life by letting this sully my thoughts, my feelings, any part of my life going forward.
”
”
Liv Zander (Shadows So Cruel (Court of Ravens, #2))
“
I don’t want to be needed; I want to be wanted.
”
”
Liv Zander (Shadows So Cruel (Court of Ravens, #2))