Shadows And Tall Trees Quotes

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On the day of the dead, when the year too dies, Must the youngest open the oldest hills Through the door of the birds, where the breeze breaks. There fire shall fly from the raven boy, And the silver eyes that see the wind, And the light shall have the harp of gold. By the pleasant lake the Sleepers lie, On Cadfan’s Way where the kestrels call; Though grim from the Grey King shadows fall, Yet singing the golden harp shall guide To break their sleep and bid them ride. When light from the lost land shall return, Six Sleepers shall ride, six Signs shall burn, And where the midsummer tree grows tall By Pendragon’s sword the Dark shall fall. Y maent yr mynyddoedd yn canu, ac y mae’r arglwyddes yn dod.
Susan Cooper (The Dark Is Rising Sequence (The Dark is Rising, #1-5))
On the back part of the step, toward the right, I saw a small iridescent sphere of almost unbearable brilliance. At first I thought it was revolving; then I realised that this movement was an illusion created by the dizzying world it bounded. The Aleph's diameter was probably little more than an inch, but all space was there, actual and undiminished. Each thing (a mirror's face, let us say) was infinite things, since I distinctly saw it from every angle of the universe. I saw the teeming sea; I saw daybreak and nightfall; I saw the multitudes of America; I saw a silvery cobweb in the center of a black pyramid; I saw a splintered labyrinth (it was London); I saw, close up, unending eyes watching themselves in me as in a mirror; I saw all the mirrors on earth and none of them reflected me; I saw in a backyard of Soler Street the same tiles that thirty years before I'd seen in the entrance of a house in Fray Bentos; I saw bunches of grapes, snow, tobacco, lodes of metal, steam; I saw convex equatorial deserts and each one of their grains of sand; I saw a woman in Inverness whom I shall never forget; I saw her tangled hair, her tall figure, I saw the cancer in her breast; I saw a ring of baked mud in a sidewalk, where before there had been a tree; I saw a summer house in Adrogué and a copy of the first English translation of Pliny -- Philemon Holland's -- and all at the same time saw each letter on each page (as a boy, I used to marvel that the letters in a closed book did not get scrambled and lost overnight); I saw a sunset in Querétaro that seemed to reflect the colour of a rose in Bengal; I saw my empty bedroom; I saw in a closet in Alkmaar a terrestrial globe between two mirrors that multiplied it endlessly; I saw horses with flowing manes on a shore of the Caspian Sea at dawn; I saw the delicate bone structure of a hand; I saw the survivors of a battle sending out picture postcards; I saw in a showcase in Mirzapur a pack of Spanish playing cards; I saw the slanting shadows of ferns on a greenhouse floor; I saw tigers, pistons, bison, tides, and armies; I saw all the ants on the planet; I saw a Persian astrolabe; I saw in the drawer of a writing table (and the handwriting made me tremble) unbelievable, obscene, detailed letters, which Beatriz had written to Carlos Argentino; I saw a monument I worshipped in the Chacarita cemetery; I saw the rotted dust and bones that had once deliciously been Beatriz Viterbo; I saw the circulation of my own dark blood; I saw the coupling of love and the modification of death; I saw the Aleph from every point and angle, and in the Aleph I saw the earth and in the earth the Aleph and in the Aleph the earth; I saw my own face and my own bowels; I saw your face; and I felt dizzy and wept, for my eyes had seen that secret and conjectured object whose name is common to all men but which no man has looked upon -- the unimaginable universe. I felt infinite wonder, infinite pity.
Jorge Luis Borges
My old friend, what are you looking for? After years abroad you’ve come back with images you’ve nourished under foreign skies far from you own country.’ ‘I’m looking for my old garden; the trees come to my waist and the hills resemble terraces yet as a child I used to play on the grass under great shadows and I would run for hours breathless over the slopes.’ ‘My old friend, rest, you’ll get used to it little by little; together we will climb the paths you once knew, we will sit together under the plane trees’ dome. They’ll come back to you little by little, your garden and your slopes.’ ‘I’m looking for my old house, the tall windows darkened by ivy; I’m looking for the ancient column known to sailors. How can I get into this coop? The roof comes to my shoulders and however far I look I see men on their knees as though saying their prayers.’ ‘My old friend, don’t you hear me? You’ll get used to it little by little. Your house is the one you see and soon friends and relatives will come knocking at the door to welcome you back tenderly.’ ‘Why is your voice so distant? Raise your head a little so that I understand you. As you speak you grow gradually smaller as though you’re sinking into the ground.’ ‘My old friend, stop a moment and think: you’ll get used to it little by little. Your nostalgia has created a non-existent country, with laws alien to earth and man.’ ‘Now I can’t hear a sound. My last friend has sunk. Strange how from time to time they level everything down. Here a thousand scythe-bearing chariots go past and mow everything down
George Seferis
But a smell shivered him awake. It was a scent as old as the world. It was a hundred aromas of a thousand places. It was the tang of pine needles. It was the musk of sex. It was the muscular rot of mushrooms. It was the spice of oak. Meaty and redolent of soil and bark and herb. It was bats and husks and burrows and moss. It was solid and alive - so alive! And it was close. The vapors invaded Nicholas' nostrils and his hair rose to their roots. His eyes were as heavy as manhole covers, but he opened them. Through the dying calm inside him snaked a tremble of fear. The trees themselves seemed tense, waiting. The moonlight was a hard shell, sharp and ready to ready be struck and to ring like steel. A shadow moved. It poured like oil from between the tall trees and flowed across dark sandy dirt, lengthening into the middle of the ring. Trees seem to bend toward it, spellbound. A long, long shadow...
Stephen M. Irwin (The Dead Path)
the first tree shudder and fall, far off in the distance. Then he heard his mother call out the kitchen window: “Luke! Inside. Now.” He had never disobeyed the order to hide. Even as a toddler, barely able to walk in the backyard’s tall grass, he had somehow understood the fear in his mother’s voice. But on this day, the day they began taking the woods away, he hesitated. He took one extra breath of the fresh air, scented with clover and honeysuckle and—coming from far away—
Margaret Peterson Haddix (Among the Hidden (Shadow Children, #1))
But for most trees, height is all about getting more sun. A forest is an intensely competitive place, and sunlight is a scarce but critical resource. And even when you’re a redwood, the tallest of all tree species, you still have to worry about getting enough sun because you’re in a forest of other redwoods. Often a species’ most important competitor is itself. Thus the redwood is locked in an evolutionary arms race—or in this case, a “height race”—with itself. It grows tall because other redwoods are tall, and if it doesn’t throw most of its effort into growing upward as fast as possible, it will literally wither and die in the shadows of its rivals.
Kevin Simler (The Elephant in the Brain: Hidden Motives in Everyday Life)
A soft breeze settled around our shoulders as we walked into the cemetery. That same breeze made the world around us shiver a little bit. The slick green leaves of the tall trees rustled, and the long curtain of ivy dangling from the branches began to wave. When the ivy blows in the graveyard, it casts the prettiest lacelike shadows on the ground. They remind me of banners, rippling over the dearly departed in silent celebration.
Natalie Lloyd (The Key to Extraordinary)
Tall, it was, and gaunt and hard as old bones, with flesh pale as milk. Its armor seemed to change color as it moved; here it was white as new-fallen snow, there black as shadow, everywhere dappled with the deep grey-green of the trees. The patterns ran like moonlight on water with every step it took.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Allusions to Golding’s book can be found in movies (Hook with Robin Williams), television (a stand-up comedy bit in Seinfeld, “The Library,” season 3, episode 5), the novels of Stephen King, and contemporary music. Three of the most powerful and relevant songs that reference the novel include U2’s “Shadows and Tall Trees,” Iron Maiden’s “Lord of the Flies,” and The Offspring’s “You’re Gonna Go Far, Kid.
William Golding (Lord of the Flies)
Home" It would take forever to get there but I would know it anywhere: My white horse grazing in my blossomy field. Its soft nostrils. The petals falling from the trees into the stream. The festival would be about to begin in the dusky village in the distance. The doe frozen at the edge of the grove: She leaps. She vanishes. My face— She has taken it. And my name— (Although the plaintive lark in the tall grass continues to say and to say it.) Yes. This is the place. Where my shining treasure has been waiting. Where my shadow washes itself in my fountain. A few graves among the roses. Some moss on those. An ancient bell in a steeple down the road making no sound at all as the monk pulls and pulls on the rope.
Laura Kasischke (Space, in Chains)
She rose hastily from her bed, and stepped lightly to the window. A tall figure stood among the shadows of the trees. As it raised its head, a beam of moonlight fell upon the countenance. Heaven and earth ! she beheld the Spectre Bridegroom !
Washington Irving (The Spectre Bridegroom)
Dawn will come,’ I told him quietly. ‘The night can be very dark; but I’ll stay by you until the sun rises. These shadows cannot touch you while I am here. Soon we’ll see the first hint of grey in the sky, the color of a pigeon’s coat, then the smallest touch of the sun’s finger, and one bird will be bold enough to wake first and sing of tall trees and open skies and freedom. Then all will brighten and color will wash across the earth and it will be a new day. I will stay with you, until then.
Juliet Marillier (Son of the Shadows (Sevenwaters, #2))
All at once Sherman was aware of a figure approaching him on the sidewalk, in the wet black shadows of the town houses and the trees. Even from fifty feet away, in the darkness, he could tell. It was that deep worry that lives in the base of the skull of every resident of Park Avenue south of Ninety-sixth Street—a black youth, tall, rangy, wearing white sneakers. Now he was forty feet away, thirty-five. Sherman stared at him. Well, let him come! I’m not budging! It’s my territory! I’m not giving way for any street punks! The black youth suddenly made a ninety-degree turn and cut straight across the street to the sidewalk on the other side. The feeble yellow of a sodium-vapor streetlight reflected for an instant on his face as he checked Sherman out. He had crossed over! What a stroke of luck! Not once did it dawn on Sherman McCoy that what the boy had seen was a thirty-eight-year-old white man, soaking wet, dressed in some sort of military-looking raincoat full of straps and buckles, holding a violently lurching animal in his arms, staring, bug-eyed, and talking to himself.
Tom Wolfe (The Bonfire of the Vanities)
We’d arrived on the outskirts of a little ski town nestled in the mountains. The sign said WELCOME TO CLOUDCROFT, NEW MEXICO. The air was cold and thin. The roofs of the cabins were heaped with snow, and dirty mounds of it were piled up on the sides of the streets. Tall pine trees loomed over the valley, casting pitch-black shadows, though the morning was sunny.
Rick Riordan (Percy Jackson and the Titan's Curse (Percy Jackson and the Olympians, #3))
I see him in every shadow of every tree, a ghost standing tall against the rainstorm in the Bowl of Bones. Water streams between the points of his iron crown, into his eyes and mouth, into his collar, into the icy abyss that is his wasted heart. It goes red in color, turning from water to my blood. He opens his mouth to taste it, and the teeth within are sharp, gleaming razors of white bone.
Victoria Aveyard (Glass Sword (Red Queen, #2))
When he held a candle across the threshold, the black swallowed the fire completely. When he tried to step across it, he felt nothing beneath his foot. Sometimes he heard rain, a bird-cry, wind soughing through tall trees; mostly he was aware only of an intimation of vastness, silence, as though he stood at the edge of a world. He saw nothing. So he let the charcoal imagine what might lie on the other side of the door.
Patricia A. McKillip (Ombria in Shadow)
Finer feeling, which we now wish to consider, is chiefly of two kinds: the feeling of the *sublime* and that of the *beautiful*. The stirring of each is pleasant, but in different ways. The sight of a mountain whose snow-covered peak rises above the clouds, the description of a raging storm, or Milton's portrayal of the infernal kingdom, arouse enjoyment but with horror; on the other hand, the sight of flower strewn meadows, valleys with winding brooks and covered with grazing flocks, the description of Elysium, or Homer's portrayal of the girdle of Venus, also occasion a pleasant sensation but one that is joyous and smiling. In order that the former impression could occur to us in due strength, we must have *a feeling of the sublime*, and, in order to enjoy the latter well, *a feeling of the beautiful*. Tall oaks and lonely shadows in a sacred grove are sublime; flower beds, low hedges and trees trimmed in figures are beautiful. Night is sublime; day is beautiful. Temperaments that possess a feeling for the sublime are drawn gradually, by the quiet stillness of a summer evening as the shimmering light of the stars breaks through the brown shadows of night and the lonely moon rises into view, into high feelings of friendship, of disdain for the world, of eternity. The shining day stimulates busy fervor and a feeling of gaiety. The sublime *moves*, the beautiful *charms*.
Immanuel Kant (Observations on the Feeling of the Beautiful and Sublime)
O! The day is done; the stars are bright; The leaves are still; the moon is white! Laugh at woe and laugh at foe, Menoa’s scion now is safe this night! A forest child we lost to strife; A sylvan daughter caught by life! Freed of fear and freed of flame, She tore a Rider from the shadows rife! Again the dragons rise on wing, And we avenge their suffering! Strong of blade and strong of arm, The time is ripe for us to kill a king! O! The wind is soft; the river deep; The trees are tall; the birds do sleep! Laugh at woe and laugh at foe, The hour has arrived for joy to reap!
Christopher Paolini (Eldest (The Inheritance Cycle, #2))
Then, as though she held a dandelion blowball in her hand, she simply blew away the nightmare that dominated her life for so many long years. She released each painful memory to dance on the wind, to soar high with each tiny propeller from the seed head. With the last puff of breath, she found a measure of forgiveness for her father. With that act, the cell imprisoning her mind fractured. The walls split and fell apart, the roof slid to one side, and the terrified girl was freed. As bricks and timber disintegrated into dust, she stood in a meadow surrounded by tall trees. One half bathed in sunlight, the other wrapped in shadows and dark. "You are free to walk whatever path you chose,
A.W. Exley (Moseh's Staff (Artifact Hunters #4))
It happens surprisingly fast, the way your shadow leaves you. All day you’ve been linked by the light, but now that darkness gathers the world in a great black tide, your shadow joins the sea of all other shadows. If you stand here long enough, you, too, will forget your lines and merge with the tall grass and old trees, with the crows and the flooding river—all these pieces of the world that daylight has broken into objects of singular loneliness. It happens surprisingly fast, the drawing in of your shadow, and standing in the field, you become the field, and standing in the night, you are gathered by night, Invisible birds sing to the memory of light but then even those separate songs fade, tiny drops of ink in an infinite spilling. — Rosemerry Wahtola Trommer, “Still Life at Dusk,” Poetry of Presence: An Anthology of Mindfulness Poems, eds. Phyllis Cole-Dai & Ruby R. Wilson (Grayson Books, 2017)
Rosemerry Wahtola Trommer
Where I come from, we are raised to see things in a never-ending cycle. I saw that cycle in the life of the banyan tree. It grows big and tall and wide while providing shelter to those who seek it. Over time, it can grow too big for itself, destroying everything around it. But I’ve also watched it slowly feed its way to new life. Provide roots for the new trees. Seeds for the new flowers. You are a banyan tree because in you I see this story. The beginning and the end of all things. The hope for something to grow, even in shadow.” Shahrzad’s pulse started to rise. The old man’s voice had begun to deepen as he spoke. Had begun to lose some of its raspiness. Had begun to roll like distant thunder. “Be the beginning and the end, Shahrzad al-Khayzuran.” A flare of light burst to life across the way. “Be stronger than everything around you.” The face of the Rajput shone bright in the flickering flame. “Make all our many sacrifices worth it.
Renée Ahdieh (The Rose & the Dagger (The Wrath and the Dawn, #2))
Which got Thomas thinking. What religious book was any better? The Holy Bible, full of power and poetry, was also filled with tall tales. Thomas had found them enthralling, but in the end they were all just stories, less important than the Sky Woman story, the manidoog at creation, the Nanabozho stories. To them all, especially the humorless book Elnath and Vernon had left, Thomas preferred their supernatural figure Nanabozho, who fooled ducks, got angry at his own butt and burnt it off, created a shit mountain to climb down when stuck high in a tree, had a wolf for his nephew, and no conscience at any time, who painted the kingfisher lovely colors and by trickery fed his children when they starved, who threw his penis over his shoulder and his balls to the west, who changed himself to a stump and made his penis look like a branch where the kingfisher perched, who killed a god by shooting its shadow, and created everything useful and much that was essential, like laughter.
Louise Erdrich (The Night Watchman)
His dark room now seemed cool and restfully confining. You could imagine maps in the wallpaper. The roses had faded into vague shells of pink. Only a few silver lines along the vanished stems and in the veins of leaves, indistinct patches of the palest green remained—the faint suggestion of mysterious geography. A grease spot was a marsh, a mountain or a treasure. Irabestis went boating down a crack on cool days, under the tree boughs, bending his head. He fished in a chip of plaster. The perch rose to the bait and were golden in the sunwater. Specks stood for cities; pencil marks were bridges; stains and shutter patterns laid out fields of wheat and oats and corn. In the shadow of a corner the crack issued into a great sea. There was a tear in the paper that looked exactly like a railway and another that signified a range of hills. Some tiny drops of ink formed a chain of lakes. A darker decorative strip of Grecian pediments and interlacing ivy at the ceiling’s edge kept the tribes of Gog and Magog from invasion. Once he had passed through it to the ceiling but it made him dizzy and afraid. Shadows moved quixotically over the whole wall, usually from left to right in tall thin bands, and sank behind the bureau or below the bed or disappeared suddenly in a corner.
William H. Gass (Omensetter's Luck)
Six Significant Landscapes" I An old man sits In the shadow of a pine tree In China. He sees larkspur, Blue and white, At the edge of the shadow, Move in the wind. His beard moves in the wind. The pine tree moves in the wind. Thus water flows Over weeds. II The night is of the colour Of a woman's arm: Night, the female, Obscure, Fragrant and supple, Conceals herself. A pool shines, Like a bracelet Shaken in a dance. III I measure myself Against a tall tree. I find that I am much taller, For I reach right up to the sun, With my eye; And I reach to the shore of the sea With my ear. Nevertheless, I dislike The way ants crawl In and out of my shadow. IV When my dream was near the moon, The white folds of its gown Filled with yellow light. The soles of its feet Grew red. Its hair filled With certain blue crystallizations From stars, Not far off. V Not all the knives of the lamp-posts, Nor the chisels of the long streets, Nor the mallets of the domes And high towers, Can carve What one star can carve, Shining through the grape-leaves. VI Rationalists, wearing square hats, Think, in square rooms, Looking at the floor, Looking at the ceiling. They confine themselves To right-angled triangles. If they tried rhomboids, Cones, waving lines, ellipses -- As, for example, the ellipse of the half-moon -- Rationalists would wear sombreros.
Wallace Stevens (The Collected Poems)
At first it seemed to be no more than a chance ray of light beamed into the vestibule by the shifting of a tree-bough between house and street lamp, but as we kept our eyes glued to it we saw that it was a form - a tall, attenuated, skeletally-thin form moving stealthily in the shadow. Slowly the thing emerged from the gloom of the doorway, and despite the warning I had had, I felt a prickling sensation at the back of my neck just above my collar, and a feeling as of sudden chill ran through my forearms. It was tall, as we had been told, fully six feet from its bare-boned feet to hairless, parchment-covered skull; and the articulation of its skeleton could be seen plainly through the leathery skin that clung to the gaunt, staring bones. The nose was large, high-bridged and haughty, like the beak of a falcon or eagle, and the chin was prominent beneath the brownish sheath of skin that stretched drum-tight across it. The eyes were closed and showed only as twin depressions in the skull-like countenance, but the mummified lips had retracted to show a double line of teeth in a mirthless grin. Its movements were irregular and stiff, like the movements of some monstrous mechanical doll or, as Edina Laurace had expressed it, like a marionette worked by unseen wires. But once it had emerged from the doorway it moved with shocking quickness. Jerkily, and with exaggeratedly high knee-action, it crossed the lawn, came to the sidewalk, turned on its parchment-soled feet as if on a pivot, and started after de Grandin. ("The Man In Crescent Terrace")
Seabury Quinn (The Mummy Walks Among Us)
(from Lady of the Lake) The western waves of ebbing day Rolled o’er the glen their level way; Each purple peak, each flinty spire, Was bathed in floods of living fire. But not a setting beam could glow Within the dark ravines below, Where twined the path in shadow hid, Round many a rocky pyramid, Shooting abruptly from the dell Its thunder-splintered pinnacle; Round many an insulated mass, The native bulwarks of the pass, Huge as the tower which builders vain Presumptuous piled on Shinar’s plain. The rocky summits, split and rent, Formed turret, dome, or battlement, Or seemed fantastically set With cupola or minaret, Wild crests as pagod ever decked, Or mosque of Eastern architect. Nor were these earth-born castles bare, Nor lacked they many a banner fair; For, from their shivered brows displayed, Far o’er the unfathomable glade, All twinkling with the dewdrop sheen, The brier-rose fell in streamers green, And creeping shrubs, of thousand dyes, Waved in the west-wind’s summer sighs. Boon nature scattered, free and wild, Each plant or flower, the mountain’s child. Here eglantine embalmed the air, Hawthorn and hazel mingled there; The primrose pale, and violet flower, Found in each cliff a narrow bower; Fox-glove and night-shade, side by side, Emblems of punishment and pride, Grouped their dark hues with every stain The weather-beaten crags retain. With boughs that quaked at every breath, Gray birch and aspen wept beneath; Aloft, the ash and warrior oak Cast anchor in the rifted rock; And, higher yet, the pine-tree hung His shattered trunk, and frequent flung, Where seemed the cliffs to meet on high, His boughs athwart the narrowed sky. Highest of all, where white peaks glanced, Where glist’ning streamers waved and danced, The wanderer’s eye could barely view The summer heaven’s delicious blue; So wondrous wild, the whole might seem The scenery of a fairy dream. Onward, amid the copse ’gan peep A narrow inlet, still and deep, Affording scarce such breadth of brim As served the wild duck’s brood to swim. Lost for a space, through thickets veering, But broader when again appearing, Tall rocks and tufted knolls their face Could on the dark-blue mirror trace; And farther as the hunter strayed, Still broader sweep its channels made. The shaggy mounds no longer stood, Emerging from entangled wood, But, wave-encircled, seemed to float, Like castle girdled with its moat; Yet broader floods extending still Divide them from their parent hill, Till each, retiring, claims to be An islet in an inland sea. And now, to issue from the glen, No pathway meets the wanderer’s ken, Unless he climb, with footing nice A far projecting precipice. The broom’s tough roots his ladder made, The hazel saplings lent their aid; And thus an airy point he won, Where, gleaming with the setting sun, One burnished sheet of living gold, Loch Katrine lay beneath him rolled, In all her length far winding lay, With promontory, creek, and bay, And islands that, empurpled bright, Floated amid the livelier light, And mountains, that like giants stand, To sentinel enchanted land. High on the south, huge Benvenue Down to the lake in masses threw Crags, knolls, and mountains, confusedly hurled, The fragments of an earlier world; A wildering forest feathered o’er His ruined sides and summit hoar, While on the north, through middle air, Ben-an heaved high his forehead bare.
Walter Scott
He went straight to ‘his alley,’ and when he reached the end of it he perceived, still on the same bench, that wellknown couple. Only, when he approached, it certainly was the same man; but it seemed to him that it was no longer the same girl. The person whom he now beheld was a tall and beautiful creature, possessed of all the most charming lines of a woman at the precise moment when they are still combined with all the most ingenuous graces of the child; a pure and fugitive moment, which can be expressed only by these two words,— ‘fifteen years.’ She had wonderful brown hair, shaded with threads of gold, a brow that seemed made of marble, cheeks that seemed made of rose-leaf, a pale flush, an agitated whiteness, an exquisite mouth, whence smiles darted like sunbeams, and words like music, a head such as Raphael would have given to Mary, set upon a neck that Jean Goujon would have attributed to a Venus. And, in order that nothing might be lacking to this bewitching face, her nose was not handsome— it was pretty; neither straight nor curved, neither Italian nor Greek; it was the Parisian nose, that is to say, spiritual, delicate, irregular, pure,— which drives painters to despair, and charms poets. When Marius passed near her, he could not see her eyes, which were constantly lowered. He saw only her long chestnut lashes, permeated with shadow and modesty. This did not prevent the beautiful child from smiling as she listened to what the white-haired old man was saying to her, and nothing could be more fascinating than that fresh smile, combined with those drooping eyes. For a moment, Marius thought that she was another daughter of the same man, a sister of the former, no doubt. But when the invariable habit of his stroll brought him, for the second time, near the bench, and he had examined her attentively, he recognized her as the same. In six months the little girl had become a young maiden; that was all. Nothing is more frequent than this phenomenon. There is a moment when girls blossom out in the twinkling of an eye, and become roses all at once. One left them children but yesterday; today, one finds them disquieting to the feelings. This child had not only grown, she had become idealized. As three days in April suffice to cover certain trees with flowers, six months had sufficed to clothe her with beauty. Her April had arrived. One sometimes sees people, who, poor and mean, seem to wake up, pass suddenly from indigence to luxury, indulge in expenditures of all sorts, and become dazzling, prodigal, magnificent, all of a sudden. That is the result of having pocketed an income; a note fell due yesterday. The young girl had received her quarterly income. And then, she was no longer the school-girl with her felt hat, her merino gown, her scholar’s shoes, and red hands; taste had come to her with beauty; she was a well-dressed person, clad with a sort of rich and simple elegance, and without affectation. She wore a dress of black damask, a cape of the same material, and a bonnet of white crape. Her white gloves displayed the delicacy of the hand which toyed with the carved, Chinese ivory handle of a parasol, and her silken shoe outlined the smallness of her foot. When one passed near her, her whole toilette exhaled a youthful and penetrating perfume.
Hugo
At the Fishhouses Although it is a cold evening, down by one of the fishhouses an old man sits netting, his net, in the gloaming almost invisible, a dark purple-brown, and his shuttle worn and polished. The air smells so strong of codfish it makes one's nose run and one's eyes water. The five fishhouses have steeply peaked roofs and narrow, cleated gangplanks slant up to storerooms in the gables for the wheelbarrows to be pushed up and down on. All is silver: the heavy surface of the sea, swelling slowly as if considering spilling over, is opaque, but the silver of the benches, the lobster pots, and masts, scattered among the wild jagged rocks, is of an apparent translucence like the small old buildings with an emerald moss growing on their shoreward walls. The big fish tubs are completely lined with layers of beautiful herring scales and the wheelbarrows are similarly plastered with creamy iridescent coats of mail, with small iridescent flies crawling on them. Up on the little slope behind the houses, set in the sparse bright sprinkle of grass, is an ancient wooden capstan, cracked, with two long bleached handles and some melancholy stains, like dried blood, where the ironwork has rusted. The old man accepts a Lucky Strike. He was a friend of my grandfather. We talk of the decline in the population and of codfish and herring while he waits for a herring boat to come in. There are sequins on his vest and on his thumb. He has scraped the scales, the principal beauty, from unnumbered fish with that black old knife, the blade of which is almost worn away. Down at the water's edge, at the place where they haul up the boats, up the long ramp descending into the water, thin silver tree trunks are laid horizontally across the gray stones, down and down at intervals of four or five feet. Cold dark deep and absolutely clear, element bearable to no mortal, to fish and to seals . . . One seal particularly I have seen here evening after evening. He was curious about me. He was interested in music; like me a believer in total immersion, so I used to sing him Baptist hymns. I also sang "A Mighty Fortress Is Our God." He stood up in the water and regarded me steadily, moving his head a little. Then he would disappear, then suddenly emerge almost in the same spot, with a sort of shrug as if it were against his better judgment. Cold dark deep and absolutely clear, the clear gray icy water . . . Back, behind us, the dignified tall firs begin. Bluish, associating with their shadows, a million Christmas trees stand waiting for Christmas. The water seems suspended above the rounded gray and blue-gray stones. I have seen it over and over, the same sea, the same, slightly, indifferently swinging above the stones, icily free above the stones, above the stones and then the world. If you should dip your hand in, your wrist would ache immediately, your bones would begin to ache and your hand would burn as if the water were a transmutation of fire that feeds on stones and burns with a dark gray flame. If you tasted it, it would first taste bitter, then briny, then surely burn your tongue. It is like what we imagine knowledge to be: dark, salt, clear, moving, utterly free, drawn from the cold hard mouth of the world, derived from the rocky breasts forever, flowing and drawn, and since our knowledge is historical, flowing, and flown.
Elizabeth Bishop
She often spent her mornings there, nibbling tree eggs, locust pie, and green noodles, listening to the high ululating voices of the spellsingers, gaping at manticores in silver cages and immense grey elephants and the striped black-and-white horses of the Jogos Nhai. She enjoyed watching all the people too: dark solemn Asshai’i and tall pale Qartheen, the bright-eyed men of Yi Ti in monkey-tail hats, warrior maids from Bayasabhad, Shamyriana, and Kayakayanaya with iron rings in their nipples and rubies in their cheeks, even the dour and frightening Shadow Men, who covered their arms and legs and chests with tattoos and hid their faces behind masks.
Anonymous
Edgerton/Assassins of Dreamsongs 174 Their escape was immediately hampered by a confrontation with a huge Knight, as he rose from the ground, to challenge them. Garish buried both fists into the giant's stomach, in hammering blows and then bore his powerfully bulk up over his head. He quickly hurled the Knight into an onrushing mob of tormented soldiers. They all collapsed like multicolored dominoes, in a neat pile, as the three adventurers raced by. "Come on friends and don't stumble!" Garish rushed forward, throwing a crushing blow into the face of another rising Knight. He then filled his arms with the golden Armor Of His Father, which he deposited equally into the reluctant arms of the two bumblers, so he was free to fight, to defend their escape. A swift blow to the chin of a burly, rising Knight and they were at the edge of the camp, making good their escape. "You d-d-don't has to tell us tw-tw-twice not to stumble, oh great Lord!" Humphrey stammered, nearly dropping pieces of the golden armor. He quickly caught up with the others, in trembling, stumbling steps. A mere shoddy group of warriors alarmed by the escape amidst the confusion, were able to arm themselves, and take up pursuit behind the escaping nobleman and his two bumbling friends. The fiery furies continued to dance around the heels and the bare legs of the pursuing Knights, as they ran in torment after them. Edgerton/Assassins of Dreamsongs 175 Brawn however, was not strength enough to overcome the tiny, irritating furies that persisted in their incessant torture of the poor, pursuing, panic stricken Knights. Mammoth swords of steel did not great fly swatters make, as the Knights swung at the fiery furies in their anger, while in pursuit of the giant Nobleman and two trembling bumblers. A frosty wind suddenly began to filter throughout the forest filled with a sparkling, rainbow energy. The currents of the wind seemed to whisper magical words from a small Wizard, hidden deep within the forest: “Danser-silvarum-shadow-ala-sancta!” Within moments, all of the dark shadows within the thick forest seemed to be doing a quaint, little fairy dance, creating a mysterious woodland, filled with darting shadows and dancing shapes. The pursuing Knights were soon filled with uncertainty of which shadows they should chase after. Panic ridden and tormented beyond their endurance, the trail was soon left forgotten by them! The tortured group of tattered warriors instead turned towards the river, like deserting mice. All too eagerly, they plunged into its’ welcome freezing depths; the only real escape from the torment of the relentless “fairy fire bees”. They were soon joined by a host of other warriors, seeking a release from the torment of a Wizard’s vengeful magical touch. Garish's flying feet left deep impressions in the soft, moist forest earth as he ran. Edgerton/Assassins of Dreamsongs 176 The blond Nobleman’s fluid muscles were alive with the act of escape and revitalized at the promise of an extended life. He slowed his pace for a moment and sucked in the frosty night air, waiting for the others to catch up. Humphrey and Godfrey soon collapsed together in an exhausted pile at his feet, panting and wheezing. "Well, we have made good our escape!" Godfrey gasped. "Oh Master, I hope so!" Humphrey whimpered. "I couldn't stagger another struggling step, unless of course we must! Oh, my aching corns and throbbing feet!" A soft voice whispered from somewhere in the trees, “Perhaps that would be a blessing for us all if you didn't." Arkin's voice was like a beautiful melody to their ears. A broad, mischievous smile crept over the face of the tall Nobleman. He again looked into the eyes of the man who had been like a father to him, as well as a friend. Arkin stood, poised like an ancient forgotten statue on a limb of a giant tree, a golden aura surrounding him, to keep out the cold.
John Edgerton (ASSASSINS OF DREAMSONGS)
Edgerton/Assassins of Dreamsongs 174 He quickly hurled the Knight into an onrushing mob of tormented soldiers. They all collapsed like multicolored dominoes, in a neat pile, as the three adventurers raced by. "Come on friends and don't stumble!" Garish rushed forward, throwing a crushing blow into the face of another rising Knight. He then filled his arms with the golden Armor Of His Father, which he deposited equally into the reluctant arms of the two bumblers, so he was free to fight, to defend their escape. A swift blow to the chin of a burly, rising Knight and they were at the edge of the camp, making good their escape. "You d-d-don't has to tell us tw-tw-twice not to stumble, oh great Lord!" Humphrey stammered, nearly dropping pieces of the golden armor. He quickly caught up with the others, in trembling, stumbling steps. A mere shoddy group of warriors alarmed by the escape amidst the confusion, were able to arm themselves, and take up pursuit behind the escaping nobleman and his two bumbling friends. The fiery furies continued to dance around the heels and the bare legs of the pursuing Knights, as they ran in torment after them. Edgerton/Assassins of Dreamsongs 175 Brawn however, was not strength enough to overcome the tiny, irritating furies that persisted in their incessant torture of the poor, pursuing, panic stricken Knights. Mammoth swords of steel did not great fly swatters make, as the Knights swung at the fiery furies in their anger, while in pursuit of the giant Nobleman and two trembling bumblers. A frosty wind suddenly began to filter throughout the forest filled with a sparkling, rainbow energy. The currents of the wind seemed to whisper magical words from a small Wizard, hidden deep within the forest: “Danser-silvarum-shadow-ala-sancta!” Within moments, all of the dark shadows within the thick forest seemed to be doing a quaint, little fairy dance, creating a mysterious woodland, filled with darting shadows and dancing shapes. The pursuing Knights were soon filled with uncertainty of which shadows they should chase after. Panic ridden and tormented beyond their endurance, the trail was soon left forgotten by them! The tortured group of tattered warriors instead turned towards the river, like deserting mice. All too eagerly, they plunged into its’ welcome freezing depths; the only real escape from the torment of the relentless “fairy fire bees”. They were soon joined by a host of other warriors, seeking a release from the torment of a Wizard’s vengeful magical touch. Garish's flying feet left deep impressions in the soft, moist forest earth as he ran. Edgerton/Assassins of Dreamsongs 176 The blond Nobleman’s fluid muscles were alive with the act of escape and revitalized at the promise of an extended life. He slowed his pace for a moment and sucked in the frosty night air, waiting for the others to catch up. Humphrey and Godfrey soon collapsed together in an exhausted pile at his feet, panting and wheezing. "Well, we have made good our escape!" Godfrey gasped. "Oh Master, I hope so!" Humphrey whimpered. "I couldn't stagger another struggling step, unless of course we must! Oh, my aching corns and throbbing feet!" A soft voice whispered from somewhere in the trees, “Perhaps that would be a blessing for us all if you didn't." Arkin's voice was like a beautiful melody to their ears. A broad, mischievous smile crept over the face of the tall Nobleman. He again looked into the eyes of the man who had been like a father to him, as well as a friend. Arkin stood, poised like an ancient forgotten statue on a limb of a giant tree, a golden aura surrounding him, to keep out the cold.
John Edgerton
On our return from the bush, we went straight back to work at the zoo. A huge tree behind the Irwin family home had been hit by lightning some years previously, and a tangle of dead limbs was in danger of crashing down on the house. Steve thought it would be best to take the dead tree down. I tried to lend a hand. Steve’s mother could not watch as he scrambled up the tree. He had no harness, just his hat and a chainsaw. The tree was sixty feet tall. Steve looked like a little dot way up in the air, swinging through the tree limbs with an orangutan’s ease, working the chainsaw. Then it was my turn. After he pruned off all the limbs, the last task was to fell the massive trunk. Steve climbed down, secured a rope two-thirds of the way up the tree, and tied the other end to the bull bar of his Ute. My job was to drive the Ute. “You’re going to have to pull it down in just the right direction,” he said, chopping the air with his palm. He studied the angle of the tree and where it might fall. Steve cut the base of the tree. As the chainsaw snarled, Steve yelled, “Now!” I put the truck in reverse, slipped the clutch, and went backward at a forty-five-degree angle as hard as I could. With a groan and a tremendous crash, the tree hit the ground. We celebrated, whooping and hollering. Steve cut the downed timber into lengths and I stacked it. The whole project took us all day. By late in the afternoon, my back ached from stacking tree limbs and logs. As the long shadows crossed the yard, Steve said four words very uncharacteristic of him: “Let’s take a break.” I wondered what was up. We sat under a big fig tree in the yard with a cool drink. We were both covered in little flecks of wood, leaves, and bark. Steve’s hair was unkempt, a couple of his shirt buttons were missing, and his shorts were torn. I thought he was the best-looking man I had ever seen in my life. “I am not even going to walk for the next three days,” I said, laughing. Steve turned to me. He was quiet for a moment. “So, do you want to get married?” Casual, matter-of-fact. I nearly dropped the glass I was holding. I had twigs in my hair an dirt caked on the side of my face. I’d taken off my hat, and I could feel my hair sticking to the sides of my head. My first thought was what a mess I must look. My second, third, and fourth thoughts were lists of every excuse in the world why I couldn’t marry Steve Irwin. I could not possibly leave my job, my house, my wildlife work, my family, my friends, my pets--everything I had worked so hard for back in Oregon. He never looked concerned. He simply held my gaze. As all these things flashed through my mind, a little voice from somewhere above me spoke. “Yes, I’d love to.” With those four words my life changed forever.
Terri Irwin (Steve & Me)
Tall, dark mountains arched upward in the distance, clouds casting shadows upon the rocky surfaces. Trees surrounded the area from every direction. Most of them were covered in lush, brilliant green leaves. Where there weren't trees, there were berry-speckled bushes, boulders ranging in various sizes, and a wide field of green grass that danced in the breeze. Although I had nearly drowned in its depths twice now, the most captivating piece of this scene was the vast lake. I
K.A. Poe (Hybrid (Nevermore, #2))
But we, when moved by deep feeling, evaporate.” —Rainer Maria Rilke
Michael Kelly (Shadows & Tall Trees 7)
For some, hope is an annihilation; a greater loss than the loss from which it is born.
Michael Kelly (Shadows & Tall Trees 7)
There were several different kinds of beasts that I found, as I teleported from valley to valley, hillside to hillside, as the sky lightened with the rising sun. White, clucking birds, fluffy sheep, spotted cows, pink pigs. I was able to understand them by using my Chi to perceive their thoughts, but their language was very basic and they mostly communicated with each other through grunts and noises. “What is your name?” I asked a particular chicken with my mind voice. “I am a chicken,” it thought back. “Bawk!” it said aloud. “What is your purpose?” “I am eating.” The bird scratched at the ground with its goofy yellow feet, pulling plant seeds out of the tall grass. As the morning went on, I noticed that some of the larger, more complicated creatures, the mobs, as I was taught they were called, burst into flames as the sun settled higher into the sky! Skeletons and zombies raced around, frantic and on fire, until they burned up and left behind nothing but piles of ash, bones, and charred meat. What an interesting world. As I teleported into the shadows of a tall, dark forest, I found a lone zombie hiding from the sun under a pine tree. He held a metal shovel in his hand—a Minecraftian tool. “Excuse me,” I said into his mind. “Who…? Who’s there?” the zombie asked in a dull, slow voice. The creature looked around with black eyes. I stepped out from the shadows to where it couldn’t help but notice me. It’s not like I was trying to hide before—I don’t know how it didn’t see me. The zombie’s face stretched in surprise. “Oh!” it cried. “You surprised me! So sneaky!” It settled down, paused, and stood vacant for a moment before speaking again. “What you want?” “I was wondering … why does the sun sets zombies on fire?” I said into its mind. The zombie was shocked. “The sun sets zombies on fire?!” It was suddenly very aware of the sunlight just outside of the shadow of the tree, and the poor undead creature clutched at the pine’s trunk to keep away from the light. “Elias,” I suddenly heard in my mind. The voice of another Enderman. “Behind you.
Skeleton Steve (Diary of an Enderman Ninja, Book 1 (Diary of an Enderman Ninja #1))
Noah stood beside Ella, and together they stared out at the City of Species. Though the scouts had been there only a couple weeks ago, seeing it now was like seeing it for the first time. The City of Species was part city, part forest. Each part seemed to need the other, and their bizarre marriage was breathtaking. Tall buildings were surrounded by trees whose limbs reached through their walls, splitting steel and piercing glass. Waterfalls fell from rooftops, splashing across balconies and limbs before spilling into fountains and streams, bursting into mist. Streetlights blinked beneath low-hanging branches, and ivy pinned signs to the sides of brick buildings. All types of animals passed down the winding streets. They crawled through intersections, slithered along sidewalks, hopped over hedges, and swept across the sky.
Bryan Chick (Secrets and Shadows (The Secret Zoo, #2))
Aunty Ifeoma came the next day, in the evening, when the orange trees started to cast long, wavy shadows across the water fountain in the front yard. Her laughter floated upstairs into the living room, where I sat reading. I had not heard it in two years, but I would know that cackling, hearty sound anywhere. Aunty Ifeoma was as tall as Papa, with a well-proportioned body. She walked fast, like one who knew just where she was going and what she was going to do there. And she spoke the way she walked, as if to get as many words out of her mouth as she could in the shortest time.
Chimamanda Ngozi Adichie (Purple Hibiscus)
High on the steep slope of the hill, fieldfares are flying to roost. It is nearly dark. The tall, grizzled pines have a bony serenity. They tower against the skyline of the hill. It seems that beyond them there must be canyons and mist and nothing more. Silence hangs from their branches. The air tastes cold and metallic. The tiercel glides up to the trees, like a shadow. He calls once: a sound as final as the clanging of a portcullis. The glaring eyes squint up, and are sheathed in sleep. The hawk puffs out his feathers, looking cuddly and harmless. Only the armour-plated legs and the sickled toes do not relax, will never relax in life.
J. A. Baker
Come on, guys, it’s not funny anymore,” said Zoe Patterson in a weak voice. She’d been following the light in the woods ahead of her for what seemed like a very long time. Now, she was deep out in the wild woods, and there was nothing around her on any side but tall tree trunks and dark shadows of foliage.
Val St. Crowe (Necessary Magic (Wolf and Unicorn, #1))
With every step upward a greater mystery surrounded me. A few stars were out, and the brown night mist was creeping along the water below, but there was still light enough to see the road, and even to distinguish the bracken in the deserted hollows. The highway became little better than a lane; at the top of the hill it plunged under tall pines, and was vaultedover with darkness. The kingdoms that have no walls, and are built up of shadows, began to oppress me as the night hardened. Had I had companions, still we would only have spoken in a whisper, and in that dungeon of trees even my ownself would not raise its voice within me. "--The Path to Rome
Belloc, Hilaire, 1870-1953.
story that will sketch out the first U2 album, Boy, including its cover and final track, “Shadows and Tall Trees,” which borrows its title from chapter 7 of the book:
Bono (Surrender: 40 Songs, One Story)
I walked to the painting on the easel. It was an impression, not a lifelike rendering. 'I wanted you to see this one,' I said, pointing to the smear of green and gold and silver and blue. 'It's for you. A gift. For everything you've done.' Heat flared in my cheeks, my neck, my ears, as he silently approached the painting. 'It's the glen- with the pool of starlight,' I said quickly. 'I know what it is,' he murmured, studying the painting. I backed away a step, unable to bear watching him look at it, wishing I hadn't brought him in here, blaming it on the wine I'd had at dinner, on the stupid dress. He examined the painting for a miserable eternity, then looked away- to the nearest painting leaning against the wall. My gut tightened. A hazy landscape of snow and skeletal trees and nothing else. It looked like.... like nothing, I supposed, to anyone but me. I opened my mouth to explain, wishing I'd turned the others away from view, but he spoke. 'That was your forest. Where you hunted.' He came close to the painting, gazing at the bleak, empty cold, the white and grey and brown and black. 'This was your life,' he clarified. I was too mortified, too stunned, to reply. He walked to the next painting I'd left against the wall. Darkness and dense brown, flickers of ruby red and orange squeezing between them. 'Your cottage at night.' I tried to move, to tell him to stop looking at those ones and look at the others I'd laid out, but I couldn't- couldn't even breathe properly as he moved to the next painting. A tanned, sturdy male hand fisted in the hay, the pale pieces of it entwined among strands of brown coated with gold- my hair. My gut twisted. 'The man you used to see- in your village.' He cocked his head again as he studied the picture, and a low growl slipped out. 'While you made love.' He stepped back, looking at the row of pictures. 'This is the only one with brightness.' Was that... jealousy? 'It was the only escape I had.' Truth. I wouldn't apologise for Issac. Not when Tamlin had just been in the Great Rite. I didn't hold that against him- but if he was going to be jealous of Issac- Tamlin must have realised it, too, for he loosed a long, controlled breath before moving to the next painting. Tall shadows of men, bright red dripping off their fists, off their wooden clubs, hovering and filling the edges of the painting as they towered over the curled figure on the floor, the blood leaking from him, the leg at a wrong angle. Tamlin swore. 'You were there when they wrecked your father's leg.' 'Someone had to beg them to stop.' Tamlin threw a too-knowing glance in my direction and turned to look at the rest of the paintings. There they were, all the wounds I'd slowly been leeching these few months. I blinked. A few months. Did my family believe that I would be forever away with this so-called dying aunt? At last, Tamlin looked at the painting of the glen and the starlight. He nodded in appreciation. But he pointed to the painting of the snow-veiled woods. 'That one. I want that one.' 'It's cold and melancholy,' I said, hiding my wince. 'It doesn't suit this place at all.' He went up to it, and the smile he gave me was more beautiful than any enchanted meadow or pool of stars. 'I want it nonetheless,' he said softly.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Shea parked her truck at the village petrol station and slipped from the cab. Almost immediately she was uneasy, not certain why. Few villagers were out and about at such an early hour. She leaned casually against the truck, taking a long look around. She could detect no one, but she felt eyes on her, someone or something watching her. The feeling was strong. Lifting her chin, she forced herself to ignore her overactive imagination while she filled the truck, its reserve tank, and the two tanks for her generator. The feeling of being watched became so strong, it made her skin crawl. Without warning something pushed at her mind. Not Jacques. It wasn’t his familiar touch. Fear slammed into her, but she kept her cool, professional mask, her single-minded purpose to finish her tasks as quickly as possible. Whatever it was retreated, unable to penetrate. Shea drove down the nearly deserted street and parked close to the small medical clinic. This time, as she slid from the seat, she searched the shadows around her carefully, using every sense she could. Sight. Smell. Hearing. Instinct. There was someone, something. It had followed her, was near. She could feel it, but she couldn’t find it. Jacques? She touched his mind gently, suddenly afraid she was feeling something that was happening to him. I am awaiting your return. She sensed his tiredness. The morning light was even harder on him than on her. She hated being away from him. I will come soon. Shea took another deep breath and looked around, determined to find what was making her so uneasy. A man lounged lazily in the shade of a tree. He was tall, dark, and motionless, like a hunter. She felt the impact of his eyes as his gaze casually found her.
Christine Feehan (Dark Desire (Dark, #2))
Shea took another deep breath and looked around, determined to find what was making her so uneasy. A man lounged lazily in the shade of a tree. He was tall, dark, and motionless, like a hunter. She felt the impact of his eyes as his gaze casually found her. Her heart jumped. Who was he? Had Wallace found her so soon? Shea turned away. First, before anything, she had to complete her business. She dragged out her laptop computer and typed in the commands to access the clinic’s blood bank. If she had to move Jacques, they would need supplies desperately. In another moment, Shea felt silly. The door to the small general store across the street swung open. The short, stooped owner emerged, apron tied around his ample middle, a broom in his hand. He waved openly at the motionless figure beneath the tree. “Byron. Good morning to you. Bit early, isn’t it?” She recognized the local dialect. The tall, dark-haired man replied in the same language, but his voice was low, a beautiful tone. He stepped out of the shadows, young, good-looking. He flashed a quick, friendly smile at the grocer approaching him. Clearly they knew one another, were friendly. The dark-haired man was obviously no stranger to the area. Neither exhibited the least interest in Shea. She watched as Byron bent his head solicitously down to the older man, listening intently, his arm circling the shopkeeper’s shoulders. Shea breathed a soft sigh of relief. The feeling of being stalked was gone, and she couldn’t be certain if it had been real or imagined.
Christine Feehan (Dark Desire (Dark, #2))
Children make you see distances. What do you mean “distances”? Lazer paused and picked an olive from the plate. He spun it slowly on the toothpick. Well for example this morning I was sitting at my desk at home looking out on the acacia trees that grow beside the balcony beautiful trees very tall and my daughter was there she likes to stand beside me and draw pictures while I write in my journal. It was very bright this morning unexpectedly clear like a summer day and I looked up and saw a shadow of a bird go flashing across the leaves of the acacia as if on a screen projected and it seemed to me that I was standing on a hill. I have labored up to the top of this hill, here I am it has taken about half my life to get here and on the other side the hill slopes down. Behind me somewhere if I turned around I could see my daughter beginning to climb hand over hand like a little gold animal in the morning sun. That is who we are. Creatures moving on a hill. At different distances, said Geryon.
Anne Carson (Autobiography of Red)
The mists were so thick that only the nearest trees were visible; beyond them stood tall shadows and faint lights. Candles flickered beside the wandering path and back amongst the trees, pale fireflies floating in a warm grey soup. It felt like some strange underworld, some timeless place between the worlds, where the damned wandered mournfully for a time before finding their way down to whatever hell their sins had earned them. Are we all dead, then?
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
The stories I made up for myself changed. In the half-sleep that preceded full sleep I began to imagine the highway that went north. No real road, this highway was shadowed by tall grass and ancient trees. Moss hung low and tiny birds with gray-blue wings darted from the road’s edge to the trees.
Dorothy Allison (Bastard Out of Carolina)
He spun her world in silver-blue Catching in the light the faintest hues A maiden from a castle tall Its towers spun of silk But it could not stand against the winds Without foundation laid more firm And so the tide rushed forward And took it far from view Far, far away from view. She bent before the boat Laughter once in her eyes Silenced in the morning still And so she stepped into its web An echo of another age And weaving through the waters soft Like the Lady of Shalott Her Camelot in mind’s eye Too lost in silver-turned shadow gray To note the one who stood afar Beside the willowy tree behind Eyes cast in farther distance still Not far from where she lay. Her heart knew only the web that spun And onward she rowed, longer she held. Of silk, a flimsy dash of hope Of silk, a hope dashed in its midst Oh, its towers spun of silk. It could not stand It could not stand For, it was not a rock.
Gina Marinello-Sweeney (Peter (The Veritas Chronicles, #3))
Anna Kate I was lost. Truthfully, it wasn’t the worst place to lose one’s way. I stood in the middle of a rutted golden-orange dirt-and-gravel lane riddled with fissures that resembled cracks on an overbaked gingerbread cake. A breeze swooping through the valley cut the humidity and brought with it a burst of pure, clean air swirling with pine scent. Soaring oaks, pines, and black walnut trees cast long shadows. Butterflies skimmed colorful wildflowers standing brightly among the tall weeds and grasses that hugged the lane. I often found peace in the woods, thanks to Zee. For as long as I could remember, whenever she would visit, she’d find a way to sneak me out to the woods to teach me the magic of nature. She lovingly shared how plants, shrubs, trees, and flowers offered alternatives to traditional medicine—all things my mother had also forbidden. “Callows have always been healers and nurturers, Anna Kate, but you must remember that there are many ways to doctor people, physically and emotionally.
Heather Webber (Midnight at the Blackbird Café)
for the typical man to appreciate, it was the sight through the upper door that was equaled by none. The San Juan Mountains stood tall against the horizon and walled off the surrounding aspen groves that were alive and in full bloom with early autumn colors. Clouds drifted miles away and miles above, gracing the clear blue sky with their company and casting shadows across rolling hills that were dominated by the greens, reds, and golds of a Colorado paradise. The majestic view threatened to take hold of their attention, but Adam and his boy were there to finish what they had started two days earlier, and their eyes were focused on the tree line below.
Jordan Ervin (The Crimson Fall (The Sons of Liberty Book 1))
A disagreement about what?” The voice belonged to Frost, Doyle’s second in command. Other than the fact that they were both tall, physically they were almost opposites. The hair that fell in a glimmering curtain to Frost’s ankles was silver, a shimmering metallic silver like Christmas tree tinsel. The skin was as white as my own. The eyes were a soft grey like a winter sky before a storm. His face was angular and arrogantly handsome. His shoulders were a touch broader than Doyle’s, but other than that they were both very alike and very unalike. He
Laurell K. Hamilton (A Kiss of Shadows (Merry Gentry, #1))
When you are as tall as a tree,," he says slowly, "can I stand in your shadow?" Jared can't help smiling at him. ... "I'd rather you stand in the sun with me,
Felisblanco (The Doors of Time)
Gregori’s body bent first, feathers shimmering iridescent in the moonlight. A six-foot wingspan spread, and he glided to the high branch of a nearby tree, razor-sharp talons digging into a branch. The owl’s body went motionless, blended into the night, simply waited. Aidan was next, a peculiar golden color, powerful and lethal, just as silent. Byron’s form was shorter, more compact, his feathers a mantle of white. Mikhail’s solid form wavered in the shadows, and he launched himself into the night sky, the other three following. As if in perfect understanding, they soared higher, shimmering feathers beating strongly as they raced silently toward the clouds high above the forest floor. The wind rushed against their bodies, under their wings, riffling feathers, brushing away every vestige of sadness and violence left behind by the vampire. In the air they wheeled and banked sharply, four great birds in perfect synchronization. Joy erased dread and the heavy weight of responsibility in Mikhail’s heart, lifted guilt and replaced it with rapture. The powerful wings beat strongly as they raced across the sky together, and Mikhail shared his joy with Raven because he couldn’t contain it, not even in the owl’s powerful body. It spilled out, an invitation, a need to share one more pleasure of Carpathian life. Think, my love. Visualize what I put in your head. Trust me as you have never trusted me before. Allow me to give you this gift. There was no hesitation on her part. With complete faith in him, Raven gave herself into his keeping, reaching eagerly for the vision. The slight discomfort, the strange disorientation as her physical body dissolved, did not faze her. Feathers shimmered, sprouted. Beside her, Jacques stepped back, allowing the smaller female owl to hop onto a tall stone angel before his own large frame compressed, reshaped. Together they launched themselves into the night and soared high to join the other four powerful birds circling above them.
Christine Feehan (Dark Prince (Dark, #1))
He knew exactly what he wanted, he had been working over it in his mind for some seven years now... he had yet to see how much ground he had to use, but neither beauty nor splendor have need of great size. What he wanted was light, light and space, and the upward surge of stone like a growing tree from foundations to vault. No oppression, no darkness, no burden of thick, groaning columns and lowering roofs like the stony weight of guilt. He saw the shape clearly. No chevet of chapels, but a square east end, so that he could have a whole wall of invading light pouring in upon the high altar. Short, strong transepts, lofty aisles, and the clerestory tall and fully glazed above a shallow triforium. The west front with a great, deeply-cut doorway and a vast window above, set back in course on course of moulding, where the light could harp all day long on strings of stone, making even that greyer northern air shine lucid and sharp as the dazzling south. Over the west front two minor turrets, tapering to slender fingers of stone. Over the crossing the great tower, as in Normandy, binding all together, rooting all impregnably into the earth, drawing all erect with it towards heaven. In that tension was the significance of life, and next to light, this he wanted above all, the duality of flesh and spirit, manhood and godhead, the tension of man on his way to God. A noble tower, tall and tapered, its long surfaces so subtly fluted and molded that light and shadow might stroke it into a hundred changing shapes of majesty and beauty as the hours of the daylight passed. Permanence and change, diversity and oneness, in that grey-gold stone that glowed in his memory like - what was Adam's phrase?- a mine of sunshine. There is no growth nor fruitfulness but rises from these paired opposites of darkness and light, earth and heaven. My feet as roots in the earth, my forehead straining into the sun. The tower at once anchoring my church fast to the rock, and translating it into a balanced arrow of light aimed at the sky. There is no beauty where there is doubt or insecurity. A sense of unbalance is the death of art.
Edith Pargeter (The Heaven Tree (Heaven Tree, #1))
You better watch out, you better not cry, Better not pout, I’m telling you why, Santa Claus is mining to town. He’s digging a shaft, checking it twice, Gonna find ores that’re shiny and nice, Santa Claus is mining to town. He sees you when you’re sleeping, He knows when you’re awake, He knows if you’ve been bad or good, So be good for goodness’ sake! With a pickaxe in hand, and a torch so bright, He’s dodging the creepers that roam in the night, Santa Claus is mining to town. He hears a strange sound, turns around in a flash, Ninjas in the shadows, ready to clash, Santa Claus is in a showdown. Ninjas jumping from the trees, Santa’s ready with ease, Throwing snowballs with a breeze, In the moonlight’s silver tease. So, you better watch out, you better not cry, Ninjas are lurking, I’m telling you why, Santa Claus is battling in town. With a swift ninja move, Santa stands tall, Distributing gifts, he outlasts them all, Santa Claus is winning in town. Back on his sleigh, with a jolly old grin, Off to the next world, where adventures begin, Santa Claus is flying from town.
Pixel Ate (The Accidental Minecraft Family: Witherton Wonderland (Christmas Special): AMF Holiday Special Series (The Accidental Minecraft Family: Holiday Specials))