Shades Of Sunset Quotes

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I find it incredibly amazing how at every sunset, the sky is a different shade. No cloud is ever in the same place. Each day is a new masterpiece. A new wonder. A new memory.
Sanober Khan
The evening blessed us with a sunset to rival a painting by Carpaccio in its colours. The sky mutated from shades of ultramarine and azure to vermilion and ochre, then strips of violet and finally indigo.
Gina Buonaguro (The Virgins of Venice)
Do you see the colours, Salama?' Kenan whispers. The sunset is gorgeous, but it pales in comparison to him. He's drenched in the dying day's glow, a kaleidoscope of shades dancing on his face. Pink, orange, yellow, purple, red. Finally settling into an azure blue. It reminds me of Layla's painting. A colour so stark it would stain my fingers were I to touch it. As the sun sinks, in those few precious moments when the world is caught between day and night, something shifts between Kenan and me. 'Yes,' I breathe. 'Yes.
Zoulfa Katouh (As Long as the Lemon Trees Grow)
[Orange] is one of God's favorite colors--- He stuck it right there between red and yellow as the second color in the rainbow. He decorates entire forests with shades of orange every autumn. It shows up in sunrises at the start of the day, sunsets at the end of the day, and in the glow of the moon at the right time of night.
Reggie Joiner (Think Orange: Imagine the Impact When Church and Family Collide...)
There on the dune, beside the table, one of the camel boys has his arm around the other, and they sit there like that as they watch the sun. The dunes are turning the same shades of adobe and aqua as the buildings of Marrakech. Two boys, arms around each other. To Less, it seems so foreign. It makes him sad. In his world, he never sees straight men doing this. Just as a gay couple cannot walk hand in hand down the streets of Marrakech, he thinks, two men, best friends, cannot walk hand in hand down the streets of Chicago. They cannot sit on a dune like these teenagers and watch a sunset in each other’s embrace. This Tom Sawyer love for Huck Finn.
Andrew Sean Greer (Less)
We long to find someone who has been where we've been, who shares our fragile places, who sees our sunsets with the same shades of blue. Soul mates. They somehow validate the depth of our experiences.
Beth Moore (Things Pondered: From the Heart of a Lesser Woman)
The sky takes on shades of orange during sunrise and sunset, the colour that gives you hope that the sun will set only to rise again.
Ram Charan
From MARS Volume 3 by Fuyumi Soryo: Kira: “Why do you go through all that just to race? I guess asking that is the same thing as asking why I draw….probably because I’m alive….that’s all there is to it. I sense colors in you. They’re strong and beautiful….and sad. I wondered what your colors were for a long time. They’re the colors of the sunset…the blazing shades of a sunset that burn just before the darkness sets in. You said it was nothing, but there’s no one as alive as you.
Fuyumi Soryo (Mars, Vol. 3)
The sunset was a splendid display. I wondered if it was showing off for my benefit or if it was often that spectacular. Rarely had I seen such a gorgeous scene; the riotous colors flamed out over the sky in shades that I had no words to describe. Birds sang their last songs of the day before tucking in for the night, and still the darkness hung back. Now, I thought, I understand the word "twilight." It was created for just this time - in this land.
Janette Oke (When Calls the Heart (Canadian West, #1))
For a split second today I could smell home. It smelled like sunset on a dirt road. I thought my heart was going to break. The world I left behind was so close I could almost touch it. Everything in me cried out for it. It's amazing how certain shades of agony have their own beauty. I can't ever seem to make myself believe that the home I once knew doesn't even exist anymore. It's still too real inside my head. I wish I had a handful of dust from back then, so that I could keep it in a bottle and always have it near.
Damien Echols (Life After Death)
Ah God! to see the branches stir Across the moon at Grantchester! To smell the thrilling-sweet and rotten Unforgettable, unforgotten River-smell, and hear the breeze Sobbing in the little trees. Say, do the elm-clumps greatly stand Still guardians of that holy land? The chestnuts shade, in reverend dream, The yet unacademic stream Is dawn a secret shy and cold Anadyomene, silver-gold? And sunset still a golden sea From Haslingfield to Madingley? And after, ere the night is born, Do hares come out about the corn? Oh, is the water sweet and cool, Gentle and brown, above the pool? And laughs the immortal river still Under the mill, under the mill? Say, is there Beauty yet to find? And Certainty? and Quiet kind? Deep meadows yet, for to forget The lies, and truths, and pain?… oh! yet Stands the Church clock at ten to three? And is there honey still for tea?
Rupert Brooke (The old vicarage, Grantchester)
Perhaps I ought to remember that she is very young, a mere girl and make allowances. She is all interest, eagerness, vivacity, the world is to her a charm, a wonder, a mystery, a joy; she can’t speak for delight when she finds a new flower, she must pet it and caress it and smell it and talk to it, and pour out endearing names upon it. And she is color-mad: brown rocks, yellow sand, gray moss, green foliage, blue sky; the pearl of the dawn, the purple shadows on the mountains, the golden islands floating in crimson seas at sunset, the pallid moon sailing through the shredded cloud-rack, the star-jewels glittering in the wastes of space — none of them is of any practical value, so far as I can see, but because they have color and majesty, that is enough for her, and she loses her mind over them. If she could quiet down and keep still a couple of minutes at a time, it would be a reposeful spectacle. In that cases I think I could enjoy looking at her; indeed I am sure I could, for I am coming to realize that she is a quite remarkably comely creature — lithe, slender, trim, rounded, shapely, nimble, graceful; and once when she was standing marble-white and sun-drenched on a boulder, with her young head tilted back and her hand shading her eyes, watching the flight of a bird in the sky, I recognized that she was beautiful.
Mark Twain (The Diaries of Adam and Eve)
For London, Blampied claimed, was of all cities in the world the most autumnal —its mellow brickwork harmonizing with fallen leaves and October sunsets, just as the etched grays of November composed themselves with the light and shade of Portland stone. There was a charm, a deathless charm, about a city whose inhabitants went about muttering, "The nights are drawing in," as if it were a spell to invoke the vast, sprawling creature-comfort of winter.
James Hilton (Random Harvest)
Nothing grows among its pinnacles; there is no shade except under great toadstools of sandstone whose bases have been eaten to the shape of wine glasses by the wind. Everything is flaking, cracking, disintegrating, wearing away in the long, inperceptible weather of time. The ash of ancient volcanic outbursts still sterilizes its soil, and its colors in that waste are the colors that flame in the lonely sunsets on dead planets.
Loren Eiseley
ah yes I know them well who was the first person in the universe before there was anybody that made it all who ah that they dont know neither do I so there you are they might as well try to stop the sun from rising tomorrow the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near lost my breath yes he said I was a flower of the mountain yes so we are flowers all a womans body yes that was one true thing he said in his life and the sun shines for you today yes that was why I liked him because I saw he understood or felt what a woman is and I knew I could always get round him and I gave him all the pleasure I could leading him on till he asked me to say yes and I wouldnt answer first only looked out over the sea and the sky I was thinking of so many things he didnt know of Mulvey and Mr Stanhope and Hester and father and old captain Groves and the sailors playing all birds fly and I say stoop and washing up dishes they called it on the pier and the sentry in front of the governors house with the thing round his white helmet poor devil half roasted and the Spanish girls laughing in their shawls and their tall combs and the auctions in the morning the Greeks and the jews and the Arabs and the devil knows who else from all the ends of Europe and Duke street and the fowl market all clucking outside Larby Sharons and the poor donkeys slipping half asleep and the vague fellows in the cloaks asleep in the shade on the steps and the big wheels of the carts of the bulls and the old castle thousands of years old yes and those handsome Moors all in white and turbans like kings asking you to sit down in their little bit of a shop and Ronda with the old windows of the posadas glancing eyes a lattice hid for her lover to kiss the iron and the wineshops half open at night and the castanets and the night we missed the boat at Algeciras the watchman going about serene with his lamp and O that awful deepdown torrent O and the sea the sea crimson sometimes like fire and the glorious sunsets and the figtrees in the Alameda gardens yes and all the queer little streets and the pink and blue and yellow houses and the rosegardens and the jessamine and geraniums and cactuses and Gibraltar as a girl where I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.
James Joyce (Ulysses)
The moors were far more complex than they had seemed to her on that first night, when she had been young and innocent and unaware of her own future. They were brown, yes, riddled with dead and dying vegetation. Every shade of brown that there was could be found on the Moors. They were also bright with growing green and mellow gold, and with the rainbow pops of flowers - yellow marigold and blue heather and purple wolf’s bane. Hemlock bloomed white as clouds. Foxglove spanned the spectrum of sunset. The Moors were beautiful in their own way, and if their beauty was the quiet sort that required time and introspection to be seen, well, there was nothing wrong with that. The best beauty was the sort that took some seeking.
Seanan McGuire (Down Among the Sticks and Bones (Wayward Children, #2))
A leaf is a silent proverb. Did you ever consider that? When it buds on the tree, people rejoice. Throughout is prime, they love it for the shade it provides. But only when it reaches the end of its time on the tree does its brilliance come through. Sometimes yellow, sometimes orange, sometimes deep red. Dazzling in its artistry, like a drop of sunset you can see at all house of the day." Clara smiled. "A leaf has the most extraordinary death. There is so much beauty to it." Mrs. Kip
Sara Brunsvold (The Extraordinary Deaths of Mrs. Kip)
It was an unusual sunset. Having sat behind opaque drapery all day, I had not realized that a storm was pushing in and that much of the sky was the precise shade of old suits of armor one finds in museums. At the same time, patches of brilliance engaged in a territorial dispute with the oncoming onyx of the storm. Light and darkness mingled in strange ways both above and below. Shadows and sunshine washed together, streaking the landscape with an unearthly study of glare and gloom. Bright clouds and black folded into each other in a no-man's land of the sky. The autumn trees took on the appearance of sculptures formed in a dream, their leaden-colored trunks and branches and iron-red leaves all locked in an infinite and unliving moment, unnaturally timeless. The gray lake slowly tossed and tumbled in a dead sleep, nudging unconsciously against its breakwall of numb stone. A scene of contradiction and ambivalence, a tragicomedic haze over all. A land of perfect twilight.
Thomas Ligotti (The Nightmare Factory)
Yorkshire's autumn was as great a gift as Yorkshire's summer. I loved watching the rusting of the leaves while the dales mellowed to shades of ochre, and rose hips and blackberries grew deliciously fat on their branches. The morning mists were mystical and magical to me, and the rose-glow of the evening sun lent the sky a hypnotic light that matched any Cape Town sunset.
Hazel Gaynor (The Cottingley Secret)
The trees were tinted exquisitely to an uncertain glory as the great red sinking sun flashed its rays on their crystal mantle. The vale of Aylesbury was drowsing beneath a slowly deepening shroud of mist. Above it the hills, their crests rounded and shaded by silver and rose coppices, seemed to have set in them great smoky eyes of flame where the last rays burned in them. 'It is like some dream world,' thought Mr. Cort. 'It is curious how, wherever the sun strikes, it seems to make an eye, and each one fixed on me; those hills, even those windows. But, judging from that mist, I shall have a slow journey home... ("Blind Man's Bluff")
H. Russell Wakefield
Spring had come early that year, with warm quick rains and sudden frothing of pink peach blossoms and dogwood dappling with white stars the dark river swamp and far-off hills. Already the plowing was nearly finished, and the bloody glory of the sunset colored the fresh-cut furrows of red Georgia clay to even redder hues. The moist hungry earth, waiting upturned for the cotton seeds, showed pinkish on the sandy tops of furrows, vermilion and scarlet and maroon where shadows lay along the sides of the trenches. The whitewashed brick plantation house seemed an island set in a wild red sea, a sea of spiraling, curving, crescent billows petrified suddenly at the moment when the pink-tipped waves were breaking into surf. For here were no long, straight furrows, such as could be seen in the yellow clay fields of the flat middle Georgia country or in the lush black earth of the coastal plantations. The rolling foothill country of north Georgia was plowed in a million curves to keep the rich earth from washing down into the river bottoms. It was a savagely red land, blood-colored after rains, brick dust in droughts, the best cotton land in the world. It was a pleasant land of white houses, peaceful plowed fields and sluggish yellow rivers, but a land of contrasts, of brightest sun glare and densest shade. The plantation clearings and miles of cotton fields smiled up to a warm sun, placid, complacent. At their edges rose the virgin forests, dark and cool even in the hottest noons, mysterious, a little sinister, the soughing pines seeming to wait with an age-old patience, to threaten with soft sighs: "Be careful! Be careful! We had you once. We can take you back again.
Margaret Mitchell (Gone with the Wind)
Is the sky blue?" "Well, that depends." Sometimes it's blue, different shades depending on where you, what the weather is like, or the time of day. On cloudy days the sky is really shades of white and gray, and sometimes it looks red, or pink around sunset, or when there is a nearby fire..." I mean really, the possibilities are endless, to a lawyer.
Melody A. Kramer (Why Lawyers Suck! Hacking the Legal System, Part 1)
I didn’t even have a name for her, shade or human, but I didn’t need one to know her. (Eric)
Shannon A. Thompson (Minutes Before Sunset (Timely Death, #1))
I dreamed I stood upon a little hill, And at my feet there lay a ground, that seemed Like a waste garden, flowering at its will With buds and blossoms. There were pools that dreamed Black and unruffled; there were white lilies A few, and crocuses, and violets Purple or pale, snake-like fritillaries Scarce seen for the rank grass, and through green nets Blue eyes of shy peryenche winked in the sun. And there were curious flowers, before unknown, Flowers that were stained with moonlight, or with shades Of Nature's willful moods; and here a one That had drunk in the transitory tone Of one brief moment in a sunset; blades Of grass that in an hundred springs had been Slowly but exquisitely nurtured by the stars, And watered with the scented dew long cupped In lilies, that for rays of sun had seen Only God's glory, for never a sunrise mars The luminous air of Heaven. Beyond, abrupt, A grey stone wall. o'ergrown with velvet moss Uprose; and gazing I stood long, all mazed To see a place so strange, so sweet, so fair. And as I stood and marvelled, lo! across The garden came a youth; one hand he raised To shield him from the sun, his wind-tossed hair Was twined with flowers, and in his hand he bore A purple bunch of bursting grapes, his eyes Were clear as crystal, naked all was he, White as the snow on pathless mountains frore, Red were his lips as red wine-spilith that dyes A marble floor, his brow chalcedony. And he came near me, with his lips uncurled And kind, and caught my hand and kissed my mouth, And gave me grapes to eat, and said, 'Sweet friend, Come I will show thee shadows of the world And images of life. See from the South Comes the pale pageant that hath never an end.' And lo! within the garden of my dream I saw two walking on a shining plain Of golden light. The one did joyous seem And fair and blooming, and a sweet refrain Came from his lips; he sang of pretty maids And joyous love of comely girl and boy, His eyes were bright, and 'mid the dancing blades Of golden grass his feet did trip for joy; And in his hand he held an ivory lute With strings of gold that were as maidens' hair, And sang with voice as tuneful as a flute, And round his neck three chains of roses were. But he that was his comrade walked aside; He was full sad and sweet, and his large eyes Were strange with wondrous brightness, staring wide With gazing; and he sighed with many sighs That moved me, and his cheeks were wan and white Like pallid lilies, and his lips were red Like poppies, and his hands he clenched tight, And yet again unclenched, and his head Was wreathed with moon-flowers pale as lips of death. A purple robe he wore, o'erwrought in gold With the device of a great snake, whose breath Was fiery flame: which when I did behold I fell a-weeping, and I cried, 'Sweet youth, Tell me why, sad and sighing, thou dost rove These pleasent realms? I pray thee speak me sooth What is thy name?' He said, 'My name is Love.' Then straight the first did turn himself to me And cried, 'He lieth, for his name is Shame, But I am Love, and I was wont to be Alone in this fair garden, till he came Unasked by night; I am true Love, I fill The hearts of boy and girl with mutual flame.' Then sighing, said the other, 'Have thy will, I am the love that dare not speak its name.
Alfred Bruce Douglas
I was making dinner and I got a message. Go look outside, she said, go look at the sunset. My apartment is small, with four rooms and two windows that don’t see much light so I had no idea. I pulled my coat on and hurried out. I was running to this sunset, suddenly the only thing that mattered. I hurried past the taller buildings to the park and the sky was leaking shades of pink and purple. It was beautiful and fleeting, there one minute and gone the next. I would’ve missed it; I almost kissed it. And so I started thinking, how great it would be to get a nudge, a tap on your shoulder, a moment or two before your life changes. Stop what you’re doing and look around, you’ll want to remember this later. In a minute, you’re going to fall in love.
Kelsey Danielle
He paused a moment, gazing in awe at the huge mass of buildings composing the castle. It stood close to the river, on either side and to the rear stretched the extensive park and gardens, filled with splendid trees, fountains and beds of brilliant flowers in shades of pink, crimson, and scarlet. The castle itself was built of pink granite, and enclosed completely a smaller, older building which the present Duke's father had considered too insignificant for his town residence. The new castle had taken forty years to build; three architects and hundreds of men had worked day and night, and the old Duke had personally selected every block of sunset-colored stone that went to its construction. 'I want it to look like a great half-open rose,' he declared to the architects, who were fired with enthusiasm by this romantic fancy. It was begun as a wedding present to the Duke's wife, whose name was Rosamond, but unfortunately she died some nine years before it was completed. 'never mind, it will do for her memorial instead,' said the grief-stricken but practical widower. The work went on. At last the final block was laid in place. The Duke, by now very old, went out in his barouche and drove slowly along the opposite riverbank to consider the effect. He paused midway for a long time, then gave his opinion. 'It looks like a cod cutlet covered in shrimp sauce,' he said, drove home, took to his bed, and died.
Joan Aiken (Black Hearts in Battersea (The Wolves Chronicles, #2))
It was just past sunset, and the sky was shifting rapidly from shades of burnt orange into a deep violet blue. The men sat in awed silence, as the world’s largest monolith glowed and shimmered a thousand indescribable shades of crimson.
Kevin Kwan (Crazy Rich Asians)
A leaf is a silent proverb. Did you ever consider that? When it buds on the tree, people rejoice. Throughout its prime, they love it for the shade it provides. But only when it reaches the end of its time on the tree does its brilliance come through. Sometimes yellow, sometimes orange, sometimes deep red. Dazzling in its artistry, like a drop of sunset you can see at all hours of the day.” Clara smiled. “A leaf has the most extraordinary death. There is so much beauty to it.
Sara Brunsvold (The Extraordinary Deaths of Mrs. Kip)
I gazed at the Wyoming skyline. It was vibrant and alive, its pastel shades of pink and blue swirling together like billowy layers of cotton candy. Of all the places I’d been in my life, Wyoming sunsets were spectacular, the grandest I’d ever seen.
Cheryl Bradshaw (Hush Now Baby (Sloane Monroe, #6))
...I watched the day slip into night, noting the wondrous tonal transformations of the sunset on its dimmer switch, how blood-orange can shade imperceptibly into ice-blue on the knife-edge of the horizon, listening to the sea's interminable call for silence - shh, shh, shh.
William Boyd (Sweet Caress: The Many Lives of Amory Clay)
Sometimes all you need is a little bit of Sunshine. I have learnt that Life is not about the walk that we have taken but the company, the experiences we have gathered. I have learnt that in each and every unknown path of our journey we get to know more of our own selves. I have learnt that Forgiveness comes from Love and knowledge that everyone has a story that we cannot fathom. I have learnt that Darkness only comes to lead us to Light while moulding our grey shades in the best silhouette of our soul. I have learnt that all it takes is a little word of encouragement or a pat on a shoulder to let a person know how valued that person truly is. I have learnt that most special moments and bonds can come with a time frame and as long as we have them we need to live that to its fullness and then just let that be. I have learnt that making connections isn't difficult but the easiest way to connect to one's own self. I have learnt that silence has so much more clutched up than words could ever open. I have learnt that sunsets are as beautiful as sunrises, nights are as dreamy as morns. I have learnt that sometimes Life takes a complete different turn to what we plan or expect but when seen from a distance that turn actually looks just the one meant to take us to our destination, where our souls embrace every walk taken so far to know, to accept all that we are. I have learnt that in a world where we could be anything, I chose to be Love. I have learnt that sometimes Love is not what we wait for or what we expect others to shower us with but what we embody and shower others with for Love is the Dream of a Dreamer, the Melody of a Music, the Sunshine of a Sun. And sometimes all you need is a little bit of Sunshine.
Debatrayee Banerjee
Usually, we think of an apple as being red. This is not the same red as that of a cherry or tomato. A lemon is yellow and an orange like that of its name. Bricks vary from beige to yellow to orange, and from ochre to brown to deep violet. Foliage appears in innumerable shades of green. In all these cases the colors named are surface colors. In a very different was, distant mountains appear uniformly blue, no matter whether covered with green trees or consisting of earth and rocks. The sun is glaring white in daytime, but it is full red at sunset. The white ceiling of houses surrounded by lawns or the white-painted eaves of a roof on a sunny day appear in bright green, which is reflected from the grass on the ground. All these cases present film colors. They appear as a thin, transparent, translucent layer between the eye and an object, independent of the object's surface color.
Josef Albers (Interaction of Color)
Don't be surprised when you open your crying eyes to the world before our heavenly sunrise, and it closes, shines those shut lids, blinds become eclipse realms I feel overwhelmed by what a surprise the final sunset looks like deep inside your eyes closing the line between hidden and revealed in the ink dripped seal
Brandon Villasenor (Prima Materia (Radiance Hotter than Shade, #1))
It’s different," Sorgan’s younger cousin Torl declared, gesturing at the glorious sunset late that afternoon. "It’s pretty enough, I suppose, but it’s not too much like the sunsets out at sea. Mountains seem to do peculiar things to the sky." "It’s the clouds, Captain Torl," Keselo explained. "Most of the time, I’d imagine, the clouds out over the sea sort of plod along from here to there. When they come to mountains, though, they have to climb up one side and then slide down the other. That sort of scrambles them, so they’re thicker in some places and thinner in others. That’s why we see so many different shades of red in a mountain sunset.
David Eddings (Crystal Gorge (The Dreamers, #3))
I go near to the shore And the rustling boat smiles I stare up at the moon And the stars shine bright I walk during the sunsets Observing the shades of nature Oh how I wonder Seeing the sunrise painting the sky But I fear that We are losing the art of god For we do not know How to make the world A great place to live in
Jyoti Patel (The Curved Rainbow)
The slightest sea breeze clung to the air as Peter and Harper walked the pathway along Charleston Harbor. A few dolphins played in the not-so-distant waves, and sunlight fell like glitter in shades of orange and pink against the water. And this---this---was Charleston. All they needed was a front porch painted haint blue and a proverbial glass of sweet tea.
Ashley Clark (The Dress Shop on King Street (Heirloom Secrets, #1))
There were so many places where one might deteriorate pleasantly: Port Said, Shanghai, parts of Turkestan, Constantinople, the South Seas - all lands of sad, haunting music and many odors, where lust could be a mode and expression of life, where the shades of night skies and sunsets would seem to reflect only moods of passion: the colors of lips and poppies.
F. Scott Fitzgerald (This Side of Paradise)
A leaf is a silent proverb. Did you ever consider that? When it buds on the tree, people rejoice. Throughout its prime, they love it for the shade it provides. But only when it reaches its time on the tree does its brilliance come through. Sometimes yellow, sometimes orange, sometimes deep red. Dazzling in its artistry, like a drop of sunset you can see at all hours of the day. A leaf has the most extraordinary death. There is so much beauty in it.
Sara Brunsvold (The Extraordinary Deaths of Mrs. Kip)
Anne went to the little Avonlea graveyard the next evening to put fresh flowers on Matthew’s grave and water the Scotch rosebush. She lingered there until dusk, liking the peace and calm of the little place, with its poplars whose rustle was like low, friendly speech, and its whispering grasses growing at will among the graves. When she finally left it and walked down the long hill that sloped to the Lake of Shining Waters it was past sunset and all Avonlea lay before her in a dreamlike afterlight— ‘a haunt of ancient peace.’ There was a freshness in the air as of a wind that had blown over honey-sweet fields of clover. Home lights twinkled out here and there among the homestead trees. Beyond lay the sea, misty and purple, with its haunting, unceasing murmur. The west was a glory of soft mingled hues, and the pond reflected them all in still softer shadings. The beauty of it all thrilled Anne’s heart, and she gratefully opened the gates of her soul to it.
L.M. Montgomery (Anne of Green Gables)
The calm skies that drifted above us lulled us into thinking this traversée would be smooth, but after several hours, the unsteady sea had taken its toll on me and after a light lunch and a brief swim in the open sea failed to do so, I attempted to remedy my mal de mer with rest. When I awoke, the sun had already set and the cool air and soft light of twilight helped recalibrate my disoriented thoughts. Although my seasickness had subsided, I lay starboard side facing the heavens - that were now a deep shade of purple - so as to not provoke another episode. We set to anchoring behind several large volcanic pillars just a stone’s-throw away from where the Tyrrhenian Sea kissed the east of the island. A handful of wishes scattered the skies as we approached the shores of Aci Trezza. As these stars traced their dying song across the void above, part of me felt ashamed for even entertaining the notion of wishing upon a star, but that voice was speedily silenced by words He had once shared with me in Scotland: “There is always some truth to fiction.
R.J. Arkhipov
And now, if the people of the lower world chanced to be looking upward out of the turmoil of their petty perplexities, they probably mistook the castle in the air for a heap of sunset clouds, to which the magic of light and shade had imparted the aspect of a fantastically constructed mansion. To such beholders it was unreal, because they lacked the imaginative faith. Had they been worthy to pass within its portal, they would have recognized the truth, that the dominions which the spirit conquers for itself among unrealities become a thousand times more real than the earth whereon they stamp their feet, saying, “This is solid and substantial; this may be called a fact.
Nathaniel Hawthorne (Mosses from an Old Manse)
Finally, I have come to realise that an imperfect Life is actually the most perfect Life. I have come to see how Life is beautiful in all its colours, more so because the shades of grey bind them and paint them with even more radiance. A clear sky is always beautiful but what if we never have rain or storm? Sunshine is always wonderful but what if we never have the soothing dusk or the cold night to coil in our own misty self? Storms that come to jolt us often leave us with more courage as we sail along the gust to chase a silver lining. The scorching heat that chokes us often makes us wait more eagerly for that balm of rain. So is Life, in all those moments of sunset we have the hope of the following sunrise, and if we may wait and absorb all that crumbling ray of that sunset we would be able to paint our sunrise with even more crimson smile. Because just like a story, nothing in Life is really concrete without patience. We cannot skip pages of a book because each line contains just so much to seep in, and to have the story fully lived inside our heart and soul we have to keep reading until the very end to feel that sense of peaceful happiness, that always clutches us no matter how the ending is drafted. In the same manner, we have to keep walking through Life, as each and every step of ours leads us to the destination of our Life, the destination of peace, the destination of knowledge of self. The best part of this walk is that it is never a straight line, but is always filled with curves and turns, making us aware of our spirit, laughing loud at times while mourning deep at times. But that is what Life is all about, a bunch of imperfect moments to smile as perfect memories sailing through the potholes of Life, because a straight line even in the world of science means death, after all monotony of perfection is the most cold imperfection. So as we walk through difficult times, may we realise that this sunset is not forever's and that the winter often makes us more aware of the spring. As we drive through a dark night, may we halt for a moment and watch for the stars, the smile of the very stars of gratitude and love that is always there even in the darkest sky of the gloomiest night. As we sail along the ship of Life, may we remember that the winds often guide us to our destination and the storms only come to make our voyage even more adventurous, while the rain clears the cloud so that we may gaze at the full glory of the sky above, with a perfect smile through a voyage of imperfect moments of forever's shine. And so as we keep turning the pages of Life, may we remember to wear that Smile, through every leaf of Life, for Life is rooted in the blooming foliage of its imperfect perfection.
Debatrayee Banerjee
When she...walked down the long hill that sloped to the Lake of Shining Waters it was past sunset and all Avonlea lay before her in a dreamlike afterlight- 'a haunt of ancient peace'. There was a freshness in the air as of a wind that had blown over honeysweet fields of clover. Home lights twinkled out here and there among the homestead trees. Beyond lay the sea, misty and purple, with its haunting, unceasing murmur. The west was a glory of soft mingled hues, and the pond reflected them all in still softer shadings. The beauty of it all thrilled Anne's heart, and she gratefully opened the gates of her soul to it. 'Dear old world,' she murmured, 'you are very lovely, and I am glad to be alive in you.
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
We perceive our circumstances as good or bad. The circumstances in themselves are powerless unless we attach our emotions to them. A boyfriend and girlfriend witnessing the sunset together find it so very romantic. But if they are forced to stay separately, the same sunset causes pain since they are apart. A man dying of terminal illness finds it as a signal of death. A depressed man finds it as "one more day gone". A poet finds poetry in the sunset. A painter finds beautiful shades in it. It's the same sunset but the perceptions are different. Learn to see a situation as just a situation. Neither good nor bad. Then there is no pain. No ecstasy. Learn to just BE. Don't try to BE. Love and Peace to All!!!
Rahul Bijlaney
The last rain had come at the beginning of April and now, at the first of June, all but the hardiest mosquitoes had left their papery skins in the grass. It was already seven o'clock in the morning, long past time to close windows and doors, trap what was left of the night air slightly cooler only by virtue of the dark. The dust on the gravel had just enough energy to drift a short distance and then collapse on the flower beds. The sun had a white cast, as if shade and shadow, any flicker of nuance, had been burned out by its own fierce center. There would be no late afternoon gold, no pale early morning yellow, no flaming orange at sunset. If the plants had vocal cords they would sing their holy dirges like slaves.
Jane Hamilton (A Map of the World)
When the Sunrise clutches my soul, I often wonder what if our souls are made in grayscale, only to soak in the colours of the day, every single day walking through every single moment of each passing day. What if every ray that paints the horizon is but a bunch of souls ornate in different shades of white only to find the different shades of black to melt away in a Sunset Sky, in a Smile of embracing a day anew or in a mellow cry of a day's passing by. Perhaps the Dawn has the answer, or perhaps there's a whisper in the Dusk! All while, let me search away for the pieces of my soul in the grayscale of Time's hue. And I know, Life will put the colours back again, one more time, at Time's cue. Love & Light, always - Debatrayee
Debatrayee Banerjee
I: GOD, I seem to have an undefined connection with nature. At times, it’s more than what I see and at other times more than what I hear. What am I missing Dear GOD? GOD: Son, seek inspiration from nature. Seek answers from nature. For nature represents me in all my glory. Allow the rainbow to paint you with hope and joy. Allow the roar of the waves to light up your passion. Allow the flowers to make your soul fragrant. Allow the mountains to teach to be lofty. Allow the valleys to teach you to be humble. Allow the sunset to instill hope for another beginning tomorrow. Allow the sunrise to whisper to you "today is your day" Allow the forests to teach you to give shade to others since the joy is in giving and not receiving. Allow the rains to reach and touch each cell in your body as my communique I speak in many forms. Son, it’s how you decode them.
Rahul Bijlaney
He was but three-and-twenty, and had only just learned what it is to love—­to love with that adoration which a young man gives to a woman whom he feels to be greater and better than himself. Love of this sort is hardly distinguishable from religious feeling. What deep and worthy love is so, whether of woman or child, or art or music. Our caresses, our tender words, our still rapture under the influence of autumn sunsets, or pillared vistas, or calm majestic statues, or Beethoven symphonies all bring with them the consciousness that they are mere waves and ripples in an unfathomable ocean of love and beauty; our emotion in its keenest moment passes from expression into silence, our love at its highest flood rushes beyond its object and loses itself in the sense of divine mystery. And this blessed gift of venerating love has been given to too many humble craftsmen since the world began for us to feel any surprise that it should have existed in the soul of a Methodist carpenter half a century ago, while there was yet a lingering after-glow from the time when Wesley and his fellow-labourer fed on the hips and haws of the Cornwall hedges, after exhausting limbs and lungs in carrying a divine message to the poor. That afterglow has long faded away; and the picture we are apt to make of Methodism in our imagination is not an amphitheatre of green hills, or the deep shade of broad-leaved sycamores, where a crowd of rough men and weary-hearted women drank in a faith which was a rudimentary culture, which linked their thoughts with the past, lifted their imagination above the sordid details of their own narrow lives, and suffused their souls with the sense of a pitying, loving, infinite Presence, sweet as summer to the houseless needy. It is too possible that to some of my readers Methodism may mean nothing more than low-pitched gables up dingy streets, sleek grocers, sponging preachers, and hypocritical jargon—­elements which are regarded as an exhaustive analysis of Methodism in many fashionable quarters. That would be a pity; for I cannot pretend that Seth and Dinah were anything else than Methodists—­not indeed of that modern type which reads quarterly reviews and attends in chapels with pillared porticoes, but of a very old-fashioned kind. They believed in present miracles, in instantaneous conversions, in revelations by dreams and visions; they drew lots, and sought for Divine guidance by opening the Bible at hazard; having a literal way of interpreting the Scriptures, which is not at all sanctioned by approved commentators; and it is impossible for me to represent their diction as correct, or their instruction as liberal. Still—­if I have read religious history aright—­faith, hope, and charity have not always been found in a direct ratio with a sensibility to the three concords, and it is possible—­thank Heaven!—­to have very erroneous theories and very sublime feelings. The raw bacon which clumsy Molly spares from her own scanty store that she may carry it to her neighbour’s child to “stop the fits,” may be a piteously inefficacious remedy; but the generous stirring of neighbourly kindness that prompted the deed has a beneficent radiation that is not lost. Considering these things, we can hardly think Dinah and Seth beneath our sympathy, accustomed as we may be to weep over the loftier sorrows of heroines in satin boots and crinoline, and of heroes riding fiery horses, themselves ridden by still more fiery passions.
George Eliot
Making Time for God Don’t burn out; keep yourselves fueled and aflame. Be alert servants of the Master, cheerfully expectant. Don’t quit in hard times; pray all the harder. Romans 12:11-12 MSG Has the busy pace of life robbed you of the peace that might otherwise be yours through Jesus Christ? If so, you are simply too busy for your own good. Through His Son Jesus, God offers you a peace that passes human understanding, but He won’t force His peace upon you; in order to experience it, you must slow down long enough to sense His presence and His love. Each waking moment holds the potential to think a creative thought or offer a heartfelt prayer. So even if you’re a woman with too many demands and too few hours in which to meet them, don’t panic. Instead, be comforted in the knowledge that when you sincerely seek to discover God’s purpose for your life, He will respond in marvelous and surprising ways. Remember: this is the day that He has made and that He has filled it with countless opportunities to love, to serve, and to seek His guidance. Seize those opportunities today, and keep seizing them every day that you live. We all long for that more sane lifestyle rather than being overwhelmed. Patsy Clairmont When a church member gets overactive and public worship is neglected, his or her relationship with God will be damaged. Anne Ortlund In our tense, uptight society where folks are rushing to make appointments they have already missed, a good laugh can be a refreshing as a cup of cold water in the desert. Barbara Johnson Life is not intended to be simply a round of work, no matter how interesting and important that work may be. A moment’s pause to watch the glory of a sunrise or a sunset is soul satisfying, while a bird’s song will set the steps to music all day long. Laura Ingalls Wilder MORE FROM GOD’S WORD Careful planning puts you ahead in the long run; hurry and scurry puts you further behind. Proverbs 21:5 MSG You can’t go wrong when you love others. When you add up everything in the law code, the sum total is love.
Freeman Smith (Fifty Shades of Grace: Devotions Celebrating God's Unlimited Gift)
Ned was always an admirer of sunrises. From his first days in the West when he was a runaway boy, he had been gladdened by the dawn over the prairie. He loved the beauty as the day began to break, the black sky softening into gray, the faint streak of yellow light, then flash following flash of violent color - rose and purple and magenta - as far as the eye could reach. He never failed to hold his breath as the sun slid over the horizon like a giant gold watch. If he rode late at night, he waited until sunrise to bed down. And when he stayed at The Chili Queen, he sometimes rose at dawn just to watch the day begin, going back to bed only when the color in the sky faded into blue, the pale shade of a shirt that had been washed again and again. Once, when the sunrise filled the heavens with streaks of pink and orange, Ned awakened Addie to see the wonder of it, but she muttered she had never seen a sunrise that was worth missing two minutes of sleep. She'd take a sunset any day. Not Ned. Sunset was the beginning of darkness; sunrise meant a whole new, glad day ahead, filled with the gift of surprise. From the first time Ned had seen the western sunrise, with the daylight washing over the prairie, turning the brown grasses to gold, he had felt his boy's heart lift and was filled with a sense of freedom he'd never even dreamed about at his father's farm on the Mississippi.
Sandra Dallas (The Chili Queen)
I never dreamed I’d find a woman as perfectly suited for me as she is. Alexa loves the color green, but not just any green. It’s a mint green—a sea foam green. The shade suits her well because she has always reminded me of the sea. She is calm like the ocean waves. She is a constant source of light, like a lighthouse. She is hard-working, like a ship in the middle of a storm. She is a safe harbor. She is a bright horizon. And I want to sail into the sunset with her.
Bruce Pitcher (Larger Than Life: From Childhood Abuse to Celebrity Weight-Loss TV Show)
Aligning your body clock to the new environment requires a phase shift. It takes one day per time zone to shift. Advance or retard your body clock as many days before your trip as the number of time zones you’ll be crossing. Before traveling east, get into sunlight early in the day. Before traveling west, avoid sunlight early by keeping the curtains drawn, and instead expose yourself to bright light in the evening, to simulate what would be late afternoon sun in your destination. Once you’re on the plane, if you’re westbound, keep the overhead reading lamp on, even if it is your home bedtime. When you arrive in the western city, exercise lightly by taking a walk in the sun. That sunlight will delay the production of melatonin in your body. If you’re on an eastbound plane, wear eye shades to cover your eyes two hours or so before sunset in your destination city, to acclimate yourself to the new “dark” time.
Daniel J. Levitin (The Organized Mind: The Science of Preventing Overload, Increasing Productivity and Restoring Your Focus)
Here, before the swaying grasses in that moment magnificent, the light catches the mop-headed thatch of sable palms on the spiny little islands sprinkled about. Wide creeks mirror the sun in shimmering rivulets rippling with the tide. In the languid afternoon the light ebbs from the stark horizon and washes back, altering shadows in shades of blue over the seascape and marsh." From Chapter 5
Will Irby (An Unfinished Sunset: The Return of Irish Bly)
When I woke up the lounge chair was empty, the woman was gone. But the gray light that pervaded the sky after sunset made me melancholy. That diffuse shade, exclusive to no one, defeated me, it provided no relief. Come to think of it, there’s always some savage element at the beach, either to tolerate or to overcome: an element we crave and cower from at the same time. I’ve
Jhumpa Lahiri (Whereabouts)
occasion, might reveal itself in the rarest of true art. The entirety of his life was devoted to the hope that someday he would create a sculpture so perfectly carved and balanced, set in just the right place among the trees, that it would be capable of reflecting this light. He had seen it in the works of others, yet he believed he had failed in his own. I wish he could have known the truth. Just weeks after he died, I went to see the bear. It was the end of an autumn day, and as I stepped into the meadow, the light of the setting sun was cooling from oranges and reds to the bluer shades. He had never looked so alive; shadows dipped and curved along his outstretched claws, his fur and muscles seemed poised for life, and for a moment, the sun just touching the horizon, the marble seemed to be formed of translucent light itself. I had no doubt of what I was witnessing—this was not simply a flattering cast of sunset; this was the light Father had sought his entire life. The nearest I can describe is when Father took the back off a piano and showed me how a strong, clear note could cause other strings to vibrate without ever setting finger to them. He said the strings were
Eowyn Ivey (To the Bright Edge of the World)
Father spoke of a light that is older than the stars, a divine light that is fleeting yet always present if only one could recognize it. It pours in and out of the souls of the living and dead, gathers in the quiet places in the forest, and on occasion, might reveal itself in the rarest of true art. The entirety of his life was devoted to the hope that someday he would create a sculpture so perfectly carved and balanced, set in just the right place among the trees, that it would be capable of reflecting this light. He had seen it in the works of others, yet he believed he had failed in his own. I wish he could have known the truth. Just weeks after he died, I went to see the bear. It was the end of an autumn day, and as I stepped into the meadow, the light of the setting sun was cooling from oranges and reds to the bluer shades. He had never looked so alive; shadows dipped and curved along his outstretched claws, his fur and muscles seemed poised for life, and for a moment, the sun just touching the horizon, the marble seemed to be formed of translucent light itself. I had no doubt of what I was witnessing—this was not simply a flattering cast of sunset; this was the light Father had sought his entire life. The nearest I can describe is when Father took the back off a piano and showed me how a strong, clear note could cause other strings to vibrate without ever setting finger to them. He said the strings were
Eowyn Ivey (To the Bright Edge of the World)
I stood under the portico of the main house and rang the chimes. The day had already turned warm, but it was cool in the shade and the air smelled of damp brick and four-o’clock flowers and the mint that grew under the water faucets
James Lee Burke (Sunset Limited (Dave Robicheaux, #10))
I see foreboding and foreshadowing... Sunrise to sunset in your eyes.
A.E. Samaan (Shades of Vanity - Shades and Shadows of Eroticism)
The Pitjantjatjara and Pintupi don’t wash with water—for one thing because there isn’t much water in the desert, but for another because they don’t want to bother the Rainbow Serpent, the all-powerful creator god who lives around the water holes. Instead they use ashes from their fires to wash themselves, and it doesn’t deodorize them. The thing that fascinated me most was that they have absolutely no possessions. This is connected to the fact that they don’t believe in tomorrow; there is only today. For example, it is very rare to find a kangaroo in the desert. When they find one, they have food to eat, which is a big deal for them. But after they kill and cook the kangaroo, they can never finish it: there’s always lots of meat left. But since they’re always moving from place to place, when they wake up the next morning, they don’t take the meat with them. They just leave everything—the next day is the next day. Ulay and I separated, because among the Aborigines, the men stay with men and the women with women. The two sexes only make love during nights with a full moon, then they separate again. This creates total harmony—they don’t get a chance to bother each other! My main job with the women was watching them present their dreams. Every morning we would go to a field somewhere, and in hierarchical order, starting with the oldest women and moving down to the youngest, they would show us, using a stick to make drawings in the dirt, what they’d dreamed the night before. Each woman would then assign the rest of us roles to act out the dream as they interpreted it. They all had dreams; they all had to show them—dreams playing all day long! As spring turned to summer, the heat would rise to 50 degrees Celsius or more—130-plus degrees Fahrenheit. It’s like a hot wall. If you just stand up and walk a few paces, your heart feels like it’s going to hammer through your chest. You can’t. There are very few trees; there’s very little shade of any kind. So you literally have to be motionless for long periods of time. You function before sunrise and after sunset—that’s it. To stay motionless during the day, you have to slow down everything: your breathing, even your heartbeat. I also want to mention that Aboriginals are the only people I know who don’t take drugs of any kind. Even tea is much too strong a stimulant for them. That’s why they don’t have any kind of resistance to alcohol—it completely wipes out their memory. In the beginning, there were flies everywhere. I was covered with them—in my nose, in my mouth, all over my body. It was impossible to chase them away. Then after three months, I woke up one morning without a single fly on me. It was then that I understood that the flies had been drawn to me because I was something strange and different: as I became one with my surroundings, I lost my attraction.
Marina Abramović
Ah, a crimson sunset above the silhouette of the ocean. It blazes with brilliance and arouses all the passion and yearning in the soul of the beholder. Many found themselves awash in its burst of colors while others never minded to stop and appreciate it because they were awash in lesser things. Sunset is always wiser than sunrise because it adds the experience of an entire day to your being. While you may prefer a cloudless blue sky and an easy, pleasant day, don’t forget that setting sun needs cloudy skies to manifest its grandest of all earthly spectacles and mundane days require arduous challenges to experience the true joy of life. it is incredible how at every sunset, the sky is a different shade, with no cloud ever in the same place. Each day is a new masterpiece, a new wonder, a new memory. Every sunset is an opportunity to reset, as it brings the promise of a new dawn.
Winston Ma
I leave you free to be yourself: to think your thoughts, indulge your tastes, follow your inclinations, behave in ways that you decide are to your liking.” And you will notice something else: The person automatically ceases to be especial and important to you. And he/she becomes important the way a sunset or a symphony is lovely in itself, the way a tree is especial in itself and not for the fruit or the shade that it can offer you. Your beloved will then belong not to you but to everyone or to no one like the sunrise and the tree. Test it by saying those words again: “I leave you free to be yourself …” In saying those words you have set yourself free. You are now ready to love. For when you cling, what you offer the other is not love but a chain by which both you and your beloved are bound. Love can only exist in freedom. The true lover seeks the good of his beloved which requires especially the liberation of the beloved from the lover.
Anthony de Mello (The Way to Love: Meditations for Life)
Nyaxia stepped to the sands, each footfall silent. She bent down and cradled my face in her hands. Her eyes, all black, held the waning glow of a dying sunset, revealing a different shade of the sky every time she turned her head.
Carissa Broadbent (The Serpent and the Wings of Night (Crowns of Nyaxia, #1))
Behind me, the setting sun stained the black-and-white tiles of the hall floor a shimmering shade of tangerine, and my long shadow seemed to pulse to the beat of the drums. Even the garden, usually buzzing with the orchestra of its denizens, had quieted to hear the drums. There was a string- a string tied to my gut that pulled me toward those hills, commanding me to go, to hear the faerie drums...
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
pausing before Sunflowers as though personally responsible for introducing the artist to the group. ‘Impasto – see how thick he lays on the paint. Uses the canvas as a pallet! And another van Gogh–see the many strokes.’  Jack was astonished by the effect of the scene before him: a bright yellow sunset, in the foreground a man in a field. Not worked with the brushstrokes that he was familiar with, but rather, the image was created by thousands of tiny dashes in as many colourful shades. Immediately beside it was a painting by Georges Seurat.
Penny Fields-Schneider (The Sun Rose in Paris (Portraits in Blue #1))
And of course walking through the quaint, sun-drenched town, the historic buildings—by law none were allowed to be more than two stories tall, because anything higher might impede a neighbor’s view of the sunset—each painted a different shade of pink or blue or yellow, stopping for ice cream or groceries at the locally owned shops.
Meg Cabot (No Judgments (Little Bridge Island #1))
I WOULD NEVER FORGET the day you slipped away. A small lift of your chin and our eyes met. I only saw emptiness in a place where a wistful vulnerability used to collide with wonder. Now, a hollowness of a bottomless pit. In your eyes, I’d never seen your shade of green so dim. It caused my stomach to fall into the same somber eclipse, spiraling faster and faster with no end, no walls, only darkness. And then you averted your gaze. The flesh from my bones, the blood in my veins, the oxygen in my lungs, all of it crumbled, breaking into small pieces yet still holding on by a thread—the thread was my heart. It pumped on auto-pilot as if it couldn’t associate with the rest of my body. It’s thumping sounded in my ears, and I wished it would stop, but my heart was not ready to let go. It continued with the same steady beat, refusing to give up what was right in front of me. Maybe your eyes will return to mine, I thought—well, prayed. And I waited. Two seconds passed. Then three—waiting as my body weakened from your disconnection, and my heart continued to pump. Four. And then your back was to me. Whatever we’d had no longer existed, but I remembered everything clearly, and it wasn’t fair. Could I have accepted the hollow look in your eyes over the wonder? Surely, anything you had to offer would be better than nothing. If only you had turned back around. Had you even noticed me? And then you took a step in the opposite direction. You were gone, left in obscurity and I couldn’t bring you back, but my heart still maintained a steady beat, pumping along to a rhythm of crimson hope. “Stay with me,” you had said over and over. Who would have thought you would be the one to take a step into oblivion? I’m screaming now, can you hear me?Why didn’t you stay with me? I didn’t get to kiss you goodbye. You were gone, and even though you were only twenty feet away, I missed you. It was entirely possible you’d wake up and turn back around, or I’d wake up. Either way, it was a nightmare. I forced my eyes closed. I couldn’t watch you walk away, each step drawing more distance and less of a chance of you coming back. The darkness was better, anyway, and if I held my lids closed tight, I could see stars. I focused on the yellow and orange horizon behind my eyelids, pretending it was a sunset through the bitterness. The only warmth was the water gathering in the corners of my eyes. The tears struggled for a moment, fighting the same lie as my beating heart. I wished I could switch places with you, because I didn’t deserve a world once blessed by your light, and you didn’t deserve this at all. But this is what I deserved. In the beginning, I’d thought you’d be fun, and I’d thought I could leave you effortlessly. It was me who ripped hearts out, but now mine was the one bleeding. The walls surrounding me had been durable, indestructible, before you. And with no more walls, and no more you, I was slowly suffocating. When it came down to you and me, I’d never thought you’d be the one to slip away.
Nicole Fiorina, Stay With Me
The UAE summer is here again with the temperatures already having gone past 45C some days. So how do you keep your dogs cool and exercised during these hot months? For walks, go out before sunrise and after sunset, with just a tiny pee break in the middle of the day. The sidewalks and roads will be burning hot, so make sure to use doggie boots for bigger dogs and carry smaller ones to a shaded area for the midday pee.
jetsetpets
Consider earth, our home. Let your eyes savor the brilliant hues and delicate shadings of a summer sunset. Tunnel your toes into wet sand, stand still, and feel the dependable foam and spray of an ocean tide. Visit a butterfly garden and study the abstract designs: 10,000 variations, more imaginative than those of any abstract painter, all compressed into tiny swatches of flying fabric. Belief in a loving Creator is easy among these good things.
Philip Yancey (Where Is God When It Hurts?)
one man, under stress, react in … in a noble way, a selfless way. But to me, organized religion, the formalities and routines, it’s like being marched in formation to look at a sunset. I don’t knock it for other people. Maybe they need routines, rules, examples, taboos, object lessons, sermonizing. I don’t.
John D. MacDonald (A Deadly Shade of Gold (Travis McGee #5))
His words explained, but they did not convince. Was this sudden-bursting glory only the sun rising behind storm clouds? She could see the clouds moving while they were being colored. The universal gray surrendered under some magic paint brush. The rifts widened, and the gloom of the pale-gray world seemed to vanish. Beyond the billowy, rolling, creamy edges of clouds, white and pink, shone the soft exquisite fresh blue sky. And a blaze of fire, a burst of molten gold, sheered up from behind the rim of cloud and suddenly poured a sea of sunlight from east to west. It trans-figured the round foothills. They seemed bathed in ethereal light, and the silver mists that overhung them faded while Carley gazed, and a rosy flush crowned the symmetrical domes. Southward along the horizon line, down-dropping veils of rain, just touched with the sunrise tint, streamed in drifting slow movement from cloud to earth. To the north the range of foothills lifted toward the majestic dome of Sunset Peak, a volcanic upheaval of red and purple cinders, bare as rock, round as the lower hills, and wonderful in its color. Full in the blaze of the rising sun it flaunted an unchangeable front. Carley understood now what had been told her about this peak. Volcanic fires had thrown up a colossal mound of cinders burned forever to the hues of the setting sun. In every light and shade of day it held true to its name. Farther north rose the bold bulk of the San Francisco Peaks, that, half lost in the clouds, still dominated the desert scene. Then as Carley gazed the rifts began to close. Another transformation began, the reverse of what she watched. The golden radiance of sunrise vanished, and under a gray, lowering) coalescing pall of cloud the round hills returned to their bleak somberness, and the green desert took again its cold sheen.
Zane Grey (The Call Of The Canyon)
5. not-so-magic hour The most flattering light for vacation photos is the golden glow just before sunset or right after sunrise, and the most unflattering is, undoubtedly, the full-strength glaring sun. Make the best of a bright situation by seeking the softer light created by the shade of a beach umbrella, cabana, lifeguard tower, or tall lifeguard. If there's no shade in sight and you're truly committed, ask your subject to face their own shadow, and angle a boogie board to bounce light on their face. Or just ask everyone to close their eyes and look down, then, on the count of three, look up and say "Pina colada." Smiles, guaranteed.
Marnie Hanel (Summer: A Cookbook: Inspired Recipes for Lazy Days and Magical Nights)
It’s a sort of dull unhappiness that comes from isolation & blankness & monotony. It is quite different to the dullness & melancholia at home; I believe people have it sometimes in Kipling & it is, I think, in the air of the country. I went for a walk the other night by the side of the lagoon at sunset; the beauty of it was supreme with the bright green of the paddy fields, the masses of palms, the sky every shade of red & yellow, & the sea every shade of blue; but for all the brilliancy of colour there was a heavy melancholy over it all.
Leonard Woolf (Letters of Leonard Woolf)
I have been thinking of light, the way it collected in the rain drops that morning I was so full of joy, and the way it shifts and moves in unexpected ways, so that at times this cabin is dark and cool and the next filled with golden warmth. Father spoke of a light that is older than the stars, a divine light that is fleeting yet always present if only one could recognize it. It pours in and out of the souls of the living and dead, gathers in the quiet places in the forest, and on occasion, might reveal itself in the rarest of true art. The entirety of his life was devoted to the hope that someday he would create a sculpture so perfectly carved and balanced, set in just the right place among the trees, that it would be capable of reflecting this light. He had seen it in the works of others, yet be believed he had failed in his own. I wish he could have known the truth. Just weeks after he died, I went to see the bear. It was the end of an autumn day, and as I stepped into the meadow, the light of the setting sun was cooling from oranges and reds to the bluer shades. He had never looked so alive; shadows dipped and curved along his outstretched claws, his fur and muscles seems poised for life, and for a moment, the sun just touching the horizon, the marble seemed to be formed of translucent light itself. I had no doubt of what I was witnessing -- this was not simply a flattering cast of sunset; this was the light Father had sought his entire life. The nearest I can describe is when Father took the back off a piano and showed me how a strong, clear note could cause other strings to vibrate without ever setting finger to them. He said the strings were resonating in sympathy to that pure sound. So it was within me. Shall I allow myself to believe in an immortal soul? If so, then I am certain it was Father's spirit that gathered with the divine light of the world and radiated from that finely carved marble. He always looked to his angels and gods and his Pietà. He never thought to look so near.
Eowyn Ivey (To The Bright Edge of the World)
It was a perfect summer’s evening. Shade from the trees along the fence line stretched over the grass and a gentle breeze wafted. Crickets hummed in the shrubbery and, above the whole scene, a spectacular sunset spread its pretty bloom over the sky.
Barbara Hannay (The Summer of Secrets)